The L Word (2004–2009): Season 3, Episode 7 - Lone Star - full transcript

Tina takes a business trip to Vancouver, Canada to a movie shoot location and has a chance to explore her feelings for the opposite sex with her producer Josh. Back in Los Angeles, Dana's cancer treatments put a strain on hers and Lara's relationship with Dana starting to lose her spirits, her sanity, and her will to live, and begins to lash out at Lara and everyone else. Helena continues her secret romance with Dylan. Meanwhile, Jenny helps Moira in her gender transformation to Max with the testosterone injects. Jenny then travels to New York to meet with an editor over her book being published, and she instantly clashes with the editor over the book's contents and of Jenny's continuing insecurity and mental instability over her childhood trauma for Jenny's both unwilling and unable to get past. Carmen and Shane decide to get matching tattoos out of their renewed love for each other. After a talk with the goth vamp Uta, Alice reverts back in her obsession over Dana by trying to find the life-size Dana cut-out she threw out. Also, Kit finally takes control over the situation at the Planet by firing the self-destructive Billie, while she continues her romance with Angus, and also gets B-52s to perform at The Planet.

PREVIOUSLY ON THE L WORD...

I ONLY DATED MEN
BEFORE I MET YOU.

WHO IS IT?

HIS NAME IS JOSH.

SHE DIDN'T GO AFTER
ME. I WENT AFTER HER.

THE ONE THING I
KNOW IS HOW I FEEL.

ARE YOU DOING HORMONES?

NOT YET.

I CAN HOOK YOU UP.

COULD I... CAN I TALK TO YOU?

OF COURSE.



IT'S NEVER GOING
TO HAPPEN AGAIN.

IF THAT'S WHAT YOU WANT.

WE WANT TO PUBLISH YOUR BOOK.

HOW MUCH OF THE CONTENT
WOULD I HAVE TO CHANGE?

NOT ALL THAT MUCH.

I'M GIVING YOU ONE OF
OUR MOST GIFTED EDITORS.

ARE YOU JEALOUS?

IT JUST MADE ME SAD.

YOU WERE SO FUCKING SAD

THAT YOU GO OFF AND
YOU FUCK CHERIE JAFFE?

SHANE, WHAT KIND OF A
PSYCHOTIC RESPONSE IS THAT?

WOULD YOU MIND...

DISPOSING OF THIS
OBSOLETE THING?

YOU THREW DANA OUT?



ALICE, DANA IS SICK.

OH, MY GOD.

WHAT ARE YOU DOING
IN HERE, BABY GIRL?

♪ GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES ♪

♪ CHICKS DRIVING FAST
INGENUES WITH LONG LASHES ♪

♪ WOMEN WHO LONG, LOVE,
LUST WOMEN WHO GIVE ♪

♪ THIS IS THE WAY IT'S
THE WAY THAT WE LIVE ♪

♪ TALKING, LAUGHING
LOVING, BREATHING ♪

♪ FIGHTING, FUCKING
CRYING, DRINKING ♪

♪ WRITING, WINNING
LOSING, CHEATING ♪

♪ KISSING, THINKING, DREAMING ♪

♪ THIS IS THE WAY... ♪

♪ IT'S THE WAY THAT WE LIVE ♪

♪ IT'S THE WAY THAT WE LIVE ♪

♪ AND LOVE ♪

HOW DOES THAT FEEL?

IT'S BETTER THAN THE FIRST TIME.

YOU KNOW WHAT?

IT KIND OF TURNS ME ON

THAT I'M HELPING YOU
BECOME MORE OF A MAN.

YOU ARE.

DO YOU THINK I FUCKED THINGS UP

BY GIVING YOU YOUR DOSE...

A COUPLE DAYS EARLY?

NO. NO?

BILLIE SAID IT
WOULD BE JUST FINE.

OH, YEAH?

AND DO YOU TRUST

EVERYTHING THAT
BILLIE SAYS TO YOU, MAX?

LOOK, YOU'RE THE ONE WHO
WANTED TO SHOOT ME UP

BEFORE YOU WENT TO NEW YORK.

YEAH, BECAUSE I GAVE
YOU YOUR FIRST DOSE,

AND I'M GOING TO...

JUST GAVE YOU YOUR SECOND DOSE,

AND I WANT TO GIVE
YOU ALL OF YOUR DOSES,

BECAUSE I'M EXCITED
ABOUT WHAT WE'RE DOING.

IT'S WHAT I'M DOING.

I'M THE ONE WHO'S
DOING THIS, JENNY.

I KNOW THAT YOU ARE,

AND WE'RE GOING
TO DO IT TOGETHER.

MY NAME IS CONNIE,

AND I'LL BE TAKING CARE OF
YOU DURING YOUR TREATMENT.

OKAY...

OH, IT'S REALLY COLD.

IT'S REALLY COLD. IS THAT RIGHT?

I DON'T THINK IT'S RIGHT.
IT DOESN'T FEEL RIGHT.

IT'S GOING TO FEEL THAT WAY

FOR A FEW MINUTES, DANA, OKAY?

YOUR BODY SHOULD ADJUST
TO THE TEMPERATURE,

AND THE BAG WILL GET WARMER,

BUT YOU MIGHT FEEL A BIT COLD

AS THE FLUIDS ARE RUNNING
THROUGH YOUR BODY

FOR THE DURATION OF
THE TREATMENT, OKAY?

THERE ARE BLANKETS OVER HERE.

I'LL GRAB YOU ONE.

SEE IF WE CAN FIND...

THERE YOU GO.

THAT'LL KEEP YOU
WARM FOR A LITTLE WHILE.

IF EITHER OF YOU
HAS ANY QUESTIONS

OR CONCERNS, OKAY,

JUST TALK TO ME, OKAY?

THANK YOU, CONNIE.

SO, DANA, JUST SIT BACK,

TRY TO RELAX.

IT'S GOING TO TAKE
ABOUT THREE HOURS

ALL TOLD.

OKAY?

OKAY.

OH, AND WE DO HAVE iPODS

WITH LOTS OF TOTO,

SURVIVOR,
WHITESNAKE, YOU KNOW...

JUST IF YOU WANT TO FEEL WORSE.

HOW DOES IT FEEL NOW?

HOW THE FUCK

DO YOU THINK IT FEELS, LARA?

HOW DO YOU THINK IT FEELS

TO GET EVERYTHING
UNDER THE KITCHEN SINK

PUMPED INTO YOUR VEINS?

MY SKIN'S FUCKING CRAWLING.

WHERE THE HELL DID MY LIFE GO?

BABY, YOUR LIFE IS RIGHT HERE.

I'M HERE, YOUR FRIENDS ARE HERE,

YOUR FAMILY, YOUR FANS...

MY FANS?

MY FANS!

HAVE YOU BEEN TO MY WEBSITE?

HAVE YOU SEEN

WHAT THEY'RE WRITING ABOUT ME?

THAT ONE MORON EVEN WROTE

THAT I'M FAKING HAVING CANCER.

"SHE'S FAKING IT."

BECAUSE I FINALLY
WON A TOURNAMENT,

I'M ACTUALLY JUST RETIRING...

DANA, I'VE TOLD
YOU A MILLION TIMES

NOT TO READ THAT CRAP.

I'VE SAID IT BEFORE,

AND I'M GOING TO KEEP
SAYING IT UNTIL YOU GET IT.

I AM HERE.

I'M NOT GOING ANYWHERE.

WHY?

WHY ARE YOU STILL HERE?

HEY, IT'S LOOKING GOOD, I THINK.

YEAH?

YEAH. HOW DOES IT FEEL?

UM, IT FEELS GOOD.

YOU'RE DONE, CARMEN.

NEXT VICTIM.

OH, GOD. THANK YOU.

YOU'RE WELCOME.

LET ME SEE.

CAN YOU SEE IT?

I DO. I LIKE IT.

YEAH?

YEAH, I DO.

WELL, GOOD, BECAUSE
IT'S ON FOR LIFE.

LOOK AT YOU TWO.

ANOTHER COUPLE OF
DYKES WITH MATCHING TATS.

YEAH.

YOU KNOW WHAT, THOUGH?

AT LEAST WE DIDN'T GET
OUR NAMES TATTOOED.

THAT WOULD BE
THE ULTIMATE K.O.D.,

WOULDN'T IT?

K.O.D.?

KISS OF DEATH. KISS OF DEATH.

THANK YOU.

WELCOME TO BRITISH COLUMBIA!

WHAT?

I SAID, WELCOME TO B.C.!

I WAS JUST SAYING WELCOME.

WELL, IT GOT MY ATTENTION.

TAKE ME TO YOUR LEADER.

YOU ARE THE LEADER, REMEMBER?

AH, IT'S GORGEOUS.

SO DOWNTOWN
VANCOUVER IS RIGHT HERE.

WE'RE DOING OUR
INTERIORS IN YALETOWN,

AND OF COURSE THE
FINAL CHASE SCENE

WILL SHOOT ON VANCOUVER ISLAND.

HOW'S THE CREW?

THEY'RE CANADIAN.

WHAT'S THAT MEAN?

IT MEANS THEY WORK HARD,

THEY DRINK HARD,

AND THEY ALL HAVE THEIR OWN
PERSONAL GRIZZLY BEAR STORIES,

AND WE JUST BROKE FOR LUNCH,

SO IT'S PRETTY QUIET HERE.

ARE YOU HUNGRY?

OH, GOD, NO, NO.

I'M STILL TRYING TO GET

MY PRE-PREGNANT BODY BACK.

YOU LOOK GOOD TO ME.

THAT'S THE SCIENTOLOGY TENT.

WHAT?

I'M KIDDING. THAT'S
CRAFT SERVICES.

THAT'S THE EXTRAS HOLDING TENT.

THAT'S BASE CAMP,

WHERE EVERYONE'S TRAILER IS.

HOW'S G.J. DOING?

BESIDES THE TINY CRANK HABIT

AND THE 15-YEAR-OLD BOYS HE HAS

TEACHING HIM TO SNOWBOARD?

AND LESLIE?

WE HAD TO CALL IN A
BODY DOUBLE YESTERDAY

TO SHOOT THE SEX SCENE.

WHAT? WHY?

BRUISES ON HER ASS.

OH, GOD.

IS ANYTHING GOING RIGHT?

YOU SURPRISED ME WITH A VISIT.

BRUISES ON HER ASS?

YEAH.

WOW. THAT WAS REALLY INCREDIBLE.

REALLY.

I JUST LOVE LISTENING TO YOU,

AND YOUR STUDENTS
LOVE LISTENING TO YOU.

YOU'RE A REALLY
INCREDIBLE TEACHER.

"GO AND CATCH A FALLING STAR

"GET WITH CHILD A MANDRAKE ROOT

"TELL ME WHERE
ALL PAST YEARS ARE

"OR WHO CLEFT THE DEVIL'S FOOT

TEACH ME TO HEAR
MERMAIDS SINGING"

THAT'S BEAUTIFUL.

THIS IS MY FAVOURITE
CHURCH IN L.A.

OH, YEAH, I'M NOT
GOING IN THERE.

ONE EMBRACE DOESN'T
MAKE YOU A VAMPIRE, ALICE.

NO, IT'S... I AGREE
WITH THE VAMPIRES.

IT'S NOT THAT.

IT'S JUST THAT AS FAR AS
I'M CONCERNED, GOD SUCKS.

GOD SUCKS?

THAT'S PRETTY
ATHEISTICALLY DARK.

YEAH, MY...

MY EX... AND MY
BEST FRIEND, DANA,

SHE'S UM...

SHE'S 32 FUCKING YEARS OLD,
AND SHE HAS BREAST CANCER,

AND TODAY SHE WAS
GOING IN FOR CHEMO,

AND I JUST WOULD'VE...

I WANTED TO BE THERE, SO...

YOU'RE STILL IN LOVE WITH HER.

NO.

I...

SINCE I MET YOU...

AND I'M NOT TELLING YOU THIS

TO FREAK YOU OUT OR ANYTHING...

IT'S JUST...

I KIND OF HAD THIS, UH...

SHRINE.

SHE'S A PRO TENNIS PLAYER,

AND SHE HAD A LITTLE... OR BIG

LIFE-SIZE CUTOUT

OF HERSELF,

AND I...

YOU KNOW.

WELL, WE ALL HAVE
DIFFERENT RITUALS

TO EXORCISE HEARTBREAK.

YOU HAVEN'T
COMPLETED YOURS, ALICE.

NO, I DID, I DID.

YOU KNOW, I THREW IT AWAY

LAST WEEK

SINCE YOU RELEASED ME
FROM MY MORTAL COILS.

YOU THREW IT AWAY?

YEAH, I DID, AND
IT WAS A REALLY...

IT WAS A BIG DEAL FOR ME.

GET HER BACK, ALICE.

I THREW IT AWAY. IT'S GONE.

THE GARBAGE MEN, THEY
TOOK IT AWAY THIS MORNING.

IT'S GONE.

YOU ENDOWED MOJO INTO
THIS LIFE-SIZE VOODOO DOLL.

YOU DON'T JUST THROW IT AWAY.

YOU HAVE TO PROPERLY RELEASE IT

AND LET HER GO.

I DO?

CALL ME

WHEN YOU'VE TAKEN CARE OF DANA.

YOU MIGHT FEEL A LITTLE NAUSEOUS

LATER ON TONIGHT

AND FOR THE NEXT FEW DAYS, DANA.

SO I'M GOING TO GIVE YOU A
PRESCRIPTION FOR ZOFRAN.

TAKE ONE IN ABOUT EIGHT HOURS

IF YOU NEED IT,

AND ONE TABLET TWICE A DAY

FOR THE NEXT TWO DAYS.

ARE THERE ANY SPECIAL FOODS

THAT I SHOULD BE...

AM I GOING TO DIE?

YOU ARE YOUNG,

AND YOU HAVE TAKEN
EXCELLENT CARE OF YOURSELF.

YOU HAVE A VERY GOOD
CHANCE OF SURVIVING

AND LIVING A FULL
AND PRODUCTIVE LIFE,

AND WE'RE GOING TO DO
EVERYTHING IN OUR POWER

TO IMPROVE THOSE CHANCES.

NOW, SINCE CHEMO HAS THE EFFECT

OF BREAKING DOWN
THE IMMUNE SYSTEM,

YOU HAVE TO BE
MINDFUL ABOUT INFECTION.

SO WASH YOUR HANDS OFTEN,

KEEP YOUR HOT FOOD HOT,

COLD FOOD COLD,

AND AVOID ANY SITUATION

WHERE YOU CAN CUT YOURSELF,

AND UNLESS YOU'VE HAD
ALL THE CHILDHOOD DISEASES,

CHICKEN POX, GERMAN
MEASLES, MUMPS,

TRY TO AVOID ANY CHILDREN

WHO MIGHT HAVE
BEEN EXPOSED TO THEM.

IT'S ALL PRETTY
COMMON-SENSE STUFF.

ANY QUESTIONS?

WHEN AM I GOING TO LOSE MY HAIR?

ANYTHING YOU NEED, WE'VE GOT IT.

OKAY, WELL,

WHY DON'T YOU
JUST PUT EVERYTHING,

YOU KNOW, NEAR THE STAGE.

THEY'LL GET IT ALL TOGETHER

FOR SOUND-CHECK TOMORROW, OKAY?

DID YOU WANT A PICK-UP
FOR TOMORROW NIGHT?

YEAH. YEAH, LATE TOMORROW NIGHT,

AFTER THE SHOW, ABOUT 2:00 A.M.

IT SPEAKS.

THAT'S MR. "IT" TO
YOU, SUPERFLYSTRESS.

LOOK AT YOU.

WHEN WAS THE
LAST TIME YOU SLEPT?

DON'T GIVE ME ANY SHIT, KIT.

I HAD TO JACK OFF TWICE TODAY

JUST TO GET MY HEART STARTED,

AND ANYWAY, I DON'T SLEEP.

I'VE FMS.

FMS?

WHAT IS FMS?

IS THAT FAG MUNCHAUSEN
SYNDROME OR SOMETHING?

NO, FEAR OF MISSING SOMETHING.

GIVE ME A HAND UP.

OH, JESUS.

WELL, I DON'T CARE WHAT YOU GOT.

ALL I WANT YOU TO DO IS
GET YOUR SHIT TOGETHER

BY TOMORROW NIGHT,

BECAUSE I DON'T WANT ANY
FUCK-UPS WITH THE B-52's...

DO NOT GIVE ME ANY
ATTITUDE ABOUT THIS.

I'M THE ONE WHO
BROUGHT THEM HERE.

I KNOW...

I KNOW.

I KNOW YOU BOOKED THEM.

I KNOW YOU'RE THE
BEST OF FRIENDS,

HOMEY HOMES,
WAY BACK IN THE DAY.

I KNOW THIS. I
KNOW ALL OF THIS...

WELL, THEN, YOU SHOULD ALSO KNOW

THAT ALL YOU NEED TO DO IS
KEEPING THE BOOZE FLOWING

AND KEEP YOUR OWN
VICES UNDER CONTROL.

I MEAN, I DON'T LET
MINE GET IN THE WAY

OF MAKING YOUR
BUSINESS FLOURISH.

I DIDN'T HAVE TO BOTTOM
OUT TO GET MY LIFE TOGETHER.

AND YOU'RE BOTH
GOING TO LOVE IT.

IT'S WHERE WE MAKE FILMS.

THE PLACE IS FULL OF SURPRISES.

THERE'S LOTS OF
LORRIES ON THE LOT,

AND THERE'S SHIPS,

AND YOU'RE BOTH GOING
TO SEE EVERYTHING

WHEN YOU NEXT
COME DOWN TO VISIT.

MUTO SEE THE COSTUMES? COME IN!

OF COURSE, PUMPKIN,

I'LL TAKE YOU TO THE
WARDROBE DEPARTMENT.

DID MAMA TELL YOU

ABOUT DAMMA TETE'S PARTY FOR US?

YES, WINNIE TOLD
ME ALL ABOUT THAT.

OH, MY GOD, ARE
THOSE YOUR CHILDREN?

YEAH.

SWEETHEARTS,

CAN YOU BOTH JUST
SAY HI TO DYLAN?

HI, DYLAN!

HI, YOU TWO.

I CAN'T WAIT TO MEET YOU.

SWEETHEARTS, MUMMY'S
GOING TO HAVE TO GO NOW.

I'M SORRY.

BUT I'LL SPEAK TO
YOU TOMORROW, OKAY?

BIG BIG KISS TO YOU.

BYE, MUMMY!

I LOVE YOU!

I LOVE YOU, TOO.

BYE!

BYE.

MY GOD, THAT IS SO GREAT

THAT YOU CAN SEE THEM WHEN
YOU TALK TO THEM LIKE THAT.

YEAH.

I TALK TO THEM EVERY DAY.

UM, I WAS IN THE NEIGHBORHOOD,

AND I THOUGHT I WOULD
BRING YOU SOMETHING.

THANK YOU.

I'M GLAD YOU CAME BY.

CADBURY'S FLAKE...

AND BRANSTON PICKLE.

TWO OF MY ABSOLUTE FAVORITES.

THAT'S FANTASTIC.

THANK YOU.

HOW GOES EDITING?

YOU HAVEN'T CALLED ME.

YOU KNOW, DYLAN, I
MADE A PROMISE TO MYSELF

TO STOP SLEEPING
WITH MARRIED PEOPLE.

DANNY'S MY BOYFRIEND.

WE'RE NOT MARRIED.
WE LIVE TOGETHER.

YEAH, BUT IN LESBIANWORLD,

THAT IS MARRIED.

I'VE WANTED TO CALL YOU,

BUT THIS IS A REALLY
DIFFICULT SITUATION FOR ME.

YOU KNOW, YOU'RE
WITH SOMEONE ELSE,

AND YOU'RE STRAIGHT.

AT LEAST, THAT'S
WHAT YOU TOLD ME.

I AM STRAIGHT.

BUT, DYLAN, THIS IS
A NO-WIN ON MY PART.

WHAT STARTS IN
CHAOS ENDS IN CHAOS.

I LIKE YOU...

A LOT.

WHAT DOES THAT MEAN, DYLAN?

I DON'T WANT TO BE THE LIE

YOU TELL TO SOMEONE.

WELL, WHAT DO YOU WANT?

YOU KNOW WHAT I WANT,

BUT I DON'T WANT IT HALFWAY,

AND I DON'T WANT IT

AT SOMEONE ELSE'S EXPENSE.

WE SHOULD JUST BE FRIENDS.

CAN WE TRY THAT?

HEY, ALICE?

ALICE, WAKE UP.

COME ON.

COME ON, WAKE UP.

COME ON.

ALICE...

WHAT DO YOU THINK?

I THINK THEY'RE REALLY DISCREET.

YOU DO?

YEAH.

I HAD MY FIRST GIRLFRIEND'S NAME

TATTOOED ON MY ANKLE.

I HAD IT REMOVED.

OH, WHY DIDN'T YOU PUT
SOMETHING ELSE ON IT, HUH?

BRONWYN?

HELLO, EVERYBODY. HEY, JENNY.

HELLO.

HI, MISS.

OH, HOW ARE YOU?

I'M VERY GOOD.

HI.

HOW ARE YOU?

I PICKED THESE
FROM THE GARDEN...

FOR YOU.

THANK YOU. THEY'RE BEAUTIFUL.

HEY, I THOUGHT YOU
WERE OUT OF HERE.

I'M TAKING THE REDEYE
TO NEW YORK TONIGHT.

WHAT'S GOING ON?

I'M GOING TO BE MEETING

WITH MY BOOK EDITOR.

WELL, THAT'S EXCITING.

IS MOIRA GOING WITH YOU?

NO, SHE HAS TO WORK
AT THE PLANET TONIGHT

WITH BILLIE.

RIGHT. WE HAD TO CLOSE TONIGHT

SO WE COULD, YOU
KNOW, RIG FOR TOMORROW.

THAT'S RIGHT, THE B-52's
ARE GOING TO BE THERE.

THAT IS HUGE.

KIT, HOW DID YOU GET THEM?

MY SEX-AND-DRUG-CRAZED
MANAGER, HE LANDED THEM.

HAPPY FIRST CHEMO, BABY.

HEY...

OH, MY GOSH, WOW.

LOOK.

HEY...

OH, LOOK AT THAT.

OH, MY GOD, THAT'S
A BEAUTIFUL CAKE.

I'VE NEVER HEARD OF
A CHEMO CAKE BEFORE.

WELL, YOUR GIRL MADE IT FOR YOU.

YEAH.

IT'S RED VELVET,
BABY, YOUR FAVORITE.

YOU KNOW, I'M A LITTLE
NAUSEOUS RIGHT NOW, ACTUALLY.

I DON'T THINK I CAN
HAVE ANY, OKAY?

IT'S RED VELVET, BABY...

LOOK, I'M FUCKING SICK,
LARA. OKAY? JUST TAKE IT AWAY.

MAYBE LATER.

I WANT SOME.

I WOULD LOVE A PIECE.

IS THAT WEDDING CAKE?

NO, IT'S NOT WEDDING CAKE.

YOU'RE JUST JEALOUS

BECAUSE MY GIRLFRIEND
AND I ARE TWO GOLD STARS

THAT HAVE FOUND EACH OTHER.

WHAT'S A GOLD STAR?

OH, IT'S SOMEBODY WHO'S GAY

WHO'S NEVER HAD SEX

WITH A PERSON OF
THE OPPOSITE SEX.

YEAH, PEOPLE WHO
BUMP UGLIES WITH UGLIES.

CAN I BE A GOLD STAR

EVEN THOUGH I'VE SLEPT WITH MEN?

JEN, YOU'RE THE JEWISH STAR.

AW...

YES, AND I AM A
LATINA GOLD STAR,

COVERED IN SEQUINS.

SO HOW MANY GOLD
STARS DO WE HAVE HERE?

HELENA, YOU'RE A GOLD STAR?

WELL, SORT OF.

I MEAN, THE ENGLISH
PUBLIC SCHOOL BOYS

THAT I SHAGGED AS A TEENAGER,

THEY WERE JUST EXPERIMENTS,

AND THEY WERE SO EFFEMINATE,
THEY DON'T REALLY COUNT.

HELENA, THAT DOES NOT COUNT.

I THINK YOU MIGHT
BE A SPOILED STAR.

OH, REALLY.

YOU KNOW, MY MAMA'S FROM TEXAS,

AND SHE ALWAYS CALLED
HERSELF A LONE STAR

BECAUSE MY DADDY'S THE
ONLY MAN SHE EVER SLEPT WITH.

ARE YOU SERIOUS?

YEAH.

I CAN'T IMAGINE THAT.

I CAN. IT SOUNDS NICE.

TINA'S MOM IS A LONE STAR, TOO.

WHERE IS TINA?

BABE, SHE ALREADY TOLD US.

TINA'S IN VANCOUVER.

"SHE ALREADY TOLD US."

WELL, I FORGOT, OKAY?

WHAT ARE YOU, MY
MEMORY MONITOR NOW?

I'M SORRY.

I'M SORRY.

LOOK, I'M GOING TO GO
LIE DOWN, IF THAT'S OKAY.

DO YOU WANT ME TO COME WITH YOU?

NO.

HEY, MAX.

HEY.

YOU'RE GETTING MUSCLES.

YEAH.

I THINK I'M ALREADY
STARTING TO BULK UP.

MM-HMM.

HEY, WON'T YOU GET
IN TROUBLE FOR THAT?

MM-MM.

BIG SISTER'S OVER AT
THE CHEMO CLAM-BAKE.

I THINK IT'S REALLY HARSH
WHAT'S HAPPENING TO DANA,

BILLIE,

AND IT MUST REALLY
BE HARD FOR LARA, TOO.

YEAH, IT'S ROUGH.

MY LOVER WAS SICK
FOR THREE YEARS

BEFORE I LOST HIM.

I THOUGHT I WAS GOING TO DIE

RIGHT ALONG WITH HIM, BUT...

I DIDN'T.

THEY LEAVE YOU
BEHIND TO DEAL, AND...

YOU DEAL.

WELL, HOW LONG WERE
YOU TWO TOGETHER?

12 YEARS.

EVERY NOW AND THEN,

I CAN STILL FEEL
HIS BREATH ON ME.

I'VE NEVER HAD
ANYONE I LOVE DIE.

NO?

YOU WILL, HANDSOME.

YOU WILL.

YOU'RE A REALLY
COOL GUY, BILLIE.

YOU'VE REALLY
HELPED ME OUT A LOT.

HOW ARE YOU FEELING?

ALL RIGHT, I GUESS.
MAYBE A LITTLE EDGY.

HAVE YOU STARTED
FUCKING LIKE A RABBIT YET?

IT KICKS IN ABOUT NOW.

THE HARD-ON THAT'LL
NEVER GO DOWN.

ALL YOU CAN THINK
ABOUT IS GETTING OFF.

YEAH.

IT'S PRETTY INTENSE.

KISS ME AGAIN.

I LIKE GETTING KISSED
WHEN I'M GETTING FUCKED.

WHOA...

I SWEAR TO GOD.

HE USES A PENIS ENLARGER.

I DON'T BELIEVE YOU. I
SAW IT IN HIS TRAILER. YEAH.

I DON'T BELIEVE YOU.

OH, MY GOD, THAT IS CRAZY.

I CAN'T WAIT TILL THAT
HITS THE TABLOIDS.

THAT'S JUICY.

I MIGHT HAVE TO LEAK IT MYSELF.

OKAY, SO WHERE WE
ARE WITH LESLIE IS...

UM, WE'RE THINKING

OF CALLING IN THE
BODY DOUBLE AGAIN

FOR SCENE 29A

OR JUST CUTTING
THE SCENE ENTIRELY.

IT'S JUST GRATUITOUS SEX ANYWAY.

I DON'T HAVE A PROBLEM
WITH GRATUITOUS SEX.

I LIKE A WOMAN

WHO GETS RIGHT TO THE POINT.

PEEKABOO!

HEY...

REMEMBER THIS ARIA?

OH, YOU MEAN OUR THIRD DATE,

WHEN YOU FINGER-FUCKED
ME AT THE OPERA

BEFORE TELLING ME

YOU DIDN'T THINK WE WERE
RIGHT FOR EACH OTHER?

OH, AND THAT YOU HAD
JUST MET A STRAIGHT GIRL

THAT YOU THOUGHT YOU
MIGHT FALL IN LOVE WITH?

NO, I DON'T REMEMBER A THING.

HEY.

HEY, ANGUS?

COULD YOU WATCH
ANGELICA JUST FOR A MINUTE?

HELLO! HELLO, ANGELICA.

♪ A-E-I-O-U, U ♪

I DON'T KNOW HOW TO
DEAL WITH THIS, ALICE.

THIS ANGER IN HER,

IT'S NOTHING THAT I'VE
EVER SEEN IN HER BEFORE.

WELL, SHE'S NEVER
HAD CANCER BEFORE.

I MEAN, WHO KNOWS
HOW TO DEAL WITH THAT?

I KNOW, I KNOW. I JUST...

I FEEL LIKE EVERYTHING
I DO OR SAY IS WRONG,

AND SHE JUST...

SHE KEEPS PUSHING ME AWAY.

I MEAN, OBVIOUSLY
I'M NOT HELPING HER.

LARA...

DANA NEEDS YOU.

SHE NEEDS YOU, ALICE.

YOU'RE STRONG.

I JUST... I FEEL LOST.

I FEEL TOTALLY LOST.

DANA'S LOST, TOO...

AND I NEED TO FIND HER.

I FEEL LIKE I'M FLOATING
OUTSIDE OF MY BODY,

AND I'M WATCHING
MYSELF DO THESE THINGS,

AND I CAN'T STOP MYSELF.

I CAN'T CHANGE ANYTHING.

YEAH, I FELT LIKE THAT
WHEN MY DAD DIED,

LIKE IT WASN'T MY
LIFE OR SOMETHING.

YEAH.

I KNOW.

I JUST CAN'T RELAX.

I CAN'T SLEEP.

I CAN'T LISTEN.

I LOVE LARA,

AND I CAN'T STAND HER,

AND I'M TERRIFIED TO BE ALONE.

YOU KNOW, DANA,

OBVIOUSLY, I'VE NEVER
BEEN IN YOUR POSITION,

BUT I DO KNOW

THAT THE ONE OF THE THINGS
THAT REALLY HELPED ME

WERE THESE RELAXATION EXERCISES

I DID WITH MY THERAPIST.

DO YOU WANT TO TRY?

YES.

LIE DOWN.

CLOSE YOUR EYES.

TUNE OUT ALL THE
SOUND AROUND YOU.

THEN LET IT GO.

AND AS YOU INHALE,

FEEL YOUR BODY BECOMING...

HEAVY AND GROUNDED.

YOUR ARMS GROW HEAVY AND RELAXED

INTO THE BED.

AS YOU EXHALE,
LET EVERYTHING GO.

JUST LET IT FLOAT AWAY,

LIKE A RIVER, FLOATING AWAY,

AND YOU'RE SAFE,

AND YOU'RE FLOATING AWAY

TO ANOTHER PLACE,

AND I WANT YOU TO
PICTURE YOURSELF

IN THE MOST BEAUTIFUL
PLACE THAT YOU CAN IMAGINE.

ARE YOU THERE?

I'M THERE.

IT'S SO BEAUTIFUL.

IT'S SO ALIVE.

IT'S...

SO PEACEFUL.

I'M WHOLE...

AND I JUST WANT TO STAY HERE.

WILL YOU STAY WITH ME?

YEAH.

I HAVE WANTED YOU SINCE
THE MOMENT I SAW YOU.

YOU KNOW, I NEVER THOUGHT
THAT YOU WERE QUEER.

SHH, SHH. DON'T SPEAK.

YOU ARE WAY TOO HOT FOR THAT.

YOU'RE SO NOT A LESBIAN.

GODDAMMIT, JOSH,

ARE YOU REALLY THAT CLUELESS?

YOU HAVE NO IDEA
WHO I AM OR HOW I FEEL.

I KNOW THAT YOU DIDN'T
FEEL LIKE A LESBIAN JUST NOW.

GOD...

THIS WAS GOING TO
BE SO EASY FOR YOU.

I WAS SO READY TO
JUMP INTO BED WITH YOU.

NOW IT TURNS OUT
YOU'RE AN IGNORANT ASS.

GOD, WHY COULDN'T YOU
JUST SHUT UP AND FUCK ME?

WHY MAKE IT IMPOSSIBLE
FOR ME TO DO SOMETHING...

THAT I WANTED TO DO?

YOU ARE ONE
FUCKED-UP WOMAN, TINA.

YEAH, WELL, I'M STILL
YOUR FUCKED-UP BOSS.

SO WHAT NOW?

NOTHING.

YOU STAY HERE. I GO
BACK TO MY HOTEL.

TOMORROW WE'LL MEET.

WE'LL WORK ON THE
PRODUCTION BUDGETS.

THIS IS YOUR WORLD, TINA.

I JUST WORK IN IT.

I DON'T KNOW,

THERE'S SOMETHING
ABOUT WHITE BOYS

THAT'S JUST DIFFERENT.

I DON'T KNOW WHAT IT IS.

I DON'T KNOW, I'LL
NEVER KNOW, BUT...

HEY, KITTEN.

MANGUS.

BILLIE, WHAT THE
FUCK ARE YOU DOING?

YOU KNOW, I DON'T CARE

IF YOU FUCK UP YOUR OWN LIFE,

BUT YOU WILL NOT
FUCK UP MY BUSINESS.

THIS BUSINESS IS MY LIFE.

THE DOOR, BILLIE, WAS UNLOCKED.

THE POLICE COULD'VE COME IN.

CALM DOWN, KIT.

NO, DON'T TELL ME TO CALM DOWN!

BILLIE, YOU...

YOU ARE THE MOST
IRRESPONSIBLE FUCK

I HAVE EVER MET
IN MY WHOLE LIFE.

YOU ARE A SAD AND SELFISH MESS,

AND I DON'T CARE HOW
MANY PEOPLE YOU KNOW,

AND HOW MANY PEOPLE
YOU BRING INTO THE CLUB,

I AM NOT GOING TO HAVE IT.

I AM NOT GOING
TO HAVE THIS SHIT.

I AM TALKING TO YOU, BILLIE!

LISTEN TO ME!

I THINK IT'S TIME FOR ME TO GO.

GOOD MORNING.

FUCK, FUCK...

AH, NO.

BABY, WHAT'S GOING ON?

NO, THIS FEELS GOOD.

YEAH? YEAH.

OKAY, HOLD ON.

WAIT, WAIT, WAIT. WHAT?

DON'T...

WHAT?

YOU DON'T HAVE TO. WHAT'S WRONG?

I DON'T KNOW, I JUST...

I'M SORRY, I'M JUST...

WHAT?

I'M SORRY, I'M JUST...

I'M DISTRACTED.

WHY ARE YOU DISTRACTED?

IT'S NOT YOU.

I'M SORRY.

DANA!

OH, HEY. IT'S OKAY.

IT'S OKAY.

IT'S NOT OKAY.

COME ON, I'LL MAKE
YOU SOME BREAKFAST.

WHY CAN'T YOU JUST
LEAVE ME THE FUCK ALONE?

YOU'RE NOT MY FUCKING NURSE.

YOU'RE NOT MY MOTHER.
YOU'RE NOT ANYTHING...

NO, DANA, AND I'M NOT YOUR
FUCKING PUNCHING BAG EITHER.

YOU KNOW, MAYBE...

MAYBE IT WOULD JUST
BE BETTER FOR YOU

IF I WENT AWAY
FOR A LITTLE WHILE.

WHY DON'T YOU JUST GO THEN, HUH?

WHY DON'T YOU JUST GO?

GO TO PARIS.

TAKE THAT CHEF'S COURSE

YOU'VE BEEN TALKING ABOUT.

I MEAN, JUST BECAUSE
YOUR GIRLFRIEND'S DYING...

YOU'RE NOT DYING, DANA...

YOU DON'T FUCKING KNOW THAT!

HOW THE FUCK DO YOU KNOW THAT?

YOU'RE NOT GOD!

WHAT DO YOU WANT?

I HAVE TRIED TO
BE THERE FOR YOU.

I HAVE TRIED TO DO
EVERYTHING I CAN.

WHAT DO YOU WANT?

I WANT YOU TO GO!

I WANT YOU TO GO!

GO TAKE...

I DON'T WANT TO GO
ANYWHERE WITHOUT YOU, OKAY?

I LOVE YOU, DANA.

I JUST WANT YOU TO LEAVE.

JUST GO.

PLEASE GO.

LEAVE!

EXCUSE ME!

HI!

OKAY, I'VE GOT IT. THANKS.

DANA FAIRBANKS.

SHE'S GOT LONG BROWN HAIR.

HAVE YOU SEEN HER?

THE LESBIAN TENNIS PLAYER?

YEAH.

SHE DOESN'T WORK HERE, HONEY.

WELL, NO SHIT. I...

I KNOW SHE DOESN'T
WORK HERE. SORRY.

I THREW HER OUT.

COME AGAIN?

IT'S A LIFE-SIZE
CARDBOARD CUTOUT.

I THREW HER OUT.

DID YOU PUT IT IN A
BLUE BIN OR A BLACK BIN?

I DON'T KNOW.

I JUST PUT HER OUT BY THE TRASH.

WELL, SHE CAN BE IN
ONE OF TWO PLACES.

IF YOU PUT HER IN THE BLUE BIN,

SHE'S BEING RECYCLED
AT THE ALLAN COMPANY.

OKAY.

AND IF YOU PUT HER
IN THE BLACK BIN,

YOU'RE NEVER GOING TO FIND HER.

WHY? WHERE WILL SHE BE?

SHE'LL BE AT THE
PUENTE HILLS LANDFILL

IN WHITTIER.

WHITTIER. FUCK...

THANK YOU.

YOU'RE WELCOME.

HEY, DANA.

NO, I'M IN WHITTIER.

WHAT?

UH, IT'S GOING TO BE ALL RIGHT.

UH, I'M KIND OF...

I'LL BE RIGHT THERE. JUST...

CHILL OUT. I'LL BE RIGHT THERE.

HEY, MOIRA?

HEY. WHAT'S UP?

GOT SOMETHING TO ASK YOU.

YEAH, WHAT IS THIS?

WHAT'S GOING ON WITH JENNY?

YOU GUYS, JENNY'S FINE.

IT'S MINE.

IT'S TESTOSTERONE.

I'VE STARTED A PROGRAM OF IT.

WHAT KIND OF A PROGRAM?

YOU KNOW...

I MEAN, I'VE ALWAYS FELT
REALLY UNCOMFORTABLE

IN THIS BODY.

SO I'VE DECIDED TO TRANSITION.

I'M CHANGING... MYSELF
FROM FEMALE TO MALE.

DOES JENNY KNOW?

YEAH.

SHE'S HELPING ME.

HOW IS SHE HELPING YOU?

SHE'S BEEN SHOOTING
ME UP WITH IT.

WOW. SO...

YOU'RE REALLY
GOING TO GO THROUGH

THE BREAST...

TOP SURGERY.

TOP SURGERY?

YEAH.

WHEN I CAN AFFORD IT, I AM.

YOU KNOW?

THAT'S STRONG.

HOW ARE YOU?

GOOD.

EVERYONE IS EXCITED

ABOUT THE SOME OF HER PARTS.

OH, COOL. AWESOME.

I'M REALLY EXCITED.

I'M KIND OF NERVOUS AND JUST...

EXCEPT ME.

OKAY.

WE HAVE A LOT OF WORK TO DO.

OKAY, GREAT.

OH, I'M NOT TALKING
ABOUT LINE EDITS, JENNY.

IT'S DEEPER THAN THAT.

AS YOUR EDITOR,

I HAVE A BASIC PROBLEM WITH
THE JOURNEY OF THE BOOK.

MM-HMM.

OR RATHER, THE LACK OF ONE.

UM, BUT IT'S... BUT IT'S
WHAT HAPPENED TO ME,

SO I DON'T KNOW WHAT I
COULD DO TO CHANGE THAT...

LET ME EXPLAIN, IF I MIGHT.

OF COURSE.

OKAY, "EACH MOMENT THE
BLADE PENETRATED MY SKIN,

"I FORGOT WHAT IT WAS LIKE
TO BE ON MY FACE IN THE DIRT.

"EVERY DROP OF
BLOOD WAS A REMINDER

"THAT I STILL BELONGED
TO THE EARTH,

"THAT I WAS FLESH AND BLOOD,

"THAT THOSE BOYS WEREN'T
EVERYTHING IN MY BODY.

"CUTTING MYSELF, HURTING MYSELF

"FREED ME FROM THE
HURT THEY INFLICTED.

I WAS THE ONE DOING
THE DAMAGE, NOT THEM."

I DON'T SEE WHAT'S
WRONG WITH THAT.

YOU STILL VIEW
YOURSELF AS A VICTIM.

JENNY, YOU'RE REPEATING THE
SAME SCENE OVER AND OVER.

IT FEELS COMPULSIVE.

I WAS A VICTIM

WHEN THAT HAPPENED TO ME.

I DON'T KNOW WHY
I CAN'T SAY THAT.

JENNY, JENNY,

YOU'RE AN EXCELLENT WRITER.

THANK YOU. EXCELLENT.

BUT THAT WORRIES ME MORE,

BECAUSE I THINK

YOUNG GIRLS WILL READ THIS,

AND THEY'LL THINK CUTTING IS
A VIABLE RESPONSE TO TRAUMA.

I WOULD NEVER SUGGEST

THAT ANYBODY DOES
THAT TO THEMSELVES,

BUT, FOR ME, IN THAT
MOMENT, AT THAT TIME,

IT MADE ME FEEL
LIKE I WAS ALIVE,

AND IT MADE ME FEEL LIKE I HAD
SOME CONTROL OVER MY LIFE,

AND IN THAT MOMENT,
THAT WAS EMPOWERING.

IT'S BULLSHIT, JENNY...

IT'S NOT BULLSHIT,
BECAUSE IT'S WHAT I DID.

YOU CAN'T TELL ME...

I'M SORRY. I'M SORRY,

BUT YOU CAN'T TELL ME
WHAT'S BULLSHIT FOR MY BODY.

I'M NOT GOING TO PUBLISH A BOOK

WHERE I TELL YOUNG WOMEN

THAT SELF-INFLICTED VIOLENCE

IS GOING TO FREE THEM
FROM THE VIOLENCE

THEY ENDURED AT THE
HANDS OF OTHER PEOPLE.

I'M NOT GOING TO DO THAT.

I'M NOT ASKING YOU TO DO THAT.

JENNY, WHAT'S
MISSING IN THE BOOK

IS YOUR STRENGTH,

YOUR RESOLVE,

YOUR HEIGHTENED AWARENESS.

I'VE SURVIVED.

YES, AND I'M INTERESTED
IN HOW YOU THRIVE,

NOT JUST SURVIVED.

I'M HERE.

JENNY, IT'S REALLY HARD
TO GIVE UP BEING A VICTIM.

I DON'T LIKE THAT WORD.

IT'S SAFE, IT'S COZY,

IT'S FAMILIAR.

I'M INTERESTED IN
THE OTHER PLACE,

WHEN YOU GET OUT OF
YOUR PAIN, OUT OF YOUR SELF,

AND YOU WERE ABLE TO CONNECT

WITH A LARGER WORLD...

LET ME ASK YOU SOMETHING. WHY
ARE YOU WORKING ON MY BOOK?

WHY?

YOU GUYS ASKED ME TO CHANGE IT

FROM BEING FICTION
TO BEING A MEMOIR,

AND THAT PUT ME

IN A PRETTY VULNERABLE POSITION,

AND SUDDENLY, I'M
TOO PASSIVE FOR YOU?

I'M A VICTIM?

I'M NOT TRANSFORMED ENOUGH?

SO YOU KNOW WHAT I THINK?

I THINK...

I DON'T KNOW.

MAY I TAKE...

THANK YOU.

I THINK YOU SHOULD PROBABLY...

GO FIND YOURSELF ANOTHER HERO.

FUCK YOU.

AND THAT WAS IT.

SHE SAID SHE WAS GOING
TO PARIS FOR THIS CLASS,

AND THAT...

SHE COULDN'T HANDLE IT
ANYMORE, AND THAT WAS IT.

SHE JUST LEFT ME.

I CAN'T FUCKING BELIEVE
SHE JUST LEFT ME.

I CAN.

WHAT THE FUCK IS THAT
SUPPOSED TO MEAN?

IT MEANS YOU'VE
BEEN A TOTAL MONSTER,

AND I KNOW HOW
MUCH LARA LOVES YOU,

AND YOU JUST PUSHED HER TOO FAR.

I'M SICK, AL, AND SHE
FUCKING ABANDONED ME.

NO, YOU'VE BEEN
SHOWING HER THE DOOR

WITH THIS SELF-PITYING BULLSHIT.

FUCK YOU, AL.

NO, YOU KNOW WHAT, DANA?
NOT FUCK ME. YOU KNOW WHY?

BECAUSE YOU HAVE TO GET A GRIP,

OR YOU'RE NOT GOING TO
HAVE ANYONE LEFT TO CALL.

WHY ARE YOU DOING THIS?

BECAUSE I'M YOUR FRIEND,

AND I'M NOT GOING TO LET
YOU TREAT ME LIKE SHIT, TOO.

YOU KNOW, YOU'RE
SURROUNDED BY LOVE,

AND YOU HAVE FUCKING INSURANCE,

AND YOU HAVE A FAMILY,
AND FRIENDS, AND...

A HOME.

YOU'RE YOUNG.

AND YOU SHOULD BE OUT OF BED.

I'M SICK, AL.

I KNOW. YOU...

YOU HAVE CANCER.

BUT YOU'RE NAUSEOUS
FROM THE MEDICINE.

YOU'RE NOT BEDRIDDEN.

YOU KNOW WHAT I THINK?

I THINK YOU SHOULD COME
OUT WITH ME TONIGHT.

I DON'T THINK THE
B-52's SHOULD MISS YOU.

I LIKE THE B-52's.

YEAH.

I CAN'T, AL.

SOMEBODY'S GOING
TO BUMP INTO ME,

AND MY BANDAGES AREN'T
EVEN OFF YET, YOU KNOW?

ALL RIGHT, WELL,

I'LL CALL KIT,

AND I'LL HAVE HER ROPE OFF

A LITTLE SPECIAL SECTION FOR US.

OKAY?

AND GUESS WHAT?

WHAT?

I'M GOING TO TAKE CARE OF YOU,

AND I'LL MAKE SURE
THAT YOU'RE SAFE.

I PROMISE.

I PROMISE.

HI.

HI.

NEVE IS OUR FINEST

AND MOST RESPECTED EDITOR.

SHE HATES MY BOOK.

HOW COULD I HATE
YOUR BOOK, JENNY?

IT'S MY STORY, MY DARLING.

I'M THE GIRL IN YOUR BOOK.

IT'S WHY I PUT THE
TWO OF YOU TOGETHER.

BUT IT'S MY STORY.

IT'S NOT HERS.

I'M JUST ASKING
YOU TO COME AT IT

FROM A POSITION OF STRENGTH.

AND I HAVE COME AT IT

FROM ALL THE
STRENGTH THAT I HAVE.

THAT'S HONEST.

IF THAT'S WHO JENNY IS,

THEN THAT'S HOW
SHE HAS TO COME AT IT.

I'LL TELL YOU WHAT.

I'M NOT THE RIGHT PERSON
TO EDIT JENNY'S STORY.

I UNDERSTAND IT,

BUT I CAN'T PROMOTE IT.

BLESS YOU, MY DARLING.

THANK YOU.

YEAH, SO ALICE SAID IT GOT UGLY.

WHAT?

CAN I GET A DEWAR'S ON THE ROCKS

WHEN YOU GET A CHANCE?

THANKS.

LARA LEFT DANA,

AND SHE SAID

THAT SHE COULDN'T TAKE
THE PRESSURE ANYMORE.

YEAH, AND DANA KICKED LARA OUT,

AND WE SHOULDN'T
BE TALKING ABOUT IT

IN FRONT OF DANA

BECAUSE SHE'S
REALLY UPSET ABOUT IT,

OBVIOUSLY.

I'M SURE LARA WILL COME BACK.

HEY, KIT!

HEY...

HI!

DRINKS ARE ON THE HOUSE.

AW...

HEY, GUYS. HEY.

HOW'S IT GOING?

OH, IT'S GOING GREAT.

COME ON, I'LL BLOCK
INTERFERENCE FOR YOU.

YEAH, YEAH. COME ON. OKAY.

GOTCHA.

OKAY.

EXCUSE ME.

WATCH IT, WATCH IT.

EXCUSE ME.

IT'S PACKED IN HERE, KIT.

YEAH. I'M SOLD OUT FOR DAYS.

DANA!

DANA...

HI!

I'M SO GLAD TO SEE YOU.

ME TOO.

CHAIR CREW COMING THROUGH.

THANK YOU.

LOOK OUT, GUYS. I'M
THE BOOBY GUARD.

OH, GOOD ONE. NICE.

HEY, DID YOU GUYS
SEE MOIRA'S ARMS?

THEY'RE LIKE, YOU KNOW...

THEY'RE LIKE MAN ARMS, KIND OF.

THEY'RE CUTE, BUT
THEY'RE GETTING BIG.

SHE'S PRACTICALLY A MAN, ALICE.

THAT'S A LITTLE HARSHY
McHARSH, THERE, SHANE.

NO, I'M NOT BEING HARSH.

I SWEAR TO GOD,
IT'S BEING HONEST.

HMM?

WHAT ARE YOU BEING HONEST ABOUT?

HEY, SHANE, I DON'T GET

WHAT'S YOUR BIG
PROBLEM WITH MOIRA.

WELL, SHE JUST DOESN'T, LIKE,

TRUST WHAT SHE'S DOING.

WHAT'S SHE DOING?

I MEAN, BESIDES
LIVING OFF JENNY?

HEY, WHERE'S TINA?

IS SHE COMING?

OH, SHE'S UP IN CANADA

ON A FILM LOCATION.

YEAH, JOSH IS A
LITTLE OVER-AMBITIOUS.

WE HAD TO SEND TINA UP THERE

JUST TO REIN HIM IN A BIT.

JOSH? IT'S JOSH'S MOVIE?

YEAH, I MEAN, HE'S
A GREAT PRODUCER.

WE JUST HAD TO
SEND TINA THERE SO...

THAT'S GREAT.

SO SHE WENT UP TO CANADA TO
BE WITH FUCKING JOSH BECKER?

WHO'S FUCKING JOSH BECKER?

TINA.

LADIES AND GENTLEMEN...

BILLIE BLAIKIE AND THE
PLANET PROUDLY PRESENT

THE B-52's!

SHE'S HAVING A SEX CHANGE, AL.

YEAH, MOIRA'S BECOMING A MAN.

ARE YOU GUYS FUCKING KIDDING ME?

MM-MM.

FOR REAL?

DOES JENNY KNOW?

SHE'S HELPING HER.

HO...

DANA...

SHANE JUST TOLD ME

THAT MOIRA'S
GETTING A SEX CHANGE.

WAIT. WHAT ARE
YOU TALKING ABOUT?

YOU KNOW THE ARTICLE I WROTE

ABOUT GENDER
REASSIGNMENT SURGERY?

OH, MY GOD, I
LOVED THAT ARTICLE.

IT WAS ALL ABOUT
WOMEN WHO BECOME MEN,

AND THEY TAKE HORMONES

AND TESTOSTERONE,

AND, LIKE, THEY CUT
OFF ALL THEIR HAIR

AND THEY CUT THEIR TITS, AND...

I'M GONNA GO.

NO...

NO, I GOTTA GO.

DANA, I'M SO SORRY.

SHIT.

SHANE...

WHY DID YOU HAVE TO SAY THAT!

IT CAME OUT. I DIDN'T MEAN TO.

FUCK! OH, GOD...

DANA!

DANA, WAIT. YOU'RE
GOING TO HURT YOURSELF.

I DON'T UNDERSTAND WHY, HOW...

JUST LEAVE ME ALONE,
ALICE. I NEED TO BE ALONE.

I'LL JUST TAKE YOU HOME.

ALICE, JUST LEAVE ME ALONE!

YOU'RE NOT ALONE!

FUCK...