The Cosby Show (1984–1992): Season 1, Episode 23 - Mr. Quiet - full transcript

Singer 'Tony Orlando' guest stars as a man who runs an activity center, where Dr. Huxtable is giving a class to expectant mothers and Clair is attending another class. Tony's character has a girlfriend who also works with him there. Thanks to Theo, he encounters and helps a boy who refuses to speak, out of his fear of strangers. He has also just been teased and beaten up by other kids. Tony finds out who his mother is and while waiting for her, tries to get "Mr. Quiet" to talk.

[MUSIC]

[MUSIC]

WHAT'S THAT? >> HEY, PEACHES.
IT'S A WEIGHT-GAIN CHART THAT

HEY, PEACHES. IT'S A WEIGHT-GAIN
CHART THAT DAD IS GOING TO USE TO TEACH ALL

IT'S A WEIGHT-GAIN CHART THAT DAD IS GOING TO
USE TO TEACH ALL OF THE PREGNANT MOMMIES AT

DAD IS GOING TO USE TO TEACH ALL OF THE
PREGNANT MOMMIES AT THE COMMUNITY CENTER ABOUT

OF THE PREGNANT MOMMIES AT THE
COMMUNITY CENTER ABOUT WEIGHT GAIN.

THE COMMUNITY CENTER ABOUT
WEIGHT GAIN. WHAT DO YOU THINK?

WEIGHT GAIN. WHAT DO YOU
THINK? >> WENT OUTSIDE THE LINE.

WHAT DO YOU THINK? >> WENT OUTSIDE
THE LINE. >> OKAY, MRS. VAN GOGH,

WENT OUTSIDE THE LINE. >> OKAY, MRS.
VAN GOGH, HOW WOULD YOU LIKE TO TRY ONE?



OKAY, MRS. VAN GOGH, HOW WOULD
YOU LIKE TO TRY ONE? GO 'HEAD, RIGHT HERE.

HOW WOULD YOU LIKE TO TRY ONE?
GO 'HEAD, RIGHT HERE. GO 'HEAD...

GO 'HEAD, RIGHT HERE.
GO 'HEAD... >> DADDY!

GO 'HEAD... >> DADDY! >> CLIFF!

DADDY! >> CLIFF! >> HEY.

CLIFF! >> HEY. >> CLIFF,
YOU'RE ALMOST READY?

HEY. >> CLIFF, YOU'RE
ALMOST READY? >> YES, DEAR.

CLIFF, YOU'RE ALMOST READY? >>
YES, DEAR. >> RUDY, HEY, YOU'RE DOING

YES, DEAR. >> RUDY, HEY,
YOU'RE DOING A GREAT JOB HERE.

RUDY, HEY, YOU'RE DOING A GREAT JOB
HERE. YOU HAVEN'T BEEN COLORING THAT

A GREAT JOB HERE. YOU HAVEN'T BEEN
COLORING THAT LONG, BUT LOOK AT THAT YOU'VE

YOU HAVEN'T BEEN COLORING THAT LONG, BUT LOOK
AT THAT YOU'VE GOT GREAT ARTISTIC STROKES.

LONG, BUT LOOK AT THAT YOU'VE GOT GREAT ARTISTIC
STROKES. >> YEAH WELL DEAR, I DID THESE.

GOT GREAT ARTISTIC STROKES. >> YEAH WELL DEAR,
I DID THESE. >> YOU WENT OUTSIDE THE LINE.



YEAH WELL DEAR, I DID THESE. >> YOU WENT
OUTSIDE THE LINE. >> NO, RUDY DID THIS ONE.

YOU WENT OUTSIDE THE LINE.
NO, RUDY DID THIS ONE. >> AH.

NO, RUDY DID THIS
ONE. >> AH. >> NO, I DIDN'T.

AH. >> NO, I DIDN'T.
[PHONE RINGING]

HUXTABLE RESIDENCE.
TONY, COMO ESTA? ESTOY BIEN.

TONY, COMO ESTA?
ESTOY BIEN. CUANTOS?

ESTOY BIEN. CUANTOS?
VEINTE CINCO?

CUANTOS? VEINTE
CINCO? AY, NO ME DIGAS...

VEINTE CINCO? AY, NO
ME DIGAS... NO, NO, NO, NO,

AY, NO ME DIGAS... NO, NO, NO,
NO, ESTA BIEN, NO, ESTA BIEN.

NO, NO, NO, NO, ESTA BIEN, NO, ESTA
BIEN. PUES, NOS VEMOS MUY PRONTO,

ESTA BIEN, NO, ESTA BIEN. PUES,
NOS VEMOS MUY PRONTO, OKAY?

PUES, NOS VEMOS MUY
PRONTO, OKAY? OKAY, ADIOS!

OKAY? OKAY, ADIOS!
QUIEN ERA, MAMA?

OKAY, ADIOS! >> QUIEN ERA, MAMA?
ERA MI AMIGO, TONY CASTILLO,

QUIEN ERA, MAMA? >> ERA MI AMIGO,
TONY CASTILLO, THE COMMUNITY CENTER.

ERA MI AMIGO, TONY CASTILLO,
THE COMMUNITY CENTER. >> GRACIAS.

THE COMMUNITY CENTER. >>
GRACIAS. >> OH RUDY, HABLAS MUY BIEN

GRACIAS. >> OH RUDY,
HABLAS MUY BIEN EN ESPANOL.

OH RUDY, HABLAS MUY BIEN EN
ESPANOL. WELL, WHAT'S THE MATTER,

EN ESPANOL. WELL, WHAT'S THE
MATTER, CLIFF, YOU FEELING LEFT OUT

WELL, WHAT'S THE MATTER, CLIFF, YOU FEELING
LEFT OUT BECAUSE YOU DON'T SPEAK SPANISH?

CLIFF, YOU FEELING LEFT OUT BECAUSE YOU
DON'T SPEAK SPANISH? >> NO, I JUST LISTEN FOR

BECAUSE YOU DON'T SPEAK SPANISH?
NO, I JUST LISTEN FOR MY NAME.

NO, I JUST LISTEN FOR MY
NAME. >> DENISE, WE'RE LEAVING.

MY NAME. >> DENISE, WE'RE
LEAVING. KEEP AN EYE ON RUDY.

DENISE, WE'RE LEAVING.
KEEP AN EYE ON RUDY. >> OKAY!

KEEP AN EYE ON RUDY.
OKAY! >> THEO, LET'S GO!

OKAY! >> THEO,
LET'S GO! >> COMING!

THEO, LET'S GO! >>
COMING! >> ADIOS, PAPA.

COMING! >> ADIOS,
PAPA. [SPEAKING GIBBERISH]

WHAT?
JUST LISTEN FOR YOUR NAME.

[MUSIC]

CHESTER, CLASS WAS SUPPOSED TO
START 5 MINUTES AGO, WHERE IS DR. HUXTABLE?

TO START 5 MINUTES AGO, WHERE
IS DR. HUXTABLE? >> HE'S LATE.

WHERE IS DR. HUXTABLE? >> HE'S
LATE. >> I KNOW THAT, WHERE IS HE?

HE'S LATE. >> I KNOW THAT, WHERE
IS HE? >> MY BUSINESS IS TO LOOK AFTER

I KNOW THAT, WHERE IS HE? >> MY BUSINESS
IS TO LOOK AFTER WHAT GOES ON IN HERE.

MY BUSINESS IS TO LOOK AFTER WHAT
GOES ON IN HERE. WHAT THEY DO OUT THERE IS

WHAT GOES ON IN HERE. WHAT THEY
DO OUT THERE IS THEIR BUSINESS.

WHAT THEY DO OUT THERE IS THEIR
BUSINESS. >> WELL, WHEN HE GETS HERE, I'M

THEIR BUSINESS. >> WELL, WHEN HE GETS
HERE, I'M REALLY GONNA LET HIM HAVE IT.

WELL, WHEN HE GETS HERE, I'M REALLY GONNA LET
HIM HAVE IT. >> WELL, THAT'S YOUR BUSINESS.

REALLY GONNA LET HIM HAVE IT. >> WELL,
THAT'S YOUR BUSINESS. >> CHESTER, GREAT NEWS.

WELL, THAT'S YOUR BUSINESS. >> CHESTER,
GREAT NEWS. WE GOT OURSELVES A NEW CUSTOMER.

CHESTER, GREAT NEWS. WE GOT OURSELVES
A NEW CUSTOMER. NOW THIS IS OUR MAIN MAN.

WE GOT OURSELVES A NEW CUSTOMER. NOW THIS IS
OUR MAIN MAN. ANYTHING YOU NEED, ANYTHING YOU

NOW THIS IS OUR MAIN MAN. ANYTHING YOU NEED,
ANYTHING YOU WANT, REMEMBER, HE'LL GIVE IT

ANYTHING YOU NEED, ANYTHING YOU
WANT, REMEMBER, HE'LL GIVE IT TO YOU.

WANT, REMEMBER, HE'LL GIVE IT TO
YOU. >> CAN I HAVE A BASKETBALL?

TO YOU. >> CAN I HAVE A
BASKETBALL? >> YEAH, WE HAVE RULES.

CAN I HAVE A BASKETBALL? >> YEAH, WE
HAVE RULES. YOU TAKE A BALL, YOU HAVE TO

YEAH, WE HAVE RULES. YOU TAKE A BALL,
YOU HAVE TO LEAVE SOMETHING IN EXCHANGE.

YOU TAKE A BALL, YOU HAVE TO LEAVE SOMETHING
IN EXCHANGE. >> BUT I DON'T HAVE ANYTHING.

LEAVE SOMETHING IN EXCHANGE. >> BUT I DON'T
HAVE ANYTHING. >> THEN YOU DON'T HAVE A BALL.

BUT I DON'T HAVE ANYTHING. >> THEN YOU DON'T
HAVE A BALL. >> CHESTER, I JUST GAVE YOU

THEN YOU DON'T HAVE A BALL. >> CHESTER,
I JUST GAVE YOU A BIG BUILD UP, AND THIS IS

CHESTER, I JUST GAVE YOU A BIG BUILD UP,
AND THIS IS THE WAY YOU'RE GONNA TREAT OUR

A BIG BUILD UP, AND THIS IS THE WAY
YOU'RE GONNA TREAT OUR NEW FRIEND?

THE WAY YOU'RE GONNA TREAT OUR
NEW FRIEND? NOW SON, I KNOW YOU GOT

NEW FRIEND? NOW SON, I
KNOW YOU GOT SOMETHING.

NOW SON, I KNOW YOU GOT
SOMETHING. LET ME SEE YOUR POCKETS.

SOMETHING. LET ME SEE YOUR
POCKETS. AND I THOUGHT YOU SAID YOU

LET ME SEE YOUR POCKETS. AND I THOUGHT
YOU SAID YOU DIDN'T HAVE ANYTHING.

AND I THOUGHT YOU SAID YOU DIDN'T HAVE
ANYTHING. LOOKY HERE, A PERFECTLY GOOD

DIDN'T HAVE ANYTHING. LOOKY HERE,
A PERFECTLY GOOD PIECE OF FUZZ.

LOOKY HERE, A PERFECTLY GOOD PIECE
OF FUZZ. CHESTER, GIVE THE BOY THE BALL.

PIECE OF FUZZ. CHESTER, GIVE
THE BOY THE BALL. >> THANKS, TONY.

CHESTER, GIVE THE BOY THE BALL.
THANKS, TONY. >> YOU GOT IT.

THANKS, TONY. >> YOU GOT IT.
AND REMEMBER, YOU DON'T RETURN

YOU GOT IT. AND REMEMBER, YOU
DON'T RETURN THE BALL, YOU DON'T GET BACK

AND REMEMBER, YOU DON'T RETURN
THE BALL, YOU DON'T GET BACK THE FUZZ.

THE BALL, YOU DON'T GET BACK
THE FUZZ. >> TONY, WE GOT RULES.

THE FUZZ. >> TONY, WE GOT RULES.
DIDN'T YOU SEE THE LOOK ON

TONY, WE GOT RULES. >> DIDN'T
YOU SEE THE LOOK ON THAT BOY'S FACE?

DIDN'T YOU SEE THE LOOK ON THAT
BOY'S FACE? YOU KNOW WHAT I SAW?

THAT BOY'S FACE? YOU KNOW
WHAT I SAW? I SAW HAPPINESS.

YOU KNOW WHAT I SAW? I SAW
HAPPINESS. I SAW GRATITUDE.

I SAW HAPPINESS. I SAW
GRATITUDE. I SAW OPTIMISM.

I SAW GRATITUDE. I SAW OPTIMISM.
ALL I SAW WAS GOOD-BYE BALL.

HI CHESTER, HOW'S
EVERYTHING GOING? >> YOU LATE.

GOING? >> YOU LATE. YOUR
WHOLE CLASS BEEN UP HERE

YOU LATE. YOUR WHOLE CLASS
BEEN UP HERE YELLING AT ME.

YOUR WHOLE CLASS BEEN UP HERE
YELLING AT ME. GET HERE ON TIME.

YELLING AT ME. GET HERE
ON TIME. >> HELLO, CHESTER.

GET HERE ON TIME. >> HELLO,
CHESTER. >> WHY HELLO, MRS. HUXTABLE.

HELLO, CHESTER. >> WHY HELLO, MRS.
HUXTABLE. >> WHY ARE YOU BEING SO NICE

WHY HELLO, MRS. HUXTABLE. >>
WHY ARE YOU BEING SO NICE TO HER?

WHY ARE YOU BEING SO NICE
TO HER? SHE'S LATE TOO, CHESTER.

TO HER? SHE'S LATE TOO, CHESTER.
WELL, SHE'S LATE BUT LOOK

SHE'S LATE TOO, CHESTER. >> WELL,
SHE'S LATE BUT LOOK GOOD, YOU JUST LATE.

HEY CLIFF. >> HOW YOU DOIN',
TONY? >> YEAH IT'S GOOD TO SEE YOU.

HOW YOU DOIN', TONY? >> YEAH
IT'S GOOD TO SEE YOU. AY, DIOS MIO.

YEAH IT'S GOOD TO SEE YOU.
AY, DIOS MIO. MIRA QUE BONITA ESTA.

AY, DIOS MIO. MIRA QUE BONITA
ESTA. >> AY, MUCHAS GRACIAS.

MIRA QUE BONITA ESTA. >> AY,
MUCHAS GRACIAS. DONDE ESTA LA CLASE?

AY, MUCHAS GRACIAS. DONDE
ESTA LA CLASE? >> ARRIBA EN SALON

DONDE ESTA LA CLASE? >>
ARRIBA EN SALON VEINTE CINCO.

ARRIBA EN SALON VEINTE
CINCO. >> PUES, ME VOY.

VEINTE CINCO. >>
PUES, ME VOY. >> SI.

PUES, ME VOY. >> SI.
I'M JUST LISTENING FOR

SI. >> I'M JUST
LISTENING FOR MY NAME.

I'M JUST LISTENING FOR MY
NAME. >> I BETTER GET GOING.

MY NAME. >> I BETTER GET GOING.
LISTEN, BEFORE YOU GO, COME

I BETTER GET GOING. >> LISTEN, BEFORE
YOU GO, COME INTO THE OFFICE, I HAVE THOSE

LISTEN, BEFORE YOU GO, COME INTO THE OFFICE,
I HAVE THOSE PAMPHLETS YOU WANTED ABOUT

INTO THE OFFICE, I HAVE THOSE PAMPHLETS
YOU WANTED ABOUT TENANTS' RIGHTS.

PAMPHLETS YOU WANTED ABOUT
TENANTS' RIGHTS. >> OH, THAT'S RIGHT.

TENANTS' RIGHTS. >> OH, THAT'S
RIGHT. >> HEY CHESTER, GOT A BALL?

OH, THAT'S RIGHT. >> HEY
CHESTER, GOT A BALL? THANKS.

HEY CHESTER, GOT A BALL? THANKS.
CHESTER IS THAT ALL YOU'VE GOT?

I'LL TAKE THIS ONE.

TENANTS' RIGHTS PAMPHLETS, TENANTS'
RIGHTS PAMPHLETS, ALL RIGHT, HERE WE GO.

TENANTS' RIGHTS PAMPHLETS, ALL RIGHT,
HERE WE GO. >> TONY, HOW DO YOU EVER FIND

ALL RIGHT, HERE WE GO. >> TONY, HOW
DO YOU EVER FIND ANYTHING IN HERE?

TONY, HOW DO YOU EVER FIND ANYTHING
IN HERE? >> CLAIR, WHAT'S A MESS TO YOU

ANYTHING IN HERE? >> CLAIR,
WHAT'S A MESS TO YOU IS ORDER TO ME.

CLAIR, WHAT'S A MESS TO YOU IS ORDER
TO ME. PICK ANY SUBJECT, ANY SUBJECT.

IS ORDER TO ME. PICK ANY SUBJECT,
ANY SUBJECT. >> FIELD TRIPS.

PICK ANY SUBJECT, ANY SUBJECT.
FIELD TRIPS. >> GOOD CHOICE.

FIELD TRIPS. >> GOOD
CHOICE. PICK A YEAR.

GOOD CHOICE.
PICK A YEAR. >> 1983.

PICK A YEAR. >> 1983. >>
NO PROBLEM, NEW YORK

1983. >> NO PROBLEM,
NEW YORK OR NEW JERSEY?

NO PROBLEM, NEW YORK
OR NEW JERSEY? >> NEW JERSEY.

OR NEW JERSEY? >> NEW
JERSEY. >> THERE YOU GO.

NEW JERSEY. >> THERE YOU
GO. >> WELL, THAT DOESN'T MEAN

THERE YOU GO. >> WELL,
THAT DOESN'T MEAN ANYTHING.

WELL, THAT DOESN'T MEAN ANYTHING.
YOU JUST GOT LUCKY, THAT'S ALL.

ANYTHING. YOU JUST GOT LUCKY,
THAT'S ALL. >> YOU THINK THAT WAS LUCKY?

YOU JUST GOT LUCKY, THAT'S ALL. >>
YOU THINK THAT WAS LUCKY? >> YES.

YOU THINK THAT WAS LUCKY?
YES. >> YOU REALLY DO?

YES. >> YOU
REALLY DO? >> YES.

YOU REALLY DO? >>
YES. >> I'LL MAKE IT HARDER.

YES. >> I'LL MAKE
IT HARDER. >> OKAY.

I'LL MAKE IT HARDER. >>
OKAY. >> WATCH THIS, OKAY?

OKAY. >> WATCH
THIS, OKAY? GO 'HEAD.

WATCH THIS, OKAY? GO
'HEAD. >> DARECARE EXPENSES.

GO 'HEAD. >> DARECARE
EXPENSES. >> DAYCARE EXPENSES.

DARECARE EXPENSES. >>
DAYCARE EXPENSES. >> 1981, JUNE, 1981.

DAYCARE EXPENSES. >>
1981, JUNE, 1981. >> JUNE 1981.

1981, JUNE, 1981. >> JUNE
1981. YOU THINK I'M GONNA FAIL ON

JUNE 1981. YOU THINK I'M
GONNA FAIL ON THIS, DON'T YOU?

YOU THINK I'M GONNA FAIL
ON THIS, DON'T YOU? JUNE 1981.

THIS, DON'T YOU?
JUNE 1981. NO PROBLEM.

JUNE 1981. NO PROBLEM.
CHECK THAT OUT.

NO PROBLEM. CHECK
THAT OUT. JUNE 1981.

CHECK THAT OUT. JUNE 1981.
TONY, YOU KNOW YOU CRAZY.

JUNE 1981. >> TONY, YOU KNOW YOU
CRAZY. >> SURE I'M CRAZY, THAT'S WHY

TONY, YOU KNOW YOU CRAZY. >> SURE
I'M CRAZY, THAT'S WHY I'M THE BOSS HERE.

SURE I'M CRAZY, THAT'S WHY I'M THE
BOSS HERE. >> HEY, I'M INTERESTED IN ARTS

I'M THE BOSS HERE. >> HEY, I'M INTERESTED
IN ARTS AND CRAFTS, BUT I DON'T KNOW

HEY, I'M INTERESTED IN ARTS AND
CRAFTS, BUT I DON'T KNOW WHAT TO TAKE.

AND CRAFTS, BUT I DON'T KNOW WHAT
TO TAKE. >> WELL, WE HAVE POTTERY.

WHAT TO TAKE. >> WELL, WE
HAVE POTTERY. >> WHO TEACHES IT?

WELL, WE HAVE POTTERY. >>
WHO TEACHES IT? >> MR. ADLEMAN.

WHO TEACHES IT? >> MR. ADLEMAN.
WELL, THEN THERE'S OIL PAINTING.

MR. ADLEMAN. WELL, THEN THERE'S
OIL PAINTING. >> WHO TEACHES THAT?

WELL, THEN THERE'S OIL PAINTING. >>
WHO TEACHES THAT? >> MR. BURKESS.

WHO TEACHES THAT? >>
MR. BURKESS. WELL, THERE'S

MR. BURKESS. WELL,
THERE'S FLOWER ARRANGING.

WELL, THERE'S FLOWER
ARRANGING. >> WHO TEACHES THAT?

FLOWER ARRANGING. >> WHO
TEACHES THAT? >> MS. ENGSTRUM.

WHO TEACHES THAT? >>
MS. ENGSTRUM. >> I'LL TAKE IT.

MS. ENGSTRUM. >> I'LL
TAKE IT. HEY, WAIT A MINUTE,

I'LL TAKE IT. HEY, WAIT A
MINUTE, WHAT DO YOU TEACH?

HEY, WAIT A MINUTE, WHAT DO YOU
TEACH? >> I DO LEGAL COUNSELING,

WHAT DO YOU TEACH? >> I DO
LEGAL COUNSELING, AND I'M MARRIED.

I DO LEGAL COUNSELING, AND I'M
MARRIED. >> I'LL STICK WITH MS. ENGSTRUM.

AND I'M MARRIED. >> I'LL STICK WITH MS.
ENGSTRUM. >> I'LL SEE YOU LATER, TONY.

I'LL STICK WITH MS. ENGSTRUM. >> I'LL SEE
YOU LATER, TONY. >> I'LL SEE YOU, CLAIR.

I HAVE 30 SECONDS TILL MY NEXT SESSION,
I NEED A FIX. >> WELL, BRING IT OVER HERE.

NEXT SESSION, I NEED A FIX. >> WELL, BRING IT
OVER HERE. I GOT A FEELING THE PSYCHOLOGIST

WELL, BRING IT OVER HERE. I GOT A FEELING THE
PSYCHOLOGIST IS HAVING A VERY ROUGH MORNING.

I GOT A FEELING THE PSYCHOLOGIST IS HAVING
A VERY ROUGH MORNING. >> VERY ROUGH, I HAD

IS HAVING A VERY ROUGH MORNING. >>
VERY ROUGH, I HAD FOUR SESSIONS IN A ROW.

VERY ROUGH, I HAD FOUR SESSIONS
IN A ROW. >> OH, THAT DESERVES A KISS.

FOUR SESSIONS IN A ROW. >> OH, THAT
DESERVES A KISS. >> I JUST WANTED TO SEE

OH, THAT DESERVES A KISS. >> I
JUST WANTED TO SEE THE MAN I LOVE.

I JUST WANTED TO SEE THE
MAN I LOVE. >> OH, THAT DESERVES

THE MAN I LOVE. >> OH, THAT
DESERVES ANOTHER KISS.

OH, THAT DESERVES ANOTHER
KISS. HAVE YOU ANY IDEA HOW ROUGH

ANOTHER KISS. HAVE YOU ANY IDEA
HOW ROUGH A DAY I'VE HAD TODAY?

HAVE YOU ANY IDEA HOW ROUGH A
DAY I'VE HAD TODAY? >> SAY NO MORE.

A DAY I'VE HAD TODAY? >>
SAY NO MORE. >> I HEAR YOU.

SAY NO MORE. >> I HEAR YOU.
WILL THAT DO YOU TILL LUNCH?

I HEAR YOU. >> WILL THAT DO YOU TILL
LUNCH? >> ONE MORE LITTLE ONE WILL DO.

WILL THAT DO YOU TILL LUNCH? >> ONE MORE LITTLE
ONE WILL DO. >> I'LL SEE YOU AT THE USUAL

ONE MORE LITTLE ONE WILL DO.
I'LL SEE YOU AT THE USUAL PLACE?

I'LL SEE YOU AT THE USUAL
PLACE? >> YES, YOU WILL.

PLACE? >> YES, YOU WILL.
YOU BRING A TABLECLOTH,

YES, YOU WILL. >> YOU BRING A
TABLECLOTH, I'LL BRING THE FOOD.

YOU BRING A TABLECLOTH, I'LL
BRING THE FOOD. >> I'LL BE THERE.

MR. CASTILLO! >> YEAH.
COME HERE PLEASE.

YEAH. >> COME HERE PLEASE.
THEO, WHAT'S GOING ON?

COME HERE PLEASE. >> THEO, WHAT'S
GOING ON? >> I WAS OUTSIDE PLAYING BALL,

THEO, WHAT'S GOING ON? >> I WAS
OUTSIDE PLAYING BALL, AND I SAW TWO KIDS

I WAS OUTSIDE PLAYING BALL,
AND I SAW TWO KIDS BEATIN' HIM UP.

AND I SAW TWO KIDS
BEATIN' HIM UP. >> YOU OKAY?

BEATIN' HIM UP. >> YOU OKAY?
YOU LOOK A LITTLE BANGED UP.

YOU OKAY? YOU LOOK A LITTLE
BANGED UP. >> HE WON'T TALK.

YOU LOOK A LITTLE BANGED UP. >> HE
WON'T TALK. >> YOU KNOW WHAT, THEO?

HE WON'T TALK. >> YOU KNOW WHAT,
THEO? I THINK YOUR FATHER SHOULD TAKE

YOU KNOW WHAT, THEO? I THINK
YOUR FATHER SHOULD TAKE A LOOK AT THIS.

I THINK YOUR FATHER SHOULD TAKE A
LOOK AT THIS. WHY DON'T YOU GET HIM?

A LOOK AT THIS. WHY DON'T
YOU GET HIM? >> I'LL GO GET HIM.

WHY DON'T YOU GET HIM? >> I'LL
GO GET HIM. >> HEY CHESTER, GIVE ME

I'LL GO GET HIM. >> HEY CHESTER,
GIVE ME THE FIRST AID KIT, PLEASE.

HEY CHESTER, GIVE ME THE FIRST
AID KIT, PLEASE. >> I HAVEN'T SEEN THIS

THE FIRST AID KIT, PLEASE. >> I
HAVEN'T SEEN THIS ONE BEFORE.

I HAVEN'T SEEN THIS
ONE BEFORE. >> NO, HUH?

ONE BEFORE. >> NO, HUH?
WHAT'S YOUR NAME, SON?

NO, HUH? WHAT'S YOUR NAME,
SON? YOU NEW AROUND HERE?

WHAT'S YOUR NAME, SON? YOU NEW
AROUND HERE? >> MAYBE HE CAN'T HEAR.

YOU NEW AROUND HERE? >> MAYBE HE
CAN'T HEAR. >> WELL NO, I THINK HE HEARD

MAYBE HE CAN'T HEAR. >>
WELL NO, I THINK HE HEARD THAT.

WELL NO, I THINK HE HEARD
THAT. >> MAYBE HE CAN'T TALK.

THAT. >> MAYBE HE
CAN'T TALK. >> I CAN TALK.

MAYBE HE CAN'T TALK. >> I CAN
TALK. >> WELL, THEN WHY DON'T YOU

I CAN TALK. >> WELL, THEN WHY
DON'T YOU TELL US YOUR NAME?

WELL, THEN WHY DON'T YOU TELL US
YOUR NAME? I MEAN AT LEAST LOOK AT ME.

TELL US YOUR NAME? I MEAN AT LEAST LOOK
AT ME. OKAY, IF YOU'RE GONNA LOOK OVER

I MEAN AT LEAST LOOK AT ME. OKAY, IF YOU'RE
GONNA LOOK OVER THERE, I'M GONNA GO OVER THERE.

OKAY, IF YOU'RE GONNA LOOK OVER THERE, I'M
GONNA GO OVER THERE. AH, COME ON, I'M NOT THAT

THERE, I'M GONNA GO OVER THERE.
AH, COME ON, I'M NOT THAT UGLY NOW.

AH, COME ON, I'M NOT THAT
UGLY NOW. >> THERE HE IS, DAD.

UGLY NOW. >> THERE
HE IS, DAD. >> HEY, CLIFF.

THERE HE IS, DAD.
HEY, CLIFF. >> HI SON.

HEY, CLIFF. >> HI SON.
LET ME TAKE A LOOK AT IT.

HI SON. LET ME TAKE A LOOK
AT IT. >> HE'S NOT VERY TALKATIVE.

LET ME TAKE A LOOK AT IT. >> HE'S NOT VERY
TALKATIVE. >> ALL RIGHT, COME ON AROUND.

HE'S NOT VERY TALKATIVE. >> ALL RIGHT,
COME ON AROUND. OF COURSE, YOU WOULDN'T BE

ALL RIGHT, COME ON AROUND. OF COURSE,
YOU WOULDN'T BE TALKATIVE IF SOME PEOPLE

OF COURSE, YOU WOULDN'T BE TALKATIVE
IF SOME PEOPLE BEAT YOU UP, MAN.

TALKATIVE IF SOME PEOPLE BEAT
YOU UP, MAN. I REMEMBER GUYS IN

BEAT YOU UP, MAN. I REMEMBER GUYS
IN THE NEIGHBORHOOD I WAS IN WHEN

I REMEMBER GUYS IN THE NEIGHBORHOOD I WAS
IN WHEN I SMALL USED TO BEAT ME UP UNTIL

THE NEIGHBORHOOD I WAS IN WHEN I SMALL USED
TO BEAT ME UP UNTIL I DEVELOPED A THING CALLED

I SMALL USED TO BEAT ME UP UNTIL I
DEVELOPED A THING CALLED THE STARE...

I DEVELOPED A THING CALLED THE
STARE... >> AND IT NEVER FOOLED ANYBODY,

THE STARE... >> AND IT NEVER FOOLED
ANYBODY, THAT'S WHEN HE INVENTED

AND IT NEVER FOOLED ANYBODY, THAT'S
WHEN HE INVENTED SOMETHING CALLED THE RUN.

THAT'S WHEN HE INVENTED SOMETHING CALLED
THE RUN. >> BETTER BELIEVE IT AND THAT

SOMETHING CALLED THE RUN. >> BETTER BELIEVE
IT AND THAT WORKED BETTER THAN THE STARE.

WELL, I'LL TELL YOU SOMETHING,
MR. CASTILLO IS A VERY NICE PERSON TO KNOW.

MR. CASTILLO IS A VERY NICE PERSON
TO KNOW. YOU OUGHT TO MAKE HIM YOUR

A VERY NICE PERSON TO KNOW. YOU OUGHT TO
MAKE HIM YOUR FRIEND, NOT BECAUSE BIG GUYS

YOU OUGHT TO MAKE HIM YOUR FRIEND, NOT BECAUSE
BIG GUYS WILL JUMP ON YA AND BEAT YA UP

FRIEND, NOT BECAUSE BIG GUYS WILL JUMP ON YA
AND BEAT YA UP BUT BECAUSE HE'S IN CHARGE OF

WILL JUMP ON YA AND BEAT YA UP BUT BECAUSE
HE'S IN CHARGE OF THE PING-PONG TABLE.

BUT BECAUSE HE'S IN CHARGE OF THE PING-PONG
TABLE. AND IF YOU WANT A PING-PONG

THE PING-PONG TABLE. AND IF YOU WANT A
PING-PONG TABLE, SEE, AND HE'S YOUR BUDDY,

AND IF YOU WANT A PING-PONG TABLE, SEE, AND
HE'S YOUR BUDDY, YOU GET UP THERE AND YOU SAY,

TABLE, SEE, AND HE'S YOUR BUDDY, YOU GET UP
THERE AND YOU SAY, "MR. CASTILLO, CAN I HAVE

YOU GET UP THERE AND YOU SAY, "MR.
CASTILLO, CAN I HAVE A PING-PONG TABLE?"

"MR. CASTILLO, CAN I HAVE A PING-PONG
TABLE?" AND HE'LL JUST BUMP PEOPLE RIGHT

A PING-PONG TABLE?" AND HE'LL JUST BUMP
PEOPLE RIGHT OFF SO YOU CAN GET IN THERE,

AND HE'LL JUST BUMP PEOPLE RIGHT OFF
SO YOU CAN GET IN THERE, YOU UNDERSTAND?

OFF SO YOU CAN GET IN THERE, YOU
UNDERSTAND? YOU LIKE PING-PONG?

YOU UNDERSTAND? YOU LIKE
PING-PONG? >> YOU LIKE BASKETBALL?

YOU LIKE PING-PONG? >> YOU
LIKE BASKETBALL? >> CARDS?

YOU LIKE BASKETBALL? >>
CARDS? >> PUBLIC SPEAKING.

CARDS? >> PUBLIC
SPEAKING. OH, BOY.

PUBLIC SPEAKING. OH, BOY.
WELL, NO CHARGE FOR THAT.

OH, BOY. WELL, NO CHARGE
FOR THAT. >> THANKS.

WELL, NO CHARGE FOR THAT.
THANKS. THANK YOU, CLIFF.

THANKS. THANK YOU,
CLIFF. >> YOU GOT IT.

THANK YOU, CLIFF. >>
YOU GOT IT. >> AH-HA.

YOU GOT IT. >> AH-HA. I
DON'T THINK YOU SHOULD HAVE

AH-HA. I DON'T THINK YOU
SHOULD HAVE DONE THAT, MMM-MMM.

I DON'T THINK YOU SHOULD HAVE DONE THAT,
MMM-MMM. 'CAUSE YOU'RE LOOKING AT ONE OF

DONE THAT, MMM-MMM. 'CAUSE YOU'RE LOOKING
AT ONE OF THE GREAT CHESS PLAYERS OF ALL

'CAUSE YOU'RE LOOKING AT ONE OF THE
GREAT CHESS PLAYERS OF ALL TIME, UNBEATEN.

THE GREAT CHESS PLAYERS OF ALL TIME,
UNBEATEN. IN FACT I'M SO CONFIDENT, I'M

TIME, UNBEATEN. IN FACT I'M SO CONFIDENT,
I'M GONNA SIT DOWN AND LET YOU MAKE

IN FACT I'M SO CONFIDENT, I'M GONNA SIT
DOWN AND LET YOU MAKE THE FIRST MOVE.

GONNA SIT DOWN AND LET YOU MAKE
THE FIRST MOVE. >> INTERESTING MOVE.

[MUSIC]

[MUSIC]

NOW YOU WANT TO PLAY
CHESS? ALL RIGHT. YOU GOT IT.

ALL RIGHT. YOU GOT IT.
YOU MAKE THE FIRST MOVE.

YOU GOT IT. YOU MAKE
THE FIRST MOVE. YEAH.

YOU MAKE THE FIRST MOVE. YEAH.
NOW YOU DON'T HAVE TOO MUCH TO

YEAH. NOW YOU DON'T HAVE
TOO MUCH TO SAY, NOW, SON.

NOW YOU DON'T HAVE TOO MUCH TO SAY,
NOW, SON. BUT BEFORE THIS GAME IS OVER,

SAY, NOW, SON. BUT BEFORE THIS GAME
IS OVER, YOU'RE GONNA BE SAYING THINGS

BUT BEFORE THIS GAME IS OVER, YOU'RE GONNA BE
SAYING THINGS LIKE "UNCLE, MERCY, I GIVE UP

YOU'RE GONNA BE SAYING THINGS LIKE "UNCLE,
MERCY, I GIVE UP AND WHOA, CHECK OUT THAT MOVE."

LIKE "UNCLE, MERCY, I GIVE UP AND WHOA,
CHECK OUT THAT MOVE." >> YOU TALK A LOT.

AND WHOA, CHECK OUT THAT MOVE." >>
YOU TALK A LOT. >> WELL, YOU DON'T GIVE ME

YOU TALK A LOT. >> WELL,
YOU DON'T GIVE ME MUCH CHOICE.

WELL, YOU DON'T GIVE ME MUCH
CHOICE. YOU'RE NOT EXACTLY A MOTOR

MUCH CHOICE. YOU'RE NOT
EXACTLY A MOTOR MOUTH, YOU KNOW.

YOU'RE NOT EXACTLY A MOTOR MOUTH,
YOU KNOW. >> I ONLY TALK WHEN I HAVE

MOUTH, YOU KNOW. >> I ONLY TALK
WHEN I HAVE SOMETHING TO SAY.

I ONLY TALK WHEN I HAVE SOMETHING
TO SAY. >> YEAH, BUT I LIKE TO KNOW

SOMETHING TO SAY. >> YEAH, BUT I LIKE
TO KNOW THE NAMES OF THE PEOPLE I BEAT

YEAH, BUT I LIKE TO KNOW THE NAMES OF THE
PEOPLE I BEAT IN CHESS, AND I'M NOT EVEN

THE NAMES OF THE PEOPLE I BEAT IN CHESS,
AND I'M NOT EVEN ASKING FOR YOUR LAST NAME.

IN CHESS, AND I'M NOT EVEN ASKING FOR YOUR
LAST NAME. I'M ONLY ASKING FOR YOUR FIRST.

ASKING FOR YOUR LAST NAME. I'M ONLY
ASKING FOR YOUR FIRST. >> CHECKMATE.

I'M ONLY ASKING FOR YOUR FIRST. >>
CHECKMATE. >> THE ONE WORD I DIDN'T WANT TO

CHECKMATE. >> THE ONE WORD I
DIDN'T WANT TO HEAR YOU SAY, "CHECKMATE."

THE ONE WORD I DIDN'T WANT TO HEAR YOU SAY,
"CHECKMATE." I REALLY DON'T BELIEVE YOU

HEAR YOU SAY, "CHECKMATE." I
REALLY DON'T BELIEVE YOU DID THAT.

SO IN SPITE OF WHAT ANYONE SAYS,
YOU ARE NOT EATING FOR TWO PEOPLE.

SAYS, YOU ARE NOT EATING
FOR TWO PEOPLE. >> AWWW.

TWO PEOPLE. >> AWWW.
NO, NO, NO, NO, NO.

AWWW. >> NO, NO, NO, NO,
NO. YOU'RE EATING FOR ONLY

NO, NO, NO, NO, NO. YOU'RE
EATING FOR ONLY ONE PERSON.

YOU'RE EATING FOR ONLY ONE
PERSON. PLEASE, I DON'T CARE WHAT YOU

ONE PERSON. PLEASE, I DON'T CARE
WHAT YOU FEEL LIKE WHEN YOU SIT DOWN AT

PLEASE, I DON'T CARE WHAT YOU FEEL LIKE WHEN
YOU SIT DOWN AT BREAKFAST, YOU ARE NOT TO EAT

FEEL LIKE WHEN YOU SIT DOWN AT BREAKFAST, YOU
ARE NOT TO EAT A SEVEN-COURSE MEAL THINKING

BREAKFAST, YOU ARE NOT TO EAT A SEVEN-COURSE
MEAL THINKING THAT YOU'RE DOING A WONDERFUL

A SEVEN-COURSE MEAL THINKING THAT YOU'RE
DOING A WONDERFUL JOB FOR THAT CHILD.

THAT YOU'RE DOING A WONDERFUL JOB
FOR THAT CHILD. ALL RIGHT, NOW I HAVE A FEW

JOB FOR THAT CHILD. ALL RIGHT, NOW I
HAVE A FEW MINUTES LEFT, ANY QUESTIONS?

ALL RIGHT, NOW I HAVE A FEW
MINUTES LEFT, ANY QUESTIONS? YES.

MINUTES LEFT, ANY QUESTIONS?
YES. >> DR. HUXTABLE, THIS IS MY

YES. >> DR. HUXTABLE, THIS IS
MY FIRST BABY, AND I'VE TALKED TO

DR. HUXTABLE, THIS IS MY FIRST BABY, AND
I'VE TALKED TO WOMEN IN THE CLASS WHO'VE HAD

FIRST BABY, AND I'VE TALKED TO WOMEN IN
THE CLASS WHO'VE HAD NATURAL CHILDBIRTH.

WOMEN IN THE CLASS WHO'VE
HAD NATURAL CHILDBIRTH. >> YES.

NATURAL CHILDBIRTH. >>
YES. >> I HEAR SCARY THINGS.

YES. >> I HEAR SCARY THINGS.
HOW INTENSE WILL THE PAIN BE

I HEAR SCARY THINGS. HOW INTENSE
WILL THE PAIN BE DURING THE DELIVERY?

HOW INTENSE WILL THE PAIN BE
DURING THE DELIVERY? >> IT DEPENDS.

DURING THE DELIVERY? >> IT DEPENDS.
FOR SOME PEOPLE, SOME WOMEN,

IT DEPENDS. FOR SOME
PEOPLE, SOME WOMEN, IT'S...

FOR SOME PEOPLE, SOME WOMEN,
IT'S... AND THEN OTHERS IT'S...

IT'S... AND THEN OTHERS
IT'S... IT'S LIKE I DON'T KNOW.

AND THEN OTHERS IT'S... IT'S LIKE I DON'T
KNOW. ALL I CAN SAY IS THAT YOU OUGHT

IT'S LIKE I DON'T KNOW. ALL I CAN SAY IS
THAT YOU OUGHT NOT THINK OF IT AS PAIN BUT

ALL I CAN SAY IS THAT YOU OUGHT NOT THINK
OF IT AS PAIN BUT MORE LIKE AN UNCOMFORTABLE

NOT THINK OF IT AS PAIN BUT MORE
LIKE AN UNCOMFORTABLE CONTRACTION.

MORE LIKE AN UNCOMFORTABLE
CONTRACTION. >> HA!

MRS. MITCHELL, YOU HAVE SOMETHING
TO SAY? >> DOCTOR, I'VE GIVEN BIRTH TO

SOMETHING TO SAY? >> DOCTOR, I'VE GIVEN
BIRTH TO TWO CHILDREN AND WHAT I HAD

DOCTOR, I'VE GIVEN BIRTH TO TWO
CHILDREN AND WHAT I HAD WAS PAIN.

TWO CHILDREN AND WHAT I HAD WAS
PAIN. >> BUT I THINK THAT WHEN YOU'RE

WAS PAIN. >> BUT I THINK THAT WHEN
YOU'RE TALKING TO MRS. RODRIGUEZ,

BUT I THINK THAT WHEN YOU'RE TALKING TO
MRS. RODRIGUEZ, WE WANT YOU TO BE MORE OF

TALKING TO MRS. RODRIGUEZ, WE WANT YOU
TO BE MORE OF A POSITIVE INFLUENCE ON HER.

WE WANT YOU TO BE MORE OF A
POSITIVE INFLUENCE ON HER. PLEASE.

A POSITIVE INFLUENCE ON HER.
PLEASE. >> DOCTOR, I KNOW YOU'VE

PLEASE. >> DOCTOR, I KNOW
YOU'VE DELIVERED OVER 50 MILLION

DOCTOR, I KNOW YOU'VE DELIVERED OVER
50 MILLION BABIES, BUT IN MY CASE, TWO OUT

DELIVERED OVER 50 MILLION BABIES, BUT IN
MY CASE, TWO OUT OF TWO TIMES IT FELT LIKE

BABIES, BUT IN MY CASE, TWO OUT OF TWO TIMES
IT FELT LIKE SOMEBODY TRIED TO RIP MY...

OF TWO TIMES IT FELT LIKE SOMEBODY TRIED TO
RIP MY... >> I UNDERSTAND, YES, YES, YES,

SOMEBODY TRIED TO RIP MY... >> I
UNDERSTAND, YES, YES, YES, YES.

I UNDERSTAND, YES, YES, YES,
YES. >> I HAVE A QUESTION, DOCTOR.

YES. >> I HAVE A QUESTION, DOCTOR.
I'M DREAMING MORE THAN EVER.

I HAVE A QUESTION, DOCTOR. I'M
DREAMING MORE THAN EVER. IS THAT NORMAL?

I'M DREAMING MORE THAN
EVER. IS THAT NORMAL? >> SURE.

IS THAT NORMAL? >> SURE. >>
YES BUT MY DREAMS ARE GETTING

SURE. >> YES BUT MY DREAMS ARE
GETTING SO STRANGE 'CAUSE LIKE THE OTHER

YES BUT MY DREAMS ARE GETTING SO STRANGE
'CAUSE LIKE THE OTHER NIGHT I DREAMT THAT I WAS

SO STRANGE 'CAUSE LIKE THE OTHER NIGHT I
DREAMT THAT I WAS AN ENGINEER ON A TRAIN, AND I

NIGHT I DREAMT THAT I WAS AN ENGINEER ON A
TRAIN, AND I LOOKED OUT AND I SAW MY HUSBAND

AN ENGINEER ON A TRAIN, AND I LOOKED OUT
AND I SAW MY HUSBAND TIED TO THE TRACKS.

LOOKED OUT AND I SAW MY HUSBAND TIED TO
THE TRACKS. SO I GRABBED THE HAND BREAK,

TIED TO THE TRACKS. SO I GRABBED THE
HAND BREAK, BUT I PULL IT AND IT BROKE OFF.

SO I GRABBED THE HAND BREAK, BUT I
PULL IT AND IT BROKE OFF. [CLAPPING]

I... I THINK THAT THIS FORM OF SUBCONSCIOUS
RESENTMENT TOWARDS THE HUSBAND IS QUITE NORMAL.

SUBCONSCIOUS RESENTMENT TOWARDS THE HUSBAND
IS QUITE NORMAL. >> I'M GLAD YOU SAID THAT,

THE HUSBAND IS QUITE NORMAL. >> I'M GLAD YOU
SAID THAT, DR. HUXTABLE, BECAUSE LAST WEEK

I'M GLAD YOU SAID THAT, DR. HUXTABLE, BECAUSE
LAST WEEK I DREAMT MY HUSBAND AND I WERE

DR. HUXTABLE, BECAUSE LAST WEEK I DREAMT
MY HUSBAND AND I WERE IN OUR APARTMENT.

I DREAMT MY HUSBAND AND I WERE IN OUR
APARTMENT. WELL, HE GAVE ME FLOWERS.

IN OUR APARTMENT. WELL, HE GAVE ME
FLOWERS. HE COOKED ME DINNER AND THEN

WELL, HE GAVE ME FLOWERS. HE COOKED ME
DINNER AND THEN KING KONG CLIMBED UP THE SIDE

HE COOKED ME DINNER AND THEN KING KONG CLIMBED
UP THE SIDE OF THE BUILDING, REACHED IN,

KING KONG CLIMBED UP THE SIDE OF THE BUILDING,
REACHED IN, GRABBED MY HUSBAND AND DROPPED

OF THE BUILDING, REACHED IN, GRABBED MY
HUSBAND AND DROPPED HIM TO THE FLOOR.

GRABBED MY HUSBAND AND
DROPPED HIM TO THE FLOOR. [LAUGHING]

GOOD FOR YOU. LAST NIGHT I
HAD A DREAM ABOUT MY HUSBAND.

LAST NIGHT I HAD A DREAM
ABOUT MY HUSBAND. WE WERE...

MY HUSBAND. WE
WERE... >> MRS. MITCHELL.

WE WERE... >> MRS. MITCHELL.
I THINK THAT'S ALL FOR

MRS. MITCHELL. I THINK THAT'S
ALL FOR DESTROYING THE HUSBAND.

I THINK THAT'S ALL FOR DESTROYING THE
HUSBAND. NOW I WANT TO THANK ALL OF YOU

DESTROYING THE HUSBAND. NOW I WANT TO THANK
ALL OF YOU FOR THE FOOD THAT YOU BROUGHT

NOW I WANT TO THANK ALL OF YOU FOR THE
FOOD THAT YOU BROUGHT FOR MY FAMILY AND ME.

FOR THE FOOD THAT YOU BROUGHT FOR MY FAMILY
AND ME. YOU ALL TAKE CARE OF YOURSELVES.

FOR MY FAMILY AND ME. YOU ALL TAKE CARE
OF YOURSELVES. WE'LL SEE YOU IN 2 WEEKS.

YOU ALL TAKE CARE OF YOURSELVES.
WE'LL SEE YOU IN 2 WEEKS. >> THANK YOU.

WE'LL SEE YOU IN 2 WEEKS.
THANK YOU. >> THANK YOU.

THANK YOU. >> THANK YOU. >>
AND DOCTOR, PLEASE BE ON TIME

THANK YOU. >> AND DOCTOR,
PLEASE BE ON TIME NEXT CLASS.

AND DOCTOR, PLEASE BE ON TIME
NEXT CLASS. >> OR ELSE YOU'LL GIVE ME PAIN.

NEXT CLASS. >> OR ELSE YOU'LL
GIVE ME PAIN. I KNOW THAT, YES.

OR ELSE YOU'LL GIVE ME
PAIN. I KNOW THAT, YES. >> HEY.

I KNOW THAT, YES. >> HEY.
HI CLAIR, HOW YOU DOIN'?

HEY. >> HI CLAIR, HOW
YOU DOIN'? >> I'M FINE.

HI CLAIR, HOW YOU DOIN'? >> I'M
FINE. >> WHEN YOU WERE CARRYING, DID

I'M FINE. >> WHEN YOU WERE CARRYING,
DID YOU HAVE ANY DREAMS ABOUT ME?

WHEN YOU WERE CARRYING, DID YOU
HAVE ANY DREAMS ABOUT ME? >> ONCE I DID.

YOU HAVE ANY DREAMS ABOUT
ME? >> ONCE I DID. >> REALLY?

ONCE I DID. >>
REALLY? >> MMM-HMM.

REALLY? >> MMM-HMM.
YOU KNOW THAT MACHINE IN

MMM-HMM. YOU KNOW THAT
MACHINE IN THE JUNK YARD THAT CRUSHES

YOU KNOW THAT MACHINE IN THE JUNK
YARD THAT CRUSHES THE CARS LIKE THIS...?

THE JUNK YARD THAT CRUSHES THE
CARS LIKE THIS...? >> WAS I IN THE CAR?

THE CARS LIKE THIS...? >>
WAS I IN THE CAR? [LAUGHING]

WAS I IN THE CAR?
[LAUGHING] >> MRS. HUXTABLE.

[LAUGHING] >> MRS.
HUXTABLE. COMO ESTAS?

MRS. HUXTABLE. COMO
ESTAS? TIEMPO QUE NO LE VEO.

COMO ESTAS? TIEMPO
QUE NO LE VEO. ENCANTADO.

TIEMPO QUE NO LE VEO.
ENCANTADO. OIGA, DÉJAME DECIR

ENCANTADO. OIGA, DÉJAME
DECIR A UN SUENO QUE LE

OIGA, DÉJAME DECIR A UN SUENO
QUE LE ESTABA DICIENDO A SU MARIDO.

A UN SUENO QUE LE ESTABA DICIENDO
A SU MARIDO. BUENO, ESTABA MI MARIDO

ESTABA DICIENDO A SU MARIDO. BUENO, ESTABA
MI MARIDO Y YO EN EL APARTAMENTO, ¿NO?

BUENO, ESTABA MI MARIDO Y YO EN EL
APARTAMENTO, ¿NO? VIENE KING KONG,

Y YO EN EL APARTAMENTO, ¿NO?
VIENE KING KONG, HIZO ASÍ... AGARRANDO

VIENE KING KONG, HIZO ASÍ...
AGARRANDO A MI MARIDO Y LO DEJÓ CAER.

HIZO ASÍ... AGARRANDO A MI MARIDO Y
LO DEJÓ CAER. >> YO TUVE LA MISMA COSA.

A MI MARIDO Y LO DEJÓ CAER. >> YO
TUVE LA MISMA COSA. >> ¿NO ME DIGAS?

YO TUVE LA MISMA COSA. >>
¿NO ME DIGAS? >> SÍ, ES VERDAD.

¿NO ME DIGAS? >> SÍ, ES VERDAD.
SABES LA MÁQUINA QUE DESTRUYE

SÍ, ES VERDAD. SABES LA MÁQUINA
QUE DESTRUYE LOS CARROS QUE COMO ASÍ...

COME ON, LET'S GO, DEAR. >>
POBRECITO. TIENE QUE APRENDERLE

POBRECITO. TIENE QUE
APRENDERLE EL ESPANOL.

TIENE QUE APRENDERLE EL ESPANOL.
POR SUPESTO, POR SUPESTO.

EL ESPANOL. >> POR SUPESTO,
POR SUPESTO. >> SI, CREO QUE SI.

POR SUPESTO, POR SUPESTO. >> SI, CREO
QUE SI. >> YEAH, WELL, I JUST LISTEN FOR

SI, CREO QUE SI. >> YEAH, WELL, I
JUST LISTEN FOR MY NAME, THAT'S ALL.

[MUSIC]

LUNCH IS BEING SERVED. >> OOH TONY, IF WE
WERE MARRIED, YOU THINK WE'D STILL DO THIS?

OOH TONY, IF WE WERE MARRIED, YOU THINK
WE'D STILL DO THIS? >> OF COURSE WE WOULD.

YOU THINK WE'D STILL DO THIS? >> OF COURSE
WE WOULD. THIS HAPPENS TO BE MY FAVORITE

OF COURSE WE WOULD. THIS HAPPENS
TO BE MY FAVORITE PART OF EVERY DAY.

THIS HAPPENS TO BE MY FAVORITE
PART OF EVERY DAY. >> MINE TOO.

PART OF EVERY DAY. >> MINE
TOO. >> YEAH, THAT'S WHY YOU GOT

MINE TOO. >> YEAH, THAT'S WHY
YOU GOT THE CHEESEBURGER DELUXE,

YEAH, THAT'S WHY YOU GOT THE CHEESEBURGER
DELUXE, AND I GOT THE ROAST BEEF.

THE CHEESEBURGER DELUXE, AND I GOT
THE ROAST BEEF. >> SALENA, HEAD'S UP!

AND I GOT THE ROAST BEEF.
SALENA, HEAD'S UP! SORRY.

SALENA, HEAD'S UP! SORRY.
TONY, IS THERE ANYONE

SORRY. >> TONY, IS
THERE ANYONE AROUND US?

TONY, IS THERE ANYONE
AROUND US? >> NOT THAT I CAN SEE.

AROUND US? >> NOT
THAT I CAN SEE. >> WHOA.

NOT THAT I CAN SEE. >>
WHOA. KISSING IN THE PARK.

WHOA. KISSING
IN THE PARK. HA, HA!

KISSING IN THE PARK. HA,
HA! >> DO YOU BELIEVE IT?

HA, HA! >> DO YOU BELIEVE IT? THE
ONLY CHANCE WE HAVE TODAY TO

DO YOU BELIEVE IT? THE ONLY CHANCE WE HAVE
TODAY TO GET TOGETHER, THESE TWO HAVE TO

THE ONLY CHANCE WE HAVE TODAY TO GET TOGETHER,
THESE TWO HAVE TO FIND US AND COME IN

GET TOGETHER, THESE TWO HAVE TO
FIND US AND COME IN AND BOTHER US.

FIND US AND COME IN AND BOTHER
US. >> WELL, WE'RE ON OUR WAY OUT.

AND BOTHER US. >> WELL, WE'RE ON OUR
WAY OUT. BUT I JUST WANTED TO SAY THAT,

WELL, WE'RE ON OUR WAY OUT. BUT I JUST WANTED
TO SAY THAT, SALENA, YOU'RE A BEAUTIFUL

BUT I JUST WANTED TO SAY THAT, SALENA, YOU'RE
A BEAUTIFUL PERSON TO SIT HERE IN THE PARK

SALENA, YOU'RE A BEAUTIFUL PERSON TO SIT HERE
IN THE PARK AND HAVE LUNCH WITH A MAN WHO

PERSON TO SIT HERE IN THE PARK AND HAVE
LUNCH WITH A MAN WHO BLEW $2.19 ON YOU.

AND HAVE LUNCH WITH A MAN WHO BLEW
$2.19 ON YOU. >> TWO DOLLARS AND FIFTY-NINE

BLEW $2.19 ON YOU. >> TWO
DOLLARS AND FIFTY-NINE CENTS.

TWO DOLLARS AND FIFTY-NINE
CENTS. >> OH, I BEG YOUR PARDON.

CENTS. >> OH, I BEG YOUR PARDON.
NOW, SALENA, IF YOU HAVE ANY

OH, I BEG YOUR PARDON. NOW, SALENA, IF
YOU HAVE ANY BRAVERY AT ALL, YOU WILL LEAVE

NOW, SALENA, IF YOU HAVE ANY BRAVERY AT ALL,
YOU WILL LEAVE THIS MAN AND COME TO OUR HOUSE

BRAVERY AT ALL, YOU WILL LEAVE THIS MAN AND
COME TO OUR HOUSE BECAUSE THE WONDERFUL LADIES

THIS MAN AND COME TO OUR HOUSE BECAUSE THE
WONDERFUL LADIES THAT I HAD THE MEETING WITH

BECAUSE THE WONDERFUL LADIES THAT I HAD THE
MEETING WITH TODAY COOKED SOME FOOD FOR ME.

THAT I HAD THE MEETING WITH TODAY COOKED SOME
FOOD FOR ME. I HAVE FROM MRS. SCARVY, SOME

TODAY COOKED SOME FOOD FOR ME. I HAVE FROM
MRS. SCARVY, SOME LINGUINE AND CHEESE AND VEAL.

I HAVE FROM MRS. SCARVY, SOME LINGUINE AND
CHEESE AND VEAL. I HAVE FROM MRS. MITCHELL,

LINGUINE AND CHEESE AND VEAL. I HAVE FROM
MRS. MITCHELL, SOME RED BEANS AND RICE.

I HAVE FROM MRS. MITCHELL, SOME RED
BEANS AND RICE. AND FROM MRS. ORTEGA,

SOME RED BEANS AND RICE. AND FROM
MRS. ORTEGA, REE-SAY Y CON ZAPATOS.

AND FROM MRS. ORTEGA, REE-SAY
Y CON ZAPATOS. >> WAIT, WAIT, WAIT.

REE-SAY Y CON ZAPATOS.
WAIT, WAIT, WAIT. REE-SAY?

WAIT, WAIT, WAIT.
REE-SAY? >> REE-SAY.

REE-SAY? >> REE-SAY.
WHAT IS REE-SAY?

REE-SAY. >> WHAT
IS REE-SAY? >> RICE.

WHAT IS REE-SAY?
RICE. [LAUGHING]

RICE. [LAUGHING] >>
REE-SAY Y CON ZAPATOS.

[LAUGHING] >> REE-SAY Y CON
ZAPATOS. >> Y CON ZAPATOS.

REE-SAY Y CON ZAPATOS. >> Y
CON ZAPATOS. >> DO YOU KNOW WHAT

Y CON ZAPATOS. >> DO YOU
KNOW WHAT YOU'RE EATING?

DO YOU KNOW WHAT
YOU'RE EATING? >> NO.

YOU'RE EATING? >>
NO. >> RICE WITH SHOES.

NO. >> RICE WITH SHOES.
ARROZ CON GARBONZOS,

RICE WITH SHOES. ARROZ CON
GARBONZOS, ARROZ CON GARBONZOS.

ARROZ CON GARBONZOS, ARROZ CON
GARBONZOS. >> RIGHT, I'M GONNA EAT IT.

ARROZ CON GARBONZOS. >>
RIGHT, I'M GONNA EAT IT. OKAY.

RIGHT, I'M GONNA EAT IT.
OKAY. >> YOU KNOW SOMETHING?

OKAY. >> YOU KNOW SOMETHING?
YOU TWO ARE REALLY THE GREATEST

YOU KNOW SOMETHING? YOU TWO ARE REALLY
THE GREATEST PEOPLE, AND I WANT YOU BOTH TO

YOU TWO ARE REALLY THE GREATEST PEOPLE, AND I
WANT YOU BOTH TO KNOW SOMETHING, WE APPRECIATE

PEOPLE, AND I WANT YOU BOTH TO KNOW SOMETHING,
WE APPRECIATE ALL THE WORK YOU DO AT

KNOW SOMETHING, WE APPRECIATE
ALL THE WORK YOU DO AT THE CENTER.

ALL THE WORK YOU DO AT THE
CENTER. >> WE JUST BELIEVE, TAKE

THE CENTER. >> WE JUST BELIEVE,
TAKE A LITTLE OUT, PUT A LOT BACK IN.

WE JUST BELIEVE, TAKE A LITTLE
OUT, PUT A LOT BACK IN. >> YEAH.

A LITTLE OUT, PUT A LOT
BACK IN. >> YEAH. >> TAKE CARE.

YEAH. >> TAKE CARE. >> OKAY.

TAKE CARE. >>
OKAY. >> REE-SAY...

OKAY. >> REE-SAY...
THEO, COME ON!

REE-SAY... >> THEO,
COME ON! >> LET'S EAT UP.

THEO, COME ON! >> LET'S EAT
UP. >> TONY, NEXT TIME WE EAT AT

LET'S EAT UP. >> TONY, NEXT TIME WE
EAT AT THIS RESTAURANT, DO YOU THINK

TONY, NEXT TIME WE EAT AT THIS RESTAURANT,
DO YOU THINK YOU CAN GET US A BOOTH?

THIS RESTAURANT, DO YOU THINK YOU
CAN GET US A BOOTH? >> OH, YEAH, YOU BET.

YOU CAN GET US A BOOTH? >> OH,
YEAH, YOU BET. I GOT CONNECTIONS.

OH, YEAH, YOU BET. I GOT
CONNECTIONS. >> EXCUSE ME.

I GOT CONNECTIONS. >> EXCUSE
ME. ARE YOU MR. CASTILLO?

EXCUSE ME. ARE YOU
MR. CASTILLO? >> YES, I AM.

ARE YOU MR. CASTILLO? >> YES, I
AM. >> THE MAN AT THE DESK SAID

YES, I AM. >> THE MAN AT THE
DESK SAID I'D FIND YOU OUT HERE.

THE MAN AT THE DESK SAID I'D
FIND YOU OUT HERE. I'M SONYA TERRON,

I'D FIND YOU OUT HERE. I'M
SONYA TERRON, ENRIQUE'S MOTHER.

I'M SONYA TERRON, ENRIQUE'S
MOTHER. >> ENRIQUE, WHO'S THAT?

ENRIQUE'S MOTHER. >> ENRIQUE,
WHO'S THAT? >> SMALL BOY, CURLY HAIR.

ENRIQUE, WHO'S THAT? >> SMALL BOY,
CURLY HAIR. YOU FIXED HIS HAND TODAY.

SMALL BOY, CURLY HAIR. YOU FIXED HIS
HAND TODAY. >> OF COURSE, PLEASE, PLEASE,

YOU FIXED HIS HAND TODAY. >> OF
COURSE, PLEASE, PLEASE, SIT DOWN.

OF COURSE, PLEASE, PLEASE, SIT
DOWN. >> OH, I DON'T WANT TO INTERRUPT

SIT DOWN. >> OH, I DON'T WANT
TO INTERRUPT YOUR LUNCH.

OH, I DON'T WANT TO INTERRUPT YOUR
LUNCH. >> OH, NO, NO, PLEASE, PLEASE,

YOUR LUNCH. >> OH, NO, NO,
PLEASE, PLEASE, SIT DOWN.

OH, NO, NO, PLEASE, PLEASE,
SIT DOWN. THIS IS MY GOOD FRIEND,

SIT DOWN. THIS IS MY
GOOD FRIEND, SALENA CRUZ.

THIS IS MY GOOD FRIEND,
SALENA CRUZ. >> HOW DO YOU DO?

SALENA CRUZ. >> HOW DO YOU
DO? >> SHE'S A COUNSELOR AT

HOW DO YOU DO? >> SHE'S
A COUNSELOR AT THE CENTER.

SHE'S A COUNSELOR AT THE
CENTER. >> NICE TO MEET YOU.

THE CENTER. >> NICE TO MEET
YOU. ENRIQUE CALLED ME TODAY

NICE TO MEET YOU. ENRIQUE
CALLED ME TODAY FROM YOUR CENTER.

ENRIQUE CALLED ME TODAY FROM YOUR
CENTER. HE WAS AFRAID TO COME HOME

FROM YOUR CENTER. HE WAS AFRAID TO
COME HOME BECAUSE HE'D BEEN IN A FIGHT.

HE WAS AFRAID TO COME HOME BECAUSE HE'D
BEEN IN A FIGHT. THANK YOU FOR EVERYTHING

BECAUSE HE'D BEEN IN A FIGHT. THANK
YOU FOR EVERYTHING YOU'VE DONE.

THANK YOU FOR EVERYTHING YOU'VE
DONE. >> I REALLY HAVEN'T DONE

YOU'VE DONE. >> I REALLY
HAVEN'T DONE ANYTHING AT ALL.

I REALLY HAVEN'T DONE ANYTHING
AT ALL. AS A MATTER OF FACT, ENRIQUE

ANYTHING AT ALL. AS A MATTER OF FACT,
ENRIQUE WOULDN'T EVEN SPEAK TO ME.

AS A MATTER OF FACT, ENRIQUE WOULDN'T EVEN
SPEAK TO ME. IF YOU HADN'T SHOWN UP TODAY,

WOULDN'T EVEN SPEAK TO ME. IF YOU HADN'T
SHOWN UP TODAY, I WOULDN'T EVEN KNOW HIS NAME.

IF YOU HADN'T SHOWN UP TODAY, I WOULDN'T EVEN
KNOW HIS NAME. >> YOU SHOULD FEEL FLATTERED

I WOULDN'T EVEN KNOW HIS NAME. >> YOU SHOULD
FEEL FLATTERED HE STAYED HERE SO LONG.

YOU SHOULD FEEL FLATTERED HE
STAYED HERE SO LONG. IT MEANS HE LIKES YOU.

HE STAYED HERE SO LONG. IT MEANS HE
LIKES YOU. >> WELL, IF HE LIKES ME, HOW

IT MEANS HE LIKES YOU. >> WELL, IF HE
LIKES ME, HOW COME HE DOESN'T SPEAK TO ME?

WELL, IF HE LIKES ME, HOW COME HE DOESN'T
SPEAK TO ME? >> HE'S BEEN THAT WAY EVER SINCE

COME HE DOESN'T SPEAK TO ME? >> HE'S
BEEN THAT WAY EVER SINCE HIS FATHER DIED.

HE'S BEEN THAT WAY EVER SINCE
HIS FATHER DIED. HE WAS A POLICEMAN.

HIS FATHER DIED. HE WAS A
POLICEMAN. HE WAS KILLED IN THE LINE

HE WAS A POLICEMAN. HE WAS KILLED
IN THE LINE OF DUTY 5 YEARS AGO.

HE WAS KILLED IN THE LINE OF DUTY 5
YEARS AGO. AND THE MAN WHO SHOT HIM WAS

OF DUTY 5 YEARS AGO. AND THE MAN WHO SHOT
HIM WAS RELEASED FROM PRISON A YEAR AGO.

AND THE MAN WHO SHOT HIM WAS RELEASED FROM
PRISON A YEAR AGO. WELL, EVER SINCE THAT TIME,

RELEASED FROM PRISON A YEAR AGO. WELL, EVER
SINCE THAT TIME, ENRIQUE FINDS IT HARD TO TALK TO

WELL, EVER SINCE THAT TIME, ENRIQUE
FINDS IT HARD TO TALK TO STRANGERS.

ENRIQUE FINDS IT HARD TO TALK
TO STRANGERS. >> I UNDERSTAND.

STRANGERS. >> I UNDERSTAND.
DON'T LET MY SON FOOL YOU,

I UNDERSTAND. >> DON'T LET MY
SON FOOL YOU, AT HOME HE'S LIKE THIS...

DON'T LET MY SON FOOL YOU,
AT HOME HE'S LIKE THIS... >> NO.

AT HOME HE'S LIKE THIS... >> NO.
DO YOU KNOW WHERE HE IS?

NO. >> DO YOU KNOW WHERE
HE IS? >> NO, I DON'T, BUT I'LL FIND

DO YOU KNOW WHERE HE IS? >>
NO, I DON'T, BUT I'LL FIND HIM FOR YOU.

NO, I DON'T, BUT I'LL FIND HIM
FOR YOU. >> NO, NO, YOU STAY.

HIM FOR YOU. >> NO, NO,
YOU STAY. FINISH YOUR LUNCH.

NO, NO, YOU STAY. FINISH
YOUR LUNCH. I'LL FIND HIM.

FINISH YOUR LUNCH. I'LL FIND
HIM. >> WELL, I'M GLAD TO HAVE

I'LL FIND HIM. >> WELL,
I'M GLAD TO HAVE MET YOU.

WELL, I'M GLAD TO HAVE MET
YOU. YOU KNOW, YOU HAVE A VERY,

MET YOU. YOU KNOW, YOU
HAVE A VERY, VERY SPECIAL BOY.

YOU KNOW, YOU HAVE A VERY, VERY
SPECIAL BOY. AND YOU TELL ENRIQUE ANYTIME

VERY SPECIAL BOY. AND YOU TELL ENRIQUE
ANYTIME HE WANTS TO COME TO THE CENTER,

AND YOU TELL ENRIQUE ANYTIME HE WANTS
TO COME TO THE CENTER, HE'S WELCOME.

HE WANTS TO COME TO THE
CENTER, HE'S WELCOME. >> I WILL.

HE'S WELCOME.
I WILL. BYE-BYE.

I WILL. BYE-BYE. >> BYE-BYE.

BYE-BYE. >> BYE-BYE.
WHAT A NICE WOMAN.

BYE-BYE. >> WHAT A NICE
WOMAN. >> OH, YEAH, SHE IS.

WHAT A NICE WOMAN. >> OH, YEAH,
SHE IS. >> HEY LISTEN, WE GOTTA GET TO

OH, YEAH, SHE IS. >> HEY LISTEN, WE
GOTTA GET TO THIS CHEESEBURGER DELUXE, MAN,

HEY LISTEN, WE GOTTA GET TO THIS CHEESEBURGER
DELUXE, MAN, THAT COST ME A LOT OF MONEY.

THIS CHEESEBURGER DELUXE, MAN, THAT
COST ME A LOT OF MONEY. >> WELL, OKAY.

THAT COST ME A LOT OF MONEY. >>
WELL, OKAY. >> AND YOU DIDN'T EVEN

WELL, OKAY. >> AND YOU DIDN'T
EVEN OFFER ME A FRENCH FRY.

AND YOU DIDN'T EVEN OFFER
ME A FRENCH FRY. >> OH, HERE.

OFFER ME A FRENCH FRY. >> OH,
HERE. UH-OH, I THINK WE'RE BEING

OH, HERE. UH-OH, I
THINK WE'RE BEING WATCHED.

UH-OH, I THINK WE'RE
BEING WATCHED. >> OH.

WATCHED. >> OH. OH,
YOU'RE GONNA GET IT.

OH. OH, YOU'RE GONNA GET IT.
YOUR MOTHER WAS HERE LOOKING

OH, YOU'RE GONNA GET IT. YOUR
MOTHER WAS HERE LOOKING FOR YOU.

YOUR MOTHER WAS HERE
LOOKING FOR YOU. >> I KNOW.

FOR YOU. >> I KNOW.
ENRIQUE, COME ON.

I KNOW. >> ENRIQUE, COME ON.
WELL, I HOPE I SEE YOU AGAIN.

ENRIQUE, COME ON. >> WELL, I HOPE
I SEE YOU AGAIN. >> MAYBE YOU WILL,

WELL, I HOPE I SEE YOU AGAIN. >>
MAYBE YOU WILL, MAYBE YOU WON'T.

MAYBE YOU WILL, MAYBE
YOU WON'T. >> SO LONG, ENRIQUE.

MAYBE YOU WON'T. >> SO LONG,
ENRIQUE. >> MY FRIENDS CALL ME PAPO.

[MUSIC]

[SINGING]

CLIFF, YOU ARE HAVING LINGUINE WITH
VEAL MIXED WITH ARROZ CON GARBONZOS MIXED

LINGUINE WITH VEAL MIXED WITH ARROZ CON
GARBONZOS MIXED WITH GERMAN CHOCOLATE CAKE.

WITH ARROZ CON GARBONZOS MIXED WITH GERMAN
CHOCOLATE CAKE. >> MMM-HMM, I CAN HANDLE IT.

WITH GERMAN CHOCOLATE CAKE. >> MMM-HMM, I CAN
HANDLE IT. >> DO YOU REMEMBER WHAT YOU SAID

MMM-HMM, I CAN HANDLE IT. >> DO YOU REMEMBER
WHAT YOU SAID ABOUT THE CENTER TODAY?

DO YOU REMEMBER WHAT YOU
SAID ABOUT THE CENTER TODAY? >> YES.

ABOUT THE CENTER TODAY? >>
YES. >> WELL, DARLING, I THINK THAT

YES. >> WELL, DARLING, I THINK
THAT YOU ARE PUTTIN' IN A LITTLE BIT

WELL, DARLING, I THINK THAT YOU ARE PUTTIN'
IN A LITTLE BIT MORE THAN YOU'RE TAKING OUT.

LISTEN, WHEN THOSE LADIES NEXT WEEK ASK ME
HOW WAS IT, I HAVE TO TELL THEM HOW IT WAS.

NEXT WEEK ASK ME HOW WAS IT, I HAVE TO TELL
THEM HOW IT WAS. >> WHAT'S WRONG WITH THEM,

I HAVE TO TELL THEM HOW IT WAS. >>
WHAT'S WRONG WITH THEM, CAN'T THEY SEE?

WHAT'S WRONG WITH THEM, CAN'T
THEY SEE? >> DAD, WE BOTH HAVE TO ASK YOU

CAN'T THEY SEE? >> DAD, WE BOTH HAVE
TO ASK YOU SOMETHING AND I THINK DENISE

DAD, WE BOTH HAVE TO ASK YOU SOMETHING
AND I THINK DENISE SHOULD GO FIRST.

SOMETHING AND I THINK DENISE SHOULD
GO FIRST. >> UH-UH, VANESSA YOU'RE GOING

SHOULD GO FIRST. >> UH-UH,
VANESSA YOU'RE GOING FIRST.

UH-UH, VANESSA YOU'RE GOING
FIRST. >> WELL, IT REALLY DOESN'T MAKE

FIRST. >> WELL, IT REALLY DOESN'T
MAKE ANY DIFFERENCE WHO GOES FIRST,

WELL, IT REALLY DOESN'T MAKE ANY
DIFFERENCE WHO GOES FIRST, DOES IT?

ANY DIFFERENCE WHO GOES FIRST,
DOES IT? >> DADDY, YES IT DOES.

DOES IT? >> DADDY, YES IT
DOES. IT'S KNOWN IN THIS HOUSE

DADDY, YES IT DOES. IT'S KNOWN IN
THIS HOUSE THAT WHOEVER GOES FIRST GETS

IT'S KNOWN IN THIS HOUSE THAT
WHOEVER GOES FIRST GETS TURNED DOWN.

THAT WHOEVER GOES FIRST GETS TURNED
DOWN. >> WELL, THAT'S NOT ALTOGETHER

TURNED DOWN. >> WELL,
THAT'S NOT ALTOGETHER TRUE.

WELL, THAT'S NOT
ALTOGETHER TRUE. NOW WHAT IS IT?

TRUE. NOW WHAT IS
IT? >> DADDY, CAN I...

NOW WHAT IS IT? >>
DADDY, CAN I... >> YES.

DADDY, CAN I...
YES. >> HA, HA, HA!

YES. >> HA, HA,
HA! >> THANK YOU.

HA, HA, HA! >> THANK
YOU. >> WELCOME.

THANK YOU. >> WELCOME. >>
DOES THIS MEAN YOU'RE GONNA

WELCOME. >> DOES THIS MEAN
YOU'RE GONNA SAY NO TO WHAT I WANT?

DOES THIS MEAN YOU'RE GONNA
SAY NO TO WHAT I WANT? >> YES.

SAY NO TO WHAT I WANT? >>
YES. >> MOM, THAT'S NOT FAIR.

YES. >> MOM, THAT'S NOT FAIR.
MAYBE YOU SHOULD WAIT UNTIL

MOM, THAT'S NOT FAIR. >> MAYBE
YOU SHOULD WAIT UNTIL HE'S DONE EATING.

MAYBE YOU SHOULD WAIT
UNTIL HE'S DONE EATING. >> OKAY.

HE'S DONE EATING.
OKAY. >> DAD, CAN I...

OKAY. >> DAD, CAN I...
NO, NO, COME ON, MAN.

DAD, CAN I... >> NO, NO, COME
ON, MAN. EVERY TIME SOMEBODY...

NO, NO, COME ON, MAN. EVERY
TIME SOMEBODY... YOU KNOW WHAT?

EVERY TIME SOMEBODY... YOU KNOW
WHAT? I DID NOT HAVE CHILDREN SO YOU

YOU KNOW WHAT? I DID NOT HAVE CHILDREN
SO YOU ALL COULD CHANGE MY NAME TO,

I DID NOT HAVE CHILDREN SO YOU ALL
COULD CHANGE MY NAME TO, "DAD-CAN-I."

ALL COULD CHANGE MY NAME TO,
"DAD-CAN-I." YOU KNOW THE BEAUTY OF LIVING

"DAD-CAN-I." YOU KNOW THE BEAUTY
OF LIVING WITH YOU ALL IS LATE AT NIGHT

YOU KNOW THE BEAUTY OF LIVING WITH YOU ALL
IS LATE AT NIGHT TO GO DOWN THE HALLWAY,

WITH YOU ALL IS LATE AT NIGHT TO GO DOWN
THE HALLWAY, OPEN THE DOOR TO YOUR BEDROOM,

TO GO DOWN THE HALLWAY, OPEN THE DOOR TO YOUR
BEDROOM, SEE THE LIGHT FALL ON YOUR FACES

OPEN THE DOOR TO YOUR BEDROOM, SEE
THE LIGHT FALL ON YOUR FACES AND I SMILE.

SEE THE LIGHT FALL ON YOUR
FACES AND I SMILE. YOU KNOW WHY?

AND I SMILE. YOU KNOW WHY?
NOT BECAUSE YOU'RE BEAUTIFUL,

YOU KNOW WHY? NOT BECAUSE YOU'RE
BEAUTIFUL, BUT BECAUSE NOBODY'S BEGGING.

NOT BECAUSE YOU'RE BEAUTIFUL, BUT BECAUSE
NOBODY'S BEGGING. NOW WHAT IS IT YOU WANT

BUT BECAUSE NOBODY'S BEGGING.
NOW WHAT IS IT YOU WANT TO BEG FOR?

NOW WHAT IS IT YOU WANT TO
BEG FOR? >> WELL, DAD, I SAW THOSE

TO BEG FOR? >> WELL, DAD, I SAW
THOSE BASKETBALLS AT THE COMMUNITY

WELL, DAD, I SAW THOSE BASKETBALLS AT
THE COMMUNITY CENTER... CAN I GIVE THEM MY

BASKETBALLS AT THE COMMUNITY
CENTER... CAN I GIVE THEM MY NEW ONE?

I'M SORRY.

SIT DOWN. ARE YA HUNGRY? >> NO.

ARE YA HUNGRY? >> NO. >> OKAY.

NO. >> OKAY. >> CLIFF?

OKAY. >> CLIFF? >> HUH?

CLIFF? >> HUH? >> HOW
OLD WERE YOU WHEN YOUR

HUH? >> HOW OLD WERE YOU WHEN
YOUR FATHER STOPPED KISSING YOU?

HOW OLD WERE YOU WHEN YOUR FATHER
STOPPED KISSING YOU? >> HOLD OLD AM I NOW?

FATHER STOPPED KISSING YOU? >> HOLD
OLD AM I NOW? I GET A LITTLE EMBARRASSED

HOLD OLD AM I NOW? I GET A LITTLE
EMBARRASSED YOU KNOW, BUT I THINK DEEP DOWN

I GET A LITTLE EMBARRASSED YOU KNOW, BUT I
THINK DEEP DOWN INSIDE WE ALL STILL LOVE IT.

YOU KNOW, BUT I THINK DEEP DOWN INSIDE WE ALL
STILL LOVE IT. BUT I'LL TELL YOU ONE THING,

INSIDE WE ALL STILL LOVE IT. BUT I'LL
TELL YOU ONE THING, I RATHER KISS MY WIFE.

[MUSIC]

"THE COSBY SHOW" WAS VIDEOTAPED
IN FRONT OF A LIVE STUDIO AUDIENCE.