R.L. Stine's The Haunting Hour (2010–2014): Season 1, Episode 5 - Nightmare Inn - full transcript

When a young girl loses her father, she is forced to face her fears and move to a terrifying hotel where the staff have mysterious secrets.

[CHURCH BELLS CHIME]

[♪♪♪]

HEY, GIRLS.

WAIT TILL YOU SEE
THESE OUTFITS.

OH, LOOK,

STELLA WENT SHOPPING.

FOR THE SECOND TIME.

TODAY.

DON'T HATE ON STELLA
JUST BECAUSE SHE'S RICH.

I HATE HER
BECAUSE SHE'S A SNOB.

THE FACT THAT SHE'S RICH
JUST BUGS ME.

HEY.

HEY, ZACK. NICE TAN.

THANKS, YEAH. IT'S KIND OF
BEEN MY SUMMER PROJECT.

[NERVOUS LAUGHTER]

YEAH...

CAN I JUST GET A HOTDOG WITH--

MUSTARD. EASY ON THE RELISH.
HOLD THE KETCHUP?

UH...

WHAT? HE ORDERS THE SAME
THING EVERY DAY.

THAT'S WHAT YOU WANT, RIGHT?

UM... YEAH, YEAH.

COMING RIGHT UP.

BUT IT'S CUTE, RIGHT?

JAMES, I KNOW YOU'VE BEEN
CRUSHING ON ZACK ALL SUMMER

AND I'VE ALLOWED IT
BECAUSE IT WAS HARMLESS,

BUT NOW YOU'RE
JUST GETTING WEIRD.

I'M NOT CRUSHING ON ZACK.

RIGHT.

I BET YOU CALL HIS PHONE
AT LEAST ONCE A DAY AND HANG UP.

OH, PLEASE, DON'T TELL ME
YOU DO THAT!

I MEMORIZED HIS NUMBER,
BUT I NEVER CALLED IT.

I NEVER HAD THE GUTS
TO CALL IT.

GUYS LIKE ZACK

DO NOT GO
FOR GIRLS LIKE US.

IT JUST DOESN'T HAPPEN.

THERE'S A REASON HE'S ON
THAT SIDE OF THE COUNTER

AND WE'RE ON THIS SIDE.

I'M NOT SAYING IT'S RIGHT.
THAT'S JUST HOW IT IS.

WELL, I'M TIRED OF HOW IT IS.

I'M TIRED OF BEING
THAT WEIRD GIRL

WHO WEARS PATCHES
ON HER CLOTHES.

I'M TIRED OF
WORKING ALL SUMMER

INSTEAD OF
HAVING ANY FUN.

WHY CAN'T ZACK
GO FOR A GIRL LIKE ME?

I AM SO EXCITED ABOUT
THE CLUB PARTY SATURDAY NIGHT.

I JUST CAN'T DECIDE
WHAT TO WEAR.

THAT IS JUST
A HUGE PROBLEM, STELLA.

HERE'S YOUR HOTDOG, ZACK.

THANK YOU VERY MUCH.

HEY, SNACK BAR GIRL.

CAN YOU GRAB ME
A DIET SODA?

THANKS. YOU'RE THE BEST.

WE'RE FROM TWO
DIFFERENT WORLDS.

THEY'RE MEMBERS OF THIS CLUB.

WE JUST WORK AT IT.

[CAWS]

[FABRIC TEARS]

SHOOT.

HEY, JAMIE.

HEY.

EARLIER THAN USUAL.

I THOUGHT I WAS LATE.

YOU ARE. BUT IT'S
AN EARLIER TYPE OF LATE.

NOW WE ONLY MISS THE BUS
BY FIVE MINUTES TODAY.

YUP. NO BIGGIE.

I LIKE OUR TWO-MILE
WALK TO WORK.

NICE PATCH.

I SWEAR THAT JACKET
HAS NINE LIVES.

UM, I'M JUST SAYING,
YOU KNOW, THANK YOU

FOR WASTING YOUR SUMMER

WORKING AT THE SNACK BAR
WITH ME.

I KNOW IT'S LAME, BUT IT WOULD
BE UBER-LAME WITHOUT YOU THERE.

HEY, HAVE YOU SEEN
THIS STORE BEFORE?

WHAT? I DON'T KNOW.
MAYBE IT JUST OPENED.

DID YOU HEAR
WHAT I SAID

'CAUSE I WAS GETTING
REAL WITH YOU,

YOU KNOW,
NOT IN ANY WAY SARCASTIC.

YOU'VE GOT TO CHERISH MOMENTS
LIKE THESE, JAMES, 'CAUSE--

JAMIE?

WHERE ARE YOU GOING?

WE'RE GOING TO BE
LATE FOR WORK AGAIN.

I JUST WANT TO CHECK
THIS PLACE OUT.

[SIGHS]

IT SMELLS LIKE
MY GRANDMOTHER IN HERE.

DID YOU SEE THAT?

THERE'S A LIVE
BIRD IN HERE.

A USED BIRD, NO DOUBT.

OH...

I'M IN LOVE WITH THIS DRESS.

I WONDER HOW MUCH IT IS?

OKAY, TIME TO GO.

"SEE ABIGAIL."

THAT CAN'T BE GOOD.

OKAY, LET'S JUST
GET OUT OF HERE.

HELLO?

IS THERE SOMEONE
WHO CAN HELP ME?

JAMIE. WORK?

YOU KNOW, THAT THING
YOU SHOW UP FOR?

EXCUSE ME.

I JUST HAVE A QUESTION ABOUT--

[WOMAN]:
THE RED DRESS?

HOLY!

IT'S BEAUTIFUL, ISN'T IT?

IT IS.
IT'S AMAZING.

UM, SHE'S BLIND.

BLIND, YES.

DEAF, NO.

THE PRICE TAG SAYS
"SEE ABIGAIL."

IS THAT YOU?

ABIGAIL RAVEN.

WELCOME TO MY BOUTIQUE.

FANCY WAY OF SAYING
"THRIFT STORE."

OH, "THE RAVEN'S CHEST" IS
MUCH MORE THAN A THRIFT STORE.

EVERYTHING FOR SALE

WAS ONCE
SOMEONE'S PRECIOUS POSSESSION.

THE RED DRESS...

IS A VERY
SPECIAL DRESS.

YOU WOULD LOOK
STUNNING IN IT.

HOW MUCH IS IT?

$400.

400 BUCKS?

FOR A USED DRESS?

I DON'T HAVE
THAT KIND OF MONEY.

IF YOU WANT SOMETHING,
YOU MUST PAY FOR IT.

LET'S GO.

THIS CHICK IS CREEPY AND CRAZY.

IF I HAD THAT DRESS,

ZACK WOULD FORGET
ALL ABOUT STELLA.

[DOOR OPENS]

HELLO?

ANYBODY HERE?

THE DOOR WAS OPEN...

HELLO?...

[RAVEN CAWS]

OH, HI, ZACK...

OH, THAT'S VERY SWEET
OF YOU TO SAY.

IT'S JUST A LITTLE SOMETHING
I PICKED UP AT A THRIFT STORE.

DANCE? I WOULD LOVE TO.

[DOOR OPENS]

[CANE TAPPING]

[CANE TAPPING]

IF YOU'RE STEALING FROM ME,

I'M WARNING YOU...

YOU MUST PAY!

[CANE TAPPING]

[CANE TAPPING]

YOU MUST PAY!

[CANE TAPPING LOUDLY
AND QUICKLY]

[DOOR CLOSES]

SHE'LL PAY.

OH, WHAT AM I DOING?
I'M NOT A THIEF.

I BET HE'LL GO
FOR A GIRL LIKE THIS.

[TELEPHONE RINGING]

[ZACK]: YO, YO, YO!

UM... ZACK?

YEAH, YEAH?
WHO'S THIS?

HEY, IT'S JAMIE.

YOU KNOW, THE SNACK BAR GIRL.

OH, HEY,
WHAT'S GOING ON?

HELLO? HELLO?

YEAH, LISTEN.

I WAS WONDERING...

WHAT ARE YOU DOING TOMORROW?

DO YOU WANT
TO GO TO A MOVIE?

WOW, THAT MOVIE WAS...

YOU HATED IT.

NO, I JUST THINK I'M NOT
A BIG FAN OF BLACK AND WHITE.

I KNOW WHAT YOU MEAN.

I THOUGHT YOU SAID

THAT WAS YOUR FAVORITE
ALL-TIME MOVIE.

IT USED TO BE,

BUT TONIGHT, IT SEEMED
KIND OF LAME.

WELL, I'M THIS WAY...

YEAH...

SO...

I'LL SEE YA.

OKAY.

BYE.

[CANE TAPPING]

[CANE TAPPING QUICKLY]

[DOOR CREAKS]

YOU MUST PAY.

[SCREAMS]

[DOOR OPENS]

GO AWAY!

LEAVE ME ALONE!
JUST LEAVE ME ALONE!

[DOOR RATTLES]
[NICOLE]: JAMIE? JAMIE?

DID YOU SLEEP IN THE CLOSET?

NICOLE, I SWEAR,
ABIGAIL RAVEN WAS HERE!

IN MY ROOM!

OKAY, ALL RIGHT, CALM DOWN.

YOU SHOULD PROBABLY
CALL THE POLICE.

DID SHE, LIKE, BREAK IN,
OR DID SHE KNOCK ON THE DOOR?

NO, NO,
SHE JUST APPEARED.

APPEARED?

IN THE MIRROR.
BUT SHE FOLLOWED ME.

FOLLOWED YOU? SHE'S BLIND.

FOLLOWED YOU FROM WHERE?
YOU WENT TO THE THRIFT STORE?

NO, AFTER THE MOVIES WITH ZACK.

WHOA, WOMAN. HALT. STOP.
ZACK ASKED YOU TO THE MOVIES?

NO, I ASKED HIM.

AND YOU DIDN'T TELL ME?

I DON'T THINK HE LIKES ME.

BUT THAT'S NOT THE POINT.

OKAY, IT MIGHT NOT
BE THE POINT,

BUT IT'S A POINT.

IT'S DEFINITELY POINTY.

NICOLE! I COULD HEAR HER CANE.
IN THE STREET.

TAP-TAP-TAP.

YOU'RE FREAKING ME OUT.

NOW I'M GOING TO
SLEEP IN A CLOSET.

IT'S NOT FUNNY.

OKAY...

DID YOU SEE HER FOLLOW YOU?

NO...

OKAY, WELL, NO OFFENSE, JAMES,
BUT YOU SOUND INSANE.

WHY WOULD A CREEPY BLIND LADY
BE STALKING YOU?

IS THAT...

HOW DID YOU PAY FOR THAT?

I SORT OF STOLE IT.

WHAT?

THE DOOR OPENED, OKAY,
AND I WANTED TO TRY IT ON,

AND I LIKED IT SO MUCH,

AND THEN THE CANE
AND THOSE EYES!

STOP IT!

THIS IS POST-TRAUMATIC
THEFT DISORDER.

YOU HAVE TO TAKE IT BACK.

LIKE, IMMEDIATELY.

[CELL PHONE RINGS]

HELLO?

HEY, JAMIE,
IT'S ZACK.

HI.

HEY, LISTEN.

I HAD A REALLY GOOD
TIME HANGING OUT

AND I WAS WONDERING,
THE CLUB PARTY'S TONIGHT,

AND IT WOULD BE REALLY
AWESOME IF YOU WERE THERE.

REALLY? COOL.

THAT'S GREAT.

WELL, LISTEN,
IT'S KIND OF FANCY,

SO, YOU'LL PROBABLY WANT
A DRESS OR SOMETHING.

OH...

ARE YOU DOWN?

YEAH, I'M DOWN.

THAT'S EXCELLENT.

I'LL SEE YOU THERE, THEN.
AROUND 9:00 OR SO. OKAY?

LATER.

YEAH, LATER.

[DANCE MUSIC PLAYING]

OH, YOU'VE GOT
TO BE KIDDING ME.

HEY.

JAMES, WHAT DO YOU THINK
YOU'RE DOING?

ZACK INVITED ME.

NO, I DON'T MEAN

WHAT DO YOU THINK
YOU'RE DOING HERE.

I MEAN, WHAT ARE YOU
DOING IN THAT DRESS?

YOU SAID YOU WERE GOING
TO TAKE IT BACK.

I WAS,
BUT THEN ZACK CALLED AND--

YOU KNOW WHAT? I DON'T
WANT TO HEAR IT.

YOU'RE SUPPOSED TO BE

HELPING ME SERVE
"TEEN-A COLADAS"

TO THE SNOB SQUAD.--

NOT TRY TO HANG OUT
WITH THEM.

YOU KNOW WHAT, NICKI?
YOU'RE JUST JEALOUS.

JEALOUS?

OF YOU?

I DON'T EVEN KNOW
WHO YOU ARE ANYMORE.

NOW I RECOGNIZE YOU.

MY DAD WANTS TO TAKE US TO
VENICE AT THE END OF THE SUMMER.

CAN YOU THINK
OF ANYTHING

NASTIER THAN
VENICE IN AUGUST?

PLACE STINKS
LIKE FISH.

IS THAT
SNACK BAR GIRL?

WHAT IS SHE DOING
AT OUR PARTY?

SHE'S WITH ME.

HEY.

HEY.

[SLOW ROMANTIC SONG PLAYS]

UM, DO YOU
WANT TO DANCE?

YEAH. THAT WOULD
BE GREAT.

JAMIE, YOU LOOK...

INCREDIBLE--YOU DO.

THANKS.

YOU'RE WELCOME.

[ROMANTIC MUSIC PLAYS]

YOU OKAY?

YOU SURE?

ARE YOU SURE YOU'RE OKAY?

NOT STEPPING ON YOUR TOES
OR ANYTHING?

NO, I...

WELL, I'LL BE MORE CAREFUL.

[SCREAMS]

WHAT'S THE MATTER, JAMIE?

WHAT'S WRONG?

I SHOULDN'T HAVE DONE THIS!

WHAT?

OH, MY GOD.

HOW WEIRD IS
SNACK BAR GIRL?

COME ON. COME ON.

ALL RIGHT.

[DOOR OPENS AND SHUTS]

[CANE TAPPING]

PLEASE...

YOU CAN HAVE
THE DRESS BACK.

I DON'T WANT IT ANYMORE.

I'M SORRY.

[SCREAMS]

[CAW]

[VIBRATES]

HELLO?

[NICOLE]: HEY,
ARE YOU OKAY?

WHAT HAPPENED
LAST NIGHT?

WHAT?

NICOLE?

LOOK, I FEEL TERRIBLE
ABOUT HOW WE LEFT THINGS.

WHERE ARE MY GLASSES?
WHY IS IT SO DARK IN HERE?

WHAT ARE YOU
TALKING ABOUT?

IT'S 11:00
IN THE MORNING.

NO...

WHY CAN'T I SEE ANYTHING?

I CAN'T SEE.

I CAN'T SEE!

EVERYONE MUST PAY.