The Real Housewives of Beverly Hills (2010–…): Season 2, Episode 14 - Malibu Beach Party from Hell - full transcript
Brandi tries to throw a nice party for the women at a Malibu beach house, but the tension between Taylor and Camille reaches a boiling point.
- PREVIOUSLY ON THE REAL
HOUSEWIVES OF BEVERLY HILLS...
- WE WANNA SEE THE SHOES!
- I KNOW.
- WE WANNA SEE THE SHOES,
WE WANNA SEE THE SHOES.
[all gasping]
- WHEN YOU RECEIVE BOX
LIKE THAT, INSTANT SURPRISE
AND GRAND WEDDING.
- IT'S NOT A GRAND WEDDING.
IT'S GONNA BE ROMANTIC.
- AND GRAND.
- SO I THOUGHT I WOULD HAVE
THE GIRLS OVER
TO MY FRIEND'S HOUSE IN MALIBU.
THIS LADY... SHE COMES
AND SHE TEACHES YOU
HOW TO, LIKE, DO BJs AND STUFF.
- BECAUSE WE DON'T SAY
THAT HE BROKE YOUR JAW
OR THAT HE...
- THREW YOU IN THE BATH.
- BEAT YOU UP.
AND HE HIT YOU.
WE DON'T SAY THAT,
BUT NOW WE SAID IT.
YOU HAVE TO BE HONEST.
YOU NEED TO BE HONEST.
- AND CAMILLE, IF SHE SHOWED UP,
SHE WOULD BE SHOVELING [bleep]
AS FAR AS I'M CONCERNED.
- LIFE IN BEVERLY HILLS
IS A GAME,
AND I MAKE THE RULES.
- I'M NOT THE RICHEST GIRL
IN BEVERLY HILLS,
BUT I AM THE LUCKIEST.
- PEOPLE TRY TO FIGURE ME OUT,
BUT I'M ONE OF A KIND.
- I FINALLY FOUND MY VOICE,
AND I'M NOT AFRAID TO USE IT.
- HAVING IT ALL IS EASY,
IF YOU'RE WILLING TO WORK
FOR IT.
- DIAMONDS
AREN'T A GIRL'S BEST FRIEND.
FREEDOM IS.
- I HOPE SHE LOVES IT.
SHE HAS SUCH OVER-THE-TOP TASTE.
THIS IS BEVERLY HILLS.
HAS TO BE OVER THE TOP.
Both: OH!
- THAT'S SO CUTE.
- HELLO!
- HELLO, DARLING.
- MWAH. I KNOW.
- OH, STOP IT.
- OH! MWAH.
- OH, THIS LOOKS BEAUTIFUL.
- ISN'T THIS SO MUCH FUN?
IS THIS GLAMOROUS? YEAH.
- KEVIN HAS GOT THREE TABLES
FOR US TO MAKE
THE FINAL CHOICES.
AND I HOPE AT LEAST ONE OF THEM
WILL BE WHAT WE WANT.
OH, THIS IS SO SWEET.
- THIS IS A KING ARTHUR TABLE...
VERY ENGLISH.
LOOK AT THIS... PEWTER GOBLETS.
LOOK AT THAT.
CAN YOU BELIEVE THIS?
- OH, I SEE.
NO, I'M NOT FEELING THE PEWTER.
- OH, YOU'RE NOT INTO IT.
IT'S SO ENGLISH, THOUGH.
- YEAH, BUT THAT'S
WHY WE MOVED HERE...
TO GET AWAY... [laughter]
BUT I LOVE THAT SEXY PINK
IN THE MIDDLE.
CAN'T WE JUST HAVE
THE HEAD TABLE LIKE THIS?
- ABSOLUTELY.
- I LOVE THAT ROUND THERE
LIKE THAT.
- IT'S YOUR DAY, YOUR WEDDING.
- I LOVE THE... HANGING OVER
THE FAMILY TABLE,
LIKE THE MAIN TABLE. - I DO TOO.
AND THERE I HAVE BEEN
DOUBTING YOU.
- I KNOW.
- THIS IS FABULOUS.
KEVIN HAS BEEN
A LITTLE FRUSTRATING TO ME...
AND HIS ATTITUDE.
BUT I KNOW HIM TO BE THE BEST.
SO I REST ASSURED
THAT HE WILL DELIVER.
- HOW DO YOU FEEL ABOUT THIS?
- IS IT GORGEOUS?
- NO, I PREFER THAT PLATE.
OH, GOD, I KNOW
IT'S NOT MY CHOICE.
IS IT MY CHOICE?
- IT IS NOT YOUR CHOICE.
- IT'S A LITTLE BIT YOUR CHOICE.
IT'S MY CHOICE?
- IT'S MY CHOICE.
- WHOSE CHOICE IS IT?
- PROBABLY KEVIN'S CHOICE.
- OKAY.
WE WANT SOMETHING
THAT'S ABSOLUTELY EXQUISITE,
CRYSTALLY WHITE AND PINK.
PINK'S ALWAYS BEEN PANDORA'S
FAVORITE COLOR, AS IS MINE.
OH, I LOVE THAT, THOUGH.
- ISN'T THAT GORGEOUS?
- HOW DO YOU DO THAT?
- ISN'T THAT A GORGEOUS VASE?
- OH, I LOVE THAT.
- BLING-BLING-BLING.
OF COURSE.
YOU LOVE THAT BLING-BLING LOOK.
- I PREFER THIS.
- ISN'T THAT GORGEOUS?
- I LOOK AT THESE THREE TABLES,
AND I KNOW IF I TAKE A BIT
FROM HERE AND A BIT FROM HERE
AND PUT IT ALL TOGETHER
AND THEN CUT THE BUDGET IN HALF,
WE'LL HAVE EXACTLY WHAT WE WANT.
- I LOVE THE PINK NAPKINS
AND THE PINK TABLECLOTH.
- YOU DO?
- I LOVE THAT.
- VERSUS WHITE?
- MAYBE.
- WHITE IS
MORE CRISPIER, THOUGH.
- BUT THIS IS SO WARM AND SEXY.
- THAT'S WHY I BROUGHT
GOLD SETTINGS... JUST FOR THAT.
- I'M NOT A GOLD PERSON.
- YOU'RE NOT?
- COULD WE TRY THE PINK NAPKIN
ON THE WHITE?
- OF COURSE. LET'S DO THAT.
- 'CAUSE I WANT IT WARMER.
- I LIKE THAT.
THAT'S IT.
YEAH, THAT'S WHAT I WANT.
- GREAT!
- IT'S THE BEST THING
I'VE EVER SEEN.
- WONDERFUL.
- I WANNA GET MARRIED AGAIN.
- AH!
- PANDORA'S GOING TO HAVE
THE WEDDING, I THINK, THAT...
I WOULD'VE LOVED.
BUT WEREN'T YOU GONNA DO FLOWERS
ON THE CEILING OR SOMETHING?
- OF COURSE.
- HOW DO YOU DO THAT?
- JUST LEAVE IT UP TO ME,
DARLING.
THIS IS A MILLION-DOLLAR
WEDDING.
I CAN DO ANYTHING FOR YOU.
- YOU'VE GOTTA STOP SAYING THAT.
- [laughing] NOT.
I'M GONNA MAKE IT REAL.
- YOU'RE GONNA GET A
MILLION-DOLLAR FOOT UP YOUR ASS.
- OOH! [laughter]
- OH, MY GOSH.
- GO AHEAD AND HAVE A SEAT.
- THANK YOU.
- OF COURSE.
AND DR. NASSIF WILL BE RIGHT IN
TO SEE YOU.
- THANK YOU SO MUCH.
- WHAT IS THIS?
- OH, THAT'S
SO HE CAN SEE BETTER.
- IS IT A LIGHT OR A CA...
- IT'S A LIGHT.
- OH, I THOUGHT I COULD LOOK
THROUGH SOMETHING.
- HELLO, HELLO!
- SHE'S PLAYING
WITH YOUR LITTLE...
- BUTTERCUP.
- HEY!
- HOW ARE YOU?
- HOW ARE YOU?
- YOU WANNA WEAR THAT?
- I WAS PLAYING WITH IT.
I THOUGHT IT WAS A CAMERA.
- HOW ARE YOU DOING?
ARE YOU... HOLD ON.
ARE YOU DOING "AMAZING,"
AS MAURICIO WOULD SAY?
- I'M DOING AMAZINGLY GOOD.
- IT'S BEEN SIX WEEKS
SINCE ESTELLA HAD HER SURGERY,
AND SHE ALREADY LOOKS FANTASTIC.
TODAY IS HER FINAL CHECKUP
WITH PAUL.
- SO HOW DO I LOOK, DR. PAUL?
- WELL, LET ME EXAMINE YOU.
FIRST OF ALL, HOW DO YOU FEEL?
FIRST OF ALL, THE FRONT...
YOUR FACE LOOKS VERY,
VERY NATURAL FROM THE FRONT.
- YES.
- THAT'S, LIKE,
THE MOST IMPORTANT THING.
- I LOVE THAT MY EXPRESSION
DID NOT CHANGE.
- CAN YOU TURN YOUR HEAD
THAT WAY?
- I STILL DON'T FEEL
A LITTLE BIT ON THE SIDE,
BUT I GUESS... YOU EXPLAINED
TO ME THAT'S NATURAL.
- WHO CARES? YOU LOOK GOOD.
[laughing]
- THREE TO FOUR MONTHS.
- THREE TO FOUR MONTHS, OKAY.
- TURN YOUR HEAD THAT WAY.
THE INCISIONS ARE... - AMAZING.
- GOOD. CAN YOU TURN THIS WAY?
JUST A LITTLE BIT THERE.
- SHE NEED
A LITTLE FILLER THERE?
- NO, THIS IS...
- ON THIS SIDE.
ON THIS SIDE. THAT BOTHERS ME.
- YOU COULD GET SOME FILLER
IN HERE, IF YOU WANT.
- A LITTLE FILLER THERE
TO FILL THAT LITTLE...
I THINK IF SOMEBODY WANTS
TO HAVE PLASTIC SURGERY,
THAT'S THEIR PERSONAL CHOICE.
PERSONALLY, I WISH THAT
EVERYBODY WOULD DROP THE BOTOX,
DROP THE FILLERS, AND JUST...
LET'S ALL FIGHT FAIR.
THIS IS WHAT WE GOT.
- OKAY, DON'T LOOK.
- KYLE, YOU'RE NOT WATCHING.
- I'M NOT LOOKING, NO.
- ALMOST DONE.
- THIS IS AN OPPORTUNITY FOR YOU
TO OVERCOME NEEDLE PHOBIA.
- I DON'T... NO.
I'M GOOD, THANKS.
- I HAVE A LITTLE EXTRA IN HERE.
YOU WANT ME TO USE IT
ON YOU, KYLE?
- NO!
I'LL NEVER SAY NEVER
WITH PLASTIC SURGERY.
- YOU SHOULD TRY IT ONE TIME.
LIKE, RIGHT NOW WHILE
YOU'RE TALKING TO ME,
YOU HAVE A FEW LITTLE CREASES.
THEN AS YOU GET OLDER, THE MORE
AND MORE IT KEEPS DOING IT,
IT'LL START GETTING DEEPER
AND IMPRINT IN THE SKIN MORE.
SO, IF YOU WERE GONNA DO IT,
NOW WOULD BE THE TIME TO DO IT.
- I'D RATHER JUST TAKE CARE
OF MY SKIN REALLY WELL
AND HOPE THAT I DON'T HAVE
TO DO THAT.
BUT IF IT'S LIKE HANGING DOWN
TO THE GROUND,
I'M NOT GONNA WALK AROUND
LIKE A IDIOT.
- DO IT TO KYLE.
I'LL HOLD YOUR HAND.
- LISTEN TO THIS... BOTOX PUSHER.
- KYLE... [laughter]
- HELLO, PRETTY LADY!
- HEY!
- HOW ARE YOU?
- GOOD TO SEE YOU.
YOU LOOK GORGEOUS.
- YOU DO, TOO, AS ALWAYS.
- OH, MY GOSH.
- HOW ARE YOU?
- BUSY.
- YEAH?
- YEAH, YOU KNOW, SAME STORY.
- THAT'S GOOD.
- I KNOW.
- BUSY! I CAN'T WAIT
TO GET THIS BOOT OFF.
I GOT THOSE SHOES YOU SENT OVER.
- DID YOU LIKE THE SHOES? YEAH.
MAYBE IT'LL BE
THE FIRST PAIR YOU WEAR
WHEN YOU GET YOUR BOOT OFF.
- FOR SURE.
THEY'RE AMAZING, BY THE WAY.
THANK YOU SO MUCH.
- HI, LADIES.
HOW YOU DOING THIS EVENING?
- HI. HOW ARE YOU?
- DOING GOOD.
DO YOU WANNA ORDER ANY...
ANY FOOD?
- I THINK WE'RE GONNA TRY
THE GRILLED PIZZA.
BUT CAN YOU CUT IT UP?
- LIKE BITE SIZE?
- YEAH.
- LIKE BITE SIZE.
- YEAH, ABSOLUTELY.
- LADYLIKE-SIZE PIECES.
- YES, YES.
- DO YOU WANT ANYTHING ELSE?
- I THINK THAT'S GOOD.
I THINK THAT'S GOOD.
- OKAY, GREAT.
- THANKS.
- YOU'RE WELCOME.
- I WAS THINKING...
BECAUSE YOU HAD, YOU KNOW,
THE BARBECUE...
- YEAH.
- KYLE INVITED ME TO THE SEANCE,
WHICH WAS REALLY SWEET.
I FEEL LIKE IT'S MY TURN
TO KIND OF HOST SOMETHING
FOR YOU LADIES.
- IT THINK IT'S A GREAT IDEA.
WHAT DO YOU HAVE IN MIND?
- I WAS THINK... I JUST MOVED
A COUPLE MONTHS AGO,
SO MY HOUSE IS A DISASTER.
BUT MY FRIEND
HAS THIS AMAZING HOUSE...
- UH-HUH.
- IN MALIBU.
IT'S RIGHT ON THE WATER.
- OH, BEAUTIFUL.
- YEAH. I WAS THINK MAYBE DO,
LIKE, A LITTLE
WINE TASTING THERE,
AND I WAS THINKING MAYBE,
LIKE, BELLY DANCER.
- A BELLY DANCER
WOULD BE FUN, ACTUALLY.
- ONE OF MY GIRLFRIENDS DOES IT.
- GREAT WORKOUT.
- AND IT'LL BE FUN.
- AND THAT'S SOMETHING
DIFFERENT.
OH, THANK YOU. THANK YOU.
SO DO YOU HAVE SOMEBODY, UM...
- A CATERER?
I DO. MY GIRLFRIEND'S A CATERER.
AND SHE'S ALWAYS
DONE MY DINNER PARTIES.
AND SHE'LL DO IT FOR ME
IN A SECOND.
- ARE YOU INVITING
TAYLOR AND CAMILLE?
- YES.
- OH.
CAMILLE AND TAYLOR...
YOU KNOW, AFTER THE TEA,
THERE'S PROBABLY
A LITTLE FRICTION.
- THEY SEEMED OKAY
AT YOUR FASHION SHOW,
WHICH WAS AMAZING, BY THE WAY.
- AND THEY GOT ALONG WELL THERE.
- YEAH, THEY WERE FINE.
- THEY WERE FINE.
HI!
- I DIDN'T KNOW
YOU WERE IN THERE.
ANYWAY, WE'RE GONNA TALK LATER.
- YES.
- NOT TONIGHT.
- OKAY.
- TAYLOR AND CAMILLE TOGETHER...
IS GOING TO BE
A INTERESTING NIGHT.
- IT'S GONNA BE FUN!
- YEAH.
I'M LOOKING FORWARD TO IT.
- DON'T BE LATE.
- I WON'T. [both laugh]
- THIS IS REALLY GARLICKY.
THANK GOD I'M NOT MAKING OUT
WITH ANYONE TONIGHT.
ARE YOU?
- THANK GOD
IT'S ONLY MY HUSBAND.
[laughs]
- COMING UP...
- HI, LADIES.
- IT'S A WEDGE-BUT-NO-BRA PARTY.
[laughter]
- JUSTIN!
YOU KNOW HOW TO MAKE MARGARITAS?
- YEAH.
- CAN YOU HELP?
THIS IS NOT LOOKING GOOD AT ALL.
I FORGOT TO GET SO MUCH STUFF.
I'M SO OVERWHELMED.
- WHO'S COMING TONIGHT?
- FAYE IS COMING... CHRIS,
ROBERT, AND ARTURO,
ALL THE MEXICANS,
BECAUSE IT'S...
- NICE.
- CINCO DE MAYO.
IT'S THE MEXICAN CROWD TONIGHT.
MAURICIO IS REALLY PROUD
OF BEING MEXICAN.
SO WE ALWAYS HAVE TO HAVE OUR
FRIENDS OVER ON CINCO DE MAYO.
THIS LOOKS REALLY BAD.
- THAT'S SO GOOD.
- MAYBE IF I SPREAD IT AROUND.
- ARE THOSE CHEETOS?
- THEY'RE CARROTS.
- I CAN'T SEE.
- THESE ARE CARROTS, CARROTS.
- I'M BLIND.
- NO BIEN.
HOW DO I OPEN THIS
SO THAT I CAN OPEN IT?
- TURN IT AROUND.
- YEAH, WHY DON'T WE TURN 'EM
ALL AROUND?
HONEY?
- WHAT'S UP?
- I MEAN...
WHAT ARE YOU WEARING?
- YOU DON'T LIKE IT?
- WELL...
- THEY'RE
MY DOLCE & GABBANA PANTS.
- NO. NOT REALLY.
I DON'T LIKE THE BLACK SHOES
WITH THAT AND THAT.
HONEY.
YOU HAVE TO CHANGE.
IT LOOKS SCARY.
USUALLY MAURICIO PUTS TOGETHER
THE CLOTHES
THAT I HAVE PURCHASED
PRETTY WELL.
BUT APPARENTLY I'M GONNA HAVE
TO START LAYING OUT HIS CLOTHES
LIKE I DO PORTIA'S.
I DON'T THINK WE CAN FIT
THREE PEOPLE UP HERE.
WE MIGHT HAVE TO SWITCH
BACK TO TWO.
JUSTIN, CAN YOU GET ME
AN EXTRA CHAIR?
DOES THIS LOOK BETTER
LIKE THAT OR LIKE THAT?
ISN'T THAT GORGEOUS? - GORGEOUS.
- I LOVE THAT.
I HAVE NO IDEA WHAT I'M DOING.
JUSTIN, WHERE DO WE HAVE
THE VOTIVE CANDLES?
- HOW'S MY SHOES?
- BROWN AND BROWN? THAT'S GOOD!
THAT'S A GOOD LOOK.
- SO IT WAS JUST A BROWN THING.
IT WAS A SHOE THING. - IT WAS...
SO THIS IS THE SAME PANTS?
- YEAH.
- WELL, THAT'S
MUCH BETTER, HONEY.
- AH, SEE?
- YOU PULLED IT TOGETHER.
- [laughing]
- HELLO.
- HI! HOW ARE YOU?
- TONIGHT IS ALSO
THE FIRST NIGHT
THE FAMILY IS SEEING
MY MOTHER-IN-LAW, ESTELLA,
SINCE SHE'S HAD HER FACE-LIFT.
ARE YOU SO EXCITED?
DO YOU SEE HOW PRETTY? PORTIA...
- PORTIA!
- LOOK AT YOUR GRANDMA.
LOOK HOW PRETTY SHE LOOKS.
- LOOK AT ME NOW!
- SHE'S BACK.
- BACK.
- THE DAY IT HAPPENED,
SHE GOT SUCH A REACTION...
- YES.
- BECAUSE OF ME.
ARE YOU OKAY? - [moans]
- ALL RIGHT, THUMBS UP, MAN.
- I DON'T KNOW
WHAT'S FREAKING ME OUT.
- WHAT IF IT'S ON THE CAMERA?
- NO, I DON'T EVEN KNOW.
I DON'T KNOW WHY
I'M REACTING LIKE THIS.
I REALLY DON'T.
- WHAT I LIKE IS THAT
I LOOK AT MYSELF...
AND I DON'T NOTICE A DIFFERENCE.
- IT'S NOT LIKE YOU LOOK
LIKE A DIFFERENT PERSON.
- EXACTLY.
- THAT'S A VERY,
VERY IMPORTANT SIGN.
- SO WHAT'S EVERYTHING
THAT YOU DID DO?
- IT WAS ALMOST NINE HOURS.
- NINE HOURS OF SURGERY?
- OH, EIGHT AND A HALF.
- OH, MY GOD.
- YEAH.
- WORTH EVERY MINUTE, RIGHT?
- YEAH.
- WORTH EVERY MINUTE.
- LISTEN TO FAYE.
- WORTH EVERY MINUTE?
YOU KNOW WHAT? I AGREE WITH YOU!
- ABSOLUTELY.
- ALL RIGHT.
- WHATEVER IT TAKES.
- ONLY IN BEVERLY HILLS
CAN YOUR MOTHER-IN-LAW LOOK
YOUNGER THAN YOU.
[laughter]
ADRIENNE'S HUSBAND
DID HER FACE...
PAUL NASSIF.
- MY MOM USED TO LAUGH
THAT NONE OF HER FRIENDS
COULD MOVE THEIR NECK.
SO THEY'D BE AT A DINNER PARTY,
THEY'D BE LIKE THIS.
[stiffly] "HELLO, HOW ARE YOU?
"SO WHAT'S GOING ON
WITH YOU GUYS?
WAIT, WHAT WAS THAT?
WHAT DID YOU SAY?"
ESTELLA, CAN YOU TURN YOUR HEAD
LEFT TO RIGHT?
- LEFT OR RIGHT?
- YEAH.
LOOK, THE WHOLE BODY GOES.
HA HA HA HA!
YOU ARE NOW OFFICIALLY
A BEVERLY HILLS WOMAN.
- YOU GUYS, I JUST WANNA SAY
HAPPY CINCO DE MAYO.
THE BEST TO EVERYBODY.
IT'S SO MUCH FUN.
THANK YOU ALL FOR COMING.
SALUD! CHEERS!
- SALUD!
SALUD!
- LET'S GO NEXT DOOR
AND HAVE A QUICK LOOK.
LET'S SEE WHAT'S GOING ON.
SUR IS GOING ACCORDING TO PLAN,
BUT I'M UNDER A LOT OF PRESSURE
TO BRING THIS IN
FOR THE OPENING IN A FEW WEEKS.
- HEY!
- HEY.
- HELLO!
- YOU'RE SUPPOSED TO BE WORKING.
- HI, WAYNE.
- I AM WORKING.
- YOU HAVING A LITTLE SNOOZE
OVER THERE?
- OF COURSE.
- OKAY, SO THIS IS JUST
THE TEMPORARY OUTLINE
OF WHERE THE BAR IS.
IS THAT EXACTLY RIGHT
ACCORDING TO THE PLANS?
- ROUGHLY.
- I MEAN, IT'S HUGE, THIS BAR.
I MEAN, IT'S REALLY
GONNA DOMINATE.
BUT IT'S GREAT. I LOVE IT.
I'M VERY CLEAR ABOUT THE IMAGE
THAT I WANT FOR SUR.
IT'S GOING TO BE ECLECTIC.
I'M GOING TO HAVE
LEATHER COUCHES.
I'M GOING TO HAVE LINEN LAMPS.
I'VE DONE ALL OF OUR
26 RESTAURANTS, BARS, CLUBS,
ALL OF OUR HOUSES
THAT WE'VE LIVED IN.
AND SO, PRETTY MUCH,
I GO WITH MY VISION IN MIND.
I THINK NOW,
WITH THESE OLD DOORS,
IT GIVES US THE OPTION,
IF WE WANNA USE THAT ROOM,
ONCE WE KNOCK THROUGH.
- THESE WERE FUN.
I THINK THEY'RE 200 YEARS OLD.
- BUT THEY'RE GREAT,
BECAUSE I LOVE THE FACT
THAT YOU CAN OPEN THE SHUTTERS,
KEEP THE DOOR CLOSED,
SEE WHAT'S GOING ON.
IT DOES WORK REALLY WELL.
I'VE WANTED TO USE THESE DOORS
FOR A LONG TIME NOW.
- YEAH. BEAUTIFUL. BEAUTIFUL.
- KEN WOULD LIKE
TO BE RETIRED TOTALLY,
AND, YOU KNOW, HE THINKS
I'M ALWAYS WORKING TOO HARD.
BUT, YOU KNOW,
WE GOT BILLS TO PAY.
WE'VE GOT A WEDDING TO PLAN.
LIKE, GET TO WORK, LAZY ASS.
[laughs]
YOU KNOW WHAT? I DON'T KNOW
WHAT YOU'VE DONE THERE.
I'M LOOKING AT THAT.
I'M SERIOUS.
I DON'T KNOW
WHAT YOU'VE DONE THERE.
I DON'T WANNA LOOK DOWN THERE,
AND YOU PUT THE DOOR...
TO THE BATHROOM.
BUT YOU CAN'T PUT
THE DOOR THERE.
THE DOOR'S GOTTA GO
ON THE OTHER SIDE,
OTHERWISE IT DOESN'T MAKE SENSE.
OKAY, SO I'M GONNA LOOK
DOWN HERE,
WALK INTO THIS RESTAURANT,
AND SEE...
"WOW! THIS LOOKS GREAT."
THEN STRAIGHT INTO A BATHROOM.
- THE ONLY PLACE YOU CAN PUT
THE DOOR BECAUSE OF THE SINK...
I MEAN...
- I'M SORRY, WAYNE,
DO I WANNA WALK PAST HERE
AND SEE SOMEBODY SITTING
ON THE TOILET?
- NO.
- YOU GOTTA COME IN
THE OTHER SIDE.
THAT'S RIDICULOUS.
- SHE'S ABSOLUTELY RIGHT.
- IT'S FOUR WEEKS
TILL WE OPEN THIS RESTAURANT.
AND IT'S LIKE FOUR MONTHS
OF WORK TO DO.
IT'S JUST... YOU OPEN SOMETHING,
IT'S PANDORA'S BOX,
AND YOU NEED
TO DO SOMETHING ELSE.
THAT DOESN'T WORK.
IT DOESN'T WORK AT ALL.
- WE CAN FIX ANYTHING.
- OKAY, WE WILL, BUT WE HAVEN'T
GOT TIME TO GO BACKWARDS.
- ABSOLUTELY NOT.
- AND I CAN'T BE HERE ALL
THE TIME, SO WE REALLY GOTTA...
AND AS I SAY, THAT DOESN'T WORK.
- IF IT HELPS ANY,
YOU LOOK FABULOUS TODAY.
- HOW I LOOK...
IS NOT GONNA HELP THINGS.
LET'S JUST GET ON WITH IT, HUH?
I NEED A CONTRACTOR,
NOT A BLOODY ASS-KISSER.
WHAT THE [bleep]
HAVE YOU DONE HERE?
"YOU LOOK FABULOUS TODAY."
GREAT. OKAY,
THAT'S REALLY GONNA HELP.
- YO, ADRIENNE!
- YEAH.
- ANOTHER PAIR OF MY SHOES
CAME IN.
- WHAT ARE THESE?
- LOOK.
- OH.
- LOOK, LOOK, LOOK, LOOK.
AREN'T THOSE BEAUTIFUL?
- OH, LET ME SEE THOSE.
THESE ARE NICE.
- AREN'T THEY BEAUTIFUL?
- FIRST OF ALL, HOW CAN YOU WALK
WITH THIS THING?
- VERY EASILY.
- WHAT ARE YOU DOING?
- I'M LOOKING FOR A PAIR
OF MY WEDGES TO WEAR TONIGHT.
I'M GOING TO BRANDI'S.
- GIRLS' PARTY?
- YEAH.
I FEEL THAT IT'S LOVELY
THAT BRANDI WANTS TO REACH OUT
AND HAVE A NICE TIME.
- SO WHAT TIME YOU GOING?
I'LL TAKE THE KIDS OUT TONIGHT.
- OR MAYBE YOU COULD TAKE
THE DOG FOR A WALK.
- JACKPOT...
THAT DOG DOESN'T WALK.
IF I WALK WITH HIM,
THEN HE GETS TOO TIRED, I THINK.
THEN I GOTTA CARRY HIM
THE WHOLE WAY.
- OF COURSE. THAT'S OKAY.
- HE'S BECOMING MORE LIKE...
- [laughing]
- GIGGY OR SOMETHING.
HE DOESN'T WANNA WALK.
- OH, YOU...
MY BLANKET'S ALL CLEAN.
THIS IS NOT AN EASY ONE TO FOLD.
OH!
- BRANDI MENTIONED INVITING
MY SISTER KIM
TO A PARTY IN MALIBU.
I REALLY DON'T THINK
IT'S A GOOD IDEA.
- YOU'RE A PIG!
YOU'RE A SLUT PIG.
DO I WANNA COME?
SERIOUSLY? YOU DON'T EXIST.
WHY WOULD I GO TO YOUR PARTY?
- A PARTY IN MALIBU.
- [laughs]
IT'S PRETTY OUT, HUH, GUYS?
ISN'T IT GORGEOUS?
- GREAT. THANK YOU!
HOW YOU DOING?
GOOD TO SEE YOU, TERRY.
Both: MWAH.
- SO YOU LOOKING FORWARD
TO TONIGHT?
- YOU KNOW WHAT? I AM.
I'M LOOKING FORWARD TO SPENDING
SOME TIME WITH BRANDI.
- OH, YEAH, SHE'S REALLY SWEET.
- SHE SEEMS REALLY COOL.
- I LIKE HER.
- YOU KNOW, SHE AND I
HAVE BEEN THROUGH...
A VERY SIMILAR SITUATION.
BUT I'M A LITTLE APPREHENSIVE
ABOUT RUNNING
INTO TAYLOR AND LISA.
I WAS REALLY UPSET AT TAYLOR
FOR DRAGGING ME IN,
BUT YET I FEEL BAD FOR WHAT
SHE'S GOING THROUGH TOO.
I JUST FEEL BAD
ABOUT EVERYTHING.
I'M SORRY IF I HURT HER AT ALL.
I HATE DRAMA.
AND AFTER WHAT I'VE GONE THROUGH
IN THIS PAST YEAR,
I DON'T WANNA BE INVOLVED IN IT.
YOU KNOW, YOU REALLY WANT
YOUR FRIENDS TO BE BEHIND YOU
AND SUPPORT YOU... - YES!
- AND BE THERE FOR YOU.
- THAT'S WHAT YOUR FRIENDS ARE.
- AND YOU'VE BEEN THERE.
THANK YOU.
AND THANK YOU. THANK YOU.
- THAT'S 'CAUSE WE LOVE YOU,
AND WE WILL BE THERE.
- THANK YOU.
- I HAVE TERRIBLE ANXIETY.
I'M FEELING REALLY STRESSED OUT.
CAMILLE HAS TEXT ME
AND SAID SHE'S SORRY.
BUT I AM NOT READY
TO RECEIVE AN APOLOGY,
TO ACCEPT AN APOLOGY,
OR TO EVEN THINK
ABOUT SEEING HER AT THIS POINT.
COMING UP...
[voice breaking]
THAT PUTS MY DAUGHTER IN DANGER.
- I UNDERSTAND.
- HI, JOHN. HOW ARE YOU?
OH, MY GOD, SORRY.
I HAD MY DAUGHTER'S
OPEN HOUSE AT SCHOOL.
HI. - HI!
OH, MY GOD,
I LOVE YOUR HAIR LIKE THAT!
I'M SUPER JEALOUS.
YOU LOOK SO CUTE.
IF YOU'RE GONNA HAVE BACKUP,
IT'S ALWAYS GOOD
TO HAVE KYLE THERE,
BECAUSE SHE'S NOT GONNA LET
ANYONE WALK ALL OVER ME.
- YEAH, I MEAN, IT'S CUTE.
- WE'RE GONNA BE A LONG DRIVE.
- I KNOW WE ARE, SO I'M GLAD
YOU BROUGHT THE WINE.
OH, BOTTOMS UP!
- [laughing]
- I'M A LITTLE NERVOUS
ABOUT TONIGHT.
- ♪ I'VE GOT YOUR BACK ♪
- ♪ I GOT YOUR BACK ♪
- I FEEL LIKE WE SAY THAT A LOT
THESE DAYS.
WHOSE GOT YOUR BACK?
- I KNOW, BUT WHY DO
WE ALWAYS NEED TO HAVE...
- CHEERS. BOTTOMS UP.
- WHY DO WE ALWAYS NEED
TO HAVE EACH OTHER'S BACK?
- I KNOW WHY IS LIFE
SO DANGEROUS IN THE B.H.
THAT WE HAVE TO HAVE
EACH OTHER'S BACKS?
- I'M TELLING YOU.
- AND I'M JUST... YOU KNOW WHAT?
I'M KIND OF GROSSED OUT.
- I REALLY WANNA KNOW
THE FULL STORY
ABOUT THE ABUSE
WITH TAYLOR AND RUSSELL.
BUT I DON'T REALLY KNOW
HOW TO APPROACH IT
SINCE I SEE HOW ANGRY TAYLOR IS
WITH CAMILLE.
- DO YOU KNOW THAT FEELING
OR NOT?
- YEAH. NO.
- WHERE SOMEBODY HAS, LIKE...
- UH, YEAH.
- HURT YOU ENOUGH
THAT YOU'RE LIKE... YECH.
- I THINK THAT TAYLOR IS WORRIED
THAT RUSSELL WILL HURT HER
IF HE KNOWS WHAT CAMILLE SAID.
- I WAS DISAPPOINTED
THAT TAYLOR DRAGGED ME
INTO AN ARGUMENT... - YEAH.
- THAT... IT WASN'T MY ARGUMENT.
- NO.
- HONESTLY, I DON'T...
I'M NOT READY TO MAKE UP,
BECAUSE I'M HURT.
I'M SUPER HURT.
AND NORMALLY... YOU KNOW ME.
I'M LIKE,
"LET'S MAKE IT ALL BETTER.
PUT SOME ICING ON THE CAKE.
MAKE IT LOOK ALL PRETTY AGAIN."
BUT I DON'T FEEL THAT WAY.
- I THINK I'VE TEXT TAYLOR
FIVE TIMES
AND HAVEN'T HEARD BACK FROM HER.
NOTHING. - WHAT A BITCH.
I'M SORRY, THAT'S JUST RUDE.
GROW UP.
JUST...
THERE'S NOT EXCUSE FOR THAT.
- SO HOW ARE YOU GONNA HANDLE
THE CAMILLE SITUATION?
- YOU KNOW, I NORMALLY GO
INTO THESE THINGS, LIKE...
I JUST HAVE TO KIND OF FEEL IT.
THEN I REACT.
AND THAT DOESN'T ONLY WORK OUT
FOR ME REAL WELL,
'CAUSE I END UP
SAYING THINGS LIKE
"I'M ABOUT TO GO OKLAHOMA
ON YOUR ASS."
- NO DRAMA TONIGHT. PROMISE ME.
NO. - NO DRAMA.
- IF YOU SEE ANYTHING
GOING DOWN,
GRAB MY HAND,
YANK ME OUT OF THE ROOM.
- NO DRAMA, MAMA.
- WELL, I'M NOT GONNA LET YOU
HAVE ANY DRAMA.
THAT'S FOR SURE.
DOESN'T MEAN LIZ AND I
CAN'T HAVE A LITTLE SHOWDOWN.
- LET'S HAVE A CONVERSATION
ABOUT IT.
- WE'RE HERE!
- YEAH.
- OH! OR PUSH.
- IT'S OKAY. PUSH.
- OOH, THIS PLACE IS GREAT.
- OH, OH!
- HEY, HONEY, I WAS JUST
TALKING ABOUT YOU.
I WAS LIKE "OH, MY GOD."
- THIS ONE.
- NO! WE WERE JUST TALKING...
- HI, I'M JEN. NICE TO MEET YOU.
- HI!
- HI!
- NICE TO SEE YOU.
- THIS IS JASON.
- HI, JASON, HI.
- THIS IS CAMILLE.
- THIS IS...
THE LOCAL, RIGHT? IN MALIBU?
- THIS IS US, YEAH,
RIGHT UP THE ROAD.
GLASS OF CHARDONNAY?
- YES, PLEASE.
[gasps] [women cheering]
- NOW THE FUN JUST STARTED. HI.
- YOU'RE AMAZING.
- HI.
- HI, MAMA!
- THANK YOU, THANK YOU,
THANK YOU.
- THANK YOU SO MUCH FOR COMING.
- OH, MY GOSH.
THIS VIEW IS SPECTACULAR.
- RIGHT? AMAZING.
- GLASS OF WINE? WE HAVE
A WHOLE RUN ON THE REDS...
MERLOTS, CABERNETS,
A MERITAGE, OR A CHARDONNAY.
- CHARDONNAY IS FINE. THANK YOU.
THE SETTING
IS ABSOLUTELY MAGNIFICENT...
THE WINE, THE FOOD.
OOH, THIS LOOKS AWESOME.
WHERE IS THIS FROM?
- GINA, MY FRIEND.
- OH, NICE.
SHE'S A CATERER,
AND SHE'S AMAZING.
- I HAVE SOME AMAZING
THAI FOOD TOO.
I DIDN'T WANNA PUT IT OUT
UNTIL YOU LADIES ARE READY.
- AMAZING.
- IT WAS TASTEFULLY DONE.
- DID YOU MEET MY FRIENDS,
ADRIENNE?
- I DID.
- JENNIFER AND LINDA.
- YEAH, YEAH.
LINDA HAS, LIKE,
A SURPRISE FOR US LATER.
- I'M JUST GONNA TEACH YOU...
JUST SHOW A COUPLE
OF BELLY-DANCE MOVES.
- YOU ARE? OH, MY GOD!
- AND EVERYONE
IS A MUCH BETTER DANCER
WITH A COUPLE
OF GLASSES OF WINE.
- CHEERS!
- ABSOLUTELY.
- THANK YOU SO MUCH FOR COMING.
- WHAT DO I DO
IF CAMILLE APOLOGIZES TO ME?
WHAT DO I SAY? - JUST BE HONEST.
IT'S SO MUCH EASIER.
- YOU KNOW WHAT, KYLE?
EVERYBODY WANTS ME
TO SPEAK MY MIND.
AND NOW I'M CONFRONTING
EVERYONE.
TRUST ME, MY HUSBAND'S LIKE
"THIS JUST SUCKS.
IT WAS MUCH BETTER WHEN
YOU WERE, LIKE, A WALLFLOWER."
- NO, IT'S SO MUCH EASIER.
PEOPLE MAY THINK YOU'RE A BITCH
SOMETIMES IF YOU'RE HONEST.
BUT YOU KNOW WHAT?
IT'S WORTH IT. TRUST ME.
I'LL STICK WITH YOU, BABE.
WHATEVER HAPPENS,
WE'RE GONNA HAVE FUN.
IT'S OPEN. - OH!
- HI!
- HELLO!
- I CANNOT BELIEVE
I'M HERE BEFORE YOU.
- OH, MY GOD!
- YOU LOOK BEAUTIFUL.
- THANK YOU.
I JUST WENT
TO MY DAUGHTER'S OPEN HOUSE.
- WE'RE ALL DRUNK, AND YOU GUYS
ARE COMING TO DRINK.
- I DIDN'T KNOW
YOU WERE GONNA MAKE IT.
WE THOUGHT THAT YOU HAD
AN OPEN HOUSE.
- I KNOW, BUT I JUST CAME LATE.
- HI. I'M SORRY.
AW.
- I'M NOT FEELING IT
EMOTIONALLY WITH HER.
AND SO IT FEELS
REALLY AWKWARD AND FAKE.
- TAYLOR, WHAT ARE YOU DRINKING?
GIVE ME YOUR PURSE. I'M GONNA
PUT IT IN THE OTHER ROOM.
- I'LL HAVE WHAT YOU'RE HAVING.
- THIS IS JASON.
- HELLO.
- THAT WAS NICE.
[overlapping chatter]
- SHE HAS AN AMAZING, HOT...
SUPER-HOT HUSBAND WHO...
ADORES HER.
WHEN HE'S WITH HER,
HE'S LIKE THIS.
HE'S LIKE ALL OVER HER.
IT IS SO CUTE.
- WE'VE BEEN TOGETHER
A LONG TIME.
- HOW MANY YEARS?
- 17.
- THAT'S AWARD-WINNING IN LA.
- I KNOW. ARE YOU KIDDING ME?
- AWESOME. THAT'S BEAUTIFUL.
- IT MAKES ME A LITTLE JEALOUS.
- THANKS FOR THE COMPLIMENT,
BUT EASY
ON THE "HOT HUSBAND" TALK.
[hisses]
- CHEERS, CHEERS.
IT'S A WEDGE PARTY.
- SERIOUSLY, THAT'S WHAT IT IS.
- YOU KNOW, SOME PEOPLE
HAVE, LIKE, TOGA PARTIES.
WE HAVE WEDGE PARTIES.
- WELL, WAIT TILL LATER.
WE'RE GONNA HAVE BELLY DANCING.
- I'M GONNA BE DANCING TONIGHT.
- I KNOW HOW TO BELLY DANCE.
- THE HAIR STARTS TO WHIP.
- I'M GONNA BE DANCING TONIGHT.
- I KNOW HOW TO BELLY DANCE.
- OH, MY GOD.
NOTHING'S SUBTLE
AROUND THIS GROUP.
- NO. NOTHING'S SUBTLE
AROUND HERE.
- I WISH I HAD THAT BODY,
BUT I DON'T THINK
I WOULD WEAR THAT.
I'M JUST A LITTLE MORE
SELF-CONSCIOUS ABOUT MY...
TOP AREA.
- IT'S A WEDGE-BUT-NO-BRA PARTY.
[laughter]
- NIPPLES ARE IN THIS SEASON.
SO I'M SORRY.
- AND NO BRA.
- NIPPLES ARE IN THIS SEASON.
- BECAUSE OF THE CARPET.
- HI, LADIES.
- I MEAN, WHAT IS THIS,
SHOWGIRLS?
PUT ON A BRA.
- OKAY, KITTY CATS.
ONE OF MY BEST FRIENDS
IS GONNA COME OUT
AND TEACH US
A LITTLE BELLY DANCING.
IT'S NOT SUPER...
SLUTTY.
- WHAT IS WITH THE NIPPLES
SHOWING THE WHOLE TIME?
- LINDA, LINDA! COME ON OUT.
- [rolling tongue]
- WE'RE GONNA PUT
SOME LITTLE FUN THINGS ON.
- WE ARE?
- OKAY.
- EXCUSE ME! THIS IS WHAT I GET?
WE'RE NOT PLAYING
FAVORITES HERE!
I NEED BELLS... JINGLES.
- I HAVE THIS TOO.
I HAVE THIS ONE.
- WHAT ABOUT... WHOSE IS THIS?
- THIS? YOU WANT THIS ONE?
- YES!
YES, I WANT BELLS. THANK YOU.
- OH, THAT'S CUTE.
WHERE DOES THAT GO?
- ON YOUR ANKLE.
- THAT'S CUTE.
[Middle Eastern music]
- OKAY, HERE WE GO.
- OKAY.
LET'S DO A BASIC THING.
PUT YOUR...
THAT LITTLE LEG IN FRONT?
JUST WANNA DO A LITTLE TURN.
NOW, LET'S EVERYBODY DO
A LITTLE SHOULDER.
- [laughing] LOOK AT KYLE!
- UH-OH! [all screaming]
- DANCING WITH THE STARS.
- THAT WAS AWESOME!
- THAT'S WHY SHE'S MARRIED.
[all cheering]
- DO A LITTLE SPLIT.
[indistinct chatter, laughter]
- YOU CAN'T DO THAT!
- I THINK KYLE...
SHE'S PROBABLY USED TO HAVING
ATTENTION PUT ON HER.
SO SHE JUST DOESN'T WANNA
GIVE IT UP...
EVER...
EVER.
- LET'S MAKE IT HAPPEN.
- OH.
- YEAH, THEY'RE BOTHERING ME.
- WATCH BRANDI'S NIPPLE.
- WHAT HAPPENED?
- [laughs]
- KYLE!
- WELL, THEY WERE
ON HIGH BEAM ANYWAY.
- I THINK BRANDI KNOWS
WHAT SHE'S DOING.
I MEAN, IT'S ARABIC! - REALLY?
- YOU KNOW, I DON'T REALLY CARE
WHAT ANYONE HAS TO SAY
ABOUT WHAT I WEAR
OR WHAT I DON'T WEAR.
MY PARENTS ARE HIPPIES.
THERE'S JUST...
WE WERE ALWAYS NAKED.
- FIGURE EIGHT...
YEAH, LIKE, SHAPE THE EIGHT.
- MY PLAN TO AVOID CAMILLE IS
NOT WORKING OUT AT THIS POINT.
I THOUGHT THE PARTY
WAS GONNA BE A LOT BIGGER.
I THOUGHT THE HOUSE
WAS GONNA BE A LOT BIGGER.
AND WE'RE LIKE BUMPING
INTO EACH OTHER,
WITH EYE CONTACT
ALL OVER THE PLACE.
- I FEEL NO BETTER
ABOUT MYSELF AFTER THIS.
- WHERE'D TAYLOR GO?
I GOTTA GO DO A TAYLOR CHECK.
- WAIT, LOOK AT THIS. HOLD ON.
- TAY-TAY!
- OKAY, OKAY.
- ARE YOU GOOD?
- I'LL COME BACK IN.
I'M NOT.
TONIGHT'S BEEN FAR MORE
DIFFICULT THAN I IMAGINED.
I DO NOT THINK THAT PEOPLE
UNDERSTAND THE GRAVITY
OF THE SITUATION
THAT I'M DEALING WITH.
- ARE YOU OKAY?
- I'M FINE.
- I'LL HAVE ONE MORE GLASS
OF CHARDONNAY...
SINCE THIS GROUP DRIVES ME
TO DRINK.
I SWEAR TO GOD.
- IT DOES ME TOO.
- I SWEAR TO GOD.
- I'M HURT.
IN MY LIFE,
THERE ARE PEOPLE I TRUST,
AND THERE ARE PEOPLE
I DON'T TRUST.
THE PEOPLE I TRUST,
I DON'T WANT TO BE BETRAYED.
- I'M SORRY.
I JUST THINK THAT'S BULL[bleep].
- I AGREE.
- BECAUSE WE LOVE YOU, AND WE'RE
[bleep] SICK OF THIS [bleep].
- IT'S NOT WORTH IT.
IT'S NOT WORTH IT.
- IT'S NOT FAIR.
- I JUST WANNA SAY...
- TAYLOR MADE A SNIDE COMMENT.
I JUST THOUGHT, "OKAY, YOU KNOW,
I'M JUST TRYING TO REACH OUT
"AND EXTEND THE OLIVE BRANCH.
AND SHE'S JUST NOT READY
TO TAKE IT."
- BULL[bleep].
WE SHOULDN'T EVEN HAVE THIS.
- BE HONEST WITH YOUR FEELINGS.
IF YOU'RE UPSET WITH SOMEONE,
YOU SAY IT.
- YEAH, YOU JUST HAVE
A DISCUSSION.
- BECAUSE YOU KNOW WHAT?
IT'S OVER THEN...
ONE WAY OR THE OTHER.
- SO WE SHOULD HAVE HER BACK.
- NO.
STOP. COME ON.
I LOVE YOU, AND I LOVE HER.
I DON'T UNDERSTAND THIS.
- KEEP ME AWAY FROM THIS.
I CAN'T DO THIS. - COME ON.
SHE DIDN'T WANNA GET PUT
IN THE MIDDLE BETWEEN YOU GUYS.
- IT WAS ABOUT HER COMMENT
THAT SHE COULD HAVE SKIRTED.
BUT SHE BROUGHT UP
THE OTHER STUFF,
WHICH WAS NOT OKAY WITH ME.
- BECAUSE WE DON'T SAY
THAT HE BROKE YOUR JAW
OR THAT HE BEAT YOU UP
AND HE HIT YOU.
WE DON'T SAY THAT,
BUT NOW WE SAID IT.
- [voice breaking]
THAT PUTS MY DAUGHTER IN DANGER.
- I UNDERSTAND.
- AND I CAN'T GET PASSED THAT.
I HAVE DEFENDED HER...
WITH KELSEY AND HER DIVORCE
AND HER CHILD-CUSTODY ISSUES.
I HAVE DEFENDED HER TO THE HILT.
WHATEVER SHE SAID,
I'VE ALWAYS SAID, "YES."
- OKAY. ALL RIGHT.
SHE'S DEFENDED YOU TOO, OKAY?
- BUT NOT THIS TIME.
SHE WAS THE CATALYST
TO A LOT THAT WILL HAUNT ME,
THAT COULD HAVE HURT ME,
THAT CAN STILL HURT ME
VERY BADLY.
- IF THE THINGS THAT TAYLOR
IS SAYING
ABOUT HER MARRIAGE ARE TRUE,
NOW SHE'S BLAMING ME
FOR PUTTING HER IN DANGER?
THE ONLY PERSON THAT'S PUTTING
HER AND HER DAUGHTER IN DANGER
IS HERSELF.
- COMING UP...
- YOU HAVE NO IDEA
WHAT SHE'S DONE TO ME!
YOU HAVE NO IDEA WHAT SHE HAS...
NO, YOU DON'T!
- HEY, DARLING.
- HI, BABY.
- HI.
- WANT A GLASS OF THIS?
- LOVE IT.
- TOM, CAN I GET ANOTHER GLASS,
AT LEISURE?
HAVE THIS ONE. - PERFECT.
SO I WAS SUPPOSED TO BE
AT, UM, BRANDI'S TONIGHT.
- YEAH, I THOUGHT YOU WERE
GOING THERE TONIGHT.
- KYLE SAID THEY WERE HAVING
BLOW JOB CLASSES.
- BLOW JOB CLASSES?
- I'M TELLING YOU.
- WELL, MAYBE I SHOULD'VE GONE.
- SO THEY COULD PRACTICE ON YOU?
THANK YOU, NO.
NO, NO.
SO THAT WAS THE TONE
OF THE EVENING.
SO I DECIDED TO PASS.
- CAN'T IMAGINE THAT.
HAVING A BLOW JOB INSTRUCTOR.
I'VE NEVER HEARD THAT.
- WELL, I'VE NEVER HEARD OF IT.
I'VE NEVER NEEDED IT
EITHER, BABY.
- OKAY, LET'S GO AND EAT DINNER.
- OKAY.
- SO I CAN GET YOU HOME EARLY,
AND YOU CAN PROVE TO ME
WHY YOU DON'T NEED CLASSES.
- IT'S NOT YOUR BIRTHDAY, IS IT?
COME ON, LET'S GO.
- IT COULD BE MY BIRTHDAY.
- SOME THINGS NEVER CHANGE.
- SHE WAS THE CATALYST TO A LOT
THAT WILL HAUNT ME,
THAT COULD HAVE HURT ME,
THAT CAN STILL HURT ME
VERY BADLY.
- SHE WAS HYSTERICAL.
WHEN I SPOKE TO HER
ON THE PHONE,
I COULDN'T EVEN HEAR
WHAT SHE WAS SAYING.
- I'M STILL HYSTERICAL.
- OKAY, WELL, SO IS SHE.
DON'T DO THIS.
- ALL RIGHT, THEN HAVE HER...
APOLOGIZE TO ME,
'CAUSE IF SHE FIGHTS WITH ME,
I'LL WALK OUT RIGHT NOW.
- SHE'S NOT GONNA FIGHT
WITH YOU.
SHE DOESN'T WANNA FIGHT
WITH YOU.
SHE'S BEEN [bleep] CALLING ME
FOR DAYS.
SHE WANTS TO APOLOGIZE.
SHE WANTS YOU GUYS
TO WORK IT OUT.
- SHE'S NOT COOL.
- SHE GOT BACKED UP
AGAINST A WALL, TAYLOR.
YOU'VE BEEN BACKED UP
AGAINST A WALL TOO.
- SHE DID NOT.
OUTSIDE.
- TAYLOR!
THAT'S NOT THE WAY
TO CONDUCT A DISCUSSION.
- NO, I'M SAYING, "OUTSIDE."
- NO, BUT ASK NICELY, THOUGH.
- DON'T BRING YOUR FRIENDS.
- NO!
- NO, YOU'RE NOT
IN CHARGE OF HER.
- I'M NOT IN CHARGE WITH HER.
I KNOW I'M NOT IN CHARGE OF HER.
- OKAY, IF SHE WANTS
TO SPEAK TO ME,
SHE CAN ASK ME TO SPEAK TO ME.
- I REALIZE THAT.
- CAMILLE,
WOULD YOU LIKE TO SPEAK TO ME?
- BUT WHY DON'T YOU GUYS
JUST HAVE A CONVERSATION?
- YOU SAID, "OUTSIDE."
WHAT'S GOING ON? GO AHEAD.
- NO, IF YOU WOULD LIKE
TO SPEAK TO ME,
YOU CAN DO IT ON YOUR OWN TERMS.
YOU DON'T NEED YOUR FRIENDS
TO SPEAK FOR YOU.
- SHE DOESN'T NEED ME.
- I DIDN'T ASK THEM.
- SHE DIDN'T ASK ME.
- OKAY, THEN...
THEN WHEN YOU'RE READY...
- NO, NO, NO.
- WHEN YOU'RE READY
TO TALK TO ME...
- STOP!
- WHAT?
- CHILL OUT.
NO, YOU DON'T NEED
TO GO THERE EITHER.
YOU NEED TO HAVE
A CONVERSATION WITH HER.
[overlapping shouting]
- STOP!
STOP! - THIS IS RIDICULOUS.
- STOP! [overlapping shouting]
- STOP AND STOP. STOP!
WITH THE AMOUNT OF WINE
THAT HAS BEEN SERVED,
THINGS ARE GETTING
OUT OF CONTROL,
AND IT'S NOT HELPING.
- STOP. GO AHEAD.
- JUST DON'T SAY,
"YOU, OUTSIDE."
DON'T SAY THAT.
DON'T SAY, "YOU, OUTSIDE."
- NO MATTER WHAT WE SAY
TO TAYLOR,
SHE WAS KIND OF JUST...
ALREADY HAD MADE UP HER MIND,
AND I SAW HER SLOWLY GOING
OFF THE DEEP END.
- STOP, STOP, STOP, STOP.
NO, NO, NO, NO.
COME HERE! - NO!
- YES! GO, GO! TAYLOR! TAYLOR!
YOU HAVE TO TALK TO HER.
I KNOW THIS COULD EASILY
BE CLEARED UP
HAD THEY HAD
THE OPPORTUNITY TO TALK
AWAY FROM EVERYBODY ELSE.
- JUST DON'T FALL OVER THE EDGE.
I DON'T FEEL
LIKE SOMEBODY DYING.
- NO! TAYLOR! THAT'S NOT FUNNY.
- OH, MY GOD.
- THAT'S NOT FUNNY.
- TALK TO HER.
- TAYLOR, LISTEN TO ME.
I CARE ABOUT YOU.
- BABE, BABE, BABE.
OKAY, OKAY, ALL RIGHT.
- I CARE ABOUT BOTH OF YOU.
[overlapping shouting]
- GET AWAY FROM THE WALL.
- TAYLOR, TAYLOR, TAYLOR.
- YOU'RE NOT STANDING
NEAR THE WALL
WHERE WE COULD FALL
IN THE OCEAN, FOR GOD SAKES.
- I HATE DRAMA.
- LOOK AT THIS BIG, WIDE OCEAN.
THIS OCEAN'S GONNA BE HERE
LONG AFTER WE'RE ALL GONE.
- I'M NOT ANGRY. I'M NOT ANGRY.
- AND EVERYBODY'S TRYING
TO CALM TAYLOR DOWN,
AND IT SEEMS LIKE
IT JUST IRRITATED HER MORE.
- LIFE IS SO SHORT.
LET'S DON'T SWEAT
THE SMALL STUFF.
- THAT'S WHAT I'M TRYING TO SAY.
THAT'S WHAT I WAS TRYING TO SAY.
- EVERYBODY MAKES MISTAKES.
- PLEASE STOP.
STOP, STOP, STOP.
- I'M JUST SAYING.
- STOP, STOP.
- YOU DON'T NEED TO.
- SHE'S GOT IT.
- OKAY, OKAY, OKAY.
- COME HERE.
- COME ON, YOU GUYS.
- HONEY.
- REALLY, LIFE IS SHORT.
- I WANNA TALK TO HER ALONE!
I JUST DON'T WANT
ALL THESE PEOPLE AROUND US.
- YOU WANT US TO LEAVE?
LET'S LEAVE YOU ALONE.
- GO TALK TO HER ALONE!
- I'M [bleep] SICK OF IT.
I WATCHED MY FRIEND
FOR A YEAR AND HALF,
GOING THROUGH SO MUCH [bleep].
BE HER FRIEND.
YOU BE EACH OTHER'S FRIENDS.
- I HAVE BEEN HER FRIEND!
I HAVE NEVER HURT HER!
- YOU DON'T EVEN TAKE
HER PHONE CALLS?
IT'S [bleep] UP! I'M SORRY!
- SHE HAS HURT ME SO MUCH.
YOU HAVE NO IDEA
WHAT SHE'S DONE TO ME!
YOU HAVE NO IDEA WHAT SHE HAS...
NO, YOU DON'T! NO, YOU DON'T!
- I DO KNOW.
- NO, YOU DON'T!
- I DO KNOW.
YES, I DO KNOW, TAYLOR.
BECAUSE I... - NO, YOU DON'T!
YOU DON'T HAVE ANY IDEA
WHAT SHE'S DONE TO ME!
NO, YOU DON'T!
SHE HAS NO IDEA
WHAT I'VE BEEN THROUGH!
YOU HAVE NO IDEA!
- STOP, STOP, STOP, STOP!
- AND NEITHER DO YOU BECAUSE...
- OKAY, NO, DON'T COVER
HER MOUTH, THOUGH.
DON'T COVER HER MOUTH.
- TAYLOR... I DIDN'T KNOW WHAT
WAS GONNA COME OUT OF HER MOUTH.
I DIDN'T WANT HER TO SAY
SOMETHING THAT SHE MIGHT REGRET.
DON'T... - IT'S NOT FAIR!
- ALL OF US HAVE PROBLEMS...
ALL OF US!
- I KNOW! BUT I DON'T NEED
CAMILLE'S FRIENDS...
- I KNOW. OKAY.
- COMBATING ME!
- THEN TALK TO CAMILLE.
- IT'S NOT FAIR!
- THEN TALK TO CAMILLE.
- IT'S NOT A COMBAT
UNLESS YOU ENGAGE.
- I WILL TALK TO CAMILLE,
BUT GET HER OVER HERE,
BECAUSE IT'S NOT FAIR!
- I DON'T KNOW WHAT
THEY WERE FIGHTING ABOUT,
BUT IF SHE WASN'T THERE,
THIS WOULDN'T BE HAPPENING.
AND I JUST WANTED IT TO BE DONE.
TAYLOR, I'M GONNA ASK YOU
TO LEAVE MY HOUSE.
YOU SHOULD GO. YOU SHOULD GO.
- AND [bleep] YOU, BRANDI!
- [bleep] YOU!
- EXCUSE ME.
[overlapping shouting]
- NO, YOU CANNOT START A FIGHT
IN THIS HOUSE.
- DON'T YOU EVER TOUCH ME
LIKE THAT AGAIN, OKAY?
- REALLY?
- YOU'LL BE SORRY, OKAY?
- SHE WENT LIKE THIS.
AND SHE WENT LIKE...
LIKE, SHE...
KYLE TOUCHED ME FIRST.
GET THE [bleep] OUT!
-
WE'RE LEAVING. WE'RE LEAVING.
- AT THIS POINT,
THERE'S NO TALKING TO TAYLOR.
MY CONCERN IS JUST GETTING
HER HOME AND GETTING HER SAFE.
TAYLOR...
STOP, HONEY.
- BUT SHE'S NOT OUT HERE.
- NOT NOW.
- WE HAVE TO GET TAYLOR'S STUFF.
I'M GOING TO GET TAYLOR'S STUFF.
- 'CAUSE SHE'S GONNA REALLY...
LOOK AT ME.
SERIOUSLY.
NOW IT'S ABOUT MORE THAN THAT.
- YOU GUYS ARE ALL
EMBARRASSING YOURSELVES
BY BEING OUT OF CONTROL.
WE ARE AN EVOLVED SPECIES.
- HONEY, WHERE'S YOUR BAG?
- I HAVE MY BAG.
- WE NEED TO FIND YOUR WRAP.
WE NEED TO FIND YOUR WRAP.
- I DON'T NEED MY WRAP.
- IT'S JUST BULL[bleep].
AND SHE'S GONNA PUT ALL THIS
[bleep] ON YOU.
AND SHE'S OUT THERE BEING THE
VICTIM, AND IT'S BULL[bleep].
YOU BEEN THROUGH ENOUGH HELL.
I SAT IN YOUR BATHROOM TODAY.
I HEARD WHAT YOU SAID.
- I KNOW.
- I AM NOT GONNA LET IT
HAPPEN TO YOU THIS YEAR.
I AM NOT. - I KNOW, THANK YOU.
- I LOVE YOU!
AND YOU HAVE TO [bleep] KNOW
THAT I LOVE YOU.
- I KNOW YOU LOVE ME, DEDE.
I KNOW YOU LOVE ME.
- LET'S GO.
LET'S GET OUT OF HERE.
THIS IS RIDICULOUS.
THIS IS RIDICULOUS.
- TAYLOR.
- GET IN THE CAR.
I'M DONE, FINISHED.
- COMING UP...
WHAT'S BOTHERING YOU, HONEY?
- [sobbing]
- DON'T DO THIS.
DON'T DO THIS.
- I DON'T KNOW WHAT HAPPENED.
- DO YOU WANNA LEAVE?
MM-HMM.
- CAMILLE'S TRIED TO MAKE THINGS
BETTER WITH TAYLOR,
BUT AT THIS POINT, THERE'S
NOT REALLY MUCH SHE CAN DO.
IT'S REALLY NOT ABOUT HER.
- I'M SO OVER IT,
I HAVE TO TELL YOU.
- THAT'S A REALLY UNCOMFORTABLE
POSITION TO BE IN.
- I'M SO SORRY
THIS ALL HAPPENED.
- IT'S OKAY.
I FELT BAD FOR BRANDI.
BUT AT SOME POINT, I THOUGHT
IT WAS JUST BETTER TO LEAVE.
- WOW.
ARE YOU KIDDING ME?
- THIS WAS SUPPOSED TO BE
MY NIGHT
TO SHOW THE WOMEN
THAT I COULD HAVE FUN,
AND THERE WOULDN'T HAVE TO BE
ANY DRAMA.
AND IT'S A DISASTER.
I JUST WANTED TO TRY TO FIT IN.
- HONEY, YOU JUST BE YOU.
STOP TRYING TO FIT IN.
- THAT WAS A NIGHTMARE.
- CAN I HAVE A LIGHT?
- I DON'T HAVE A LIGHTER.
I DON'T SMOKE.
- CAN I PLEASE GET A LIGHTER?
I NEED A CIGARETTE.
- I KNOW, BUT HOLD ON.
COVER YOURSELF UP.
YOU NEED TO FIND... - PULL OVER.
STOP! PULL OVER! - SHH. RELAX.
RELAX. - I CAN'T RELAX.
I'M SO STRESSED OUT.
- I KNOW, BUT YOU HAVE
TO TRY TO RELAX.
YOU'RE GONNA HAVE
A NERVOUS BREAKDOWN.
I'M WORRIED ABOUT TAYLOR'S
WELL-BEING.
I'M WORRIED ABOUT HER STATE
OF MIND RIGHT NOW.
YEAH.
OH, MY GOD, TAYLOR,
THAT'S, LIKE, GONNA LIGHT
THE WHOLE CAR ON FIRE.
- NO, IT'S NOT.
- I HAVE NEVER SEEN HER
LIKE THIS BEFORE.
- I CAN'T FORGIVE CAMILLE.
- LISTEN TO ME.
YOU NEED TO TALK WITH CAMILLE
WHEN THERE'S NOT
A MILLION PEOPLE AROUND.
- I GET SO WORN OUT.
- WHAT'S BOTHERING YOU, HONEY?
IS IT JUST THIS?
- [sobbing]
- DON'T DO THIS. DON'T DO THIS.
I DON'T THINK
THAT TAYLOR'S BREAKDOWN
HAD ANYTHING TO DO
WITH WHAT HAPPENED IN MALIBU.
I REALLY BELIEVE THIS IS WHAT'S
GOING ON IN HER PERSONAL LIFE,
AND OBVIOUSLY IT'S A LOT WORSE
THAN WE REALIZE.
- [sobbing]
- SHH, SHH, SHH, SHH.
OBVIOUSLY THERE'S OTHER STUFF
BOTHERING YOU.
THIS IS NOT THAT.
THIS IS SO UNIMPORTANT
IN THE WHOLE SCHEME OF THINGS.
IT REALLY IS. - [sobbing]
- IT'S SO RIDICULOUS.
AW.
I THINK SHE'S REALIZING NOW
THE SEVERITY OF HER SITUATION.
THIS GIRL NEEDS HELP.
- I CAN'T LIVE MY LIFE
LIKE THIS, KYLE.
- NEXT ON THE REAL HOUSEWIVES
OF BEVERLY HILLS...
- WHOO-HOO-HOO!
- HEY, VEGAS!
- VEGAS, BABY. [women cheering]
- GOOD JOB!
- LISA CHOOSING NOT TO STAY
AT THE PALMS
REALLY SPOKE VOLUMES.
[crowd cheering]
- WHOO!
- NOT SOMETHING I CHOSE
TO DO WITH HIM
AND I LOSE MY KIDS.
[sobbing]
- I'VE LET PEOPLE WALK
ALL OVER ME,
AND I'M NOT LETTING IT HAPPEN
ANYMORE.
- TO ME, THIS LOOKS LIKE
A CRY FOR HELP.
- TO LEARN MORE
ABOUT THE HOUSEWIVES,
HOUSEWIVES OF BEVERLY HILLS...
- WE WANNA SEE THE SHOES!
- I KNOW.
- WE WANNA SEE THE SHOES,
WE WANNA SEE THE SHOES.
[all gasping]
- WHEN YOU RECEIVE BOX
LIKE THAT, INSTANT SURPRISE
AND GRAND WEDDING.
- IT'S NOT A GRAND WEDDING.
IT'S GONNA BE ROMANTIC.
- AND GRAND.
- SO I THOUGHT I WOULD HAVE
THE GIRLS OVER
TO MY FRIEND'S HOUSE IN MALIBU.
THIS LADY... SHE COMES
AND SHE TEACHES YOU
HOW TO, LIKE, DO BJs AND STUFF.
- BECAUSE WE DON'T SAY
THAT HE BROKE YOUR JAW
OR THAT HE...
- THREW YOU IN THE BATH.
- BEAT YOU UP.
AND HE HIT YOU.
WE DON'T SAY THAT,
BUT NOW WE SAID IT.
YOU HAVE TO BE HONEST.
YOU NEED TO BE HONEST.
- AND CAMILLE, IF SHE SHOWED UP,
SHE WOULD BE SHOVELING [bleep]
AS FAR AS I'M CONCERNED.
- LIFE IN BEVERLY HILLS
IS A GAME,
AND I MAKE THE RULES.
- I'M NOT THE RICHEST GIRL
IN BEVERLY HILLS,
BUT I AM THE LUCKIEST.
- PEOPLE TRY TO FIGURE ME OUT,
BUT I'M ONE OF A KIND.
- I FINALLY FOUND MY VOICE,
AND I'M NOT AFRAID TO USE IT.
- HAVING IT ALL IS EASY,
IF YOU'RE WILLING TO WORK
FOR IT.
- DIAMONDS
AREN'T A GIRL'S BEST FRIEND.
FREEDOM IS.
- I HOPE SHE LOVES IT.
SHE HAS SUCH OVER-THE-TOP TASTE.
THIS IS BEVERLY HILLS.
HAS TO BE OVER THE TOP.
Both: OH!
- THAT'S SO CUTE.
- HELLO!
- HELLO, DARLING.
- MWAH. I KNOW.
- OH, STOP IT.
- OH! MWAH.
- OH, THIS LOOKS BEAUTIFUL.
- ISN'T THIS SO MUCH FUN?
IS THIS GLAMOROUS? YEAH.
- KEVIN HAS GOT THREE TABLES
FOR US TO MAKE
THE FINAL CHOICES.
AND I HOPE AT LEAST ONE OF THEM
WILL BE WHAT WE WANT.
OH, THIS IS SO SWEET.
- THIS IS A KING ARTHUR TABLE...
VERY ENGLISH.
LOOK AT THIS... PEWTER GOBLETS.
LOOK AT THAT.
CAN YOU BELIEVE THIS?
- OH, I SEE.
NO, I'M NOT FEELING THE PEWTER.
- OH, YOU'RE NOT INTO IT.
IT'S SO ENGLISH, THOUGH.
- YEAH, BUT THAT'S
WHY WE MOVED HERE...
TO GET AWAY... [laughter]
BUT I LOVE THAT SEXY PINK
IN THE MIDDLE.
CAN'T WE JUST HAVE
THE HEAD TABLE LIKE THIS?
- ABSOLUTELY.
- I LOVE THAT ROUND THERE
LIKE THAT.
- IT'S YOUR DAY, YOUR WEDDING.
- I LOVE THE... HANGING OVER
THE FAMILY TABLE,
LIKE THE MAIN TABLE. - I DO TOO.
AND THERE I HAVE BEEN
DOUBTING YOU.
- I KNOW.
- THIS IS FABULOUS.
KEVIN HAS BEEN
A LITTLE FRUSTRATING TO ME...
AND HIS ATTITUDE.
BUT I KNOW HIM TO BE THE BEST.
SO I REST ASSURED
THAT HE WILL DELIVER.
- HOW DO YOU FEEL ABOUT THIS?
- IS IT GORGEOUS?
- NO, I PREFER THAT PLATE.
OH, GOD, I KNOW
IT'S NOT MY CHOICE.
IS IT MY CHOICE?
- IT IS NOT YOUR CHOICE.
- IT'S A LITTLE BIT YOUR CHOICE.
IT'S MY CHOICE?
- IT'S MY CHOICE.
- WHOSE CHOICE IS IT?
- PROBABLY KEVIN'S CHOICE.
- OKAY.
WE WANT SOMETHING
THAT'S ABSOLUTELY EXQUISITE,
CRYSTALLY WHITE AND PINK.
PINK'S ALWAYS BEEN PANDORA'S
FAVORITE COLOR, AS IS MINE.
OH, I LOVE THAT, THOUGH.
- ISN'T THAT GORGEOUS?
- HOW DO YOU DO THAT?
- ISN'T THAT A GORGEOUS VASE?
- OH, I LOVE THAT.
- BLING-BLING-BLING.
OF COURSE.
YOU LOVE THAT BLING-BLING LOOK.
- I PREFER THIS.
- ISN'T THAT GORGEOUS?
- I LOOK AT THESE THREE TABLES,
AND I KNOW IF I TAKE A BIT
FROM HERE AND A BIT FROM HERE
AND PUT IT ALL TOGETHER
AND THEN CUT THE BUDGET IN HALF,
WE'LL HAVE EXACTLY WHAT WE WANT.
- I LOVE THE PINK NAPKINS
AND THE PINK TABLECLOTH.
- YOU DO?
- I LOVE THAT.
- VERSUS WHITE?
- MAYBE.
- WHITE IS
MORE CRISPIER, THOUGH.
- BUT THIS IS SO WARM AND SEXY.
- THAT'S WHY I BROUGHT
GOLD SETTINGS... JUST FOR THAT.
- I'M NOT A GOLD PERSON.
- YOU'RE NOT?
- COULD WE TRY THE PINK NAPKIN
ON THE WHITE?
- OF COURSE. LET'S DO THAT.
- 'CAUSE I WANT IT WARMER.
- I LIKE THAT.
THAT'S IT.
YEAH, THAT'S WHAT I WANT.
- GREAT!
- IT'S THE BEST THING
I'VE EVER SEEN.
- WONDERFUL.
- I WANNA GET MARRIED AGAIN.
- AH!
- PANDORA'S GOING TO HAVE
THE WEDDING, I THINK, THAT...
I WOULD'VE LOVED.
BUT WEREN'T YOU GONNA DO FLOWERS
ON THE CEILING OR SOMETHING?
- OF COURSE.
- HOW DO YOU DO THAT?
- JUST LEAVE IT UP TO ME,
DARLING.
THIS IS A MILLION-DOLLAR
WEDDING.
I CAN DO ANYTHING FOR YOU.
- YOU'VE GOTTA STOP SAYING THAT.
- [laughing] NOT.
I'M GONNA MAKE IT REAL.
- YOU'RE GONNA GET A
MILLION-DOLLAR FOOT UP YOUR ASS.
- OOH! [laughter]
- OH, MY GOSH.
- GO AHEAD AND HAVE A SEAT.
- THANK YOU.
- OF COURSE.
AND DR. NASSIF WILL BE RIGHT IN
TO SEE YOU.
- THANK YOU SO MUCH.
- WHAT IS THIS?
- OH, THAT'S
SO HE CAN SEE BETTER.
- IS IT A LIGHT OR A CA...
- IT'S A LIGHT.
- OH, I THOUGHT I COULD LOOK
THROUGH SOMETHING.
- HELLO, HELLO!
- SHE'S PLAYING
WITH YOUR LITTLE...
- BUTTERCUP.
- HEY!
- HOW ARE YOU?
- HOW ARE YOU?
- YOU WANNA WEAR THAT?
- I WAS PLAYING WITH IT.
I THOUGHT IT WAS A CAMERA.
- HOW ARE YOU DOING?
ARE YOU... HOLD ON.
ARE YOU DOING "AMAZING,"
AS MAURICIO WOULD SAY?
- I'M DOING AMAZINGLY GOOD.
- IT'S BEEN SIX WEEKS
SINCE ESTELLA HAD HER SURGERY,
AND SHE ALREADY LOOKS FANTASTIC.
TODAY IS HER FINAL CHECKUP
WITH PAUL.
- SO HOW DO I LOOK, DR. PAUL?
- WELL, LET ME EXAMINE YOU.
FIRST OF ALL, HOW DO YOU FEEL?
FIRST OF ALL, THE FRONT...
YOUR FACE LOOKS VERY,
VERY NATURAL FROM THE FRONT.
- YES.
- THAT'S, LIKE,
THE MOST IMPORTANT THING.
- I LOVE THAT MY EXPRESSION
DID NOT CHANGE.
- CAN YOU TURN YOUR HEAD
THAT WAY?
- I STILL DON'T FEEL
A LITTLE BIT ON THE SIDE,
BUT I GUESS... YOU EXPLAINED
TO ME THAT'S NATURAL.
- WHO CARES? YOU LOOK GOOD.
[laughing]
- THREE TO FOUR MONTHS.
- THREE TO FOUR MONTHS, OKAY.
- TURN YOUR HEAD THAT WAY.
THE INCISIONS ARE... - AMAZING.
- GOOD. CAN YOU TURN THIS WAY?
JUST A LITTLE BIT THERE.
- SHE NEED
A LITTLE FILLER THERE?
- NO, THIS IS...
- ON THIS SIDE.
ON THIS SIDE. THAT BOTHERS ME.
- YOU COULD GET SOME FILLER
IN HERE, IF YOU WANT.
- A LITTLE FILLER THERE
TO FILL THAT LITTLE...
I THINK IF SOMEBODY WANTS
TO HAVE PLASTIC SURGERY,
THAT'S THEIR PERSONAL CHOICE.
PERSONALLY, I WISH THAT
EVERYBODY WOULD DROP THE BOTOX,
DROP THE FILLERS, AND JUST...
LET'S ALL FIGHT FAIR.
THIS IS WHAT WE GOT.
- OKAY, DON'T LOOK.
- KYLE, YOU'RE NOT WATCHING.
- I'M NOT LOOKING, NO.
- ALMOST DONE.
- THIS IS AN OPPORTUNITY FOR YOU
TO OVERCOME NEEDLE PHOBIA.
- I DON'T... NO.
I'M GOOD, THANKS.
- I HAVE A LITTLE EXTRA IN HERE.
YOU WANT ME TO USE IT
ON YOU, KYLE?
- NO!
I'LL NEVER SAY NEVER
WITH PLASTIC SURGERY.
- YOU SHOULD TRY IT ONE TIME.
LIKE, RIGHT NOW WHILE
YOU'RE TALKING TO ME,
YOU HAVE A FEW LITTLE CREASES.
THEN AS YOU GET OLDER, THE MORE
AND MORE IT KEEPS DOING IT,
IT'LL START GETTING DEEPER
AND IMPRINT IN THE SKIN MORE.
SO, IF YOU WERE GONNA DO IT,
NOW WOULD BE THE TIME TO DO IT.
- I'D RATHER JUST TAKE CARE
OF MY SKIN REALLY WELL
AND HOPE THAT I DON'T HAVE
TO DO THAT.
BUT IF IT'S LIKE HANGING DOWN
TO THE GROUND,
I'M NOT GONNA WALK AROUND
LIKE A IDIOT.
- DO IT TO KYLE.
I'LL HOLD YOUR HAND.
- LISTEN TO THIS... BOTOX PUSHER.
- KYLE... [laughter]
- HELLO, PRETTY LADY!
- HEY!
- HOW ARE YOU?
- GOOD TO SEE YOU.
YOU LOOK GORGEOUS.
- YOU DO, TOO, AS ALWAYS.
- OH, MY GOSH.
- HOW ARE YOU?
- BUSY.
- YEAH?
- YEAH, YOU KNOW, SAME STORY.
- THAT'S GOOD.
- I KNOW.
- BUSY! I CAN'T WAIT
TO GET THIS BOOT OFF.
I GOT THOSE SHOES YOU SENT OVER.
- DID YOU LIKE THE SHOES? YEAH.
MAYBE IT'LL BE
THE FIRST PAIR YOU WEAR
WHEN YOU GET YOUR BOOT OFF.
- FOR SURE.
THEY'RE AMAZING, BY THE WAY.
THANK YOU SO MUCH.
- HI, LADIES.
HOW YOU DOING THIS EVENING?
- HI. HOW ARE YOU?
- DOING GOOD.
DO YOU WANNA ORDER ANY...
ANY FOOD?
- I THINK WE'RE GONNA TRY
THE GRILLED PIZZA.
BUT CAN YOU CUT IT UP?
- LIKE BITE SIZE?
- YEAH.
- LIKE BITE SIZE.
- YEAH, ABSOLUTELY.
- LADYLIKE-SIZE PIECES.
- YES, YES.
- DO YOU WANT ANYTHING ELSE?
- I THINK THAT'S GOOD.
I THINK THAT'S GOOD.
- OKAY, GREAT.
- THANKS.
- YOU'RE WELCOME.
- I WAS THINKING...
BECAUSE YOU HAD, YOU KNOW,
THE BARBECUE...
- YEAH.
- KYLE INVITED ME TO THE SEANCE,
WHICH WAS REALLY SWEET.
I FEEL LIKE IT'S MY TURN
TO KIND OF HOST SOMETHING
FOR YOU LADIES.
- IT THINK IT'S A GREAT IDEA.
WHAT DO YOU HAVE IN MIND?
- I WAS THINK... I JUST MOVED
A COUPLE MONTHS AGO,
SO MY HOUSE IS A DISASTER.
BUT MY FRIEND
HAS THIS AMAZING HOUSE...
- UH-HUH.
- IN MALIBU.
IT'S RIGHT ON THE WATER.
- OH, BEAUTIFUL.
- YEAH. I WAS THINK MAYBE DO,
LIKE, A LITTLE
WINE TASTING THERE,
AND I WAS THINKING MAYBE,
LIKE, BELLY DANCER.
- A BELLY DANCER
WOULD BE FUN, ACTUALLY.
- ONE OF MY GIRLFRIENDS DOES IT.
- GREAT WORKOUT.
- AND IT'LL BE FUN.
- AND THAT'S SOMETHING
DIFFERENT.
OH, THANK YOU. THANK YOU.
SO DO YOU HAVE SOMEBODY, UM...
- A CATERER?
I DO. MY GIRLFRIEND'S A CATERER.
AND SHE'S ALWAYS
DONE MY DINNER PARTIES.
AND SHE'LL DO IT FOR ME
IN A SECOND.
- ARE YOU INVITING
TAYLOR AND CAMILLE?
- YES.
- OH.
CAMILLE AND TAYLOR...
YOU KNOW, AFTER THE TEA,
THERE'S PROBABLY
A LITTLE FRICTION.
- THEY SEEMED OKAY
AT YOUR FASHION SHOW,
WHICH WAS AMAZING, BY THE WAY.
- AND THEY GOT ALONG WELL THERE.
- YEAH, THEY WERE FINE.
- THEY WERE FINE.
HI!
- I DIDN'T KNOW
YOU WERE IN THERE.
ANYWAY, WE'RE GONNA TALK LATER.
- YES.
- NOT TONIGHT.
- OKAY.
- TAYLOR AND CAMILLE TOGETHER...
IS GOING TO BE
A INTERESTING NIGHT.
- IT'S GONNA BE FUN!
- YEAH.
I'M LOOKING FORWARD TO IT.
- DON'T BE LATE.
- I WON'T. [both laugh]
- THIS IS REALLY GARLICKY.
THANK GOD I'M NOT MAKING OUT
WITH ANYONE TONIGHT.
ARE YOU?
- THANK GOD
IT'S ONLY MY HUSBAND.
[laughs]
- COMING UP...
- HI, LADIES.
- IT'S A WEDGE-BUT-NO-BRA PARTY.
[laughter]
- JUSTIN!
YOU KNOW HOW TO MAKE MARGARITAS?
- YEAH.
- CAN YOU HELP?
THIS IS NOT LOOKING GOOD AT ALL.
I FORGOT TO GET SO MUCH STUFF.
I'M SO OVERWHELMED.
- WHO'S COMING TONIGHT?
- FAYE IS COMING... CHRIS,
ROBERT, AND ARTURO,
ALL THE MEXICANS,
BECAUSE IT'S...
- NICE.
- CINCO DE MAYO.
IT'S THE MEXICAN CROWD TONIGHT.
MAURICIO IS REALLY PROUD
OF BEING MEXICAN.
SO WE ALWAYS HAVE TO HAVE OUR
FRIENDS OVER ON CINCO DE MAYO.
THIS LOOKS REALLY BAD.
- THAT'S SO GOOD.
- MAYBE IF I SPREAD IT AROUND.
- ARE THOSE CHEETOS?
- THEY'RE CARROTS.
- I CAN'T SEE.
- THESE ARE CARROTS, CARROTS.
- I'M BLIND.
- NO BIEN.
HOW DO I OPEN THIS
SO THAT I CAN OPEN IT?
- TURN IT AROUND.
- YEAH, WHY DON'T WE TURN 'EM
ALL AROUND?
HONEY?
- WHAT'S UP?
- I MEAN...
WHAT ARE YOU WEARING?
- YOU DON'T LIKE IT?
- WELL...
- THEY'RE
MY DOLCE & GABBANA PANTS.
- NO. NOT REALLY.
I DON'T LIKE THE BLACK SHOES
WITH THAT AND THAT.
HONEY.
YOU HAVE TO CHANGE.
IT LOOKS SCARY.
USUALLY MAURICIO PUTS TOGETHER
THE CLOTHES
THAT I HAVE PURCHASED
PRETTY WELL.
BUT APPARENTLY I'M GONNA HAVE
TO START LAYING OUT HIS CLOTHES
LIKE I DO PORTIA'S.
I DON'T THINK WE CAN FIT
THREE PEOPLE UP HERE.
WE MIGHT HAVE TO SWITCH
BACK TO TWO.
JUSTIN, CAN YOU GET ME
AN EXTRA CHAIR?
DOES THIS LOOK BETTER
LIKE THAT OR LIKE THAT?
ISN'T THAT GORGEOUS? - GORGEOUS.
- I LOVE THAT.
I HAVE NO IDEA WHAT I'M DOING.
JUSTIN, WHERE DO WE HAVE
THE VOTIVE CANDLES?
- HOW'S MY SHOES?
- BROWN AND BROWN? THAT'S GOOD!
THAT'S A GOOD LOOK.
- SO IT WAS JUST A BROWN THING.
IT WAS A SHOE THING. - IT WAS...
SO THIS IS THE SAME PANTS?
- YEAH.
- WELL, THAT'S
MUCH BETTER, HONEY.
- AH, SEE?
- YOU PULLED IT TOGETHER.
- [laughing]
- HELLO.
- HI! HOW ARE YOU?
- TONIGHT IS ALSO
THE FIRST NIGHT
THE FAMILY IS SEEING
MY MOTHER-IN-LAW, ESTELLA,
SINCE SHE'S HAD HER FACE-LIFT.
ARE YOU SO EXCITED?
DO YOU SEE HOW PRETTY? PORTIA...
- PORTIA!
- LOOK AT YOUR GRANDMA.
LOOK HOW PRETTY SHE LOOKS.
- LOOK AT ME NOW!
- SHE'S BACK.
- BACK.
- THE DAY IT HAPPENED,
SHE GOT SUCH A REACTION...
- YES.
- BECAUSE OF ME.
ARE YOU OKAY? - [moans]
- ALL RIGHT, THUMBS UP, MAN.
- I DON'T KNOW
WHAT'S FREAKING ME OUT.
- WHAT IF IT'S ON THE CAMERA?
- NO, I DON'T EVEN KNOW.
I DON'T KNOW WHY
I'M REACTING LIKE THIS.
I REALLY DON'T.
- WHAT I LIKE IS THAT
I LOOK AT MYSELF...
AND I DON'T NOTICE A DIFFERENCE.
- IT'S NOT LIKE YOU LOOK
LIKE A DIFFERENT PERSON.
- EXACTLY.
- THAT'S A VERY,
VERY IMPORTANT SIGN.
- SO WHAT'S EVERYTHING
THAT YOU DID DO?
- IT WAS ALMOST NINE HOURS.
- NINE HOURS OF SURGERY?
- OH, EIGHT AND A HALF.
- OH, MY GOD.
- YEAH.
- WORTH EVERY MINUTE, RIGHT?
- YEAH.
- WORTH EVERY MINUTE.
- LISTEN TO FAYE.
- WORTH EVERY MINUTE?
YOU KNOW WHAT? I AGREE WITH YOU!
- ABSOLUTELY.
- ALL RIGHT.
- WHATEVER IT TAKES.
- ONLY IN BEVERLY HILLS
CAN YOUR MOTHER-IN-LAW LOOK
YOUNGER THAN YOU.
[laughter]
ADRIENNE'S HUSBAND
DID HER FACE...
PAUL NASSIF.
- MY MOM USED TO LAUGH
THAT NONE OF HER FRIENDS
COULD MOVE THEIR NECK.
SO THEY'D BE AT A DINNER PARTY,
THEY'D BE LIKE THIS.
[stiffly] "HELLO, HOW ARE YOU?
"SO WHAT'S GOING ON
WITH YOU GUYS?
WAIT, WHAT WAS THAT?
WHAT DID YOU SAY?"
ESTELLA, CAN YOU TURN YOUR HEAD
LEFT TO RIGHT?
- LEFT OR RIGHT?
- YEAH.
LOOK, THE WHOLE BODY GOES.
HA HA HA HA!
YOU ARE NOW OFFICIALLY
A BEVERLY HILLS WOMAN.
- YOU GUYS, I JUST WANNA SAY
HAPPY CINCO DE MAYO.
THE BEST TO EVERYBODY.
IT'S SO MUCH FUN.
THANK YOU ALL FOR COMING.
SALUD! CHEERS!
- SALUD!
SALUD!
- LET'S GO NEXT DOOR
AND HAVE A QUICK LOOK.
LET'S SEE WHAT'S GOING ON.
SUR IS GOING ACCORDING TO PLAN,
BUT I'M UNDER A LOT OF PRESSURE
TO BRING THIS IN
FOR THE OPENING IN A FEW WEEKS.
- HEY!
- HEY.
- HELLO!
- YOU'RE SUPPOSED TO BE WORKING.
- HI, WAYNE.
- I AM WORKING.
- YOU HAVING A LITTLE SNOOZE
OVER THERE?
- OF COURSE.
- OKAY, SO THIS IS JUST
THE TEMPORARY OUTLINE
OF WHERE THE BAR IS.
IS THAT EXACTLY RIGHT
ACCORDING TO THE PLANS?
- ROUGHLY.
- I MEAN, IT'S HUGE, THIS BAR.
I MEAN, IT'S REALLY
GONNA DOMINATE.
BUT IT'S GREAT. I LOVE IT.
I'M VERY CLEAR ABOUT THE IMAGE
THAT I WANT FOR SUR.
IT'S GOING TO BE ECLECTIC.
I'M GOING TO HAVE
LEATHER COUCHES.
I'M GOING TO HAVE LINEN LAMPS.
I'VE DONE ALL OF OUR
26 RESTAURANTS, BARS, CLUBS,
ALL OF OUR HOUSES
THAT WE'VE LIVED IN.
AND SO, PRETTY MUCH,
I GO WITH MY VISION IN MIND.
I THINK NOW,
WITH THESE OLD DOORS,
IT GIVES US THE OPTION,
IF WE WANNA USE THAT ROOM,
ONCE WE KNOCK THROUGH.
- THESE WERE FUN.
I THINK THEY'RE 200 YEARS OLD.
- BUT THEY'RE GREAT,
BECAUSE I LOVE THE FACT
THAT YOU CAN OPEN THE SHUTTERS,
KEEP THE DOOR CLOSED,
SEE WHAT'S GOING ON.
IT DOES WORK REALLY WELL.
I'VE WANTED TO USE THESE DOORS
FOR A LONG TIME NOW.
- YEAH. BEAUTIFUL. BEAUTIFUL.
- KEN WOULD LIKE
TO BE RETIRED TOTALLY,
AND, YOU KNOW, HE THINKS
I'M ALWAYS WORKING TOO HARD.
BUT, YOU KNOW,
WE GOT BILLS TO PAY.
WE'VE GOT A WEDDING TO PLAN.
LIKE, GET TO WORK, LAZY ASS.
[laughs]
YOU KNOW WHAT? I DON'T KNOW
WHAT YOU'VE DONE THERE.
I'M LOOKING AT THAT.
I'M SERIOUS.
I DON'T KNOW
WHAT YOU'VE DONE THERE.
I DON'T WANNA LOOK DOWN THERE,
AND YOU PUT THE DOOR...
TO THE BATHROOM.
BUT YOU CAN'T PUT
THE DOOR THERE.
THE DOOR'S GOTTA GO
ON THE OTHER SIDE,
OTHERWISE IT DOESN'T MAKE SENSE.
OKAY, SO I'M GONNA LOOK
DOWN HERE,
WALK INTO THIS RESTAURANT,
AND SEE...
"WOW! THIS LOOKS GREAT."
THEN STRAIGHT INTO A BATHROOM.
- THE ONLY PLACE YOU CAN PUT
THE DOOR BECAUSE OF THE SINK...
I MEAN...
- I'M SORRY, WAYNE,
DO I WANNA WALK PAST HERE
AND SEE SOMEBODY SITTING
ON THE TOILET?
- NO.
- YOU GOTTA COME IN
THE OTHER SIDE.
THAT'S RIDICULOUS.
- SHE'S ABSOLUTELY RIGHT.
- IT'S FOUR WEEKS
TILL WE OPEN THIS RESTAURANT.
AND IT'S LIKE FOUR MONTHS
OF WORK TO DO.
IT'S JUST... YOU OPEN SOMETHING,
IT'S PANDORA'S BOX,
AND YOU NEED
TO DO SOMETHING ELSE.
THAT DOESN'T WORK.
IT DOESN'T WORK AT ALL.
- WE CAN FIX ANYTHING.
- OKAY, WE WILL, BUT WE HAVEN'T
GOT TIME TO GO BACKWARDS.
- ABSOLUTELY NOT.
- AND I CAN'T BE HERE ALL
THE TIME, SO WE REALLY GOTTA...
AND AS I SAY, THAT DOESN'T WORK.
- IF IT HELPS ANY,
YOU LOOK FABULOUS TODAY.
- HOW I LOOK...
IS NOT GONNA HELP THINGS.
LET'S JUST GET ON WITH IT, HUH?
I NEED A CONTRACTOR,
NOT A BLOODY ASS-KISSER.
WHAT THE [bleep]
HAVE YOU DONE HERE?
"YOU LOOK FABULOUS TODAY."
GREAT. OKAY,
THAT'S REALLY GONNA HELP.
- YO, ADRIENNE!
- YEAH.
- ANOTHER PAIR OF MY SHOES
CAME IN.
- WHAT ARE THESE?
- LOOK.
- OH.
- LOOK, LOOK, LOOK, LOOK.
AREN'T THOSE BEAUTIFUL?
- OH, LET ME SEE THOSE.
THESE ARE NICE.
- AREN'T THEY BEAUTIFUL?
- FIRST OF ALL, HOW CAN YOU WALK
WITH THIS THING?
- VERY EASILY.
- WHAT ARE YOU DOING?
- I'M LOOKING FOR A PAIR
OF MY WEDGES TO WEAR TONIGHT.
I'M GOING TO BRANDI'S.
- GIRLS' PARTY?
- YEAH.
I FEEL THAT IT'S LOVELY
THAT BRANDI WANTS TO REACH OUT
AND HAVE A NICE TIME.
- SO WHAT TIME YOU GOING?
I'LL TAKE THE KIDS OUT TONIGHT.
- OR MAYBE YOU COULD TAKE
THE DOG FOR A WALK.
- JACKPOT...
THAT DOG DOESN'T WALK.
IF I WALK WITH HIM,
THEN HE GETS TOO TIRED, I THINK.
THEN I GOTTA CARRY HIM
THE WHOLE WAY.
- OF COURSE. THAT'S OKAY.
- HE'S BECOMING MORE LIKE...
- [laughing]
- GIGGY OR SOMETHING.
HE DOESN'T WANNA WALK.
- OH, YOU...
MY BLANKET'S ALL CLEAN.
THIS IS NOT AN EASY ONE TO FOLD.
OH!
- BRANDI MENTIONED INVITING
MY SISTER KIM
TO A PARTY IN MALIBU.
I REALLY DON'T THINK
IT'S A GOOD IDEA.
- YOU'RE A PIG!
YOU'RE A SLUT PIG.
DO I WANNA COME?
SERIOUSLY? YOU DON'T EXIST.
WHY WOULD I GO TO YOUR PARTY?
- A PARTY IN MALIBU.
- [laughs]
IT'S PRETTY OUT, HUH, GUYS?
ISN'T IT GORGEOUS?
- GREAT. THANK YOU!
HOW YOU DOING?
GOOD TO SEE YOU, TERRY.
Both: MWAH.
- SO YOU LOOKING FORWARD
TO TONIGHT?
- YOU KNOW WHAT? I AM.
I'M LOOKING FORWARD TO SPENDING
SOME TIME WITH BRANDI.
- OH, YEAH, SHE'S REALLY SWEET.
- SHE SEEMS REALLY COOL.
- I LIKE HER.
- YOU KNOW, SHE AND I
HAVE BEEN THROUGH...
A VERY SIMILAR SITUATION.
BUT I'M A LITTLE APPREHENSIVE
ABOUT RUNNING
INTO TAYLOR AND LISA.
I WAS REALLY UPSET AT TAYLOR
FOR DRAGGING ME IN,
BUT YET I FEEL BAD FOR WHAT
SHE'S GOING THROUGH TOO.
I JUST FEEL BAD
ABOUT EVERYTHING.
I'M SORRY IF I HURT HER AT ALL.
I HATE DRAMA.
AND AFTER WHAT I'VE GONE THROUGH
IN THIS PAST YEAR,
I DON'T WANNA BE INVOLVED IN IT.
YOU KNOW, YOU REALLY WANT
YOUR FRIENDS TO BE BEHIND YOU
AND SUPPORT YOU... - YES!
- AND BE THERE FOR YOU.
- THAT'S WHAT YOUR FRIENDS ARE.
- AND YOU'VE BEEN THERE.
THANK YOU.
AND THANK YOU. THANK YOU.
- THAT'S 'CAUSE WE LOVE YOU,
AND WE WILL BE THERE.
- THANK YOU.
- I HAVE TERRIBLE ANXIETY.
I'M FEELING REALLY STRESSED OUT.
CAMILLE HAS TEXT ME
AND SAID SHE'S SORRY.
BUT I AM NOT READY
TO RECEIVE AN APOLOGY,
TO ACCEPT AN APOLOGY,
OR TO EVEN THINK
ABOUT SEEING HER AT THIS POINT.
COMING UP...
[voice breaking]
THAT PUTS MY DAUGHTER IN DANGER.
- I UNDERSTAND.
- HI, JOHN. HOW ARE YOU?
OH, MY GOD, SORRY.
I HAD MY DAUGHTER'S
OPEN HOUSE AT SCHOOL.
HI. - HI!
OH, MY GOD,
I LOVE YOUR HAIR LIKE THAT!
I'M SUPER JEALOUS.
YOU LOOK SO CUTE.
IF YOU'RE GONNA HAVE BACKUP,
IT'S ALWAYS GOOD
TO HAVE KYLE THERE,
BECAUSE SHE'S NOT GONNA LET
ANYONE WALK ALL OVER ME.
- YEAH, I MEAN, IT'S CUTE.
- WE'RE GONNA BE A LONG DRIVE.
- I KNOW WE ARE, SO I'M GLAD
YOU BROUGHT THE WINE.
OH, BOTTOMS UP!
- [laughing]
- I'M A LITTLE NERVOUS
ABOUT TONIGHT.
- ♪ I'VE GOT YOUR BACK ♪
- ♪ I GOT YOUR BACK ♪
- I FEEL LIKE WE SAY THAT A LOT
THESE DAYS.
WHOSE GOT YOUR BACK?
- I KNOW, BUT WHY DO
WE ALWAYS NEED TO HAVE...
- CHEERS. BOTTOMS UP.
- WHY DO WE ALWAYS NEED
TO HAVE EACH OTHER'S BACK?
- I KNOW WHY IS LIFE
SO DANGEROUS IN THE B.H.
THAT WE HAVE TO HAVE
EACH OTHER'S BACKS?
- I'M TELLING YOU.
- AND I'M JUST... YOU KNOW WHAT?
I'M KIND OF GROSSED OUT.
- I REALLY WANNA KNOW
THE FULL STORY
ABOUT THE ABUSE
WITH TAYLOR AND RUSSELL.
BUT I DON'T REALLY KNOW
HOW TO APPROACH IT
SINCE I SEE HOW ANGRY TAYLOR IS
WITH CAMILLE.
- DO YOU KNOW THAT FEELING
OR NOT?
- YEAH. NO.
- WHERE SOMEBODY HAS, LIKE...
- UH, YEAH.
- HURT YOU ENOUGH
THAT YOU'RE LIKE... YECH.
- I THINK THAT TAYLOR IS WORRIED
THAT RUSSELL WILL HURT HER
IF HE KNOWS WHAT CAMILLE SAID.
- I WAS DISAPPOINTED
THAT TAYLOR DRAGGED ME
INTO AN ARGUMENT... - YEAH.
- THAT... IT WASN'T MY ARGUMENT.
- NO.
- HONESTLY, I DON'T...
I'M NOT READY TO MAKE UP,
BECAUSE I'M HURT.
I'M SUPER HURT.
AND NORMALLY... YOU KNOW ME.
I'M LIKE,
"LET'S MAKE IT ALL BETTER.
PUT SOME ICING ON THE CAKE.
MAKE IT LOOK ALL PRETTY AGAIN."
BUT I DON'T FEEL THAT WAY.
- I THINK I'VE TEXT TAYLOR
FIVE TIMES
AND HAVEN'T HEARD BACK FROM HER.
NOTHING. - WHAT A BITCH.
I'M SORRY, THAT'S JUST RUDE.
GROW UP.
JUST...
THERE'S NOT EXCUSE FOR THAT.
- SO HOW ARE YOU GONNA HANDLE
THE CAMILLE SITUATION?
- YOU KNOW, I NORMALLY GO
INTO THESE THINGS, LIKE...
I JUST HAVE TO KIND OF FEEL IT.
THEN I REACT.
AND THAT DOESN'T ONLY WORK OUT
FOR ME REAL WELL,
'CAUSE I END UP
SAYING THINGS LIKE
"I'M ABOUT TO GO OKLAHOMA
ON YOUR ASS."
- NO DRAMA TONIGHT. PROMISE ME.
NO. - NO DRAMA.
- IF YOU SEE ANYTHING
GOING DOWN,
GRAB MY HAND,
YANK ME OUT OF THE ROOM.
- NO DRAMA, MAMA.
- WELL, I'M NOT GONNA LET YOU
HAVE ANY DRAMA.
THAT'S FOR SURE.
DOESN'T MEAN LIZ AND I
CAN'T HAVE A LITTLE SHOWDOWN.
- LET'S HAVE A CONVERSATION
ABOUT IT.
- WE'RE HERE!
- YEAH.
- OH! OR PUSH.
- IT'S OKAY. PUSH.
- OOH, THIS PLACE IS GREAT.
- OH, OH!
- HEY, HONEY, I WAS JUST
TALKING ABOUT YOU.
I WAS LIKE "OH, MY GOD."
- THIS ONE.
- NO! WE WERE JUST TALKING...
- HI, I'M JEN. NICE TO MEET YOU.
- HI!
- HI!
- NICE TO SEE YOU.
- THIS IS JASON.
- HI, JASON, HI.
- THIS IS CAMILLE.
- THIS IS...
THE LOCAL, RIGHT? IN MALIBU?
- THIS IS US, YEAH,
RIGHT UP THE ROAD.
GLASS OF CHARDONNAY?
- YES, PLEASE.
[gasps] [women cheering]
- NOW THE FUN JUST STARTED. HI.
- YOU'RE AMAZING.
- HI.
- HI, MAMA!
- THANK YOU, THANK YOU,
THANK YOU.
- THANK YOU SO MUCH FOR COMING.
- OH, MY GOSH.
THIS VIEW IS SPECTACULAR.
- RIGHT? AMAZING.
- GLASS OF WINE? WE HAVE
A WHOLE RUN ON THE REDS...
MERLOTS, CABERNETS,
A MERITAGE, OR A CHARDONNAY.
- CHARDONNAY IS FINE. THANK YOU.
THE SETTING
IS ABSOLUTELY MAGNIFICENT...
THE WINE, THE FOOD.
OOH, THIS LOOKS AWESOME.
WHERE IS THIS FROM?
- GINA, MY FRIEND.
- OH, NICE.
SHE'S A CATERER,
AND SHE'S AMAZING.
- I HAVE SOME AMAZING
THAI FOOD TOO.
I DIDN'T WANNA PUT IT OUT
UNTIL YOU LADIES ARE READY.
- AMAZING.
- IT WAS TASTEFULLY DONE.
- DID YOU MEET MY FRIENDS,
ADRIENNE?
- I DID.
- JENNIFER AND LINDA.
- YEAH, YEAH.
LINDA HAS, LIKE,
A SURPRISE FOR US LATER.
- I'M JUST GONNA TEACH YOU...
JUST SHOW A COUPLE
OF BELLY-DANCE MOVES.
- YOU ARE? OH, MY GOD!
- AND EVERYONE
IS A MUCH BETTER DANCER
WITH A COUPLE
OF GLASSES OF WINE.
- CHEERS!
- ABSOLUTELY.
- THANK YOU SO MUCH FOR COMING.
- WHAT DO I DO
IF CAMILLE APOLOGIZES TO ME?
WHAT DO I SAY? - JUST BE HONEST.
IT'S SO MUCH EASIER.
- YOU KNOW WHAT, KYLE?
EVERYBODY WANTS ME
TO SPEAK MY MIND.
AND NOW I'M CONFRONTING
EVERYONE.
TRUST ME, MY HUSBAND'S LIKE
"THIS JUST SUCKS.
IT WAS MUCH BETTER WHEN
YOU WERE, LIKE, A WALLFLOWER."
- NO, IT'S SO MUCH EASIER.
PEOPLE MAY THINK YOU'RE A BITCH
SOMETIMES IF YOU'RE HONEST.
BUT YOU KNOW WHAT?
IT'S WORTH IT. TRUST ME.
I'LL STICK WITH YOU, BABE.
WHATEVER HAPPENS,
WE'RE GONNA HAVE FUN.
IT'S OPEN. - OH!
- HI!
- HELLO!
- I CANNOT BELIEVE
I'M HERE BEFORE YOU.
- OH, MY GOD!
- YOU LOOK BEAUTIFUL.
- THANK YOU.
I JUST WENT
TO MY DAUGHTER'S OPEN HOUSE.
- WE'RE ALL DRUNK, AND YOU GUYS
ARE COMING TO DRINK.
- I DIDN'T KNOW
YOU WERE GONNA MAKE IT.
WE THOUGHT THAT YOU HAD
AN OPEN HOUSE.
- I KNOW, BUT I JUST CAME LATE.
- HI. I'M SORRY.
AW.
- I'M NOT FEELING IT
EMOTIONALLY WITH HER.
AND SO IT FEELS
REALLY AWKWARD AND FAKE.
- TAYLOR, WHAT ARE YOU DRINKING?
GIVE ME YOUR PURSE. I'M GONNA
PUT IT IN THE OTHER ROOM.
- I'LL HAVE WHAT YOU'RE HAVING.
- THIS IS JASON.
- HELLO.
- THAT WAS NICE.
[overlapping chatter]
- SHE HAS AN AMAZING, HOT...
SUPER-HOT HUSBAND WHO...
ADORES HER.
WHEN HE'S WITH HER,
HE'S LIKE THIS.
HE'S LIKE ALL OVER HER.
IT IS SO CUTE.
- WE'VE BEEN TOGETHER
A LONG TIME.
- HOW MANY YEARS?
- 17.
- THAT'S AWARD-WINNING IN LA.
- I KNOW. ARE YOU KIDDING ME?
- AWESOME. THAT'S BEAUTIFUL.
- IT MAKES ME A LITTLE JEALOUS.
- THANKS FOR THE COMPLIMENT,
BUT EASY
ON THE "HOT HUSBAND" TALK.
[hisses]
- CHEERS, CHEERS.
IT'S A WEDGE PARTY.
- SERIOUSLY, THAT'S WHAT IT IS.
- YOU KNOW, SOME PEOPLE
HAVE, LIKE, TOGA PARTIES.
WE HAVE WEDGE PARTIES.
- WELL, WAIT TILL LATER.
WE'RE GONNA HAVE BELLY DANCING.
- I'M GONNA BE DANCING TONIGHT.
- I KNOW HOW TO BELLY DANCE.
- THE HAIR STARTS TO WHIP.
- I'M GONNA BE DANCING TONIGHT.
- I KNOW HOW TO BELLY DANCE.
- OH, MY GOD.
NOTHING'S SUBTLE
AROUND THIS GROUP.
- NO. NOTHING'S SUBTLE
AROUND HERE.
- I WISH I HAD THAT BODY,
BUT I DON'T THINK
I WOULD WEAR THAT.
I'M JUST A LITTLE MORE
SELF-CONSCIOUS ABOUT MY...
TOP AREA.
- IT'S A WEDGE-BUT-NO-BRA PARTY.
[laughter]
- NIPPLES ARE IN THIS SEASON.
SO I'M SORRY.
- AND NO BRA.
- NIPPLES ARE IN THIS SEASON.
- BECAUSE OF THE CARPET.
- HI, LADIES.
- I MEAN, WHAT IS THIS,
SHOWGIRLS?
PUT ON A BRA.
- OKAY, KITTY CATS.
ONE OF MY BEST FRIENDS
IS GONNA COME OUT
AND TEACH US
A LITTLE BELLY DANCING.
IT'S NOT SUPER...
SLUTTY.
- WHAT IS WITH THE NIPPLES
SHOWING THE WHOLE TIME?
- LINDA, LINDA! COME ON OUT.
- [rolling tongue]
- WE'RE GONNA PUT
SOME LITTLE FUN THINGS ON.
- WE ARE?
- OKAY.
- EXCUSE ME! THIS IS WHAT I GET?
WE'RE NOT PLAYING
FAVORITES HERE!
I NEED BELLS... JINGLES.
- I HAVE THIS TOO.
I HAVE THIS ONE.
- WHAT ABOUT... WHOSE IS THIS?
- THIS? YOU WANT THIS ONE?
- YES!
YES, I WANT BELLS. THANK YOU.
- OH, THAT'S CUTE.
WHERE DOES THAT GO?
- ON YOUR ANKLE.
- THAT'S CUTE.
[Middle Eastern music]
- OKAY, HERE WE GO.
- OKAY.
LET'S DO A BASIC THING.
PUT YOUR...
THAT LITTLE LEG IN FRONT?
JUST WANNA DO A LITTLE TURN.
NOW, LET'S EVERYBODY DO
A LITTLE SHOULDER.
- [laughing] LOOK AT KYLE!
- UH-OH! [all screaming]
- DANCING WITH THE STARS.
- THAT WAS AWESOME!
- THAT'S WHY SHE'S MARRIED.
[all cheering]
- DO A LITTLE SPLIT.
[indistinct chatter, laughter]
- YOU CAN'T DO THAT!
- I THINK KYLE...
SHE'S PROBABLY USED TO HAVING
ATTENTION PUT ON HER.
SO SHE JUST DOESN'T WANNA
GIVE IT UP...
EVER...
EVER.
- LET'S MAKE IT HAPPEN.
- OH.
- YEAH, THEY'RE BOTHERING ME.
- WATCH BRANDI'S NIPPLE.
- WHAT HAPPENED?
- [laughs]
- KYLE!
- WELL, THEY WERE
ON HIGH BEAM ANYWAY.
- I THINK BRANDI KNOWS
WHAT SHE'S DOING.
I MEAN, IT'S ARABIC! - REALLY?
- YOU KNOW, I DON'T REALLY CARE
WHAT ANYONE HAS TO SAY
ABOUT WHAT I WEAR
OR WHAT I DON'T WEAR.
MY PARENTS ARE HIPPIES.
THERE'S JUST...
WE WERE ALWAYS NAKED.
- FIGURE EIGHT...
YEAH, LIKE, SHAPE THE EIGHT.
- MY PLAN TO AVOID CAMILLE IS
NOT WORKING OUT AT THIS POINT.
I THOUGHT THE PARTY
WAS GONNA BE A LOT BIGGER.
I THOUGHT THE HOUSE
WAS GONNA BE A LOT BIGGER.
AND WE'RE LIKE BUMPING
INTO EACH OTHER,
WITH EYE CONTACT
ALL OVER THE PLACE.
- I FEEL NO BETTER
ABOUT MYSELF AFTER THIS.
- WHERE'D TAYLOR GO?
I GOTTA GO DO A TAYLOR CHECK.
- WAIT, LOOK AT THIS. HOLD ON.
- TAY-TAY!
- OKAY, OKAY.
- ARE YOU GOOD?
- I'LL COME BACK IN.
I'M NOT.
TONIGHT'S BEEN FAR MORE
DIFFICULT THAN I IMAGINED.
I DO NOT THINK THAT PEOPLE
UNDERSTAND THE GRAVITY
OF THE SITUATION
THAT I'M DEALING WITH.
- ARE YOU OKAY?
- I'M FINE.
- I'LL HAVE ONE MORE GLASS
OF CHARDONNAY...
SINCE THIS GROUP DRIVES ME
TO DRINK.
I SWEAR TO GOD.
- IT DOES ME TOO.
- I SWEAR TO GOD.
- I'M HURT.
IN MY LIFE,
THERE ARE PEOPLE I TRUST,
AND THERE ARE PEOPLE
I DON'T TRUST.
THE PEOPLE I TRUST,
I DON'T WANT TO BE BETRAYED.
- I'M SORRY.
I JUST THINK THAT'S BULL[bleep].
- I AGREE.
- BECAUSE WE LOVE YOU, AND WE'RE
[bleep] SICK OF THIS [bleep].
- IT'S NOT WORTH IT.
IT'S NOT WORTH IT.
- IT'S NOT FAIR.
- I JUST WANNA SAY...
- TAYLOR MADE A SNIDE COMMENT.
I JUST THOUGHT, "OKAY, YOU KNOW,
I'M JUST TRYING TO REACH OUT
"AND EXTEND THE OLIVE BRANCH.
AND SHE'S JUST NOT READY
TO TAKE IT."
- BULL[bleep].
WE SHOULDN'T EVEN HAVE THIS.
- BE HONEST WITH YOUR FEELINGS.
IF YOU'RE UPSET WITH SOMEONE,
YOU SAY IT.
- YEAH, YOU JUST HAVE
A DISCUSSION.
- BECAUSE YOU KNOW WHAT?
IT'S OVER THEN...
ONE WAY OR THE OTHER.
- SO WE SHOULD HAVE HER BACK.
- NO.
STOP. COME ON.
I LOVE YOU, AND I LOVE HER.
I DON'T UNDERSTAND THIS.
- KEEP ME AWAY FROM THIS.
I CAN'T DO THIS. - COME ON.
SHE DIDN'T WANNA GET PUT
IN THE MIDDLE BETWEEN YOU GUYS.
- IT WAS ABOUT HER COMMENT
THAT SHE COULD HAVE SKIRTED.
BUT SHE BROUGHT UP
THE OTHER STUFF,
WHICH WAS NOT OKAY WITH ME.
- BECAUSE WE DON'T SAY
THAT HE BROKE YOUR JAW
OR THAT HE BEAT YOU UP
AND HE HIT YOU.
WE DON'T SAY THAT,
BUT NOW WE SAID IT.
- [voice breaking]
THAT PUTS MY DAUGHTER IN DANGER.
- I UNDERSTAND.
- AND I CAN'T GET PASSED THAT.
I HAVE DEFENDED HER...
WITH KELSEY AND HER DIVORCE
AND HER CHILD-CUSTODY ISSUES.
I HAVE DEFENDED HER TO THE HILT.
WHATEVER SHE SAID,
I'VE ALWAYS SAID, "YES."
- OKAY. ALL RIGHT.
SHE'S DEFENDED YOU TOO, OKAY?
- BUT NOT THIS TIME.
SHE WAS THE CATALYST
TO A LOT THAT WILL HAUNT ME,
THAT COULD HAVE HURT ME,
THAT CAN STILL HURT ME
VERY BADLY.
- IF THE THINGS THAT TAYLOR
IS SAYING
ABOUT HER MARRIAGE ARE TRUE,
NOW SHE'S BLAMING ME
FOR PUTTING HER IN DANGER?
THE ONLY PERSON THAT'S PUTTING
HER AND HER DAUGHTER IN DANGER
IS HERSELF.
- COMING UP...
- YOU HAVE NO IDEA
WHAT SHE'S DONE TO ME!
YOU HAVE NO IDEA WHAT SHE HAS...
NO, YOU DON'T!
- HEY, DARLING.
- HI, BABY.
- HI.
- WANT A GLASS OF THIS?
- LOVE IT.
- TOM, CAN I GET ANOTHER GLASS,
AT LEISURE?
HAVE THIS ONE. - PERFECT.
SO I WAS SUPPOSED TO BE
AT, UM, BRANDI'S TONIGHT.
- YEAH, I THOUGHT YOU WERE
GOING THERE TONIGHT.
- KYLE SAID THEY WERE HAVING
BLOW JOB CLASSES.
- BLOW JOB CLASSES?
- I'M TELLING YOU.
- WELL, MAYBE I SHOULD'VE GONE.
- SO THEY COULD PRACTICE ON YOU?
THANK YOU, NO.
NO, NO.
SO THAT WAS THE TONE
OF THE EVENING.
SO I DECIDED TO PASS.
- CAN'T IMAGINE THAT.
HAVING A BLOW JOB INSTRUCTOR.
I'VE NEVER HEARD THAT.
- WELL, I'VE NEVER HEARD OF IT.
I'VE NEVER NEEDED IT
EITHER, BABY.
- OKAY, LET'S GO AND EAT DINNER.
- OKAY.
- SO I CAN GET YOU HOME EARLY,
AND YOU CAN PROVE TO ME
WHY YOU DON'T NEED CLASSES.
- IT'S NOT YOUR BIRTHDAY, IS IT?
COME ON, LET'S GO.
- IT COULD BE MY BIRTHDAY.
- SOME THINGS NEVER CHANGE.
- SHE WAS THE CATALYST TO A LOT
THAT WILL HAUNT ME,
THAT COULD HAVE HURT ME,
THAT CAN STILL HURT ME
VERY BADLY.
- SHE WAS HYSTERICAL.
WHEN I SPOKE TO HER
ON THE PHONE,
I COULDN'T EVEN HEAR
WHAT SHE WAS SAYING.
- I'M STILL HYSTERICAL.
- OKAY, WELL, SO IS SHE.
DON'T DO THIS.
- ALL RIGHT, THEN HAVE HER...
APOLOGIZE TO ME,
'CAUSE IF SHE FIGHTS WITH ME,
I'LL WALK OUT RIGHT NOW.
- SHE'S NOT GONNA FIGHT
WITH YOU.
SHE DOESN'T WANNA FIGHT
WITH YOU.
SHE'S BEEN [bleep] CALLING ME
FOR DAYS.
SHE WANTS TO APOLOGIZE.
SHE WANTS YOU GUYS
TO WORK IT OUT.
- SHE'S NOT COOL.
- SHE GOT BACKED UP
AGAINST A WALL, TAYLOR.
YOU'VE BEEN BACKED UP
AGAINST A WALL TOO.
- SHE DID NOT.
OUTSIDE.
- TAYLOR!
THAT'S NOT THE WAY
TO CONDUCT A DISCUSSION.
- NO, I'M SAYING, "OUTSIDE."
- NO, BUT ASK NICELY, THOUGH.
- DON'T BRING YOUR FRIENDS.
- NO!
- NO, YOU'RE NOT
IN CHARGE OF HER.
- I'M NOT IN CHARGE WITH HER.
I KNOW I'M NOT IN CHARGE OF HER.
- OKAY, IF SHE WANTS
TO SPEAK TO ME,
SHE CAN ASK ME TO SPEAK TO ME.
- I REALIZE THAT.
- CAMILLE,
WOULD YOU LIKE TO SPEAK TO ME?
- BUT WHY DON'T YOU GUYS
JUST HAVE A CONVERSATION?
- YOU SAID, "OUTSIDE."
WHAT'S GOING ON? GO AHEAD.
- NO, IF YOU WOULD LIKE
TO SPEAK TO ME,
YOU CAN DO IT ON YOUR OWN TERMS.
YOU DON'T NEED YOUR FRIENDS
TO SPEAK FOR YOU.
- SHE DOESN'T NEED ME.
- I DIDN'T ASK THEM.
- SHE DIDN'T ASK ME.
- OKAY, THEN...
THEN WHEN YOU'RE READY...
- NO, NO, NO.
- WHEN YOU'RE READY
TO TALK TO ME...
- STOP!
- WHAT?
- CHILL OUT.
NO, YOU DON'T NEED
TO GO THERE EITHER.
YOU NEED TO HAVE
A CONVERSATION WITH HER.
[overlapping shouting]
- STOP!
STOP! - THIS IS RIDICULOUS.
- STOP! [overlapping shouting]
- STOP AND STOP. STOP!
WITH THE AMOUNT OF WINE
THAT HAS BEEN SERVED,
THINGS ARE GETTING
OUT OF CONTROL,
AND IT'S NOT HELPING.
- STOP. GO AHEAD.
- JUST DON'T SAY,
"YOU, OUTSIDE."
DON'T SAY THAT.
DON'T SAY, "YOU, OUTSIDE."
- NO MATTER WHAT WE SAY
TO TAYLOR,
SHE WAS KIND OF JUST...
ALREADY HAD MADE UP HER MIND,
AND I SAW HER SLOWLY GOING
OFF THE DEEP END.
- STOP, STOP, STOP, STOP.
NO, NO, NO, NO.
COME HERE! - NO!
- YES! GO, GO! TAYLOR! TAYLOR!
YOU HAVE TO TALK TO HER.
I KNOW THIS COULD EASILY
BE CLEARED UP
HAD THEY HAD
THE OPPORTUNITY TO TALK
AWAY FROM EVERYBODY ELSE.
- JUST DON'T FALL OVER THE EDGE.
I DON'T FEEL
LIKE SOMEBODY DYING.
- NO! TAYLOR! THAT'S NOT FUNNY.
- OH, MY GOD.
- THAT'S NOT FUNNY.
- TALK TO HER.
- TAYLOR, LISTEN TO ME.
I CARE ABOUT YOU.
- BABE, BABE, BABE.
OKAY, OKAY, ALL RIGHT.
- I CARE ABOUT BOTH OF YOU.
[overlapping shouting]
- GET AWAY FROM THE WALL.
- TAYLOR, TAYLOR, TAYLOR.
- YOU'RE NOT STANDING
NEAR THE WALL
WHERE WE COULD FALL
IN THE OCEAN, FOR GOD SAKES.
- I HATE DRAMA.
- LOOK AT THIS BIG, WIDE OCEAN.
THIS OCEAN'S GONNA BE HERE
LONG AFTER WE'RE ALL GONE.
- I'M NOT ANGRY. I'M NOT ANGRY.
- AND EVERYBODY'S TRYING
TO CALM TAYLOR DOWN,
AND IT SEEMS LIKE
IT JUST IRRITATED HER MORE.
- LIFE IS SO SHORT.
LET'S DON'T SWEAT
THE SMALL STUFF.
- THAT'S WHAT I'M TRYING TO SAY.
THAT'S WHAT I WAS TRYING TO SAY.
- EVERYBODY MAKES MISTAKES.
- PLEASE STOP.
STOP, STOP, STOP.
- I'M JUST SAYING.
- STOP, STOP.
- YOU DON'T NEED TO.
- SHE'S GOT IT.
- OKAY, OKAY, OKAY.
- COME HERE.
- COME ON, YOU GUYS.
- HONEY.
- REALLY, LIFE IS SHORT.
- I WANNA TALK TO HER ALONE!
I JUST DON'T WANT
ALL THESE PEOPLE AROUND US.
- YOU WANT US TO LEAVE?
LET'S LEAVE YOU ALONE.
- GO TALK TO HER ALONE!
- I'M [bleep] SICK OF IT.
I WATCHED MY FRIEND
FOR A YEAR AND HALF,
GOING THROUGH SO MUCH [bleep].
BE HER FRIEND.
YOU BE EACH OTHER'S FRIENDS.
- I HAVE BEEN HER FRIEND!
I HAVE NEVER HURT HER!
- YOU DON'T EVEN TAKE
HER PHONE CALLS?
IT'S [bleep] UP! I'M SORRY!
- SHE HAS HURT ME SO MUCH.
YOU HAVE NO IDEA
WHAT SHE'S DONE TO ME!
YOU HAVE NO IDEA WHAT SHE HAS...
NO, YOU DON'T! NO, YOU DON'T!
- I DO KNOW.
- NO, YOU DON'T!
- I DO KNOW.
YES, I DO KNOW, TAYLOR.
BECAUSE I... - NO, YOU DON'T!
YOU DON'T HAVE ANY IDEA
WHAT SHE'S DONE TO ME!
NO, YOU DON'T!
SHE HAS NO IDEA
WHAT I'VE BEEN THROUGH!
YOU HAVE NO IDEA!
- STOP, STOP, STOP, STOP!
- AND NEITHER DO YOU BECAUSE...
- OKAY, NO, DON'T COVER
HER MOUTH, THOUGH.
DON'T COVER HER MOUTH.
- TAYLOR... I DIDN'T KNOW WHAT
WAS GONNA COME OUT OF HER MOUTH.
I DIDN'T WANT HER TO SAY
SOMETHING THAT SHE MIGHT REGRET.
DON'T... - IT'S NOT FAIR!
- ALL OF US HAVE PROBLEMS...
ALL OF US!
- I KNOW! BUT I DON'T NEED
CAMILLE'S FRIENDS...
- I KNOW. OKAY.
- COMBATING ME!
- THEN TALK TO CAMILLE.
- IT'S NOT FAIR!
- THEN TALK TO CAMILLE.
- IT'S NOT A COMBAT
UNLESS YOU ENGAGE.
- I WILL TALK TO CAMILLE,
BUT GET HER OVER HERE,
BECAUSE IT'S NOT FAIR!
- I DON'T KNOW WHAT
THEY WERE FIGHTING ABOUT,
BUT IF SHE WASN'T THERE,
THIS WOULDN'T BE HAPPENING.
AND I JUST WANTED IT TO BE DONE.
TAYLOR, I'M GONNA ASK YOU
TO LEAVE MY HOUSE.
YOU SHOULD GO. YOU SHOULD GO.
- AND [bleep] YOU, BRANDI!
- [bleep] YOU!
- EXCUSE ME.
[overlapping shouting]
- NO, YOU CANNOT START A FIGHT
IN THIS HOUSE.
- DON'T YOU EVER TOUCH ME
LIKE THAT AGAIN, OKAY?
- REALLY?
- YOU'LL BE SORRY, OKAY?
- SHE WENT LIKE THIS.
AND SHE WENT LIKE...
LIKE, SHE...
KYLE TOUCHED ME FIRST.
GET THE [bleep] OUT!
-
WE'RE LEAVING. WE'RE LEAVING.
- AT THIS POINT,
THERE'S NO TALKING TO TAYLOR.
MY CONCERN IS JUST GETTING
HER HOME AND GETTING HER SAFE.
TAYLOR...
STOP, HONEY.
- BUT SHE'S NOT OUT HERE.
- NOT NOW.
- WE HAVE TO GET TAYLOR'S STUFF.
I'M GOING TO GET TAYLOR'S STUFF.
- 'CAUSE SHE'S GONNA REALLY...
LOOK AT ME.
SERIOUSLY.
NOW IT'S ABOUT MORE THAN THAT.
- YOU GUYS ARE ALL
EMBARRASSING YOURSELVES
BY BEING OUT OF CONTROL.
WE ARE AN EVOLVED SPECIES.
- HONEY, WHERE'S YOUR BAG?
- I HAVE MY BAG.
- WE NEED TO FIND YOUR WRAP.
WE NEED TO FIND YOUR WRAP.
- I DON'T NEED MY WRAP.
- IT'S JUST BULL[bleep].
AND SHE'S GONNA PUT ALL THIS
[bleep] ON YOU.
AND SHE'S OUT THERE BEING THE
VICTIM, AND IT'S BULL[bleep].
YOU BEEN THROUGH ENOUGH HELL.
I SAT IN YOUR BATHROOM TODAY.
I HEARD WHAT YOU SAID.
- I KNOW.
- I AM NOT GONNA LET IT
HAPPEN TO YOU THIS YEAR.
I AM NOT. - I KNOW, THANK YOU.
- I LOVE YOU!
AND YOU HAVE TO [bleep] KNOW
THAT I LOVE YOU.
- I KNOW YOU LOVE ME, DEDE.
I KNOW YOU LOVE ME.
- LET'S GO.
LET'S GET OUT OF HERE.
THIS IS RIDICULOUS.
THIS IS RIDICULOUS.
- TAYLOR.
- GET IN THE CAR.
I'M DONE, FINISHED.
- COMING UP...
WHAT'S BOTHERING YOU, HONEY?
- [sobbing]
- DON'T DO THIS.
DON'T DO THIS.
- I DON'T KNOW WHAT HAPPENED.
- DO YOU WANNA LEAVE?
MM-HMM.
- CAMILLE'S TRIED TO MAKE THINGS
BETTER WITH TAYLOR,
BUT AT THIS POINT, THERE'S
NOT REALLY MUCH SHE CAN DO.
IT'S REALLY NOT ABOUT HER.
- I'M SO OVER IT,
I HAVE TO TELL YOU.
- THAT'S A REALLY UNCOMFORTABLE
POSITION TO BE IN.
- I'M SO SORRY
THIS ALL HAPPENED.
- IT'S OKAY.
I FELT BAD FOR BRANDI.
BUT AT SOME POINT, I THOUGHT
IT WAS JUST BETTER TO LEAVE.
- WOW.
ARE YOU KIDDING ME?
- THIS WAS SUPPOSED TO BE
MY NIGHT
TO SHOW THE WOMEN
THAT I COULD HAVE FUN,
AND THERE WOULDN'T HAVE TO BE
ANY DRAMA.
AND IT'S A DISASTER.
I JUST WANTED TO TRY TO FIT IN.
- HONEY, YOU JUST BE YOU.
STOP TRYING TO FIT IN.
- THAT WAS A NIGHTMARE.
- CAN I HAVE A LIGHT?
- I DON'T HAVE A LIGHTER.
I DON'T SMOKE.
- CAN I PLEASE GET A LIGHTER?
I NEED A CIGARETTE.
- I KNOW, BUT HOLD ON.
COVER YOURSELF UP.
YOU NEED TO FIND... - PULL OVER.
STOP! PULL OVER! - SHH. RELAX.
RELAX. - I CAN'T RELAX.
I'M SO STRESSED OUT.
- I KNOW, BUT YOU HAVE
TO TRY TO RELAX.
YOU'RE GONNA HAVE
A NERVOUS BREAKDOWN.
I'M WORRIED ABOUT TAYLOR'S
WELL-BEING.
I'M WORRIED ABOUT HER STATE
OF MIND RIGHT NOW.
YEAH.
OH, MY GOD, TAYLOR,
THAT'S, LIKE, GONNA LIGHT
THE WHOLE CAR ON FIRE.
- NO, IT'S NOT.
- I HAVE NEVER SEEN HER
LIKE THIS BEFORE.
- I CAN'T FORGIVE CAMILLE.
- LISTEN TO ME.
YOU NEED TO TALK WITH CAMILLE
WHEN THERE'S NOT
A MILLION PEOPLE AROUND.
- I GET SO WORN OUT.
- WHAT'S BOTHERING YOU, HONEY?
IS IT JUST THIS?
- [sobbing]
- DON'T DO THIS. DON'T DO THIS.
I DON'T THINK
THAT TAYLOR'S BREAKDOWN
HAD ANYTHING TO DO
WITH WHAT HAPPENED IN MALIBU.
I REALLY BELIEVE THIS IS WHAT'S
GOING ON IN HER PERSONAL LIFE,
AND OBVIOUSLY IT'S A LOT WORSE
THAN WE REALIZE.
- [sobbing]
- SHH, SHH, SHH, SHH.
OBVIOUSLY THERE'S OTHER STUFF
BOTHERING YOU.
THIS IS NOT THAT.
THIS IS SO UNIMPORTANT
IN THE WHOLE SCHEME OF THINGS.
IT REALLY IS. - [sobbing]
- IT'S SO RIDICULOUS.
AW.
I THINK SHE'S REALIZING NOW
THE SEVERITY OF HER SITUATION.
THIS GIRL NEEDS HELP.
- I CAN'T LIVE MY LIFE
LIKE THIS, KYLE.
- NEXT ON THE REAL HOUSEWIVES
OF BEVERLY HILLS...
- WHOO-HOO-HOO!
- HEY, VEGAS!
- VEGAS, BABY. [women cheering]
- GOOD JOB!
- LISA CHOOSING NOT TO STAY
AT THE PALMS
REALLY SPOKE VOLUMES.
[crowd cheering]
- WHOO!
- NOT SOMETHING I CHOSE
TO DO WITH HIM
AND I LOSE MY KIDS.
[sobbing]
- I'VE LET PEOPLE WALK
ALL OVER ME,
AND I'M NOT LETTING IT HAPPEN
ANYMORE.
- TO ME, THIS LOOKS LIKE
A CRY FOR HELP.
- TO LEARN MORE
ABOUT THE HOUSEWIVES,