The Real Housewives of Beverly Hills (2010–…): Season 3, Episode 16 - Episode #3.16 - full transcript
The women explore Paris, but when Kim is late for a cooking class, they fear something terrible has happened. Kim is irritated by Lisa's possibly faux concern and encourages Kyle to confront Lisa about their troubled friendship - which she does, on top of the Eiffel Tower.
- PREVIOUSLY ON THE REAL
HOUSEWIVES OF BEVERLY HILLS...
- SOMETIMES
IT'S A BALANCING ACT.
- YOU KNEW I WAS VERY SENSITIVE
ABOUT NOT YOU HAVING
DEFENDED ME IN THE PAST.
- OKAY, BUT HOWEVER,
YOU ALSO HOLD A GRUDGE.
WHAT DID THEY GIVE YOU?
YOU SPOKE TO THE DOCTOR
ABOUT THE MEDICINES?
- YEAH, BUT I HAVEN'T EVEN
NEEDED ANYTHING.
MY DECISION TO NOT
TAKE PAIN MEDICINE
IS REALLY IMPORTANT
FOR ME IN MY SOBRIETY.
- CHEERS TO A WONDERFUL WEEKEND
IN PARIS.
- I'M ON MY MEDICATION,
AND IF I DON'T TAKE IT PROPERLY,
OR, YEAH, IT CAN BE
ALL OVER THE PLACE.
- WHAT TIME DID YOU
GET HERE, KIM?
- I'VE BEEN HERE FOR DAYS, LISA.
WHOO, FEEL LIKE MARILYN.
- IS EVERYTHING OKAY?
- YEAH. [laughs]
[upbeat music]
- LIFE ISN'T ALL DIAMONDS
AND ROSE,
BUT IT SHOULD BE.
- MONEY DOESN'T GIVE YOU CLASS.
IT JUST GIVES YOU MONEY.
- KNOW YOUR FRIENDS.
SHOW YOUR ENEMIES THE DOOR.
- I FOUGHT TOO HARD
FOR THIS ZIP CODE
TO GO HOME NOW.
- I LIKE TO HAVE FUN,
BUT I DON'T PLAY GAMES.
- LIFE IS A JOURNEY,
AND I'M FINDING MYSELF
EVERY DAY.
- I'M BORN AND RAISED
IN BEVERLY HILLS.
THIS IS MY TOWN.
[French music]
♪♪ ♪♪
- NOW LET'S GO DOWN, AND WE'RE
GONNA WALK ON THE SEINE.
- OKAY,
'CAUSE I CAN'T JOG ANYMORE.
- I KNOW, COME ON.
CHUG, CHUG, CHUG, CHUG, CHUG.
- OH, YOU'RE SCARING...
- KEEP IT GOING, GIRL.
HERE WE GO.
I LOVE BEING
ON THE STREETS OF PARIS.
WE DON'T RUN ALONG THE SEINE
EVERY DAY OF OUR LIVES,
SO IT'S EXCITING,
IT'S BEAUTIFUL.
OH, THAT WAS GREAT, WASN'T IT?
- [laughs] NO, IT WAS HORRIBLE.
- COME ON. THAT'S WHY...
YOU KNOW, I'M GONNA BE
A GOOD INFLUENCE IN YOUR LIFE.
- I KNOW, I DON'T LIKE IT.
- NO MORE DANCING...
- I FEEL LIKE IF IN TEN YEARS
I LOOK LIKE YOLANDA LOOKS...
SHE'S TEN YEARS OLDER THAN ME...
I WILL BE A VERY LUCKY WOMAN.
SO I BETTER START DRINKING
GREEN [bleep] AND JOGGING.
- WHAT YEAR WERE YOU HERE?
IN '80... NO...
- '90... '90...
- '90, SEE?
- '91 OR '92.
- I LIVED HERE IN '90...
I MEAN, I STARTED
LIVING HERE IN '90...
I MEAN IN '80...
'80... YOU KNOW, '83.
SO, LIKE, EXACTLY...
- SO WE'RE, LIKE,
A DECADE APART FOR HERE,
BUT IT'S THE... I MEAN,
IT'S THE SAME [bleep].
IT'S THE SAME CLUBS, THE SAME
PROMOTERS, THE SAME AGENTS.
- THE SAME LIFESTYLE, YEAH.
- I MEAN, THIS...
IT'S SO WEIRD, IT'S LIKE COMING
BACK HERE, NOTHING CHANGES.
- NO.
- MY MODELING DAYS
WERE MY HAPPIEST DAYS EVER.
I MET PEOPLE FROM ALL WALKS OF
LIFE, FROM ALL OVER THE WORLD.
I'M STILL FRIENDS WITH A LOT
OF THE GIRLS I MET OVERSEAS.
- FIRST TIME
I WAS ON THE CATWALK,
ONE OF THE GIRLS CAME THIS WAY,
AND I CAME THIS WAY,
AND SHE WENT
ON PURPOSELY LIKE THAT,
AND I HAD NEVER WALKED
IN HIGH HEELS,
AND I KIND OF FELL OFF
THE CATWALK.
AND FROM THAT DAY ON,
I LEARNED TO, LIKE...
- TOUGHEN UP.
- BUT I WAS MILKING COWS
AND RIDING HORSES
THE WEEK BEFORE I WAS HERE
ON THE CATWALK.
- FOREIGN GIRLS ARE AMAZING.
THAT'S WHY I GET ALONG
WITH LISA AND YOLANDA SO WELL.
- OKAY, ENOUGH, I MEAN, LET'S
JUST ENJOY THIS BEAUTIFUL VIEW.
LOOK AT THAT, OH, MY GOD.
ISN'T THAT GREAT?
- IT'S BEAUTIFUL.
- OH! [laughs]
YAY.
- YOU KNOW,
COBBLESTONES AND HIGH HEELS...
NOT A GOOD COMBINATION.
- THEY DON'T MIX?
- NO, THEY DON'T.
OH, MY GOSH.
AFTER HAVING A LITTLE BIT
OF A ROUGH NIGHT LAST NIGHT,
MY SISTER DEFINITELY
IS NOT SEEMING LIKE HERSELF.
I DON'T KNOW
WHAT'S GOING ON WITH HER,
BUT I'M CONCERNED.
- THIS BRIDGE HERE...
- OKAY.
- IT'S LIKE THE LOVER'S BRIDGE.
PEOPLE THAT ARE
IN LOVE WITH EACH OTHER
AND THEY WANT TO STAY TOGETHER
FOREVER AND EVER AND EVER,
THEY...
- I KNOW SOMEONE LIKE THAT.
- DO YOU KNOW
SOMEBODY LIKE THAT?
- YES, I DO.
- AND THEY COME HERE
AND THEY PUT A LITTLE LOCK ON...
- THEY PUT THEIR NAMES ON IT.
- THEY PUT THEIR NAMES.
- THAT'S SO ROMANTIC.
- YOU LOCK IT IN THERE,
AND THEN YOU...
- THROW AWAY THE KEY?
- THROW AWAY THE KEY.
- THAT'S SO CUTE, I LOVE THAT.
- AND THEN IT CAN NEVER BE,
YOU KNOW, UNLOCKED AGAIN.
- WE DON'T HAVE A LOCK.
- WELL, I ACTUALLY BROUGHT
A SPECIAL LOCK WITH ME.
- YOU DID NOT.
- I DID.
- YOU DID, FOR REAL?
- YEAH.
- THAT'S SO CUTE,
HONEY, I LOVE THAT.
USUALLY MY HUSBAND'S
ROMANTIC GESTURES ARE LIMITED
TO BRINGING ME COFFEE
IN THE MORNING
OR MAYBE RUNNING ME
A BATH NOW AND THEN.
I THINK THAT PARIS IS BRINGING
OUT THE ROMANTIC IN HIM.
- WHAT SHOULD WE WRITE?
- "KYLE AND MAURICIO FOREVER."
THEN WE CAN COME BACK,
WE CAN SHOW THE KIDS ONE DAY
AND BRING THEM BACK HERE.
WHERE DO WE PUT IT?
LET'S FIND A GOOD SPOT.
- UM, OOPS.
I DON'T KNOW ABOUT THE KEY.
- WHAT?
- [laughs]
- YOU'RE LYING.
- OH, HERE IT IS. THANK GOD.
- [laughs] I WAS LIKE,
OH, GOD, YOU FORGOT THE KEY?
- WHEW.
- PHEW-EE.
OH, IT IS RAINING. [gasps]
- THAT'S GOOD LUCK.
A COUPLE OF RAINS...
A COUPLE OF DROPS ARE GOOD LUCK.
- MM, LET'S PUT THE LOCK ON.
WE'RE GONNA...
- WELL, I'M KISSING YOU FIRST.
- HOW 'BOUT RIGHT HERE?
- YOU LIKE THAT SPOT?
- WAIT, A GOOD SPOT
THAT THE KIDS CAN REMEMBER.
THERE.
AND THERE'S OUR NAMES.
- PERFECT.
- I LOVE IT.
- MAKE A WISH.
- US TO BE TOGETHER FOREVER
AND HEALTHY AND HAPPY
AND FOR OUR KIDS TO ALWAYS BE
HEALTHY AND HAPPY TOO.
- OKAY, READY?
- I LOVE YOU MORE THAN ANYTHING.
- IT'S GOING DEEP.
- OKAY, GO.
- [laughs] THANK GOD
IT DIDN'T LAND ON THEM.
- [laughs]
- YOU GUYS ARE AWESOME.
I'M SO GLAD WE'RE IN PARIS,
I LOVE YOU GUYS.
- WE HAVEN'T REALLY SPENT
ANY TIME TOGETHER, KIM, HAVE WE?
- NO, I THINK THAT, UM...
I THINK IT'S ONE OF THE THINGS
THAT WHEN I CAME HOME...
WHEN I FIRST SAW YOU,
I TOLD YOU YOU WERE...
I SAW SUCH A DIFFERENCE IN YOU,
AND MAYBE IT WAS
A DIFFERENCE IN ME,
BUT I REALLY WANTED
TO SPEND TIME WITH YOU.
I'VE REALLY ENJOYED
THE TIME WHEN WE'RE TOGETHER.
I REALLY... I DO,
I ENJOY YOUR COMPANY.
- THANKS, DARLING.
- YOU KNOW, AND I ENJOY
YOUR COMPANY TOO, KEN.
YOU KNOW? - THANKS, DARLING.
- I'M REALLY HAVING FUN.
AND I WANT YOU GUYS
TO COME OVER FOR DINNER.
- I HAVE SEEN KIM
IN A VERY POSITIVE LIGHT
SINCE SHE'S BEEN IN REHAB.
BUT SHE SEEMS TO BE
IN A MUCH BETTER SPACE
THAN SHE WAS LAST NIGHT,
BUT SHE STILL SEEMS
TO BE RAMBLING A LITTLE BIT.
- YOU'VE HAD ME
TO YOUR RESTAURANT,
AND I WOULD LIKE YOU
TO COME TO MY HOUSE,
AND I'LL SHOW YOU...
YOU CAN TELL ME...
I MEAN, YOU CAN SHOW ME
HOW TO MAKE A GOOD SALAD,
BUT I'LL SHOW YOU...
- OH, I DON'T NEED TO SHOW YOU...
- I'LL MAKE YOU
ONE OF MY DINNERS.
- EXACTLY.
- HOW'S YOUR RELATIONSHIP
WITH YOUR SISTER NOW?
- YOU KNOW, WHEN I WENT AWAY,
SHE WAS VERY SUPPORTIVE
FOR ME TO GO AWAY,
BUT SINCE I CAME HOME,
THEN WE JUST STOPPED TALKING.
IT HURTS ME, AND I WANT TO.
I FEEL LIKE I SEE KYLE,
AND SHE'S NICE TO ME.
GIVES ME A HUG AND A KISS, BUT...
BUT I DON'T FEEL LIKE IT'S REAL.
AND...
I JUST WANNA KNOW WHY.
- DO YOU THINK YOU'LL
EVER FIGURE IT OUT, THOUGH?
OR YOU DON'T...
- WELL, SHE'S CHANGED.
THERE'S SOMETHING DIFFERENT.
THERE'S SOMETHING WRONG
WITH MY SISTER.
THERE'S SOMETHING DIFFERENT
ABOUT HER.
SHE'S NOT THE SAME PERSON.
- MY RELATIONSHIP'S
CHANGED WITH HER.
BIG-TIME.
- BUT WHY HAS YOURS CHANGED?
- BECAUSE OF THE WAY
SHE TREATED ME.
IT'S ALWAYS NICE
TO HAVE A FRIEND
THAT TURNS AROUND AND SAYS,
"YOU KNOW WHAT?
I'M ON YOUR SIDE..."
- AND I JUST SAID...
- "SHUT THE [bleep] UP."
- I WILL WORK ON THAT,
LIKE I SAID.
AND IT WAS NOT TO HURT YOU.
- WORK ON IT.
I JUST KNOW THAT
SHE'LL NEVER HAVE MY BACK.
- WHEN I'M NOT WITH HER,
I'M SO ANGRY AT HER
BECAUSE I FEEL LIKE,
WHY AREN'T WE COMMUNICATING?
SO THEN I GET MAD, AND I FEEL...
- BUT DO YOU TELL HER THAT?
- I DO... I DID,
I FINALLY JUST SAID,
"I DON'T KNOW...
DON'T KNOW WHAT'S WRONG,
BUT WHATEVER IT IS,
WE NEED TO FIX THIS
BECAUSE I KNOW
THERE'S SOMETHING THERE.
THERE'S SOMETHING WRONG.
- SO DOES SHE FEEL THE
RELATIONSHIP'S CHANGED WITH HER?
- UH-HUH.
- BLOODY HELL, IT'S RAINING.
- I WANNA DO THE LITTLE BICYCLE.
I WANNA DO THE BICYCLE.
- MAYBE HERE WOULD BE A GOOD...
A GOOD PLACE TO TALK ABOUT IT.
LIKE, WHEN YOU'RE AWAY,
YOU'RE RELAXED TOGETHER.
- I THINK THAT KYLE
AND I NEED TO TALK ABOUT IT,
BUT I NEED TO GIVE SOMETHING...
- SORRY, DARLING.
- LET'S GET ON ONE
OF THOSE LITTLE BICYCLES.
- LET'S GO.
- WE CAN TALK ABOUT IT LATER.
- KEEP WALKING, I WANT TO GET
SOME LUNCH BEFORE IT RAINS.
- YOU... YOU KNOW KYLE.
I LOVE THE RAIN.
[laughs]
- NOW, THIS LOOKS GOOD.
- DO THE CARS STOP, OR DO THEY
JUST RUN YOU OVER HERE?
- THIS IS GOOD.
ONE MINUTE, KIM SEEMS,
LIKE, REALLY DISORIENTED,
AND THE NEXT MINUTE,
SHE SEEMS ALMOST FINE.
SHE'S CONFUSING, IT'S KIND OF
UP AND DOWN LIKE A BLOODY YO-YO.
- I THINK I'M GONNA HEAD BACK
TO THE HOTEL NOW.
I LIKE THE RAIN.
I LOVE PARIS'S RAIN.
- COMING UP...
- KIM.
- [knocks]
[French music]
♪♪ ♪♪
- THE WORKMANSHIP IN THAT.
- IT'S BEAUTIFUL.
- LOOK AT IT, THE CARVING...
- OH, YOU CAN GO TO THE...
YOU CAN GO UP ON THE TOP.
I DIDN'T KNOW THAT. - YEAH.
I'VE NEVER BEEN ON TOP. - NO.
- YOU'VE NEVER BEEN ON TOP?
THAT'S NOT WHAT I'VE HEARD.
- HAVE YOU? [both laugh]
- I WAS ONCE. [laughs]
- NAUGHTY.
GIGGY.
GIGGY AT THE NOTRE DAME.
SO CUTE WITH GIGGY-GU.
- YOU LOOK SO SIMILAR, YOU TWO.
- DO ONE WITH... IT'S BEAUTIFUL.
- YOU'VE GOT
THE SAME HAIRDRESSER.
- DO ONE... COME ON,
ONE PICTURE WITH YOUR...
WITH YOUR HUSBAND.
- OH, GET OFF THE STEP.
- GOOD OUTFIT.
WHERE IS KIM?
- SHE WENT BACK TO THE HOTEL.
- I WORRY ABOUT HER BECAUSE
HER BEHAVIOR WAS JUST SO OFF.
- TODAY SHE SEEMED A LITTLE BIT
MEDICATED, DIDN'T SHE?
SOMETHING. I KNOW SHE WAS...
SHE WAS GOOD.
- YEAH.
- BUT...
- I DON'T KNOW.
- SAID SOME STRANGE THINGS,
DIDN'T SHE?
- ISN'T THE WHOLE POINT
OF COMING OUT OF REHAB
TO BE TOTALLY CLEAN? - YEAH.
- WELL, I JUST WONDER, WHEN YOU
COME OUT OF THOSE SITUATIONS,
WHEN THEY GIVE YOU MEDICATION...
- YEAH.
- IT COULD GET... YOU'RE TAKING
SOMETHING. I DON'T KNOW.
- JUST BECAUSE IT'S
A PRESCRIBED PRESCRIPTION...
both: DOESN'T MEAN...
- IT'S OKAY.
- THAT IT'S OKAY.
- KIM HAS TOLD ME
SHE'S TAKING PRESCRIPTION DRUGS
TO HELP HER ON HER ROAD
TO RECOVERY,
AND I JUST PRAY TO GOD
THAT THIS ISN'T
A WHOLE NEW SET OF PROBLEMS.
- I WORRY THAT SHE GOES TO BED
AND, YOU KNOW, WHO KNOWS?
DOESN'T... - YEAH.
- YOU JUST DON'T KNOW.
YOU HEAR SO MANY
AWFUL STORIES THESE DAYS...
both: OF PEOPLE NOT WAKING UP.
- LET'S AGREE TO KEEP
AN EYE ON HER, YEAH?
- JUST SEE HOW IT PLAYS OUT.
- I'M EXCITED, YOU KNOW, TONIGHT
WE'RE GONNA HAVE SO MUCH FUN.
- OH, YEAH.
- I CAN'T WAIT.
- HAVE I GOT TO GO?
- WHAT DO YOU MEAN,
HAVE YOU GOT TO GO?
- YEAH, IT'S A COOKING CLASS
IN PARIS.
- IT'S A COOKING CLASS.
PARIS IS ONE OF THE COOKING
CAPITALS OF THE WORLD.
SO RATHER THAN JUST
EAT OUT EVERY NIGHT,
I THOUGHT IT WOULD BE
A LOT OF FUN
TO MAYBE TAKE
A COOKING CLASS, SO...
[speaking French]
- I WANNA LEARN SOMETHING
AND GO HOME...
- COME ON, THEN, LET'S...
- AND COOK FOR MY HUSBAND.
- LET'S GO AND HAVE
A LOOK AT THAT STATUE.
- AND THEN WE'RE GOING
IN NOTRE DAME.
- OOH.
- WOW, IT'S STILL
BEAUTIFUL TONIGHT.
- IT IS.
- WAIT, WHERE'S KIM?
- HOW ARE WE LEAVING
WITHOUT KIM?
- YEAH, WHERE'S KIM?
- I DON'T KNOW.
WANNA WAIT FOR HER?
- WHERE IS KIM?
- I THOUGHT MAYBE
SHE WENT DOWN ALREADY.
- WELL, I WAS WITH HER TILL
LUNCHTIME, BUT I DON'T KNOW.
- LET ME CALL HER.
- MAYBE I SHOULD JUST
RUN UP TO THE ROOM.
MAYBE SHE'S STILL SLEEPING.
- I'LL GO UP. I'LL GO UP.
- THIS REMINDS ME OF HAWAII,
ALL OVER AGAIN.
WE'VE BEEN WAITING FOR YOU
FOR HALF AN HOUR.
HOW LONG ARE YOU GONNA BE?
- KYLE, ARE YOU
COMING IN OR NOT?
- NO, I'M NOT COMING IN,
I WANT TO KNOW IF YOU'RE COMING.
- JUST HURRY UP.
THE BUS IS WAITING.
I FEEL A LITTLE DEJA VU
COMING ON IN PARIS.
- I HAVEN'T HAD THAT FEAR
AND WORRIED ABOUT MY SISTER
LIKE I USED TO IN A LONG TIME.
I'M GONNA GO TO HER ROOM.
I'M GONNA GO TO HER ROOM.
- I'LL GO WITH YOU.
I'LL GO WITH HER.
MY HEART IS KIND OF
STARTING TO BEAT IN MY CHEST
LIKE I FEEL ANXIETY
BECAUSE YOU HEAR SO MANY
AWFUL STORIES THESE DAYS
OF PEOPLE MIXING MEDICATIONS.
AND AT THIS POINT, I'M A BIT
WORRIED THAT THAT MIGHT BE,
YOU KNOW, THE SCENARIO.
[knocks]
- [knocks] KIM?
[knocks]
KIM.
I'M SCARED.
I DON'T KNOW WHAT I'M GONNA FIND
ON THE OTHER SIDE OF THE DOOR.
- KIM.
- [knocks]
KIM?
- HEY, ARE YOU OKAY?
WHAT ARE YOU DOING?
- WHAT'S WRONG?
- WE'RE SUPPOSED TO BE
IN THE LOBBY 40 MINUTES AGO.
- WHAT'S WRONG?
- YOU GOTTA QUICKLY GET DRESSED.
- I WILL.
- ARE YOU OKAY?
- YEAH.
- OKAY.
- THERE IS NO ALCOHOL BOTTLES,
I DON'T SEE
ANY MEDICATION BOTTLES,
HER HAIR IS STICKING OUT
AND ALL SLEEPY, I'M LIKE, "OH,
THANK GOD, SHE JUST OVERSLEPT."
- OKAY.
- I'M SO SORRY, YOU GUYS.
- IT'S OKAY. OKAY,
JUST HURRY UP AND GET READY.
WE'LL MEET YOU AT...
WE'LL MEET YOU DOWN THERE.
- OKAY.
- KIM HAS BEEN AN ALCOHOLIC
FOR MANY YEARS.
I KNOW THAT IT IS A DAILY
STRUGGLE FOR HER TO STAY SOBER.
SO I JUST HAVE TO KEEP
MY FINGERS CROSSED EVERY DAY
AND HOPE THAT SHE STAYS STRONG.
- I WONDER...
I WONDER WHAT'S HAPPENING,
'CAUSE IN HAWAII WE KIND OF
GOT INTO THE SAME THING.
- I KNOW. BUT YOU WERE
WITH HER ALL DAY.
SHE WAS FINE, RIGHT?
- THERE'S FINE,
AND THERE'S FINE.
- RIGHT, WELL,
THERE'S FINE, AND THERE'S KIM.
[both chuckle]
- I DON'T WANT TO OVERREACT,
BUT I'M REALLY RATHER ANXIOUS.
I HAVEN'T SEEN HER
FOR SIX HOURS.
WE PARTED WAYS BEFORE LUNCH.
BUT THE TROUBLE IS
IS I'VE ONLY KNOWN KIM
WHEN SHE HAD
THE DRINKING PROBLEM.
- RIGHT.
- SO I DON'T REALLY KNOW...
- EXACTLY.
- YOU KNOW WHAT I'M SAYING?
- YEAH, EVERY TIME I...
SO I DON'T KNOW. WE'LL SEE.
- HI, GIRLS.
- OKAY.
- SHE IS? WHAT WAS SHE DOING?
- SHE'S OKAY.
WELL, SHE'S FALLEN ASLEEP.
- WELL, SHOULD WE WAIT FOR HER?
- YEAH, OF COURSE.
- WE'RE GONNA WAIT FOR HER.
SHE'S GONNA BE A FEW MINUTES.
- SHE'S QUICKLY GETTING DRESSED.
- SHE COULD'VE JUST...
LIKE I SAID, I WAS SLEEPING TOO.
- RIGHT.
- YEAH.
- I DIDN'T KNOW
THE BOYS WEREN'T COMING.
- NO, THE BOYS...
WELL, THEY'RE COMING LATER.
- AND WHAT ARE WE DOING LATER?
- YOU DON'T WANT TO GO WALKING,
YOU JUST WANT TO GO
FIND A CUTE BOY AND KISS.
- I EXERCISED ALL DAY WITH YOU.
WE DID CARTWHEELS, WE SKIPPED,
WE RAN, WE JOGGED, WE WALKED.
THAT'S MORE EXERCISE
THAN I DO IN A WEEK.
[laughter]
- A YEAR.
- YES, IT'S A LOT.
- WHERE IS MY SISTER?
- YEAH, WHERE IS SHE?
- WAIT, DEJA VU. DEJA VU.
- WE ARE.
- WHERE IS KIM?
IF I HAD A DOLLAR FOR EVERY TIME
I'VE SAID, "WHERE'S KIM?"
I'D BE A BILLIONAIRE.
OH, MY GOSH.
- OH, HERE'S KIM.
THERE'S KIM, YOU GUYS.
- OKAY, MY LOVE, WELL,
SAY BYE TO THE GIRLS.
KIMMY, HOW ARE YOU FEELING,
BABE, ARE YOU AWAKE?
- YEAH, I'M AWAKE. I TOOK A NAP.
AFTER I CAME BACK...
I TOLD YOU I WAS EXHAUSTED.
I'M EXHAUSTED, I'M TOTALLY EX...
AND I FELT LIKE I'VE BEEN
ON EUROPEAN TIME.
- DID YOU TAKE
ANY SLEEPING PILL OR SOMETHING?
- SLEEPING PILL? THAT WOULD MEAN
THAT I HAD RELAPSED.
NO.
- SO HOW LONG
DID YOU PASS OUT FOR?
HOURS. I SAW YOU FOUR HOURS AGO.
- TWO HOURS.
SO WHOSE IDEA
WAS THIS COOKING LESSON?
- LISA.
- WHY DID WE FLY ALL THE WAY
TO PARIS TO MAKE OUR OWN DINNER?
- [laughs]
- I'M JUST TRYING TO GET YOU OUT
OF YOUR BEDROOM, FOR GOD'S SAKE.
WE'RE SUPPOSED TO BE IN PARIS.
- I WAS WITH YOU ALL AFTERNOON.
- NO, THAT WAS THIS MORNING.
- OH, NO... CAREFUL NOW.
I SPENT THE DAY WITH LISA.
WE STARTED ABOUT,
I THINK, 9:00, SO ALL DAY.
I DON'T... YEAH. 9:00 OR 10:00.
AND AT ABOUT 4:00 OR 5:00,
SHE HAD TO LEAVE
BECAUSE SHE HAD TO GO TO...
MAN...
I WAS WITH YOU ALL AFTERNOON.
WATCH IT, GIRLFRIEND.
- THAT WAS... NO.
- THAT'S NOT COOL.
- THEN WE... THEN WE...
NO, THEN WE LEFT. THEN WE LEFT.
- DON'T GO THERE.
- WE WERE TOGETHER
THIS AFTERNOON.
[chuckles] WE WERE.
WE WERE TOGETHER...
- DON'T ROCK THAT BOAT.
- OH, OKAY.
- WHAT HAPPENED?
- I DON'T KNOW.
- WHAT'D I MISS?
- I LEFT YOU, AND... WHAT?
- NO. [mumbles]
DON'T TALK TO ME LIKE I STAY
IN MY ROOM AND I SLEEP ALL DAY
AND I HA...
BECAUSE THAT'S NOT THE CASE.
- COMING UP...
- DON'T GO IN THERE NOW.
- DON'T GO IN THERE.
- CUTTING THE HEAD OF A DUCK?
OH, STOP.
[chops, silverware rattles]
- UH! THAT'S ONE.
- OH, MY GOD.
- I DON'T UNDERSTAND THAT.
- I DON'T EVEN KNOW
WHAT ANY OF THAT WAS ABOUT.
- I DON'T UNDERSTAND THAT.
WASN'T I WITH YOU
THIS AFTERNOON?
- I JUST DON'T WANT HER
TO GET UPSET
RIGHT BEFORE WE START COOKING.
- I DON'T KNOW.
- [sniffles]
I UNDERSTAND COMPLETELY
IF THEY WERE FRIGHTENED,
AND THEY THOUGHT MAYBE
I WAS DRINKING OR SOMETHING.
BUT KNOCK OUT
THE SNIDE COMMENTS.
[sniffles] YOU KNOW? NO JOKES.
LISA, IT'S JUST WHAT SHE DID,
IT WAS SO MEAN, I JUST...
- WHAT? I CAN'T UNDERSTAND
ANYTHING YOU'RE SAYING.
- I THINK WHAT LISA DID
WAS SO MEAN,
AND I'VE WORKED
VERY HARD THIS YEAR.
[sobs]
NOBODY KNOWS
WHAT I HAVE GONE THROUGH.
WHEN YOU'RE SO DISAPPOINTED
AND YOU DON'T WANT
TO LOOK IN THE MIRROR ANYMORE,
THAT'S A HORRIBLE FEELING.
- WHERE ARE THE OTHER GIRLS?
THEY ON THE WAY?
- NO, THEY'RE IN THE CAR.
SHALL I GO AND GET THEM?
- IF YOU LIKE.
- NO.
- OH, COME ON.
- DON'T... I JUST THINK
THEY NEED SOME TIME ALONE.
- WHY?
- I DON'T KNOW.
I JUST FEEL LIKE KIM'S ON EDGE,
AND ANYTHING ANYONE SAYS TO HER
RIGHT NOW IS NOT GONNA GO WELL.
- RIGHT HERE NOW,
I DON'T KNOW WHAT HAPPENED.
I HAD TO LAY DOWN,
I WAS SO EXHAUSTED. I'M NOT...
AND I WASN'T
FEELING GOOD LAST NIGHT.
AND THE TIME CHANGE,
I DON'T KNOW,
BUT, YOU KNOW,
I DON'T WANT THIS TO BE LIKE
HISTORY REPEATS ITSELF
'CAUSE IT'S NOT LIKE THAT.
- HERE COMES LISA.
- NO, I DON'T WANT HER
IN HERE RIGHT NOW.
- ARE YOU COMING?
- COULD YOU GIVE US A SECOND?
I WANT TO TALK TO MY SISTER.
- ARE YOU OKAY?
- YEAH.
- WHAT'S THE MATTER?
- NOTHING.
I JUST WANT TO TALK
TO MY SISTER, LISA.
- ARE YOU OKAY OR NOT?
DO YOU WANT TO CANCEL IT?
WHAT'S THE MATTER?
- SHE JUST WANTS TO TALK
TO ME FOR A MINUTE.
SHE JUST WANTS TO TALK.
- BUT DO YOU WANT TO CANCEL IT?
- NO.
- YOU DON'T WANT TO GO IN
LIKE THAT, DO YOU?
- NO, I...
- DO YOU?
- I WANNA COME IN,
I JUST WANNA TALK TO MY SISTER.
- DARLING, I'LL CANCEL IT,
OR SHOULD WE JUST GO AHEAD?
- SHE WANTS TO GO IN,
SHE JUST WANTS TO
TALK TO ME FOR A MINUTE.
- WHEN PEOPLE SEE US HAVING
KIND OF AN INTIMATE MOMENT,
THEY SHOULD RESPECT THAT.
THEY COME RIGHT OVER
AND BE LIKE,
"WHAT ARE YOU TALKING ABOUT?"
REALLY?
- NO, SHE'S REALLY
CRYING IN THERE.
- SHE IS?
- YEAH.
- THAT'S WHAT I'M SAYING.
I DON'T THINK THAT THERE'S...
- NO, NO, NO, NO,
THEY DON'T WANT US IN THERE.
THEY WERE LIKE, "NO."
SHE SAID, "I WANT TO TALK
TO MY SISTER."
- I DON'T THINK ANYONE CAN SAY
ANYTHING RIGHT RIGHT NOW...
- I KNOW.
- SO I DON'T...
I JUST LET THEM HAVE THEIR...
- SHOULD WE JUST DO IT?
- YEAH, LET'S SHUT THE DOOR.
- I SAID,
"DO YOU WANT TO CANCEL IT?"
I WAS JUST BEING LIGHTHEARTED.
THE LAST THING
I WANT TO DO IS UPSET KIM,
AND I DON'T KNOW
WHY SHE'S OVERREACTING.
WHAT THE HELL IS GOING ON?
- I OVERSLEPT
THIS MORNING AS WELL.
- IT'S... IT'S...
- BUT I HAD A...
WHAT I'M TRYING TO...
I DON'T KNOW WHY
SHE'S SENSITIVE ABOUT IT.
- YEAH, BUT SHE'S
CRYING HER EYES OUT.
OBVIOUSLY,
SOMETHING ELSE IS GOING ON.
- WE'VE GONE
ON OTHER VACATIONS WITH HER
WHERE SHE WASN'T SHOWING
BECAUSE SHE WAS DRUNK,
SO I THINK THAT PEOPLE...
SHE'S THINKING
PEOPLE ARE INSINUATING
THAT'S HAPPENING AGAIN, AND
THAT'S NOT NECESSARILY THE CASE,
AND SHE'S JUST ULTRA SENSITIVE,
WHICH NONE OF US WILL EVER
KNOW WHAT THAT'S LIKE BECAUSE
WE'RE NOT IN THAT SITUATION.
- BUT WHAT DO WE DO NOW?
SHOULD WE LEAVE?
- NO, WE SHOULD JUST
START COOKING.
- I DON'T THINK WE SHOULD
START WITHOUT HER.
I THINK... - HUH?
I DON'T THINK
THEY'RE GONNA COME IN.
- I DON'T THINK
WE'RE GONNA START WITHOUT HER.
- IT JUST... IT BOTHERED ME,
AND IT MADE ME FEEL LIKE
SHE WAS TRYING
TO MAKE ALL OF YOU THINK
THAT I JUST WAS IN MY ROOM
SLEEPING ALL DAY.
I DON'T KNOW IF I CAN TRUST HER.
- WELL, DON'T LET IT BOTHER YOU.
LET'S GO INSIDE.
LET'S GO HAVE FUN.
I THINK THAT LISA
IS JOKING AROUND WITH KIM,
BUT WITH A VERY SENSITIVE TOPIC.
SO KIM IS BEING
OVERLY SENSITIVE,
AND I CAN UNDERSTAND
HER POSITION.
- WE GOT FOOD, WE GOT WINE,
WE'RE GOOD TO GO.
- DO YOU NEED ME TO DO ANYTHING
WHILE WE'RE WAITING?
- NO, NO, WE'RE COOL.
- I FEEL LIKE I'M READY.
WE HAVE MYST...
WE HAVE A MYSTERY POULTRY.
- MYSTERY... MYSTERY ANIMAL.
- OOH, IS THAT RABBIT?
NO, IT'S...
- NO, NO, NO.
- DEFINITELY SOME SORT OF BIRD.
- WHAT'S GOING ON
RIGHT IN THERE?
- NO, NO! [coughs, sputters]
- WHAT DO YOU MEAN, "NO, NO"?
- WE'RE GONNA MAKE, LIKE,
DUCK A L'ORANGE OR SOMETHING.
- QUACK, QUACK.
- IT'S A DUCK.
THERE'S A DUCK HEAD IN THERE.
- QUACK, QUACK.
- A QUACK QUACK WITH A HEAD
IS GONNA REALLY...
- WELL, THE HEAD'S
GONNA GO BYE-BYE.
WE'RE NOT GONNA EAT THE HEAD.
- TO SEE THESE FURRY
QUACK QUACKS LYING ON THE TABLE
WAS JUST TOO MUCH.
- WE NEED TO TAKE THE HEAD...
- NOT CHOP IT OFF.
YOU'VE GOT TO DO THAT
SOMEWHERE ELSE.
- SHE'S STARTING
TO, LIKE, FEEL SICK.
- OKAY.
- IN HOLLAND, WE USED TO
PLAY WITH CHICKEN LEGS
AND RUN AFTER
ALL THE KIDS LIKE THAT.
- IF YOU CHOPPED
HIS HEAD OFF HERE, I... UGH.
- IT WAS NOT HAPPENING. [laughs]
YOU KNOW, THESE GIRLS
ARE FROM BEVERLY HILLS HERE.
- DON'T GO IN THERE NOW.
- DON'T GO IN THERE.
- WHAT HAPPENED?
- ARE YOU OKAY?
- THEY'RE CUT... THEY'RE...
- ARE YOU OKAY?
- A DUCK...
- THEY'RE CUTTING THE HEADS OFF.
- THERE'S DUCKS
WITH REAL HEADS IN THERE.
- OH, STOP!
- AND BEAKS.
- THEY WERE GONNA HAVE US
CHOP OFF THE DUCKS.
- NO, YOU DON'T WANNA SEE IT.
- I DON'T WANNA HELP,
I JUST KIND OF WANNA...
- YOU DON'T WANNA SEE IT.
- THERE'S FIVE OF 'EM
HE HAS TO DO.
[chops, silverware rattles]
- UH!
THAT'S ONE. - OH, MY GOD.
- IT TOOK ALL THE ROMANCE
OUT OF PARIS.
[gags]
- [chops]
- [coughing]
- OH, MY GOSH,
YOU MEAN IT'S ALIVE.
- NO, NO, THEY'RE NOT ALIVE.
- IT'S NOT ALIVE.
- YOU'RE LYING TO ME.
- NO, THEY'RE...
- LET'S MOVE IT. [laughs]
- WE DIDN'T SAY IT WAS ALIVE,
WE JUST SAID IT HAD
THE HEAD ON THERE.
- WHO CARES?
AS LONG AS IT'S NOT QUACKING
WHILE HE'S DOING THE WHACKING,
I'M OKAY.
- SO WHAT ARE YOU GONNA
TEACH US TONIGHT?
- OKAY, WE'RE GONNA DO SOME
DUCKS WITH SOME GLAZED TURNIPS
AND A CHERRY SAUCE.
OKAY, WITH A LITTLE HERB SALAD.
SOME CHERVIL AND SOME CHIVES.
- DUCKS AND TURNIPS
IS A TOUGH DISH
TO GET EVERYBODY EXCITED ABOUT.
WHAT ABOUT SOME FRENCH FRIES
WITH MAYONNAISE
AND A NICE STEAK?
- WE JUST WANT TO PEEL
REAL PRETTY FROM TOP TO BOTTOM.
- AH, YOU PEEL TURNIPS?
- YES.
- GIRLS, LET ME KNOW WHEN
DINNER'S READY, OKAY? [laughs]
- SO NOW, IT'S DUCK TIME,
AND THEN WE'RE GONNA
GO OVER HERE AND COOK.
FIRST I WANT TO FIND THE LEGS.
RIGHT THERE.
I WANT TO MAKE TWO CUTS.
BOOM AND BOOM.
AND YOU POP THAT BONE OUT
JUST LIKE THAT.
- UM, I CAN'T DO THAT.
I'VE NEVER EATEN DUCK
IN MY LIFE,
AND I'M REALLY HAPPY I DIDN'T
GET TO MEET IT IN PERSON.
- PULL IT TOWARDS YOU,
MAKING SURE YOU PUSH IT...
PUSH IT THIS WAY KIND OF.
THERE YOU GO.
- IS SHE OKAY, SERIOUSLY?
- SHE'S SENSITIVE ABOUT IT.
SHE'S BEEN WORKING
REALLY HARD, AND...
- NICE ONE!
- SHE FELT LIKE IT WAS
IMPLYING THAT, YOU KNOW,
SOMETHING, AND I SAID, "KIM, YOU
SEEM VERY TIRED, THAT'S WHY."
SEE, THIS IS THE THING.
WHEN YOU'VE HAD THAT HISTORY,
PEOPLE IMMEDIATELY
GO THERE AND THINK THAT.
YOU KNOW, IF I'M TIRED,
I'M LIKE,
"THESE PEOPLE
AREN'T GONNA THINK THAT."
- BUT IS THAT...
IT'S NOT MEDICATION.
- I DON'T WANT WHATEVER'S
GOING ON BETWEEN KIM AND LISA
TO AFFECT MY FRIENDSHIP
WITH LISA.
- BUT, YOU KNOW,
MAYBE SHE'S VERY SENSITIVE,
AND IT'S VERY DIFFICULT
TO SAY ANYTHING.
- LISA'S STIRRING THE POT.
WHEN I SEE HER OVER THERE
TALKING TO KYLE,
I THINK IF YOU HAVE A CONCERN,
PLEASE TELL ME, BECAUSE,
AT THIS POINT IN MY LIFE,
I WANT TO KNOW.
- THE SECOND I DON'T SEE HER
OR SHE'S LATE, I GET SCARED.
I'M PARANOID, I ADMIT IT.
- THE CHEF SHOULD GIVE HER
A BIG POT AND A SPOON.
AND THEN SHE COULD STIR
WHILE SHE'S STIRRING.
[French music]
♪♪ ♪♪
- THIS IS A NICE BUS.
SHOULD WE TRY TO GET
ONE OF THESE FOR L.A.?
YOU KNOW, FOR MY FAMILY,
I COULD USE IT.
I'VE NEVER BEEN ON...
- YOU KNOW WHAT RESTAURANT
WE'RE GOING TO?
- I THINK THE... AREN'T THE GIRLS
COOKING FOR US?
- WELL, I KNOW THEY'RE COOKING.
I DIDN'T THINK THEY WERE
COOKING FOR US. [laughs]
- I THINK... I THINK WE'RE EATING
WHAT THEY'RE COOKING.
I HOPE IT'S NOT BURNT. [laughs]
I LOVE KEN.
WE CAN HAVE AN ARGUMENT
AND MOVE ON WITH LIFE.
PICK UP THE PHONE
AND CALL AND APOLOGIZE.
- THAT'S BULL[bleep].
WHEN YOU'RE BEING SUED
BY SOMEBODY,
MAYBE YOU DON'T WANT
TO PICK UP THE PHONE.
- YOU'RE NOT SUPPOSED TO.
- I DON'T THINK THAT ARGUMENT
REALLY HAD ANY RESOLUTION TO IT.
HE EXPRESSED HIS OPINION,
I EXPRESSED MY OPINION,
THERE WERE DIFFERENCE
OF OPINIONS, AND THAT'S IT.
SO WHAT DO YOU THINK THE WOMEN
ARE GONNA MAKE FOR US TONIGHT?
- I DON'T KNOW,
BUT I HOPE IT'S NOT
ONE OF THOSE
WHERE THEY FEED YOU FIVE MEALS
AND SAY, "WHICH IS THE BEST?"
AND THEN YOU DON'T
PICK YOUR WIFE'S.
[both laugh]
MAURICIO AND I,
WE'VE GOT THE TYPE OF FRIENDSHIP
THAT WE DON'T HOLD GRUDGES.
SOME OF THE LADIES COULD DO
WITH A LITTLE LESSON
FROM MAURICIO AND I.
- ESPECIALLY IF YOU
END UP PICKING BRANDI'S.
- THAT WOULD BE TERRIBLE.
AND YOU PICK KIM'S.
- AND THEN PICK... [both laugh]
- IT LOOKS WHITE,
IT LOOKS LIGHT,
IT'S ABOUT TO GET DARKER.
- WHY DON'T YOU STIR IT?
- BECAUSE WE DON'T NEED TO.
THE BEST THING YOU CAN COOK WITH
IS YOUR SENSES.
- IF YOU'RE MAKING
RICE KRISPIE SQUARES,
YOU WANT TO STIR
THE MARSHMALLOWS,
JUST IN CASE YOU GUYS
ARE WONDERING.
- THIS IS WHAT IN FRENCH
WE CALL "GASTRIQUE."
- GASTRIQUE.
- GASTRIQUE.
SWEET AND SOUR.
THAT'S FRENCH SWEET AND SOUR.
- THESE ARE SO PRETTY.
- AM I... AM I WHAT YOU CALL
A "STIRRER"?
- NO, THAT'S ADRIENNE'S.
I LIKE TO TASTE EVERYTHING
AS I'M COOKING IT.
I LIKE TO GET RIGHT IN THERE
AND KIND OF KNOW WHAT I'M DOING.
THAT'S DELICIOUS.
THAT IS DELICIOUS.
- OW.
- OH, COME ON, GIVE IT TO ME.
- OW.
- CAREFUL.
LISA... LISA LIKES IT ROUGH.
- SEND IN THE NEXT TWO LADIES,
WHOEVER'S NEXT.
ONE MORE PINCH OF THE...
- OH, SORRY.
- OVER THE SHOULDER?
GOOD. GOOD LUCK. GOOD.
GET... GET SOME BUTTER IN THERE.
- ME? OKAY.
- OH, YEAH.
- LIKE THIS?
- GET IT IN THERE.
- MAS? I MEAN MORE?
- YEAH, MORE, WE NEED...
STIR IT AROUND.
- WHAT YOU DO
IS YOU ADD THE BUTTER...
- GO, GO, GO, STIR, STIR, STIR.
- MMM...
- YOU'RE HIRED, CHEF.
- THANK YOU.
- AH, I NEED A BREAK.
- WORK'S HARD.
- THIS IS SO MUCH WORK.
I'M SO TIRED.
COMING UP...
IT'S LIKE YOU ONLY
HAVE ROOM FOR BRANDI.
- DON'T BE SILLY.
- IT DOES FEEL LIKE THAT.
I'VE BEEN REPLACED.
- SO WHAT WE WANNA DO IS I'M
GONNA PUT A GOOD PINCH OF SALT.
THAT'S SUGAR.
- WHERE'S THE SALT?
- ONE MORE PINCH.
- OW.
- [laughs]
- OH, THANK YOU.
VOILA.
AAH! - DON'T!
I'M GONNA [bleep] KILL YOU!
THAT'S MY HAIR!
- LET'S DANCE, KYLE,
LET'S DANCE!
- OOH, AH...
- THAT'S WAY TOO MUCH.
- OH...
- I'M JUST KIDDING.
- OH, NICE CHIVES.
[little voice] LOOK THOSE...
LOOK AT THE CHIVES.
- YOU ARE HIRED, YOLANDA.
- YOU'RE DOING GOOD.
YOU'RE DOING GOOD.
- LOOK AT THOSE CHIVES.
- THAT'S GREAT.
- I ONLY WORK
FOR MY HUSBAND, SORRY.
- STIR IT A LITTLE BIT MORE
ANGRY TOO, IF YOU LIKE.
- WHAT DO I GET TO DO?
- YOU HAVE A HARD LIFE.
I'M COMING, I'M COMING.
DON'T WORRY,
I DIDN'T FORGET ABOUT YOU.
THERE'S ONLY ONE RULE
IN THE FRENCH KITCHEN.
- WHAT IS IT?
- LE CHEF...
LE CHEF A TOUJOURS RAISON.
- WHAT IS THAT?
- "THE CHEF IS ALWAYS RIGHT."
- OH. WELL, IT'S IN MY KITCHEN
AS WELL. [chuckles]
MINE IS LIMP, SO I FEEL LIKE
IT'S NOT GONNA BE...
- IF IT'S LIMP AND NOT PRETTY,
WE DON'T WANT IT.
- THEY'RE NOT GONNA
BE EXCITED ABOUT THAT.
- I'M NOT... NO. [laughs]
- ARE YOU MAKING IT LIMP?
- NO, I DON'T MAKE IT LIMP.
IT'S THE HEAT.
- YOU GOTTA GET RID
OF THE LIMP ONES.
- WELL, THAT'S WHAT
I'M TRYING TO DO.
- HEY, THEY'RE SINGLE.
THEY SHOULD BE FLIRTING.
ISN'T THAT WHAT
SINGLE PEOPLE DO? THEY FLIRT.
- DO YOU WANNA...
YOU WANNA EAT MY CHERRY?
- DID YOU REALLY JUST SAY THAT?
- WELL, I MEAN, SOMEBODY HAD TO.
- WHAT'D SHE SAY?
- AND IT WOULD BE YOU....
- "DO YOU WANNA EAT MY CHERRY?"
- OR ME.
- I FLIRT A LOT WITH EVERYONE.
SORRY. [chuckles]
- ARE WE YOUR MOST
ANNOYING STUDENTS?
- NO.
- NO, JUST YOU TWO.
- MOST DIFFICULT. [laughs]
- I WANT TO COOK
THE DUCK BREAST IN ITS OWN FAT.
- YES.
- SO THE FAT GOES AWAY.
[sizzling]
- KITCHEN SHOES.
- OOH, HEELS IN THE KITCHEN.
- AAH.
- NICE JOB.
- NICE.
- NICELY DONE.
WATCH... WATCH YOU DON'T HIT...
- TAKE THE DUCK BREAST OUT
AND PUT IT ON THE RACK.
- OH, TAKE THE DUCK BREAST OUT.
OKAY.
IS THIS ONE DONE? - YEAH. YUP.
- I THINK SHE MIGHT TRY A BITE,
A LITTLE ONE, MAYBE THAT ONE.
- COME ON, LADIES,
WE GOTTA FOCUS, LADIES.
- OKAY, LOOK WHAT I DID
FOR MY HUSBAND.
HEY, DON'T RUIN MY HEART.
LOOK HOW CUTE.
- GO, LADIES, GO, LADIES, GO.
- I NEED MORE DUCK.
- YES, CHEF.
- HOW AM I GONNA PUT
MY HUSBAND'S INITIALS ON HERE?
- YOUR HUSBAND'S NOT HERE.
- BUT I LOVE HIM.
- HERE WE GO, HERE WE GO.
- OKAY. OKAY.
- WHAT IS THAT? "F.U."?
- DO YOU LIKE MINE?
- IT'S... OH... [chuckles]
- YOU HAVE TO WRITE "F.U."
IF YOU'RE USING CHERRY SAUCE.
DUH. PORN 101.
- COME ON, NOW,
LET'S SEE THAT HIP WORK.
COME ON.
- HELLO.
- ALL RIGHT.
- HEY.
- HOW YOU DOING?
- WOW, HELLO, HOW ARE YOU?
- ALEX. NICE TO MEET YOU.
- ALEX, NICE TO MEET YOU.
MAURICIO.
- MAURICIO, NICE TO MEET YOU.
- BONSOIR.
- GIGGY.
- GIGGY. [laughs]
OH, MY GIG-GIG.
HELLO, MY SEXY. HELLO, DARLING.
- BON APPETIT.
- BON APPETIT, MES AMIS.
BON APPETIT.
- CHEERS. SALUD.
- CHEERS, YOU GUYS.
- THANK YOU, ALEX,
FOR EVERYTHING.
- THANK YOU.
- MERCI.
- SALUD.
- CHEERS, SALUD.
[glasses clinking]
- OH, THIS LOOKS BEAUTIFUL,
DARLING.
- OH, I LOVE YOU.
- OH, IT'S REALLY GOOD.
- IT'S GOOD?
- THANK YOU SO MUCH, ALEX.
- HERE WE GO.
- THEY SWEATED OVER THE STOVE.
[indistinct chatter]
- DUCK FEELS LIKE
A BROWN PIECE OF BUBBLE GUM.
IT'S VERY GOOD.
BUT I DIDN'T WANNA BE RUDE.
[chatter]
- I'LL SEND YOU MY CARD, OKAY?
AND I'LL SEND YOU
THE RECIPES THAT WE DID.
- YOU HAVE CHERRY ALL OVER YOU.
- OKAY, THANK YOU.
- I FEEL LIKE I'M KYLE NOW.
NOW I'M WIPING YOU UP.
SHE'S ALWAYS WIPING YOU UP.
SORRY.
I AM FEELING A LITTLE BIT
PROTECTIVE OVER KIM
BECAUSE I DON'T WANT HER
TO LOOK A MESS,
AND I DON'T WANT KYLE WIPING...
LIKE, I JUST... I LIKE HER, YOU
KNOW, I'M FEELING SORRY FOR HER.
I'M JUST TRYING
TO LOOK AFTER HER.
- CHEERS, DARLING.
- I THINK LAST YEAR...
I WASN'T REALLY ALL THERE.
- I FEEL GREAT RIGHT NOW.
- MY SISTER'S CONSTANTLY
TRYING TO, LIKE, HELP ME
BECAUSE I WASN'T HELPING MYSELF.
- I THINK THAT NOW I'M OKAY.
YOU KNOW, I'LL LET HER
DO HER ONE THING BECAUSE SH...
I THINK SHE LIKES IT. - YEAH.
- AND IT'S A HABIT.
- I DON'T KNOW WHY THAT
BOTHERS ME. IT JUST DOES.
I FEEL LIKE IT'S, LIKE, ALMOST
POINTING OUT YOUR IMPERFECTIONS
TO EVERYONE IN THE GROUP.
- DID I EVER THINK
I'D BE SITTING
NEXT TO BRANDI IN PARIS
HAVING A CONVERSATION?
PROBABLY NOT.
BUT I ACTUALLY AM
GETTING ALONG WITH HER.
AND I LIKE BRANDI.
I THINK. YEAH.
- WE DIDN'T GET OFF
TO A GOOD START.
- WHY?
- SO WHAT HAPPENED.
SO SHE SAID,
"WHY DID YOU DECIDE TO DO...
WHO DECIDED TO DO THE COOKING?"
SO I SAID, "I DID."
AND SO SHE'S LIKE, "WHY?"
AND I SAID, "TO GET YOU
OUT OF THE BEDROOM."
'CAUSE WE WAITED AN HOUR
TO GET HER OUT OF THE BEDROOM.
- RIGHT.
- SHE SAID, "I DON'T LIKE THAT."
AND SHE KIND OF
REALLY GOT UPSET.
I SAID, "WHAT ARE YOU
TALKING ABOUT?"
"I WAS WITH YOU ALL AFTERNOON."
SO I SAID, "NO, YOU WEREN'T."
- RIGHT.
- "I WAS WITH YOU.
DON'T EVEN GO THERE."
AND I WAS LIKE,
"WHAT IS SHE TALKING ABOUT?"
- WE ALREADY TALKED ABOUT THAT.
WE DON'T WANT TO TALK
ABOUT THAT ANYMORE.
- UM, COOKING TIME,
LET'S SAY 15...
- LISA'S KIND OF ANNOYING ME
BECAUSE SHE KEEPS PULLING PEOPLE
ASIDE TO TALK ABOUT KIM.
KIM IS RIGHT THERE.
YOU KNOW, IT'S DISRESPECTFUL.
- THANK YOU FOR DINNER,
EVERYBODY.
- YOU'RE VERY WELCOME.
- THANK YOU SO MUCH.
YEAH. THANKS.
- YOU GUYS HAVE A GOOD NIGHT.
- WHERE'S KIM?
- OKAY, THERE SHE IS. LET'S GO.
- OH, I LOVE YOU. MWAH.
AND YOU TOO. MWAH.
- DEAR GOSH.
- GOOD NIGHT.
SEE YOU TOMORROW FOR SHOPPING.
- YOU KNOW, IT'S LIKE, OKAY,
YOU WALK OUT OF YOUR FRONT DOOR,
YOU GO LIKE, I GO LEFT HERE
OR RIGHT THERE.
- EXACTLY.
- IT WOULDN'T BE...
- YOU'D NEVER MAKE IT
PAST THE STREET.
- OH, WAIT, LET'S GO IN HERE.
- I LOVE THAT STORE.
THEY HAVE SO MUCH COOL STUFF.
- MY STORE OPENING
IS RIGHT AROUND THE CORNER.
I WANNA CHECK OUT
THE LATEST TRENDS FOR MY STORE.
THIS IS 14,000?
- ISN'T THAT CRAZY?
- WE'LL TAKE TWO. [laughs]
- $14,000.
- FOR THIS?
- THAT'S CRAZY. YEAH.
- [gasps]
YOU FOUND A BATHING SUIT
OF ALL THE THINGS IN HERE?
- [laughs] WELL,
THESE ARE THE ONES THAT...
- THOSE ARE SO SHORT.
[laughs
- I NEED THE LONGER ONE, RIGHT?
- HONEY... [laughs]
- 46,000.
OH, MY GOD.
- [gasps] THAT'S STUNNING.
- OH, MY GOSH.
- WILL YOU TRY THIS ON?
- YEAH, IT'LL FIT ME GREAT.
- [laughs]
MM, MM, MM. THIS IS VERY ME.
WHERE'S A MIRROR?
- IT'S VERY ME TOO.
HAND IT OVER.
- I LIKE THIS ONE.
OH, I REALLY LIKE THIS BAG.
- THAT'S A BEAUTIFUL BAG.
- I LIKE THE WALKING STICK
FOR EFFECT. [laughs]
YOU KNOW, 'CAUSE I'M GONNA BE
CARRYING A LOT OF THESE THINGS,
SO I CAN'T REALLY BUY IT HERE.
IT'S STUPID FOR ME TO BUY.
- HOW ARE YOU, BABE?
YOU LOOK SO PRETTY THIS MORNING.
- THANK YOU.
- YOU GOOD?
- YEAH.
JUST STILL UPSET ABOUT
LAST NIGHT, THE WHOLE THING.
- STILL.
- YEAH.
- I KNOW, THAT WAS JUST
AN AWKWARD SITUATION, WASN'T IT?
- IT WAS WRONG,
YOU KNOW, I FEEL LIKE...
I CAN UNDERSTAND THAT
MY SISTER WOULD HAVE CONCERN,
YOU KNOW,
IF I DIDN'T COME DOWNSTAIRS.
I MEAN, THAT'S AN HONEST CONCERN
YOU WOULD HAVE.
- WHEN WE WALKED
UP TO YOUR ROOM,
LIKE, MY HEART
WAS POUNDING A LITTLE BIT,
AND I THOUGHT, OH, MY GOD, WHAT
IF SOMETHING'S REALLY WRONG?
MAYBE THE MEDICATION
IS MAKING HER A LITTLE SLEEPY,
OR WHATEVER,
SO THAT WAS THE WORRY.
- THE MEDICATION I'M ON,
JUST SO YOU KNOW...
THOSE MEDICATIONS, THEY...
NOTHING MAKES ME TIRED.
THEY HELP KEEP ME SOBER.
- OKAY, GOOD.
- BUT SEE, LIKE, YESTERDAY
WHEN LISA WAS SAYING
SHE WAS CONCERNED...
- I DON'T BELIEVE
LISA'S CONCERN.
I THINK SHE'S A BIG...
I THINK IT'S ALL FAKE AND PHONY.
- IF IT WAS REALLY TRULY
BECAUSE SHE'S WORRIED,
THEN, YOU KNOW,
CHECK YOUR PHONE.
HAS SHE CHECKED ON YOU
TODAY YET?
- THE ONLY PEOPLE THAT HAVE
CALLED IS YOU AND KYLE.
IF SOMEBODY HAS A CONCERN, THEY
COME TO YOU, AND THEY SAY IT.
- YOU NEED TO HAVE
A CONVERSATION WITH HER
AND SAY SOMETHING LIKE THAT.
- WE ALL NEED TO HAVE ONE.
YOU NEED TO HAVE ONE WITH HER
BECAUSE SHE HAS
A PROBLEM WITH YOU.
I DIDN'T REALIZE
SHE WAS LIKE THAT.
- SHE'S STILL HOLDING
ONTO THAT I DIDN'T
SIDE WITH HER WITH HER FIGHT
WITH ADRIENNE.
LIKE, SOMETIMES WHEN WE'RE
WITH ALL OF US, SHE'LL BE NICE,
AND THEN OTHER TIMES, YOU KNOW,
SHE WON'T EVEN LOOK ME
IN THE FACE.
AND I STAYED NEUTRAL. I'M SOR...
I'VE APOLOGIZED
TILL I'M BLUE IN THE FACE.
- SAY THAT TO ME.
YOU FEEL REALLY BAD
ABOUT NOT DEFENDING ME.
AND THEN I'LL MOVE ON.
- I APOLOGIZED TO YOU
A THOUSAND TIMES.
I SAID, "I'M SORRY I DIDN'T
DEFEND YOU WITH ADRIENNE."
I'M OVER BEING PUNISHED.
YOU KNOW, IT'S LIKE, I MEAN,
MOVE ON IN LIFE, OR LET IT GO.
- BUT THIS IS...
SHE'S NOT MOVING ON.
DO YOU REALIZE SHE HAS
THE SAME PROBLEM WITH YOU.
WHICH... PUT IT AWAY.
- I BELIEVE LISA HOLDS A GRUDGE.
I WANNA MOVE FORWARD AND HAVE
EVERYTHING BE GREAT AGAIN,
AND IT JUST KEEPS COMING UP
OVER AND OVER AGAIN.
- WELL, THAT WAS FUN.
- WHAT DID YOU GET?
- THE BLACK DRESS
AND A BLACK SWEATER.
MERCI. BYE-BYE.
- MERCI. AU REVOIR.
- I'M REALLY HAPPY TO BE
IN PARIS WITH MY SISTER.
JUST SPENDING
THE QUALITY TIME WITH HER
THAT WE HAVEN'T HAD IN A WHILE
FEELS REALLY GOOD.
BUT I WANT YOU GUYS
TO KNOW ALSO,
THAT AS STRONG AS I FEEL
IN MY SOBRIETY,
I GET SCARED TOO.
THIS IS ME. IT'S MY LIFE.
I DON'T WANNA LOSE THIS.
I LOVE BEING SOBER.
I LOVE BEING HAPPY
AND ENJOYING MY LIFE.
- WELL, ON THAT NOTE,
WE BOUGHT YOU A PRESENT,
SINCE I SAW YOU WERE LOOKING
AT A BAG, SO...
- OH.
- OH, MAURICIO.
- THANKS, MAURICE.
- SHARING MY LOVELY DAY.
- I LOVE YOU. THANK YOU.
- [chuckles]
- AW.
- I LOVE THIS SO MUCH.
- [gasps] OH, THAT IS BEAUTIFUL.
- I'M GONNA GO WITH KEN.
I'M GONNA GO ON A SEGWAY TOUR
OF THE CITY AND JUST
GO HAVE FUN WITH HIM.
BYE. SEE YOU LATER.
- THAT WAS REALLY NICE OF YOU.
- BYE.
- BYE.
- THANK YOU SO MUCH.
- HAVE FUN.
YOU'RE VERY WELCOME.
- BYE, HONEY.
- BYE, SUGAR BEAN.
- BYE, HAVE FUN. [laughs]
- THAT WAS REALLY NICE OF YOU.
- MAURICE AND I
ARE WORKING ON OUR FRIENDSHIP,
AND I'LL CHERISH THAT PURSE
'CAUSE I THINK IT WAS
REALLY FROM HIS HEART.
- BYE.
- BYE. SEE YOU GUYS LATER.
- LOVE YOU.
- I'M LOOKING FORWARD TO GOING
ALL OVER PARIS
ON ONE OF THESE THINGS.
- WHERE ARE WE GONNA GO?
- I DON'T KNOW, HOPEFULLY
WE'LL SEE THE EIFFEL TOWER,
THE WHATEVER, MAN,
THE ARC DE TRIOMPHE.
DO YOU KNOW
HOW TO WORK THESE THINGS?
- NO, THEY CAN'T BE THAT HARD.
- I'M TOURING THE MOST ROMANTIC
CITY IN THE WORLD
ON A SEGWAY WITH KEN.
WHOO. - WHOO. [laughs]
- OOH. YEE-HOO.
- YEE-HOO.
- APRES VOUS, S'IL VOUS PLAIT.
- [laughs]
OOH!
- WOW, CHECK THIS OUT.
YOU KNOW WHAT THIS IS, RIGHT?
- OH.
YEAH,
THIS IS LOUIS XIV, ISN'T IT?
- KING LOUIS THE...
HIS PRIVATE CHURCH.
AND NAPOLEON BONAPARTE
IS BURIED UNDER THERE.
DO YOU KNOW WHAT ELSE HE DID,
WHICH IS KIND OF COOL?
- NO.
- THAT THE GIRLS WOULD LIKE?
- WHAT?
- HE WAS THE ONE
THAT INVENTED THE HIGH HEEL.
- OH, WHY? HE WAS SHORT?
- NO, HE WAS NOT SHORT AT ALL.
HE WAS AN ATHLETE, BUT HE LIKED
TO LOOK AT HIS CALVES.
SO HE, UH... - OH, RIGHT.
SO THE HIGH HEEL
SHOWED OFF HIS CALVES.
- THE HIGH HEEL
SHOWED OFF HIS CALF.
- MAURICIO KNEW ALL ABOUT
WHO INVENTED HIGH HEELS.
I WONDER WHY.
- IT HURTS, MAN.
- I THINK HE'S GOT
A FETISH FOR HIGH HEELS.
YOU CAN DANCE ON THESE THINGS,
YOU KNOW.
- AMAZING.
- AND WE COULD DO THIS
ALL DAY, YEAH?
- COME ON.
- ALL RIGHT.
- HAVE YOU BEEN UP BEFORE?
- I HAVEN'T, I'VE DRIVEN PAST IT
BEFORE LAST TIME I WAS HERE,
BUT I'VE NEVER GONE IN
LIKE THIS.
- IT'S AMAZING.
- IT'S UNBELIEVABLY HUGE.
[laughs]
- WOW, IT'S PRETTY, ISN'T IT?
- ISN'T IT GORGEOUS?
- REALLY.
- OH, MY GOD, LOOK AT THIS VIEW.
IT'S INCREDIBLE.
- I DID NOT REALIZE
HOW HIGH UP WE WERE.
- WHOO!
- OH!
- YOLANDA,
DON'T JOKE AROUND LIKE THAT!
- THAT'S NOT FUNNY.
- IT WAS A LITTLE SCARY.
- COME ON. YOLANDA.
- NO! NO! NO!
- YOLANDA, GET DOWN.
- OH, MY GOD,
YOU GUYS ARE SUCH A DRAMA QUEEN.
- OH, MY GOD.
- SO THIS IS WHAT
WE'RE GONNA DO TONIGHT.
- WHAT ARE WE DOING TONIGHT?
- THE BOAT.
- YES. WE'RE GONNA HAVE FUN.
- I KNOW, RIGHT?
I'VE HAD A REALLY GOOD TRIP.
- ME TOO.
- ASIDE FROM LISA. [laughs]
- OH, MY GOD.
- BEAUTIFUL, HUH?
- I DO WANT TO TALK TO YOU.
- ALL RIGHT.
COME OVER HERE.
- IT FEELS LIKE THAT THE AIR
STILL NEEDS TO BE CLEARED
WHEN I'M WITH YOU,
AND I FEEL THAT SEPARATION.
I FEEL LIKE I'M...
IF WE'RE GONNA MOVE FORWARD,
WE NEED TO MOVE FORWARD.
IF YOU DON'T WANT IT TO BE
THE SAME, IT WON'T BE THE SAME.
BUT I NEED TO KNOW THAT
'CAUSE I DON'T NEED...
I DON'T WANT TO KEEP
MAKING THIS EFFORT
AND FEELING HURT BY YOU.
- I DON'T UNDERSTAND
WHERE I HURT YOU.
I THOUGHT OUR ISSUES
HAD BEEN RESOLVED,
AND KYLE KEEPS BRINGING IT UP.
OVER AND OVER
AND OVER AND OVER AGAIN.
- IT HURTS ME WHEN YOU ACT...
[sighs]
YOU KNOW WHAT I'M SAYING, LISA.
- WHEN?
WHEN ARE WE TALKING ABOUT?
- WHEN YOU'RE
JUST DIFFERENT TOWARDS ME
AND YOU ACT DISTANT AND ODD,
AND THEN THAT...
AND THEN OTHER GIRLS
TELL ME THAT YOU SAID, OH...
- OH, THEY DON'T SAY...
- KIM TOLD ME THAT AT LUNCH
YESTERDAY YOU SAID...
- I SAID
OUR RELATIONSHIP'S CHANGED.
AND SHE SAID HERS HAS.
AND SHE SAID, "YEAH."
IT'S OUT THERE, YOU KNOW.
THERE WERE THINGS YOU SAID TO ME
THAT WERE PRETTY MEAN.
- I WILL SAY, THOUGH,
BEING IN A FRIENDSHIP WITH YOU
IS LIKE PLAYING CHESS
WITH BOBBY FISCHER.
EVERY MOVE IS SO CALCULATED.
- THANKS, KYLE.
- I'M JUST SAYING THE TRUTH.
- IT'S TRUE.
- I'M SORRY, WHAT YOU'RE DOING
RIGHT NOW IS DOING THAT TO ME.
- SO OKAY, FINE.
- I DO FEEL LIKE
YOU DO THAT SOMETIMES.
I DIDN'T SAY THAT TO HURT YOU.
THAT'S WHAT I REALLY FEL...
- WELL, THAT IS HURTFUL.
SO I'M SORRY.
KYLE DOESN'T UNDERSTAND
THAT SHE CHANGED THE GOAL POSTS.
SHE DECIDED NOT TO DEFEND ME,
SHE DECIDED
TO TALK BEHIND MY BACK
AND BE COMPLICIT
IN ALL THAT WENT DOWN.
- COMING UP...
- THAT'S NOT ACCUSING,
THAT'S SAYING. YOU CAN SAY...
- THAT'S NOT NICE TO SAY THAT.
I'M SORRY, IT ISN'T.
- WELL, THAT'S WHAT I FEEL.
- WELL, I FEEL LIKE WE'VE GOT...
I FEEL LIKE WE'VE CO...
WE'RE, LIKE... WE'RE COVERING
THE ENTIRE CITY, DON'T YOU?
- FANTASTIC, YEAH.
- IT'S SO COOL.
- AND WHAT A WAY
TO SEE PARIS, EH?
- I LOVE IT.
- I LOVE IT TOO.
- I LOVE IT.
ARE YOU RACING ME?
THERE'S NO WAY
YOU CAN BEAT ME, SIR!
[chuckles]
LOOK AT THIS.
I THINK THE GIRLS ARE UP THERE.
- I THINK I CAN SEE
THE GIRLS AT THE TOP THERE.
- YEAH, RIGHT. [laughs]
- I WONDER IF THEY'RE
UP THERE STILL NOW.
DO YOU THINK
WE SHOULD GO AND SAY HI?
- NO, LET'S JUST KEEP GOING.
[chuckles]
- LET'S GO.
- DID YOU NOT FEEL
THAT WE SORTED IT ALL OUT
AND WE GOT IT STRAIGHT?
- I SORT OF DID, BUT THEN KIM
TELLS ME YESTERDAY...
- I SAID
MY RELATIONSHIP'S CHANGED.
THAT'S ALL I SAID WITH YOU.
AND IT HAS.
MAYBE I SHOULD LIE AND SAY,
"OH, THE FRIENDSHIP'S
EXACTLY THE SAME AS IT IS."
BUT DO I LOOK TO HER
TO DEFEND ME? NO, I DON'T.
YOU WANT IT TO BE
THE SAME AS IT WAS,
BUT DON'T YOU REALIZE
THAT YOU KEEP SAYING THINGS,
"YOU'RE MANIPULATIVE,
YOU HOLD A GRUDGE,
YOU DO THIS, YOU DO THAT."
I NEVER ACCUSE YOU OF ANYTHING.
- WELL, THAT'S NOT ACCUSING,
THAT'S SAYING... YOU CAN SAY...
- THAT'S NOT NICE TO SAY THAT.
I'M SORRY, IT ISN'T.
- WELL, THAT'S WHAT I FEEL.
- OKAY, WELL,
I'M SORRY YOU FEEL THAT WAY.
- IF YOU'RE STILL TALKING
ABOUT IT.
- I'M SORRY YOU FEEL LIKE THAT.
- I MEAN, WE HAVE TO
BE ABLE TO BE HONEST.
TO ME, IF YOU HAVE
THAT FRIENDSHIP,
YOU DON'T JUST THROW IT ASIDE
OVER A SILLY ARGUMENT.
AND I FEEL LIKE
SOMETIMES YOU PURPOSELY...
- WE'VE HAD FUN TOGETHER.
WE'VE LAUGHED TOGETHER.
- BUT IT'S LIKE,
YOU KNOW, NOW YOU...
IT'S LIKE YOU ONLY
HAVE ROOM FOR BRANDI.
- DON'T BE SILLY.
- YES, IT DOES FEEL LIKE THAT.
I KNOW THAT SHE AND BRANDI
ARE CLOSE NOW.
IT SEEMS LIKE A LITTLE BIT
OF A MISMATCHED PAIR.
BUT I'VE BEEN REPLACED.
- YOU CAN HAVE
MORE THAN ONE FRIEND,
WE CAN ALL HAVE
MORE THAN ONE FRIEND.
I DON'T UNDERSTAND.
WHY GET MAD AT SOMEONE ELSE
FOR DEFENDING...
SHE'S DEFENDING ME, YOU KNOW,
LIKE, 'CAUSE EVERYONE'S
ATTACKING ME,
AND SHE'S DEFENDING ME.
WHY DOES THAT BOTHER KYLE?
I DON'T UNDERSTAND.
SHUT THE [bleep] UP.
- I'M NOT OKAY WITH THAT.
- BUT SHE WAS
DEFENDING YOUR SISTER.
- IT'S INAPPROPRIATE.
AND FOR YOU TO SAY ANYTHING
OTHER THAN THAT IS WRONG.
- BRANDI HAS NEVER
SHOWN ME ANYTHING
OTHER THAN BEING
A LOYAL AND TRUE FRIEND.
I'M NOT SAYING JEALOUSY,
BUT THERE'S SOME KIND OF...
MAYBE MISGIVINGS, UM, FROM KYLE.
- SO HOW'S YOUR LOVE LIFE?
- THERE'S A GUY
I'VE BEEN ON A FEW DATES WITH,
THERE'S A GUY I KISSED,
I MEAN, I CAN'T COMPLAIN.
IT'S BETTER THAN NOBODY.
THAT'S THE WAY I LOOK AT IT.
- CAN YOU IMAGINE...
"YOU'RE NOT THE ONE,
BUT YOU'RE BETTER THAN NOBODY."
- WELL, YOU CAN'T... [laughs]
YOU CAN'T SAY THAT TO HIM.
- YOU'RE BETTER THAN NOBODY.
I JUST WANT YOU TO KNOW THAT.
I WANT TO BE UP FRONT
ABOUT THIS.
- LIKE I'M DATING PEOPLE
THAT I DON'T THINK
THAT I'M GONNA MARRY THEM
OR THAT I'M GONNA FALL IN LOVE,
BUT YOU NEVER KNOW.
YOU JUST DON'T KNOW.
- I FEEL BRANDI AND I
HAVE MADE...
NOT BABY STEPS,
WE'RE MAKING BIGGER STEPS.
- DON'T LOOK AT ME LIKE THAT.
DON'T CRY.
- YOU STILL DIDN'T
SAY YOU LOVE ME.
- SO I HAVE TO SAY,
"I LOVE YOU," TO MOVE ON?
IS THAT WHAT YOU WANT?
- [laughs]
- IS THAT WHAT YOU WANT?
- YEAH, I DO.
- OKAY, I [bleep] LOVE YOU.
PLEASE SHUT UP?
- YEAH.
- OKAY.
DON'T TREAT ME
LIKE [bleep] AGAIN, THEN.
- I'M TELLING YOU,
I DIDN'T TREAT YOU LIKE [bleep].
- YOU DID.
- NO, YOU...
- YOU DIDN'T INVITE ME OUT.
"WHY AREN'T YOU
MY FRIEND ANYMORE?
AND WE'RE NOT THE SAME." I KNOW.
BUT IT'S CHANGED. SO WHAT?
WHAT DO YOU WANT? YOU WANT ME
TO KISS YOU OR SOMETHING?
- YES. AH!
- LET'S GO.
WE'RE FINE. I'M OVER IT.
- NEXT TIME ON THE REAL
HOUSEWIVES OF BEVERLY HILLS...
all: CHEERS.
- CHEERS, EVERYBODY.
- I THINK WE'RE HAVING
A PERFECT MOMENT RIGHT NOW.
- THIS IS A PERFECT MOMENT.
- KYLE!
- OH, IT WAS. [laughs]
- SHUT UP.
- OH, BIG SMILE.
- THE OPENING OF MY STORE
IS FINALLY HERE.
- THIS IS GORGEOUS.
- I WILL TAKE THAT.
- THAT IS, LIKE, A $3,000 DRESS.
- YOU'RE A REAL ASS[bleep].
IF YOU HAVE A PROBLEM WITH ME...
- SO THAT'S WHAT
I WANTED TO EXPLAIN TO YOU.
BUT WHAT I WAS GONNA SAY TO YOU
IS YOU'RE GONNA HAVE TO
LET ME TALK BEFORE YOU TALK.
- EVERY TIME
MY PHONE RANG IN THE NIGHT,
IS YOU'RE GONNA HAVE TO
LET ME TALK BEFORE YOU TALK.
TO LEARN MORE
ABOUT THE HOUSEWIVES,
HOUSEWIVES OF BEVERLY HILLS...
- SOMETIMES
IT'S A BALANCING ACT.
- YOU KNEW I WAS VERY SENSITIVE
ABOUT NOT YOU HAVING
DEFENDED ME IN THE PAST.
- OKAY, BUT HOWEVER,
YOU ALSO HOLD A GRUDGE.
WHAT DID THEY GIVE YOU?
YOU SPOKE TO THE DOCTOR
ABOUT THE MEDICINES?
- YEAH, BUT I HAVEN'T EVEN
NEEDED ANYTHING.
MY DECISION TO NOT
TAKE PAIN MEDICINE
IS REALLY IMPORTANT
FOR ME IN MY SOBRIETY.
- CHEERS TO A WONDERFUL WEEKEND
IN PARIS.
- I'M ON MY MEDICATION,
AND IF I DON'T TAKE IT PROPERLY,
OR, YEAH, IT CAN BE
ALL OVER THE PLACE.
- WHAT TIME DID YOU
GET HERE, KIM?
- I'VE BEEN HERE FOR DAYS, LISA.
WHOO, FEEL LIKE MARILYN.
- IS EVERYTHING OKAY?
- YEAH. [laughs]
[upbeat music]
- LIFE ISN'T ALL DIAMONDS
AND ROSE,
BUT IT SHOULD BE.
- MONEY DOESN'T GIVE YOU CLASS.
IT JUST GIVES YOU MONEY.
- KNOW YOUR FRIENDS.
SHOW YOUR ENEMIES THE DOOR.
- I FOUGHT TOO HARD
FOR THIS ZIP CODE
TO GO HOME NOW.
- I LIKE TO HAVE FUN,
BUT I DON'T PLAY GAMES.
- LIFE IS A JOURNEY,
AND I'M FINDING MYSELF
EVERY DAY.
- I'M BORN AND RAISED
IN BEVERLY HILLS.
THIS IS MY TOWN.
[French music]
♪♪ ♪♪
- NOW LET'S GO DOWN, AND WE'RE
GONNA WALK ON THE SEINE.
- OKAY,
'CAUSE I CAN'T JOG ANYMORE.
- I KNOW, COME ON.
CHUG, CHUG, CHUG, CHUG, CHUG.
- OH, YOU'RE SCARING...
- KEEP IT GOING, GIRL.
HERE WE GO.
I LOVE BEING
ON THE STREETS OF PARIS.
WE DON'T RUN ALONG THE SEINE
EVERY DAY OF OUR LIVES,
SO IT'S EXCITING,
IT'S BEAUTIFUL.
OH, THAT WAS GREAT, WASN'T IT?
- [laughs] NO, IT WAS HORRIBLE.
- COME ON. THAT'S WHY...
YOU KNOW, I'M GONNA BE
A GOOD INFLUENCE IN YOUR LIFE.
- I KNOW, I DON'T LIKE IT.
- NO MORE DANCING...
- I FEEL LIKE IF IN TEN YEARS
I LOOK LIKE YOLANDA LOOKS...
SHE'S TEN YEARS OLDER THAN ME...
I WILL BE A VERY LUCKY WOMAN.
SO I BETTER START DRINKING
GREEN [bleep] AND JOGGING.
- WHAT YEAR WERE YOU HERE?
IN '80... NO...
- '90... '90...
- '90, SEE?
- '91 OR '92.
- I LIVED HERE IN '90...
I MEAN, I STARTED
LIVING HERE IN '90...
I MEAN IN '80...
'80... YOU KNOW, '83.
SO, LIKE, EXACTLY...
- SO WE'RE, LIKE,
A DECADE APART FOR HERE,
BUT IT'S THE... I MEAN,
IT'S THE SAME [bleep].
IT'S THE SAME CLUBS, THE SAME
PROMOTERS, THE SAME AGENTS.
- THE SAME LIFESTYLE, YEAH.
- I MEAN, THIS...
IT'S SO WEIRD, IT'S LIKE COMING
BACK HERE, NOTHING CHANGES.
- NO.
- MY MODELING DAYS
WERE MY HAPPIEST DAYS EVER.
I MET PEOPLE FROM ALL WALKS OF
LIFE, FROM ALL OVER THE WORLD.
I'M STILL FRIENDS WITH A LOT
OF THE GIRLS I MET OVERSEAS.
- FIRST TIME
I WAS ON THE CATWALK,
ONE OF THE GIRLS CAME THIS WAY,
AND I CAME THIS WAY,
AND SHE WENT
ON PURPOSELY LIKE THAT,
AND I HAD NEVER WALKED
IN HIGH HEELS,
AND I KIND OF FELL OFF
THE CATWALK.
AND FROM THAT DAY ON,
I LEARNED TO, LIKE...
- TOUGHEN UP.
- BUT I WAS MILKING COWS
AND RIDING HORSES
THE WEEK BEFORE I WAS HERE
ON THE CATWALK.
- FOREIGN GIRLS ARE AMAZING.
THAT'S WHY I GET ALONG
WITH LISA AND YOLANDA SO WELL.
- OKAY, ENOUGH, I MEAN, LET'S
JUST ENJOY THIS BEAUTIFUL VIEW.
LOOK AT THAT, OH, MY GOD.
ISN'T THAT GREAT?
- IT'S BEAUTIFUL.
- OH! [laughs]
YAY.
- YOU KNOW,
COBBLESTONES AND HIGH HEELS...
NOT A GOOD COMBINATION.
- THEY DON'T MIX?
- NO, THEY DON'T.
OH, MY GOSH.
AFTER HAVING A LITTLE BIT
OF A ROUGH NIGHT LAST NIGHT,
MY SISTER DEFINITELY
IS NOT SEEMING LIKE HERSELF.
I DON'T KNOW
WHAT'S GOING ON WITH HER,
BUT I'M CONCERNED.
- THIS BRIDGE HERE...
- OKAY.
- IT'S LIKE THE LOVER'S BRIDGE.
PEOPLE THAT ARE
IN LOVE WITH EACH OTHER
AND THEY WANT TO STAY TOGETHER
FOREVER AND EVER AND EVER,
THEY...
- I KNOW SOMEONE LIKE THAT.
- DO YOU KNOW
SOMEBODY LIKE THAT?
- YES, I DO.
- AND THEY COME HERE
AND THEY PUT A LITTLE LOCK ON...
- THEY PUT THEIR NAMES ON IT.
- THEY PUT THEIR NAMES.
- THAT'S SO ROMANTIC.
- YOU LOCK IT IN THERE,
AND THEN YOU...
- THROW AWAY THE KEY?
- THROW AWAY THE KEY.
- THAT'S SO CUTE, I LOVE THAT.
- AND THEN IT CAN NEVER BE,
YOU KNOW, UNLOCKED AGAIN.
- WE DON'T HAVE A LOCK.
- WELL, I ACTUALLY BROUGHT
A SPECIAL LOCK WITH ME.
- YOU DID NOT.
- I DID.
- YOU DID, FOR REAL?
- YEAH.
- THAT'S SO CUTE,
HONEY, I LOVE THAT.
USUALLY MY HUSBAND'S
ROMANTIC GESTURES ARE LIMITED
TO BRINGING ME COFFEE
IN THE MORNING
OR MAYBE RUNNING ME
A BATH NOW AND THEN.
I THINK THAT PARIS IS BRINGING
OUT THE ROMANTIC IN HIM.
- WHAT SHOULD WE WRITE?
- "KYLE AND MAURICIO FOREVER."
THEN WE CAN COME BACK,
WE CAN SHOW THE KIDS ONE DAY
AND BRING THEM BACK HERE.
WHERE DO WE PUT IT?
LET'S FIND A GOOD SPOT.
- UM, OOPS.
I DON'T KNOW ABOUT THE KEY.
- WHAT?
- [laughs]
- YOU'RE LYING.
- OH, HERE IT IS. THANK GOD.
- [laughs] I WAS LIKE,
OH, GOD, YOU FORGOT THE KEY?
- WHEW.
- PHEW-EE.
OH, IT IS RAINING. [gasps]
- THAT'S GOOD LUCK.
A COUPLE OF RAINS...
A COUPLE OF DROPS ARE GOOD LUCK.
- MM, LET'S PUT THE LOCK ON.
WE'RE GONNA...
- WELL, I'M KISSING YOU FIRST.
- HOW 'BOUT RIGHT HERE?
- YOU LIKE THAT SPOT?
- WAIT, A GOOD SPOT
THAT THE KIDS CAN REMEMBER.
THERE.
AND THERE'S OUR NAMES.
- PERFECT.
- I LOVE IT.
- MAKE A WISH.
- US TO BE TOGETHER FOREVER
AND HEALTHY AND HAPPY
AND FOR OUR KIDS TO ALWAYS BE
HEALTHY AND HAPPY TOO.
- OKAY, READY?
- I LOVE YOU MORE THAN ANYTHING.
- IT'S GOING DEEP.
- OKAY, GO.
- [laughs] THANK GOD
IT DIDN'T LAND ON THEM.
- [laughs]
- YOU GUYS ARE AWESOME.
I'M SO GLAD WE'RE IN PARIS,
I LOVE YOU GUYS.
- WE HAVEN'T REALLY SPENT
ANY TIME TOGETHER, KIM, HAVE WE?
- NO, I THINK THAT, UM...
I THINK IT'S ONE OF THE THINGS
THAT WHEN I CAME HOME...
WHEN I FIRST SAW YOU,
I TOLD YOU YOU WERE...
I SAW SUCH A DIFFERENCE IN YOU,
AND MAYBE IT WAS
A DIFFERENCE IN ME,
BUT I REALLY WANTED
TO SPEND TIME WITH YOU.
I'VE REALLY ENJOYED
THE TIME WHEN WE'RE TOGETHER.
I REALLY... I DO,
I ENJOY YOUR COMPANY.
- THANKS, DARLING.
- YOU KNOW, AND I ENJOY
YOUR COMPANY TOO, KEN.
YOU KNOW? - THANKS, DARLING.
- I'M REALLY HAVING FUN.
AND I WANT YOU GUYS
TO COME OVER FOR DINNER.
- I HAVE SEEN KIM
IN A VERY POSITIVE LIGHT
SINCE SHE'S BEEN IN REHAB.
BUT SHE SEEMS TO BE
IN A MUCH BETTER SPACE
THAN SHE WAS LAST NIGHT,
BUT SHE STILL SEEMS
TO BE RAMBLING A LITTLE BIT.
- YOU'VE HAD ME
TO YOUR RESTAURANT,
AND I WOULD LIKE YOU
TO COME TO MY HOUSE,
AND I'LL SHOW YOU...
YOU CAN TELL ME...
I MEAN, YOU CAN SHOW ME
HOW TO MAKE A GOOD SALAD,
BUT I'LL SHOW YOU...
- OH, I DON'T NEED TO SHOW YOU...
- I'LL MAKE YOU
ONE OF MY DINNERS.
- EXACTLY.
- HOW'S YOUR RELATIONSHIP
WITH YOUR SISTER NOW?
- YOU KNOW, WHEN I WENT AWAY,
SHE WAS VERY SUPPORTIVE
FOR ME TO GO AWAY,
BUT SINCE I CAME HOME,
THEN WE JUST STOPPED TALKING.
IT HURTS ME, AND I WANT TO.
I FEEL LIKE I SEE KYLE,
AND SHE'S NICE TO ME.
GIVES ME A HUG AND A KISS, BUT...
BUT I DON'T FEEL LIKE IT'S REAL.
AND...
I JUST WANNA KNOW WHY.
- DO YOU THINK YOU'LL
EVER FIGURE IT OUT, THOUGH?
OR YOU DON'T...
- WELL, SHE'S CHANGED.
THERE'S SOMETHING DIFFERENT.
THERE'S SOMETHING WRONG
WITH MY SISTER.
THERE'S SOMETHING DIFFERENT
ABOUT HER.
SHE'S NOT THE SAME PERSON.
- MY RELATIONSHIP'S
CHANGED WITH HER.
BIG-TIME.
- BUT WHY HAS YOURS CHANGED?
- BECAUSE OF THE WAY
SHE TREATED ME.
IT'S ALWAYS NICE
TO HAVE A FRIEND
THAT TURNS AROUND AND SAYS,
"YOU KNOW WHAT?
I'M ON YOUR SIDE..."
- AND I JUST SAID...
- "SHUT THE [bleep] UP."
- I WILL WORK ON THAT,
LIKE I SAID.
AND IT WAS NOT TO HURT YOU.
- WORK ON IT.
I JUST KNOW THAT
SHE'LL NEVER HAVE MY BACK.
- WHEN I'M NOT WITH HER,
I'M SO ANGRY AT HER
BECAUSE I FEEL LIKE,
WHY AREN'T WE COMMUNICATING?
SO THEN I GET MAD, AND I FEEL...
- BUT DO YOU TELL HER THAT?
- I DO... I DID,
I FINALLY JUST SAID,
"I DON'T KNOW...
DON'T KNOW WHAT'S WRONG,
BUT WHATEVER IT IS,
WE NEED TO FIX THIS
BECAUSE I KNOW
THERE'S SOMETHING THERE.
THERE'S SOMETHING WRONG.
- SO DOES SHE FEEL THE
RELATIONSHIP'S CHANGED WITH HER?
- UH-HUH.
- BLOODY HELL, IT'S RAINING.
- I WANNA DO THE LITTLE BICYCLE.
I WANNA DO THE BICYCLE.
- MAYBE HERE WOULD BE A GOOD...
A GOOD PLACE TO TALK ABOUT IT.
LIKE, WHEN YOU'RE AWAY,
YOU'RE RELAXED TOGETHER.
- I THINK THAT KYLE
AND I NEED TO TALK ABOUT IT,
BUT I NEED TO GIVE SOMETHING...
- SORRY, DARLING.
- LET'S GET ON ONE
OF THOSE LITTLE BICYCLES.
- LET'S GO.
- WE CAN TALK ABOUT IT LATER.
- KEEP WALKING, I WANT TO GET
SOME LUNCH BEFORE IT RAINS.
- YOU... YOU KNOW KYLE.
I LOVE THE RAIN.
[laughs]
- NOW, THIS LOOKS GOOD.
- DO THE CARS STOP, OR DO THEY
JUST RUN YOU OVER HERE?
- THIS IS GOOD.
ONE MINUTE, KIM SEEMS,
LIKE, REALLY DISORIENTED,
AND THE NEXT MINUTE,
SHE SEEMS ALMOST FINE.
SHE'S CONFUSING, IT'S KIND OF
UP AND DOWN LIKE A BLOODY YO-YO.
- I THINK I'M GONNA HEAD BACK
TO THE HOTEL NOW.
I LIKE THE RAIN.
I LOVE PARIS'S RAIN.
- COMING UP...
- KIM.
- [knocks]
[French music]
♪♪ ♪♪
- THE WORKMANSHIP IN THAT.
- IT'S BEAUTIFUL.
- LOOK AT IT, THE CARVING...
- OH, YOU CAN GO TO THE...
YOU CAN GO UP ON THE TOP.
I DIDN'T KNOW THAT. - YEAH.
I'VE NEVER BEEN ON TOP. - NO.
- YOU'VE NEVER BEEN ON TOP?
THAT'S NOT WHAT I'VE HEARD.
- HAVE YOU? [both laugh]
- I WAS ONCE. [laughs]
- NAUGHTY.
GIGGY.
GIGGY AT THE NOTRE DAME.
SO CUTE WITH GIGGY-GU.
- YOU LOOK SO SIMILAR, YOU TWO.
- DO ONE WITH... IT'S BEAUTIFUL.
- YOU'VE GOT
THE SAME HAIRDRESSER.
- DO ONE... COME ON,
ONE PICTURE WITH YOUR...
WITH YOUR HUSBAND.
- OH, GET OFF THE STEP.
- GOOD OUTFIT.
WHERE IS KIM?
- SHE WENT BACK TO THE HOTEL.
- I WORRY ABOUT HER BECAUSE
HER BEHAVIOR WAS JUST SO OFF.
- TODAY SHE SEEMED A LITTLE BIT
MEDICATED, DIDN'T SHE?
SOMETHING. I KNOW SHE WAS...
SHE WAS GOOD.
- YEAH.
- BUT...
- I DON'T KNOW.
- SAID SOME STRANGE THINGS,
DIDN'T SHE?
- ISN'T THE WHOLE POINT
OF COMING OUT OF REHAB
TO BE TOTALLY CLEAN? - YEAH.
- WELL, I JUST WONDER, WHEN YOU
COME OUT OF THOSE SITUATIONS,
WHEN THEY GIVE YOU MEDICATION...
- YEAH.
- IT COULD GET... YOU'RE TAKING
SOMETHING. I DON'T KNOW.
- JUST BECAUSE IT'S
A PRESCRIBED PRESCRIPTION...
both: DOESN'T MEAN...
- IT'S OKAY.
- THAT IT'S OKAY.
- KIM HAS TOLD ME
SHE'S TAKING PRESCRIPTION DRUGS
TO HELP HER ON HER ROAD
TO RECOVERY,
AND I JUST PRAY TO GOD
THAT THIS ISN'T
A WHOLE NEW SET OF PROBLEMS.
- I WORRY THAT SHE GOES TO BED
AND, YOU KNOW, WHO KNOWS?
DOESN'T... - YEAH.
- YOU JUST DON'T KNOW.
YOU HEAR SO MANY
AWFUL STORIES THESE DAYS...
both: OF PEOPLE NOT WAKING UP.
- LET'S AGREE TO KEEP
AN EYE ON HER, YEAH?
- JUST SEE HOW IT PLAYS OUT.
- I'M EXCITED, YOU KNOW, TONIGHT
WE'RE GONNA HAVE SO MUCH FUN.
- OH, YEAH.
- I CAN'T WAIT.
- HAVE I GOT TO GO?
- WHAT DO YOU MEAN,
HAVE YOU GOT TO GO?
- YEAH, IT'S A COOKING CLASS
IN PARIS.
- IT'S A COOKING CLASS.
PARIS IS ONE OF THE COOKING
CAPITALS OF THE WORLD.
SO RATHER THAN JUST
EAT OUT EVERY NIGHT,
I THOUGHT IT WOULD BE
A LOT OF FUN
TO MAYBE TAKE
A COOKING CLASS, SO...
[speaking French]
- I WANNA LEARN SOMETHING
AND GO HOME...
- COME ON, THEN, LET'S...
- AND COOK FOR MY HUSBAND.
- LET'S GO AND HAVE
A LOOK AT THAT STATUE.
- AND THEN WE'RE GOING
IN NOTRE DAME.
- OOH.
- WOW, IT'S STILL
BEAUTIFUL TONIGHT.
- IT IS.
- WAIT, WHERE'S KIM?
- HOW ARE WE LEAVING
WITHOUT KIM?
- YEAH, WHERE'S KIM?
- I DON'T KNOW.
WANNA WAIT FOR HER?
- WHERE IS KIM?
- I THOUGHT MAYBE
SHE WENT DOWN ALREADY.
- WELL, I WAS WITH HER TILL
LUNCHTIME, BUT I DON'T KNOW.
- LET ME CALL HER.
- MAYBE I SHOULD JUST
RUN UP TO THE ROOM.
MAYBE SHE'S STILL SLEEPING.
- I'LL GO UP. I'LL GO UP.
- THIS REMINDS ME OF HAWAII,
ALL OVER AGAIN.
WE'VE BEEN WAITING FOR YOU
FOR HALF AN HOUR.
HOW LONG ARE YOU GONNA BE?
- KYLE, ARE YOU
COMING IN OR NOT?
- NO, I'M NOT COMING IN,
I WANT TO KNOW IF YOU'RE COMING.
- JUST HURRY UP.
THE BUS IS WAITING.
I FEEL A LITTLE DEJA VU
COMING ON IN PARIS.
- I HAVEN'T HAD THAT FEAR
AND WORRIED ABOUT MY SISTER
LIKE I USED TO IN A LONG TIME.
I'M GONNA GO TO HER ROOM.
I'M GONNA GO TO HER ROOM.
- I'LL GO WITH YOU.
I'LL GO WITH HER.
MY HEART IS KIND OF
STARTING TO BEAT IN MY CHEST
LIKE I FEEL ANXIETY
BECAUSE YOU HEAR SO MANY
AWFUL STORIES THESE DAYS
OF PEOPLE MIXING MEDICATIONS.
AND AT THIS POINT, I'M A BIT
WORRIED THAT THAT MIGHT BE,
YOU KNOW, THE SCENARIO.
[knocks]
- [knocks] KIM?
[knocks]
KIM.
I'M SCARED.
I DON'T KNOW WHAT I'M GONNA FIND
ON THE OTHER SIDE OF THE DOOR.
- KIM.
- [knocks]
KIM?
- HEY, ARE YOU OKAY?
WHAT ARE YOU DOING?
- WHAT'S WRONG?
- WE'RE SUPPOSED TO BE
IN THE LOBBY 40 MINUTES AGO.
- WHAT'S WRONG?
- YOU GOTTA QUICKLY GET DRESSED.
- I WILL.
- ARE YOU OKAY?
- YEAH.
- OKAY.
- THERE IS NO ALCOHOL BOTTLES,
I DON'T SEE
ANY MEDICATION BOTTLES,
HER HAIR IS STICKING OUT
AND ALL SLEEPY, I'M LIKE, "OH,
THANK GOD, SHE JUST OVERSLEPT."
- OKAY.
- I'M SO SORRY, YOU GUYS.
- IT'S OKAY. OKAY,
JUST HURRY UP AND GET READY.
WE'LL MEET YOU AT...
WE'LL MEET YOU DOWN THERE.
- OKAY.
- KIM HAS BEEN AN ALCOHOLIC
FOR MANY YEARS.
I KNOW THAT IT IS A DAILY
STRUGGLE FOR HER TO STAY SOBER.
SO I JUST HAVE TO KEEP
MY FINGERS CROSSED EVERY DAY
AND HOPE THAT SHE STAYS STRONG.
- I WONDER...
I WONDER WHAT'S HAPPENING,
'CAUSE IN HAWAII WE KIND OF
GOT INTO THE SAME THING.
- I KNOW. BUT YOU WERE
WITH HER ALL DAY.
SHE WAS FINE, RIGHT?
- THERE'S FINE,
AND THERE'S FINE.
- RIGHT, WELL,
THERE'S FINE, AND THERE'S KIM.
[both chuckle]
- I DON'T WANT TO OVERREACT,
BUT I'M REALLY RATHER ANXIOUS.
I HAVEN'T SEEN HER
FOR SIX HOURS.
WE PARTED WAYS BEFORE LUNCH.
BUT THE TROUBLE IS
IS I'VE ONLY KNOWN KIM
WHEN SHE HAD
THE DRINKING PROBLEM.
- RIGHT.
- SO I DON'T REALLY KNOW...
- EXACTLY.
- YOU KNOW WHAT I'M SAYING?
- YEAH, EVERY TIME I...
SO I DON'T KNOW. WE'LL SEE.
- HI, GIRLS.
- OKAY.
- SHE IS? WHAT WAS SHE DOING?
- SHE'S OKAY.
WELL, SHE'S FALLEN ASLEEP.
- WELL, SHOULD WE WAIT FOR HER?
- YEAH, OF COURSE.
- WE'RE GONNA WAIT FOR HER.
SHE'S GONNA BE A FEW MINUTES.
- SHE'S QUICKLY GETTING DRESSED.
- SHE COULD'VE JUST...
LIKE I SAID, I WAS SLEEPING TOO.
- RIGHT.
- YEAH.
- I DIDN'T KNOW
THE BOYS WEREN'T COMING.
- NO, THE BOYS...
WELL, THEY'RE COMING LATER.
- AND WHAT ARE WE DOING LATER?
- YOU DON'T WANT TO GO WALKING,
YOU JUST WANT TO GO
FIND A CUTE BOY AND KISS.
- I EXERCISED ALL DAY WITH YOU.
WE DID CARTWHEELS, WE SKIPPED,
WE RAN, WE JOGGED, WE WALKED.
THAT'S MORE EXERCISE
THAN I DO IN A WEEK.
[laughter]
- A YEAR.
- YES, IT'S A LOT.
- WHERE IS MY SISTER?
- YEAH, WHERE IS SHE?
- WAIT, DEJA VU. DEJA VU.
- WE ARE.
- WHERE IS KIM?
IF I HAD A DOLLAR FOR EVERY TIME
I'VE SAID, "WHERE'S KIM?"
I'D BE A BILLIONAIRE.
OH, MY GOSH.
- OH, HERE'S KIM.
THERE'S KIM, YOU GUYS.
- OKAY, MY LOVE, WELL,
SAY BYE TO THE GIRLS.
KIMMY, HOW ARE YOU FEELING,
BABE, ARE YOU AWAKE?
- YEAH, I'M AWAKE. I TOOK A NAP.
AFTER I CAME BACK...
I TOLD YOU I WAS EXHAUSTED.
I'M EXHAUSTED, I'M TOTALLY EX...
AND I FELT LIKE I'VE BEEN
ON EUROPEAN TIME.
- DID YOU TAKE
ANY SLEEPING PILL OR SOMETHING?
- SLEEPING PILL? THAT WOULD MEAN
THAT I HAD RELAPSED.
NO.
- SO HOW LONG
DID YOU PASS OUT FOR?
HOURS. I SAW YOU FOUR HOURS AGO.
- TWO HOURS.
SO WHOSE IDEA
WAS THIS COOKING LESSON?
- LISA.
- WHY DID WE FLY ALL THE WAY
TO PARIS TO MAKE OUR OWN DINNER?
- [laughs]
- I'M JUST TRYING TO GET YOU OUT
OF YOUR BEDROOM, FOR GOD'S SAKE.
WE'RE SUPPOSED TO BE IN PARIS.
- I WAS WITH YOU ALL AFTERNOON.
- NO, THAT WAS THIS MORNING.
- OH, NO... CAREFUL NOW.
I SPENT THE DAY WITH LISA.
WE STARTED ABOUT,
I THINK, 9:00, SO ALL DAY.
I DON'T... YEAH. 9:00 OR 10:00.
AND AT ABOUT 4:00 OR 5:00,
SHE HAD TO LEAVE
BECAUSE SHE HAD TO GO TO...
MAN...
I WAS WITH YOU ALL AFTERNOON.
WATCH IT, GIRLFRIEND.
- THAT WAS... NO.
- THAT'S NOT COOL.
- THEN WE... THEN WE...
NO, THEN WE LEFT. THEN WE LEFT.
- DON'T GO THERE.
- WE WERE TOGETHER
THIS AFTERNOON.
[chuckles] WE WERE.
WE WERE TOGETHER...
- DON'T ROCK THAT BOAT.
- OH, OKAY.
- WHAT HAPPENED?
- I DON'T KNOW.
- WHAT'D I MISS?
- I LEFT YOU, AND... WHAT?
- NO. [mumbles]
DON'T TALK TO ME LIKE I STAY
IN MY ROOM AND I SLEEP ALL DAY
AND I HA...
BECAUSE THAT'S NOT THE CASE.
- COMING UP...
- DON'T GO IN THERE NOW.
- DON'T GO IN THERE.
- CUTTING THE HEAD OF A DUCK?
OH, STOP.
[chops, silverware rattles]
- UH! THAT'S ONE.
- OH, MY GOD.
- I DON'T UNDERSTAND THAT.
- I DON'T EVEN KNOW
WHAT ANY OF THAT WAS ABOUT.
- I DON'T UNDERSTAND THAT.
WASN'T I WITH YOU
THIS AFTERNOON?
- I JUST DON'T WANT HER
TO GET UPSET
RIGHT BEFORE WE START COOKING.
- I DON'T KNOW.
- [sniffles]
I UNDERSTAND COMPLETELY
IF THEY WERE FRIGHTENED,
AND THEY THOUGHT MAYBE
I WAS DRINKING OR SOMETHING.
BUT KNOCK OUT
THE SNIDE COMMENTS.
[sniffles] YOU KNOW? NO JOKES.
LISA, IT'S JUST WHAT SHE DID,
IT WAS SO MEAN, I JUST...
- WHAT? I CAN'T UNDERSTAND
ANYTHING YOU'RE SAYING.
- I THINK WHAT LISA DID
WAS SO MEAN,
AND I'VE WORKED
VERY HARD THIS YEAR.
[sobs]
NOBODY KNOWS
WHAT I HAVE GONE THROUGH.
WHEN YOU'RE SO DISAPPOINTED
AND YOU DON'T WANT
TO LOOK IN THE MIRROR ANYMORE,
THAT'S A HORRIBLE FEELING.
- WHERE ARE THE OTHER GIRLS?
THEY ON THE WAY?
- NO, THEY'RE IN THE CAR.
SHALL I GO AND GET THEM?
- IF YOU LIKE.
- NO.
- OH, COME ON.
- DON'T... I JUST THINK
THEY NEED SOME TIME ALONE.
- WHY?
- I DON'T KNOW.
I JUST FEEL LIKE KIM'S ON EDGE,
AND ANYTHING ANYONE SAYS TO HER
RIGHT NOW IS NOT GONNA GO WELL.
- RIGHT HERE NOW,
I DON'T KNOW WHAT HAPPENED.
I HAD TO LAY DOWN,
I WAS SO EXHAUSTED. I'M NOT...
AND I WASN'T
FEELING GOOD LAST NIGHT.
AND THE TIME CHANGE,
I DON'T KNOW,
BUT, YOU KNOW,
I DON'T WANT THIS TO BE LIKE
HISTORY REPEATS ITSELF
'CAUSE IT'S NOT LIKE THAT.
- HERE COMES LISA.
- NO, I DON'T WANT HER
IN HERE RIGHT NOW.
- ARE YOU COMING?
- COULD YOU GIVE US A SECOND?
I WANT TO TALK TO MY SISTER.
- ARE YOU OKAY?
- YEAH.
- WHAT'S THE MATTER?
- NOTHING.
I JUST WANT TO TALK
TO MY SISTER, LISA.
- ARE YOU OKAY OR NOT?
DO YOU WANT TO CANCEL IT?
WHAT'S THE MATTER?
- SHE JUST WANTS TO TALK
TO ME FOR A MINUTE.
SHE JUST WANTS TO TALK.
- BUT DO YOU WANT TO CANCEL IT?
- NO.
- YOU DON'T WANT TO GO IN
LIKE THAT, DO YOU?
- NO, I...
- DO YOU?
- I WANNA COME IN,
I JUST WANNA TALK TO MY SISTER.
- DARLING, I'LL CANCEL IT,
OR SHOULD WE JUST GO AHEAD?
- SHE WANTS TO GO IN,
SHE JUST WANTS TO
TALK TO ME FOR A MINUTE.
- WHEN PEOPLE SEE US HAVING
KIND OF AN INTIMATE MOMENT,
THEY SHOULD RESPECT THAT.
THEY COME RIGHT OVER
AND BE LIKE,
"WHAT ARE YOU TALKING ABOUT?"
REALLY?
- NO, SHE'S REALLY
CRYING IN THERE.
- SHE IS?
- YEAH.
- THAT'S WHAT I'M SAYING.
I DON'T THINK THAT THERE'S...
- NO, NO, NO, NO,
THEY DON'T WANT US IN THERE.
THEY WERE LIKE, "NO."
SHE SAID, "I WANT TO TALK
TO MY SISTER."
- I DON'T THINK ANYONE CAN SAY
ANYTHING RIGHT RIGHT NOW...
- I KNOW.
- SO I DON'T...
I JUST LET THEM HAVE THEIR...
- SHOULD WE JUST DO IT?
- YEAH, LET'S SHUT THE DOOR.
- I SAID,
"DO YOU WANT TO CANCEL IT?"
I WAS JUST BEING LIGHTHEARTED.
THE LAST THING
I WANT TO DO IS UPSET KIM,
AND I DON'T KNOW
WHY SHE'S OVERREACTING.
WHAT THE HELL IS GOING ON?
- I OVERSLEPT
THIS MORNING AS WELL.
- IT'S... IT'S...
- BUT I HAD A...
WHAT I'M TRYING TO...
I DON'T KNOW WHY
SHE'S SENSITIVE ABOUT IT.
- YEAH, BUT SHE'S
CRYING HER EYES OUT.
OBVIOUSLY,
SOMETHING ELSE IS GOING ON.
- WE'VE GONE
ON OTHER VACATIONS WITH HER
WHERE SHE WASN'T SHOWING
BECAUSE SHE WAS DRUNK,
SO I THINK THAT PEOPLE...
SHE'S THINKING
PEOPLE ARE INSINUATING
THAT'S HAPPENING AGAIN, AND
THAT'S NOT NECESSARILY THE CASE,
AND SHE'S JUST ULTRA SENSITIVE,
WHICH NONE OF US WILL EVER
KNOW WHAT THAT'S LIKE BECAUSE
WE'RE NOT IN THAT SITUATION.
- BUT WHAT DO WE DO NOW?
SHOULD WE LEAVE?
- NO, WE SHOULD JUST
START COOKING.
- I DON'T THINK WE SHOULD
START WITHOUT HER.
I THINK... - HUH?
I DON'T THINK
THEY'RE GONNA COME IN.
- I DON'T THINK
WE'RE GONNA START WITHOUT HER.
- IT JUST... IT BOTHERED ME,
AND IT MADE ME FEEL LIKE
SHE WAS TRYING
TO MAKE ALL OF YOU THINK
THAT I JUST WAS IN MY ROOM
SLEEPING ALL DAY.
I DON'T KNOW IF I CAN TRUST HER.
- WELL, DON'T LET IT BOTHER YOU.
LET'S GO INSIDE.
LET'S GO HAVE FUN.
I THINK THAT LISA
IS JOKING AROUND WITH KIM,
BUT WITH A VERY SENSITIVE TOPIC.
SO KIM IS BEING
OVERLY SENSITIVE,
AND I CAN UNDERSTAND
HER POSITION.
- WE GOT FOOD, WE GOT WINE,
WE'RE GOOD TO GO.
- DO YOU NEED ME TO DO ANYTHING
WHILE WE'RE WAITING?
- NO, NO, WE'RE COOL.
- I FEEL LIKE I'M READY.
WE HAVE MYST...
WE HAVE A MYSTERY POULTRY.
- MYSTERY... MYSTERY ANIMAL.
- OOH, IS THAT RABBIT?
NO, IT'S...
- NO, NO, NO.
- DEFINITELY SOME SORT OF BIRD.
- WHAT'S GOING ON
RIGHT IN THERE?
- NO, NO! [coughs, sputters]
- WHAT DO YOU MEAN, "NO, NO"?
- WE'RE GONNA MAKE, LIKE,
DUCK A L'ORANGE OR SOMETHING.
- QUACK, QUACK.
- IT'S A DUCK.
THERE'S A DUCK HEAD IN THERE.
- QUACK, QUACK.
- A QUACK QUACK WITH A HEAD
IS GONNA REALLY...
- WELL, THE HEAD'S
GONNA GO BYE-BYE.
WE'RE NOT GONNA EAT THE HEAD.
- TO SEE THESE FURRY
QUACK QUACKS LYING ON THE TABLE
WAS JUST TOO MUCH.
- WE NEED TO TAKE THE HEAD...
- NOT CHOP IT OFF.
YOU'VE GOT TO DO THAT
SOMEWHERE ELSE.
- SHE'S STARTING
TO, LIKE, FEEL SICK.
- OKAY.
- IN HOLLAND, WE USED TO
PLAY WITH CHICKEN LEGS
AND RUN AFTER
ALL THE KIDS LIKE THAT.
- IF YOU CHOPPED
HIS HEAD OFF HERE, I... UGH.
- IT WAS NOT HAPPENING. [laughs]
YOU KNOW, THESE GIRLS
ARE FROM BEVERLY HILLS HERE.
- DON'T GO IN THERE NOW.
- DON'T GO IN THERE.
- WHAT HAPPENED?
- ARE YOU OKAY?
- THEY'RE CUT... THEY'RE...
- ARE YOU OKAY?
- A DUCK...
- THEY'RE CUTTING THE HEADS OFF.
- THERE'S DUCKS
WITH REAL HEADS IN THERE.
- OH, STOP!
- AND BEAKS.
- THEY WERE GONNA HAVE US
CHOP OFF THE DUCKS.
- NO, YOU DON'T WANNA SEE IT.
- I DON'T WANNA HELP,
I JUST KIND OF WANNA...
- YOU DON'T WANNA SEE IT.
- THERE'S FIVE OF 'EM
HE HAS TO DO.
[chops, silverware rattles]
- UH!
THAT'S ONE. - OH, MY GOD.
- IT TOOK ALL THE ROMANCE
OUT OF PARIS.
[gags]
- [chops]
- [coughing]
- OH, MY GOSH,
YOU MEAN IT'S ALIVE.
- NO, NO, THEY'RE NOT ALIVE.
- IT'S NOT ALIVE.
- YOU'RE LYING TO ME.
- NO, THEY'RE...
- LET'S MOVE IT. [laughs]
- WE DIDN'T SAY IT WAS ALIVE,
WE JUST SAID IT HAD
THE HEAD ON THERE.
- WHO CARES?
AS LONG AS IT'S NOT QUACKING
WHILE HE'S DOING THE WHACKING,
I'M OKAY.
- SO WHAT ARE YOU GONNA
TEACH US TONIGHT?
- OKAY, WE'RE GONNA DO SOME
DUCKS WITH SOME GLAZED TURNIPS
AND A CHERRY SAUCE.
OKAY, WITH A LITTLE HERB SALAD.
SOME CHERVIL AND SOME CHIVES.
- DUCKS AND TURNIPS
IS A TOUGH DISH
TO GET EVERYBODY EXCITED ABOUT.
WHAT ABOUT SOME FRENCH FRIES
WITH MAYONNAISE
AND A NICE STEAK?
- WE JUST WANT TO PEEL
REAL PRETTY FROM TOP TO BOTTOM.
- AH, YOU PEEL TURNIPS?
- YES.
- GIRLS, LET ME KNOW WHEN
DINNER'S READY, OKAY? [laughs]
- SO NOW, IT'S DUCK TIME,
AND THEN WE'RE GONNA
GO OVER HERE AND COOK.
FIRST I WANT TO FIND THE LEGS.
RIGHT THERE.
I WANT TO MAKE TWO CUTS.
BOOM AND BOOM.
AND YOU POP THAT BONE OUT
JUST LIKE THAT.
- UM, I CAN'T DO THAT.
I'VE NEVER EATEN DUCK
IN MY LIFE,
AND I'M REALLY HAPPY I DIDN'T
GET TO MEET IT IN PERSON.
- PULL IT TOWARDS YOU,
MAKING SURE YOU PUSH IT...
PUSH IT THIS WAY KIND OF.
THERE YOU GO.
- IS SHE OKAY, SERIOUSLY?
- SHE'S SENSITIVE ABOUT IT.
SHE'S BEEN WORKING
REALLY HARD, AND...
- NICE ONE!
- SHE FELT LIKE IT WAS
IMPLYING THAT, YOU KNOW,
SOMETHING, AND I SAID, "KIM, YOU
SEEM VERY TIRED, THAT'S WHY."
SEE, THIS IS THE THING.
WHEN YOU'VE HAD THAT HISTORY,
PEOPLE IMMEDIATELY
GO THERE AND THINK THAT.
YOU KNOW, IF I'M TIRED,
I'M LIKE,
"THESE PEOPLE
AREN'T GONNA THINK THAT."
- BUT IS THAT...
IT'S NOT MEDICATION.
- I DON'T WANT WHATEVER'S
GOING ON BETWEEN KIM AND LISA
TO AFFECT MY FRIENDSHIP
WITH LISA.
- BUT, YOU KNOW,
MAYBE SHE'S VERY SENSITIVE,
AND IT'S VERY DIFFICULT
TO SAY ANYTHING.
- LISA'S STIRRING THE POT.
WHEN I SEE HER OVER THERE
TALKING TO KYLE,
I THINK IF YOU HAVE A CONCERN,
PLEASE TELL ME, BECAUSE,
AT THIS POINT IN MY LIFE,
I WANT TO KNOW.
- THE SECOND I DON'T SEE HER
OR SHE'S LATE, I GET SCARED.
I'M PARANOID, I ADMIT IT.
- THE CHEF SHOULD GIVE HER
A BIG POT AND A SPOON.
AND THEN SHE COULD STIR
WHILE SHE'S STIRRING.
[French music]
♪♪ ♪♪
- THIS IS A NICE BUS.
SHOULD WE TRY TO GET
ONE OF THESE FOR L.A.?
YOU KNOW, FOR MY FAMILY,
I COULD USE IT.
I'VE NEVER BEEN ON...
- YOU KNOW WHAT RESTAURANT
WE'RE GOING TO?
- I THINK THE... AREN'T THE GIRLS
COOKING FOR US?
- WELL, I KNOW THEY'RE COOKING.
I DIDN'T THINK THEY WERE
COOKING FOR US. [laughs]
- I THINK... I THINK WE'RE EATING
WHAT THEY'RE COOKING.
I HOPE IT'S NOT BURNT. [laughs]
I LOVE KEN.
WE CAN HAVE AN ARGUMENT
AND MOVE ON WITH LIFE.
PICK UP THE PHONE
AND CALL AND APOLOGIZE.
- THAT'S BULL[bleep].
WHEN YOU'RE BEING SUED
BY SOMEBODY,
MAYBE YOU DON'T WANT
TO PICK UP THE PHONE.
- YOU'RE NOT SUPPOSED TO.
- I DON'T THINK THAT ARGUMENT
REALLY HAD ANY RESOLUTION TO IT.
HE EXPRESSED HIS OPINION,
I EXPRESSED MY OPINION,
THERE WERE DIFFERENCE
OF OPINIONS, AND THAT'S IT.
SO WHAT DO YOU THINK THE WOMEN
ARE GONNA MAKE FOR US TONIGHT?
- I DON'T KNOW,
BUT I HOPE IT'S NOT
ONE OF THOSE
WHERE THEY FEED YOU FIVE MEALS
AND SAY, "WHICH IS THE BEST?"
AND THEN YOU DON'T
PICK YOUR WIFE'S.
[both laugh]
MAURICIO AND I,
WE'VE GOT THE TYPE OF FRIENDSHIP
THAT WE DON'T HOLD GRUDGES.
SOME OF THE LADIES COULD DO
WITH A LITTLE LESSON
FROM MAURICIO AND I.
- ESPECIALLY IF YOU
END UP PICKING BRANDI'S.
- THAT WOULD BE TERRIBLE.
AND YOU PICK KIM'S.
- AND THEN PICK... [both laugh]
- IT LOOKS WHITE,
IT LOOKS LIGHT,
IT'S ABOUT TO GET DARKER.
- WHY DON'T YOU STIR IT?
- BECAUSE WE DON'T NEED TO.
THE BEST THING YOU CAN COOK WITH
IS YOUR SENSES.
- IF YOU'RE MAKING
RICE KRISPIE SQUARES,
YOU WANT TO STIR
THE MARSHMALLOWS,
JUST IN CASE YOU GUYS
ARE WONDERING.
- THIS IS WHAT IN FRENCH
WE CALL "GASTRIQUE."
- GASTRIQUE.
- GASTRIQUE.
SWEET AND SOUR.
THAT'S FRENCH SWEET AND SOUR.
- THESE ARE SO PRETTY.
- AM I... AM I WHAT YOU CALL
A "STIRRER"?
- NO, THAT'S ADRIENNE'S.
I LIKE TO TASTE EVERYTHING
AS I'M COOKING IT.
I LIKE TO GET RIGHT IN THERE
AND KIND OF KNOW WHAT I'M DOING.
THAT'S DELICIOUS.
THAT IS DELICIOUS.
- OW.
- OH, COME ON, GIVE IT TO ME.
- OW.
- CAREFUL.
LISA... LISA LIKES IT ROUGH.
- SEND IN THE NEXT TWO LADIES,
WHOEVER'S NEXT.
ONE MORE PINCH OF THE...
- OH, SORRY.
- OVER THE SHOULDER?
GOOD. GOOD LUCK. GOOD.
GET... GET SOME BUTTER IN THERE.
- ME? OKAY.
- OH, YEAH.
- LIKE THIS?
- GET IT IN THERE.
- MAS? I MEAN MORE?
- YEAH, MORE, WE NEED...
STIR IT AROUND.
- WHAT YOU DO
IS YOU ADD THE BUTTER...
- GO, GO, GO, STIR, STIR, STIR.
- MMM...
- YOU'RE HIRED, CHEF.
- THANK YOU.
- AH, I NEED A BREAK.
- WORK'S HARD.
- THIS IS SO MUCH WORK.
I'M SO TIRED.
COMING UP...
IT'S LIKE YOU ONLY
HAVE ROOM FOR BRANDI.
- DON'T BE SILLY.
- IT DOES FEEL LIKE THAT.
I'VE BEEN REPLACED.
- SO WHAT WE WANNA DO IS I'M
GONNA PUT A GOOD PINCH OF SALT.
THAT'S SUGAR.
- WHERE'S THE SALT?
- ONE MORE PINCH.
- OW.
- [laughs]
- OH, THANK YOU.
VOILA.
AAH! - DON'T!
I'M GONNA [bleep] KILL YOU!
THAT'S MY HAIR!
- LET'S DANCE, KYLE,
LET'S DANCE!
- OOH, AH...
- THAT'S WAY TOO MUCH.
- OH...
- I'M JUST KIDDING.
- OH, NICE CHIVES.
[little voice] LOOK THOSE...
LOOK AT THE CHIVES.
- YOU ARE HIRED, YOLANDA.
- YOU'RE DOING GOOD.
YOU'RE DOING GOOD.
- LOOK AT THOSE CHIVES.
- THAT'S GREAT.
- I ONLY WORK
FOR MY HUSBAND, SORRY.
- STIR IT A LITTLE BIT MORE
ANGRY TOO, IF YOU LIKE.
- WHAT DO I GET TO DO?
- YOU HAVE A HARD LIFE.
I'M COMING, I'M COMING.
DON'T WORRY,
I DIDN'T FORGET ABOUT YOU.
THERE'S ONLY ONE RULE
IN THE FRENCH KITCHEN.
- WHAT IS IT?
- LE CHEF...
LE CHEF A TOUJOURS RAISON.
- WHAT IS THAT?
- "THE CHEF IS ALWAYS RIGHT."
- OH. WELL, IT'S IN MY KITCHEN
AS WELL. [chuckles]
MINE IS LIMP, SO I FEEL LIKE
IT'S NOT GONNA BE...
- IF IT'S LIMP AND NOT PRETTY,
WE DON'T WANT IT.
- THEY'RE NOT GONNA
BE EXCITED ABOUT THAT.
- I'M NOT... NO. [laughs]
- ARE YOU MAKING IT LIMP?
- NO, I DON'T MAKE IT LIMP.
IT'S THE HEAT.
- YOU GOTTA GET RID
OF THE LIMP ONES.
- WELL, THAT'S WHAT
I'M TRYING TO DO.
- HEY, THEY'RE SINGLE.
THEY SHOULD BE FLIRTING.
ISN'T THAT WHAT
SINGLE PEOPLE DO? THEY FLIRT.
- DO YOU WANNA...
YOU WANNA EAT MY CHERRY?
- DID YOU REALLY JUST SAY THAT?
- WELL, I MEAN, SOMEBODY HAD TO.
- WHAT'D SHE SAY?
- AND IT WOULD BE YOU....
- "DO YOU WANNA EAT MY CHERRY?"
- OR ME.
- I FLIRT A LOT WITH EVERYONE.
SORRY. [chuckles]
- ARE WE YOUR MOST
ANNOYING STUDENTS?
- NO.
- NO, JUST YOU TWO.
- MOST DIFFICULT. [laughs]
- I WANT TO COOK
THE DUCK BREAST IN ITS OWN FAT.
- YES.
- SO THE FAT GOES AWAY.
[sizzling]
- KITCHEN SHOES.
- OOH, HEELS IN THE KITCHEN.
- AAH.
- NICE JOB.
- NICE.
- NICELY DONE.
WATCH... WATCH YOU DON'T HIT...
- TAKE THE DUCK BREAST OUT
AND PUT IT ON THE RACK.
- OH, TAKE THE DUCK BREAST OUT.
OKAY.
IS THIS ONE DONE? - YEAH. YUP.
- I THINK SHE MIGHT TRY A BITE,
A LITTLE ONE, MAYBE THAT ONE.
- COME ON, LADIES,
WE GOTTA FOCUS, LADIES.
- OKAY, LOOK WHAT I DID
FOR MY HUSBAND.
HEY, DON'T RUIN MY HEART.
LOOK HOW CUTE.
- GO, LADIES, GO, LADIES, GO.
- I NEED MORE DUCK.
- YES, CHEF.
- HOW AM I GONNA PUT
MY HUSBAND'S INITIALS ON HERE?
- YOUR HUSBAND'S NOT HERE.
- BUT I LOVE HIM.
- HERE WE GO, HERE WE GO.
- OKAY. OKAY.
- WHAT IS THAT? "F.U."?
- DO YOU LIKE MINE?
- IT'S... OH... [chuckles]
- YOU HAVE TO WRITE "F.U."
IF YOU'RE USING CHERRY SAUCE.
DUH. PORN 101.
- COME ON, NOW,
LET'S SEE THAT HIP WORK.
COME ON.
- HELLO.
- ALL RIGHT.
- HEY.
- HOW YOU DOING?
- WOW, HELLO, HOW ARE YOU?
- ALEX. NICE TO MEET YOU.
- ALEX, NICE TO MEET YOU.
MAURICIO.
- MAURICIO, NICE TO MEET YOU.
- BONSOIR.
- GIGGY.
- GIGGY. [laughs]
OH, MY GIG-GIG.
HELLO, MY SEXY. HELLO, DARLING.
- BON APPETIT.
- BON APPETIT, MES AMIS.
BON APPETIT.
- CHEERS. SALUD.
- CHEERS, YOU GUYS.
- THANK YOU, ALEX,
FOR EVERYTHING.
- THANK YOU.
- MERCI.
- SALUD.
- CHEERS, SALUD.
[glasses clinking]
- OH, THIS LOOKS BEAUTIFUL,
DARLING.
- OH, I LOVE YOU.
- OH, IT'S REALLY GOOD.
- IT'S GOOD?
- THANK YOU SO MUCH, ALEX.
- HERE WE GO.
- THEY SWEATED OVER THE STOVE.
[indistinct chatter]
- DUCK FEELS LIKE
A BROWN PIECE OF BUBBLE GUM.
IT'S VERY GOOD.
BUT I DIDN'T WANNA BE RUDE.
[chatter]
- I'LL SEND YOU MY CARD, OKAY?
AND I'LL SEND YOU
THE RECIPES THAT WE DID.
- YOU HAVE CHERRY ALL OVER YOU.
- OKAY, THANK YOU.
- I FEEL LIKE I'M KYLE NOW.
NOW I'M WIPING YOU UP.
SHE'S ALWAYS WIPING YOU UP.
SORRY.
I AM FEELING A LITTLE BIT
PROTECTIVE OVER KIM
BECAUSE I DON'T WANT HER
TO LOOK A MESS,
AND I DON'T WANT KYLE WIPING...
LIKE, I JUST... I LIKE HER, YOU
KNOW, I'M FEELING SORRY FOR HER.
I'M JUST TRYING
TO LOOK AFTER HER.
- CHEERS, DARLING.
- I THINK LAST YEAR...
I WASN'T REALLY ALL THERE.
- I FEEL GREAT RIGHT NOW.
- MY SISTER'S CONSTANTLY
TRYING TO, LIKE, HELP ME
BECAUSE I WASN'T HELPING MYSELF.
- I THINK THAT NOW I'M OKAY.
YOU KNOW, I'LL LET HER
DO HER ONE THING BECAUSE SH...
I THINK SHE LIKES IT. - YEAH.
- AND IT'S A HABIT.
- I DON'T KNOW WHY THAT
BOTHERS ME. IT JUST DOES.
I FEEL LIKE IT'S, LIKE, ALMOST
POINTING OUT YOUR IMPERFECTIONS
TO EVERYONE IN THE GROUP.
- DID I EVER THINK
I'D BE SITTING
NEXT TO BRANDI IN PARIS
HAVING A CONVERSATION?
PROBABLY NOT.
BUT I ACTUALLY AM
GETTING ALONG WITH HER.
AND I LIKE BRANDI.
I THINK. YEAH.
- WE DIDN'T GET OFF
TO A GOOD START.
- WHY?
- SO WHAT HAPPENED.
SO SHE SAID,
"WHY DID YOU DECIDE TO DO...
WHO DECIDED TO DO THE COOKING?"
SO I SAID, "I DID."
AND SO SHE'S LIKE, "WHY?"
AND I SAID, "TO GET YOU
OUT OF THE BEDROOM."
'CAUSE WE WAITED AN HOUR
TO GET HER OUT OF THE BEDROOM.
- RIGHT.
- SHE SAID, "I DON'T LIKE THAT."
AND SHE KIND OF
REALLY GOT UPSET.
I SAID, "WHAT ARE YOU
TALKING ABOUT?"
"I WAS WITH YOU ALL AFTERNOON."
SO I SAID, "NO, YOU WEREN'T."
- RIGHT.
- "I WAS WITH YOU.
DON'T EVEN GO THERE."
AND I WAS LIKE,
"WHAT IS SHE TALKING ABOUT?"
- WE ALREADY TALKED ABOUT THAT.
WE DON'T WANT TO TALK
ABOUT THAT ANYMORE.
- UM, COOKING TIME,
LET'S SAY 15...
- LISA'S KIND OF ANNOYING ME
BECAUSE SHE KEEPS PULLING PEOPLE
ASIDE TO TALK ABOUT KIM.
KIM IS RIGHT THERE.
YOU KNOW, IT'S DISRESPECTFUL.
- THANK YOU FOR DINNER,
EVERYBODY.
- YOU'RE VERY WELCOME.
- THANK YOU SO MUCH.
YEAH. THANKS.
- YOU GUYS HAVE A GOOD NIGHT.
- WHERE'S KIM?
- OKAY, THERE SHE IS. LET'S GO.
- OH, I LOVE YOU. MWAH.
AND YOU TOO. MWAH.
- DEAR GOSH.
- GOOD NIGHT.
SEE YOU TOMORROW FOR SHOPPING.
- YOU KNOW, IT'S LIKE, OKAY,
YOU WALK OUT OF YOUR FRONT DOOR,
YOU GO LIKE, I GO LEFT HERE
OR RIGHT THERE.
- EXACTLY.
- IT WOULDN'T BE...
- YOU'D NEVER MAKE IT
PAST THE STREET.
- OH, WAIT, LET'S GO IN HERE.
- I LOVE THAT STORE.
THEY HAVE SO MUCH COOL STUFF.
- MY STORE OPENING
IS RIGHT AROUND THE CORNER.
I WANNA CHECK OUT
THE LATEST TRENDS FOR MY STORE.
THIS IS 14,000?
- ISN'T THAT CRAZY?
- WE'LL TAKE TWO. [laughs]
- $14,000.
- FOR THIS?
- THAT'S CRAZY. YEAH.
- [gasps]
YOU FOUND A BATHING SUIT
OF ALL THE THINGS IN HERE?
- [laughs] WELL,
THESE ARE THE ONES THAT...
- THOSE ARE SO SHORT.
[laughs
- I NEED THE LONGER ONE, RIGHT?
- HONEY... [laughs]
- 46,000.
OH, MY GOD.
- [gasps] THAT'S STUNNING.
- OH, MY GOSH.
- WILL YOU TRY THIS ON?
- YEAH, IT'LL FIT ME GREAT.
- [laughs]
MM, MM, MM. THIS IS VERY ME.
WHERE'S A MIRROR?
- IT'S VERY ME TOO.
HAND IT OVER.
- I LIKE THIS ONE.
OH, I REALLY LIKE THIS BAG.
- THAT'S A BEAUTIFUL BAG.
- I LIKE THE WALKING STICK
FOR EFFECT. [laughs]
YOU KNOW, 'CAUSE I'M GONNA BE
CARRYING A LOT OF THESE THINGS,
SO I CAN'T REALLY BUY IT HERE.
IT'S STUPID FOR ME TO BUY.
- HOW ARE YOU, BABE?
YOU LOOK SO PRETTY THIS MORNING.
- THANK YOU.
- YOU GOOD?
- YEAH.
JUST STILL UPSET ABOUT
LAST NIGHT, THE WHOLE THING.
- STILL.
- YEAH.
- I KNOW, THAT WAS JUST
AN AWKWARD SITUATION, WASN'T IT?
- IT WAS WRONG,
YOU KNOW, I FEEL LIKE...
I CAN UNDERSTAND THAT
MY SISTER WOULD HAVE CONCERN,
YOU KNOW,
IF I DIDN'T COME DOWNSTAIRS.
I MEAN, THAT'S AN HONEST CONCERN
YOU WOULD HAVE.
- WHEN WE WALKED
UP TO YOUR ROOM,
LIKE, MY HEART
WAS POUNDING A LITTLE BIT,
AND I THOUGHT, OH, MY GOD, WHAT
IF SOMETHING'S REALLY WRONG?
MAYBE THE MEDICATION
IS MAKING HER A LITTLE SLEEPY,
OR WHATEVER,
SO THAT WAS THE WORRY.
- THE MEDICATION I'M ON,
JUST SO YOU KNOW...
THOSE MEDICATIONS, THEY...
NOTHING MAKES ME TIRED.
THEY HELP KEEP ME SOBER.
- OKAY, GOOD.
- BUT SEE, LIKE, YESTERDAY
WHEN LISA WAS SAYING
SHE WAS CONCERNED...
- I DON'T BELIEVE
LISA'S CONCERN.
I THINK SHE'S A BIG...
I THINK IT'S ALL FAKE AND PHONY.
- IF IT WAS REALLY TRULY
BECAUSE SHE'S WORRIED,
THEN, YOU KNOW,
CHECK YOUR PHONE.
HAS SHE CHECKED ON YOU
TODAY YET?
- THE ONLY PEOPLE THAT HAVE
CALLED IS YOU AND KYLE.
IF SOMEBODY HAS A CONCERN, THEY
COME TO YOU, AND THEY SAY IT.
- YOU NEED TO HAVE
A CONVERSATION WITH HER
AND SAY SOMETHING LIKE THAT.
- WE ALL NEED TO HAVE ONE.
YOU NEED TO HAVE ONE WITH HER
BECAUSE SHE HAS
A PROBLEM WITH YOU.
I DIDN'T REALIZE
SHE WAS LIKE THAT.
- SHE'S STILL HOLDING
ONTO THAT I DIDN'T
SIDE WITH HER WITH HER FIGHT
WITH ADRIENNE.
LIKE, SOMETIMES WHEN WE'RE
WITH ALL OF US, SHE'LL BE NICE,
AND THEN OTHER TIMES, YOU KNOW,
SHE WON'T EVEN LOOK ME
IN THE FACE.
AND I STAYED NEUTRAL. I'M SOR...
I'VE APOLOGIZED
TILL I'M BLUE IN THE FACE.
- SAY THAT TO ME.
YOU FEEL REALLY BAD
ABOUT NOT DEFENDING ME.
AND THEN I'LL MOVE ON.
- I APOLOGIZED TO YOU
A THOUSAND TIMES.
I SAID, "I'M SORRY I DIDN'T
DEFEND YOU WITH ADRIENNE."
I'M OVER BEING PUNISHED.
YOU KNOW, IT'S LIKE, I MEAN,
MOVE ON IN LIFE, OR LET IT GO.
- BUT THIS IS...
SHE'S NOT MOVING ON.
DO YOU REALIZE SHE HAS
THE SAME PROBLEM WITH YOU.
WHICH... PUT IT AWAY.
- I BELIEVE LISA HOLDS A GRUDGE.
I WANNA MOVE FORWARD AND HAVE
EVERYTHING BE GREAT AGAIN,
AND IT JUST KEEPS COMING UP
OVER AND OVER AGAIN.
- WELL, THAT WAS FUN.
- WHAT DID YOU GET?
- THE BLACK DRESS
AND A BLACK SWEATER.
MERCI. BYE-BYE.
- MERCI. AU REVOIR.
- I'M REALLY HAPPY TO BE
IN PARIS WITH MY SISTER.
JUST SPENDING
THE QUALITY TIME WITH HER
THAT WE HAVEN'T HAD IN A WHILE
FEELS REALLY GOOD.
BUT I WANT YOU GUYS
TO KNOW ALSO,
THAT AS STRONG AS I FEEL
IN MY SOBRIETY,
I GET SCARED TOO.
THIS IS ME. IT'S MY LIFE.
I DON'T WANNA LOSE THIS.
I LOVE BEING SOBER.
I LOVE BEING HAPPY
AND ENJOYING MY LIFE.
- WELL, ON THAT NOTE,
WE BOUGHT YOU A PRESENT,
SINCE I SAW YOU WERE LOOKING
AT A BAG, SO...
- OH.
- OH, MAURICIO.
- THANKS, MAURICE.
- SHARING MY LOVELY DAY.
- I LOVE YOU. THANK YOU.
- [chuckles]
- AW.
- I LOVE THIS SO MUCH.
- [gasps] OH, THAT IS BEAUTIFUL.
- I'M GONNA GO WITH KEN.
I'M GONNA GO ON A SEGWAY TOUR
OF THE CITY AND JUST
GO HAVE FUN WITH HIM.
BYE. SEE YOU LATER.
- THAT WAS REALLY NICE OF YOU.
- BYE.
- BYE.
- THANK YOU SO MUCH.
- HAVE FUN.
YOU'RE VERY WELCOME.
- BYE, HONEY.
- BYE, SUGAR BEAN.
- BYE, HAVE FUN. [laughs]
- THAT WAS REALLY NICE OF YOU.
- MAURICE AND I
ARE WORKING ON OUR FRIENDSHIP,
AND I'LL CHERISH THAT PURSE
'CAUSE I THINK IT WAS
REALLY FROM HIS HEART.
- BYE.
- BYE. SEE YOU GUYS LATER.
- LOVE YOU.
- I'M LOOKING FORWARD TO GOING
ALL OVER PARIS
ON ONE OF THESE THINGS.
- WHERE ARE WE GONNA GO?
- I DON'T KNOW, HOPEFULLY
WE'LL SEE THE EIFFEL TOWER,
THE WHATEVER, MAN,
THE ARC DE TRIOMPHE.
DO YOU KNOW
HOW TO WORK THESE THINGS?
- NO, THEY CAN'T BE THAT HARD.
- I'M TOURING THE MOST ROMANTIC
CITY IN THE WORLD
ON A SEGWAY WITH KEN.
WHOO. - WHOO. [laughs]
- OOH. YEE-HOO.
- YEE-HOO.
- APRES VOUS, S'IL VOUS PLAIT.
- [laughs]
OOH!
- WOW, CHECK THIS OUT.
YOU KNOW WHAT THIS IS, RIGHT?
- OH.
YEAH,
THIS IS LOUIS XIV, ISN'T IT?
- KING LOUIS THE...
HIS PRIVATE CHURCH.
AND NAPOLEON BONAPARTE
IS BURIED UNDER THERE.
DO YOU KNOW WHAT ELSE HE DID,
WHICH IS KIND OF COOL?
- NO.
- THAT THE GIRLS WOULD LIKE?
- WHAT?
- HE WAS THE ONE
THAT INVENTED THE HIGH HEEL.
- OH, WHY? HE WAS SHORT?
- NO, HE WAS NOT SHORT AT ALL.
HE WAS AN ATHLETE, BUT HE LIKED
TO LOOK AT HIS CALVES.
SO HE, UH... - OH, RIGHT.
SO THE HIGH HEEL
SHOWED OFF HIS CALVES.
- THE HIGH HEEL
SHOWED OFF HIS CALF.
- MAURICIO KNEW ALL ABOUT
WHO INVENTED HIGH HEELS.
I WONDER WHY.
- IT HURTS, MAN.
- I THINK HE'S GOT
A FETISH FOR HIGH HEELS.
YOU CAN DANCE ON THESE THINGS,
YOU KNOW.
- AMAZING.
- AND WE COULD DO THIS
ALL DAY, YEAH?
- COME ON.
- ALL RIGHT.
- HAVE YOU BEEN UP BEFORE?
- I HAVEN'T, I'VE DRIVEN PAST IT
BEFORE LAST TIME I WAS HERE,
BUT I'VE NEVER GONE IN
LIKE THIS.
- IT'S AMAZING.
- IT'S UNBELIEVABLY HUGE.
[laughs]
- WOW, IT'S PRETTY, ISN'T IT?
- ISN'T IT GORGEOUS?
- REALLY.
- OH, MY GOD, LOOK AT THIS VIEW.
IT'S INCREDIBLE.
- I DID NOT REALIZE
HOW HIGH UP WE WERE.
- WHOO!
- OH!
- YOLANDA,
DON'T JOKE AROUND LIKE THAT!
- THAT'S NOT FUNNY.
- IT WAS A LITTLE SCARY.
- COME ON. YOLANDA.
- NO! NO! NO!
- YOLANDA, GET DOWN.
- OH, MY GOD,
YOU GUYS ARE SUCH A DRAMA QUEEN.
- OH, MY GOD.
- SO THIS IS WHAT
WE'RE GONNA DO TONIGHT.
- WHAT ARE WE DOING TONIGHT?
- THE BOAT.
- YES. WE'RE GONNA HAVE FUN.
- I KNOW, RIGHT?
I'VE HAD A REALLY GOOD TRIP.
- ME TOO.
- ASIDE FROM LISA. [laughs]
- OH, MY GOD.
- BEAUTIFUL, HUH?
- I DO WANT TO TALK TO YOU.
- ALL RIGHT.
COME OVER HERE.
- IT FEELS LIKE THAT THE AIR
STILL NEEDS TO BE CLEARED
WHEN I'M WITH YOU,
AND I FEEL THAT SEPARATION.
I FEEL LIKE I'M...
IF WE'RE GONNA MOVE FORWARD,
WE NEED TO MOVE FORWARD.
IF YOU DON'T WANT IT TO BE
THE SAME, IT WON'T BE THE SAME.
BUT I NEED TO KNOW THAT
'CAUSE I DON'T NEED...
I DON'T WANT TO KEEP
MAKING THIS EFFORT
AND FEELING HURT BY YOU.
- I DON'T UNDERSTAND
WHERE I HURT YOU.
I THOUGHT OUR ISSUES
HAD BEEN RESOLVED,
AND KYLE KEEPS BRINGING IT UP.
OVER AND OVER
AND OVER AND OVER AGAIN.
- IT HURTS ME WHEN YOU ACT...
[sighs]
YOU KNOW WHAT I'M SAYING, LISA.
- WHEN?
WHEN ARE WE TALKING ABOUT?
- WHEN YOU'RE
JUST DIFFERENT TOWARDS ME
AND YOU ACT DISTANT AND ODD,
AND THEN THAT...
AND THEN OTHER GIRLS
TELL ME THAT YOU SAID, OH...
- OH, THEY DON'T SAY...
- KIM TOLD ME THAT AT LUNCH
YESTERDAY YOU SAID...
- I SAID
OUR RELATIONSHIP'S CHANGED.
AND SHE SAID HERS HAS.
AND SHE SAID, "YEAH."
IT'S OUT THERE, YOU KNOW.
THERE WERE THINGS YOU SAID TO ME
THAT WERE PRETTY MEAN.
- I WILL SAY, THOUGH,
BEING IN A FRIENDSHIP WITH YOU
IS LIKE PLAYING CHESS
WITH BOBBY FISCHER.
EVERY MOVE IS SO CALCULATED.
- THANKS, KYLE.
- I'M JUST SAYING THE TRUTH.
- IT'S TRUE.
- I'M SORRY, WHAT YOU'RE DOING
RIGHT NOW IS DOING THAT TO ME.
- SO OKAY, FINE.
- I DO FEEL LIKE
YOU DO THAT SOMETIMES.
I DIDN'T SAY THAT TO HURT YOU.
THAT'S WHAT I REALLY FEL...
- WELL, THAT IS HURTFUL.
SO I'M SORRY.
KYLE DOESN'T UNDERSTAND
THAT SHE CHANGED THE GOAL POSTS.
SHE DECIDED NOT TO DEFEND ME,
SHE DECIDED
TO TALK BEHIND MY BACK
AND BE COMPLICIT
IN ALL THAT WENT DOWN.
- COMING UP...
- THAT'S NOT ACCUSING,
THAT'S SAYING. YOU CAN SAY...
- THAT'S NOT NICE TO SAY THAT.
I'M SORRY, IT ISN'T.
- WELL, THAT'S WHAT I FEEL.
- WELL, I FEEL LIKE WE'VE GOT...
I FEEL LIKE WE'VE CO...
WE'RE, LIKE... WE'RE COVERING
THE ENTIRE CITY, DON'T YOU?
- FANTASTIC, YEAH.
- IT'S SO COOL.
- AND WHAT A WAY
TO SEE PARIS, EH?
- I LOVE IT.
- I LOVE IT TOO.
- I LOVE IT.
ARE YOU RACING ME?
THERE'S NO WAY
YOU CAN BEAT ME, SIR!
[chuckles]
LOOK AT THIS.
I THINK THE GIRLS ARE UP THERE.
- I THINK I CAN SEE
THE GIRLS AT THE TOP THERE.
- YEAH, RIGHT. [laughs]
- I WONDER IF THEY'RE
UP THERE STILL NOW.
DO YOU THINK
WE SHOULD GO AND SAY HI?
- NO, LET'S JUST KEEP GOING.
[chuckles]
- LET'S GO.
- DID YOU NOT FEEL
THAT WE SORTED IT ALL OUT
AND WE GOT IT STRAIGHT?
- I SORT OF DID, BUT THEN KIM
TELLS ME YESTERDAY...
- I SAID
MY RELATIONSHIP'S CHANGED.
THAT'S ALL I SAID WITH YOU.
AND IT HAS.
MAYBE I SHOULD LIE AND SAY,
"OH, THE FRIENDSHIP'S
EXACTLY THE SAME AS IT IS."
BUT DO I LOOK TO HER
TO DEFEND ME? NO, I DON'T.
YOU WANT IT TO BE
THE SAME AS IT WAS,
BUT DON'T YOU REALIZE
THAT YOU KEEP SAYING THINGS,
"YOU'RE MANIPULATIVE,
YOU HOLD A GRUDGE,
YOU DO THIS, YOU DO THAT."
I NEVER ACCUSE YOU OF ANYTHING.
- WELL, THAT'S NOT ACCUSING,
THAT'S SAYING... YOU CAN SAY...
- THAT'S NOT NICE TO SAY THAT.
I'M SORRY, IT ISN'T.
- WELL, THAT'S WHAT I FEEL.
- OKAY, WELL,
I'M SORRY YOU FEEL THAT WAY.
- IF YOU'RE STILL TALKING
ABOUT IT.
- I'M SORRY YOU FEEL LIKE THAT.
- I MEAN, WE HAVE TO
BE ABLE TO BE HONEST.
TO ME, IF YOU HAVE
THAT FRIENDSHIP,
YOU DON'T JUST THROW IT ASIDE
OVER A SILLY ARGUMENT.
AND I FEEL LIKE
SOMETIMES YOU PURPOSELY...
- WE'VE HAD FUN TOGETHER.
WE'VE LAUGHED TOGETHER.
- BUT IT'S LIKE,
YOU KNOW, NOW YOU...
IT'S LIKE YOU ONLY
HAVE ROOM FOR BRANDI.
- DON'T BE SILLY.
- YES, IT DOES FEEL LIKE THAT.
I KNOW THAT SHE AND BRANDI
ARE CLOSE NOW.
IT SEEMS LIKE A LITTLE BIT
OF A MISMATCHED PAIR.
BUT I'VE BEEN REPLACED.
- YOU CAN HAVE
MORE THAN ONE FRIEND,
WE CAN ALL HAVE
MORE THAN ONE FRIEND.
I DON'T UNDERSTAND.
WHY GET MAD AT SOMEONE ELSE
FOR DEFENDING...
SHE'S DEFENDING ME, YOU KNOW,
LIKE, 'CAUSE EVERYONE'S
ATTACKING ME,
AND SHE'S DEFENDING ME.
WHY DOES THAT BOTHER KYLE?
I DON'T UNDERSTAND.
SHUT THE [bleep] UP.
- I'M NOT OKAY WITH THAT.
- BUT SHE WAS
DEFENDING YOUR SISTER.
- IT'S INAPPROPRIATE.
AND FOR YOU TO SAY ANYTHING
OTHER THAN THAT IS WRONG.
- BRANDI HAS NEVER
SHOWN ME ANYTHING
OTHER THAN BEING
A LOYAL AND TRUE FRIEND.
I'M NOT SAYING JEALOUSY,
BUT THERE'S SOME KIND OF...
MAYBE MISGIVINGS, UM, FROM KYLE.
- SO HOW'S YOUR LOVE LIFE?
- THERE'S A GUY
I'VE BEEN ON A FEW DATES WITH,
THERE'S A GUY I KISSED,
I MEAN, I CAN'T COMPLAIN.
IT'S BETTER THAN NOBODY.
THAT'S THE WAY I LOOK AT IT.
- CAN YOU IMAGINE...
"YOU'RE NOT THE ONE,
BUT YOU'RE BETTER THAN NOBODY."
- WELL, YOU CAN'T... [laughs]
YOU CAN'T SAY THAT TO HIM.
- YOU'RE BETTER THAN NOBODY.
I JUST WANT YOU TO KNOW THAT.
I WANT TO BE UP FRONT
ABOUT THIS.
- LIKE I'M DATING PEOPLE
THAT I DON'T THINK
THAT I'M GONNA MARRY THEM
OR THAT I'M GONNA FALL IN LOVE,
BUT YOU NEVER KNOW.
YOU JUST DON'T KNOW.
- I FEEL BRANDI AND I
HAVE MADE...
NOT BABY STEPS,
WE'RE MAKING BIGGER STEPS.
- DON'T LOOK AT ME LIKE THAT.
DON'T CRY.
- YOU STILL DIDN'T
SAY YOU LOVE ME.
- SO I HAVE TO SAY,
"I LOVE YOU," TO MOVE ON?
IS THAT WHAT YOU WANT?
- [laughs]
- IS THAT WHAT YOU WANT?
- YEAH, I DO.
- OKAY, I [bleep] LOVE YOU.
PLEASE SHUT UP?
- YEAH.
- OKAY.
DON'T TREAT ME
LIKE [bleep] AGAIN, THEN.
- I'M TELLING YOU,
I DIDN'T TREAT YOU LIKE [bleep].
- YOU DID.
- NO, YOU...
- YOU DIDN'T INVITE ME OUT.
"WHY AREN'T YOU
MY FRIEND ANYMORE?
AND WE'RE NOT THE SAME." I KNOW.
BUT IT'S CHANGED. SO WHAT?
WHAT DO YOU WANT? YOU WANT ME
TO KISS YOU OR SOMETHING?
- YES. AH!
- LET'S GO.
WE'RE FINE. I'M OVER IT.
- NEXT TIME ON THE REAL
HOUSEWIVES OF BEVERLY HILLS...
all: CHEERS.
- CHEERS, EVERYBODY.
- I THINK WE'RE HAVING
A PERFECT MOMENT RIGHT NOW.
- THIS IS A PERFECT MOMENT.
- KYLE!
- OH, IT WAS. [laughs]
- SHUT UP.
- OH, BIG SMILE.
- THE OPENING OF MY STORE
IS FINALLY HERE.
- THIS IS GORGEOUS.
- I WILL TAKE THAT.
- THAT IS, LIKE, A $3,000 DRESS.
- YOU'RE A REAL ASS[bleep].
IF YOU HAVE A PROBLEM WITH ME...
- SO THAT'S WHAT
I WANTED TO EXPLAIN TO YOU.
BUT WHAT I WAS GONNA SAY TO YOU
IS YOU'RE GONNA HAVE TO
LET ME TALK BEFORE YOU TALK.
- EVERY TIME
MY PHONE RANG IN THE NIGHT,
IS YOU'RE GONNA HAVE TO
LET ME TALK BEFORE YOU TALK.
TO LEARN MORE
ABOUT THE HOUSEWIVES,