La Femme Nikita (1997–2001): Season 3, Episode 15 - Before I Sleep - full transcript

HEY!

LET ME GO!

GET ME OUT OF HERE!

[grunting]

♪♪[Madeline humming]

[door shuts]

I'M GONNA KICK YOUR ASS,

LADY.

MISS BAYLIN,

YOU HAVE A BUSINESS RELATIONSHIP

WITH A MAN NAMED MARCO ASHE.



THAT'S WHY YOU GOT ME HERE?

MARCO ASHE?

[laughs]

CLASSIC.

MARCO ASHE.

NOW LISTEN CAREFULLY.

[coughing]

WE HAVE OUR REASONS
FOR WANTING MR. ASHE

AND YOU WILL HELP US.

USUALLY

I'D EXTRACT WHAT I WANT

AND YOU'D BE DISPOSED OF.

OOH,

I'M AFRAID.



BUT I THINK THERE'S
AN OPPORTUNITY HERE

FOR SOMEONE WITH YOUR SKILL SET.

I DON'T WANT TO WORK
IN YOUR ORGANIZATION.

I DISAGREE.

I THINK THE WORK HERE
WILL APPEAL TO YOU.

BUT WE'RE GETTING
AHEAD OF OURSELVES.

FIRST THINGS FIRST.

WHAT DO YOU WANT ME TO DO?

COMPLETE YOUR
TRANSACTION WITH MARCO ASHE.

YOU THINK SHE'S
GONNA TAKE US TO ASHE?

YES.

WHY DIDN'T WE BRIEF THIS?

NO TIME.

ASHE WILL ONLY
BE AT THE LOCATION

FOR ANOTHER HOUR.

AND WE TRUST THIS GIRL?

WE TRUST HER ENOUGH.

♪ FEEL WHEN I DANCE WITH YOU ♪

♪ WE MOVE LIKE THE SEA ♪

♪ YOU, YOU'RE ALL
I WANT TO KNOW ♪

♪ I FEEL FREE ♪

♪ I FEEL FREE ♪

♪ I FEEL FREE ♪

♪ I CAN WALK DOWN THE STREET ♪

♪ THERE'S NO ONE THERE ♪

♪ THOUGH THE PAVEMENTS
ARE ONE HUGE CROWD ♪

♪ I CAN DRIVE DOWN THE ROAD ♪

♪ MY EYES DON'T SEE ♪

♪ THOUGH MY MIND
WANTS TO CRY OUT LOUD ♪

[tires screeching]

[car horns blaring]

WHAT'S SHE DOING?

LEAD VEHICLES DROP
BACK AND PICK HER UP.

[tires screeching]

♪ I CAN WALK DOWN THE STREET ♪

♪ THERE'S NO ONE THERE ♪

♪ THOUGH THE PAVEMENTS
ARE ONE HUGE CROWD ♪

♪ I CAN DRIVE DOWN THE ROAD ♪

♪ MY EYES DON'T SEE ♪

♪ THOUGH MY MIND WANTS
TO CRY OUT LOUD ♪♪

[woman speaking French]

JAN BAYLIN WAS A COURIER
WHO RAN MATERIAL BETWEEN

A TRANSIENT TACTICAL
GROUP CALLED THE ALLIANCE

AND THIS MAN HERE, MARCO ASHE.

AT REGULAR INTERVALS,
ASHE CONNECTED WITH BAYLIN,

GAVE HER A PACKAGE

AND THE LOCATION
TO THE ALLIANCE.

UNFORTUNATELY,

SHE DIED 3 WEEKS AGO IN
TRANSIT TO THE MEETING.

THE OFFSET TEAM

WAS APPARENTLY
UNABLE TO PROTECT HER.

BIRKOFF?

(Birkoff) SO FAR,

NO ONE OUTSIDE SECTION
KNOWS BAYLIN'S DEAD.

WE'LL EXPLOIT THAT BY
USING A WET DUPLICATE.

WE GOT LUCKY. THIS
IS SARAH GERRARD.

25, NO IMMEDIATE FAMILY
AND ON MEDICAL DISABILITY

FROM HER ADMINISTRATIVE
JOB AT A COMMUNITY COLLEGE.

WHAT'S WRONG WITH HER?

(Birkoff) SHE HAS
WHAT'S KNOWN AS A.L.L.

ACUTE LYMPHOCYTIC LEUKEMIA.

HER CASE IS TERMINAL.

HOW LONG HAS SHE GOT TO LIVE?

NO MORE THAN A FEW MONTHS.

WE HAVE TO RUN THIS ON
AN ACCELERATED CLOCK.

BRING HER IN, TRAIN HER

AND SEND HER TO ASHE.

THEY'RE GOING TO MAKE
AN INNOCENT WOMAN

SPEND THE LAST DAYS OF HER LIFE

WORKING FOR US?

YES.

(Madeline) HELLO.

[gasps]

WHO ARE YOU?

DON'T BE AFRAID, SARAH.

YOU KNOW MY NAME.

I WORK FOR THE GOVERNMENT.

I APOLOGIZE FOR MY
UNORTHODOX ENTRANCE.

BUT THIS IS A COVERT MATTER

AND THERE ARE CERTAIN PROTOCOLS

WE MUST FOLLOW.

WHAT DO YOU WANT?

I'LL EXPLAIN EVERYTHING.

I... I STILL DON'T UNDERSTAND
WHAT YOU WANT ME TO DO.

YOU HAVE TO BECOME
ANOTHER PERSON.

ANOTHER PERSON?

WHO?

HER NAME WAS JAN.

SHE WAS A TERRORIST.

[coughs]

WAS?

SHE DIED UNEXPECTEDLY.

[coughing]

EVEN IF I WANTED TO,

I'M TOO WEAK.

(Sarah) OH...

PLEASE...

PLEASE, DON'T
TOUCH THAT. IT'S...

[panting]

MY... MY FATHER
MADE THIS ONE FOR ME.

NOT TOO WEAK.

SARAH, I KNOW

YOU'RE MORE
COMFORTABLE HERE ALONE.

BEING WITH OTHER PEOPLE

HAS ALWAYS BEEN
DIFFICULT FOR YOU.

AND IF YOU CHOOSE TO
STAY HERE, I'LL LEAVE.

BUT IF YOU WANT TO DO SOMETHING

THAT WILL HELP MANY PEOPLE,

SAVE MANY LIVES,

THEN YOU SHOULD
COME WITH ME NOW.

IS THERE A CHANCE
I MIGHT BE KILLED?

IT'S LIKELY.

OK.

I'M GONNA LIVE HERE?

NO. YOU'LL BE ON LEVEL 4.

LEVEL 4?

HOW MANY ARE THERE?

SARAH, THIS IS NIKITA.

HELLO.

HI.

(Madeline) NIKITA WILL
BE WORKING WITH YOU.

SHE'S HERE TO HELP YOU.

THANKS.

[sighs]

SHALL I TAKE HER UP NOW?

(Madeline) YES.

WE SHOULD GET STARTED.

AND THANK YOU
AGAIN FOR DOING THIS.

I KNOW HOW
DIFFICULT IT IS FOR YOU.

IT WON'T BE,

IF EVERYONE HERE
IS AS NICE AS YOU.

(woman) WHERE WOULD YOU
RATHER BE ON A SUNNY DAY?

THE MUSEUM OR THE ZOO?

THE MUSEUM.

[screams]

WHAT COLOR EYES DO YOU PREFER?

BLUE OR GREEN?

GREEN.

WHERE WOULD YOU
RATHER BE ON A SUNNY DAY?

THE MUSEUM...

THE ZOO!

[screams]

(Sarah) WHY DID YOU DO THAT?

IT'S THE ZOO.

(Madeline) IT'S NEITHER.

JAN BAYLIN ISN'T
INTERESTED IN RIGHT ANSWERS

AND SHE DOESN'T CARE ABOUT PAIN.

WHAT DOES SHE CARE ABOUT?

THAT'S THE WRONG QUESTION.

IT'S, "HOW DOES SHE BEHAVE?"

INDEPENDENTLY.

SHE MAKES HER DECISIONS QUICKLY

AND WITHOUT REGARD
TO CONSEQUENCES.

GO ON.

IF YOU HAD TO HIDE
MONEY IN A HOUSE,

WHICH ROOM WOULD YOU CHOOSE?

[inaudible]

HOW ARE YOU DOING?

I CAN'T BECOME THAT PERSON.

IT'S... IT'S JUST NOT IN ME.

IT'S JUST ACTING, SARAH.

SHE'S SO HORRIBLE.

I DON'T UNDERSTAND
WHAT'S IN HER MIND.

WHY ARE YOU DOING THIS?

WHAT DO YOU MEAN?

WHY DID YOU LET MADELINE
CONVINCE YOU TO COME HERE?

YOU'D RATHER BE
HOME, WOULDN'T YOU?

I GUESS.

YOU WANT TO GO HOME NOW?

THEN I WOULDN'T BE
HELPING ANYBODY.

AND MADELINE SAID...

FORGET MADELINE.

SHE SAYS WHATEVER SHE NEEDS TO.

THE SCHEDULE HAS BEEN CHANGED,

WE'RE GOING TO BETA
RUN THIS AFTERNOON.

WELL, SHE JUST GOT
HERE. SHE'S NOT READY.

IT CAN'T BE HELPED.
START YOUR PREP.

SHE WILL FAIL AND
SHE'LL GET HURT.

IT'S ALL RIGHT. I'LL DO MY BEST.

NO ONE EXPECTS MORE THAN THAT.

RIGHT?

SEE?

SHE'LL BE FINE.

YOU LOOK JUST LIKE HER.

I KNOW.

IT'S EXCITING.

NO.

IT'S DANGEROUS.
NOT JUST FOR YOU,

BUT FOR EVERYONE AROUND YOU.

YOU STAY FOCUSED.

OK.

JUST... I NEVER FELT
LIKE THIS BEFORE.

WE'LL GO OVER THE PROFILE
ON THE WAY IN THE VAN.

HERE. PUT THESE ON.

NO. I DON'T REALLY LIKE
TO WEAR SUNGLASSES.

THEY'RE NOT SUNGLASSES.

(Sarah) YES, THEY ARE.

HERE. HAVE A LOOK.

THERE'S A CAMERA IN THEM.

WE SEE WHAT YOU SEE.

WOW!

THESE ARE KIND OF FUN.

[exclaims]

[coughing]

SARAH.

[Sarah continues coughing]

SARAH, BREATHE. BREATHE.

I CAN'T.

WHERE'S YOUR INHALER?

I THOUGHT YOU HAD IT?

NO. MOBILE LOADED IT.

(Nikita) BREATHE.

HERE IT IS!

IT'S OK. STAY CALM. IT'S OK.

(Nikita) BREATHE.

[sobbing]

I DON'T KNOW IF I CAN DO THIS.

ABORT.

WE CAN'T. WE'RE IN FULL PHASE...

I DON'T CARE WHERE WE ARE.

IF SHE CAN'T DO IT,
WE DON'T GO. ABORT.

MAYBE IT'S MY FAULT.

SARAH, IT'S NOT YOUR FAULT.

ALL MY LIFE, I'VE...

I'VE BEEN AFRAID, YOU KNOW?

AFRAID OF PEOPLE,
AFRAID OF DOING THINGS.

THE LEUKEMIA

JUST... JUST GIVES
ME A BETTER EXCUSE.

SARAH.

I WANT TO DO THIS.

[buzzer sounds]

HEY, JAN, WHAT'S GOING ON?

HEY.

YOU LOOK DIFFERENT.

I DO?

YEAH.

YOU LOOK HOT.

THANKS.

YOU WANT TO GET HIGH?

I'M IN A HURRY. YOU
GOT THE PAPERS?

YEAH.

[coughing]

TAKE YOUR PICK.

THIS ONE.

JUST LIKE THAT?

YOU'RE NOT GOING TO
BUST MY CHOPS TODAY?

LIKE I SAID,

I'M IN A HURRY.

I'LL TAKE IT THE
OTHER WAY TODAY.

WH-WH-WHAT DO YOU MEAN?

HOP UP.

I... I... I HAVE TO
GO. I HAVE TO GO.

WHAT'S WRONG, BITCH? GIVE IT UP.

YOU GO WHEN YOU'RE DONE.

STOP IT. STOP IT.

STOP IT!

YOU'RE SCARING ME!

WHAT?

WHO ARE YOU?

I SAID

WHO ARE YOU?

S-S-SARAH.

MY NAME IS S-S-SARAH.

J-J-JAN'S DEAD.

SECTION ONE HIRED ME.

[gun fires]

[Sarah exclaims]

[panting]

[Sarah sobbing]

[screaming]

IT'S BEST IF YOU DON'T
MENTION SECTION ONE.

(Madeline) WHERE'S SARAH?

SHE'S RESTING.

YOU SAW THE PLAYBACK.

IT WAS A TOTAL FAILURE.

SHE CAN'T DO IT.

JUST THE OPPOSITE.

SHE TOOK IT MUCH
BETTER THAN WE EXPECTED.

RIGHT NOW,

SHE'S POST-PROCESSING
IT INTERNALLY.

REALLY? WHAT'S SHE THINKING?

SHE'S HORRIFIED BY HOW
MUCH SHE ENJOYED IT.

THAT'S ABSURD.

WHEN SARAH WAKES
UP, TAKE HER TO VOICE.

SHE NEEDS MORE
MODULATION IN HER TONE.

THEN HAVE MICHAEL WORK WITH HER.

SHE NEEDS TO GET MORE
COMFORTABLE WITH MEN.

FINE.

I MAKE YOU NERVOUS.

IT'S JUST THE WAY I AM.

THIS IS ALL SO STRANGE.

IT IS.

IT USUALLY TAKES 2 YEARS
TO TRAIN AN OPERATIVE.

[water sloshing]

AND EVEN THEN,
MOST DON'T MAKE IT.

BUT YOU'VE ALREADY FIT IN.

YOU'RE A REMARKABLE
PERSON, SARAH.

I'M SORRY, I FRIGHTEN YOU

BECAUSE OF WHAT HAPPENED TODAY.

THAT'S NOT WHY.

IT DOESN'T MATTER.

I CAN USE SOMEONE ELSE.

N-NO.

PLEASE.

WHAT IS IT ABOUT
ME THAT SCARES YOU?

I GUESS...

I... I GUESS I, UH...

I FIND IT A DIFFERENT REASON

EVERY TIME I... I MEET A MAN.

NOT THAT I MEET THAT MANY.

WHAT REASON ARE
YOU GIVING YOURSELF

THIS TIME?

YOU'RE HANDSOME.

YOU PROBABLY GET EVERYTHING
YOU WANT FROM WOMEN.

WHICH MEANS
YOU'RE NOT VERY NICE.

YOU'RE RIGHT.

DO YOU HAVE A GIRLFRIEND?

NO.

BUT YOU LOVE SOMEONE, DON'T YOU?

WHY DO YOU SAY THAT?

I DON'T KNOW.

YOU SEEM LIKE YOU'RE
THINKING ABOUT SOMEONE.

WE'RE NOT HERE TO TALK ABOUT ME.

I THOUGHT THAT YOU WERE HERE
TO MAKE ME FEEL COMFORTABLE.

I AM.

TALKING ABOUT YOU

DOES MAKE ME FEEL COMFORTABLE.

[chuckles]

OK.

I'LL TELL YOU ABOUT HER.

GOOD. SHE'S WARMING UP.

I DIDN'T EXPECT THAT
LAST ONE TO LOSE HIS HAIR.

IT MUST HAVE BEEN
THE EXTRA SODIUM.

IT SEEMED TO GO WELL WITH SARAH.

I HAVEN'T SEEN THE OUTPUT YET.

WELL, MADELINE
THINKS SHE'LL BE FINE.

THEN SHE PROBABLY WILL.

DO YOU THINK IT'S RIGHT,
WHAT THEY'RE DOING TO HER?

SHE DOESN'T SEEM TO MIND.

IT BOTHERS ME.

SHE WAS TOLD 3 WEEKS
AGO SHE WAS TERMINAL.

WE GAVE HER AN OPPORTUNITY
TO DO SOMETHING IMPORTANT.

SHE AGREED.

3 WEEKS AGO?

YES.

WHAT'S WRONG?

NOTHING.

[computer beeping]

(Nikita) THEY SET
HER UP, DIDN'T THEY?

WHAT ARE YOU
TALKING ABOUT, SUGAR?

SARAH GERRARD.

YOU HAD BIOTECH
ENGINEER SOMETHING

TO MAKE HER SICK.

NO.

NOW, WHAT WOULD MAKE
YOU SAY A THING LIKE THAT?

JAN DIED ON THE 23RD.

THE NEXT DAY

SARAH WAS DIAGNOSED WITH A.L.L.

THAT DOESN'T MEAN
THEY INDUCED HER.

I DON'T EVEN KNOW
IF IT'S POSSIBLE.

I DIDN'T THINK A LOT OF
THINGS WERE POSSIBLE

UNTIL I CAME TO SECTION.

WHAT DID YOU WANT TO TELL ME?

DID SECTION INDUCE
SARAH'S ILLNESS?

NOT THAT I KNOW OF.

COULD THEY NOT HAVE TOLD YOU?

POSSIBLY. MAYBE NOT.

WHAT DO YOU KNOW?

I KNOW THAT IT'S
ALL TOO CONVENIENT.

JAN'S DEATH, SARAH'S ILLNESS.

SO WHAT?

SO I DON'T BELIEVE
IN COINCIDENCES.

NOT IN SECTION.

WHEN DO YOU TAKE
HER TO MEET ASHE?

THIS AFTERNOON.

BRING HER ACTIVE FILES
TO ME. I'LL LOOK INTO IT.

WHAT?

NOTHING.

IT'S JUST UNUSUAL,

YOU STICKING YOUR
NECK OUT TO HELP.

I LIKE HER.

(Nikita) REMEMBER, SARAH,

WE NEED ASHE TO
GIVE US THE LOCATION.

RIGHT. I KNOW.

HE'S ONLY GOING TO DO
THAT WHEN YOU LEAVE.

SO, WIND IT UP AND GET OUT OF
THERE AS QUICKLY AS YOU CAN.

(Sarah) GOT IT.

[knocking on door]

JAN, GOOD TO SEE YOU.

COME IN.

YOUR TIMING IS IMPECCABLE.

I WAS JUST FINISHING UP.

WHAT A WONDERFUL PLACE.

SARAH, NO. YOU'VE
BEEN HERE BEFORE.

(Ashe) THAT'S ODD.

I ALWAYS THOUGHT
YOU DIDN'T LIKE IT.

I GUESS I NEVER TOOK IT ALL IN.

WELL, IN THAT CASE,
I'M GLAD YOU APPROVE.

(Nikita) GIVE HIM THE MONEY.

YOU'VE CHANGED SOMEHOW.

YEAH?

YEAH.

YOU'RE SOFTER.

I ALWAYS THOUGHT
YOU HAD AN INNER GRACE

BENEATH THAT TOUGH
VENEER OF YOURS.

INNER GRACE?

YEAH. I'M GLAD TO SEE

YOU'RE LETTING SOME
OF IT SHINE THROUGH.

THANKS, MARCO.

YOU'RE QUITE WELCOME.

YOU KNOW, JAN,

I ALWAYS THOUGHT

THAT THERE COULD BE
SOMETHING BETWEEN US.

YOU DID?

BUT YOU'VE ALWAYS BEEN

JUST A... JUST A LITTLE
BIT TOO FAST FOR ME.

OH.

COULD IT BE YOU'RE SLOWING DOWN?

MAYBE A LITTLE.

WHAT IS SHE DOING?

SHE'S MAKING UP FOR LOST TIME.

WE JUST GOT THE LOCATION
OF THE ALLIANCE COMPOUND.

WHAT TOOK SO LONG?

SHE WENT IN OVER 3 HOURS AGO.

SARAH LET ASHE SEDUCE HER.

WHY?

NO MATTER. WE'RE
STILL ON SCHEDULE.

AND ASHE?

HE'S BEEN TAKEN CARE OF.

GOOD.

[computer beeping]

WALTER, WHERE'S NIKITA?

UH, I THINK SHE'S IN COMM.

HERE.

THANK YOU.

OH, WHICH WAY IS THAT AGAIN?

OH! RIGHT. RIGHT.

NIKITA.

I'M SORRY IT TOOK SO LONG.

BUT IT WORKED OUT, RIGHT?

YEAH.

OH, GOD!

IT WAS... IT WAS AMAZING.

I'VE NEVER FELT LIKE
THAT IN MY WHOLE LIFE.

YOU KNOW, I DON'T
THINK MARCO ASHE

IS AS BAD AS YOU
GUYS THINK HE IS.

SARAH.

[giggling] ANYWAY, I DON'T CARE.

I'M GOING TO SEE HIM AGAIN.

I-I-IF YOU CAN WORK THAT INTO
ONE OF YOUR MISSIONS, GREAT.

IF NOT, I'LL GO ON MY OWN.

SARAH, YOU... YOU CAN'T.

WHY NOT?

YOU DON'T KNOW WHAT
YOU'RE DEALING WITH.

YOU SHOULD STOP
THINKING ABOUT HIM.

IT'S OVER.

YOU CAN'T STOP ME.

YOU NEED ME

AND IF YOU WANT
TO KEEP USING ME,

THIS IS WHAT I WANT.

SARAH,

MARCO ASHE IS DEAD.

THAT'S NOT TRUE.

HE'S BEEN ELIMINATED.

THIS IS HOW THEY DO THINGS HERE.

I'M SORRY.

[coughs]

SARAH.

WHAT DID YOU FIND?

SARAH WAS BEING MONITORED
BEFORE BAYLIN DIED.

SO I WAS RIGHT.

NOT NECESSARILY.

SOMETIMES WE BEGIN CONTINGENCY

BEFORE A SITUATION
GOES CRITICAL.

I DON'T BUY IT.

WHERE ARE YOU GOING?

MICHAEL, THIS IS OVER THE LINE.

SOMEONE HAS TO STAND UP FOR HER.

WHAT IS IT, NIKITA?

YOU INDUCED SARAH'S ILLNESS,

DIDN'T YOU?

YES, WE DID.

SHE HAS ONE MORE
TASK TO PERFORM.

IF SHE SUCCEEDS,
WE'LL LET HER LIVE.

LIVE?

HOW?

WE HAVE THE ANTIDOTE.

WE'LL GIVE IT TO HER
AND LET HER GO HOME.

SHE'S OF NO SECURITY RISK TO US.

JUST GET HER
THROUGH THIS, NIKITA.

OF COURSE.

(Walter) AFTER SHE CLOSES IT,

SHE'LL ENTER A
3-DIGIT COMBINATION

ON THE LOCK.

4-1-6. THAT'LL ARM IT.

SHE'LL HAVE 3 MINUTES
TO GET OUT OF THERE.

I WAS RIGHT, YOU KNOW.

THE SECTION DID INFECT SARAH.

MADE HER THINK SHE WAS DYING,
SHE HAD NOTHING LEFT TO LOSE.

WHAT ARE YOU GONNA DO ABOUT IT?

I'M GONNA TELL HER.

NO. NOT BEFORE THE
MISSION. YOU CAN'T.

SHE'S DESPONDENT.

I HAVE TO GIVE HER A
REASON TO GET THROUGH THIS.

NO, NO, NO. JUST THINK ABOUT IT.

YOU TELL HER NOW
AND SHE'LL FREAK.

SHE WON'T TRUST ANYONE.

NOT EVEN YOU.

SARAH.

IT'S TIME TO GO.

ARE YOU GONNA
BE ABLE TO DO THIS?

YEAH.

THIS ISN'T A DIFFICULT PROFILE.

BUT YOU HAVE TO
PICK YOURSELF UP.

DO IT RIGHT. THE
TIMING'S CRITICAL.

YOU HAVE TO STAY
ON TOP OF THINGS.

IF YOU DON'T, YOU'RE
GOING TO END UP HURT.

IT DOESN'T MATTER.

YES, IT DOES MATTER.

WHY?

BECAUSE THERE'S HOPE.

NO.

THE SECTION HAS RESOURCES

THAT THE OUTSIDE WORLD DOESN'T.

I'VE SEEN THEM WORK MIRACLES.

[sighs]

WHAT DO THEY WANT ME TO DO?

(Nikita) WE HAVE TO DESTROY
ALLIANCE HEADQUARTERS.

BUT WE NEED A
VISUAL CONFIRMATION.

DARIUS IS ON SITE.

DARIUS KNOWS JAN,
SHE'LL LET HER IN.

OK, NIKITA. EXTERIOR
IS CLEAR. MOVE IN.

WHAT ARE YOU DOIN'?

RUNNING A PRINT.

SINCE WHEN?

MICHAEL, WHAT DO WE DO?

BRING YOUR TEAM UP A NOTCH.

JUST DO IT.

[groaning]

TAKE MY PRINT OFF YOUR NECK.

[laughing]

OH, JAN, YOU'LL NEVER CHANGE.

(Darius) FORGET THE
PRINT. SEND HER DOWN.

WOW.

EVERYONE TO FIRST POSITION.

HELLO, JAN. LOVELY AS EVER.

LET'S JUST DO THIS.

LOOKS FINE.

GIVE MY REGARDS TO MARCO.

I PRESUME HE'S WELL.

HE'S FINE.

GOOD.

I THOUGHT YOU WERE IN A HURRY.

ACTUALLY

I COULD USE A DRINK.

SURE.

OK, IT'S ARMED. 3 MINUTES.

PREPARE TO EGRESS.

ALL RIGHT, SARAH,
YOU'RE FINE TO EXIT.

THIS IS A RARE PLEASURE.

SO, TELL ME ABOUT JAN BAYLIN.

WHAT IS IT YOU WANT TO KNOW?

SARAH, GET OUT OF THERE, NOW.

WHAT'S YOUR GOAL?

WHAT DO YOU WANT OUT OF LIFE?

I'LL BE HAPPY IF I
CAN FINISH MY DRINK.

WHAT IS SHE DOING?

SHE'S COMMITTING SUICIDE.

50 SECONDS.

NO, REALLY. WHAT
DO YOU WANT TO DO

BESIDES SCHLEP DETONATORS
ALL AROUND THE COUNTRY?

(Sarah) THAT'S A GOOD QUESTION.

[gun firing]

WHAT THE HELL WAS THAT?

MY PEOPLE KILLING YOUR PEOPLE.

COME ON, SARAH, LET'S GO.

NO!

SARAH, PLEASE!

I'M STAYING.

I CAN'T.

I DON'T WANT TO LIVE ANYMORE.

FINE. THEN I'M
NOT GOING, EITHER.

YOU DIE, I DIE.

YOU'VE GOT 20 SECONDS
TO GET OUT OF THERE.

NO.

DON'T DO THIS, NIKITA.

PLEASE, GO.

I'M NOT GOING TO GO WITHOUT YOU.

(Birkoff) 8 SECONDS.

(Operations) LOOKS LIKE
WE'RE GOING TO HAVE

0.8 SURPLUS IN
PERSONNEL THIS MONTH.

(Madeline) YES.

WHERE WOULD YOU
LIKE TO ALLOCATE?

HOUSEKEEPING.

THE ATTRITION HAS
BEEN HIGH THERE.

DONE.

I'D LIKE YOUR
ADVICE ON A MATTER.

WHAT'S THAT?

I HAD TO LIE TO NIKITA
BEFORE THE ALLIANCE MISSION.

WHAT'S THE PROBLEM?

SHE ACCUSED US OF CREATING
SARAH'S MEDICAL CONDITION.

WE DIDN'T DO THAT, DID WE?

NO. BUT I DIDN'T THINK

NIKITA WOULD BELIEVE
ME AND THERE WASN'T TIME.

SO I CREATED AN
INCENTIVE SCENARIO.

SO SHE THINKS
THERE'S AN ANTIDOTE.

I SEE YOUR PROBLEM.

DID SHE SHARE ANY
OF THIS WITH SARAH?

I DON'T THINK SO.

LET SARAH CONVALESCE HERE.
GIVE NIKITA SOME DOWNTIME,

LET HER PLAY NURSE FOR A WHILE.

I'LL PULL HER OFF LEBANON.

HOW ARE YOU DOING?

GREAT

FOR SOMEONE WHO'S DYING.

MAYBE NOT.

IT'S OK, NIKITA.

I'VE LIVED

AN ENTIRE LIFETIME
IN THE LAST WEEK.

AND I MADE A FRIEND.

NOT TOO BAD, HUH?

THERE'S SOMETHING THAT
I HAVEN'T TOLD YOU YET.

WHAT IS IT?

(Madeline) NIKITA, I NEED
TO SEE YOU RIGHT AWAY.

SURE. I'LL BE RIGHT
BACK. I'LL TELL YOU THEN.

IT'S GOOD. IT'S VERY GOOD.

I'LL BE HERE.

HOW'S SARAH?

UH, SHE'S GOING TO BE FINE.

DID YOU CHECK YOUR PROTOCOLS?

NO, NOT YET.

AS SOON AS I'M DONE,
I'LL START PREPPING.

YOU DON'T HAVE TO.
YOU'RE OFF LEBANON.

WHY?

I DON'T KNOW.

THEY PROBABLY WANT
ME TO HELP SARAH

GET BACK ON HER FEET. GOOD.

SIT DOWN, NIKITA.

IT'S ABOUT SARAH.

[woman speaking French]