Nicolo Paganini (1982): Season 1, Episode 3 - Episode #1.3 - full transcript

Commissioned by the state television and
radio committee of the USSR and Bulgaria

LENFILM
Creative film Union
Bulgarian Television

NICCOLO PAGANINI

PART THREE

Paganini's music is played by
LEONID KOGAN

It is our second week as guests
in the Count Metternih's manor

Maestro is getting better - the doors
of his study are shut, he is composing

But I never hear the sound
of his violin

Is he happy?

Can a genious ever be happy?

So, Paganini, another of your
amorous intermezzos is over



Alas, Luigi, alas

Yes, Antonia is of
course right in everything

What did she have? My terrible
character, constant travelling

She is indeed no gipsy.

But, Luigi - she almost threw
the Guarneri violin into the fire!

No, I would have gone deaf
from her.

Gradually and forever

Two years ago, if I am not mistaken, you
called Antonia Bianca a godsent creature

She would have been happy if I remained
a court musician for emperor Franz.

Yes, Paganini prefers
to be the emperor of a

violin rather than the
violin of the emperor

That is right.

To hell with the courts!

Do not pretend, Niko, you enjoy
praise and living in a manor



Only briefly, Luigi

Where does one find a woman...
a special woman?

A woman with an angelic appearance
and devilish passion?

Let us talk about your will

You are afraid of approaching death?

I do not fear death

I have died three times already

Ahead is just repetition - and
repetition is good in music.

I am a terrible composer, Luigi!

The crystal clarity of Mozart is as far
from me as the stars

and I will never reach the stark
wisdom of Beethoven

My identity will die with me

That is what I fear

Niko Paganini made violin live

He made people listen,
and how did they listen!

A fiddler!
Just a circus clown!

My place is just to perform
at village weddings

I have listened to you for a long time,
Niccolo, now you listen to me

I am honest with you, Luigi

Paganini, you are the greatest egoist

that nature has ever known

You walk past everyone,
without truly touching anyone

Not a single ray of your soul
has lit anyone's life

You are not linked to anyone
in thought or feeling

Your only God will always
be your melancholy self

You are doomed to solitude

Forgive me, I am also frank.

This is terrible, Luigi

- Mein Lieber!
- Let me go!

- Son!
- Papa!

Here is my God

So, if I understand correctly,
you leave everything to Ahill

But it is not yet clear
who he will remain with him.

Luigi, all my hopes are with you
- throw everything at her feet

Maestro, I received a letter this evening

I hereby state that
although Senor Paganini

was not wedded to
me by the Church,

He always lead the life of an honest man,

and a good Christian.

I am not afraid for the fate of my
son if he stays with his father

Antonia Bianci

Senora did this out of love for Maestro

I am not worthy of her!

Julious, tomorrow you will put
50000 florins in Senora's account.

I have already dared to offer
her money from your name.

She refused.

Almost everything
is registered at the

Magistrate's court,
except for a few formalities.

He really is a priceless man.

Julious, as of this day you are with me

Now, Niko, I will entertain you

The work of a certain Sir Stendal

Paganini is the best violinist in Italy

And maybe of the whole world

A person with black, piercing eyes

Thick hair... Unfortunately, the hair
has lost its thickness, Sir Schmidt

My hair is indeed
significantly diminished

This fiery soul has
acquired its talent

not through years of
conservatory training

He owes his talent to a love story

due to which he spent
many years in prison

When the lonely musician, in a
prison cell, abandoned by everybody

Enough!

Shameful scribbler!

Scoundrel!

You should not have read this book,
Maestro is seriously ill

Urbino!

Niko!

Yes, Senor Dzhermi

There are too many ill rumours
about the Maestro

Yes, 1802-1804

Two blank years in
the life of the Maestro

Emptiness

This causes bad rumours

I asked him about it,
but he does not reply

Where was he, what did he do
these two years?

He grew tulips

Hard to believe that Maestro
spent two years growing flowers.

However that is the case

My dear Julious

There is some mystery here

Drink

Are you better, Maestro?

Drink

You scared me

Sit with me, Luigi

Tell me about Senora Dida

She has entered a convent

Dida is a nun

This is a fiasco! They do not want to
hear you, they are used to happy music.

They do not want to listen to you!

Very well, I will play to them!

Something happy!

Maestro!

Chase the beggar!

Italian dog!

The merchants!

How can I thank you, Senorina

You have saved my violin!

Hey, let me out somewhere!

Continue

Excellent, I adore adventures

Senora

This is not an adventure, violinist

I do not even know your name!

Does that matter?

My violinist

Call me what you want

Diana the huntress

That is too pompous

Then.... Dida?

Dida?

Let it be Dida

Are you married?

I was married

He died

He fell off his horse

I did not love him

You are divine, my mistress!

You are a miracle,
you are not of this world!

I am from there?

No

From there?

I heard you three times and
your violin has destroyed me.

No, you will love me more than her

Yes, violinist, choose - her or me?

You are alike

The same perfection of lines

The same depth of sound

I will stay, my lady

- Where are we going, Niko?
- To Prague, my angel!

Who lives in Prague?

The Czech live in Prague.

Where are we going afterwards?

Leipzig, Drezden and then Berlin

Who lives in Berlin?

The Germans live in Berlin

- Like you, Julious?
- Mein liebe.

Sir Kanz! Stop!

Maestro

You became afraid of
the first snowfall?

Decided to move to Vienna?

I am leaving, your Highness.

Allow me to ask where.

The road calls for me

My gipsy nature, your highness

Nonsence, we will help you
strengthen your character.

The best human
characteristic is stability

Stability!

I will not dare to disagree,
your Highness.

Thank you for your hospitality.

Move it! I have a terrible
character, your Highness!

Berlin News. 23 march 1829

At Paganini's concert the public reached
a rarely-seen state of extasy

We never thought music could express
so much through sound

There is something
demonic in Paganini.

Goethe's Mephistophilis
must have played like that

Leipzig met him coldly - the front rows
were not going to applaud

But they were forced to do so
when the entire hall burst into applause

Paganini looked old,
exhausted and benevolent

Old and benevolent?

Voices of the admiring public
were heard from everywhere.

It devastates musicians whose place in
the world has been occupied by Paganini

For these people, only
the mechanical process of

elimination of the great
musician from life remains

But this will not bring
their fame back as

humanity has acknowledged
the Italian genius.

Curious... the Italian genious

How is that, the little one?

That is what the Maestro
once called you.

Do not be hurt

It just came to my mind.

Your Highness, he is accepted in
all the courts of Germany.

Now he is half-way to Warsaw,
planning to visit Russia.

Then Paris

Everywhere he spreads anarchy.

Time to stop this at last.

Is this not envy speaking
for you, my son?

I am above such pettiness,
your Highness.

How do you plan to put a stop
to the Italian genius?

By a "mechanical means"?

The Holy scripture state that
no-one knows when death comes.

But you were his friend?

Niccolo Paganini is
an enemy of the Church.

You mean that genuinely

The violinist is becoming
the richest man in Europe.

An artist-millionaire

How does that feel, little one?

Paganini's gold must
belong to the order.

What about him, his soul?

Let us leave him for now

His soul, or whatever else he has

Once upon a time indulgences were sold
- sins were paid for with money

Paganini must pay for
his sins to be forgiven

But he will pay for them
and laugh at us!

From now on, not a single one of
his concerts must be interfered with.

Not a single gold coin must vanish

The sounds of his violin will die
- we are here forever

Amen

Bravo! Wonderful!

Your entrance, Karol. God help you!

Go on, my friend

I will wait for the
compatriots to calm down

Respected gentlemen!

Beautiful Ladies

I exchange my place with your compatriot,
the great Polish virtuoso

my friend, Pan Karol Lepinski!

I hope you will give
your preference to him!

What's wrong, Karol?

The defeated must not
remain on the battlefield!

Tell me Maestro Paganini, I would really
like to know. Do you like Polish women?

You open to us the mystery
of the universes!

It is simply frightening
to listen to you!

Especially for a woman

Your favourite flower, Maestro Paganini?

A tulip, Senora

Do you consider yourself
the top violinist in the world?

I do not know who
the top violinist in the

world is, but the one
after him is Pan Lipinsky!

Beautiful ladies,
I ask you to give me back my guest.

Do not leave, Maestro

Maestro, let me introduce you

The name of this young man is not
yet known but he is a serious musician.

What is your name?

Frederic Chopin

Musician!

It is the happiest moment of my life

I will always remember it

He is a musician

Allow me to convert
your music to piano.

The Venetian Carnival!

With pleasure. Treat it without mercy

Trust only yourself, Senor Chopin

Will you allow me?

- What would Sir like?
- Bring some cognac

Paganini again. He is everywhere!

Everyone has gone mad

One cognac, Pan. Here it is

I am Giovanni Maceti,
I represent the Livan newspaper

Philology Professor Schmidt

We have been waiting for your book
for a long time, Professor.

Maestro's life has so many secrets!

Leave, my friend

I hate false notes!

How do you know I am
working on Maestro's biography?

Yes, Black cat street, the church
of Santa Croche, Antonia...

Niko and I used to sail paper boats
in the street puddles when children

To be honest, Professor, I have looked
for a chance to meet you for a long time.

Would you like to collaborate? I mean
for our newspaper, we pay very well.

I am not in need

What do you mean, collaborate?

Paganini is the sensation of the day!

Not just today

Yes, but a sensation. The newspaper
wants to know everything about Maestro.

What he talks about, his jokes, sayings.

Listen, why don't you
meet Maestro yourself

if you are a
childhood friend of his.

Geniuses are forgetful.

I would then tell you many interesting
things about Maestro's youth.

For example?

For example, do you know
who the "Carbonaris" are?

They are, if I am not mistaken,
the coal-miners, Senor Maceti.

You are not mistaken, only they
deal not with coal but with daggers.

They hide from the police in the woods.

I saw this man twice

I did not tell him a single word
above what was necessary.

I believe you, Julious.

I do know very well
who the Carbonaris are.

- Was Maestro...?
- Another time, Julious.

How does this friend
of my childhood look?

An Italian man of about your age.

- He wore a top-hat.
- The little one!

- Whom are you referring to?
- I mean Ciarelly.

A journalist! He is a Jesuit,
Julius.

What do they want from you?

They chase me
my whole life.

My patrons.

20 October, 1829.

The roads of Saxony.
We continue our

endless journey through
the roads of Europe.

A concert in every city, or even two

And each concert is a triumph

I am amazed at Maestro's vitality
and strength, his fiery energy.

I also spin madly in this hurricane

Sometimes I ask myself: Julious Schmidt,
have you lost your mind?

Where will this whirlpool take you?

But after all, it is
better to observe the life

of a genius than to dig
through dusty archives!

The collection from
the concert was 1250 tallers

The italian virtuoso
was frequently in the

company of anarchists
like himself with long hair.

Among these was Friedrich Kanz

In response to your question,
I report that Paganini

spent in Leipzig 10 days and behaved
extremely provocatively

He refused to perform
in the king's chapel

The earnings of the virtuoso
came to 2500 tallers

It was the third year of
our travels through Europe.

Although my book about
the Maestro has already

been published, I continue
to take careful notes

The towns flash past like pages of
a calendar - Dusseldorf, Studtgart

Bonn, Hanover

Hamburg

Classified: I let you know that
Niccolo Paganini is in Studtgard

met a suspicious
person of Italian origin,

whom he gave a
large amount of money.

The local police was unable
to arrest the carbonari agent

I inform your highness that Paganini
had two perfomances in Weiner

The collection was 1830 tallers

29 September, the virtuoso met the
famous poet Johann Wolfgang von Goethe

The nature of their discussion
is not yet known

The obtained information relates...

He spent several hours
with the great Goethe

He did not tell me what they spoke of

Oh, if only I could find out

We changed three carriages
during this time

I believe we will
need the fourth one.

We live a phantom life,
as though in a dream

We are in a palace, or in a grand hotel

Or in poor country inns

Ahead is Strasbourg, from where
we will continue to Paris

To the precious dream of the Maestro

Now listen to me, Parisians!

We will be destroyed by
these damned gas lamps!

Their poisonous fumes
will kill the trees.

Your lungs will burst with coughing!

Hydrogen spills its poisonous fumes

This devilish invention
will destroy Paris

That's right!

Rossini, Rossini, and
once again Rossini!

How boring in Paris.

A few voices in the opera is not enough
for the season to go well

Gentlemen, Lady Baroness -
Veron is promising a surprise.

Yes, a surprise, Gentlemen!

What did you think up, Veron?

Veron will put several real skeletons
up on the scene of the Grand Opera!

No, Veron will make the dead dance!

Here, pass this on

This also

So, what is your idea, Veron?

I will show Paris a live
Mephistopheles, Gentlemen!

How much did the old man
ask in exchange for his perfomance?

Where did you dig him our from?

How much does Satan
cost nowadays?

Satan is pricey as always

My dear Baroness

Sir Paganini has arrived in Paris

Monsieur!

What is Monsieur looking for?

Monsieur is looking for Paris,
my pretty!

Then he needs a woman

Five franks, and I will reveal
all the secrets of Paris

The secrets are worth more,
my pretty!

Oh, you villain! There

There!

A carriage for Countess de Sentefier

All one hears is about Moulebran

She did not excite me in the least

I am tired of Rossini

They say he gets 140 thousand
franks for a concert!

Gentlemen, have you
heard? A ticket to see this

Paganini will cost as
much as dinner at Dumais

This is preposterous!

Yes, I agree with you entirely!

Go!

The poor thing

A slut. They become
whores at age of 10

And dead at 15

Bury her.

Good morning!

Fresh fruit and vegetables

Go on, Monsieur!

Coffee again, he did
not sleep all night!

God knows where he was.

Maestro does not protect his nerves

To hell with the nerves and
lack of sleep. What are the news?

Some man has been
waiting for you all night!

I think he is Italian.

Ask him in

Son, get up

Good day, Senor

Good day

Coffee?

Thank you

This is my friend - I
have no secrets from him

Tomorrow at the same time
you will receive the money

This is from Senor Dzhermi

Julious, you will take 15000
franks from Rothschild.

And give them to this gentleman

You are either arguing
with the driver over a

coin, or throwing a whole
fortune at god-knows-who

He is an Italian, a compatriot

Yes, it was the same in Hamburg. In
Warsaw you gave a similar man 10000 zloti

In Berlin I gave 15000 marks to some man

They were all Italians.

Yes, Julious

They are all compatriots

Please forgive me, but Maestro, I have
a right to know where your money goes?

To the wind

To the wind of Italy

Were these the tulips
you grew for two years?

Very well, we have to go. The director
of the Grand Opera is waiting for us.

The Paris public is
bored of all these plain

perfomances in the
manner of Armide Gluck.

They are sick of me too

You are wrong Joakimo - all of Paris
is whistling your arias: Figaro, Figaro!

If everyone is whistling them,
it is time to leave the stage.

Glory be to the monstrous and volcanic!
Trust me, you will win with him, Veron!

So, what are your conditions, Maestro?

Let us stop at two perfomances for now

There are many geniuses in Paris?

Just mechanical virtuosos.
- So, how much, Maestro?

- Two-thirds.
- Excuse me?

How much?

Two-thirds!

Is that not too steep, Maestro?
A half.

Two-thirds

Your friend has a good grasp of business

Half

Two-thirds

Take me or not

Basta

I agree

Julious, draft the contract.
Two-thirds.

Bravo, Senor Paganini!

He is a miser, but you are no better

Let him pay

I pay with my life

But the payment could
have been less high

Then there would have been no Paganini

Who is Paganini, a great musician or
a robber of concert halls?

No, Veron is a pig, a dealer

- But who are you?
- What about me?

Well, he will increase ticket
prices by two or three times.

Only rich people will come to your
concerts, the creme of society.

Or do you no longer
play for mere mortals?

Joakimo, I am not
used to being lectured

- I felt burning shame, when you
- When I what?

You were bargaining like
an old gipsy at a market

Good evening

Gentlemen, the best of all Paris is here
- Count Demidoff, Baron Rothschild

Delacroix, Balzac, George Sand,
Debussy, the elite!

- Maestro... ouch!
- Magnetism!
- He is not ill?

May we begin?

Well, God bless

Urbino, my jacket

Maestro, it is time

So, will we listen to this poxy Italian?

You know, I used to play

Not badly, by the way

How his strings sounded today!
They sang, moaned, triumphed, lured...

He drove everyone insane

How can I describe Paganini's
playing in words?

I do not know, I can not

My feather is powerless

Will his magic art dissappear with him?

And those that will live after
will never discover

how Paganini played?

What is up with you?

-Devil take me
- Come on

Pull the curtain!

God, why am I living?

Why?

Pull the lamp! Come on!

He is the greatest musician
of those I have heard.

He is worth any amount of money

Das ist wunderbar. Colossal

Julious, why are they
shouting so much?

They are in awe, my boy

This is fame

Great fame

Tell them Paganini
does not give encore.

Yes, Maestro.

Gentlemen, he was marvellous -
truly a Mephistopheles!

The sounds are also devilish

There is a bottomless abyss
between him and the others!

Charlatan, magician!

- Paganini is unique!
- There is something from Goethe in him!

Well your Highness, have I
satisfied your expectations?

His violin personifies the soul,
it is marvellous

I am glad

Gentlemen, Balsac said Paganini is
a Napoleon of his genre!

Genltemen, have you heard? Balsac said
Paganini is a Napoleon of genre

Yes, only Balsac can say such a thing

Niko!

Julious, he has died

God be with you, my
boy! Maestro is resting

Urbino, ask them to be quieter

Let me through, for Gods sake!

Maestro, I throw myself at your feet!

Madam, no need to
throw yourself at his feet

But I can't

I beg you

The tobacco-box please, my joy

Paris, success!

Well, we've defeated the French!

Paris. 9 March 1831

Morning. I leave futile
attempts to describe

on paper the miracle
of Paganinis music

I just write down the facts

Maestro reached the
height of his fame today

Paganini is the greatest musician

The first violin of the world

Starring:

Niccolo Paganini VLADIMIR MSRYAN

Dida VANYA SVETKOVA

Schmidt ALBERT FILOZOV

Dzhermi DONATAS BANIONIS

Ciarelli ARMEN DZHIGARHANYAN

Borgese VLADIMIR SAMOILOV

Veron BORIS ARABOV

Rossini VSEVOLOD SHILOVSKI

Metternih OLGERT KRODERS

Urbino YURI KATIN-YARTSE

TEXT

In other roles

Georgi Popov, I. Dmitriev,
Lyuben Petrov, V. Pipek

Script OLEG
STUKALOVA-POGODINA with LEONID

MENAKER Subtitles
Maria Matyushina-New

Director LEONID MENAKER

Director of Photography VLADIMIR KOVZEL

Photography: VALERI YURKEVICH
DIMITR ZHELEV

Composer SERGEI BANEVICH
Sound OKSANA STRUGINA

Conductors
ROBERT LYUTER
LEO KORHIN

Editors
A. TUBENSHLYAK
Y. GEORGIEVA
Operators
A. GORKOV
Yu. PlESHKIN

Editing I. RUDENKO Make-up V.
HALAIMOVA K. MALISH Y. BOBEVOI

Costumes: D. MANE A. DENEVA
Decorators: V. BALGARANOVA E. ISAEV
Z. RAKITYANSKAYA

and others

End of Part 3