Twin Peaks (1990–1991): Season 2, Episode 22 - Episode #2.22 - full transcript
In the cliff-hanging series finale, Cooper must face his innermost fears as he tracks down Windom Earle, who has abducted Annie and taken her into the hellish realm of the Black Lodge. Meanwhile, Nadine, wounded by a hit on the head during the beauty pageant, wakes up now back to her old self, and becomes very upset when she sees Big Ed with Norma. Donna struggles to control herself from Ben Horne's news, which leads to a fistfight between him and Dr. Hayward who angrily knocks Ben into a fireplace mantle for interfering with his family, and apparently killing him. While Truman and Andy wait and wait for Cooper to return from the Black Lodge, Andrew and Pete steal the safety deposit box key and go to the Twin Peaks Savings and Loan where Audrey is staging a feeble act of civil disobedience. But when Andrew and Pete open Thomas Eckhardt's final box, they instead find a bomb - which explodes. Major Briggs receives a cryptic message from Windom Earle in the Black Lodge through the conduit of Sarah Palmer.
Were you afraid, Punky?
Ripped By mstoll
I was on the stage at the Roadhouse,
and the lights went out.
I kept thinking:
"The lights are going out,
the lights are going out."
And then they did.
And it all went black,
and I kept thinking:
"It's so dark,
what about hand signals?
What good would they do us now?
And the baby, what if the lights
went out in the hospital
and we were in the elevator?"
Then I'd help you have that baby
right there in the elevator,
in front of God and everybody.
- I love you.
- I love you.
[LUCY GASPS]
Coop, I've got deputies
from three counties looking for Earle.
He seems to have
completely disappeared.
Harry, the only hope we have
of finding them
is somewhere in this map.
Giant, little man,
fire, fire walk with me.
Fire walk with me.
Grand theft auto.
The Log Lady stole my truck.
'68 Dodge pickup.
Powder blue.
I tried to chase after her,
but she took off
on the road up towards the woods.
Pete, the Log Lady
did not steal your truck.
The Log Lady will be here
in one minute.
The woods, Harry,
- Ghostwood forest.
- Ghostwood?
Twelve rainbow trouts in the bed.
Twelve.
Wait a doggone minute.
There's a circle of 12 sycamores.
Glastonbury Grove.
Sycamores.
That's where I found the bloody towel
and the pages of the diary.
[SNAPS FINGERS]
COOPER: The legendary
burial place of King Arthur.
Glastonbury.
King Arthur's buried in England.
Well, last I heard anyway.
[KNOCK ON DOOR]
Right on time.
It's the Log Lady.
Where's my truck?
Pete, Windom Earle stole your truck.
I brought the oil.
Thank you, Margaret.
PETE:
It sure looked to me like you.
Margaret,
what did your husband
say exactly about this oil?
He brought it back one night
just before he died and said:
"This oil is an opening lo a gateway."
Intriguing, isn't it?
Jacoby.
- Scorched engine oil.
- Scorched engine oil.
Hawk, bring in Ronette Pulaski-.
Ronette, thanks for coming in.
Do you recognize this smell?
Yes.
The night Laura Palmer was killed.
EARLE:
Glastonbury Grove.
I am Windom Earle.
Windom Earle?
[EARLE CHUCKLES]
Take a look at that.
Twelve rainbow trout.
If you're gonna kill me,
get it over with.
There's plenty of time for that.
But I do like the fear I'm feeling.
ANNIE: Our bones are scattered
at the grave's mouth,
as when one cutteth
wood upon the earth.
But mine eyes are unto thee,
O God the Lord:
in thee is my trust;
leave not my--
Keep me from the snares
they have laid for me,
and the gins of the workers
of iniquity.
Let the wicked fall into their own nets,
whilst that I withal escape.
What are we doing here?
You and I have an appointment
at the end of the world,
- He'll come for me.
- No, he won't.
- Why are you doing this to me?
- Same thing happened last time.
When he fell in love with my wife.
I took the boy right to the edge
that time.
Come in, come in to the circle!
[ANNIE SHRIEKS]
I tell you, they have not died.
Their hands clasp, yours and mine.
You'll not run from me now,
not in this circle of trees.
You'll come with me.
[SNAPPING FINGERS]
Remember, 20 minutes on
and 20 minutes off with the ice bag.
It'll help with the swelling,
both of you.
Take some aspirin,
call me in the morning.
Thanks, doc.
Oh. Does it hurt much, baby?
God, Nadine,
I was so worried about you.
I admit there were times
when I had my doubts
about what we meant to each other,
but seeing that sandbag hit you,
I just knew
I'd practically do anything for you.
And then the tree hit me.
[NADINE SIGHS]
I love you.
There, I've said it and I'm glad.
Who are you?
Mike.
You--
You try to--
You say your name is Mike?
What are you doing in my house?
MIKE:
You brought me here, Nadine.
No!
No, you get out of here!
Ed, make him go away.
What's she doing here?
Oh.
[WHIMPERING]
It's not fair.
Please...
Ed, make...
[SOBBING]
Where are my drape runners?
Where are my drape runners?
Nadine, how old are you?
What kind of a stupid question
is that?
Answer me. How old are you?
Thirty-five, you moron!
[NADINE CRYING]
I'm sorry, Ed.
I think I let things
get a little out of hand.
NADINE:
Oh, no. No.
Donna, please.
Donna, please, listen.
DONNA: I've heard enough!
- Please, just let me explain.
BENJAMIN: Donna...
- Leave me alone!
It isn't your parents' fault. It's mine.
My parents?
Who are my parents anyway?
I only wanted to do good'
I wanted to be good.
And it felt so good to tell the truth
after all these years.
[DOOR OPENS]
[DONNA SOBBING]
Ben, damn it.
- Will,
- Donna.
Ben, I warned you.
Get out of my house.
Will,
can you forgive me
for what I have done to you?
Sylvia, I told you to stay home.
What are you trying to do
to this family?
Daddy, you're my daddy.
You're my daddy.
You're my daddy.
Daddy.
Leave my family alone!
Now, Will. Will!
SYLVIA: Will!
BENJAMIN: Unh!
WILL:
No!
[WILL YELLS]
Ah. I knew I'd seen it somewhere.
Safety deposit box.
They'll never notice the difference.
[DOOR OPENS]
Oh, Andrew.
Good night, Pete.
COOPER:
Harry,
this way.
Coop?
Harry, I have to go on alone.
Why?
What?
[FROGS CROAKING]
[OWL HOOTING]
Oh.
Sycamore trees.
An opening to a gateway.
Footprints.
My God.
[SLOW JAZZ MUSIC PLAYING]
MAN [SINGING]:
Under the sycamore tree
And I'll see you
And you'll see me
And I'll see you in the branches
That blew in the breeze
I'll see you in the trees
I'll see you in the trees
Under the sycamore tree
[FROGS CROAKING]
Sheriff Truman?
Sheriff Truman?
Sheriff Truman?
Andy! Over here!
[BIRDS TWITTERING]
Been about ten hours
since he went in there.
Do you want a thermos of coffee?
Yeah.
Do you want a plate special?
Yeah.
Do you want dessert?
Yeah.
Do you want pie?
Harry?
Harry?
[FOOTSTEPS]
- Morning, Mr. Mibbler.
- Audrey Horne.
This is my fortunate day.
Is there anything I can do for you?
As a matter of fact, there is.
You can call the Twin Peaks Gazette.
[SPEAKS IN FOREIGN LANGUAGE]
Ask to speak
with Dwayne Milford Jr.
- Dwayne?
- The editor.
Eh?
Heh.
We must make a telephone call.
- Uh, yes?
- Yes.
Tell him that Audrey Horne
has chained herself
to the Twin Peaks
Savings and Loan vault
in protest of their financial ties
to the Ghostwood
Development Project.
And that I intend to stay here
until a town meeting is held
to debate the future
of our environment
and specifically the effect
of the Ghostwood Project upon it.
- Okay?
- Yeah, miss.
And can I get a glass of water,
please?
Uh... Uh...
Thank you, Dell.
You, you.
You!
Heh, heh. Dell Mibbler,
as I live and breathe.
He's alive.
But the funeral.
And all of the flowers,
and the choir boys.
I was hoping you could do
a small favor for me.
Does this look familiar to you?
Yes, it's one
of our safety deposit keys.
- Aha. Shall we?
- Well, of course.
But there is going to be
a bit of a problem.
A bit of a problem.
- Hi, Pete.
- Audrey?
Young lady, why are you
chained to the bank vault?
Civil disobedience.
Ah. Ha, ha.
Waste no time arguing
what a good man should be, be one.
Marcus Aurelius.
I admire your verve.
I see no problem here.
If you'll excuse us, please?
Sure.
Did you call the Gazette yet?
Maybe you should call the sheriff too.
Ask for Agent Cooper.
Give me the key.
[PHONE RINGS]
A boy? It's a boy!
It's a boy, it's a boy.
DELL: So long.
- So long.
We've come to the end
of a long road, Pete.
And here we are.
[BEEPING]
Oh, sh--!
Mm.
Shelly, I think we should get married.
Bobby.
[CHUCKLES]
Leo. I'm still wearing his ring.
[BOTH MIMIC DOGS BARKING
AND GROWLING]
Oh, what kept us, Heidi?
Seconds on knackwurst
this morning?
I couldn't get my car started.
Too busy jump-starting the old man.
- Again.
- Again.
[CHUCKLING]
I thought you Germans
were always on time.
- Shelly...
- Bobby.
Leo's probably up in the woods
having the time of his life.
[PANTING]
[DOOR OPENS]
Well, you were right,
there's the major.
Excuse us, Major Briggs,
for the intrusion,
but Sarah here had a message for you
that she thought was important.
Sarah.
[IN DISTORTED VOICE] I'm in
the Black Lodge with Dale Cooper.
[DISTORTED VOICE]
I'm waiting for you.
[DISTORTED]
[FOOTSTEPS]
[DISTORED]
Whoo!
[BABBLES]
[DISTORTED]
[DISTORTED]
[WOMAN SCREAMS]
[LITTLE MAN LAUGHING]
[CONTINUES LAUGHING]
[DISTORTED]
[FOOTSTEPS]
[SCREAMING]
Caroline.
Annie.
Annie.
Annie!
Annie. Annie.
[FOOTSTEPS]
Annie?
Annie?
[DISTORTED]
Annie,
the face of the man who killed you?
Annie?
Caroline.
[SCREAMS]
[DISTORTED]
[LAUGHING]
I will.
[EARLE YELLING
AND BOB LAUGHING]
[DISTORTED]
[BOB muse-nus]
[EARLE YELLING]
[BOB LAUGHING]
[BOTH LAUGHING]
[CHUCKLES]
[DISTORTED]
[CHUCKLES]
[LAUGHS]
Cooper!
Cooper!
Annie!
Annie.
Annie!
WILL:
There he is.
Coop?
I wasn't sleeping.
Annie, how's Annie?
She's gonna be just fine.
She's over at the hospital.
I need to brush my teeth.
Sure. Come on.
I'll help you up.
Take her easy now.
I need to brush my teeth.
Good idea.
Coop?
Coop?
[KNOCK ON DOOR]
Coop, are you okay?
[KNOCKING CONTINUES]
Coop?
How is Annie? How's Annie?
How's Annie?
[CHUCKLING]
How's Annie? How's Annie?
How's Annie?
[LAUGHING]
Ripped By mstoll
Ripped By mstoll
I was on the stage at the Roadhouse,
and the lights went out.
I kept thinking:
"The lights are going out,
the lights are going out."
And then they did.
And it all went black,
and I kept thinking:
"It's so dark,
what about hand signals?
What good would they do us now?
And the baby, what if the lights
went out in the hospital
and we were in the elevator?"
Then I'd help you have that baby
right there in the elevator,
in front of God and everybody.
- I love you.
- I love you.
[LUCY GASPS]
Coop, I've got deputies
from three counties looking for Earle.
He seems to have
completely disappeared.
Harry, the only hope we have
of finding them
is somewhere in this map.
Giant, little man,
fire, fire walk with me.
Fire walk with me.
Grand theft auto.
The Log Lady stole my truck.
'68 Dodge pickup.
Powder blue.
I tried to chase after her,
but she took off
on the road up towards the woods.
Pete, the Log Lady
did not steal your truck.
The Log Lady will be here
in one minute.
The woods, Harry,
- Ghostwood forest.
- Ghostwood?
Twelve rainbow trouts in the bed.
Twelve.
Wait a doggone minute.
There's a circle of 12 sycamores.
Glastonbury Grove.
Sycamores.
That's where I found the bloody towel
and the pages of the diary.
[SNAPS FINGERS]
COOPER: The legendary
burial place of King Arthur.
Glastonbury.
King Arthur's buried in England.
Well, last I heard anyway.
[KNOCK ON DOOR]
Right on time.
It's the Log Lady.
Where's my truck?
Pete, Windom Earle stole your truck.
I brought the oil.
Thank you, Margaret.
PETE:
It sure looked to me like you.
Margaret,
what did your husband
say exactly about this oil?
He brought it back one night
just before he died and said:
"This oil is an opening lo a gateway."
Intriguing, isn't it?
Jacoby.
- Scorched engine oil.
- Scorched engine oil.
Hawk, bring in Ronette Pulaski-.
Ronette, thanks for coming in.
Do you recognize this smell?
Yes.
The night Laura Palmer was killed.
EARLE:
Glastonbury Grove.
I am Windom Earle.
Windom Earle?
[EARLE CHUCKLES]
Take a look at that.
Twelve rainbow trout.
If you're gonna kill me,
get it over with.
There's plenty of time for that.
But I do like the fear I'm feeling.
ANNIE: Our bones are scattered
at the grave's mouth,
as when one cutteth
wood upon the earth.
But mine eyes are unto thee,
O God the Lord:
in thee is my trust;
leave not my--
Keep me from the snares
they have laid for me,
and the gins of the workers
of iniquity.
Let the wicked fall into their own nets,
whilst that I withal escape.
What are we doing here?
You and I have an appointment
at the end of the world,
- He'll come for me.
- No, he won't.
- Why are you doing this to me?
- Same thing happened last time.
When he fell in love with my wife.
I took the boy right to the edge
that time.
Come in, come in to the circle!
[ANNIE SHRIEKS]
I tell you, they have not died.
Their hands clasp, yours and mine.
You'll not run from me now,
not in this circle of trees.
You'll come with me.
[SNAPPING FINGERS]
Remember, 20 minutes on
and 20 minutes off with the ice bag.
It'll help with the swelling,
both of you.
Take some aspirin,
call me in the morning.
Thanks, doc.
Oh. Does it hurt much, baby?
God, Nadine,
I was so worried about you.
I admit there were times
when I had my doubts
about what we meant to each other,
but seeing that sandbag hit you,
I just knew
I'd practically do anything for you.
And then the tree hit me.
[NADINE SIGHS]
I love you.
There, I've said it and I'm glad.
Who are you?
Mike.
You--
You try to--
You say your name is Mike?
What are you doing in my house?
MIKE:
You brought me here, Nadine.
No!
No, you get out of here!
Ed, make him go away.
What's she doing here?
Oh.
[WHIMPERING]
It's not fair.
Please...
Ed, make...
[SOBBING]
Where are my drape runners?
Where are my drape runners?
Nadine, how old are you?
What kind of a stupid question
is that?
Answer me. How old are you?
Thirty-five, you moron!
[NADINE CRYING]
I'm sorry, Ed.
I think I let things
get a little out of hand.
NADINE:
Oh, no. No.
Donna, please.
Donna, please, listen.
DONNA: I've heard enough!
- Please, just let me explain.
BENJAMIN: Donna...
- Leave me alone!
It isn't your parents' fault. It's mine.
My parents?
Who are my parents anyway?
I only wanted to do good'
I wanted to be good.
And it felt so good to tell the truth
after all these years.
[DOOR OPENS]
[DONNA SOBBING]
Ben, damn it.
- Will,
- Donna.
Ben, I warned you.
Get out of my house.
Will,
can you forgive me
for what I have done to you?
Sylvia, I told you to stay home.
What are you trying to do
to this family?
Daddy, you're my daddy.
You're my daddy.
You're my daddy.
Daddy.
Leave my family alone!
Now, Will. Will!
SYLVIA: Will!
BENJAMIN: Unh!
WILL:
No!
[WILL YELLS]
Ah. I knew I'd seen it somewhere.
Safety deposit box.
They'll never notice the difference.
[DOOR OPENS]
Oh, Andrew.
Good night, Pete.
COOPER:
Harry,
this way.
Coop?
Harry, I have to go on alone.
Why?
What?
[FROGS CROAKING]
[OWL HOOTING]
Oh.
Sycamore trees.
An opening to a gateway.
Footprints.
My God.
[SLOW JAZZ MUSIC PLAYING]
MAN [SINGING]:
Under the sycamore tree
And I'll see you
And you'll see me
And I'll see you in the branches
That blew in the breeze
I'll see you in the trees
I'll see you in the trees
Under the sycamore tree
[FROGS CROAKING]
Sheriff Truman?
Sheriff Truman?
Sheriff Truman?
Andy! Over here!
[BIRDS TWITTERING]
Been about ten hours
since he went in there.
Do you want a thermos of coffee?
Yeah.
Do you want a plate special?
Yeah.
Do you want dessert?
Yeah.
Do you want pie?
Harry?
Harry?
[FOOTSTEPS]
- Morning, Mr. Mibbler.
- Audrey Horne.
This is my fortunate day.
Is there anything I can do for you?
As a matter of fact, there is.
You can call the Twin Peaks Gazette.
[SPEAKS IN FOREIGN LANGUAGE]
Ask to speak
with Dwayne Milford Jr.
- Dwayne?
- The editor.
Eh?
Heh.
We must make a telephone call.
- Uh, yes?
- Yes.
Tell him that Audrey Horne
has chained herself
to the Twin Peaks
Savings and Loan vault
in protest of their financial ties
to the Ghostwood
Development Project.
And that I intend to stay here
until a town meeting is held
to debate the future
of our environment
and specifically the effect
of the Ghostwood Project upon it.
- Okay?
- Yeah, miss.
And can I get a glass of water,
please?
Uh... Uh...
Thank you, Dell.
You, you.
You!
Heh, heh. Dell Mibbler,
as I live and breathe.
He's alive.
But the funeral.
And all of the flowers,
and the choir boys.
I was hoping you could do
a small favor for me.
Does this look familiar to you?
Yes, it's one
of our safety deposit keys.
- Aha. Shall we?
- Well, of course.
But there is going to be
a bit of a problem.
A bit of a problem.
- Hi, Pete.
- Audrey?
Young lady, why are you
chained to the bank vault?
Civil disobedience.
Ah. Ha, ha.
Waste no time arguing
what a good man should be, be one.
Marcus Aurelius.
I admire your verve.
I see no problem here.
If you'll excuse us, please?
Sure.
Did you call the Gazette yet?
Maybe you should call the sheriff too.
Ask for Agent Cooper.
Give me the key.
[PHONE RINGS]
A boy? It's a boy!
It's a boy, it's a boy.
DELL: So long.
- So long.
We've come to the end
of a long road, Pete.
And here we are.
[BEEPING]
Oh, sh--!
Mm.
Shelly, I think we should get married.
Bobby.
[CHUCKLES]
Leo. I'm still wearing his ring.
[BOTH MIMIC DOGS BARKING
AND GROWLING]
Oh, what kept us, Heidi?
Seconds on knackwurst
this morning?
I couldn't get my car started.
Too busy jump-starting the old man.
- Again.
- Again.
[CHUCKLING]
I thought you Germans
were always on time.
- Shelly...
- Bobby.
Leo's probably up in the woods
having the time of his life.
[PANTING]
[DOOR OPENS]
Well, you were right,
there's the major.
Excuse us, Major Briggs,
for the intrusion,
but Sarah here had a message for you
that she thought was important.
Sarah.
[IN DISTORTED VOICE] I'm in
the Black Lodge with Dale Cooper.
[DISTORTED VOICE]
I'm waiting for you.
[DISTORTED]
[FOOTSTEPS]
[DISTORED]
Whoo!
[BABBLES]
[DISTORTED]
[DISTORTED]
[WOMAN SCREAMS]
[LITTLE MAN LAUGHING]
[CONTINUES LAUGHING]
[DISTORTED]
[FOOTSTEPS]
[SCREAMING]
Caroline.
Annie.
Annie.
Annie!
Annie. Annie.
[FOOTSTEPS]
Annie?
Annie?
[DISTORTED]
Annie,
the face of the man who killed you?
Annie?
Caroline.
[SCREAMS]
[DISTORTED]
[LAUGHING]
I will.
[EARLE YELLING
AND BOB LAUGHING]
[DISTORTED]
[BOB muse-nus]
[EARLE YELLING]
[BOB LAUGHING]
[BOTH LAUGHING]
[CHUCKLES]
[DISTORTED]
[CHUCKLES]
[LAUGHS]
Cooper!
Cooper!
Annie!
Annie.
Annie!
WILL:
There he is.
Coop?
I wasn't sleeping.
Annie, how's Annie?
She's gonna be just fine.
She's over at the hospital.
I need to brush my teeth.
Sure. Come on.
I'll help you up.
Take her easy now.
I need to brush my teeth.
Good idea.
Coop?
Coop?
[KNOCK ON DOOR]
Coop, are you okay?
[KNOCKING CONTINUES]
Coop?
How is Annie? How's Annie?
How's Annie?
[CHUCKLING]
How's Annie? How's Annie?
How's Annie?
[LAUGHING]
Ripped By mstoll