La Femme Nikita (1997–2001): Season 3, Episode 14 - Hand to Hand - full transcript
To capture an industrialist who finances terrorist bombings around the world, Nikita thinks that she is infiltrating a white slavery ring, but she finds her mission at an adult entertainment complex far more deadly.
♪♪[music playing]
[gasping]
[panting]
[woman speaking French]
(Operations) CHARLES MEYER,
INDUSTRIALIST, PHILANTHROPIST,
SUPPLIER OF MATERIALS TO
TERRORISTS AROUND THE WORLD.
HE'S BEEN ABLE TO PLAY
BOTH ENDS AGAINST THE MIDDLE
BECAUSE HE'S EQUALLY
USEFUL TO BOTH SIDES...
UNTIL NOW.
AN AIRPORT, A TRAIN
STATION, A NAVAL BASE,
ALL FINANCED BY FUNDS
ULTIMATELY TRACEABLE TO MEYER.
HE'S TO BE ELIMINATED.
YES. AND HE KNOWS IT.
AS A CONSEQUENCE, HE'S
BEEN VERY DIFFICULT TO FIND,
BUT WE DO HAVE A LEAD.
(Operations) A MAN
NAMED EMLEN ANAGAR
SOMETIMES IS USED
AS AN INTERMEDIARY.
INTERMEDIARY? FOR WHAT?
IT'LL ALL BE IN YOUR PROFILES.
YOU'LL GET YOURS FROM MADELINE.
THE REST OF YOU SEE
BIRKOFF. THAT'S ALL.
(Madeline) ANAGAR OWNS AN
ESTABLISHMENT IN KAZAKHSTAN.
MEYER WILL BE MEETING HIM
THERE SOMETIME IN THE NEXT WEEK.
(Nikita) THE PURPOSE
OF THE MEETING?
ANAGAR PROVIDES A CERTAIN
TYPE OF ENTERTAINMENT
WHICH MEYER IS
PARTICULARLY FOND OF.
ENTERTAINMENT?
(Madeline) HE RUNS A
TALENT AGENCY IN KIEV.
THE GIRLS ARE MOSTLY FROM
RUSSIA OR EASTERN EUROPE,
TRYING TO ESCAPE POVERTY.
SO HE PROMISES
THEM JOBS AS MODELS
AND FORCES THEM
INTO PROSTITUTION.
YOU'LL PENETRATE THE
BUILDING AND TAG MEYER.
MICHAEL WILL ELIMINATE HIM.
AND THE GIRLS?
THEY'RE NOT OUR CONCERN.
EASTERN EUROPE HAS ABSORBED
MANY OF OUR RESOURCES LATELY.
I'M BECOMING CONCERNED
ABOUT OUR COVERAGE ELSEWHERE.
THAT'S ONE OF THE THINGS
I'VE BEEN ASKED TO REVIEW.
GOOD. I'M GLAD OVERSIGHT'S
ON TOP OF THINGS.
MADELINE, YOU REMEMBER RENEE
FROM LAST YEAR'S PEER REVIEW.
YES, I REMEMBER.
GEORGE ASKED FOR A
COLLATERAL INTEL ASSESSMENT
AND RENEE WAS AVAILABLE.
AND WHO WILL BE
OVERSEEING THIS WORK?
I WILL.
(Madeline) I'LL LOOK
FORWARD TO THE RESULTS.
YOU'LL BE THE FIRST TO SEE THEM.
COME, I'LL SET YOU
UP NEAR MY OFFICE.
THAT'LL MAKE THINGS EASIER.
(Operations) I KNOW YOUR
WORK HERE WILL BE INVALUABLE.
(Renee) I'M GLAD TO BE HERE.
(Operations) LET ME SHOW
YOU A FEW OTHER AREAS,
AND WE'LL HAVE LUNCH LATER.
(Renee) I THINK I'D LIKE THAT.
THAT IS A PRETTY JACKET.
I HAD TO MAKE MINE MYSELF.
STILL, I-IT IS NOT TOO BAD.
MY NAME IS SONDRA.
WHAT IS YOURS?
WHAT DIFFERENCE DOES IT MAKE?
(Oswald) CONGRATULATIONS.
THE LIMO WILL
PICK YOU UP AT 9:00.
(model) THANKS.
DO YOURSELF A FAVOR.
GET OUT OF HERE NOW.
NIKITA, YOU'RE NEXT.
WAIT. WHY SHOULD I?
BECAUSE THIS PLACE
IS NOT WHAT IT SEEMS.
YOU WANTED TO SEE ME?
YES. NIKITA'S
INTERVIEW WENT WELL?
SHE'S ON A PLANE NOW.
(Madeline) AND MICHAEL?
HE'S MEETING WITH
ANAGAR IN A FEW MINUTES.
I TRUST HIS COVER IS
SUFFICIENTLY THOROUGH?
SWISS BANK ACCOUNTS, EUROPEAN
PEDIGREE, AMERICAN ASSETS.
THEY'LL LOVE HIM.
(Madeline) ONE MORE THING.
THERE'S A WOMAN WORKING WITH
OPERATIONS. HER NAME IS RENEE.
ON LOAN FROM OVERSIGHT.
(Madeline) THAT'S RIGHT.
I'D LIKE TO SEE THE MOST
RECENT JACKET WE HAVE ON HER.
(Birkoff) HER JACKET'S
BEEN FROZEN.
ON WHOSE AUTHORITY?
OPERATIONS'.
I COULD ASK HIM
ABOUT IT IF YOU LIKE.
I'LL HANDLE IT.
♪♪[music playing]
[people chattering]
(Anagar) YES?
(man) MR. LEDEAUX IS HERE.
SEND HIM IN.
AH!
MR. LEDEAUX, EMLEN ANAGAR.
IT'S A PLEASURE.
PLEASE, SIT DOWN.
SO, YOU'RE INTERESTED
IN, EH, THIS WEEKEND?
HMM, THAT'S RIGHT. IF
THERE'S AN OPENING.
FOR THE FEE YOU'VE
OFFERED, WE'LL MAKE ONE.
GOOD. YOUR, UH,
REFERENCES ARE VERY STRONG,
BUT I HOPE YOU WON'T BE OFFENDED
IF I REITERATE CERTAIN
POLICY DETAILS.
NO, I WON'T.
(Anagar) YOU'VE MADE
ARRANGEMENTS AT WORK?
MY STAFF THINKS I'M
BACKPACKING IN THE ALPS.
GOOD. AND YOUR WIFE?
WE'RE SEPARATED.
(Anagar) YOU'VE TOLD NO ONE
OF YOUR TRUE DESTINATION?
NO ONE.
WE WILL PROVIDE TRANSPORTATION
TO AND FROM THE COMPLEX.
DURING YOUR STAY, YOU WILL AVOID
CONTACT WITH OUR OTHER GUESTS.
AND, FINALLY, YOU AGREE
NEVER TO DISCLOSE TO ANYONE
THE TRUE NATURE OF THE
ENTERTAINMENT WE PROVIDE?
OF COURSE.
GOOD.
IN THAT CASE, ALL THAT REMAINS
IS THE MATTER OF THE FEE.
[beeping]
MMM.
DONE. NOW, I AM SORRY
TO CUT SHORT OUR MEETING,
BUT, EH, I NEED TO MAKE
ARRANGEMENTS FOR THE WEEKEND.
I UNDERSTAND.
(Anagar) YOU'RE A VERY
FORTUNATE MAN, MR. LEDEAUX.
(Anagar) FEW MEN ON THIS EARTH
HAVE SEEN WHAT YOU'LL BE SEEING.
(Oswald) STAND UP.
QUICKLY!
WHA-WHAT IS HAPPENING?
WELL, I GUESS THE
MODELING JOB ISN'T.
(Anagar) THIS WAY, MR. MEYER.
♪♪[music playing]
WE HAVE BROUGHT IN AN
ESPECIALLY FINE GROUP THIS WEEKEND.
YES.
(Meyer) ALTHOUGH THERE'S SOMETHING
TO BE SAID FOR OLD FAVORITES.
HELLO, CAT. YOU'RE STILL HERE.
YOU MUST HAVE DONE
WELL SINCE I SAW YOU LAST.
AND SHE'LL DO WELL
AGAIN TOMORROW.
BUT THEN, IN THE MEANTIME...
SEND HER TO MY ROOM.
CHOOSE THAT OVER
ME? ARE YOU BLIND?
[beeping]
SIR, THE TRACKER'S
BEEN ACTIVATED.
MEYER'S AT THE COMPLEX.
GOOD. TELL MICHAEL
TO PROCEED AS PLANNED.
[speaking Russian]
[grunting]
UGH.
[choking]
I AM SORRY FOR THE DISTURBANCE.
SHE JUST ARRIVED. HMM.
I LOOK FORWARD TO,
UH, SEEING HER IN THE PIT.
IN THE MEANTIME, THAT
BRUNETTE OVER THERE.
AS YOU SEEM TO HAVE SURMISED,
THERE ARE CERTAIN PRIVILEGES
THAT GO ALONG WITH
PLEASING OUR GUESTS.
[panting] BUT THE CHOICE
IS THEIRS, NOT YOURS.
YOU UNDERSTAND?
UNDERSTAND? YES.
THERE'LL BE PLENTY
OF TIME FOR FIGHTING
BUT ONLY WHEN I SAY SO,
OR YOU WILL DIE EVEN SOONER
THAN YOU OTHERWISE WOULD.
ARE YOU ALL RIGHT?
YEAH, I'M FINE.
[Operations laughing]
(Madeline) I HOPE I'M
NOT DISTURBING YOU.
NOT AT ALL.
YOU'RE DARK.
SO WE ARE.
(Operations) WAS THERE SOMETHING
YOU, UH, WANTED TO SEE ME ABOUT?
IT CAN WAIT IF YOU'RE BUSY.
I'LL RUN THESE SIMS.
I'LL BE BACK IN A FEW MINUTES.
(Madeline) I THOUGHT
YOU SHOULD KNOW
THERE'S A SATELLITE MALFUNCTION.
COMMUNICATIONS ARE DOWN
WITH ABOUT HALF OUR TEAMS.
HOW LONG?
FULL RESOLUTION
WILL TAKE 12 HOURS.
IN THE MEANTIME, WE'RE
SWITCHING TO ALTERNATE CHANNELS,
BUT COVERAGE ISN'T TOTAL.
LET ME KNOW IF THERE'S
ANYTHING CRITICAL.
I WILL.
HOW IS RENEE WORKING OUT?
YOU DON'T LIKE HER.
I DON'T TRUST HER.
(Operations) NEITHER DO I.
BUT THEN, I DON'T TRUST
ANYONE EXCEPT YOU.
BE CAREFUL, PAUL.
I ALWAYS AM.
(Sondra) THEY MAKE
US FIGHT EACH OTHER?
YEAH.
TO THE DEATH?
(Nikita) THAT'S RIGHT.
(Sondra) AND PEOPLE
PAY TO WATCH?
I IMAGINE THEY PAY QUITE A LOT.
(Sondra) AND IF YOU WIN?
YOU GET TO FIGHT AGAIN,
AND AGAIN,
UNTIL YOU'RE KILLED.
H-HOW CAN YOU BE... BE SO CALM?
BECAUSE I COME FROM
A PLACE NOT UNLIKE THIS.
I DON'T WANT TO DIE.
THEN YOU SHOULD
LEARN TO SURVIVE.
[Sondra crying] I... I CANNOT.
WHY NOT?
BECAUSE I, UH, I HAVE NEVER
BEEN IN A FIGHT IN MY LIFE.
I HAVE... I HAVE
NEVER EVEN BEEN HIT.
[Sondra groaning]
NOW YOU'VE BEEN
HIT. HIT ME BACK.
NO.
HIT ME BACK.
[sighing]
HIT ME!
SO NOW YOU'VE BEEN IN A FIGHT.
[panting]
[sniffling]
YOU JUST NEED TO STAY
ALIVE FOR A COUPLE OF DAYS.
AVOID THEM.
THAT'S ALL YOU NEED TO DO.
TRUST ME.
YOU NEVER DID TELL ME YOUR NAME.
MY NAME IS NIKITA.
ALL RIGHT, NIKITA.
(Renee) COMM IS
RESTORED TO ALL TEAMS.
ALREADY? HOW?
(Renee) THE AGENCY LOANED
US A BACKUP CHANNEL.
(Operations) I BET YOU HAD
SOMETHING TO DO WITH THAT.
(Renee) I TRY TO
MAKE MYSELF USEFUL.
NOW, THERE ARE GROUND RULES,
AND THEY HAVE TO BE
OBEYED VERY STRICTLY.
I'M SURE WE CAN MANAGE.
NO PUBLIC DISPLAYS OF AFFECTION.
NO LEAD TIME. WHEN
I CALL, YOU COME.
AND WORK SUPERSEDES ALL
OTHER ARRANGEMENTS, ALWAYS.
(Birkoff) NIKITA, ARE YOU THERE?
BIRKOFF, WHERE THE
HELL HAVE YOU BEEN?
WE HAD AN UPLINK PROBLEM.
IS MICHAEL ON HIS WAY?
YES.
YOU'LL GET YOUR
EGRESS ROUTE FROM HIM.
WE'RE IN SOME KIND OF BASEMENT.
(Birkoff) WE'VE PROFILED
YOUR RELEASE.
LEAVE IT TO MICHAEL.
ALL RIGHT.
LISTEN, BIRKOFF, THIS IS
MORE THAN JUST A BROTHEL.
YEAH.
(Nikita) YOU KNEW?
THEY TOLD ME NOT
TO TELL YOU. SORRY.
SORRY.
(Aurora) IS THE BLOND
ONE WHO HIT CAT IN THERE?
(Oswald) YES, RIGHT OVER THERE.
THEY TELL ME YOU ALREADY
HAVE YOUR OWN BITCH.
YOU CAN LEAVE HER
ALONE. SHE'S HARMLESS.
CAT'S A SPECIAL FRIEND OF MINE.
YOU HURT HER.
SO WHAT ARE YOU DOING DOWN HERE?
I GO WHERE I WANT.
THAT'S BECAUSE YOU'RE
GOOD AT WHAT YOU DO.
YOU'RE GOOD AT
KILLING OTHER WOMEN
FOR THE PLEASURE
OF PERVERTED MEN.
RIGHT?
WHEN THEY PUT YOU IN A PIT,
YOU'LL DO WHAT YOU HAVE TO.
JUST LIKE ME.
(Anagar) MR. LEDEAUX. WELCOME.
I TRUST YOUR
JOURNEY WAS PLEASANT.
FINE.
THE PROGRAM DOESN'T
BEGIN UNTIL TOMORROW,
BUT WE OFFER A WIDE
RANGE OF ACTIVITIES
TO HELP YOU ENJOY
YOURSELF IN THE MEANTIME.
COME, LET ME SHOW YOU YOUR ROOM.
(Michael) AM I NOT PERMITTED TO
SELECT A WOMAN TO ACCOMPANY ME?
WELL,
I CAN SEE YOU DON'T
BELIEVE IN WASTING TIME.
YOU MAY CHOOSE ONE OF
THE GIRLS FROM THE LOUNGE.
WHICH IS?
DOWNSTAIRS. MR. OSWALD
WILL SHOW YOU THE WAY.
ENJOY.
THANK YOU.
THIS ONE.
YES. SHE'S INTERESTING,
BUT NOT YET TAMED.
YOU MAY NEED THIS.
IF SHE CAUSES ANY PROBLEMS,
JUST PUSH THE BUTTON.
GOOD.
(Nikita) TRACKERS WORKING?
WE HAVE FULL COVERAGE.
SO WHAT HAPPENS NOW?
BIRKOFF PLOTS AN
INTERCEPT POINT.
I KILL MEYER TOMORROW.
EGRESS?
IMMEDIATELY AFTERWARDS.
WHERE DO WE MEET?
WE DON'T.
YOU'RE GETTING OUT TONIGHT.
OH, TONIGHT. THEY'LL
BE SUSPICIOUS.
NO. YOU'VE ESTABLISHED
YOURSELF AS A TROUBLEMAKER.
I'LL SAY YOU SURPRISED
ME AND ESCAPED.
SO, THEY'LL SEND
GUARDS, TRACK ME,
AND THE SHOW GOES
ON AS PLANNED, RIGHT?
THE VAN IS 2 KILOMETERS
TO THE NORTH.
MEET THEM IN 12 MINUTES.
12 MINUTES?
MICHAEL, YOU KNOW
WHAT THIS PLACE IS.
WE CAN'T LEAVE THESE WOMEN HERE.
WE HAVE TO HELP THEM.
THEY'RE NOT OUR PROBLEM.
AND THE HUNDREDS THAT
WILL DIE IN THE FUTURE,
THEY'RE ALSO NOT OUR PROBLEM?
THAT'S RIGHT.
FINE. THEN THEY'RE MY PROBLEM.
I'LL GO OUT WITH YOU TOMORROW.
I'LL MEET YOU AT THE EXIT POINT.
WHAT DO YOU EXPECT TO
ACCOMPLISH IN A FEW HOURS?
I DON'T KNOW.
MAYBE NOTHING,
BUT I HAVE TO TRY.
I HAVE TO TRY. I CAN'T
LEAVE THESE WOMEN HERE.
I HAVE TO HELP THEM.
(Nikita) MICHAEL,
YOU'VE GOT A SISTER.
YOU WENT TO PRISON,
SHE WAS ALONE.
SHE COULD HAVE ENDED
UP IN A PLACE JUST LIKE THIS,
IF SHE HADN'T BEEN HELPED.
(Michael) YOU NOW HAVE 10
MINUTES TO MEET THE VAN.
I TOLD YOU,
I'M NOT GOING.
[phone ringing]
(Oswald) YES?
SEND SOMEONE FOR THE GIRL.
I'M FINISHED WITH HER.
DID HE HURT YOU?
I'M FINE.
WHILE YOU WERE GONE,
THEY TOLD US WE ARE
GOING TO FIGHT TOMORROW.
WHAT ELSE HAVE YOU FOUND OUT?
WHAT DO YOU MEAN?
WHERE DO WE FIGHT?
HOW MANY CONTESTS ARE THERE?
ALL THIS INFORMATION CAN HELP.
HELP WHAT?
IT'S GOING TO HELP
YOU AND ME TO LIVE.
WHEN WE FIRST CAME IN, SOMEONE
SAID SOMETHING ABOUT A PIT.
YES, I... I REMEMBER.
OK, WE NEED TO
KNOW HOW BIG IT IS,
HOW HIGH THE WALLS ARE,
WHERE THEY KEEP THE GUARDS.
SOME OF THESE WOMEN HAVE
BEEN HERE FOR A LITTLE WHILE.
WE CAN TALK TO THEM.
NO. I HAVE A FEELING
IT WON'T DO ANY GOOD.
WHY NOT?
THEY ARE PLANNING
SOMETHING, SOMETHING SPECIAL.
I DON'T THINK ANY OF US
ARE GOING TO SURVIVE.
(Operations) MEYER'S HIT WILL
TAKE PLACE IN THE NEXT FEW HOURS.
I HAVE THE PROFILE HERE.
WE'RE NOT HITTING
HIM IN HIS ROOM?
NO. SECURITY WILL BE
AT MAXIMUM DENSITY.
OUR CHANCE OF SUCCESS
DOUBLES LATER ON.
YOU SEE A PROBLEM?
NO.
(Madeline) I'M SURE BIRKOFF
DID A THOROUGH JOB.
[door opening]
I WAS GOING OVER
THE SIMS FOR THE, UH...
(Renee) HELLO, MADELINE.
RENEE.
I WAS SAYING, THE
AFGHAN SIMS LOOK STRONG,
BUT I THINK BETA TEAM
SHOULD BE RESTRUCTURED.
(Operations) IT'S AN
INTERESTING IDEA.
WILL YOU GIVE US, UH,
A FEW MINUTES MORE?
OF COURSE.
[door closing]
SHE'S INVOLVED IN MISSIONS NOW?
NO, SHE'S OBSERVING.
SOME OF HER IDEAS
ARE QUITE GOOD.
SHE BRINGS, UH, A
FRESH PERSPECTIVE.
YOU TOOK ME OUT OF SYSTEMS.
WE NEED YOU IN TACTICAL.
BIRKOFF'S BEEN
STRETCHED TOO THIN.
IT'S ONLY TEMPORARY.
UNTIL RENEE'S GONE?
IT HAS NOTHING TO DO WITH RENEE.
I'M GLAD TO HEAR IT.
YOU CAN COME BACK IN NOW,
AND LOCK THE DOOR BEHIND YOU.
THAT ONE.
NIKITA.
YOU HAVE TO WANT TO LIVE.
YOU HAVE TO WANT TO LIVE.
YOU'RE NEXT.
I HOPE YOU CAN SWIM.
I'M AFRAID YOU'LL
HAVE TO LEAVE NOW.
LEAVE?
YES.
I'M RETURNING YOU TO OVERSIGHT.
I HAVEN'T FINISHED MY WORK YET.
YES, YOU HAVE.
WHAT'S THE REASON FOR THIS?
YOU CONTACTED THE AGENCY ON
OUR BEHALF WITHOUT PRIOR CLEARANCE.
AND COMM WAS RESTORED 8
HOURS SOONER AS A RESULT.
NEVERTHELESS, IT WAS A
VIOLATION OF PROTOCOL.
I'LL SPEAK TO
OPERATIONS. WHERE IS HE?
(Madeline) OFF DUTY,
WHICH LEAVES ME IN CHARGE.
ALL RIGHT.
I'M GOING.
BUT YOU'LL PAY
FOR THIS, MADELINE.
(Renee) YOU'LL PAY.
MEYER'S STILL IN HIS ROOM.
(Michael) HE SHOULD
HAVE LEFT BY NOW.
THE SHOW'S ALREADY STARTED.
(Birkoff) HE'S ON THE PHONE.
BIG TRANSACTION. I
CAN'T CATCH THE DETAILS.
HOW LONG WILL HE BE?
(Birkoff) THERE'S
NO WAY TO TELL.
GO. I'LL KEEP YOU POSTED.
♪♪[Death By Moonlight
by Rhea's Obsession]
♪ BREATHE ♪
♪ FOLLOW MY COMMAND ♪
♪ BELIEVE ♪
♪ THAT IS IN YOUR HANDS ♪
HOW LONG DO THESE
FIGHTS USUALLY LAST?
I DON'T KNOW. WE
DIDN'T SCAN THEM.
♪ HEAT ♪
♪ OF SEVENTH SUN WILL SHOW ♪
♪ I AM THE WHITE-TAILED DOVE ♪
♪ WHO UNDERSTANDS ♪
♪ YOU ARE THE REASON ♪
♪ I HARNESS THESE COMMANDS ♪
♪ BREATHE ♪
♪ THE AIR WHILE YOU STILL CAN ♪
♪ LEAVE ♪
♪ ALL TOMORROW'S PLANS ♪
♪ HERE ♪
MICHAEL, IS NIKITA FIGHTING?
YES.
(Birkoff) IF YOU INTERVENE,
CHANCE OF MISSION SUCCESS
GOES TO ZERO.
♪ THE MESSAGE OF THE DAWN ♪
♪ I AM THE WIND AND RAIN ♪
♪ I THE SUMMER SNOW ♪
♪ YOU ARE THE GLISTENING ♪
♪ IN THE AFTERGLOW ♪
♪ I FOLLOW PATIENTLY ♪
♪ I WATCH DESTRUCTION GROW ♪
♪ I LISTEN FOR THE SIGNS ♪
♪ OF MOONLIGHT TO SHOW ME ♪
♪ I AM, BECAUSE I AM ♪
♪ BECAUSE I AM ♪
HE'S OFF THE PHONE.
HE'S ON HIS WAY.
(Birkoff) MICHAEL,
TAKE YOUR POSITION.
[panting]
MICHAEL, YOU HAVE TO MOVE. NOW.
[gasping]
♪ FEEL ♪
♪ THE EARTH TREMBLE AT NIGHT ♪
♪ WE ♪
♪ BELIEVE THAT WE'RE ALL RIGHT ♪
KILL HER.
♪ WE ♪
♪ GATHER FOR THE STORM ♪
♪ WE WILL ♪
♪ DIE BEFORE WE'RE BORN ♪
(Oswald) KILL HER! KILL HER!
KILL HER!
♪ YOU ARE THE REASON ♪
♪ I HARNESS THESE COMMANDS ♪
♪ BREATHE ♪
♪ FOLLOW MY COMMAND ♪
♪ BELIEVE ♪
♪ THAT IS IN YOUR HANDS ♪
♪ GRIEVE ♪
♪ AS DEATH BY MOON IS SLOW ♪
♪ HEAT ♪
[groaning]
♪ OF SEVENTH SUN WILL SHOW ♪
♪ I AM THE WIND AND RAIN ♪
♪ I THE SUMMER SNOW ♪
♪ YOU ARE THE GLISTENING ♪
♪ IN THE AFTERGLOW ♪
♪ I FOLLOW PATIENTLY ♪
♪ I WATCH DESTRUCTION GROW ♪
♪ I LISTEN FOR THE SIGNS ♪
♪ OF MOONLIGHT TO SHOW ME ♪
♪ I AM, BECAUSE I AM ♪
♪ BECAUSE I AM ♪
♪ BECAUSE I AM ♪♪
[choking]
[groaning]
[gun firing]
YOU KNOW HOW TO USE THIS?
FIND ANAGAR. KILL HIM.
THE GUARDS WILL CLEAR OUT.
FREE THE OTHER GIRLS.
HELP THEM GET HOME.
THANK YOU.
(Anagar) AURORA.
♪♪[music playing]
(Operations) RENEE SAID
YOU WERE JEALOUS.
I DIDN'T BELIEVE HER.
YOU WERE RIGHT
NOT TO BELIEVE HER.
JEALOUSY HAD
NOTHING TO DO WITH IT.
SHE WAS INTERFERING WITH
OUR NORMAL PROCEDURES
AND, FRANKLY, WHEN
SHE WAS AROUND
YOUR JUDGMENT WASN'T
UP TO ITS USUAL STANDARDS.
[laughing]
STILL,
EJECTING HER FORCIBLY WAS
A VIOLATION OF PROTOCOL.
SO WAS HER
CONTACTING THE AGENCY.
(Operations) THAT
CAN BE JUSTIFIED.
SHE HAS POWERFUL
FRIENDS IN OVERSIGHT.
THIS COULD BLOW UP IN YOUR
FACE IF IT'S NOT HANDLED PROPERLY.
IS THERE ANY REASON THIS
CAN'T BE HANDLED PROPERLY?
(Operations) I CAN SMOOTH
IT OVER WITH RENEE.
I HAVE A GOOD
RELATIONSHIP WITH HER.
BUT THE QUESTION IS,
WHAT KIND OF A RELATIONSHIP
DO I HAVE WITH YOU?
WHY DON'T YOU ADMIT
YOU WERE JEALOUS
AND YOU STILL HAVE
FEELINGS FOR ME?
OF COURSE, I DO.
RESPECT, ADMIRATION, FRIENDSHIP.
IF I THOUGHT YOUR FEELINGS
WENT BEYOND FRIENDSHIP,
I'D MAKE THIS WHOLE
THING GO AWAY.
OTHERWISE, I'LL HAVE TO LET
BUREAUCRACY TAKE ITS COURSE,
AND THAT COULD BE
VERY UNPLEASANT.
DON'T DO THIS.
IN THE TOWER TONIGHT, 10:00.
(Walter) IT WAS A 3-MAN
MISSION IN THE BALKANS.
A MOTION DETECTOR FAILED.
I GOT OUT ALIVE, AND
THE OTHER 2 DIDN'T.
THEY WERE IN THAT 5
PERCENT I'VE TOLD YOU ABOUT.
GOOD MEN.
(Walter) THE BEST.
AND IT GOT ME INTERESTED
IN THE GADGETS WE USE.
I DESIGNED A FEW MYSELF
AND EVENTUALLY, I
GOT INTO IT FULL-TIME.
BEEN THERE EVER SINCE.
HMM,
BY THE WAY, YOU SHOULD START
THINKING ABOUT YOUR FUTURE, TOO.
MY FUTURE?
(Walter) PEOPLE DON'T
LIVE FOREVER IN THE FIELD.
YOU SHOULD MOVE INTO ANOTHER
AREA: COMM, RESEARCH, PROFILING.
I COULD USE AN ASSISTANT.
NO, COME ON NOW.
I'M... I'M BEING SERIOUS.
I THINK I'D FEEL TOO GUILTY
KNOWING THERE ARE PEOPLE
OUT THERE RISKING THEIR LIVES.
TRUST ME. YOU'LL GET OVER IT.
HOW DO YOU DO IT?
HOW DO YOU STAY SANE?
WHAT'S THE SECRET?
KNOWING WHEN TO LIE AND
WHEN TO TELL THE TRUTH.
TO THEM?
TO YOURSELF.
AT NIGHT YOU GO TO BED
KNOWING THAT YOU LIVE IN HELL.
THAT'S THE TRUTH.
AND THE LIE?
YOU WAKE UP IN THE MORNING
THINKING THAT THIS DAY
MAY CHANGE EVERYTHING.
YOU'LL ESCAPE,
YOU'LL FALL IN LOVE,
THEY'LL CLOSE THE PLACE UP,
AND SEND EVERYBODY HOME.
THEN THAT NIGHT, YOU HAVE
TO FACE THE TRUTH AGAIN.
YEAH, BUT IN THE MEANTIME,
YOU'VE ACCOMPLISHED SOMETHING
THAT'S TRULY REMARKABLE.
YOU'VE MADE IT
THROUGH ANOTHER DAY.
[cell phone ringing]
HELLO.
(Michael) JOSEPHINE.
[woman speaking French]
[gasping]
[panting]
[woman speaking French]
(Operations) CHARLES MEYER,
INDUSTRIALIST, PHILANTHROPIST,
SUPPLIER OF MATERIALS TO
TERRORISTS AROUND THE WORLD.
HE'S BEEN ABLE TO PLAY
BOTH ENDS AGAINST THE MIDDLE
BECAUSE HE'S EQUALLY
USEFUL TO BOTH SIDES...
UNTIL NOW.
AN AIRPORT, A TRAIN
STATION, A NAVAL BASE,
ALL FINANCED BY FUNDS
ULTIMATELY TRACEABLE TO MEYER.
HE'S TO BE ELIMINATED.
YES. AND HE KNOWS IT.
AS A CONSEQUENCE, HE'S
BEEN VERY DIFFICULT TO FIND,
BUT WE DO HAVE A LEAD.
(Operations) A MAN
NAMED EMLEN ANAGAR
SOMETIMES IS USED
AS AN INTERMEDIARY.
INTERMEDIARY? FOR WHAT?
IT'LL ALL BE IN YOUR PROFILES.
YOU'LL GET YOURS FROM MADELINE.
THE REST OF YOU SEE
BIRKOFF. THAT'S ALL.
(Madeline) ANAGAR OWNS AN
ESTABLISHMENT IN KAZAKHSTAN.
MEYER WILL BE MEETING HIM
THERE SOMETIME IN THE NEXT WEEK.
(Nikita) THE PURPOSE
OF THE MEETING?
ANAGAR PROVIDES A CERTAIN
TYPE OF ENTERTAINMENT
WHICH MEYER IS
PARTICULARLY FOND OF.
ENTERTAINMENT?
(Madeline) HE RUNS A
TALENT AGENCY IN KIEV.
THE GIRLS ARE MOSTLY FROM
RUSSIA OR EASTERN EUROPE,
TRYING TO ESCAPE POVERTY.
SO HE PROMISES
THEM JOBS AS MODELS
AND FORCES THEM
INTO PROSTITUTION.
YOU'LL PENETRATE THE
BUILDING AND TAG MEYER.
MICHAEL WILL ELIMINATE HIM.
AND THE GIRLS?
THEY'RE NOT OUR CONCERN.
EASTERN EUROPE HAS ABSORBED
MANY OF OUR RESOURCES LATELY.
I'M BECOMING CONCERNED
ABOUT OUR COVERAGE ELSEWHERE.
THAT'S ONE OF THE THINGS
I'VE BEEN ASKED TO REVIEW.
GOOD. I'M GLAD OVERSIGHT'S
ON TOP OF THINGS.
MADELINE, YOU REMEMBER RENEE
FROM LAST YEAR'S PEER REVIEW.
YES, I REMEMBER.
GEORGE ASKED FOR A
COLLATERAL INTEL ASSESSMENT
AND RENEE WAS AVAILABLE.
AND WHO WILL BE
OVERSEEING THIS WORK?
I WILL.
(Madeline) I'LL LOOK
FORWARD TO THE RESULTS.
YOU'LL BE THE FIRST TO SEE THEM.
COME, I'LL SET YOU
UP NEAR MY OFFICE.
THAT'LL MAKE THINGS EASIER.
(Operations) I KNOW YOUR
WORK HERE WILL BE INVALUABLE.
(Renee) I'M GLAD TO BE HERE.
(Operations) LET ME SHOW
YOU A FEW OTHER AREAS,
AND WE'LL HAVE LUNCH LATER.
(Renee) I THINK I'D LIKE THAT.
THAT IS A PRETTY JACKET.
I HAD TO MAKE MINE MYSELF.
STILL, I-IT IS NOT TOO BAD.
MY NAME IS SONDRA.
WHAT IS YOURS?
WHAT DIFFERENCE DOES IT MAKE?
(Oswald) CONGRATULATIONS.
THE LIMO WILL
PICK YOU UP AT 9:00.
(model) THANKS.
DO YOURSELF A FAVOR.
GET OUT OF HERE NOW.
NIKITA, YOU'RE NEXT.
WAIT. WHY SHOULD I?
BECAUSE THIS PLACE
IS NOT WHAT IT SEEMS.
YOU WANTED TO SEE ME?
YES. NIKITA'S
INTERVIEW WENT WELL?
SHE'S ON A PLANE NOW.
(Madeline) AND MICHAEL?
HE'S MEETING WITH
ANAGAR IN A FEW MINUTES.
I TRUST HIS COVER IS
SUFFICIENTLY THOROUGH?
SWISS BANK ACCOUNTS, EUROPEAN
PEDIGREE, AMERICAN ASSETS.
THEY'LL LOVE HIM.
(Madeline) ONE MORE THING.
THERE'S A WOMAN WORKING WITH
OPERATIONS. HER NAME IS RENEE.
ON LOAN FROM OVERSIGHT.
(Madeline) THAT'S RIGHT.
I'D LIKE TO SEE THE MOST
RECENT JACKET WE HAVE ON HER.
(Birkoff) HER JACKET'S
BEEN FROZEN.
ON WHOSE AUTHORITY?
OPERATIONS'.
I COULD ASK HIM
ABOUT IT IF YOU LIKE.
I'LL HANDLE IT.
♪♪[music playing]
[people chattering]
(Anagar) YES?
(man) MR. LEDEAUX IS HERE.
SEND HIM IN.
AH!
MR. LEDEAUX, EMLEN ANAGAR.
IT'S A PLEASURE.
PLEASE, SIT DOWN.
SO, YOU'RE INTERESTED
IN, EH, THIS WEEKEND?
HMM, THAT'S RIGHT. IF
THERE'S AN OPENING.
FOR THE FEE YOU'VE
OFFERED, WE'LL MAKE ONE.
GOOD. YOUR, UH,
REFERENCES ARE VERY STRONG,
BUT I HOPE YOU WON'T BE OFFENDED
IF I REITERATE CERTAIN
POLICY DETAILS.
NO, I WON'T.
(Anagar) YOU'VE MADE
ARRANGEMENTS AT WORK?
MY STAFF THINKS I'M
BACKPACKING IN THE ALPS.
GOOD. AND YOUR WIFE?
WE'RE SEPARATED.
(Anagar) YOU'VE TOLD NO ONE
OF YOUR TRUE DESTINATION?
NO ONE.
WE WILL PROVIDE TRANSPORTATION
TO AND FROM THE COMPLEX.
DURING YOUR STAY, YOU WILL AVOID
CONTACT WITH OUR OTHER GUESTS.
AND, FINALLY, YOU AGREE
NEVER TO DISCLOSE TO ANYONE
THE TRUE NATURE OF THE
ENTERTAINMENT WE PROVIDE?
OF COURSE.
GOOD.
IN THAT CASE, ALL THAT REMAINS
IS THE MATTER OF THE FEE.
[beeping]
MMM.
DONE. NOW, I AM SORRY
TO CUT SHORT OUR MEETING,
BUT, EH, I NEED TO MAKE
ARRANGEMENTS FOR THE WEEKEND.
I UNDERSTAND.
(Anagar) YOU'RE A VERY
FORTUNATE MAN, MR. LEDEAUX.
(Anagar) FEW MEN ON THIS EARTH
HAVE SEEN WHAT YOU'LL BE SEEING.
(Oswald) STAND UP.
QUICKLY!
WHA-WHAT IS HAPPENING?
WELL, I GUESS THE
MODELING JOB ISN'T.
(Anagar) THIS WAY, MR. MEYER.
♪♪[music playing]
WE HAVE BROUGHT IN AN
ESPECIALLY FINE GROUP THIS WEEKEND.
YES.
(Meyer) ALTHOUGH THERE'S SOMETHING
TO BE SAID FOR OLD FAVORITES.
HELLO, CAT. YOU'RE STILL HERE.
YOU MUST HAVE DONE
WELL SINCE I SAW YOU LAST.
AND SHE'LL DO WELL
AGAIN TOMORROW.
BUT THEN, IN THE MEANTIME...
SEND HER TO MY ROOM.
CHOOSE THAT OVER
ME? ARE YOU BLIND?
[beeping]
SIR, THE TRACKER'S
BEEN ACTIVATED.
MEYER'S AT THE COMPLEX.
GOOD. TELL MICHAEL
TO PROCEED AS PLANNED.
[speaking Russian]
[grunting]
UGH.
[choking]
I AM SORRY FOR THE DISTURBANCE.
SHE JUST ARRIVED. HMM.
I LOOK FORWARD TO,
UH, SEEING HER IN THE PIT.
IN THE MEANTIME, THAT
BRUNETTE OVER THERE.
AS YOU SEEM TO HAVE SURMISED,
THERE ARE CERTAIN PRIVILEGES
THAT GO ALONG WITH
PLEASING OUR GUESTS.
[panting] BUT THE CHOICE
IS THEIRS, NOT YOURS.
YOU UNDERSTAND?
UNDERSTAND? YES.
THERE'LL BE PLENTY
OF TIME FOR FIGHTING
BUT ONLY WHEN I SAY SO,
OR YOU WILL DIE EVEN SOONER
THAN YOU OTHERWISE WOULD.
ARE YOU ALL RIGHT?
YEAH, I'M FINE.
[Operations laughing]
(Madeline) I HOPE I'M
NOT DISTURBING YOU.
NOT AT ALL.
YOU'RE DARK.
SO WE ARE.
(Operations) WAS THERE SOMETHING
YOU, UH, WANTED TO SEE ME ABOUT?
IT CAN WAIT IF YOU'RE BUSY.
I'LL RUN THESE SIMS.
I'LL BE BACK IN A FEW MINUTES.
(Madeline) I THOUGHT
YOU SHOULD KNOW
THERE'S A SATELLITE MALFUNCTION.
COMMUNICATIONS ARE DOWN
WITH ABOUT HALF OUR TEAMS.
HOW LONG?
FULL RESOLUTION
WILL TAKE 12 HOURS.
IN THE MEANTIME, WE'RE
SWITCHING TO ALTERNATE CHANNELS,
BUT COVERAGE ISN'T TOTAL.
LET ME KNOW IF THERE'S
ANYTHING CRITICAL.
I WILL.
HOW IS RENEE WORKING OUT?
YOU DON'T LIKE HER.
I DON'T TRUST HER.
(Operations) NEITHER DO I.
BUT THEN, I DON'T TRUST
ANYONE EXCEPT YOU.
BE CAREFUL, PAUL.
I ALWAYS AM.
(Sondra) THEY MAKE
US FIGHT EACH OTHER?
YEAH.
TO THE DEATH?
(Nikita) THAT'S RIGHT.
(Sondra) AND PEOPLE
PAY TO WATCH?
I IMAGINE THEY PAY QUITE A LOT.
(Sondra) AND IF YOU WIN?
YOU GET TO FIGHT AGAIN,
AND AGAIN,
UNTIL YOU'RE KILLED.
H-HOW CAN YOU BE... BE SO CALM?
BECAUSE I COME FROM
A PLACE NOT UNLIKE THIS.
I DON'T WANT TO DIE.
THEN YOU SHOULD
LEARN TO SURVIVE.
[Sondra crying] I... I CANNOT.
WHY NOT?
BECAUSE I, UH, I HAVE NEVER
BEEN IN A FIGHT IN MY LIFE.
I HAVE... I HAVE
NEVER EVEN BEEN HIT.
[Sondra groaning]
NOW YOU'VE BEEN
HIT. HIT ME BACK.
NO.
HIT ME BACK.
[sighing]
HIT ME!
SO NOW YOU'VE BEEN IN A FIGHT.
[panting]
[sniffling]
YOU JUST NEED TO STAY
ALIVE FOR A COUPLE OF DAYS.
AVOID THEM.
THAT'S ALL YOU NEED TO DO.
TRUST ME.
YOU NEVER DID TELL ME YOUR NAME.
MY NAME IS NIKITA.
ALL RIGHT, NIKITA.
(Renee) COMM IS
RESTORED TO ALL TEAMS.
ALREADY? HOW?
(Renee) THE AGENCY LOANED
US A BACKUP CHANNEL.
(Operations) I BET YOU HAD
SOMETHING TO DO WITH THAT.
(Renee) I TRY TO
MAKE MYSELF USEFUL.
NOW, THERE ARE GROUND RULES,
AND THEY HAVE TO BE
OBEYED VERY STRICTLY.
I'M SURE WE CAN MANAGE.
NO PUBLIC DISPLAYS OF AFFECTION.
NO LEAD TIME. WHEN
I CALL, YOU COME.
AND WORK SUPERSEDES ALL
OTHER ARRANGEMENTS, ALWAYS.
(Birkoff) NIKITA, ARE YOU THERE?
BIRKOFF, WHERE THE
HELL HAVE YOU BEEN?
WE HAD AN UPLINK PROBLEM.
IS MICHAEL ON HIS WAY?
YES.
YOU'LL GET YOUR
EGRESS ROUTE FROM HIM.
WE'RE IN SOME KIND OF BASEMENT.
(Birkoff) WE'VE PROFILED
YOUR RELEASE.
LEAVE IT TO MICHAEL.
ALL RIGHT.
LISTEN, BIRKOFF, THIS IS
MORE THAN JUST A BROTHEL.
YEAH.
(Nikita) YOU KNEW?
THEY TOLD ME NOT
TO TELL YOU. SORRY.
SORRY.
(Aurora) IS THE BLOND
ONE WHO HIT CAT IN THERE?
(Oswald) YES, RIGHT OVER THERE.
THEY TELL ME YOU ALREADY
HAVE YOUR OWN BITCH.
YOU CAN LEAVE HER
ALONE. SHE'S HARMLESS.
CAT'S A SPECIAL FRIEND OF MINE.
YOU HURT HER.
SO WHAT ARE YOU DOING DOWN HERE?
I GO WHERE I WANT.
THAT'S BECAUSE YOU'RE
GOOD AT WHAT YOU DO.
YOU'RE GOOD AT
KILLING OTHER WOMEN
FOR THE PLEASURE
OF PERVERTED MEN.
RIGHT?
WHEN THEY PUT YOU IN A PIT,
YOU'LL DO WHAT YOU HAVE TO.
JUST LIKE ME.
(Anagar) MR. LEDEAUX. WELCOME.
I TRUST YOUR
JOURNEY WAS PLEASANT.
FINE.
THE PROGRAM DOESN'T
BEGIN UNTIL TOMORROW,
BUT WE OFFER A WIDE
RANGE OF ACTIVITIES
TO HELP YOU ENJOY
YOURSELF IN THE MEANTIME.
COME, LET ME SHOW YOU YOUR ROOM.
(Michael) AM I NOT PERMITTED TO
SELECT A WOMAN TO ACCOMPANY ME?
WELL,
I CAN SEE YOU DON'T
BELIEVE IN WASTING TIME.
YOU MAY CHOOSE ONE OF
THE GIRLS FROM THE LOUNGE.
WHICH IS?
DOWNSTAIRS. MR. OSWALD
WILL SHOW YOU THE WAY.
ENJOY.
THANK YOU.
THIS ONE.
YES. SHE'S INTERESTING,
BUT NOT YET TAMED.
YOU MAY NEED THIS.
IF SHE CAUSES ANY PROBLEMS,
JUST PUSH THE BUTTON.
GOOD.
(Nikita) TRACKERS WORKING?
WE HAVE FULL COVERAGE.
SO WHAT HAPPENS NOW?
BIRKOFF PLOTS AN
INTERCEPT POINT.
I KILL MEYER TOMORROW.
EGRESS?
IMMEDIATELY AFTERWARDS.
WHERE DO WE MEET?
WE DON'T.
YOU'RE GETTING OUT TONIGHT.
OH, TONIGHT. THEY'LL
BE SUSPICIOUS.
NO. YOU'VE ESTABLISHED
YOURSELF AS A TROUBLEMAKER.
I'LL SAY YOU SURPRISED
ME AND ESCAPED.
SO, THEY'LL SEND
GUARDS, TRACK ME,
AND THE SHOW GOES
ON AS PLANNED, RIGHT?
THE VAN IS 2 KILOMETERS
TO THE NORTH.
MEET THEM IN 12 MINUTES.
12 MINUTES?
MICHAEL, YOU KNOW
WHAT THIS PLACE IS.
WE CAN'T LEAVE THESE WOMEN HERE.
WE HAVE TO HELP THEM.
THEY'RE NOT OUR PROBLEM.
AND THE HUNDREDS THAT
WILL DIE IN THE FUTURE,
THEY'RE ALSO NOT OUR PROBLEM?
THAT'S RIGHT.
FINE. THEN THEY'RE MY PROBLEM.
I'LL GO OUT WITH YOU TOMORROW.
I'LL MEET YOU AT THE EXIT POINT.
WHAT DO YOU EXPECT TO
ACCOMPLISH IN A FEW HOURS?
I DON'T KNOW.
MAYBE NOTHING,
BUT I HAVE TO TRY.
I HAVE TO TRY. I CAN'T
LEAVE THESE WOMEN HERE.
I HAVE TO HELP THEM.
(Nikita) MICHAEL,
YOU'VE GOT A SISTER.
YOU WENT TO PRISON,
SHE WAS ALONE.
SHE COULD HAVE ENDED
UP IN A PLACE JUST LIKE THIS,
IF SHE HADN'T BEEN HELPED.
(Michael) YOU NOW HAVE 10
MINUTES TO MEET THE VAN.
I TOLD YOU,
I'M NOT GOING.
[phone ringing]
(Oswald) YES?
SEND SOMEONE FOR THE GIRL.
I'M FINISHED WITH HER.
DID HE HURT YOU?
I'M FINE.
WHILE YOU WERE GONE,
THEY TOLD US WE ARE
GOING TO FIGHT TOMORROW.
WHAT ELSE HAVE YOU FOUND OUT?
WHAT DO YOU MEAN?
WHERE DO WE FIGHT?
HOW MANY CONTESTS ARE THERE?
ALL THIS INFORMATION CAN HELP.
HELP WHAT?
IT'S GOING TO HELP
YOU AND ME TO LIVE.
WHEN WE FIRST CAME IN, SOMEONE
SAID SOMETHING ABOUT A PIT.
YES, I... I REMEMBER.
OK, WE NEED TO
KNOW HOW BIG IT IS,
HOW HIGH THE WALLS ARE,
WHERE THEY KEEP THE GUARDS.
SOME OF THESE WOMEN HAVE
BEEN HERE FOR A LITTLE WHILE.
WE CAN TALK TO THEM.
NO. I HAVE A FEELING
IT WON'T DO ANY GOOD.
WHY NOT?
THEY ARE PLANNING
SOMETHING, SOMETHING SPECIAL.
I DON'T THINK ANY OF US
ARE GOING TO SURVIVE.
(Operations) MEYER'S HIT WILL
TAKE PLACE IN THE NEXT FEW HOURS.
I HAVE THE PROFILE HERE.
WE'RE NOT HITTING
HIM IN HIS ROOM?
NO. SECURITY WILL BE
AT MAXIMUM DENSITY.
OUR CHANCE OF SUCCESS
DOUBLES LATER ON.
YOU SEE A PROBLEM?
NO.
(Madeline) I'M SURE BIRKOFF
DID A THOROUGH JOB.
[door opening]
I WAS GOING OVER
THE SIMS FOR THE, UH...
(Renee) HELLO, MADELINE.
RENEE.
I WAS SAYING, THE
AFGHAN SIMS LOOK STRONG,
BUT I THINK BETA TEAM
SHOULD BE RESTRUCTURED.
(Operations) IT'S AN
INTERESTING IDEA.
WILL YOU GIVE US, UH,
A FEW MINUTES MORE?
OF COURSE.
[door closing]
SHE'S INVOLVED IN MISSIONS NOW?
NO, SHE'S OBSERVING.
SOME OF HER IDEAS
ARE QUITE GOOD.
SHE BRINGS, UH, A
FRESH PERSPECTIVE.
YOU TOOK ME OUT OF SYSTEMS.
WE NEED YOU IN TACTICAL.
BIRKOFF'S BEEN
STRETCHED TOO THIN.
IT'S ONLY TEMPORARY.
UNTIL RENEE'S GONE?
IT HAS NOTHING TO DO WITH RENEE.
I'M GLAD TO HEAR IT.
YOU CAN COME BACK IN NOW,
AND LOCK THE DOOR BEHIND YOU.
THAT ONE.
NIKITA.
YOU HAVE TO WANT TO LIVE.
YOU HAVE TO WANT TO LIVE.
YOU'RE NEXT.
I HOPE YOU CAN SWIM.
I'M AFRAID YOU'LL
HAVE TO LEAVE NOW.
LEAVE?
YES.
I'M RETURNING YOU TO OVERSIGHT.
I HAVEN'T FINISHED MY WORK YET.
YES, YOU HAVE.
WHAT'S THE REASON FOR THIS?
YOU CONTACTED THE AGENCY ON
OUR BEHALF WITHOUT PRIOR CLEARANCE.
AND COMM WAS RESTORED 8
HOURS SOONER AS A RESULT.
NEVERTHELESS, IT WAS A
VIOLATION OF PROTOCOL.
I'LL SPEAK TO
OPERATIONS. WHERE IS HE?
(Madeline) OFF DUTY,
WHICH LEAVES ME IN CHARGE.
ALL RIGHT.
I'M GOING.
BUT YOU'LL PAY
FOR THIS, MADELINE.
(Renee) YOU'LL PAY.
MEYER'S STILL IN HIS ROOM.
(Michael) HE SHOULD
HAVE LEFT BY NOW.
THE SHOW'S ALREADY STARTED.
(Birkoff) HE'S ON THE PHONE.
BIG TRANSACTION. I
CAN'T CATCH THE DETAILS.
HOW LONG WILL HE BE?
(Birkoff) THERE'S
NO WAY TO TELL.
GO. I'LL KEEP YOU POSTED.
♪♪[Death By Moonlight
by Rhea's Obsession]
♪ BREATHE ♪
♪ FOLLOW MY COMMAND ♪
♪ BELIEVE ♪
♪ THAT IS IN YOUR HANDS ♪
HOW LONG DO THESE
FIGHTS USUALLY LAST?
I DON'T KNOW. WE
DIDN'T SCAN THEM.
♪ HEAT ♪
♪ OF SEVENTH SUN WILL SHOW ♪
♪ I AM THE WHITE-TAILED DOVE ♪
♪ WHO UNDERSTANDS ♪
♪ YOU ARE THE REASON ♪
♪ I HARNESS THESE COMMANDS ♪
♪ BREATHE ♪
♪ THE AIR WHILE YOU STILL CAN ♪
♪ LEAVE ♪
♪ ALL TOMORROW'S PLANS ♪
♪ HERE ♪
MICHAEL, IS NIKITA FIGHTING?
YES.
(Birkoff) IF YOU INTERVENE,
CHANCE OF MISSION SUCCESS
GOES TO ZERO.
♪ THE MESSAGE OF THE DAWN ♪
♪ I AM THE WIND AND RAIN ♪
♪ I THE SUMMER SNOW ♪
♪ YOU ARE THE GLISTENING ♪
♪ IN THE AFTERGLOW ♪
♪ I FOLLOW PATIENTLY ♪
♪ I WATCH DESTRUCTION GROW ♪
♪ I LISTEN FOR THE SIGNS ♪
♪ OF MOONLIGHT TO SHOW ME ♪
♪ I AM, BECAUSE I AM ♪
♪ BECAUSE I AM ♪
HE'S OFF THE PHONE.
HE'S ON HIS WAY.
(Birkoff) MICHAEL,
TAKE YOUR POSITION.
[panting]
MICHAEL, YOU HAVE TO MOVE. NOW.
[gasping]
♪ FEEL ♪
♪ THE EARTH TREMBLE AT NIGHT ♪
♪ WE ♪
♪ BELIEVE THAT WE'RE ALL RIGHT ♪
KILL HER.
♪ WE ♪
♪ GATHER FOR THE STORM ♪
♪ WE WILL ♪
♪ DIE BEFORE WE'RE BORN ♪
(Oswald) KILL HER! KILL HER!
KILL HER!
♪ YOU ARE THE REASON ♪
♪ I HARNESS THESE COMMANDS ♪
♪ BREATHE ♪
♪ FOLLOW MY COMMAND ♪
♪ BELIEVE ♪
♪ THAT IS IN YOUR HANDS ♪
♪ GRIEVE ♪
♪ AS DEATH BY MOON IS SLOW ♪
♪ HEAT ♪
[groaning]
♪ OF SEVENTH SUN WILL SHOW ♪
♪ I AM THE WIND AND RAIN ♪
♪ I THE SUMMER SNOW ♪
♪ YOU ARE THE GLISTENING ♪
♪ IN THE AFTERGLOW ♪
♪ I FOLLOW PATIENTLY ♪
♪ I WATCH DESTRUCTION GROW ♪
♪ I LISTEN FOR THE SIGNS ♪
♪ OF MOONLIGHT TO SHOW ME ♪
♪ I AM, BECAUSE I AM ♪
♪ BECAUSE I AM ♪
♪ BECAUSE I AM ♪♪
[choking]
[groaning]
[gun firing]
YOU KNOW HOW TO USE THIS?
FIND ANAGAR. KILL HIM.
THE GUARDS WILL CLEAR OUT.
FREE THE OTHER GIRLS.
HELP THEM GET HOME.
THANK YOU.
(Anagar) AURORA.
♪♪[music playing]
(Operations) RENEE SAID
YOU WERE JEALOUS.
I DIDN'T BELIEVE HER.
YOU WERE RIGHT
NOT TO BELIEVE HER.
JEALOUSY HAD
NOTHING TO DO WITH IT.
SHE WAS INTERFERING WITH
OUR NORMAL PROCEDURES
AND, FRANKLY, WHEN
SHE WAS AROUND
YOUR JUDGMENT WASN'T
UP TO ITS USUAL STANDARDS.
[laughing]
STILL,
EJECTING HER FORCIBLY WAS
A VIOLATION OF PROTOCOL.
SO WAS HER
CONTACTING THE AGENCY.
(Operations) THAT
CAN BE JUSTIFIED.
SHE HAS POWERFUL
FRIENDS IN OVERSIGHT.
THIS COULD BLOW UP IN YOUR
FACE IF IT'S NOT HANDLED PROPERLY.
IS THERE ANY REASON THIS
CAN'T BE HANDLED PROPERLY?
(Operations) I CAN SMOOTH
IT OVER WITH RENEE.
I HAVE A GOOD
RELATIONSHIP WITH HER.
BUT THE QUESTION IS,
WHAT KIND OF A RELATIONSHIP
DO I HAVE WITH YOU?
WHY DON'T YOU ADMIT
YOU WERE JEALOUS
AND YOU STILL HAVE
FEELINGS FOR ME?
OF COURSE, I DO.
RESPECT, ADMIRATION, FRIENDSHIP.
IF I THOUGHT YOUR FEELINGS
WENT BEYOND FRIENDSHIP,
I'D MAKE THIS WHOLE
THING GO AWAY.
OTHERWISE, I'LL HAVE TO LET
BUREAUCRACY TAKE ITS COURSE,
AND THAT COULD BE
VERY UNPLEASANT.
DON'T DO THIS.
IN THE TOWER TONIGHT, 10:00.
(Walter) IT WAS A 3-MAN
MISSION IN THE BALKANS.
A MOTION DETECTOR FAILED.
I GOT OUT ALIVE, AND
THE OTHER 2 DIDN'T.
THEY WERE IN THAT 5
PERCENT I'VE TOLD YOU ABOUT.
GOOD MEN.
(Walter) THE BEST.
AND IT GOT ME INTERESTED
IN THE GADGETS WE USE.
I DESIGNED A FEW MYSELF
AND EVENTUALLY, I
GOT INTO IT FULL-TIME.
BEEN THERE EVER SINCE.
HMM,
BY THE WAY, YOU SHOULD START
THINKING ABOUT YOUR FUTURE, TOO.
MY FUTURE?
(Walter) PEOPLE DON'T
LIVE FOREVER IN THE FIELD.
YOU SHOULD MOVE INTO ANOTHER
AREA: COMM, RESEARCH, PROFILING.
I COULD USE AN ASSISTANT.
NO, COME ON NOW.
I'M... I'M BEING SERIOUS.
I THINK I'D FEEL TOO GUILTY
KNOWING THERE ARE PEOPLE
OUT THERE RISKING THEIR LIVES.
TRUST ME. YOU'LL GET OVER IT.
HOW DO YOU DO IT?
HOW DO YOU STAY SANE?
WHAT'S THE SECRET?
KNOWING WHEN TO LIE AND
WHEN TO TELL THE TRUTH.
TO THEM?
TO YOURSELF.
AT NIGHT YOU GO TO BED
KNOWING THAT YOU LIVE IN HELL.
THAT'S THE TRUTH.
AND THE LIE?
YOU WAKE UP IN THE MORNING
THINKING THAT THIS DAY
MAY CHANGE EVERYTHING.
YOU'LL ESCAPE,
YOU'LL FALL IN LOVE,
THEY'LL CLOSE THE PLACE UP,
AND SEND EVERYBODY HOME.
THEN THAT NIGHT, YOU HAVE
TO FACE THE TRUTH AGAIN.
YEAH, BUT IN THE MEANTIME,
YOU'VE ACCOMPLISHED SOMETHING
THAT'S TRULY REMARKABLE.
YOU'VE MADE IT
THROUGH ANOTHER DAY.
[cell phone ringing]
HELLO.
(Michael) JOSEPHINE.
[woman speaking French]