Frasier (1993–2004): Season 3, Episode 10 - It's Hard to Say Goodbye If You Won't Leave - full transcript
Roz finally manages to get Frasier to reveal the identity of "Dirty Girl", with whom he had an affair that was accidentally broadcast live on KACL. Frasier finds himself thinking about Kate constantly, and wondering if they made the right decision not to pursue any relationship. Daphne encourages him not to let fear of rejection get in his way, but just as Frasier is on the point of broaching the subject with Kate at work, she announces that she is moving to Chicago that night to start a new job. They say goodbye and that seems to be the end, but Niles decides to call around later that day with a video of Casablanca, and the ensuing conversation starts Frasier thinking again.
THIS IS DR. FRASIER CRANE.
WE'LL BE RIGHT BACK AFTER THIS.
AFTER THIS SPOT
WE'RE COMING BACK
FOR 15 SECONDS.
YOU DO A STATION I.D.
AND THEN TOSS IT TO THE NEWS.
I'LL COUNT YOU DOWN.
WON'T BE NECESSARY.
I HAVE A BUILT-IN
MENTAL STOPWATCH.
AS A CHILD PLAYING
HIDE-AND-GO-SEEK
I WAS THE ONLY ONE
THAT DIDN'T NEED TO SAY
ONE HIPPOPOTAMUS,
TWO HIPPOPOTAMUS...
FRASIER, I'VE HEARD YOU.
YOU'RE ALWAYS EITHER TALKING
INTO THE NEWS OR RUNNING SHORT.
I AM NOT.
I'LL BET YOU...
20 BUCKS YOU BLOW THIS ONE.
ALL RIGHT. YOU'RE ON.
NO. YOU ARE.
OH.
HELLO. WE'RE BACK.
THIS IS DR. FRASIER CRANE
TUNING IN FOR OUR SECOND HOUR
OF THE DR. FRASIER CRANE SHOW.
IN OUR FIRST HOUR, WE
COVERED EVERYTHING
FROM ANOREXIA TO
XENOPHOBIA. WHAT WILL BE NEXT?
AS ALWAYS, OF COURSE,
THAT'S ENTIRELY UP TO YOU.
SO STICK AROUND.
THE DOCTOR IS IN
AND HE'S LISTENING.
OH! THIS IS KACL, 780
A.M... THIS IS NBC NEWS.
[MUSIC PLAYING] I'M
MARY BETH DAVIS.
THAT WAS VERY SMOOTH.
THANK YOU.
HMM. LET'S SEE.
ONE ANDREW JACKSON,
TWO ANDREW JACKSON.
OH, STOP IT.
FRASIER, I'VE BEEN GETTING
COMPLAINTS FROM SPONSORS,
SAYING THEIR ADS ARE BURIED
IN HUGE COMMERCIAL BLOCKS.
I SEE.
INSTEAD OF HAVING
FOUR BLOCKS PER HOUR
WE'RE GOING TO HAVE EIGHT
ONLY THEY'RE GOING
TO BE HALF AS LONG.
IN FACT, IT MIGHT HELP THEM.
AND YOU WANT TO STAY
ON TOP, DON'T YOU, FRASIER?
FRASIER?
OF COURSE. VERY MUCH SO.
[LAUGHS]
GOOD.
FRASIER, WHAT WAS THAT?
WHAT WAS WHAT?
WHEN YOU WERE TALKING TO KATE
YOU HAD THIS GOOFY, LITTLE
TEENAGE LOOK ON YOUR FACE.
IF I DIDN'T KNOW BETTER
I'D SWEAR YOU GOT A
THING FOR HER. FOR KATE?
LOOK AT YOU. YOU'RE FLUSHED.
I HAD MEXICAN FOR LUNCH.
THAT IS NOT LUST.
IT'S A CHIMICHANGA.
FRASIER, I'M SORRY
BUT I'M NEVER WRONG
ABOUT THESE THINGS.
HAVE YOU LOST YOUR MIND?
LOOK ME IN THE EYE
AND TELL ME I'M WRONG.
ROZ... YOU'RE WRONG.
[GASPING] OH, MY GOD!
I'M SITTING ON A
POWDER KEG HERE.
YOU'VE GOT A CRUSH ON KATE.
NOW LISTEN. STOP IT. SHUSH.
YOU'RE THE BIGGEST
GOSSIP AT THE STATION.
YOU'RE TO BE SWORN TO SECRECY.
I SWEAR I WON'T TELL ANYONE.
DOESN'T COUNT UNTIL
YOU SHAKE MY HAND.
OH, ALL RIGHT.
ROZ, KATE AND I...
OH, MY GOD! KATE'S DIRTY GIRL!
NO, DON'T YOU LET
GO. I DID NOT SHAKE.
I WILL NOT LET GO OF IT.
DAMN IT!
KATE IS THE WOMAN
YOU HAD SEX WITH
ON THE AIR IN THIS BOOTH
AND YOU WERE
CALLING "DIRTY GIRL"?
OH, MY GOD.
I JUST NEED A MINUTE HERE.
ALL RIGHT.
OF COURSE, IT
HAPPENED MONTHS AGO.
ONLY A COUPLE OF TIMES.
UH-HUH.
THE RELATIONSHIP STARTED
OUT SO ANTAGONISTIC
AND THEN IT JUST SPILLED
OVER INTO PASSION.
IT WAS INTENSE,
ROMANTIC, EXCITING.
THE WHOLE THING'S OVER NOW.
NOW, ROZ, YOU WILL SAY
NOTHING, ABSOLUTELY NOTHING.
ROZ?
ROZ?
BOY, I'LL NEVER DO THAT AGAIN.
I NOTICE YOU'RE GRATING THAT
CARROT AT A 45-DEGREE ANGLE.
DOES THAT ENHANCE THE FLAVOR?
NO, NO. JUST AN OLD HABIT. AH.
AND WHY EXACTLY DID YOU
CHOOSE TO GRATE CARROTS?
BECAUSE WE HAVE CARROTS.
OH.
I HOPE YOU DON'T MIND
ALL THE QUESTIONS.
IT'S JUST NOW I'M SEPARATED
IT'S TIME I LEARNED
TO COOK FOR MYSELF.
IT'S QUITE ALL RIGHT.
WHY DON'T YOU GRATE
WHILE I PUT THE CHICKEN IN?
ALL RIGHT.
OOH.
THOUSANDS OF LITTLE METAL TEETH
ABLE TO TEAR THE
FLESH RIGHT OFF YOUR...
YOW!
OOH. SORRY.
NOPE. NOPE. FALSE ALARM.
NORMALLY, I BLEED LIKE
THE RUSSIAN ROYAL FAMILY
BUT NOT TODAY.
THAT'S INTERESTING. YOU PUT
A TOOTHPICK IN THAT CHICKEN.
IS THAT TO CHECK WHEN IT'S DONE?
NO. I'M JUST MARKING
WHICH ONE IS YOURS.
OH.
DR. CRANE, WOULD YOU
MIND SETTING THE TABLE?
OH, CERTAINLY. JUST GIVE A YELL
IF THERE'S ANYTHING
ELSE YOU NEED GRATED.
YOU'VE DONE ENOUGH
GRATING FOR ONE NIGHT.
[HUMMING]
WRITING A LETTER?
NO. I'M WRITING MY MEMOIRS.
I'LL TAKE THAT AS A YES.
IT'S MY OLD ARMY BUDDY.
BUT, YOU KNOW, THAT'S THE
IMPROPER USE OF A HYPHEN.
SOMEHOW I DON'T THINK
MORRY DINGMAN WILL MIND.
WELL, THEN I'M SURE HE WON'T
NOTICE THAT MISSING COMMA
AND THAT RUN-ON SENTENCE.
ALTHOUGH THIS IS A
PARTICULARLY GLARING ERROR.
IT'S BEST TO NOT END A
SENTENCE WITH A PREPOSITION.
NOT TO BE TECHNICAL, BUT
"OFF" IS A PREPOSITION TOO.
EVENING, ALL.
I HAVE TICKETS FOR THE SYMPHONY
TOMORROW. ARE YOU FREE?
WELL, ACTUALLY, NO. I
HAVE A DATE. WITH WHO?
OH, SOME WOMAN I MET
AT MY ACCOUNTANT'S.
YEAH, WHEN I WAS IN THE SERVICE
FIRST THING I'D DO
WHEN I HIT A NEW PORT
WAS GO STRAIGHT TO AN ACCOUNTANT
AND FIND OUT WHERE
THE ACTION WAS.
I MUST ADMIT I'M
HAVING A LITTLE TROUBLE
WORKING UP MY
ENTHUSIASM ABOUT IT.
IT'S NOT THE WOMAN'S FAULT.
IT'S JUST THAT I FIND MYSELF
PREOCCUPIED WITH SOMEBODY ELSE.
WELL, FRANKLY, IT'S GONE A
BIT BEYOND PREOCCUPATION.
I'M HAVING FANTASIES
ABOUT HER ALL THE TIME.
NOTHING WRONG WITH THAT.
WHEN I FIRST MET YOUR MOTHER,
SHE WAS SO UPBEAT AND BOUNCY
I USED TO FANTASIZE ABOUT HER
WEARING A SKIMPY LITTLE
CHEERLEADER OUTFIT, SHAKING...
DAD, PLEASE.
OH. GROW UP, YOU TWO.
I'M JUST SAYING IT'S
PERFECTLY NATURAL.
CAN'T TELL YOU THE
NUMBER OF TIMES
I WAS ON A STAKE-OUT IN THE COLD
PICTURING YOUR MOTHER
IN FRONT OF A FIRE
WEARING NOTHING BUT...
DAD..! OH, I'M SORRY
ONE DAY YOUR MOTHER AND
I WENT ON A CHURCH PICNIC
AND THE TWO OF YOU CAME
FLOATING DOWN THE RIVER
IN LITTLE WICKER BASKETS.
WAS THAT SO HARD?
I'M BEGINNING TO WONDER IF I HAVE
REAL FEELINGS FOR THIS WOMAN.
I MEAN, I THINK ABOUT
HER ALL THE TIME.
OH, THIS SOUNDS INTERESTING.
WHO ARE WE TALKING ABOUT?
KATE FROM THE OFFICE.
OH, DIRTY GIRL.
SHE SEEMED NICE.
[FRASIER] WELL, SHE IS NICE.
SHE'S INTELLIGENT, ACCOMPLISHED.
IF YOU THINK SO MUCH OF HER
WHY DON'T YOU ASK HER OUT?
WE AGREED WE
WOULDN'T PURSUE THINGS
AND FRANKLY, SHE HASN'T
GIVEN ME ANY INDICATION SINCE
THAT SHE'S EVEN HAD A
SECOND THOUGHT ABOUT ME.
IF FRASIER DID PURSUE
HER AND SHE REJECTED HIM
HE COULD HARDLY RATIONALIZE IT
BY SAYING "SHE DOESN'T
KNOW WHAT SHE'S MISSING."
SHE WOULD KNOW EXACTLY
WHAT SHE'S MISSING.
SHE JUST DIDN'T MISS IT.
THANK YOU, NILES.
YOU CAN'T LET FEAR OF REJECTION
STOP YOU, DR. CRANE.
WELL, YOU KNOW, DAPHNE,
IT'S JUST NOT THAT EASY.
MAYBE I'M LETTING
THIS ROMANTIC FANTASY
RUN AWAY WITH ME.
WE DON'T REALLY KNOW
EACH OTHER VERY WELL.
WHAT IF SHE DID REJECT ME?
THEN I'D END UP GOING TO WORK
EVERY DAY FEELING LIKE A FOOL.
AM I GETTING A WHIFF OF CHICKEN?
OH. FINE, DAD.
FRANKLY, I'VE HAD ENOUGH OF YOU
AND YOUR ADOLESCENT WISECRACKS.
I AM NOT CHICKEN.
I'M JUST MERELY HESITANT.
I WILL ASK HER OUT TOMORROW.
FINE. I HOPE THAT
MAKES YOU HAPPY.
I JUST THOUGHT I SMELLED DINNER.
[FRASIER] KATE, HI. THERE YOU
ARE. I WANTED TO TALK WITH YOU.
I'M GOING DOWN TO THE
BILLING DEPARTMENT.
I'LL RIDE ALONG WITH YOU.
YOU KNOW, IT SEEMS...
EVERY TIME WE SPEAK LATELY
THE CONVERSATION ALWAYS LEADS
TO RATINGS OR COMMERCIALS
OR DEMOGRAPHICS
HIRINGS AND FIRINGS,
PROMOTIONS, DEMOTIONS
THE ODD SKIRMISH OVER
THE EXPENSE ACCOUNT.
IT JUST SEEMS ALL SO
DRY AND IMPERSONAL.
DID I HIT THE RIGHT
BUTTON? OH, YEAH.
YEAH. YEAH, YOU DID. YOU DID.
YOU HIT THE RIGHT BUTTON.
I'M SORRY.
I'VE GOT A LOT ON MY MIND.
WELL, SO DO I.
KATE,
I WANTED TO ASK YOU...
FRASIER, I'M LEAVING KACL.
I'M MOVING TO CHICAGO.
WHAT?
I'M TAKING OVER
OUR STATION THERE.
IN FACT, I'M GOING OUT
ON THE RED-EYE TONIGHT.
I THOUGHT, GIVEN OUR...
YOU KNOW, OUR HISTORY
I SHOULD TELL YOU FIRST.
[KATE SIGHS]
WELL, I'M, UH...
AT A... AT A LOSS FOR WORDS.
WOULDN'T YOU KNOW IT,
ON THE DAY I'M LEAVING.
WELL, CONGRATULATIONS.
THIS IS A... IT'S A
BIG STEP FOR YOU.
YEAH. THANKS.
BOY, THIS WAS NOT
AN EASY DECISION.
BELIEVE ME.
YOU NEVER KNOW IF YOU'RE
LEAVING A PLACE TOO SOON.
ALL I KNOW IS, THAT FOR
THE TIME YOU'VE BEEN HERE
I'VE CERTAINLY
ENJOYED HAVING YOU.
OH, NOT...
HAVING YOU, YOU KNOW?
I KNOW. I KNOW WHAT YOU MEAN.
WELL...
I GUESS THIS IS GOOD-BYE.
I SUPPOSE SO.
GOOD-BYE, KATE.
MY...
DON'T YOU LOOK DASHING.
OH, WELL, THANK YOU.
SO, TELL ME ABOUT THIS
WOMAN YOU'RE GOING OUT WITH.
OH, HER NAME'S DONNA.
SHE'S AN ART DIRECTOR.
OR A PARK DIRECTOR... I FORGET.
LOOK, I KNOW YOU'RE
UPSET ABOUT KATE LEAVING
BUT CHEER UP.
THERE'S NOTHING QUITE
AS EXCITING AS A FIRST DATE.
ALL THOSE QUESTIONS YOU ASK...
"WHAT'S YOUR FAVORITE FOOD?"
"WHAT'S YOUR FAVORITE COLOR?"
"IF YOU WERE TO COME
BACK AS AN ANIMAL
WHAT SORT OF
ANIMAL WOULD YOU BE?"
IF SHE WERE TO ASK YOU THAT ONE
WHAT WOULD YOU SAY?
"CHECK, PLEASE" COMES TO MIND.
[PHONE RINGING]
HELLO.
NILES, NO ONE WAS
MEAN TO YOU LAST NIGHT.
NO, IF YOU WANT TO
COME OVER, THAT'S GREAT.
YEAH, WE'D LOVE TO SEE YOU.
OKAY, BYE.
HELLO, NILES.
NO TRAFFIC?
DAD, YOU SOUNDED LONELY,
SO I RENTED SOME MOVIES.
OH, DIDN'T YOU KNOW?
THE VCR IS BROKEN.
NO SUBTITLES THIS TIME.
OH, THAT'S RIGHT,
I GOT IT FIXED.
WHAT DID YOU BRING?
I HAVE THE WAY WE WERE,
AND A CLASSIC... CASABLANCA.
OH, I JUST LOVE THAT MOVIE.
IS THERE ANY MORE HEARTBREAKING
MOMENT IN ALL OF FILM
THAN WHEN HUMPHREY
BOGART TELLS INGRID BERGMAN
TO GET ON THAT PLANE
WITH VICTOR LASZLO
EVEN THOUGH BOGEY
LOVES HER? WHAT AN ENDING.
WELL, THERE GOES MY NEED
TO FINALLY SEE THAT ONE.
HMM. HE CARES DEEPLY FOR HER
AND YET HE LETS HER GO.
WONDER WHY BOGEY DID THAT?
WHY DON'T WE PUT THE
MOVIE IN AND FIND OUT.
BECAUSE LASZLO
NEEDED HER BY HIS SIDE
TO FIGHT THE NAZIS.
OH, FORGET THE NAZIS.
NO MAN IN HIS RIGHT MIND
WOULD GIVE UP INGRID BERGMAN.
OH, SURE... SACRIFICE
THE ENTIRE FREE WORLD
FOR A LITTLE SWEDISH MEATBALL.
LOOK, I DON'T LIKE NAZIS
BUT WHAT'S INGRID
GOING TO DO WITH LASZLO?
YOU'RE MISSING THE POINT.
WHAT MAKES THE MOVIE SO ROMANTIC
IS SEEING BOGEY GO
FROM A CYNICAL PLAYBOY
TO A NOBLE,
SELF-SACRIFICING PATRIOT.
WELL, WHY DON'T YOU JUST
PUT ON SOME TRENCH
COATS AND ACT IT OUT?
I'M TELLING YOU, IF
YOU'RE IN HIS SHOES
YOU'VE ONLY GOT ONE CHOICE.
GET DOWN TO THE AIRPORT AND
TELL HER TO GET OFF THE PLANE.
SHE'S GOING TO FIGHT THE NAZIS!
NO, SHE'S GOING TO CHICAGO
TO TURN A COUNTRY STATION
INTO AN ALL-TALK FORMAT.
WHERE ARE YOU GOING?
TO STOP KATE FROM
GETTING ON THAT PLANE.
YOUR DATE'S GOING TO BE HERE.
WHAT WILL WE TELL HER?
TELL HER I'M VISITING
A SICK FRIEND.
BETTER YET, JUST
TELL HER THE TRUTH.
SOMETIMES TWO PEOPLE
AREN'T MEANT TO BE TOGETHER.
OHH... IT'S JUST LIKE
REDFORD AND STREISAND
AT THE END OF THE WAY WE WERE.
AND THAT'S ANOTHER
ONE DOWN THE DRAIN.
THANK YOU SO MUCH.
FRASIER...
DON'T SAY ANYTHING. JUST LISTEN.
THIS AFTERNOON I
WANTED TO SAY SOMETHING
BUT WHEN I FOUND OUT YOU
WERE LEAVING, I HELD BACK.
WELL, I'M NOT HOLDING
BACK ANYMORE.
I CAN'T STOP THINKING ABOUT YOU.
NOT JUST ABOUT THE
TIMES WE MADE LOVE
BUT ABOUT THE POSSIBILITY
THAT WE MIGHT HAVE
A FUTURE TOGETHER.
IF THERE'S PART OF YOU THAT
WONDERS THE SAME THING ABOUT ME
WE OWE IT TO OURSELVES
TO SEE IT THROUGH.
SEE, IF YOU GET ON
THAT PLANE TONIGHT
WE'LL REGRET IT
MAYBE NOT TODAY, MAYBE
NOT TOMORROW, BUT SOON
AND FOR THE REST OF OUR LIVES.
ANYWAY, I...
I THINK I MADE MY POINT.
WHAT DO YOU THINK?
KATE?
MORE IMPORTANTLY...
WHAT DO YOU THINK?
OH, FOR GOD'S SAKE.
YOU'VE BEEN BAWLING
THE WHOLE MOVIE.
I HAVE NOT... MY EYES JUST ITCH.
WELL, IT TURNS OUT BOGEY
WAS RIGHT TO LET HER GO.
OH, FRASIER, WHAT
ARE YOU DOING HERE?
LOOK... DONNA STAYED
TO WATCH CASABLANCA.
DONNA, HI.
HELLO, FRASIER.
HOW'S YOUR FRIEND?
IN THE HOSPITAL.
WELL, HE'S UH, DOING
MUCH BETTER, ACTUALLY.
THEY'RE THINKING OF
SENDING HIM HOME TOMORROW.
AFTER A HEART TRANSPLANT?
WELL...
HE'S WITH AN H.M.O.
SO, UH... WHAT DO YOU
SAY WE HAVE THAT DINNER?
GREAT. I'LL JUST GRAB MY COAT.
GREAT.
KATE.
OKAY, NOW YOU LISTEN TO ME.
I WAS SO TOUCHED
BY WHAT YOU JUST
SAID AT MY APARTMENT.
YOU SAID EVERYTHING I WANTED
TO SAY FOR THE LAST TWO MONTHS.
TONY'S JUST A GUY THAT I WENT
OUT WITH A COUPLE OF TIMES.
HE JUST CAME OVER
TO SAY GOOD-BYE
BEFORE I WENT TO THE AIRPORT.
[GIGGLING] WHEN YOU SAW HIM
YOU KNOW, YOU
JUST LOOKED SO HURT.
YOU HAD A DATE WITH
HER TONIGHT TOO?
BUT APPARENTLY YOU REBOUNDED.
OH, I'M SORRY. I THOUGHT
YOU WERE SINCERE.
EXCUSE ME... HOLD THE ELEVATOR.
I WAS, KATE.
THIS WOMAN MEANS NOTHING TO ME!
THANKS A LOT.
I'M TRULY SORRY. IT
WAS VERY INCONSIDERATE
BUT THAT WOMAN MEANS
A GREAT DEAL TO ME.
I'M SURE YOU'LL HATE ME, BUT
I GOT TO DO WHAT I GOT TO DO.
I'M REALLY SORRY ABOUT THIS.
WHY DON'T YOU STAY
AND WATCH THE MOVIE?
THANK YOU, BUT I'VE
SPENT QUITE ENOUGH TIME
IN THIS HOUSE TONIGHT.
WELL.
THIS IS LUCKY. WE CAN
RIDE DOWN TOGETHER.
[FRASIER] KATE! KATE!
FRASIER!
OH, MY GOD. HI.
LISTEN, I... I KNOW
YOU'RE UPSET.
I DON'T CARE ABOUT HER.
SHE WAS A BLIND DATE
I DIDN'T WANT TO GO ON.
I WANTED TO BE WITH YOU.
I KNOW. I OVERREACTED.
I'VE BEEN STANDING
HERE FOR A HALF AN HOUR
HOPING YOU'D COME.
I NEVER THOUGHT YOU'D COME.
WE WAITED AND ALL I HAD
TO DO WAS SAY SOMETHING.
IT'S NOT YOUR FAULT. I
COULD HAVE SAID SOMETHING.
NO MATTER... WE'RE TOGETHER NOW.
YOUR BOARDING PASS, PLEASE?
YOU GO AHEAD, GO AHEAD.
LOOK, COULDN'T YOU JUST
STAY ONE MORE NIGHT?
TELL THEM YOU'LL COME
IN TOMORROW? I CAN'T.
I HAVE A BOARD MEETING
IN THE MORNING. OH, DAMN.
WELL, I'LL CALL YOU.
WHERE ARE YOU STAYING?
I'M STAYING AT THE DRAKE.
I'LL CALL YOU THE
MINUTE I GET IN.
GREAT.
WE'RE CLOSING THE
DOORS. THEY'RE CLOSING.
THIS... GOOD-BYE.
BYE.
I'LL MISS YOU.
I'LL MISS YOU.
LADIES AND GENTLEMEN, I
SPOKE WITH OUR CAPTAIN
AND WE'RE HAVING A
LITTLE TECHNICAL SNAG
SO FLIGHT 487 TO CHICAGO
WILL BE DELAYED INDEFINITELY.
I MISSED YOU!
I MISSED YOU TOO!
THAT'S FUNNY... THE
MINUTE THAT DOOR CLOSED
I STARTED PRAYING FOR SOMETHING
BAD TO HAPPEN TO YOUR PLANE.
ISN'T THIS JUST LIKE FATE?
LIKE SOMEBODY'S WILLING
US TO GET TOGETHER.
I FELT THAT WAY SINCE
THE MOMENT I MET YOU.
YEAH, ME TOO.
LOOK, WHY DON'T YOU
COME WITH ME TONIGHT?
OH, I'VE GOT TO WORK. I CAN
COME OUT NEXT WEEKEND.
OH, YEAH? OH, GREAT!
YOU KNOW WHAT?
YOU CAN MEET MY TWIN
SISTER. SHE LIVES IN CHICAGO.
YOU'VE GOT A TWIN?
YEAH.
WOW.
YOU KNOW, THERE'S SO MUCH WE
DON'T KNOW ABOUT EACH OTHER.
WELL, ASK ME. ASK ME ANYTHING.
OKAY, UM...
OH, I KNOW.
WHAT'S YOUR FAVORITE COLOR?
BLUE.
WHAT'S YOURS?
ARCTIC SILVER.
IT'S AVAILABLE ON
ALL THE BIG BMWS.
WHAT'S YOUR FAVORITE CITY?
PARIS... MUSEUM?
THE PRADA. MUSICAL?
CANDIDE. YOURS?
CATS.
REALLY?
YEAH.
WELL, I LOVE CATS.
I HAVE A CAT.
WOULD YOU LIKE TO MEET LOUIE?
OH, UH, NO-NO.
YOU KNOW, IT'S...
ALLERGIES, ALLERGIES.
OH.
I'M NOT REALLY MUCH
OF A PET PERSON.
OH, REALLY? OH, NO.
ALL RIGHT, WE'LL
WORK AROUND THAT.
YOU KNOW WHAT WE CAN
DO WHEN YOU COME OUT?
WE CAN GO JOGGING
AROUND THE LAKE.
OH, FRASIER, THE
LAKE IS SO BEAUTIFUL.
MMM.
DO YOU EVER JOG?
UH, ONCE...
IN A DARK PARKING LOT
WHEN A TRUCK BACKFIRED.
WELL, ALL RIGHT.
WE CAN DO SOMETHING
THAT YOU LIKE.
WHAT DO YOU LIKE?
WE COULD GO ANTIQUING.
YOU KNOW WHAT?
I'M NOT ONE OF THOSE PEOPLE
FOR WHOM "ANTIQUE" IS A VERB.
AH.
WELL, LISTEN, THIS IS ALL GOOD.
THE CONTRASTS BETWEEN
US WILL ONLY MAKE OUR...
OUR RELATIONSHIP MORE VIBRANT.
VIVE LE DIFFERENCE.
[MUTTERING IN FRENCH]
UGH!
[SNEEZES] OH, GOD.
LOUIE'S GETTING
TO YOU, ISN'T HE?
NO... WELL... NO,
NO, IT'S ALL RIGHT.
YOU KNOW, IF THIS IS REALLY
GOING TO BE A PROBLEM
THERE IS A SHOT.
YES
AND I UNDERSTAND THEY'RE
COMPLETELY HUMANE.
OH, YOU...
YOU MEANT AN ALLERGY
SHOT, DIDN'T YOU?
[SNEEZING]
I'M SORRY. I'M SORRY, FRASIER.
I'M JUST AFRAID IF I MOVE
LOUIE ANY FURTHER AWAY
THEY'RE GOING TO
THINK HE'S A BOMB.
IT'S ALL RIGHT, IT'S ALL RIGHT.
SO, UH, YOU WERE SAYING
THAT YOU LOVE ANIMALS.
OH, YEAH.
I THINK THAT'S ONE
OF THE MAIN THINGS
THAT MOTIVATES ME
TO WORK SO HARD.
I'VE ALWAYS HAD THIS DREAM
TO GET A RANCH IN
MONTANA, YOU KNOW?
AND SKI IN THE MORNINGS
AND RIDE HORSES
IN THE AFTERNOONS.
I'VE JUST ALWAYS
WANTED TO RAISE HORSES.
WOW.
LIFE ON A RANCH RAISING HORSES.
I'VE ALWAYS PICTURED MYSELF
IN A PENTHOUSE RAISING CHILDREN.
YOU STILL WANT MORE
CHILDREN, THEN, HUH?
YES.
YOU LIKE KIDS?
OH, YEAH.
I LOVE KIDS.
I DON'T SEE MYSELF...
MOTHERING ONE, THOUGH.
JUST TO BE ON THE SAFE SIDE
LET ME CHECK AND SEE IF
THERE'S ANOTHER FLIGHT.
YOU KNOW, IT COULDN'T HURT.
EXCUSE ME.
IS THERE ANOTHER FLIGHT
TO CHICAGO TONIGHT?
NOT UNTIL MORNING.
HOW ABOUT ON ANOTHER AIRLINE?
WELL, LET'S SEE...
AMERICAN HAS ONE
CONNECTING THROUGH ATLANTA
LEAVING IN TEN MINUTES.
ATLANTA'S GOOD. THAT'S A HUB.
BUT THEY'RE ON THE
OTHER SIDE OF THE AIRPORT.
OH, DAMN, I'LL NEVER GET THERE.
OH, LOOK, KATE.
FATE TO THE RESCUE ONCE AGAIN.
SIR, THIS WOMAN HAS TO
GET ACROSS THE TERMINAL.
HEY, PAL, THIS'LL
GO A LOT FASTER
WITH JUST ONE PERSON.
GOOD POINT.
BYE.
IT'S A PITY, THOUGH.
ISN'T IT.
WELL, LOUIE
THIS LOOKS LIKE THE BEGINNING
OF A BEAUTIFUL FRIENDSHIP.
[SNEEZES]
[CAPTIONING SPONSORED BY
PARAMOUNT TELEVISION, NBC]
[CAPTIONED BY THE CAPTION CENTER
WGBH EDUCATIONAL FOUNDATION]
WE'LL BE RIGHT BACK AFTER THIS.
AFTER THIS SPOT
WE'RE COMING BACK
FOR 15 SECONDS.
YOU DO A STATION I.D.
AND THEN TOSS IT TO THE NEWS.
I'LL COUNT YOU DOWN.
WON'T BE NECESSARY.
I HAVE A BUILT-IN
MENTAL STOPWATCH.
AS A CHILD PLAYING
HIDE-AND-GO-SEEK
I WAS THE ONLY ONE
THAT DIDN'T NEED TO SAY
ONE HIPPOPOTAMUS,
TWO HIPPOPOTAMUS...
FRASIER, I'VE HEARD YOU.
YOU'RE ALWAYS EITHER TALKING
INTO THE NEWS OR RUNNING SHORT.
I AM NOT.
I'LL BET YOU...
20 BUCKS YOU BLOW THIS ONE.
ALL RIGHT. YOU'RE ON.
NO. YOU ARE.
OH.
HELLO. WE'RE BACK.
THIS IS DR. FRASIER CRANE
TUNING IN FOR OUR SECOND HOUR
OF THE DR. FRASIER CRANE SHOW.
IN OUR FIRST HOUR, WE
COVERED EVERYTHING
FROM ANOREXIA TO
XENOPHOBIA. WHAT WILL BE NEXT?
AS ALWAYS, OF COURSE,
THAT'S ENTIRELY UP TO YOU.
SO STICK AROUND.
THE DOCTOR IS IN
AND HE'S LISTENING.
OH! THIS IS KACL, 780
A.M... THIS IS NBC NEWS.
[MUSIC PLAYING] I'M
MARY BETH DAVIS.
THAT WAS VERY SMOOTH.
THANK YOU.
HMM. LET'S SEE.
ONE ANDREW JACKSON,
TWO ANDREW JACKSON.
OH, STOP IT.
FRASIER, I'VE BEEN GETTING
COMPLAINTS FROM SPONSORS,
SAYING THEIR ADS ARE BURIED
IN HUGE COMMERCIAL BLOCKS.
I SEE.
INSTEAD OF HAVING
FOUR BLOCKS PER HOUR
WE'RE GOING TO HAVE EIGHT
ONLY THEY'RE GOING
TO BE HALF AS LONG.
IN FACT, IT MIGHT HELP THEM.
AND YOU WANT TO STAY
ON TOP, DON'T YOU, FRASIER?
FRASIER?
OF COURSE. VERY MUCH SO.
[LAUGHS]
GOOD.
FRASIER, WHAT WAS THAT?
WHAT WAS WHAT?
WHEN YOU WERE TALKING TO KATE
YOU HAD THIS GOOFY, LITTLE
TEENAGE LOOK ON YOUR FACE.
IF I DIDN'T KNOW BETTER
I'D SWEAR YOU GOT A
THING FOR HER. FOR KATE?
LOOK AT YOU. YOU'RE FLUSHED.
I HAD MEXICAN FOR LUNCH.
THAT IS NOT LUST.
IT'S A CHIMICHANGA.
FRASIER, I'M SORRY
BUT I'M NEVER WRONG
ABOUT THESE THINGS.
HAVE YOU LOST YOUR MIND?
LOOK ME IN THE EYE
AND TELL ME I'M WRONG.
ROZ... YOU'RE WRONG.
[GASPING] OH, MY GOD!
I'M SITTING ON A
POWDER KEG HERE.
YOU'VE GOT A CRUSH ON KATE.
NOW LISTEN. STOP IT. SHUSH.
YOU'RE THE BIGGEST
GOSSIP AT THE STATION.
YOU'RE TO BE SWORN TO SECRECY.
I SWEAR I WON'T TELL ANYONE.
DOESN'T COUNT UNTIL
YOU SHAKE MY HAND.
OH, ALL RIGHT.
ROZ, KATE AND I...
OH, MY GOD! KATE'S DIRTY GIRL!
NO, DON'T YOU LET
GO. I DID NOT SHAKE.
I WILL NOT LET GO OF IT.
DAMN IT!
KATE IS THE WOMAN
YOU HAD SEX WITH
ON THE AIR IN THIS BOOTH
AND YOU WERE
CALLING "DIRTY GIRL"?
OH, MY GOD.
I JUST NEED A MINUTE HERE.
ALL RIGHT.
OF COURSE, IT
HAPPENED MONTHS AGO.
ONLY A COUPLE OF TIMES.
UH-HUH.
THE RELATIONSHIP STARTED
OUT SO ANTAGONISTIC
AND THEN IT JUST SPILLED
OVER INTO PASSION.
IT WAS INTENSE,
ROMANTIC, EXCITING.
THE WHOLE THING'S OVER NOW.
NOW, ROZ, YOU WILL SAY
NOTHING, ABSOLUTELY NOTHING.
ROZ?
ROZ?
BOY, I'LL NEVER DO THAT AGAIN.
I NOTICE YOU'RE GRATING THAT
CARROT AT A 45-DEGREE ANGLE.
DOES THAT ENHANCE THE FLAVOR?
NO, NO. JUST AN OLD HABIT. AH.
AND WHY EXACTLY DID YOU
CHOOSE TO GRATE CARROTS?
BECAUSE WE HAVE CARROTS.
OH.
I HOPE YOU DON'T MIND
ALL THE QUESTIONS.
IT'S JUST NOW I'M SEPARATED
IT'S TIME I LEARNED
TO COOK FOR MYSELF.
IT'S QUITE ALL RIGHT.
WHY DON'T YOU GRATE
WHILE I PUT THE CHICKEN IN?
ALL RIGHT.
OOH.
THOUSANDS OF LITTLE METAL TEETH
ABLE TO TEAR THE
FLESH RIGHT OFF YOUR...
YOW!
OOH. SORRY.
NOPE. NOPE. FALSE ALARM.
NORMALLY, I BLEED LIKE
THE RUSSIAN ROYAL FAMILY
BUT NOT TODAY.
THAT'S INTERESTING. YOU PUT
A TOOTHPICK IN THAT CHICKEN.
IS THAT TO CHECK WHEN IT'S DONE?
NO. I'M JUST MARKING
WHICH ONE IS YOURS.
OH.
DR. CRANE, WOULD YOU
MIND SETTING THE TABLE?
OH, CERTAINLY. JUST GIVE A YELL
IF THERE'S ANYTHING
ELSE YOU NEED GRATED.
YOU'VE DONE ENOUGH
GRATING FOR ONE NIGHT.
[HUMMING]
WRITING A LETTER?
NO. I'M WRITING MY MEMOIRS.
I'LL TAKE THAT AS A YES.
IT'S MY OLD ARMY BUDDY.
BUT, YOU KNOW, THAT'S THE
IMPROPER USE OF A HYPHEN.
SOMEHOW I DON'T THINK
MORRY DINGMAN WILL MIND.
WELL, THEN I'M SURE HE WON'T
NOTICE THAT MISSING COMMA
AND THAT RUN-ON SENTENCE.
ALTHOUGH THIS IS A
PARTICULARLY GLARING ERROR.
IT'S BEST TO NOT END A
SENTENCE WITH A PREPOSITION.
NOT TO BE TECHNICAL, BUT
"OFF" IS A PREPOSITION TOO.
EVENING, ALL.
I HAVE TICKETS FOR THE SYMPHONY
TOMORROW. ARE YOU FREE?
WELL, ACTUALLY, NO. I
HAVE A DATE. WITH WHO?
OH, SOME WOMAN I MET
AT MY ACCOUNTANT'S.
YEAH, WHEN I WAS IN THE SERVICE
FIRST THING I'D DO
WHEN I HIT A NEW PORT
WAS GO STRAIGHT TO AN ACCOUNTANT
AND FIND OUT WHERE
THE ACTION WAS.
I MUST ADMIT I'M
HAVING A LITTLE TROUBLE
WORKING UP MY
ENTHUSIASM ABOUT IT.
IT'S NOT THE WOMAN'S FAULT.
IT'S JUST THAT I FIND MYSELF
PREOCCUPIED WITH SOMEBODY ELSE.
WELL, FRANKLY, IT'S GONE A
BIT BEYOND PREOCCUPATION.
I'M HAVING FANTASIES
ABOUT HER ALL THE TIME.
NOTHING WRONG WITH THAT.
WHEN I FIRST MET YOUR MOTHER,
SHE WAS SO UPBEAT AND BOUNCY
I USED TO FANTASIZE ABOUT HER
WEARING A SKIMPY LITTLE
CHEERLEADER OUTFIT, SHAKING...
DAD, PLEASE.
OH. GROW UP, YOU TWO.
I'M JUST SAYING IT'S
PERFECTLY NATURAL.
CAN'T TELL YOU THE
NUMBER OF TIMES
I WAS ON A STAKE-OUT IN THE COLD
PICTURING YOUR MOTHER
IN FRONT OF A FIRE
WEARING NOTHING BUT...
DAD..! OH, I'M SORRY
ONE DAY YOUR MOTHER AND
I WENT ON A CHURCH PICNIC
AND THE TWO OF YOU CAME
FLOATING DOWN THE RIVER
IN LITTLE WICKER BASKETS.
WAS THAT SO HARD?
I'M BEGINNING TO WONDER IF I HAVE
REAL FEELINGS FOR THIS WOMAN.
I MEAN, I THINK ABOUT
HER ALL THE TIME.
OH, THIS SOUNDS INTERESTING.
WHO ARE WE TALKING ABOUT?
KATE FROM THE OFFICE.
OH, DIRTY GIRL.
SHE SEEMED NICE.
[FRASIER] WELL, SHE IS NICE.
SHE'S INTELLIGENT, ACCOMPLISHED.
IF YOU THINK SO MUCH OF HER
WHY DON'T YOU ASK HER OUT?
WE AGREED WE
WOULDN'T PURSUE THINGS
AND FRANKLY, SHE HASN'T
GIVEN ME ANY INDICATION SINCE
THAT SHE'S EVEN HAD A
SECOND THOUGHT ABOUT ME.
IF FRASIER DID PURSUE
HER AND SHE REJECTED HIM
HE COULD HARDLY RATIONALIZE IT
BY SAYING "SHE DOESN'T
KNOW WHAT SHE'S MISSING."
SHE WOULD KNOW EXACTLY
WHAT SHE'S MISSING.
SHE JUST DIDN'T MISS IT.
THANK YOU, NILES.
YOU CAN'T LET FEAR OF REJECTION
STOP YOU, DR. CRANE.
WELL, YOU KNOW, DAPHNE,
IT'S JUST NOT THAT EASY.
MAYBE I'M LETTING
THIS ROMANTIC FANTASY
RUN AWAY WITH ME.
WE DON'T REALLY KNOW
EACH OTHER VERY WELL.
WHAT IF SHE DID REJECT ME?
THEN I'D END UP GOING TO WORK
EVERY DAY FEELING LIKE A FOOL.
AM I GETTING A WHIFF OF CHICKEN?
OH. FINE, DAD.
FRANKLY, I'VE HAD ENOUGH OF YOU
AND YOUR ADOLESCENT WISECRACKS.
I AM NOT CHICKEN.
I'M JUST MERELY HESITANT.
I WILL ASK HER OUT TOMORROW.
FINE. I HOPE THAT
MAKES YOU HAPPY.
I JUST THOUGHT I SMELLED DINNER.
[FRASIER] KATE, HI. THERE YOU
ARE. I WANTED TO TALK WITH YOU.
I'M GOING DOWN TO THE
BILLING DEPARTMENT.
I'LL RIDE ALONG WITH YOU.
YOU KNOW, IT SEEMS...
EVERY TIME WE SPEAK LATELY
THE CONVERSATION ALWAYS LEADS
TO RATINGS OR COMMERCIALS
OR DEMOGRAPHICS
HIRINGS AND FIRINGS,
PROMOTIONS, DEMOTIONS
THE ODD SKIRMISH OVER
THE EXPENSE ACCOUNT.
IT JUST SEEMS ALL SO
DRY AND IMPERSONAL.
DID I HIT THE RIGHT
BUTTON? OH, YEAH.
YEAH. YEAH, YOU DID. YOU DID.
YOU HIT THE RIGHT BUTTON.
I'M SORRY.
I'VE GOT A LOT ON MY MIND.
WELL, SO DO I.
KATE,
I WANTED TO ASK YOU...
FRASIER, I'M LEAVING KACL.
I'M MOVING TO CHICAGO.
WHAT?
I'M TAKING OVER
OUR STATION THERE.
IN FACT, I'M GOING OUT
ON THE RED-EYE TONIGHT.
I THOUGHT, GIVEN OUR...
YOU KNOW, OUR HISTORY
I SHOULD TELL YOU FIRST.
[KATE SIGHS]
WELL, I'M, UH...
AT A... AT A LOSS FOR WORDS.
WOULDN'T YOU KNOW IT,
ON THE DAY I'M LEAVING.
WELL, CONGRATULATIONS.
THIS IS A... IT'S A
BIG STEP FOR YOU.
YEAH. THANKS.
BOY, THIS WAS NOT
AN EASY DECISION.
BELIEVE ME.
YOU NEVER KNOW IF YOU'RE
LEAVING A PLACE TOO SOON.
ALL I KNOW IS, THAT FOR
THE TIME YOU'VE BEEN HERE
I'VE CERTAINLY
ENJOYED HAVING YOU.
OH, NOT...
HAVING YOU, YOU KNOW?
I KNOW. I KNOW WHAT YOU MEAN.
WELL...
I GUESS THIS IS GOOD-BYE.
I SUPPOSE SO.
GOOD-BYE, KATE.
MY...
DON'T YOU LOOK DASHING.
OH, WELL, THANK YOU.
SO, TELL ME ABOUT THIS
WOMAN YOU'RE GOING OUT WITH.
OH, HER NAME'S DONNA.
SHE'S AN ART DIRECTOR.
OR A PARK DIRECTOR... I FORGET.
LOOK, I KNOW YOU'RE
UPSET ABOUT KATE LEAVING
BUT CHEER UP.
THERE'S NOTHING QUITE
AS EXCITING AS A FIRST DATE.
ALL THOSE QUESTIONS YOU ASK...
"WHAT'S YOUR FAVORITE FOOD?"
"WHAT'S YOUR FAVORITE COLOR?"
"IF YOU WERE TO COME
BACK AS AN ANIMAL
WHAT SORT OF
ANIMAL WOULD YOU BE?"
IF SHE WERE TO ASK YOU THAT ONE
WHAT WOULD YOU SAY?
"CHECK, PLEASE" COMES TO MIND.
[PHONE RINGING]
HELLO.
NILES, NO ONE WAS
MEAN TO YOU LAST NIGHT.
NO, IF YOU WANT TO
COME OVER, THAT'S GREAT.
YEAH, WE'D LOVE TO SEE YOU.
OKAY, BYE.
HELLO, NILES.
NO TRAFFIC?
DAD, YOU SOUNDED LONELY,
SO I RENTED SOME MOVIES.
OH, DIDN'T YOU KNOW?
THE VCR IS BROKEN.
NO SUBTITLES THIS TIME.
OH, THAT'S RIGHT,
I GOT IT FIXED.
WHAT DID YOU BRING?
I HAVE THE WAY WE WERE,
AND A CLASSIC... CASABLANCA.
OH, I JUST LOVE THAT MOVIE.
IS THERE ANY MORE HEARTBREAKING
MOMENT IN ALL OF FILM
THAN WHEN HUMPHREY
BOGART TELLS INGRID BERGMAN
TO GET ON THAT PLANE
WITH VICTOR LASZLO
EVEN THOUGH BOGEY
LOVES HER? WHAT AN ENDING.
WELL, THERE GOES MY NEED
TO FINALLY SEE THAT ONE.
HMM. HE CARES DEEPLY FOR HER
AND YET HE LETS HER GO.
WONDER WHY BOGEY DID THAT?
WHY DON'T WE PUT THE
MOVIE IN AND FIND OUT.
BECAUSE LASZLO
NEEDED HER BY HIS SIDE
TO FIGHT THE NAZIS.
OH, FORGET THE NAZIS.
NO MAN IN HIS RIGHT MIND
WOULD GIVE UP INGRID BERGMAN.
OH, SURE... SACRIFICE
THE ENTIRE FREE WORLD
FOR A LITTLE SWEDISH MEATBALL.
LOOK, I DON'T LIKE NAZIS
BUT WHAT'S INGRID
GOING TO DO WITH LASZLO?
YOU'RE MISSING THE POINT.
WHAT MAKES THE MOVIE SO ROMANTIC
IS SEEING BOGEY GO
FROM A CYNICAL PLAYBOY
TO A NOBLE,
SELF-SACRIFICING PATRIOT.
WELL, WHY DON'T YOU JUST
PUT ON SOME TRENCH
COATS AND ACT IT OUT?
I'M TELLING YOU, IF
YOU'RE IN HIS SHOES
YOU'VE ONLY GOT ONE CHOICE.
GET DOWN TO THE AIRPORT AND
TELL HER TO GET OFF THE PLANE.
SHE'S GOING TO FIGHT THE NAZIS!
NO, SHE'S GOING TO CHICAGO
TO TURN A COUNTRY STATION
INTO AN ALL-TALK FORMAT.
WHERE ARE YOU GOING?
TO STOP KATE FROM
GETTING ON THAT PLANE.
YOUR DATE'S GOING TO BE HERE.
WHAT WILL WE TELL HER?
TELL HER I'M VISITING
A SICK FRIEND.
BETTER YET, JUST
TELL HER THE TRUTH.
SOMETIMES TWO PEOPLE
AREN'T MEANT TO BE TOGETHER.
OHH... IT'S JUST LIKE
REDFORD AND STREISAND
AT THE END OF THE WAY WE WERE.
AND THAT'S ANOTHER
ONE DOWN THE DRAIN.
THANK YOU SO MUCH.
FRASIER...
DON'T SAY ANYTHING. JUST LISTEN.
THIS AFTERNOON I
WANTED TO SAY SOMETHING
BUT WHEN I FOUND OUT YOU
WERE LEAVING, I HELD BACK.
WELL, I'M NOT HOLDING
BACK ANYMORE.
I CAN'T STOP THINKING ABOUT YOU.
NOT JUST ABOUT THE
TIMES WE MADE LOVE
BUT ABOUT THE POSSIBILITY
THAT WE MIGHT HAVE
A FUTURE TOGETHER.
IF THERE'S PART OF YOU THAT
WONDERS THE SAME THING ABOUT ME
WE OWE IT TO OURSELVES
TO SEE IT THROUGH.
SEE, IF YOU GET ON
THAT PLANE TONIGHT
WE'LL REGRET IT
MAYBE NOT TODAY, MAYBE
NOT TOMORROW, BUT SOON
AND FOR THE REST OF OUR LIVES.
ANYWAY, I...
I THINK I MADE MY POINT.
WHAT DO YOU THINK?
KATE?
MORE IMPORTANTLY...
WHAT DO YOU THINK?
OH, FOR GOD'S SAKE.
YOU'VE BEEN BAWLING
THE WHOLE MOVIE.
I HAVE NOT... MY EYES JUST ITCH.
WELL, IT TURNS OUT BOGEY
WAS RIGHT TO LET HER GO.
OH, FRASIER, WHAT
ARE YOU DOING HERE?
LOOK... DONNA STAYED
TO WATCH CASABLANCA.
DONNA, HI.
HELLO, FRASIER.
HOW'S YOUR FRIEND?
IN THE HOSPITAL.
WELL, HE'S UH, DOING
MUCH BETTER, ACTUALLY.
THEY'RE THINKING OF
SENDING HIM HOME TOMORROW.
AFTER A HEART TRANSPLANT?
WELL...
HE'S WITH AN H.M.O.
SO, UH... WHAT DO YOU
SAY WE HAVE THAT DINNER?
GREAT. I'LL JUST GRAB MY COAT.
GREAT.
KATE.
OKAY, NOW YOU LISTEN TO ME.
I WAS SO TOUCHED
BY WHAT YOU JUST
SAID AT MY APARTMENT.
YOU SAID EVERYTHING I WANTED
TO SAY FOR THE LAST TWO MONTHS.
TONY'S JUST A GUY THAT I WENT
OUT WITH A COUPLE OF TIMES.
HE JUST CAME OVER
TO SAY GOOD-BYE
BEFORE I WENT TO THE AIRPORT.
[GIGGLING] WHEN YOU SAW HIM
YOU KNOW, YOU
JUST LOOKED SO HURT.
YOU HAD A DATE WITH
HER TONIGHT TOO?
BUT APPARENTLY YOU REBOUNDED.
OH, I'M SORRY. I THOUGHT
YOU WERE SINCERE.
EXCUSE ME... HOLD THE ELEVATOR.
I WAS, KATE.
THIS WOMAN MEANS NOTHING TO ME!
THANKS A LOT.
I'M TRULY SORRY. IT
WAS VERY INCONSIDERATE
BUT THAT WOMAN MEANS
A GREAT DEAL TO ME.
I'M SURE YOU'LL HATE ME, BUT
I GOT TO DO WHAT I GOT TO DO.
I'M REALLY SORRY ABOUT THIS.
WHY DON'T YOU STAY
AND WATCH THE MOVIE?
THANK YOU, BUT I'VE
SPENT QUITE ENOUGH TIME
IN THIS HOUSE TONIGHT.
WELL.
THIS IS LUCKY. WE CAN
RIDE DOWN TOGETHER.
[FRASIER] KATE! KATE!
FRASIER!
OH, MY GOD. HI.
LISTEN, I... I KNOW
YOU'RE UPSET.
I DON'T CARE ABOUT HER.
SHE WAS A BLIND DATE
I DIDN'T WANT TO GO ON.
I WANTED TO BE WITH YOU.
I KNOW. I OVERREACTED.
I'VE BEEN STANDING
HERE FOR A HALF AN HOUR
HOPING YOU'D COME.
I NEVER THOUGHT YOU'D COME.
WE WAITED AND ALL I HAD
TO DO WAS SAY SOMETHING.
IT'S NOT YOUR FAULT. I
COULD HAVE SAID SOMETHING.
NO MATTER... WE'RE TOGETHER NOW.
YOUR BOARDING PASS, PLEASE?
YOU GO AHEAD, GO AHEAD.
LOOK, COULDN'T YOU JUST
STAY ONE MORE NIGHT?
TELL THEM YOU'LL COME
IN TOMORROW? I CAN'T.
I HAVE A BOARD MEETING
IN THE MORNING. OH, DAMN.
WELL, I'LL CALL YOU.
WHERE ARE YOU STAYING?
I'M STAYING AT THE DRAKE.
I'LL CALL YOU THE
MINUTE I GET IN.
GREAT.
WE'RE CLOSING THE
DOORS. THEY'RE CLOSING.
THIS... GOOD-BYE.
BYE.
I'LL MISS YOU.
I'LL MISS YOU.
LADIES AND GENTLEMEN, I
SPOKE WITH OUR CAPTAIN
AND WE'RE HAVING A
LITTLE TECHNICAL SNAG
SO FLIGHT 487 TO CHICAGO
WILL BE DELAYED INDEFINITELY.
I MISSED YOU!
I MISSED YOU TOO!
THAT'S FUNNY... THE
MINUTE THAT DOOR CLOSED
I STARTED PRAYING FOR SOMETHING
BAD TO HAPPEN TO YOUR PLANE.
ISN'T THIS JUST LIKE FATE?
LIKE SOMEBODY'S WILLING
US TO GET TOGETHER.
I FELT THAT WAY SINCE
THE MOMENT I MET YOU.
YEAH, ME TOO.
LOOK, WHY DON'T YOU
COME WITH ME TONIGHT?
OH, I'VE GOT TO WORK. I CAN
COME OUT NEXT WEEKEND.
OH, YEAH? OH, GREAT!
YOU KNOW WHAT?
YOU CAN MEET MY TWIN
SISTER. SHE LIVES IN CHICAGO.
YOU'VE GOT A TWIN?
YEAH.
WOW.
YOU KNOW, THERE'S SO MUCH WE
DON'T KNOW ABOUT EACH OTHER.
WELL, ASK ME. ASK ME ANYTHING.
OKAY, UM...
OH, I KNOW.
WHAT'S YOUR FAVORITE COLOR?
BLUE.
WHAT'S YOURS?
ARCTIC SILVER.
IT'S AVAILABLE ON
ALL THE BIG BMWS.
WHAT'S YOUR FAVORITE CITY?
PARIS... MUSEUM?
THE PRADA. MUSICAL?
CANDIDE. YOURS?
CATS.
REALLY?
YEAH.
WELL, I LOVE CATS.
I HAVE A CAT.
WOULD YOU LIKE TO MEET LOUIE?
OH, UH, NO-NO.
YOU KNOW, IT'S...
ALLERGIES, ALLERGIES.
OH.
I'M NOT REALLY MUCH
OF A PET PERSON.
OH, REALLY? OH, NO.
ALL RIGHT, WE'LL
WORK AROUND THAT.
YOU KNOW WHAT WE CAN
DO WHEN YOU COME OUT?
WE CAN GO JOGGING
AROUND THE LAKE.
OH, FRASIER, THE
LAKE IS SO BEAUTIFUL.
MMM.
DO YOU EVER JOG?
UH, ONCE...
IN A DARK PARKING LOT
WHEN A TRUCK BACKFIRED.
WELL, ALL RIGHT.
WE CAN DO SOMETHING
THAT YOU LIKE.
WHAT DO YOU LIKE?
WE COULD GO ANTIQUING.
YOU KNOW WHAT?
I'M NOT ONE OF THOSE PEOPLE
FOR WHOM "ANTIQUE" IS A VERB.
AH.
WELL, LISTEN, THIS IS ALL GOOD.
THE CONTRASTS BETWEEN
US WILL ONLY MAKE OUR...
OUR RELATIONSHIP MORE VIBRANT.
VIVE LE DIFFERENCE.
[MUTTERING IN FRENCH]
UGH!
[SNEEZES] OH, GOD.
LOUIE'S GETTING
TO YOU, ISN'T HE?
NO... WELL... NO,
NO, IT'S ALL RIGHT.
YOU KNOW, IF THIS IS REALLY
GOING TO BE A PROBLEM
THERE IS A SHOT.
YES
AND I UNDERSTAND THEY'RE
COMPLETELY HUMANE.
OH, YOU...
YOU MEANT AN ALLERGY
SHOT, DIDN'T YOU?
[SNEEZING]
I'M SORRY. I'M SORRY, FRASIER.
I'M JUST AFRAID IF I MOVE
LOUIE ANY FURTHER AWAY
THEY'RE GOING TO
THINK HE'S A BOMB.
IT'S ALL RIGHT, IT'S ALL RIGHT.
SO, UH, YOU WERE SAYING
THAT YOU LOVE ANIMALS.
OH, YEAH.
I THINK THAT'S ONE
OF THE MAIN THINGS
THAT MOTIVATES ME
TO WORK SO HARD.
I'VE ALWAYS HAD THIS DREAM
TO GET A RANCH IN
MONTANA, YOU KNOW?
AND SKI IN THE MORNINGS
AND RIDE HORSES
IN THE AFTERNOONS.
I'VE JUST ALWAYS
WANTED TO RAISE HORSES.
WOW.
LIFE ON A RANCH RAISING HORSES.
I'VE ALWAYS PICTURED MYSELF
IN A PENTHOUSE RAISING CHILDREN.
YOU STILL WANT MORE
CHILDREN, THEN, HUH?
YES.
YOU LIKE KIDS?
OH, YEAH.
I LOVE KIDS.
I DON'T SEE MYSELF...
MOTHERING ONE, THOUGH.
JUST TO BE ON THE SAFE SIDE
LET ME CHECK AND SEE IF
THERE'S ANOTHER FLIGHT.
YOU KNOW, IT COULDN'T HURT.
EXCUSE ME.
IS THERE ANOTHER FLIGHT
TO CHICAGO TONIGHT?
NOT UNTIL MORNING.
HOW ABOUT ON ANOTHER AIRLINE?
WELL, LET'S SEE...
AMERICAN HAS ONE
CONNECTING THROUGH ATLANTA
LEAVING IN TEN MINUTES.
ATLANTA'S GOOD. THAT'S A HUB.
BUT THEY'RE ON THE
OTHER SIDE OF THE AIRPORT.
OH, DAMN, I'LL NEVER GET THERE.
OH, LOOK, KATE.
FATE TO THE RESCUE ONCE AGAIN.
SIR, THIS WOMAN HAS TO
GET ACROSS THE TERMINAL.
HEY, PAL, THIS'LL
GO A LOT FASTER
WITH JUST ONE PERSON.
GOOD POINT.
BYE.
IT'S A PITY, THOUGH.
ISN'T IT.
WELL, LOUIE
THIS LOOKS LIKE THE BEGINNING
OF A BEAUTIFUL FRIENDSHIP.
[SNEEZES]
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PARAMOUNT TELEVISION, NBC]
[CAPTIONED BY THE CAPTION CENTER
WGBH EDUCATIONAL FOUNDATION]