R.L. Stine's The Haunting Hour (2010–2014): Season 1, Episode 2 - Really You: Part 2 - full transcript

When a young girl's new doll takes on a mysterious new identity, her brother is forced to find out what is going on and to save his sister from the terrifying new reality.

PREVIOUSLY ON
THE HAUNTING HOUR...

YOU MUST BE LILLY.

I'D LIKE YOU
TO MEET LILLY D.

DO YOU THINK
THE DOLL'S ALIVE?

NO.

[MOM]: I THINK YOU NEED
A TIME-OUT FROM LILLY D.

[SMASH]

LILLY!

YOU ARE IN VERY,
VERY SERIOUS TROUBLE!

NO, IT'S NOT FAIR!

SHE DID IT!

[♪♪♪]

[LOW GROWLING]

[♪♪♪]

[SOBBING]

[GENTLE KNOCK]

CAN I COME IN?

OKAY.

WHAT DO YOU WANT?

WHY DON'T YOU JUST ADMIT

YOU PAINTED THE WALL
IN MOM'S ROOM?

[SNIFFLING]

BECAUSE I DIDN'T.

NOBODY'S GOING TO
DO ANYTHING TO YOU.

OKAY, I MEAN,
YOU'RE PROBABLY

JUST GOING TO HAVE TO GO
TALK TO A THERAPIST,

AND THEY'LL HAVE CANDY
IN THE OFFICE AND...

[SOBBING]

...STUFF LIKE THAT.

I DIDN'T DO IT.

ALL RIGHT, JUST...

PLEASE STOP CRYING.

LILLY D. DID IT.

WHEN I CAN PROVE TO YOU

THAT LILLY D.
CAN'T MOVE,

YOU'D BETTER STOP ACTING LIKE
YOU'RE ALL INNOCENT.

[CRYING]

YOU SHOULDN'T BE
DOING THIS

IN FRONT OF HER.

YOU'RE SUPPOSED TO BE
WATCHING FOR MOM'S CAR.

GO WATCH FOR MOM!

WHAT?

YOU SNUCK
INTO MY ROOM

AND FILMED ME
ON A HIDDEN CAMERA?

YOU'RE MISSING
THE POINT.

THE MEMORY CARD
WAS GONE.

NO, YOU'RE
MISSING THE POINT!

CHILDREN DON'T HIDE CAMERAS
IN THEIR PARENTS' ROOM,

OR ANYWHERE ELSE
FOR THAT MATTER!

DID YOU TAKE THE CARD?

GIVE ME THAT CAMERA.
NOW!

NOW!

OKAY, FINE,

BUT I KNOW THERE WAS
A CARD IN THERE,

I DON'T FEEL GOOD.

CAN YOU BELIEVE WHAT
I HAVE TO PUT UP WITH?

WHY ARE YOU
TALKING TO A DOLL?

IT'S A DOLL!

I MEAN, YOU HAVE BEEN
ACTING REALLY WEIRD.

I'M SORRY,
BUT EVER SINCE THIS DOLL

HAS COME INTO THIS HOUSE,

OUR WHOLE FAMILY
HAS BEEN FALLING APART.

JEEZ!

YOU ALL RIGHT?

DIZZY...

MOM, YOU'VE GOT TO
GET HER TO A DOCTOR.

THE DOLL TOOK THE MEMORY CARD?

WE DON'T KNOW THAT FOR SURE.

I KNEW IT WAS
AN EVIL DOLL.

OKAY, COME ON IN.

MY MOM TOOK LILLY
TO THE HOSPITAL.

I DON'T KNOW
WHEN SHE'LL BE BACK.

DO YOU THINK
THE DOLL DID IT?

MAYBE THERE'S
A COMPUTER CHIP INSIDE OF IT.

MAYBE SOMEBODY'S OPERATING IT
BY REMOTE CONTROL.

THE CHINESE
GOVERNMENT!

THERE'S GOT TO BE
AN EXPLANATION.

THEN WHAT ARE WE GOING TO DO?

TAKE IT APART.

ALLEN WRENCH.

THANK YOU.

BUT YOU SAY
YOUR NECK IS STIFF?

YEAH.

SOMETIMES A STIFF NECK
COMES WITH A VIRUS.

HAS SHE ALWAYS
HAD THIS?

THAT'S A BIRTHMARK.

CAN I GET THE LIGHT?

C-CAREFUL.

SHE LOOKS
A LITTLE DEHYDRATED.

IS SHE GETTING
ENOUGH WATER?

I THINK SO.

WE'VE BEEN HAVING
SOME BEHAVIOR PROBLEMS.

MM? I DON'T LIKE TO HEAR THAT.

WHOA!
[THUNK]

WATCH IT.

NOTHING MAJOR.

HER EYES DO LOOK
A LITTLE GLASSY.

NO CHIP?

I DON'T SEE ANYTHING.

HOLD THIS.

[DOCTOR]: ANY PAIN?

I JUST KINDA HURT ALL OVER.

YEAH, OKAY.

[TAP, TAP]

[KNOCK, KNOCK]

IT'S HOLLOW.

LET ME SEE THE HEAD AGAIN?

YOU'RE WIMPING OUT ON ME, DUDE.

I WANT TO SEE
WHAT'S UNDER THE HAIR.

99%, IT'S JUST A VIRUS,

AND SHE'LL BE FINE
IN A DAY OR TWO,

BUT WE'LL TAKE
SOME BLOOD,

AND I'LL PRESCRIBE
AN ANTIBIOTIC

JUST IN CASE IT'S BACTERIAL.

IN THE MEANTIME,
YOUNG LADY, STAY HOME,

REST, WATCH TV,

PLAY WITH YOUR DOLLS,
IF YOU LIKE DOLLS.

[CHUCKLES]

OKAY.

CHECK IT OUT.

SOMETHING'S BEEN PAINTED OVER.

THERE'S-THERE'S WRITING.

THAT'S A "D."

"D" FOR DOLL.

OR LILLY D.

HANG ON, THERE'S MORE.

"DESTROY THIS DOLL."

OH, MAN.

[SHUTTER CLICKS]

STAY.

[CRUNCH]

AW, DANG.

THEY'RE CLOSED.

THERE'S NO WAY.

SHH!
GO, GO, GO, GO.

[HEADPHONES BLARING]

I'D LIKE TO TAKE A LOOK
AT THEIR FILES.

MAYBE YOU SHOULD SEARCH
"M" FOR "MESSED-UP DOLL--"

SHH!

[RAPID TYPING]

[DOOR SQUEAKS]

OVER HERE.

[LOCKED DOOR RATTLES]

W-WHAT IF
THEY'RE ALL EVIL?

L-LIKE A GANG.

LIKE A GANG
OF EVIL DOLLS--

SHH!

DOING HAND SIGNALS
AND STUFF!

SHH! SHH!

[DOOR OPENS]

[DOOR CREAKS SLOWLY]

[BREATHING HARD]

[CLATTERING]

[DOOR CREAKS]

[PERSON ENTERS, MUTTERING]

[WOMAN SIGHING
AND MUTTERING TO HERSELF]

[SHUFFLING FOOTSTEPS]

MY LITTLE DARLING...

WHERE ARE YOU, DARLING?

THERE YOU ARE.

WHO'S THERE?

SPIES!

[GASP]

FOR THE COMPANY.

NO, NO, NO, NO,
WE-WE ARE--

YOU TELL YOUR BOSSES

I CURSE THE DAY
I EVER SOLD MY BUSINESS TO THEM.

YOUR BUSINESS?

YES, MY BUSINESS.

I'M THE DOLL-MAKER.

FOR YEARS,
I MADE MY DOLLS RIGHT HERE,

IN THIS VERY ROOM,

BENEATH MY HOUSE,

AND MY GREEDY
HUSBAND--

MAY HE ROT
IN HIS GRAVE--

TALKED ME
INTO SELLING,

AND THEN
YOUR COMPANY

TORE DOWN MY HOUSE,

AND THEY BUILT, AND THEY BUILT,
AND THEY BUILT,

AND THEN CAME THE ORDERS--

"MAKE MORE DOLLS,

"FASTER, FASTER,
FASTER, FASTER, FASTER.

MONEY, MONEY, MONEY,
MONEY, MONEY!"

WHAT HAVE I DONE?

[CRYING]:
WHAT HAVE I DONE...

[SOBBING]

I SHOULD SAW
YOUR NECK--

NO!
NO, NO, NO, NO.

WE ARE NOT WITH THE COMPANY.

YOU'RE NOT?

I-I DON'T EVEN SHAVE.

WE ARE CUSTOMERS.

MY SISTER BOUGHT
A CUSTOM DELUXE DOLL,

AND WE THINK
IT MAY HAVE COME ALIVE.

YES?

LOOK.
THAT'S THE DOLL.

OH, NO.

NO, NO, SHE WAS SUPPOSED TO
HAVE BEEN DESTROYED.

RIGHT.

"DESTROY THIS DOLL" WAS WRITTEN
ON THE BACK OF HER HEAD.

BUT, UM,

IT WAS PAINTED OVER.

PAINTED OVER?

THOSE SCUM!

I WARNED THEM.

I WAS GOING TO
DESTROY HER MYSELF,

BUT THEY SAID, "NO, NO, NO,
THEY WOULD DO IT.

GET BACK TO WORK!"

THEY PROMISED
THEY WOULD DESTROY HER.

THEY PROMISED.

LIARS!

[SPITS]

THEY DIDN'T
BELIEVE ME.

THEY MUST THINK I'M INSANE.

CAN YOU IMAGINE IT?

[SPLUTTERS AND LAUGHS]

WHAT'S WRONG WITH THE DOLL?

HER SOUL.

HER SOUL?

ALL THE DOLLS HAVE SOULS,
OH, YES.

SOME ARE SILLY,

AND SOME ARE SHY,

AND SOME ARE VERY SERIOUS,

BUT THEY ARE ALL GOOD.

ALL THE DOLLS HAVE
ONE THING IN COMMON--

THEY ARE CONTENT TO BE
WHO THEY ARE.

BUT THAT ONE--

SHE WAS
DIFFERENT.

SHE DIDN'T WANT TO BE A DOLL.

SO, W-WHAT'S
GOING TO HAPPEN?

NO TELLING,

BUT IT WON'T BE GOOD.

GO.

DESTROY HER.

GO.

OKAY, I'M-
I'M TRYING.

WINDOW!

DESTROY HER!

SHE'S A BAD GIRL.

ABSOLUTELY, SHE SHOULD
SEE A THERAPIST.

TALK TO YOUR FATHER.

HI, DADDY.

UGH, THIS HOUSE
IS A MESS.

YOU MEAN LIKE A COUNSELOR?

THE ONE AT SCHOOL?

WELL, THEN WHO?

YEAH, I GUESS.

I LOVE YOU, TOO.

MOMMY?

I'M GOING TO TRY TO BE
A NICER PERSON.

I'M GOING TO TRY REALLY HARD.

WELL, I'M GLAD
TO HEAR THAT, SWEETIE.

NOW, GO INTO YOUR ROOM
AND LIE DOWN.

[SCREAMS]

WHAT HAVE YOU DONE?

NO, SHE DID IT--

DON'T YOU TALK!

I JUST DON'T KNOW WHAT TO DO.

I WISH YOU WERE MY DAUGHTER.

MOMMY?

[GASPS]

[PANTING IN FEAR]

NO...

NO, NO!

[SCREAMS]

[CLASSICAL MUSIC PLAYS]

THAT'S BETTER.

I'M GOING TO HAVE
A NICE LONG BATH,

AND WE WILL BOTH HAVE

A PEACEFUL EVENING.

MOMMY!

[SCREAMS]

NO!

[PLASTIC SLAPS]

[SCREAMS IN HORROR]

A MOTHER CAN LIKE A DOLL,

BUT SHE CAN'T LOVE IT,

AND A MOTHER WILL ALWAYS
LOVE HER CHILD,

BUT SHE CAN STOP LIKING IT.

SO NOW THAT MOM WILL THINK
I'M YOU,

SHE'LL ALREADY LOVE ME.

THEN, ALL I NEED TO DO
IS MAKE HER LIKE ME.

GOODBYE, LILLY.

I ALWAYS HATED YOU.

LILLY!

I'M IN
THE KITCHEN!

YOU ALL RIGHT?

I FEEL SO MUCH BETTER.

WHERE'S THE DOLL?

HELLO.

DID YOU BOYS CLEAN THE KITCHEN?

AND FOLD
THE LAUNDRY?

I DID, MOMMY, AND, LOOK,
I MADE YOU A LITTLE SNACK.

A LITTLE SANDWICH
AND A CAPPUCCINO.

I SHOULD HAVE BEEN
ON TOP OF THE WORLD

ABOUT CLOSING A DEAL,

BUT ALL I COULD DO
WAS WORRY ABOUT LILLY.

THEN I WALK THROUGH THE DOOR,

AND EVERYTHING'S RIGHT AGAIN.

IT'S INCREDIBLE HOW FAST
KIDS CAN TURN AROUND.

WEIRD IS MORE LIKE IT.

CAN I HELP YOU, HONEY?

NO, DADDY.

YOU'VE BEEN WORKING HARD.

YOU DESERVE
SPECIAL TREATMENT.

INCREDIBLE.

SOMETHING IS WRONG.

DON'T START IN
ABOUT THAT OLD LADY AGAIN.

NOTHING'S WRONG,
BRANDON.

SOMETHING
HAPPENED TO ME.

I'VE CHANGED.

IT'S A GOOD
CHANGE.

DO YOU LIKE ME
NOW, MOMMY?

HOW COULD I NOT?

I THINK
LILLY D.

DESERVES SOME NEW PRESENTS.

OH... NO, DADDY.

I'M THROUGH WITH DOLLS.

[SCOFFS SOFTLY]

SO, WHAT DID THAT DOLL
DO TO YOU?

WHAT DO YOU MEAN?

YOU'RE LYING
ABOUT SOMETHING.

I CAN TELL.

I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

YES, YOU DO.

MAYBE...

[FORK SCRAPING]

YOU'RE JUST
NOT USED TO ME BEING

THE GOOD LILLY.

YOU DON'T
WANT ME TO BE

THE BAD LILLY AGAIN, DO YOU?

[CHUCKLES]

OF COURSE YOU DON'T.

[OPENS DRAWER AND SLAMS FORK IN]

IT'S GOOD TO BE YOU.

[CHUCKLES]

[LID THUNKS]

YOU GUYS BETTER
GET GOING.

YOU SMELL DIFFERENT.

OH! NOT BAD,
I HOPE.

NO, JUST...
JUST DIFFERENT.

DO YOU LOVE ME,
MOMMY?

BETTER GET GOING.

YOU'RE GOING TO
BE LATE.

BYE.

BYE.

[GARBAGE TRUCK RUMBLING]

OH, HEY.

I'M JUST HERE

TO SEE THE DOLL GET TRASHED.

HEY, MOM,

THIS WASN'T HERE
BEFORE.

LILLY'S BIRTHMARK.

HOW CAN THAT BE?

WE GAVE THEM A PHOTO
OF LILLY'S FACE,

AND HER MEASUREMENTS,

BUT THEY DIDN'T
KNOW ANYTHING

ABOUT A BIRTHMARK.

EXACTLY.

HEY!

COME HERE!

STOP HER.

THAT'S NOT LILLY.

WHAT?

THIS IS.

WHATEVER YOU DO,

DO NOT LET
THE TRASH TAKE HER.

OKAY?

DON'T.

BRANDON, THIS WAY!

JILL, WHAT'S
WITH THE DOLL?

IT'S MY FAULT.

I SHOULD HAVE KNOWN.

I'M HER MOTHER.

HER MOTHER?

WHAT ARE YOU TALKING ABOUT?

IT'S A DOLL,
A PLASTIC DOLL.

THIS IS OUR LILLY.

THAT'S IMPOSSIBLE.

AND HER SCENT,

AND HER BIRTHMARK...

ISN'T THAT IMPOSSIBLE?

HENRY, THIS IS OUR LILLY.

WHAT?

THIS IS OUR LILLY,
AND SHE'S GONE.

OH, MY BABY...

I LOVE YOU SO MUCH.

OH, LILLY...

I LOVE YOU, TOO, MOMMY.

OH...

OH, BABY...

[LAUGHING IN JOY]

[GASPS]

[GROANING]

AH!

BRANDON!

LILLY!

YOU'RE OKAY.

[LAUGHING]

LET'S GO.

COME ON.

[ENGINE ROARS]

COOL!

I WANT IT!

BUT I SAW IT FIRST.

TOO BAD.

YOU ALWAYS GET
WHAT YOU WANT.

YES, I DO.

[SCREAMS]

[SQUEALING IN TERROR]

[♪♪♪]