The L Word (2004–2009): Season 3, Episode 10 - Losing the Light - full transcript

In this unusual episode told in real time, Lara is still in Paris, oblivious to Dana's worsening health. Back in Los Angeles, Alice has maintained a bedside vigil for Dana over the past five days. While taking a stroll, Alice runs into Dana's ex, Tonya. Across town, Jenny introduces Max to her former boyfriend, Tim, who arrives in town for a visit and who is now married. But Jenny's reunion with Tim becomes uncomfortable and soon unpleasant when Tim is soon revealed to still harbor a grudge against Jenny, and disapproves of Max as well. Meanwhile, Carmen evens the score with Shane by telling her she too was unfaithful. Elsewhere, Peggy Peabody arrives back in town to help Helena with the lawsuit served by the double-crossing Dylan and her scheming partner, Danny. Helena finally learns (way too late) that Dylan has been setting her up this entire time. Tina has a lunch date with Henry and his friends, but becomes uncomfortable when they assume that baby Angelica is adopted. Kit becomes impatient with Angus when he's late for their afternoon date. In upstate Washington, a frustrated Bette leaves the Buddhist retreat, but receives a dose of life wisdom from two unexpected sources (a young man and an elder lady) at a remote bus station while waiting to go home.

PREVIOUSLY ON THE L WORD...

YOU'RE NOT GOING TO
GET ANYTHING FROM ME...

UNLESS YOU DO
EXACTLY WHAT I TELL YOU.

THIS IS FOR YOU FROM
MS. DYLAN MORELAND.

SEXUAL HARASSMENT...

YOU GO ALL THE WAY OVER
TO SOMEBODY'S BEACH HOUSE,

AND YOU FUCK THEM
TILL THE SUN COMES UP,

AND YOU'RE ASKING
ME NOT TO MAKE IT

INTO A BIG FUCKING DEAL?

HE LIVES THERE WITH
ME HALF THE TIME,

AND THE OTHER HALF WITH
HIS MOM IN VALLEY VILLAGE.



LUCKY YOU, MIKEY.

WHY DON'T YOU AND
MIKEY STAY FOR DINNER?

OKAY.

IT HELPS ME TO KNOW.

SO THIS IS YOUR OPPORTUNITY

TO DISCUSS ANYTHING THAT
MAY BE GOING ON WITH YOU.

I JUST WANT TO COME HOME.

I WANT MY ART, I WANT MY
BOOKS, I WANT MY THINGS.

I DON'T WANT THE MEMORY
OF US TO EVANESCE.

IT'S NOT THE WAY...

I FEEL REALLY SICK, AL.

OH, MY GOD, YOU'RE BURNING UP.

YOU'RE GOING TO KEEP HER
IN THE HOSPITAL OVERNIGHT?

YES. STAY HERE.



PLEASE, I'LL ANSWER
YOUR QUESTIONS LATER.

NO.

NO.

HI. IT'S DANA.

I CAN'T COME TO THE PHONE,
SO LEAVE ME A MESSAGE.

THANKS. BYE.

DANA, IT'S ME.

IT'S LARA.

UM, I WAS JUST CALLING TO SAY...

I WAS JUST CALLING TO
SEE HOW YOU WERE DOING.

I CAN'T STOP THINKING ABOUT YOU.

I JUST...

I WISH THAT I WAS
THERE WITH YOU.

CAN YOU CALL ME BACK, PLEASE?

I MISS YOU,

AND I WANT TO TALK TO
YOU ABOUT COMING HOME.

♪ GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES ♪

♪ CHICKS DRIVING FAST
INGENUES WITH LONG LASHES ♪

♪ WOMEN WHO LONG, LOVE,
LUST WOMEN WHO GIVE ♪

♪ THIS IS THE WAY IT'S
THE WAY THAT WE LIVE ♪

♪ TALKING, LAUGHING
LOVING, BREATHING ♪

♪ FIGHTING, FUCKING
CRYING, DRINKING ♪

♪ WRITING, WINNING
LOSING, CHEATING ♪

♪ KISSING, THINKING, DREAMING ♪

♪ THIS IS THE WAY... ♪

♪ IT'S THE WAY THAT WE LIVE ♪

♪ IT'S THE WAY THAT WE LIVE ♪

♪ AND LOVE ♪

DO YOU WANT ME TO TAKE
THESE HOME AND WASH THEM?

UH, YEAH, SURE,

OR YOU CAN JUST
TAKE THEM TO MY PLACE.

I BROUGHT YOUR MAIL.

OH, THANKS.

DANA...

M&Ms...

ARE YOU GOOD, DANA?

DO YOU WANT ME TO
GET YOU ANYTHING?

DO YOU WANT ME
TO BRING YOUR MAIL?

OKAY.

I LOVE YOU.

IS SHANE COMING NEXT?

MM-MM.

MAX AND JENNY ARE NEXT,

AND THEN SHANE
AND CARMEN AT 5:00.

ARE THEY BRINGING YOU DINNER?

UH-UH, BUT KIT IS.

HOW DO I LOOK?

AM I TOO DRESSED UP?

I FEEL DRESSED UP.

YOU LOOK GOOD.

OKAY.

BYE.

YOU'RE RIGHT.

BISEXUALITY IS GROSS.

I SEE IT NOW.

DID I MAKE YOU LAUGH?

I THINK I MADE YOU LAUGH.

HI.

SO HOW'S SHE DOING?

SHE'S DOING BETTER, I THINK.

YEAH.

HI, GUYS!

HELLO. HELLO.

WHOO-HOO!

WHOO-WHOOP-WHOOP!

HI.

HEY.

YOU SCARED ME.

I'M SORRY.

ARE YOU STAYING HERE ALL DAY?

UM, NO, JUST UNTIL I FINISH

UPDATING DANA'S iPOD.

I DIDN'T KNOW YOU WERE
INTO CLASSICAL MUSIC.

WELL, THERE ARE A
LOT OF LITTLE THINGS

YOU DON'T KNOW ABOUT ME.

OH, YEAH?

I BET THERE IS.

LIKE WHAT?

UM, LIKE...

I SHOT A GUN ONCE.

IT WAS MY COUSIN'S,
AND IT WAS VERY LOUD.

I KNOW WHAT YOU MEAN.

I SHOT ONE ONCE, TOO.

ALL RIGHT, GO ON,
TELL ME SOME MORE.

I CHEATED ON YOU.

I SAID, I CHEATED...

I HEARD YOU.

WHEN?

AFTER YOU FUCKED CHERIE JAFFE.

LOOK, I WOULD HAVE
STOPPED WHAT I WAS DOING

IF YOU'D HAVE TOLD ME
WE WERE RUNNING LATE.

IT'S OKAY, DON'T WORRY ABOUT IT.

HE'S STILL HERE.

IS THAT HIM?

YEAH, IT IS.

JENNY.

HI. OH, MY GOD.

YOU LOOK SO GOOD.
IT'S THAT CLEAN OHIO AIR.

LOOK AT YOU. YOU LOOK AMAZING.

THANK YOU.

WELL, IT'S ALL THAT
POLLUTED L.A. AIR.

THANK YOU FOR
INTRODUCING ME TO IT.

IT'S GOOD TO SEE YOU.

IT'S REALLY GOOD
TO SEE YOU, TOO.

HEY...

YOU KICKED BUTT, BABY.

WE SURE DID.

OH, COME ON, NOW, I'M
STANDING RIGHT HERE.

HAD TO BE DONE

AFTER WHAT YOU DID
TO US AT ARLINGTON.

HI.

OH, SORRY.

JENNY, THIS IS MY WIFE,
BECKY. BECKY, JENNY.

HI. NICE TO MEET YOU.

YOU DIDN'T TELL ME
THAT BECKY'S PREGNANT.

I...

TIM...

I WANTED IT TO BE A SURPRISE.

EVERYONE,

THIS IS RYAN WILLIAM
HASPEL IN THE MAKING.

RIGHT ON.

HOW ARE YOU DOING, JENNY?

OH, MY... HI!

GOOD TO SEE YOU.

HI. I'M TIM.

HEY, I'M MAX.

THIS IS MY BOYFRIEND, MAX.

BECKY, IT'S NICE TO MEET YOU.

HEY. HEY.

NICE TO MEET YOU.

WELL, I'VE GOT TO GO

AND CONSOLE MY GIRLS.

YEAH, I'M GOING TO GO
CHECK ON MINE, TOO.

I'LL BE RIGHT BACK, OKAY?

OKAY.

SO WHEN ARE YOU DUE?

UM, THREE MONTHS.

CONGRATULATIONS.

THANK YOU.

NICE JOB, GIRLS.

SO ARE YOU OKAY, MAN?

YEAH.

HEY, NOT THAT YOU'RE ASKING ME,

BUT I THINK YOU SHOULD BE HAPPY

YOU GOT OUT WHEN YOU DID.

I HEAR YOU.

YOU READY?

I DON'T WANT TO DO THIS, WHIT.

YOU KNOW I WOULD SPARE YOU

IF I POSSIBLY COULD,

BUT IF YOU DON'T
GO INTO THAT ROOM,

IT'S GOING TO LOOK LIKE
AN ADMONITION OF GUILT.

HONESTLY?

I DON'T CARE.

I WILL TRY TO GET THIS OVER WITH

AS QUICKLY AND AS
PAINLESSLY AS I CAN.

AHEM.

AND WILL WE GO THROUGH
ANOTHER DEBACLE LIKE THIS

IN SIX MONTHS?

PEGGY...

MOTHER, WHAT ARE YOU DOING HERE?

WELL, WHAT DOES IT
LOOK LIKE I'M DOING?

TAKING CARE OF MY COMPANY.

YOU KNOW, I USED TO
SWIM BACK IN HIGH SCHOOL.

THAT'S GREAT.

YEAH, I LOVED IT.

I WAS THE FASTEST IN MY SCHOOL.

WHAT WAS YOUR RACE?

400 FREESTYLE.

WE WON STATE TWICE.

WHAT WAS YOUR BEST TIME?

3:32.

FOR THE MEN'S 400 FREESTYLE?

HE'S TRANSITIONING.

HE'S A PRE-OP TRANSSEXUAL,

AND HE WAS TALKING ABOUT
THE WOMEN'S SWIM TEAM TIME.

YOU KNOW, WHY DON'T YOU GUYS

JUST PULL UP BEHIND US,

AND WE CAN LEAD YOU
TO THE RESTAURANT

FOR LUNCH.

WHY DID YOU LAUGH?

YOU MADE HIM FEEL BAD.

BECKY, THE NEXT
TIME WE SEE JENNY,

SHE MIGHT BE WITH
A GERMAN SHEPHERD.

JUST BRACE YOURSELF.

WHAT ARE YOU EVEN TALKING ABOUT?

JENNY...

THIS IS CLASSIC JENNY BULLSHIT.

IT'S NOT ENOUGH
FOR HER TO BE GAY,

SHE'S GOT TO HAVE A GIRLFRIEND

WHO'S A BOYFRIEND.

IT'S JUST TOO FUCKING MUCH.

OPEN THE DOOR.

I GUESS HE DOESN'T LIKE IT
WHEN JENNY TELLS PEOPLE.

COME ON, AS IF IT
WASN'T OBVIOUS.

WELL, I'M SORRY,

BUT IT WASN'T OBVIOUS TO ME.

GREAT.

LET'S JUST GO SOMEPLACE FAST.

IS IT THAT TIME?

HER MOM AND DAD ARE COMING BACK.

WE'VE GOT TO GET HER CLEANED UP

AND PRESENTABLE.

ISN'T THAT RIGHT?

SHE'S A FIGHTER, THIS ONE.

YOU HEAR THAT, DANA?

YOU'RE GETTING A LITTLE
REPUTATION AROUND HERE.

SO, WHAT DID THEY
BRING YOU FOR LUNCH?

PEANUT BUTTER AND JELLY.

UGH.

YEAH, I THINK I'M REGRESSING.

SO ARE YOU GOING TO GET
OUT OF THIS ROOM TODAY?

GO TAKE A WALK?

OH, WELL, I TOOK A
WALK THIS MORNING

AROUND THE NURSE'S STATION.

I MEANT OUTSIDE.

IT'S A BEAUTIFUL DAY.

WHY DON'T YOU GO TAKE A WALK?

GET OUT OF THIS
STALE AIR CONDITIONING.

HOW MANY DAYS HAVE
YOU BEEN IN THIS ROOM?

FIVE.

AND HAS SHE GONE ANYWHERE?

NO.

THAT'S ALL I'M SAYING.

CLEAR YOUR HEAD.

IT'LL BE GOOD

FOR THE BOTH OF YOU.

THANKS.

SEE YOU.

HEY, WHAT DO YOU THINK?

YOU THINK YOU COULD DO
WITHOUT ME FOR A LITTLE BIT?

DO YOU WANT SOME MORE
M&Ms FOR YOUR INCENTIVE PILE?

OKAY, BUT DON'T GET
MAD WHEN YOU GET FAT.

I'M NOT GOING TO HEAR ABOUT IT.

ALL RIGHT, I'LL
WORK OUT WITH YOU,

BUT YOU CAN'T SHOW OFF.

YOU HAVE TO PROMISE.

I KNOW HOW YOU GET.

DEAL?

DEAL.

I LOVE YOU.

I LOVE YOU TOO.

THERE'S A PROBLEM AT TABLE 10.

WHAT IS IT?

THIS GUY'S BEEN COMPLAINING
ABOUT HIS BURGER,

AND SO I WENT TO FIX IT, BUT
NOW HE WANTS TO SEE YOU.

TELL HIM

THERE IS A BURGER
JOINT DOWN THE STREET.

HE CAN GO THERE.

HEY, IT'S ME, ANGUS.

YOU WERE SUPPOSED TO
COME BY AFTER BREAKFAST,

AND NOW IT'S 2:00.

YOU KNOW, A GIRL'S GOING
TO START TO WORRY, NOW.

UM, CALL ME, OKAY?

WITH YOUR VERY OWN

HOME HOAX KIT.

IT'S THAT SLUMBER PARTY
GAME CALLED THE OUIJA BOARD.

THERE WERE TWO SURE
THINGS YOU COULD SAY

ABOUT A OUIJA BOARD.

ONE, IT'LL SET YOU
BACK ABOUT 20 BUCKS,

AND TWO, IT'S BULLSHIT.

DIVISION OF LABOUR...

I'M STILL WORKING ON
THE OUIJA BOARD, AND...

WHAT'S HER NAME?

YOU DON'T KNOW HER.

JUST TELL ME WHAT
THE FUCK HER NAME IS.

HER NAME IS ROBIN.

ROBIN HOWARD?

NO.

I DON'T REMEMBER HER LAST NAME.

DID YOU FUCK HER MORE THAN ONCE?

WELL, WHY DOES
THAT MATTER, SHANE...

DID YOU?

WHO SAID THAT I FUCKED HER?

YEAH!

OH! EEH!

IS SOMEONE CHASING YOU,

OR AM I MISSING SOMETHING?

NO, I AM JUST SO HAPPY

TO BE USING MY VOICE.

I'VE BEEN SILENT
FOR ALMOST 10 DAYS.

SOMEONE HAVE YOU LOCKED UP?

NO, IT WAS ENTIRELY VOLUNTARY.

I JUST ESCAPED FROM
A SILENT RETREAT.

I COULDN'T DO IT.

I COULD NOT REACH A HIGHER
PLANE NO MATTER HOW HARD I TRIED.

I MEAN, SOMETIMES

I WOULD START TO FEEL
LIKE IT WAS GOING TO HAPPEN,

BUT THEN IT JUST NEVER DID.

SO YOU KNOW WHAT, I LEFT.

I'M A MEDITATION
RETREAT DROPOUT.

ARE YOU GETTING A SIGNAL?

CAN YOU GET A SIGNAL?

NO.

I DON'T KNOW.

MAYBE I'LL TRY TO
DO IT AGAIN SOMETIME.

IT MIGHT JUST BE

THAT MY LIFE IS A LITTLE
TOO COMPLICATED RIGHT NOW.

I DON'T KNOW, MAYBE JUST...

MAYBE SOMETIMES,
WORDS ARE THE BEST THING

WE CAN GIVE OTHER PEOPLE.

THAT'S TRUE.

I DON'T KNOW, I JUST THOUGHT...

I JUST THOUGHT

IT MIGHT JUST MAKE
EVERYTHING IN MY LIFE BETTER.

BREAKING UP WITH YOUR HUSBAND,

OR BOYFRIEND OR...?

YEAH.

HOW LONG YOU BEEN TOGETHER?

EIGHT YEARS.

KIDS?

ONE.

SHE'S BEAUTIFUL.

OH, THAT'S NICE.

I'M SURE SHE'LL LIKE THAT.

THAT'S GOING TO BE $5.25.

HI. DO YOU HAVE
ONE OF THOSE CARS

THAT, LIKE...

JUST ON YOUR LEFT.

OH, GREAT. THANK YOU.

HAVE A NICE DAY.

THANKS.

SATURDAY, 8:30, 9:24, 10:42.

YOU CALL MS.
MORELAND REPEATEDLY.

SHE FINALLY AGREES

TO MEET WITH YOU
AND YOUR CHILDREN.

OH, YES.

THAT IS A VERY DAMNING IMAGE.

THE FOLLOWING DAY,

YOU SHOW UP AT HER RESIDENCE

UNINVITED.

THAT EVENING, AFTER
YOU ARE SERVED,

YOU CALL MS. MORELAND REPEATEDLY

UNTIL MR. WILSON IS FORCED
TO DISCONNECT THE PHONE.

DANNY WAS HOME.

HELENA?

IS THERE SOMETHING
YOU WISH TO SHARE?

NO.

GOOD, THEN I'LL CONTINUE.

IN 1998, MS. REBECCA ANN HILLER

FILES A SEXUAL HARASSMENT
SUIT AGAINST MS. PEABODY.

IT'S SETTLED OUT OF COURT.

IN 2005, DR. ISABEL DE OBALDIA

GETS A RESTRAINING
ORDER AGAINST MS. PEABODY,

CLAIMING SHE
SEXUALLY MANIPULATED

AND STALKED HER.

AGAIN, IT'S SETTLED
OUT OF COURT.

2004 TO PRESENT,

MS. PEABODY REPEATEDLY
DEFIES THE TERMS

OF HER COURT-ORDERED
CHILD CUSTODY AGREEMENT.

DOES ANYBODY ELSE
SEE A PATTERN HERE?

YES, MR. SHEPARD.

IT'S NOT A GOOD IDEA
TO DO VICTORY DANCES

QUITE THIS EARLY IN A MEDIATION.

ARE YOU SAYING I
HAVE TO FUCK YOU

BEFORE WE CAN TALK BUSINESS?

YOU HAVE TO FUCK ME

BEFORE YOU CAN EXPECT
TO GET ANYTHING FROM ME.

♪ YOU ARE MY SUNSHINE ♪

♪ MY ONLY SUNSHINE ♪

♪ YOU MAKE ME HAPPY
WHEN SKIES ARE GRAY ♪

♪ YOU'LL NEVER KNOW,
DEAR HOW MUCH I LOVE YOU ♪

♪ PLEASE DON'T
TAKE MY SUNSHINE... ♪

SHANE...

WHAT ARE YOU GOING
TO DO, GET DRUNK?

IT'S 2:00 IN THE AFTERNOON.

IT'S RIGHT HERE.

YOU SEEM UPSET.

THAT'S YOU PROJECTING, CARMEN.

WHAT TIME IS IT?

THEY SHOULD BE HERE ANY SECOND.

THERE THEY ARE.

HEY.

GUYS.

HEY...

HEY, GUYS, HOW ARE YOU DOING?

I'M TINA.

HI. NICE TO MEET YOU.

NICE TO MEET YOU.
THIS IS ANGELICA.

HI, BUDDY.

YOO-HOO, ANGUS?

IS ANYBODY HOME?

HI. CAN I HELP YOU?

THANKS.

HELLO.

HI.

WHERE ARE YOU HEADING?

OH, I'M HEADING
BACK TO PORTLAND.

AND I'M GOING HOME
TO LOS ANGELES.

SHE JUST ESCAPED
FROM A SILENT RETREAT.

SILENT...

OH, THAT'S NOT GOOD.

THAT'S WHAT I TOLD HER.

IT'S NOT GOOD TO
KEEP THINGS INSIDE.

THEY EAT AWAY AT YOU.

BUT THIS WAS SUPPOSED
TO BE MORE OF A, YOU KNOW,

A KIND OF RELEASE.

WELL, HOW CAN YOU
RELEASE EVERYTHING

IF YOU KEEP IT ALL INSIDE?

I DON'T KNOW.

YOU KNOW WHAT I DO?

I LIKE TO SCREAM.

SHE WAS JUST
SCREAMING HER HEAD OFF.

WELL, WHY DON'T WE
ALL SCREAM SOME MORE?

ON THE THREE, NOW.

A-ONE, A-TWO, A-THREE...

ALICE?

TONYA?

NUMBER 25?

NUMBER 25...

YOU WORK OUT?

YEAH, I HAVE TO.

WHY, BECAUSE YOU'RE THE COACH?

NO, BECAUSE I'D PROBABLY
GO NUTS IF I DIDN'T.

YEAH, I KNOW WHAT YOU MEAN.

I FEEL LIKE IF I
DIDN'T WORK OUT,

I'D WANT TO BREAK
SOMEONE'S FACE.

I KNOW IT SOUNDS HARSH,

BUT THAT'S JUST HOW IT IS.

HERE YOU GO. THANK YOU.

YEAH.

HERE'S YOURS.

THANKS.

YOU KNOW, I'VE ALWAYS
WANTED TO COME HERE.

TIM TOLD ME

THAT THEY HAVE THE
BEST HOT DOGS HERE IN L.A.

YOU'RE GOING TO FUCK ME,

AND YOU'RE GOING TO
LOVE EVERY SECOND OF IT.

TELL ME YOU WANT IT.

I CAN'T.

TELL ME.

ALL RIGHT, MR. SHEPARD,

I THINK WE'VE
GOT THE GIST OF IT.

CAN I ASK

WHY IS IT THAT WE
WERE MADE TO SEE THIS?

BECAUSE IT SHOWS YOUR
DAUGHTER FOR WHAT SHE IS,

A PREDATOR.

HAVE YOU SEDUCED MANY
WOMEN IN YOUR LIFE, MR. SHEPARD?

THAT HAS NO RELEVANCE
TO WHAT'S GOING ON HERE.

MAYBE, BUT IF YOU
WANT MY OPINION,

I DON'T THINK YOU HAVE
VERY MUCH KNOWLEDGE

OF THE WAYS OF SEDUCTION.

WHAT I SAW WAS A RATHER MOIST

SEXUAL GAME,

IN THE WORST POSSIBLE TASTE,

TO BE SURE,

BUT CERTAINLY NOT HARASSMENT.

IT WAS BLATANT COERCION.

AND YOU SAY THAT

BECAUSE YOU KNOW
DYLAN VERY WELL?

UH, YEAH, I DO.

AND YOU KNOW SHE WOULD
NEVER FALL IN LOVE WITH A WOMAN.

YOUR DAUGHTER GOT
HER HOOKS INTO DYLAN.

DYLAN WAS AFRAID IF SHE
DIDN'T DO WHAT SHE WANTED,

SHE WAS GOING TO
PULL HER FUNDING.

YOU SAW THE TAPE, RIGHT?

YES, I DID.

I'M, FRANKLY, NOT CONVINCED.

OH, YOU'RE NOT CONVINCED.

WELL, THAT'S TOO BAD,

BECAUSE THIS TIME YOUR
MONEY AND YOUR PRIVILEGE...

YOU KNOW, YOU'RE
NOT GOING TO BE ABLE

TO TWIST WHAT HAPPENED
TO YOUR ADVANTAGE, OKAY?

GOODNESS, YOU'RE RESENTFUL.

I THINK THAT'S UNDERSTANDABLE,
CONSIDERING THE CIRCUMSTANCES.

YES,

BUT I THINK YOUR CLIENT'S
RESENTMENT TOWARD THE PEABODYS

PREDATES THIS COMPLAINT.

BOTH MR. WILSON AND MS. MORELAND

HAVE KNOWN ABOUT
THE PEABODY FOUNDATION

FOR SEVERAL YEARS, HAVEN'T YOU?

EVERY FILMMAKER WORKING
OUTSIDE THE STUDIO SYSTEM

KNOWS ABOUT THE
PEABODY FOUNDATION.

SO, WHAT GOOD GODDAMN DIFFERENCE

DOES THAT MAKE?

I ASK

BECAUSE YOU APPLIED

FOR A PEABODY FOUNDATION
GRANT FOR THE ARTS FIVE TIMES

BETWEEN THE YEARS 2002 AND 2005.

FIVE TIMES,

AND YOU WERE TURNED DOWN
EVERY TIME, WEREN'T YOU?

WELL, I GUESS THAT WE WEREN'T
THE FLAVOR OF THE WEEK.

"RAMBLING, TRITE,
AND EXPLOITATIVE."

I WOULD SAY NOT.

YOU'VE GOT QUITE A
TASTE FOR REVENGE,

HAVEN'T YOU, MR. WILSON?

HERE YOU HAVE A CHANCE

TO STICK IT TO THE
ESTABLISHMENT.

I DON'T THINK YOU GAVE A FIG

IF YOU HAD TO USE YOUR
GIRLFRIEND TO DO IT.

YOU SAW A PEABODY OFF-BALANCE,

NEEDING SOMETHING,

AND YOU'RE GOING TO
MAKE HER PAY FOR IT.

MY CLIENTS HAVE
A ROCK-SOLID CASE

AGAINST MS. PEABODY.

CAN I COME IN?

DO WHAT YOU WANT.

I'M SORRY.

IT WAS SO STUPID,
AND IT'S NOT LIKE ME.

CAN'T WE JUST START AGAIN?

CLEAN SLATE?

PLEASE?

DO YOU FEEL BETTER NOW?

DO YOU FEEL GOOD
NOW THAT WE'RE EVEN?

HMM?

I'VE BEEN THINKING
ABOUT DANA A LOT LATELY.

I MADE A REALLY BIG
MISTAKE WITH HER.

I THREW SOMETHING
REALLY, REALLY SPECIAL AWAY.

I DON'T REALLY THINK
THAT YOU THREW IT AWAY.

I THINK...

YES, I DID, YOU KNOW.

I MEAN, THINGS FALL APART
WHEN YOUR PARTNER SENSES

THAT YOU'RE LOOKING
FOR SOMETHING BETTER.

THINK ABOUT IT.

I COULD HAVE BEEN
MRS. DANA FAIRBANKS

RIGHT NOW.

I WISH I COULD JUST
TURN BACK TIME

AND DO IT ALL OVER AGAIN.

DO YOU STILL TALK TO HER?

YEAH, I DO.

MM-HMM.

I HEARD YOU HAD A
REALLY BAD BREAKUP.

DON'T WORRY...

IT'S NOT LIKE I KNOW
ANYTHING ELSE.

I'VE BEEN PRETTY OUT OF THE LOOP

SINCE I'VE BEEN
TRYING TO HAVE A BABY.

YOU'RE HAVING A BABY?

MM-HMM.

I DECIDED I WANTED SOMEONE
WHO'D ALWAYS BE WITH ME.

I KNOW THAT MAY SOUND

LIKE NOT A VERY GOOD
REASON TO HAVE A BABY,

BUT, YOU KNOW WHAT,
THERE ARE WORSE.

YEAH.

YUP.

WOW...

HUNGRY MUCH,

MAX?

UM, JENNY, TIM TELLS
ME THAT YOU'RE A WRITER.

HOW'S THAT GOING?

GOOD. FINE.

SHE'S GETTING PUBLISHED.

YOU ARE?

OH, DON'T LOOK
SO SURPRISED, TIM.

IT'S A MEMOIR.

IT'S, LIKE, THINGS THAT HAVE
HAPPENED IN JENNY'S LIFE,

AND...

I'M PRETTY SURE YOU'RE IN IT.

I AM?

I DON'T KNOW... YOU
READ IT, YOU TELL ME

WHAT YOU THINK.

SO WHO'S PUBLISHING IT?

SIMON AND SCHUSTER.

THAT'S GREAT. THANK YOU.

SO IT'S GOING TO BE EVERYWHERE?

YEAH, YEAH.

THAT'S AMAZING.

I KNEW YOU ALWAYS
THOUGHT I COULD DO IT.

WHAT ARE YOU
TRYING TO SAY, JENNY?

TIM...

I KNOW YOU.

YOU DON'T HAVE TO SAY
EVERYTHING OUT LOUD

ALL THE TIME, RIGHT?

YOU DON'T KNOW ME.

OH, WHAT, JENNY?

WHAT PRIVATE THOUGHTS
ARE YOU HAVING?

TIM...

OH, MAYBE YOU'RE RIGHT.

MAYBE...

I DIDN'T THINK YOU COULD DO IT.

MAYBE I DIDN'T THINK YOU COULD
COMMIT TO ANYTHING LONG ENOUGH

TO SEE IT THROUGH.

OH, I COMMITTED.

I BECAME A SELF-MUTILATOR,

WENT ON MEDICATION,

DID A SHORT STINT

IN A PSYCHIATRIC HOSPITAL.

I SPENT SIX MONTHS
WITH MY PARENTS

IN SKOKIE...

EVERYTHING THAT I KNOW
YOU'D WANT TO HAPPEN TO ME.

I NEVER WANTED ANY
OF THAT FOR YOU, JENNY.

DOES ANYONE WANT ANYTHING ELSE?

I DON'T REALLY BELIEVE YOU.

WELL, SORRY. FOR YOU.

ARE YOU GUYS DRIVING,

OR ARE YOU FLYING BACK?

FLYING.

YOU KNOW WHAT PISSES ME OFF?

YOU ACTING LIKE SUCH A VICTIM,

AND, NO, I'M NOT
GOING TO FORGIVE YOU.

I'M NOT GOING TO WISH YOU WELL.

SORRY.

YOU SHOULD HAVE LET ME GO.

THAT WOULD HAVE BEEN

THE HONORABLE THING TO DO.

DON'T TALK TO ME
ABOUT HONORABLE, TIM.

HEY, BECKY, DID YOU KNOW

THAT THE NIGHT TIM CAME
TO SAY GOODBYE TO ME

HE GAVE ME A LITTLE
REVENGE FUCK?

IT'S TIME TO GO.

IS THAT HONORABLE, TIM?

COME ON.

I USED TO DRINK
GLASSES OF WATER,

ONE AFTER ANOTHER,

UNTIL I FELT MYSELF
CALMING DOWN.

IT HAD TO BE COLD.

IT COULDN'T BE ROOM TEMPERATURE.

I HAD TO FEEL

AS IF IT WAS
FREEZING MY INSIDES,

NUMBING ME.

I DRIVE.

I DRIVE TILL I GET REALLY TIRED,

AND MY MIND'S EMPTY,

AND THEN I GO HOME

AND KISS MY KIDS GOOD NIGHT,

AND I CAN ACTUALLY
LOOK AT MY WIFE AGAIN.

UM...

I DON'T KNOW.

I GUESS I USED TO
BURY MYSELF IN A TASK.

YOU KNOW, LIKE MY
WORK IN THE GALLERY.

WHENEVER I FELT THE
WORLD WAS CLOSING IN ON ME,

I WOULD JUST DIG
MYSELF IN SO DEEP

THAT IT WOULDN'T TOUCH ME.

BOMB SHELTER.

YEAH.

I WAS JUST RUNNING AWAY.

DON'T DO THAT.

YOU CAN'T BLAME YOURSELF

FOR EVERYTHING.

NONE OF US DO MUCH
IN THIS WORLD ALONE

EXCEPT DIE.

HE'S SO GOOD WITH HER.

WELL, HE'S SMITTEN.

HE'S NOT THE ONLY ONE.

OKAY, ALL RIGHT, YOU GUYS,

BEFORE YOU START.

I'M JUST...

I'M NOT GOING TO
TELL YOU ANYTHING,

BECAUSE I DON'T WANT TO JINX IT.

OKAY.

HOW ABOUT YOU, TINA?

I'M WITH HENRY.

I'M NOT GOING TO MESS
WITH A GOOD THING.

ALL RIGHT, WE UNDERSTAND.

I THINK THEY'RE
WHIPPED, ACTUALLY.

TOTALLY.

I'M SORRY FOR BOTHERING YOU,

BUT YOU TWO HAVE THE
MOST GORGEOUS FAMILY.

MY HUSBAND AND I HAVE
BEEN SITTING WATCHING YOU,

AND THEY'RE SUCH
BEAUTIFUL CHILDREN.

THANK YOU.

I'M MIKEY. HELLO, MIKEY.

WELL, HELLO, MIKEY.
AREN'T YOU THE LITTLE MAN.

I'M FIVE.

OH...

AND WHO IS THIS LITTLE DARLING?

THIS IS ANGELICA.

LUCKY LITTLE GIRL.

OUR DAUGHTER AND SON-IN-LAW

ARE ALSO ADOPTING.

THEY HAVE TWO OF THEIR OWN,

BUT THERE ARE SO
MANY NEEDY CHILDREN,

AND THEY HAVE SO MUCH LOVE.

AND A HUGE HOUSE.

THAT THEY DO.

WELL, WE'LL LEAVE YOU TO IT.

UH, JIMBO CALLED ME ABOUT
BASKETBALL NEXT WEEK,

AND WE THOUGHT WE COULD GET

EIGHT GUYS TOGETHER...

THAT'S GREAT. GREAT.

SOUNDS GOOD.

THANK YOU.

TO WHAT DO I OWE THIS PLEASURE?

WHAT'S GOING ON?

I CALLED YOU.

DIDN'T YOU GET MY MESSAGE?

YEAH, I FORGOT IT.

DO YOU HAVE ANY IDEA

WHAT HAS HAPPENED TO YOU

IN THE LAST TWO HOURS?

YOU'VE HAD A CAR ACCIDENT.

YOU'VE BEEN FUCKING
YOUR EX-GIRLFRIEND

AFTER A FIVE-HOUR
BREAKFAST WITH HER.

THEN YOU DECIDED,
"YOU KNOW WHAT?

MAYBE SHE IS TOO OLD FOR ME."

KIT...

IT IS AMAZING HOW YOU CAN BE
SO WRONG ABOUT SO MANY THINGS.

I CAN'T WORRY LIKE THIS
EVERY TIME YOU'RE LATE.

I CAN'T.

KIT, THAT'S LOVE.

SORRY, THAT'S HOW IT WORKS.

I MEAN, YOU WORRY.

YOU GET A LITTLE CRAZY.

I DON'T WANT TO BE CRAZY.

WELL, IT'S TOO LATE FOR YOU,

BECAUSE YOU,

YOU LOVE ME.

LOOK AT ME.

I THINK WE SHOULD SIGN.

HE'S ABSOLUTELY RIGHT.

WITH HELENA'S HISTORY,

THEY DO HAVE A VERY STRONG CASE.

BUT THEY'RE EXTORTIONISTS,

AND THEY'VE PREYED
ON MY DAUGHTER,

AND NOW I'M GOING
TO PUNISH THEM.

THEY'LL HAVE THEIR LAWSUIT

THE WAY I DO IT, IN COURT.

YES, BUT IN THE END,

YOU ARE GOING TO
BE THE ONE WHO PAYS.

BUT, WHIT,

I'M ALWAYS THE ONE WHO PAYS.

WE ARE NOT GOING TO SETTLE,

MR. SHEPARD,

NOT UNDER THESE TERMS.

I CAN'T GUARANTEE

THAT MY CLIENTS WILL CONTINUE
TO BE REASONABLE IF WE...

CONTINUE TO BE REASONABLE?

CONTINUE TO BE REASONABLE...

REASONABLE...

THREE MILLION DOLLARS.

250 SCREENS TO START,

AND 2,000 IN THE FOURTH WEEK?

THIS IS A DOCUMENTARY,

NOT FINDING FUCKING NEMO.

YOU'RE MAKING A MISTAKE.

DYLAN...

HELENA...

TELL ME YOU NEVER
WANT TO SEE ME AGAIN.

TELL ME YOU WERE
NEVER IN LOVE WITH ME.

I NEED

TO HEAR YOU SAY IT.

I NEVER WANT TO SEE YOU AGAIN.

YES...

I'LL SEND YOU COPIES ON MONDAY.

LIFE IS A STRANGE, FAST TRIP.

I'M JUST GLAD WE ALL HAVE SEATS.

HI.

DON'T FORGET TO SCREAM.

I WON'T.

HEY...

HEY.

ARE YOU OKAY?

I'M ALL RIGHT.

OKAY.

I JUST WANT YOU TO KNOW

THAT I DO NOT FEEL
THAT WAY AT ALL.

I DON'T HAVE A
PROBLEM WITH YOUR LIFE

OR THE WAY YOU'VE LIVED IT.

OKAY?

OKAY.

ALL RIGHT.

THAT WAS A TOTAL DISASTER.

YOU GUYS HAVE YOUR STUFF.

THAT'S ALL.

TIM'S NOT THAT BAD OF A GUY.

WHAT?

DID YOU HEAR THE CONVERSATION?

DO YOU MISS IT?

WHAT?

I DON'T KNOW,

BEING WITH A MAN?

I MEAN, THAT COULD
HAVE BEEN YOUR LIFE.

I WOULD HAVE KILLED
MYSELF IF THAT WERE MY LIFE.

THEY SEEM HAPPY, THOUGH.

I MEAN, YOU KNOW,
HE'S GOT A GOOD JOB,

A WIFE, A KID ON THE WAY.

IT DOESN'T SEEM SO BAD TO ME.

MAX, WOULD YOU WANT
TO BE SOME OBLIVIOUS GUY

THAT LIVES IN THE SUBURBS,

AND HAS A WIFE AND KIDS, AN SUV,

WHO JUST LETS

ALL THE ROTTEN SHIT
IN THE WORLD GO BY

TRYING NOT TO LET IT TOUCH HIM?

I DON'T THINK THERE'S
ANYTHING WRONG

WITH TRYING TO BE HAPPY.

I'VE REALLY GOT TO GO.

WISH ME LUCK.

I MIGHT BE PREGNANT
IN A FEW HOURS.

GOOD LUCK.

I REALLY MEAN IT.

I DIDN'T EVEN ASK YOU.

WHY ARE YOU HERE?

ARE YOU OKAY?

YEAH, UM, I'M JUST, UH...

VISITING A FRIEND.

I HOPE THEY'RE ALL RIGHT.

YEAH, THEY'RE...

I MEAN, THEY'RE GETTING BETTER.

OKAY.

YOU KNOW, I WAS ALWAYS A
LITTLE JEALOUS OF YOU, ALICE.

WHY?

BECAUSE DANA LOVES YOU SO MUCH.

IT WAS ACTUALLY KIND
OF HARD TO DEAL WITH

WHEN WE WERE TOGETHER,

KNOWING THAT THERE WAS
ULTIMATELY THIS OTHER PERSON

THAT WAS SO MUCH
MORE IMPORTANT THAN ME.

ANYWAY...

I HAVE TO GO.

OKAY.

HEY, TONYA...

I'LL, UM...

I'LL TELL DANA TO CALL YOU.

WOULD YOU?

I WOULD REALLY LOVE THAT.

OKAY.

WE HAVE A CODE BLUE
IN ICU, ROOM SEVEN,

A CODE BLUE IN ICU, ROOM SEVEN.

I'M GOING TO COME.

I CHEATED ON YOU.

READY FOR DE-FIB?

EVERYONE CLEAR.

CLEAR.

SHOCK AGAIN, 300 JOULES.

CLEAR.

SHE'S STILL IN V-FIB.

ANY PULSE?

NO CAROTID. NO RADIAL.

CONTINUE VENTILATION
AND CHEST COMPRESSIONS.

GIVE HER 1.0 mg EPI I.V.

EPI IS IN.

LET'S SHOCK AGAIN.

EVERYBODY CLEAR.

CLEAR.

300 AMIODARONE, PLEASE.

STILL NO PULSE.

SHOCK AGAIN.

CHARGING. CLEAR.

GIVE HER 60 mgs LIDO.

SHOCK AGAIN.

CHARGING. CLEAR.

SHE'S STILL IN V-FIB.

NO PULSE.

ONE MORE EPI-PUSH.

SHE'S GONE. I'M CALLING IT.

STOP CPR.

TIME OF DEATH... 2:35 P.M.

HER BLOOD PRESSURE
STARTED TO FALL,

AND IN SPITE OF
OUR BEST EFFORTS,

WE COULDN'T BRING IT BACK UP,

AND HER HEART FAILED.

NO...

WE COULDN'T GET HER BACK.

I'M VERY SORRY.

♪ YOU ARE MY SUNSHINE ♪

NO!

♪ MY ONLY SUNSHINE ♪

♪ YOU MAKE ME HAPPY
WHEN SKIES ARE GRAY ♪

♪ YOU'LL NEVER KNOW,
DEAR HOW MUCH I LOVE YOU ♪

NO!

♪ PLEASE DON'T TAKE
MY SUNSHINE AWAY ♪

♪ YOU ARE MY SUNSHINE... ♪

OH, MY GOD...

♪ YOU MAKE ME HAPPY
WHEN SKIES ARE GRAY ♪

♪ YOU'LL NEVER KNOW,
DEAR HOW MUCH I LOVE YOU ♪

♪ PLEASE DON'T TAKE
MY SUNSHINE AWAY ♪

♪ AWAY ♪

♪ AWAY ♪

♪ YOU ARE MY SUNSHINE
MY ONLY SUNSHINE ♪

♪ YOU MAKE ME HAPPY
WHEN SKIES ARE GRAY ♪

♪ YOU'LL NEVER KNOW,
DEAR HOW MUCH I LOVE YOU ♪

♪ PLEASE DON'T TAKE
MY SUNSHINE AWAY ♪