The Real Housewives of Beverly Hills (2010–…): Season 2, Episode 19 - Night of a Thousand Surprises - full transcript

- PREVIOUSLY ON THE REAL
HOUSEWIVES OF BEVERLY HILLS...

- RUSSELL SENT AN EMAIL
THREATENING TO SUE CAMILLE.

- BECAUSE SHE JUST REPEATED
SOMETHING THAT TAYLOR SAID?

- I REALLY DON'T THINK
THIS IS THE RIGHT TIME

FOR ALL OF YOU TO BE TOGETHER.

- NO, YOU GUYS ENJOY YOUR PARTY.

WE'RE GONNA GO. I LOVE YOU.

WE'LL SEE YOU GUYS LATER.
COME ON.

- I'M NOT GONNA GO BACK
TO YESTERDAY OR WHY.

WHATEVER, WE'RE HERE.
- IT'S BULL[bleep].

- I'M RIGHT HERE.
- IT'S NOT BULL[bleep].



- IT IS BULL[bleep].
- OKAY.

- IT'S BULL[bleep].

- YOU KNOW WHAT?
MY MARRIAGE IS OVER.

- WHAT DO YOU MEAN, "IT'S OVER"?

- IT'S OVER.

- DID YOU LEAVE HIM,
LIKE OFFICIALLY LEAVE HIM?

- YES, WE'RE DONE.

[upbeat music]

- LIFE IN BEVERLY HILLS
IS A GAME,

AND I MAKE THE RULES.

- I'M NOT THE RICHEST GIRL
IN BEVERLY HILLS,

BUT I AM THE LUCKIEST.

- PEOPLE TRY TO FIGURE ME OUT,
BUT I'M ONE OF A KIND.

- I'VE FINALLY FOUND MY VOICE,



AND I'M NOT AFRAID TO USE IT.

- HAVING IT ALL IS EASY

IF YOU'RE WILLING
TO WORK FOR IT.

- DIAMONDS AREN'T
A GIRL'S BEST FRIEND.

FREEDOM IS.

♪♪ ♪♪

- GUYS, EVERY BIT OF MESS...

GUILLERMO, EVERY BIT OF MESS
I'VE PUT THERE.

SO THIS WILL NEED
TO BE TIDIED UP,

UNLESS YOU WANT PEOPLE
TO COME INTO THE PARTY,

AND THERE'S ALL THIS HERE,
THIS JUNK HERE.

TODAY'S THE DAY OF THE FABULOUS
OPENING PARTY FOR SUR.

HERE, WE NEED TO GET
THIS TRASH CAN OUT.

THIS NEEDS TO BE SORTED.

WE'RE OPENING
IN, LIKE, TWO HOURS.

I DON'T KNOW...
WHATEVER PROJECT I DO,

IT SEEMS TO ME THAT
AS THE GUESTS

ARE COMING IN THE FRONT DOOR,

THE BUILDERS
ARE GOING OUT THE BACK.

GUYS, YOU NEED TO CLEAR
ALL THIS OFF.

THIS HAS ALL GOTTA GO.

IT'S LIKE WE'RE GONNA BE OPENING
IN, LIKE, TWO HOURS.

AND THIS IS LIKE A MESS. OKAY?

THAT'S GOTTA COME OFF.

THE WATER'S GOTTA COME OFF.

THIS... I DON'T WANT
TO SEE THAT ON THERE.

THESE WIRES...
IT'S ALL GOTTA GO, HUH?

KICK SOMEBODY'S BUTT ABOUT THIS.

THIS IS RIDICULOUS.

YOU KNOW, AS SOON
AS I TURN AROUND,

THE WHOLE BAR
LOOKS LIKE CRAP EVERY TIME.

IT'S LIKE A DUMPING GROUND.

- WELL, THAT'S BECAUSE
THEY'RE PUTTING THAT IN.

- YEAH, BUT EVERYTHING.

- ALL RIGHT.

- OKAY, BYE.

- YOU GOING NOW?
- YEAH.

- YOU'RE LEAVING ME WITH THIS?
- COME ON, YOU CAN DO IT.

- NO, SERIOUSLY.
- GO, GO ON.

COME HERE.

YOU'VE DONE A GREAT JOB.

A GREAT JOB.

- OH, GET OFF. STOP IT.

FOR GOD'S SAKE, STOP IT.

WHAT'S WRONG WITH YOU?
- YOU'VE DONE A GOOD JOB.

- NOT IN FRONT OF EVERYBODY.

THIS IS NOT THE TIME, OKAY?

LET ME GO HOME AND GET DRESSED,

AND YOU CAN HAVE
YOUR CUDDLE NEXT YEAR.

BYE. I LOVE YOU.
- LOVE YOU TOO, BABE.

- ALL RIGHT, BYE.

- LOOK, POWDER ON THE FLOOR.

- I KNOW, I KNOW.

I REALLY WANTED
TO SHOW YOU THIS THING.

IT'S SO HYSTERICAL.

KEN AND I DECIDED TO GET
A HOTEL CLOSER INTO TOWN

SO THAT WE WOULDN'T BE MAKING
THE DRIVE,

UM, AFTER THE PARTY.

JUST PACKING FOR ONE NIGHT
WAS LIKE, "AHH!"

[hyperventilating]

THERE'S SOMETHING
I FOUND IN MY DRAWER,

AND I WASN'T SURE WHAT IT WAS.

I DON'T KNOW, IT'S PROBABLY
LIKE SOME LIGHT-UP LIP GLOSS,

LIKE, YOU KNOW... RIGHT?

LOOK.

- MY LIP GLOSS,
THE ONE THAT LIGHT UP?

- YEAH, NOT.

- WAIT, IT COULD LOOK
LIKE SOMETHING ELSE.

WHAT IS IT? [device vibrates]

- I DON'T... I DON'T KNOW.

I DON'T KNOW
IF IT'S FOR YOUR NECK.

- OH, I THINK
IT'S FOR SOMETHING ELSE.

I DON'T KNOW WHERE I GOT IT.

- IT LOOKS LIKE A LIP GLOSS.

- IT LOOKS LIKE YOUR LIP GLOSS.

- IT'S FOR THE LIPS,
BUT NOT THE SAME KIND.

- EXACTLY. EW!

I JUST THOUGHT IT WAS HYSTERICAL

THAT IT'S THIS BEAUTIFUL
HOT-PINK COLOR

WITH A CLEAR TOP,

AND I THOUGHT IT WAS
A GREAT LIPSTICK,

AND IT ENDED UP BEING
A VIBRATOR.

KEN. - WHAT?

- CAN YOU CHARGE MY PHONE,
PLEASE?

- CAN I WHAT?
- CHARGE MY PHONE.

- YEAH, WHEN I FIND
YOUR CHARGER,

BUT I GOTTA GET IN THE SHOWER.

- HONEY, I NEED A 7-UP, PLEASE.

- WHOA.

THAT'S NOT IN THE SHOWER.

- HERE.

- I LIKE ICE.
- I...

- [chuckles] THIS IS THE KIND
OF STUFF HE DOES.

KEN'S AND MY RELATIONSHIP
IS VERY CHALLENGING

AND VERY STRENUOUS.

HONEY, YOU HAVE TO LOOK
FOR MY JEWELRY TOO.

- I THINK I'M GONNA SHOWER.

- I SAID IT'S THE LITTLE THING.

I LIKE THE STARBUCKS.

HE GOES AND GETS ME
THE ONE IN THE BOTTLE.

YOU KNOW?
I LIKE PEPPERONI PIZZA.

HE ORDERS ONE
WITH HAM AND SAUSAGE.

- HOW WAS HAWAII?

YOU HAD A GOOD TIME IN HAWAII?

- I MISSED MY FLIGHT.
- OH, WELL...

- AND KYLE AND I GOT INTO IT
PRETTY BAD.

- AGAIN?
- YEAH.

[sighs]

- WELL, SHE'S TRYING TO HELP.

YOU KNOW, I'M SURE SHE...
- TRYING TO HELP?

- TRYING TO... I MEAN,
SHE WANTS THE BEST FOR YOU.

- IF SHE WANTED THE BEST,

THEN SHE WOULD'VE KNOCKED
ON MY DOOR

AND SAID, "WHAT HAPPENED?"

INSTEAD SHE, "OH, MY GOD,
WHAT DID YOU DO?

YOU'RE SO LATE.
YOU KNOW, WHAT'S YOUR EXCUSE?"

AND I SAID, "KYLE, WE'LL TALK
ABOUT IT LATER

WHEN WE'RE ALONE."

AND SHE WAS LIKE,
"NO, NO, NO, NO,

WE WILL TALK ABOUT IT NOW."

SINCE HAWAII,

I'VE REALLY KEPT
MY DISTANCE FROM KYLE.

I FELT LIKE WE WERE REALLY
ON THAT ROAD TO RECOVERY.

AND AFTER HAWAII, I FEEL LIKE...

I'M NOT GONNA BE
YOUR TARGET ANY LONGER.

SO I'M...
I'M DISAPPOINTED IN HER.

I'M NOT LOOKING FOR HER TONIGHT.

- NO?
- NO.

- WHY?
YOU THINK YOU'RE GONNA GO...

- I DON'T WANNA FIGHT AGAIN.

- THEN DON'T.
- OH, I WON'T.

ONE LITTLE BIT OF TROUBLE,

AND I AM OUT THE DOOR.

- DO YOU WANT A DRINK?

- NO, I'M NOT GONNA
HAVE A DRINK.

I JUST WANNA SEE EVERYBODY
AND GREET...

- DO YOU WANNA TRY
THE WHITE CHAMPAGNE?

- OKAY, THEN.

SO EASILY PERSUADED.

OH, HELLO.

HELLO, DARLING. MWAH, MWAH.

YOU! - HELLO.

WOW, LOOK AT THIS PLACE.
IT'S AMAZING.

- HI.

YOU'RE SUCH
A CUTE BOUNCER TONIGHT.

- HERE COMES TROUBLE.

- HELLO! YOU KNOW IT.

IN PINK.
- OH, I'M GLAD TO SEE YOU.

HELLO. HOW ARE YOU?

- GOOD. HOW ARE YOU?

YOU LOOK GORGEOUS.
- YOU'VE GOT SOME CLOTHES ON.

- JUST A LITTLE BIT,
A LITTLE TAPE.

- EXACTLY.
I WON'T PULL THIS ONE OFF.

- NO. YOU BETTER NOT.

- HELLO. HOW ARE YOU?

HELLO. HI.

HOW ARE YOU?

- HELLO, DARLING. MWAH, MWAH.

- WOW.
- THANK YOU.

- HI.
- HI.

YOU LOOK BEAUTIFUL.

- HELLO.

HELLO. - WELCOME.

- HELLO.
OH, GOD, YOU LOOK GORGEOUS.

LOOK AT YOU. THAT'S GREAT.

YOU LOOK WONDERFUL.

CAN I GIVE YOU A HUG?
WHAT SHOULD I DO?

- OF COURSE YOU CAN.
- OKAY, HONEY.

- HOW ARE YOU?
- GOOD FOR YOU.

I DON'T KNOW IF WE
AIR KISS OR WHAT.

I WASN'T SURE IF I WAS SUPPOSED
TO DO AN AIR KISS OR WHAT.

- NO, NO, IT'S FINE, COME IN.

NOW I KNOW I KNOW HIM,

BUT I DON'T KNOW HOW I KNOW HIM.

- YOU DO KNOW HIM.

YOU DO.
I'VE SEEN HIM BEFORE TOO.

- IS THAT ASIAN CHEF?

- I DON'T...
- GO FIND OUT.

- OKAY.
- THAT WAS EMBARRASSING.

- [laughing] OKAY.

- I PACKED YOUR NYLONS

FOR YOU.

- I DON'T KNOW IF...

- OKAY, WELL, I PACKED...
- [coughing]

- ALSO, HERE ARE
SOME OTHER SHOES.

I PACKED THESE.

I DIDN'T PACK THOSE BECAUSE
I THINK THEY LOOK RATTY.

- RIGHT THERE.
- IT'S RATTY-LOOKING.

- KEN AND I, WE'VE JUST BEEN
UP AND DOWN SINCE THE MOVE.

I'M USED TO MY FREEDOM
AND BEING ALONE

AND MAKING MY OWN CHOICES.

AND KEN WANTS TO BE AND KNOW
WHERE I AM AT ALL TIMES.

- WEAR THAT WITH THE PURPLE.

WHERE ARE THE BLACK ONES,

THE ONES RIGHT THERE?

OR THE YSLs?

- OKAY.
- IT'LL LOOK MUCH NICER, BABE.

- HE LIKES TO KNOW WHAT
I'M WEARING AND WHERE I'M GOING.

AND WHEN I DON'T ANSWER
MY PHONE, THAT'S A PROBLEM.

SO...

- I JUST NEED TO KNOW
WHAT JEWELRY YOU'RE NOT WEARING

SO WE CAN GET IN THE SAFE,
AND THEN WE'LL G...

THEN WE'RE READY.

LISTEN, HOW ABOUT WE JUST NOT
WORRY ABOUT THIS STUFF

FOR RIGHT NOW AND JUST DO
WHAT YOU NEED FOR JEWELRY.

WE'LL WORRY
ABOUT ALL THIS LATER.

COME ON, I'LL TAKE CARE
OF EVERYTHING, OKAY?

COME ON. - OKAY.

[sighs]

OKAY. - KIM, HONEY.

I'M... I'M NOT TRYING TO PUSH YOU.

I'M JUST TELLING YOU THAT...
COME ON.

[sighs]

LET'S JUST WORRY
ABOUT ALL THAT LATER.

- I HAVE TO TAKE MY MEDICINE.

- WHY DO YOU HAVE
ALL THAT STUFF IN YOUR HANDS?

JESUS CHRIST.

HERE, JUST GIVE IT TO ME
IN THE TOWEL, THROW IT IN.

- PUT IT IN THAT SHOPPING BAG.
- JUST THROW IT IN.

- PUT IT IN THE SHOPPING BAG.
- THROW IT INTO THE TOWEL.

JESUS CHRIST.

- THIS IS RIDICULOUS.
I HATE THE PRESSURE.

- LET'S JUST WALK. PLEASE STOP.

PLEASE STOP AND JUST WALK.

OKAY, COME ON.

LET'S GO. OUT, OUT, COME ON.

KIM. COME ON, BABE.

- HOLD ON ONE SECOND.

- YOU GUYS, IT'S SO FUNNY.

THE WAITRESS IS THAT GIRL
SCHEANA MARIE WHATEVER

THAT HAD AN AFFAIR
WITH EDDIE WHILE I WAS PREGNANT.

ONE OF EDDIE'S MISTRESSES
IS A WAITRESS AT SUR,

AND I'D NEVER SEEN HER
IN PERSON BEFORE.

I JUST SAW HER ON TV CRYING

OVER LOSING HER BOYFRIEND,

WHO WAS MY HUSBAND, TO LEANN.

OH, YOU'RE THE GIRL
THAT HAD SEX WITH MY HUSBAND.

- YEAH.

- SLIGHT PERSONAL PROBLEM.

BRANDI, I KIND OF USED
TO DATE HER HUSBAND.

- COMING UP...

- WHOA.

- IT'S CEDRIC.
- OH, MY GOD.

- WHAT ARE YOU DOING HERE?
- HEY. HI.

- SLIGHT PERSONAL PROBLEM.
- WHAT?

- BRANDI, I KIND OF USED
TO DATE HER HUSBAND.

SHOULD I GO?

- THAT'S TERRIBLE.
WHAT A [bleep] BITCH.

- ARE YOU SURE?
- YEAH.

I'M SURE.
SHE JUST SAID IT TO ME.

- I'M IN A VERY DIFFICULT
POSITION.

SCHEANA OBVIOUSLY HAS NO IDEA

THAT BRANDI'S BECOME
PART OF OUR GROUP.

BUT THIS IS VERY UNCOMFORTABLE.

I HAVE TO MAKE A CHOICE.

I DON'T WANT YOU
TO BE UNCOMFORTABLE.

- NO, I'M FINE.
I JUST GOT CAUGHT OFF-GUARD.

- NO, NO, I DON'T WANT YOU...
- I'M NOT.

I DON'T WANT TO GIVE HER
ANY MORE ATTENTION.

LIKE, I JUST GOT... UGH.

- WHY DON'T YOU JUST
HAVE HER LEAVE, B?

- I DON'T WANT TO.
- I'M GOING TO ASK HER TO LEAVE.

- THAT'S FINE.

- I CAN'T SUPPORT
SCHEANA IN THIS.

I DON'T KNOW THE STORY.
I DON'T KNOW THE BACKSTORY.

BUT BRANDI'S A GUEST,
SO SCHEANA HAS TO GO HOME.

LOOK, YOU'VE WORKED FOR ME
FOR TWO YEARS, RIGHT?

- RIGHT.

- I DON'T KNOW
ANYTHING ABOUT THIS,

BUT I THINK IT'S EASIER
IF YOU'RE NOT HERE.

- ABSOLUTELY.
- NOW, IS THAT OKAY?

- NO, I TOTALLY AGREE.
- IS THAT OKAY?

- YEAH, ABSOLUTELY.

- BECAUSE I DON'T KNOW
WHAT'S GONE DOWN.

I DON'T WANT TO GET
IN YOUR PERSONAL BUSINESS.

BUT IF IT'S MAKING
SOMEBODY UNCOMFORTABLE...

IS THAT OKAY?
- ABSOLUTELY, TOTALLY.

- THANK YOU.
- YEAH, NO PROBLEM.

- SORRY.
- NO, IT'S FINE.

- I REALLY WAS FLUSTERED,
AND WHEN LISA SENT HER HOME,

I THOUGHT IT WAS VERY SWEET
OF HER TO LOOK OUT FOR ME

IN THAT WAY.

- OH, GOD, OKAY.

GIVE ME A LIGHT REPRIEVE
AND A DRINK.

- OKAY, THANK YOU.

I'M REALLY EXCITED.
THIS WILL BE FUN.

- GOOD. THIS WILL BE.

- HI!

HELLO.

- NICE TO SEE YOU.

- GOOD TO SEE YOU.
THAT'S STUNNING.

- YOU TOO.
- HELLO.

SO YOU KNOW WHY I'VE
BEEN MISSING IN ACTION.

- YES, YOU'VE BEEN SO BUSY.
- BUSY!

- I GOT PANDORA'S INVITATION...

GORGEOUS.
- OH, GOOD, GOOD, GOOD.

THAT'S THE ONLY THING WE'VE
ARRANGED SO FAR PRETTY MUCH.

SO WE'RE GETTING THERE,

BUT, YEAH, IT'S KIND OF BEEN
ON HOLD A LITTLE BIT

BECAUSE I'VE BEEN
DOING THIS PROJECT.

SUR'S OPEN. ONE DOWN, ONE TO GO.

PANDORA'S WEDDING
IS ON THE HORIZON.

- HI!

- HELLO.

- HI, THERE.
- AFTER YOU, DARLING.

- OKAY.

THANK YOU.

HI.

- HEY.
- HOW ARE YOU?

- A SOGGY MESS.

- I'M ALREADY FEELING STRESSED.

I FEEL LIKE THERE'S
SO MANY STRANGE DYNAMICS.

- IT'S ALL SO STRESSFUL
RIGHT NOW.

- OF COURSE, YEAH.

- I JUST DIDN'T KNOW
IF SHE'D SHOW UP OR NOT

AFTER WHAT HAPPENED
AT THE WHITE PARTY

AND HAWAII AND EVERYTHING
WITH EVERYBODY HERE.

- YOU'VE SPOKEN TO HER?

- I HAVE, BUT I DIDN'T...
NOT ABOUT THIS.

- WHAT ABOUT YOU AND KIM?
NOT GOOD?

- I HAVEN'T SPOKEN TO KIM.
- WHAT, SINCE SHE STORMED OUT?

- IS SHE HERE RIGHT NOW?

- NO, I HAVEN'T SEEN HER.

- OH, OKAY.
- BUT HOLD ON A SECOND.

YOU HAVEN'T SEEN HER SINCE
SHE STORMED OUT THAT NIGHT?

BUT SHE STAYED IN HAWAII, RIGHT?

- RIGHT. I HAVEN'T SPOKEN
TO HER OR SEEN HER.

- OH, MY GOD.
- I TEXTED HER.

BUT SHE DIDN'T REPLY.

- THAT'S ALL THERE IS.

THEN YOU DO NEON,

WHATEVER THAT MEANS...

AND THE ROOF.

- I LOVE THE BUTTONS.

OOH, WHAT'S ALL THIS?

- WHAT IS...

- OH, MY GOD.
- WHAT IS ALL THAT?

THAT LOOKS LIKE GARBAGE.

IT'S GARBAGE.

YEAH, I GET IT, I GET IT.

- NOT MY GARBAGE.
- IT'S GARBAGE.

DON'T TOUCH... IT'S FULL OF CRAP.

- EW! IS THIS, LIKE, POOP?

- CAN YOU NOT...
THAT'S GARBAGE, KIM.

HERE, JUST LEAVE IT ALONE.

- I LIKE TO TOUCH THE BUTTONS.

I THINK I SHOULD TAKE
THE BRA OFF.

- NO.
- YES.

- IT'S DIRTY. SORRY.

CAN YOU JUST UNDO IT?

HERE, I'LL JUST
SLIDE IT OFF LIKE THIS.

WAIT TILL YOU HEAR
WHAT PEOPLE SAY

WHEN WE WALK IN LATE THIS TIME.

- WHO CARES?

- "YOU'RE LATE AGAIN?"

YEAH!

I'M A VIRGO.

I DON'T... IT'S JUST...

I THINK MY ANXIETY
SLOWS ME DOWN.

LIKE, I HAVE TO STOP.

I HAVE TO JUST STOP.

I CAN'T JUST PULL
MYSELF TOGETHER AND GO.

- HERE, LET'S CHEER.

TO, UH...

- [sighs]

- LET'S CHEER TO...

- LET'S CHEER TO GETTING HERE.

- TO BEING FASHIONABLY LATE

AND ALWAYS MOST IMPORTANT.

HOW'S THAT? - OKAY.

I REALLY DON'T FEEL LIKE
SEEING MY SISTER.

- YOU'RE BORN NAKED,
AND THE REST IS DRAG.

- NO MATTER WHAT IT IS.
- NO MATTER WHAT IT IS.

SO WE'RE ALL IN DRAG.

THIS ROOM IS FULL
OF DRAG QUEENS.

- I WAS MAKING A FACE LIKE...

AND SOMEONE SAID,
"YOUR LIPS LOOK..."

- YOUR LIPS LOOK?

- WHO? WHAT?

- WOW.
- CEDRIC.

- WELL, HERE I AM.
I'M GOOD, DARLING.

YOU LOOK AMAZING.
- I ALMOST HAD A HEART ATTACK.

WHAT ARE YOU DOING IN HERE?
- THIS IS MY FRIEND JENNIFER.

- HI.
- HI, JENNIFER.

- KYLE, ADRIENNE.
- HI, NICE TO MEET YOU.

- HI, PAUL.
- HI, CEDRIC.

HOW ARE YOU?

- ARE YOU KIDDING ME?

- YOU OKAY?
- YOU LOOK HANDSOME.

- I DO TRY.

- WHY IS HE HERE?

- WHAT ARE YOU DOING HERE?

- HEY. HI.

I JUST CAME TO CONGRATULATE YOU.

HOW ARE YOU?
IT'S SO GOOD TO SEE YOU.

- YOU KNOW WHAT? I HAVE NO IDEA
WHAT YOU'RE DOING.

WHAT DO YOU WANT
FROM ME, CEDRIC?

WHAT DO YOU WANT FROM ME
THAT YOU HAVEN'T HAD ALREADY?

- IT'S NOT THE TIME...
- NO, IT'S NOT THE RIGHT TIME,

BECAUSE THIS IS MY PARTY,
AND YOU'RE NOT INVITED.

LAST TIME YOU CAME,
I ASKED YOU TO LEAVE.

OKAY, YOU KNOW WHAT?
I DON'T WISH YOU ANY HARM.

BUT GUESS WHAT...
WORSE THAN THAT,

I DON'T WISH YOU
ANYTHING AT ALL.

I WANT YOU TO LEAVE, OKAY?

WE'RE DONE. WE'RE DONE.
WE'RE DONE.

I'M ASKING YOU TO LEAVE.

I DON'T KNOW WHY YOU'RE HERE.

WHO INVITED YOU?

- IT WASN'T ME, I SWEAR.
I JUST SAW HIM.

I DIDN'T... DID I NOT INVITE YOU?

- IT DOESN'T MATTER
WHO INVITED ME.

I CAME WITH GOOD INTENTIONS.

- OKAY, WELL,
THANK YOU FOR THAT,

BUT YOU'RE NOT INVITED.

SO, PLEASE,
THIS IS A PRIVATE PARTY,

AND I WOULD LIKE YOU TO LEAVE.

THANK YOU.

I CANNOT BELIEVE
THE GALL OF CEDRIC

TO TURN UP HERE NOW.

IT'S VERY DIFFICULT FOR ME.

THERE'S A LOT OF PAIN.

IT GOT VERY NASTY,
VERY AGGRESSIVE.

- HE SAID, "I [bleep]
HATE YOUR WIFE,

AND I HATE YOU, AND I HATE
YOUR [bleep] KIDS."

- OH, MY GOD.

- I'VE NEVER MET
A MORE DESPICABLE PERSON

IN MY LIFE.

- I JUST WISH THEY WOULD LEAVE.

YOU'VE GOTTA GO.

- HOW ARE YOU?
- YOU'VE GOTTA GO, MATE.

YOU'RE SPOILING OUR NIGHT.

- I'M HERE FOR LISA, KEN,
NOT FOR YOU.

- I DON'T CARE.
THIS IS MY PLACE.

- I DON'T WANT YOU HERE.
UNDERSTAND THAT.

- LISA, I'M HERE FOR YOU,
IT DOESN'T MATTER, LISA.

I'M HERE FOR YOU.

- CEDRIC.
- LISA, I LOVE YOU.

AND I JUST WANT
TO BE THERE FOR YOU.

- YOU'VE GOT A FUNNY WAY
OF SHOWING LOVE.

IT'S DONE. IT'S DONE.

JUST MAKE IT EASY. GO.

IT'S EMBARRASSING. PLEASE.

- COMING UP...

- [sighs]

WHOO.

- OH, MY GOD, SHE'S WALKING IN.

HOLY [bleep]. HOLY [bleep].

I NEED TO GOBBLE MY DRINK.
HOLD ON.

- YOU'RE SPOILING OUR NIGHT.

- I'M HERE FOR LISA, KEN,
NOT FOR YOU.

- I DON'T CARE.
THIS IS MY PLACE.

- I DON'T WANT YOU HERE.
UNDERSTAND THAT.

- I'M HERE FOR YOU.
IT DOESN'T MATTER, LISA.

I'M HERE FOR YOU.

- CEDRIC.
- I DON'T CARE.

I DON'T WANT YOU HERE.

- KYLE, LET ME KISS YOU.

- BYE.
- IT'S OKAY IF I KISS YOU?

YOU'RE NOT SCARED
OF LISA, RIGHT?

- NO, I'M NOT SCARED OF ANYBODY.

I'M JUST TRYING TO FIGURE
EVERYTHING OUT HERE.

- I'LL SEE YOU SOON. BYE.

I WILL SEE YOU SOON, DARLING.

PLEASE, LADIES FIRST.

- ALL RIGHT, SO WE'LL SPEAK.

- BYE.
- BYE.

- GOOD TO SEE YOU.

- I APPRECIATE THIS. THANK YOU.

- YOU'RE WELCOME.
HEY, HOW ARE YOU?

THANK YOU.

WELL, THAT WENT REALLY WELL.

- I JUST WANT YOU TO KNOW,
I DIDN'T INVITE HIM.

- NO, I DON'T THINK YOU DID.

- I JUST WANT... I WANT
EVERYTHING TO BE OKAY.

- IT'S NOT OKAY,
AND IT WILL NEVER BE OKAY.

OKAY?

- BUT WE ALL HAVE REGRETS...

- NO, WHAT HE DID WAS VICIOUS.

AND I DON'T FORGIVE THAT.

- YOU ALL RIGHT? YOU OKAY?
- I'M FINE.

JUST GIVE THAT TO ME,
FOR GOD'S SAKE.

- JUST DO IT.
DO IT, DO IT, DO IT!

SHOT, SHOT, SHOT!
- THE DRINKS ARE ON ME!

[all cheering]

- LET'S HAVE A TOAST.

[all cheering]

[overlapping chatter]

- I'VE HAD ONE VERY
AWKWARD SITUATION TONIGHT.

IT'S HORRIBLE, HORRIBLE.

- I COULD TELL YOU ANOTHER
RIDICULOUS COINCIDENCE.

- OH, NO, GO ON, TELL ME,
WHO'S HERE THAT'S...

DON'T TELL ME I'VE INVITED
YOUR FUTURE EX-HUSBAND.

- NO, YOU'VE INVITED
HIS EX-GIRLFRIEND.

- YOUR HUSBAND'S EX-GIRLFRIEND?
- WHO?

- SHE'S RIGHT THERE.

- WHICH ONE?
- NO, I DON'T CARE.

SHE'S REALLY NICE.
- WHO'S SHE WITH?

- AND HE'S REMINDED ME
THREE TIMES THAT SHE'S HERE.

- OH, REALLY?

OH, WELL, YOU DON'T CARE
ABOUT THAT, DO YOU?

THAT MUST HAVE BEEN
20 YEARS AGO, RIGHT?

- NO, NO, RIGHT BEFORE
WE GOT MARRIED.

- WELL, THAT'S TEN YEARS AGO.

- I DON'T CARE.
SHE'S NICE. SHE'S NICE.

[doorbell rings]

- HEY.
- HEY, HOW ARE YOU?

- I'M GOOD. HOW ARE YOU?
- THANK YOU FOR COMING.

- YOU'RE WELCOME.
- I REALLY APPRECIATE IT.

- ABSOLUTELY.
- OH, MY GOSH.

OH, I HAVE KENNEDY'S
REWARD CHART.

- VERY NICE. IT'S VERY PINK.

- WELL, YOU KNOW,
SHE'S VERY PINK.

- I THINK THAT'S A GREAT STEP.
- THANK YOU.

- THAT'S A LOT OF WORK.
- WELL, IT'S JUST...

YOU KNOW, EVERYTHING IS SO...

[voice breaking]
UNPREDICTABLE FOR HER RIGHT NOW.

- YES.

- SO, YOU KNOW,
I WANTED HER TO HAVE SOMETHING

THAT SHE CAN LOOK AT
AND THINK ABOUT THINGS

THROUGHOUT THE DAY
THAT SHE CAN BE FOCUSED ON,

OTHER THAN ALL OF THE CHANGES
THAT ARE GOING ON AROUND HERE.

- YEAH, IT GIVES HER
GOOD STRUCTURE...

- YEAH.
- SOMETHING TO COUNT ON...

- RIGHT.
- PREDICTABILITY...

'CAUSE SHE KNOWS
WHAT YOU EXPECT.

SHE KNOWS WHAT SHE GETS.

AND THEN THAT GIVES HER
A LOT OF COMFORT AND SAFETY.

- YEAH.
I THINK I NEED A REWARD CHART.

- I THINK YOU DO, AND I THINK...

- MAYBE I'LL MAKE ONE
FOR MYSELF.

BRUSHED MY OWN TEETH TODAY.
THAT'S HOW I FEEL.

- GOT OUT OF BED.
- JUST GETTING... EXACTLY.

- IT'S THE START
OF A NEW LIFE FOR YOU.

THAT'S THE HARD PART. - RIGHT.

- YOU HAVE GOT
TO FIND YOUR VOICE,

AND YOU'VE GOT TO GET
YOUR STRENGTH...

YOUR EMOTIONAL STRENGTH,
AND YOUR PHYSICAL STRENGTH...

FOR YOURSELF AND FOR YOUR CHILD.

SO TONIGHT'S THE FIRST NIGHT,

AND IT'LL BE A LITTLE BUMPY,
BUT I'M TELLING YOU,

IT'S GONNA BE ONE OF
THE BEST NIGHTS OF YOUR LIFE.

IT'S GONNA BE THE MOST FREEING
NIGHT OF YOUR LIFE.

- IT'S GONNA BE REALLY HARD.

- YES, IT IS,
BUT THAT'S WHAT FRIENDS ARE FOR.

- HI, THERE.

HOW ARE YOU?

- WHOO.

- KIM, OH, MY GOD,
YOU LOOK AMAZING.

- I REALLY DON'T WANT
TO SEE KYLE,

SO KEEP HER AWAY FROM ME.

- OH, MY GOD, SHE'S WALKING IN.

HOLY [bleep]. HOLY [bleep].

I NEED TO GOBBLE MY DRINK.
HOLD ON.

- SHE'S HERE?
- NO, STAY HERE WITH ME.

- NO, I HAVE TO GO...

I HAVE TO GREET HER.

YOU'RE HERE. STOP. HELLO.

- HI!

- FINALLY. I'M GLAD YOU MADE IT.

- SHOULD I HAVE WORN, LIKE,
LEOPARD SHOES?

- NO, YOU'RE FINE.

- HELLO. HOW ARE YOU?

- GOOD. HOW ARE YOU?

- TIRED.

BUT GOOD.

- YOU LOOK PRETTY.

- THANK YOU. YOU LOOK GORGEOUS.

OH, MY GOSH,
YOUR LITTLE FEATHER THING.

- FEATHERS. YOU LOOK BEAUTIFUL.

SO TINY.

- HI, KIM.
- HI.

- HOW ARE YOU?
- GOOD. HOW ARE YOU?

- HEY, MAN.
- KEN, HOW ARE YOU?

- I WOULD LOVE A DESSERT WINE.

- YOU ALL RIGHT?
- YEAH.

- HI.

- YOU ALL RIGHT?
- YEAH, I'M FINE.

- "YEAH, I'M GREAT."

- I AM. I'M FINE.

I JUST NEED A SECOND TO MYSELF.

- OKAY.

- KYLE, ARE YOU OKAY?
- NO, I'M FINE, I'M FINE.

[mouths words]

WHEN I SEE MY SISTER,

AT TIMES, IT STRIKES
A CHORD IN ME,

AND I GET VERY EMOTIONAL.

I LOVE MY SISTER.

OUR RELATIONSHIP
IS VERY COMPLICATED.

- ARE YOU OKAY?

- I'M OKAY.

I JUST WANT TO WIPE THEM AWAY
AND WALK AWAY

AND GO BACK...

- SHE'S ALWAYS YOUR SISTER.
- I KNOW.

- THAT WILL NEVER CHANGE.
IT'S GONNA BE FINE.

- KIM. KIM, COME ON IN.

- OKAY.

- I WANT YOU TO COME IN
AND SEE EVERYBODY, OKAY?

- CAN YOU... CAN YOU TRY
TO STAY NEAR ME?

- WHAT?

- I LOST YOU FOR A MINUTE THERE.
YOU KIND OF DISAPPEARED.

- OKAY, COME ON.

- AHH!
- HOW ARE YOU?

- AHH! OH, MY GOD.

- LOOK HOW GORGEOUS YOU LOOK.

NICE TO SEE YOU. - OKAY.

YOU LOOK BEAUTIFUL. - DO I?

- HI, HOW ARE YOU?

- ALL THAT WORK PAUL DID ON ME.

- OH, YOU LOOK GOOD.

- COME HERE.

I'M MOVING OUT.

WHERE ARE YOU...

WHERE ARE YOU, UM, MOVING TO?

- I HAVE NO IDEA.

I'M GONNA GET A PLACE
IN TOWN AND OUT OF TOWN.

- YOU SHOULD. CLOSER TO TOWN.

YOU HAVE FRIENDS AS A SUPPORT.

MAYBE YOU JUST NEED SUPPORT.

YOU KNOW? - YEAH.

- ALL RIGHT.

BUT LISTEN, YOU LOOK FABULOUS.

- MY BALANCE IS TOTALLY OFF.

I HAVEN'T SLEPT [indistinct].

BUT I HAVEN'T DRANK OR...

- KIM SEEMED A LITTLE OUT OF IT.

BUT WHAT HAPPENED THAT YOU'RE...

- COME TO THE BATHROOM WITH ME.

- YOU WANT ME TO COME WITH YOU?
OKAY.

SO...

- OKAY, SO...
- SO WHAT HAPPENED?

- HE'S... HE'S GOT
A VERY MEAN, BAD SIDE.

HE'S LIKE, "WHO THE [bleep]
ARE YOU ON THE PHONE WITH?"

AND I'M LIKE, "OH, MY GOD,

I WAS, LIKE, ON THE PHONE
WITH MY KIDS."

HE'S LIKE,
"YOU'RE A [bleep] LIAR!

YOU'RE A [bleep] LIAR!"

- I KIND OF FEEL
STUCK IN THE MIDDLE

BETWEEN KYLE AND KIM,

BECAUSE I FEEL THAT
SHE SHOULD TALK TO HER SISTER

AND JUST BE HONEST.

YOU NEED TO GO TALK TO HER.

- KIM, NOW?

IS SHE OKAY?

- BECAUSE IT'S JUST...
SOMETHING'S ODD,

AND SOMETHING'S NOT RIGHT.

I WANT YOU TO GO TALK TO HER

AND FIND OUT
WHAT'S GOING ON, PLEASE.

- COMING UP...

- I'M SO MAD AT YOU.

- WHATEVER. WHO [bleep] CARES?

THAT'S STUPID. IT'S NOTHING.

- DID YOU SAY SOMETHING
ABOUT ME IN HAWAII?

'CAUSE I HEARD SOMETHING.

- I SAID YOU WERE
A GAY BULLMASTIFF.

THAT'S WHAT I SAID. - A WHAT?

- I SAID YOU LOOKED...
- LIKE A WHAT?

- LIKE A GAY BULLMASTIFF.

- WHAT THE [bleep]
DOES THAT MEAN?

- IT MEANS NOTHING.
WHAT DOES IT MEAN?

A GAY BULLMASTIFF.
YOU'RE A GAY GIANT DOG. EXACTLY.

- SHE'S CALLING YOU A GAY DOG.

- YEAH, I GOT THAT.

- [laughs]

[laughter]

- I'M SORRY.

- I WANT YOU TO GO TALK TO HER

AND FIND OUT
WHAT'S GOING ON, PLEASE.

- YOU LOOK SO SKINNY.

I MEAN, YOU HAVE NO STOMACH.
I'M SO JEALOUS.

LOOK AT THIS, NO STOMACH AT ALL.

- I KNOW. YOU'RE SO SKINNY.

WHAT'S GOING ON?

- UM, A LOT.

- LIKE WHAT?

- STUFF.

WE CAN GO OUTSIDE.

- OUTSIDE?
- IF YOU WANT.

- OKAY. CAN YOU TALK TO ME
FOR A MINUTE OVER HERE ALONE?

- BE RIGHT BACK.

- WILL YOU TALK TO ME?

- SO HERE'S THE SITUATION.

IT'S NOT WORKING.

- IT'S NOT WORKING WITH KEN?

- NO.

UM, REMEMBER THE DAY
YOU SAW ME UP AT THE GLEN?

[sobbing]

- STOP.

- THAT'S ABOUT
HOW I SPEND MY DAYS.

- EVERY DAY?

CRYING LIKE THAT?

- YEAH.

HE PUTS ME DOWN ALL THE TIME.

HE'S LIKE, "YOU KNOW,
I JUST CAN'T HELP YOU.

YOU'RE JUST LIKE A LOST SOUL."

- BUT I WANT YOU TO
BE OPEN-MINDED TO YOUR...

I MEAN, YOU'RE ALSO DIFFICULT.

- HE'S CONTROLLING.

WHAT WORRIES ME IS I FEEL LIKE
YOU'VE BEEN REALLY DEPRESSED,

AND I KNOW YOU ACT
LIKE YOU'RE SO HAPPY,

[crying]
BUT I KNOW YOU'RE DEPRESSED.

I KNOW YOU SO WELL.

YOU SIT THERE, AND YOU ACT
LIKE EVERYTHING'S SO GREAT.

YOU ARE NOT HAPPY, KIM.

THAT KEEPS ME UP AT NIGHT.

- [crying]
I THINK I WANTED SO BADLY

TO NOT BE ALONE ANYMORE.

MAYBE I'VE BEEN ALONE
TOO LONG...

OR MAYBE IT'S BOTH OF US.

BUT...

I WANT TO BE HAPPY.

WHAT I WANNA DO IS, UM...

I'M ALL... - YOU WANNA WHAT?

- I'M ALL PACKED.

- YOU WANNA MOVE OUT?

- MM-HMM.

AND I'M NOT AFRAID TO TELL YOU,
I MADE A MISTAKE.

AND I WAITED SO LONG,

AND I WAITED ON SO MANY PEOPLE.

I WAS REALLY LOOKING FORWARD

TO, LIKE, SOMEBODY
TAKING CARE OF ME.

- IN SPITE OF ALL
OUR DIFFERENCES,

YOU KNOW I WOULD...
YOU KNOW... LOOK AT ME.

- I'M SO MAD AT YOU, TOO.

- I DON'T CARE
IF YOU'RE MAD AT ME.

YOU KNOW I ALWAYS
WANT YOU TO BE HAPPY.

DON'T LIE AND TELL ME
THAT YOU DON'T KNOW THAT.

YOU'RE MAD AT ME THAT I SAID,
"YOU MISSED THE FLIGHT"?

WHATEVER. WHO [bleep] CARES?

THAT'S STUPID. THAT'S NOTHING.

THAT'S NOT A BIG DEAL.

- WE WERE UP ALL NIGHT FIGHTING.

- OKAY, WHATEVER.
I WANTED YOU TO BE WITH ME.

- I WANTED TO BE WITH YOU.

- YOU DIDN'T.
YOU MISSED THE FLIGHT,

YOU MISSED THE BOAT.
YOU MISSED THE BUS...

WHATEVER THE THING,
AND THEN YOU GET MAD AT ME.

WHENEVER I CONFRONT YOU
ABOUT ANYTHING,

YOU GET MAD AT ME.
- EVERYTHING'S MY FAULT.

- I APOLOGIZED THAT I GOT MAD
AT YOU IN HAWAII.

I APOLOGIZED TO YOU,
AND I SAID... I APOLOGIZED.

BUT YOU NEVER APOLOGIZE
TO ME, EVER, FOR WHAT YOU DO.

- THAT WAS A BIG ONE.
- NO, IT WASN'T.

WHATEVER, YOU NEVER
APOLOGIZE TO ME, EVER.

DO YOU EVER SAY,
"KYLE, I'M SORRY

WHAT I PUT YOU THROUGH HERE"?

DO YOU EVER SAY THAT ONCE?

MY POINT IS, WHEN I'M WRONG,
I SAY I'M SORRY AND I'M WRONG,

BUT YOU DON'T.

BUT YOU KNOW I ALWAYS
WANT YOU TO BE HAPPY.

WHETHER I WANT
TO STRANGLE YOU OR NOT,

I WANT YOU TO BE HAPPY,
AND YOU KNOW THAT.

WHAT ARE YOU DOING?

YOU'RE NOT PAYING ATTENTION.
- I WANT A [bleep] FLOWER.

YOU RUINED MY FLOWER.

- YOU'RE NOT LISTENING.

I GET FRUSTRATED
WHEN I DON'T SEE YOU ACTING

LIKE A RESPONSIBLE ADULT.

- MAYBE I'M NOT SOPHISTICATED
AND MATURE LIKE YOU.

- I DON'T WANT YOU
TO BE SOPHISTICATED.

I DON'T CARE ABOUT THAT.

- YOU WANT ME TO BE YOU.

- NO, I DON'T.

I DON'T WANT YOU TO BE ME.

I DON'T WANT YOU
TO BE SOPHISTICATED.

I'M NOT SOPHISTICATED.
ARE YOU KIDDING ME?

I'M THE MOST IMMATURE
PERSON I KNOW.

I JUST WANT YOU
TO BE RESPONSIBLE AND OKAY,

AND I WANT YOU TO BE HAPPY.

YOU NEVER TAKE RESPONSIBILITY...

- NO, I...
- YOU DON'T.

YOU DON'T TAKE RESPONSIBILITY
FOR WHAT YOU DO WRONG.

- AND THERE'S SOMETHING ELSE.

- THERE'S SOMETHING ELSE?

- YEAH.
- WHAT?

WHAT DO YOU MEAN,
"THERE'S SOMETHING ELSE"?

- I'M REALLY LATE.

- LATE LATE?

LIKE, A PERIOD LATE?

KIM, TELL ME THAT'S
A [bleep] JOKE.

THREE WEEKS?

- THREE MONTHS.

- THREE MONTHS?

WHAT IF IT'S MENOPAUSE?
NO OFFENSE.

I'M SORRY.

- I'M GONNA HAVE ANOTHER BABY.

- KIM.

- I KNOW I DON'T WANT ONE.

I WANT TO TRAVEL.
- YOU'RE NOT PREGNANT.

PLEASE DON'T SAY THAT.
PLEASE DON'T SAY THAT.

- I DON'T WANT ANOTHER CHILD
AT ALL RIGHT NOW.

I'D LOVE A PUPPY...

[chuckles] OR A KITTY.

BUT, YEAH, NOW WOULD NOT
BE THE TIME.

I'M JUST TELLING YOU
THE REALITY.

- WHY DON'T YOU TAKE
A [bleep] TEST?

ARE YOU OUT OF YOUR MIND?
- I'M TOO SCARED.

- OH, THAT'S INTELLIGENT.

THAT'S REALLY SMART.

LOOK AT ME.

- I CAN'T. I CAN'T.

- AHH.

- CAN I HAVE SOME OF THAT?

[men laugh]

- OH, I DIDN'T GET ANY.

- I FEEL LIKE KIM HAS
TO MAKE CHANGES IN HER LIFE

IN ORDER FOR OUR RELATIONSHIP
TO MOVE FORWARD.

I'M AT A LOSS...

AS TO WHAT I CAN DO.

- SO WHERE ARE
YOU GETTING MARRIED?

- AT OUR HOUSE.
- AT THE HOUSE.

IN THE BACKYARD,
THE TENNIS COURT.

IN TENTS, MATCHING TENTS.
- TENTS?

- AREN'T WE DOING THAT?
- NO.

- NO, I GUESS
I DON'T KNOW EVERYTHING.

- HE KNOWS WE'RE GETTING
MARRIED IN THE GARDEN.

- YEAH.

- HOW LONG DID YOU GUYS DATE?

Both: SIX YEARS.

- WE'RE GETTING MARRIED
ON THE DAY WE MET

SIX YEARS LATER. - I LIKE IT.

- YEAH, SO...

- DEEP BREATH.

- HI.

- HOW ARE YOU?

IT'S SO GOOD TO SEE YOU.
DO YOU KNOW DR. SOPHY?

- HOW ARE YOU? WE'VE MET BEFORE.

NICE TO SEE YOU.
HOW'S EVERYTHING?

- SOME PEOPLE IN BEVERLY HILLS
SHOW UP WITH THEIR PUBLICISTS.

SOME PEOPLE SHOW UP
WITH THEIR PSYCHIATRISTS.

- OH, CONGRATULATIONS.

- ARE YOU OKAY?
- I AM OKAY.

- WHEN I SEE TAYLOR,

I'M AWARE THAT UNDER HER MAKEUP

SOMETHING'S GOING ON.

I SEE BRUISING UNDER HER EYE.

WHAT'S GOING ON WITH THIS?

- WELL, I'M GONNA TALK
TO YOU GUYS ABOUT IT.

BUT I WANT TO TALK TO EVERYONE.

- IS THIS WHAT IT TOOK

FOR YOU TO LEAVE?

- UNFORTUNATELY.

- NO FOUNDATION
COULD COVER THAT, MY LOVE.

- CAN WE GO SIT AND TALK?
- YES.

- SHE NEEDS... SHE WANTS
TO TALK TO YOU GUYS.

- I'M SURPRISED
THAT TAYLOR'S HERE.

I HAD HEARD
THAT SHE'D LEFT RUSSELL.

I HOPE SHE'S HERE
TO EXPLAIN WHAT'S GOING ON.

- [crying]
SO, OVER THE LAST SIX MONTHS,

I'VE BEEN ACTING
LIKE A CRAZY PERSON.

MY LIFE WAS SO OUT OF CONTROL,
AND I WAS JUST TRYING TO...

TO MAKE IT ALL BETTER BY MYSELF.

AND I COULDN'T KEEP
THE LID ON IT ANYMORE.

AND I JUST STARTED
TO ACT OUT ALL OVER THE PLACE,

AND I'M SORRY.

YOU HAVE NO IDEA
WHAT SHE'S DONE TO ME!

YOU HAVE NO IDEA
WHAT SHE HAS DONE!

[overlapping shouting]

- AND I WANTED
TO COME HERE TONIGHT

BECAUSE I LOVE YOU GUYS
AND YOU MEAN SO MUCH TO ME.

- YOU DON'T HAVE
TO APOLOGIZE TO US.

- TAYLOR, TAYLOR, LISTEN TO ME.

AND I JUST WANT TO BE HONEST,

BECAUSE IT'S VERY HARD
WITH THE SITUATION YOU'RE IN

TO WANT TO SUPPORT YOU
AND BE THERE FOR YOU

WHEN YOU ARE IN A SITUATION
THAT IS SO TRAUMATIC

AND YOU GO
BACK TO THAT SITUATION.

WE GET CONFUSED.

I'VE BEEN TOLD SO MANY STORIES
FROM TAYLOR AND RUSSELL

THAT, AT SOME POINT, YOU REALLY
DON'T KNOW WHAT TO BELIEVE.

- DO YOU GET ANGRY AT HER?
DO YOU GET FRUSTRATED, CONFUSED?

- I DON'T WANT
TO SUPPORT SOMETHING

THAT IS HORRIFIC FOR YOU

AS YOUR FRIEND.

AND THEN WHEN YOU GO BACK
TO THAT SITUATION,

IT'S CONFUSING.

- BUT A LOT OF PEOPLE
GO BACK, THOUGH, ADRIENNE.

- IT SEEMS LIKE TAYLOR
DOESN'T FIT THE "PROFILE"

OF SOMEBODY WHO'D
BE GOING THROUGH THIS AND STAY.

IT DOESN'T MAKE SENSE TO US.
THAT'S THE BOTTOM LINE.

- IT WAS NOT EASY
FOR HER AS WELL

TO GET A THREATENING LETTER...
- I UNDERSTAND THAT.

- YOU UNDERSTAND.
- YEAH.

- SHE'S GOING THROUGH
A LOT AS WELL.

- ABSOLUTELY.

- FRIENDS DO NOT THREATEN
OTHER FRIENDS.

- I AGREE, AND I WOULD
NEVER THREATEN YOU.

IT DID NOT COME FROM ME.

- I'M AFRAID TO SAY
ANYTHING BECAUSE...

- WE ARE HERE TO BE HONEST.

- BUT WE CAN'T BE HONEST,
- YEAH, WE CAN.

- BECAUSE
SHE'S THREATENED WITH...

NO, NO, WE CAN'T BE HONEST,

BECAUSE SHE'S THREATENED
WITH A LAWSUIT.

- KIM?

- YEAH, KEN, I'LL BE OUT
IN A SECOND.

- ARE YOU ALL RIGHT?

- GOD, EVERY [bleep] TIME
I GO TO THE BATHROOM,

EVERYBODY ASKS IF I'M OKAY.

- I THINK THAT ALL
THAT MATTERS NOW

IS THAT TAYLOR'S SITTING HERE
WITH A BLACK EYE RIGHT NOW.

- BUT... BUT... BUT
LET ME SAY SOMETHING.

NO, NO, THAT'S NOT
ALL THAT MATTERS.

- OKAY, ADRIENNE, NOBODY
CAN GET A WORD IN EDGEWISE.

SHE WANTS TO SAY SOMETHING.
- PLEASE, NO, NO, NO, NO.

- KIM?

- WHAT?
- WHAT?

- I'M FINE.
PLEASE, LEAVE ME ALONE.

- [coughs]

- GOD DAMN IT.

- I WANT HER TO TELL YOU
HER STORY.

GIVE HER SOME RESPECT
TO JUST HEAR HER.

LISTEN TO WHAT SHE HAS TO SAY.
JUST HEAR IT.

LET HER TELL YOU, PLEASE.
GO AHEAD.

- SO, UM, A FEW WEEKS AGO,

UM, RUSSELL AND I GOT
INTO A BIG FIGHT.

WE HAD BEEN FIGHTING
FOR A COUPLE OF DAYS PRIOR.

WE GOT INTO A BIG FIGHT,

AND THINGS GOT PHYSICAL,
AND I GOT HURT.

AND...

I'VE BEEN DEALING
WITH HEALING FROM THAT

FOR THE PAST FEW WEEKS.

IT WAS NOT EASY.

AND THAT'S NOT SOMETHING
THAT I WANT TO LIVE...

AGAIN.

IT WAS THE LAST STRAW.

I JUST DETERMINED
THAT I CAN'T TAKE THESE RISKS

IN MY LIFE ANYMORE.

AND HE IS GONE.
HE'S OUT OF MY LIFE.

I'LL CONTINUE
TO CO-PARENT WITH HIM,

BUT I'M NOT GONNA LIVE
LIKE THIS ANYMORE.

AND IT'S BEEN SOMETHING THAT
I SHOULD'VE DONE YEARS AGO,

BUT I WASN'T STRONG ENOUGH,
ADRIENNE.

AND I KNOW YOU DON'T GET THAT,
BECAUSE YOU'RE SO STRONG.

- NO, NO, NO, NO, NO,
I HAVE ISSUES MYSELF.

- BUT I UNDERSTAND.
- NO, NO.

THE PROBLEM IS
IT'S HARD, THOUGH.

- I UNDERSTAND.
- IT'S HARD FOR ME

BECAUSE I CARE ABOUT YOU.

IF I DIDN'T CARE ABOUT YOU,

IT WOULDN'T BE
SO DIFFICULT FOR ME.

- EXCUSE ME.
I NEED TO USE THE RESTROOM.

- WELL, YOU'RE GONNA
HAVE TO WAIT A SECOND.

I'M NOT FEELING GOOD. SORRY.

- WHAT'D SHE SAY?
- WAIT A SEC.

- GOD DAMN IT.

- KIM.

- JUST LEAVE ME ALONE
FOR A MINUTE.

- CAN YOU LET ME IN?
- NO!

- ARE YOU FINE?

- LEAVE ME ALONE!

- OKAY. WHAT?

- PLEASE LEAVE ME ALONE.

- I WAS TRAPPED IN A PHYSICALLY
ABUSIVE RELATIONSHIP.

AND I WAS DOING
EVERYTHING I COULD

TO TRY TO FIGURE OUT
HOW TO MAKE IT NOT BE THAT,

BUT I COULDN'T.

AND I WAS CAUGHT IN THAT,

AND I WANTED IT TO WORK,

EVEN THOUGH IT'S SO SICK.

[sobbing]

I WASN'T IN A PLACE TO BELIEVE
THAT I WAS VALUABLE ENOUGH

TO HAVE ANYTHING DIFFERENT.

AND I AM NOW.

AND SO I'M GOING THROUGH
A DIVORCE,

AND THIS IS HARD,

AND I KNOW
YOU JUST WENT THROUGH ONE.

AND WHAT HE DID, THE LAWSUIT,

I AM SO SORRY ABOUT THAT LETTER.

AND I HOPE OVER TIME
YOU GUYS CAN FORGIVE ME

FOR THE THINGS
THAT I'VE DONE WRONG

IN THIS SITUATION.

BUT RIGHT NOW
I WANTED TO COME HERE

BECAUSE I LOVE ALL OF YOU,

AND I CAN'T IMAGINE
NOT HAVING YOU IN MY LIFE.

AND IT WAS IMPORTANT ENOUGH
TO COME HERE

AND TELL YOU THE TRUTH
AND TO SAY WHAT I'M FEELING

SO THAT HOPEFULLY WE CAN REPAIR
AND REBUILD OUR FRIENDSHIPS.

- COMING UP...

- SHE SAID THAT I PUT
HER FAMILY IN HARM'S WAY.

- I WANTED TO COME HERE
BECAUSE I LOVE ALL OF YOU,

AND I CAN'T IMAGINE
NOT HAVING YOU IN MY LIFE.

HOPEFULLY WE CAN REPAIR
AND REBUILD OUR FRIENDSHIPS.

- TAYLOR, I DON'T FEEL
YOU OWE US AN APOLOGY.

- YOU DON'T.
- I REALLY DON'T.

- NO, NO, NO, NO,

I'M SORRY.
SHE OWES US AN APOLOGY.

- SHE SAID THAT I PUT
HER FAMILY IN HARM'S WAY.

- SHE OWES AN APOLOGY.
- I AGREE. I AGREE.

- YOU ACCUSED ME OF PUTTING
YOUR FAMILY IN HARM'S WAY.

- I AGREE.

YOU WERE TELLING THE TRUTH,

AND YOU ENDED UP
GETTING PUNISHED FOR THAT

BECAUSE I WASN'T BRAVE
ENOUGH TO TELL THE TRUTH.

AND THAT'S MY FAULT,

AND I APOLOGIZE TO YOU, CAMILLE,
SINCERELY FOR THAT.

- THANK YOU.

- I MEAN IT.
- THANK YOU.

I THINK AT THIS POINT, THERE'S
NOTHING TO FORGIVE ANYMORE.

SHE'S ALREADY FORGIVEN.

IN MY EYES, YOU KNOW,
THAT IS IN THE PAST.

SHE'S MY FRIEND.

ALL OF US, THE GIRLS...

WE ALL JUST NEED TO COME
TOGETHER FOR OUR FRIEND

AND BE THERE FOR HER
AND HER DAUGHTER.

- I TAKE OWNERSHIP
FOR ALL OF IT,

AND I HAVE FOUND THE STRENGTH

TO MOVE FORWARD IN MY LIFE.

- AND I THINK THAT IS BRILLIANT
THAT YOU'VE DONE THAT,

AND WE ADMIRE YOU FOR DOING IT,
BECAUSE IT TAKES A LOT.

- BUT I HAVE BEEN VERY WRONG.

- AND TRUST ME,
THAT'S A BIG STEP.

- I...

[voice breaking] JUST WANNA KNOW
THAT YOU GUYS ARE THERE.

- WE ARE.
- I THINK ALL OF US...

I THINK ALL OF US
HAVE ALWAYS BEEN THERE

BECAUSE WE LOVE YOU.

- EXACTLY.

- AND SO...
- YOU'RE NOT ON YOUR OWN.

- THE LADIES AND I GO THROUGH
A LOT OF UPS AND DOWNS,

AND THAT'S BECAUSE WE TRULY
CARE ABOUT EACH OTHER.

AND WHEN THE CHIPS
ARE REALLY, TRULY DOWN,

WE'RE ALL THERE FOR EACH OTHER.

[laughter]

- GO, TEAM.

- I'M OVER THIS...
TOTALLY OVER IT.

- WHOO-WHOO. WHERE'S KEN?

- YOU'RE OKAY, THEN.

- NEXT TIME ON THE REAL
HOUSEWIVES OF BEVERLY HILLS...

- I'M GETTING SCARED.

THIS DOESN'T LOOK LIKE
A LITTLE SEXY WEDDING.

THIS LOOKS LIKE A BALLROOM.
- WELL, THIS IS THE BEFORE.

- OKAY, SO HOW MANY HOURS
HAVE WE GOT LEFT?

TO ME, IT LOOKS LIKE
IT WON'T BE DONE.

I'M SO FREAKIN' WORRIED
ABOUT THIS...

- WHY ARE YOU WORRIED?
ABOUT WHAT?

- I'M WORRIED ABOUT EVERYTHING.
- OH, COME ON, IT'S MY JOB.

MORE BLING, BLING,
BLING, BLING, BLING.

- THIS IS HIS TUX.
IT'S BLACK TIE.

KEN, I DON'T WANT YOU
CARRYING ANY PART OF IT.

HE IS THE CLUMSIEST PERSON.
- NO, NO, NO, NO, NO.

TO SEE HER STANDING
AT THE TOP OF THE STAIRS

AND COME DOWN LOOKING LIKE
A FAIRY-TALE PRINCESS,

I COULDN'T BE HAPPIER FOR HER.

- TO LEARN MORE
ABOUT THE HOUSEWIVES,