United States of Tara (2009–2011): Season 2, Episode 4 - You Becoming You - full transcript

Max is not happy with the revelation that she didn't tell him about her alter Buck re-emerging. She agrees to find a new analyst but the person she settles on lives in New York and their sessions will be by telephone. Marshall and Courtney meanwhile continue their sexual experimentation but with interesting results for both of them. Kate poses for some of Lynda's paintings and has a suggestion on how she could make money on the works. Charmaine and her fiancé have a big announcement. While in the house next door, Tara has memories of her childhood playing with Charmaine. As Max learns, she's up to something altogether different as well.

PREVIOUSLY ON
"UNITED STATES OF TARA"...

Tara: I JUST WOKE UP AGAIN

WITH THAT WOMAN
FROM THE GROCERY STORE.

PAMMY'S GOT
JUST WHAT YOU NEED.

UH...I CAN'T DO THIS.

IT'S ALWAYS THE DISEASE'S FAULT,
ISN'T IT?

NEVER SOMEONE
JUST BEING AN ASSHOLE!

MARSHALL AND COURTNEY --
GAME ON.

Charmaine: MARSHALL SAYS
HE'S STRAIGHT NOW?

HOW IS YOUR BEARD, ANYWAY?
YOU GUYS BONING?

HOW AM I DOING?



LYNDA P. FRAZIER.

YOUR CHECK BOUNCED.
YOU OWE ME MONEY.

PRINCESS
VALHALLA HAWKWIND.

DAMN, GIRL.

WE SHOULD KNOW OUR NEIGHBORS
A LITTLE BETTER, RIGHT?

TED MAYO.
THIS IS MY PARTNER, HANY.
HI.

Max: THE HUBBARD HOUSE
IS OFFICIALLY OURS!

[ LAUGHS ]
ESCROW JUST CLOSED.

YOU NEED
A REAL CARPENTER.

HOW MUCH MONEY DID YOU GIVE HIM
FOR MATERIALS?

OH, BOY,
OH, BOY, OH, BOY.

YOU KNOW WHAT? I THINK
YOU HAVE BEEN SULLY-RIGGED.

GIVE ME BACK MY MONEY.

BUCK, I LOVE YOU.



I LOVE YOU.

ALL I'VE EVER DONE
IS BE GOOD TO YOU.

THAT'S ALL I'VE EVER DONE --
JUST BE GOOD TO YOU.

[ SOBBING ]

* OPEN UP THE SKY *

* THIS MESS IS GETTING HIGH *

* IT'S WINDY,
AND OUR FAMILY NEEDS A RIDE *

* I KNOW WE'LL BE JUST FINE *

* WHEN WE LEARN
TO LOVE THE RIDE *

* I KNOW WE'LL BE FINE *

* WHEN WE LEARN
TO LOVE THE RIDE *

* I KNOW WE'LL BE JUST FINE *

* WHEN WE LEARN
TO LOVE THE RIDE *

[ MAX GRUNTING,
WOOD CLATTERING ]

[ BREATHING HEAVILY ]

THE ANTS ARE BACK
IN THE KITCHEN.

WHAT HAPPENED
TO YOUR NECK?

A DOOR-TO-DOOR WEREWOLF.

GIVE ME THAT CROWBAR.

WHAT THE FUCK HAPPENED
LAST NIGHT? HUH?

WHO WAS THAT?

I DON'T KNOW.
I --

OH, YOU KNOW.

HER NAME IS PAMMY.

[ SIGHS ]

I SAW THAT LOOK
ON HER FACE.

SHE'S IN LOVE WITH YOU.

IT'S NOTHING.

IT'S -- IT'S BUCK.
IT'S NOT ME.

THAT IS NOT ENOUGH.

YOU KNOW BUCK.

YOU'VE KNOWN BUCK FOREVER,
THE STUFF THAT HE --

NO, IT'S YOU!

YOU WERE BETTER.

YOU FUCKING TOLD ME
YOU WERE BETTER -- FOR MONTHS!

YOU SAID
YOU WEREN'T TRANSITIONING.

I DIDN'T KNOW!

YOU FUCKING KNEW!

I GUESS...

I GUESS A PART OF ME...

YEAH.
THAT'S WHY I'M MAD.

'CAUSE YOU LIED TO ME --
NOT BUCK, NOT FUCKING ALICE.

YOU FUCKING LIED
TO ME!

SO...

WHAT DO WE DO?

WE DON'T DO ANYTHING.

YOU FUCKING GET HELP.
FIND A THERAPIST.

OKAY. I WILL.

YEAH.

YOU WILL.

GIVE ME THAT.

WHY?

'CAUSE I TOLD YOU TO.

[ CROWBAR CLANKS ]

NO.
WAIT, WAIT, WAIT, WAIT.

NOT -- NOT IN HERE.
NOT IN THIS HOUSE.

[ SIGHS ]

[ GRUNTING ]

[ DOOR OPENS, CLOSES ]

HEY, KATE.

TARA.

NO MORE "MOM," HUH?
NOW I'M JUST "TARA"?

I DON'T KNOW WHY
YOU'D BE UPSET, TARA.

I'VE CALLED YOU MANY NAMES
OVER OUR TIME TOGETHER.

OKAY.
STUPID ANT!

I'M SURE WHAT HAPPENED
LAST NIGHT WAS CONFUSING --

NOT TO ME.
I'M USED TO IT.

IS THERE A NAME YOU'D RATHER
BE CALLED, TARA, THAN "TARA"?

THAT'S FUN, KATE.
GOOD STUFF.

[ Singsong voice ]
MORNING.

I'M OFF TO WORK.

SOMEONE AROUND HERE
NEEDS TO BE A RESPONSIBLE ADULT.

ALSO, YOU HAVE GRASS
ALL OVER YOUR BACK.

SO, I FOUND THIS KILLER WEDDING
DRESS BY BADGLEY MISCHKA,

BUT IT'S
REALLY EXPENSIVE.

BUT IT'S AWESOME!

BUT I NEED
MY CHOCOLATE FOUNTAIN.

I'M NOT GETTING MARRIED
WITHOUT MY CHOCOLATE FOUNTAIN.

AND I DON'T CARE
WHAT NICK'S FAMILY SAYS --

WE ARE DANCING
DOWN THE AISLE,

AND WE ARE ALL
WEARING SUNGLASSES.

WELL, THAT SOUNDS LIKE
EVERY LITTLE GIRL'S DREAM.

SO...

LAST NIGHT?

HUH?

YOU AND MAX
WORK IT OUT?

CHARMY, I REALLY DON'T WANT
TO TALK ABOUT IT.

OH, YOU KNOW WHAT I REALIZED
THIS MORNING?

MY BEDROOM WINDOW OVERLOOKS
THE HUBBARDS' BACKYARD.

[ CLICKS TONGUE ]

THAT'S QUITE A VIEW.

[ GIGGLES ]

A GOOD THERAPIST
IN OVERLAND PARK? PLEASE.

I CAN'T EVEN FIND
A GOOD LATTE.

Hany:
THAT ONE PLACE...

THAT CAF? ATTACHED
TO THE CHRISTMAS STORE?

WITH THAT LITTLE QUEEN
BEHIND THE COUNTER?

[ SCOFFS ]

SPIRITUAL PRIDE IN A BARISTA?
I WON'T BROOK IT! I WON'T!

HE WON'T BROOK IT.

SO,
WHAT'S THE PROBLEM?

[ EXHALES SHARPLY ]

LET'S JUST SAY

I'VE BEEN SERIOUSLY
WITHOUT HELP FOR A WHILE,

AND I'VE -- I'VE --
I'VE BEEN OKAY,

BUT I THINK
I ACTUALLY NEED HELP AGAIN.

JUST GOT SOME STUFF
GOING ON WITH ME.

[ CLEARS THROAT ]

OR...MAX.

WITH ME AND MAX.
[ CHUCKLES ]

WELL, YOU'RE NOT GONNA FIND
ANYBODY AROUND HERE.

UGH!

HANY AND I WENT THROUGH
A ROCKY PERIOD

A FEW YEARS BACK --

ERECTILE DYSFUNCTION.

LET'S JUST SAY IT --
IT WAS ME.

IT WAS HIM.

WE WENT TO QUACK
AFTER QUACK AFTER QUACK.

IT WAS A DUCK POND.

SO, UH, SHRINKWISE,
I'M FUCKED?

YOU MAY BE.

BUT IN THE MEANTIME...

...TAKE THIS
FOR A SPIN.

WRITTEN BY
MY OLD THERAPIST.

OH, THE MUCH-LAUDED
SHOSHANA SCHOENBAUM, HUH?

IT'S SIMPLE STUFF,
BUT SHE'S VERY DOWN-TO-EARTH.

TILL YOU FIND
THE RIGHT DOCTOR.

YEAH,
I'LL GIVE IT A LOOK.

JUST DON'T
CRACK THE SPINE.

HE HATES THAT.

I HATE THAT.

HEY, BUDDY.

JUST IN TIME FOR A LITTLE
"BILLY JACK" ACTION.

"WHEN I SEE THIS CHILD

WHO IS SO SPECIAL
TO US..."

I KIND OF
HAVE TO GET TO SCHOOL.

"...WE CALL HIM
'GOD'S LITTLE RAY OF SUNSHINE,'

"SO DEMEANED BY THIS IDIOTIC
MOMENT OF YOURS...

I JUST GO BERSERK!"

[ GROANS ]

OH, I FUCKED MY BACK.

I THOUGHT "BILLY JACK"
WAS ABOUT NONVIOLENCE.

[ Strained ]
I DON'T KNOW.

[ SIGHS ]

SO...

I GUESS BUCK'S OUT.

YEAH, BUCK'S OUT.

YOU AND MOM OKAY?

YEAH.
WE'RE DEALING WITH IT.

I THOUGHT YOU WERE
WORKING WITH THAT GUY.

SULLY?
NO, NOT ANYMORE.

MOTHERFUCKER
TRIED TO RIP ME OFF.

SO...YOU JUST...LET THE GUY
TAKE OUR MONEY?

NO, I TOOK CARE OF IT.

HOW?

[ SIGHS ]

I KIND OF KICKED THE SHIT
OUT OF HIM.

DOES, UM...

DOES MOM KNOW?

NO.

LET'S KEEP IT THAT WAY,
OKAY, BRO?

I WAS JUST
OUT OF ART SCHOOL

AND REALIZED THAT THE CRAP
I WAS MAKING WASN'T SELLING.

MM-HMM.

LITTLE LESS TALKING,
LITTLE MORE PAINTING.

SO I STARTED MAKING
PRINCESS PAINTINGS.
[ Groaning ] OH, GOD.

MY ARM'S
FUCKING KILLING ME!

QUIT COMPLAINING.

I MEAN, AT FIRST,
I HATED MYSELF.

STARTING TO HATE YOU!

BUT THEN I REALIZED,
YOU KNOW,

AT LEAST
MY PAINTINGS WERE SELLING.

AND EVERY NOW AND THEN, I COULD
AFFORD A WHOPPER -- WITH CHEESE.

SWORD!

[ GROANS ]

SO, WHAT ARE
HER SUPERPOWERS?

DOES SHE BURN THINGS
WITH HER EYES?

DOES SHE HEAR GOOD?

DOES SHE FLY?

OH, YEAH. SHE FLIES.

WHAT ABOUT SEX?

DO I USE MY BODY
LIKE A WEAPON,

LIKE POISON IVY
ON BATMAN?

I MEAN,
I'M PRETTY FUCKABLE.

NO.
THE PRINCESS DON'T FUCK.

BECAUSE SHE WON'T?

BECAUSE SHE CAN'T.

GOT IT.

LIKE BARBIE -- NO HOLES.

[ LAUGHS ]

[ LAUGHS ]

HEY, MAX, I WAS JUST --

I FIGURE
WE COULD DO IT THERE.

SURE. YEAH.
MAKES SENSE.

I-I MEAN, WE COULD...

NO, IT --
THIS SEEMS RIGHT.

CLASSIC.

YEAH, IT'S, UH...

IT'S WHAT YOU'D EXPECT,
YOU KNOW?

A BED.

WHAT'D YOU TELL MS. WATKINS
TO GET OUT OF SCHOOL?

I TOLD HER
I HAD AN ORTHO.

YOU?

I WENT WITH
EXPLOSIVE DIARRHEA.

[ BOTH CHUCKLE ]

THAT'S A LOT OF CONDOMS.

WHERE DID YOU
GET ALL THAT?

PLANNED PARENTHOOD.

MY MOM'S NIGHTSTAND.

MY COUSIN GRAHAM.

SO, ANY OF THESE
CALLING YOUR NAME?

UM, THAT ONE.

NO, I...

NO.

YEAH, SURE.
THAT -- THAT'S FINE.

YEAH?

YEAH.

THE -- THE --
UM, THE OTHER WAY.

I THINK
IT'S SUPPOSED TO BE HARD.

[ SIGHS ]

I BET
IF YOU WANTED TO,

YOU COULD MAKE SOME PRETTY GOOD
COIN OFF THIS THING

AND PAY OFF
YOUR DEBT.

YOU KNOW -- MUGS AND T-SHIRTS
AND KEY CHAINS.

SURE.

AND HATS AND STICKERS.

AND YOU COULD
PUT OUT A MAGAZINE

WITH PICTURES
AND A CENTERFOLD.

OH, NO.
NOT A CENTERFOLD.

SHE'S A SUBJECT,
NOT AN OBJECT.

MM-HMM.

BUT YOU KNOW WHAT?
YOU'RE RIGHT.

I MEAN, WHO THE FUCK
IS GONNA SEE THE PAINTING?

LET'S MAKE A MOVIE.

[ INHALES DEEPLY ]

Shoshana: "FROM BIRTH,

"EACH OF US SETS OUT
TO DISCOVER WHO WE REALLY ARE.

"BUT WHEN TRAUMA OCCURS,
WE CREATE WAYS TO SURVIVE.

"OFTEN, WE SPLIT INTO PIECES

"AND ABANDON THE MOST
VULNERABLE PARTS OF OURSELVES,

"BOXING THEM UP IN TIDY
PACKAGES AND TOSSING THEM AWAY.

"LATER, WE SPEND OUR LIVES
LOOKING FOR THESE PARCELS,

"HOPING TO MEET SOMEONE
WHO CAN HELP US

FIND THESE LOST
SPLINTERED PIECES OF OURSELF."

[ DIAL CLICKING ]

[ DIAL WHIRRING ]

[ CLICKING ]

[ WHIRRING ]

Woman:
[ Echoing ] CHARMAINE, DEAR,
SHUT THAT DOOR THIS INSTANT!

ALL THAT RAIN
WILL BUCKLE THE HARDWOOD!

[ THUNDER CRASHES ]

TARA, WHAT IN THE NAME
OF ALL THAT IS HOLY

HAVE YOU DONE
WITH YOUR PONCHO?

I DON'T KNOW,
MIMI.

DON'T PLAY GAMES
WITH ME.

[ SIGHS ]

[ DIAL CLICKING, WHIRRING ]

[ CLICKING, WHIRRING ECHO ]

THAT THING YOU DID...

THAT WAS YOU C-COMING,
RIGHT?

UH...YEAH.

BIG-TIME.

DID YOU?

YEAH. TOTALLY.

A LOT.

SO MANY TIMES.

SO...

I DON'T KNOW IF YOU'RE,
LIKE, ALL WORN OUT...

BUT I COULD
GO AGAIN.

OH.

OKAY, YEAH.

YEAH,
IF -- IF YOU WANT TO.

YOU'RE NOT IN ANY...PAIN
OR ANYTHING, ARE YOU?

[ CHUCKLES ]
I DON'T THINK SO.

WE COULD
GO BACK TO SCHOOL.

I DO HAVE
A CHEMISTRY TEST.

[ ENGINE SHUTS OFF ]

WHAT?

I GOT HELP.

I FOUND SOMEBODY.

OKAY.

REMEMBER THAT WOMAN
THAT TED WAS TELLING US ABOUT --

HIS THERAPIST
IN NEW YORK?

WELL, WHEN I WAS THERE
THIS MORNING, HE GAVE
ME ONE OF HER BOOKS.

I'VE BEEN READING IT ALL DAY.
IT'S SO GOOD.

AND IT SAYS THAT PEOPLE --
ALL PEOPLE --

HAVE WAYS
OF BEING NOT INTEGRATED,

AND THAT -- AND THAT
WE JETTISON PARTS OF OURSELVES

INTO THESE PARCELS.

COME ON.
SPEAK ENGLISH.

IT'S A BOOK.
A BOOK IS NOT HELP.

WE NEED A NEW DOCTOR.

WELL,
I GOT IN TOUCH WITH HER.

DID YOU CALL HER?

YEAH, I CALLED HER.
SHE'S TED'S OLD THERAPIST.

MAX, SHE'S FUCKING BRILLIANT.
SHE HAS A MIND LIKE...

SHE LOVES MY STORY.

SHE'S IN NEW YORK.

WELL, SHE'S HAPPY TO START
WITH PHONE THERAPY.

WE MIGHT SKYPE.

SKYPE?

AND SHE CAN TRAVEL.
SHE'S, LIKE, THIS FAMOUS AUTHOR.

I DON'T TRUST
THESE...SMALL-TOWN LOCALS.

I'M TOO...

WHAT?

WHAT ARE YOU?

[ CELLPHONE RINGS ]

IT'S KATE.

YEP.

[ SIGHS ]

YOU GOT TO BE
KIDDING ME.

W-WHAT'S WRONG
WITH THE CAR?

OKA--
NO, NO, NO, NO.

DON'T START IT AGAIN.
YOU FLOODED IT.

WHERE ARE YOU?
WE'LL COME GET YOU.

WHERE?!

[ SIREN WAILING IN DISTANCE ]

WOW.
THIS IS COLORFUL.

SMELLS LIKE PEE.

KATE!

[ KNOCK ON WINDOW ]
WE'RE HERE! LET'S GO!

BYE!
Lynda:
BYE-BYE, KATE.

GOODBYE, GOODBYE!

OH. HI.
[ CHUCKLES ]

WHAT ARE YOU WEARING?

IT'S MY PRINCESS VALHALLA
COSTUME.

YOU'RE NOT WALKING AROUND
LIKE THAT. COME HERE.

Kate: UGH.
THAT FUCKING CAR.

STUPID PIECE
OF AMERICAN SHIT.

Max: YEAH, THAT'S WHO'S AT FAULT
HERE -- DETROIT.

UGH.

THAT SIGN WAS
THE ONLY THING LEFT

WHEN I FOUND
THIS PLACE.

THEY MADE COPPER PLATING,
DOORKNOBS, DRAWER PULLS.

HOW LONG
HAVE YOU LIVED HERE?

ABOUT A YEAR.

BUT YOU DON'T WANT
TO KNOW THAT.

I DON'T?

I'VE NOTICED THAT WHEN PEOPLE
WALK INTO A NEW PLACE,

THEY GET NERVOUS,

SO THEY START ASKING QUESTIONS
ABOUT NUMBERS.

WHAT DO YOU REALLY
WANT TO KNOW?

[ ENGINE TURNS OVER, REVS ]

HEY.

YOU, UH,
YOU READY TO GO?

YEAH.
[ CHUCKLES ]

I'M GONNA GIVE THIS
TO YOU.

IT'S KATE'S.

[ CHUCKLES ]

LOOK, WE'RE NOT TALKING ABOUT IT
ANYMORE. END OF DISCUSSION.

YOU CAN'T GROUND ME.
I WAS THERE FOR MY JOB.

I'VE HAD IT UP TO HERE
WITH YOU GUYS.

WHO'S THE PARENT
AROUND HERE, ANYWAY?

NO ONE.

JESUS GOD, GIRL.

COULD YOU CUT ME
SOME FUCKING SLACK FOR ONCE?

MAYBE I'LL MOVE OUT.

MAYBE I'LL MOVE IN
WITH LYNDA.

HOW COME YOU NEVER TOLD US
SHE WAS BLACK?

WHAT DOES THAT HAVE TO DO
WITH ANYTHING?

WAKE UP, FOX NEWS.

THERE'S A NEW SHERIFF IN TOWN.
HIS NAME IS BARACK OBAMA.

I THINK
IT'S A COOL THING.

OH, GREAT. NOW IT'S COOL
THAT SHE'S BLACK.

THAT'S EVEN WORSE.

Max:
OKAY, HERE'S THE DEAL --

YOU'RE DONE WITH THE CAR.
YOU'RE DONE WITH GOING DOWNTOWN.

YOU'RE DONE WITH THAT
WOMAN -- HAVING NOTHING TO
DO WITH HER BEING BLACK.

WHAT DO YOU GUYS
EVEN DO TOGETHER?

BOTTOM LINE -- YOU'RE GROUNDED
UNTIL WE SAY OTHERWISE.

YOU KNOW WHAT, DAD --
IF YOU ARE SO DESPERATE
TO GROUND SOMEBODY,

YOU SHOULD BE
GROUNDING MOM!

SHE'S THE ONE THAT HAS BEEN
PRETENDING TO BE SOMEBODY ELSE

WITH THAT CRAZY LADY
FROM THE ICE-SKATING RINK,
DOING GOD KNOWS WHAT!

COMING FROM THE GIRL
IN THE WINGED HAT

AND THE PRINCESS COSTUME.

STOP! OKAY?

LOOK, KATE,
YOUR MOM'S GETTING HELP.

WE FOUND AN EXPERT IN NEW YORK
WHO'S GONNA HELP HER.

NEW YORK?

YEAH. THEY DON'T KNOW WHAT
THEY'RE DOING AROUND HERE.

COME ON. LET'S JUST
GIVE THE NEW DOC A
CHANCE, ALL RIGHT?

Charmaine: HEY, KIDS!

SO...

WE'VE GOT
SOME BIG NEWS.

WE'RE PREGNANT!

WHAT THE FUCK, NICK?!

I'M SORRY.

YOU FUCKING RUINED IT!

OKAY. YOU GO.

NO. WHAT AM I
SUPPOSED TO SAY NOW?

[ STAMMERS ]

[ SIGHS ]

I -- IT'S GONE.
THE MOMENT'S GONE.

HEY, GUYS...

CONGRATULATIONS,
CHARMAINE.

THANK YOU.

IF THAT BABY KNOWS
WHAT'S GOOD FOR IT,

IT'LL TIE THE UMBILICAL CORD
AROUND ITS NECK AND TAKE A LEAP.

WHAT THE HELL,
KATE?

[ DOOR CLOSES ]

ANYWAY...

[ BOTH CHUCKLE ]

UH, MAX,
I WANT TO TALK TO YOU SOMETIME

MAYBE ABOUT...
MAYBE BUYING THIS PLACE.

FOR ME AND CHARMAINE
AND...OUR BABY.

WE'RE SO EXCITED TO HAVE
OUR OWN LITTLE FAMILY,

BUT CHARMAINE SAID
SHE CAN'T IMAGINE DOING IT

ANYWHERE BUT HERE --
RIGHT NEXT DOOR TO YOU GUYS.

AW.

HEY! AHHH...

ALL RIGHT. GREAT, GREAT.
GOOD. GODDAMN.

I GUESS
I'M A LITTLE CONFUSED

ABOUT WHY
YOU'RE LIVING WITH US.

I MEAN, AREN'T YOU SUPPOSED TO
BE "RE-VIRGINATING"?

WELL, IT MUST HAVE HAPPENED
BEFORE I MOVED OUT OF NICK'S.

[ GASPS ]

I LOVE THE LIGHT
IN HERE!

THIS IS GONNA BE
THE BABY'S ROOM.

OKAY, OBVIOUSLY,
THIS JUNK HAS TO GO...

[ CHARMAINE'S VOICE FADES ]

[ LAUGHTER ECHOING ]

[ BOTH LAUGHING ]

[ GASPS ] OH, MY GOD!

I KNOW --
A PORCH SWING!

SO THEN NICK AND I
CAN ROCK THE BABY TOGETHER.

HEY, CHAR?

YEAH?

YOU'RE GONNA BE
A GREAT MOTHER.

[ SMOOCHES, SNIFFLES ]

Marshall:
HEY, DAD, WHERE'S MOM?

OH, SHE'S NEXT DOOR,
BUT DON'T BOTHER HER.

SHE'S GOT A PHONE SESSION
WITH HER NEW THERAPIST.

SHE FOUND SOMEBODY
WE'RE KIND OF EXCITED ABOUT.

COOL.

YEAH.

HEY, I KNOW, UH,
I'VE BEEN KIND OF BUSY

AND A LITTLE
PREOCCUPIED,

BUT HOW'S THINGS GOING
WITH YOU AND COURTNEY?

YOU KNOW, UH...

WE'RE...

[ SIGHS ] IT'S...

I'M NOT PRYING, OKAY?
IT'S NONE OF MY BUSINESS.

I'M GONNA RUN DOWN TO GRANDSTAND
AND GRAB SOME BURGERS.

YOU WANT ANYTHING?

I'M GAY.

GOOD.

SO,
YOU WANT ANYTHING?

YEAH, UM...

MAYBE I'LL JUST COME WITH YOU
TO GRANDSTAND.

COOL.

I THINK YOU SHOULD TELL MOM
ABOUT THAT GUY YOU BEAT UP.

[ SIGHS ]

HOW WAS YOUR SESSION?

REALLY, UM...
[CLEARS THROAT] INTENSE.

YEAH?

MARSHALL CAME OUT TO ME
TONIGHT.

OFFICIALLY?

OH, MARSHMALLOW.

HOW'D YOU TAKE IT?

I DON'T KNOW.

I-I GUESS
IT GAVE ME...SOME HOPE.

I'M JUST GLAD
YOU FOUND SOMEONE.

ME TOO.

[ CLEARS THROAT ]

[ SIGHS LIGHTLY ]

Tara?

YEAH?

I DID A BAD THING.

[ GRUNTS ]

[ GRUNTS ]

[ WOMAN SPEAKING INDISTINCTLY ]

[ BLUEPRINTS THUMP ]
TARA?

[ INDISTINCT SPEAKING
CONTINUES ]

[ New York accent ]
EXCUSE ME? DO YOU MIND?
I'M FINISHING UP A SESSION.

[ KATIE LEE'S "IT MUST BE
SOMETHING PSYCHOLOGICAL" PLAYS ]

HOLD ON, DOLORES.

CAN I HELP YOU?

* IT MUST BE SOMETHING
PSYCHOLOGICAL *

* IT MAY BE SOMETHING
VERY PHYSICAL *

* THAT MAKES ME FEEL
THE WAY I DO *

* WHENEVER
I'M IN TOUCH WITH YOU *

* I THINK IT'S SOMETHING
STRANGE AND MYSTICAL *

* IT MIGHT BE SOMETHING
VERY CHEMICAL *

* WHAT IS THIS FORCE
BETWEEN US TWO *

* THAT MAKES ME
GRAVITATE TO YOU? *

* WITH ME, IT'S PSYCHOLOGICAL *

-- Captions by VITAC --
www.vitac.com