In Living Color (1990–1994): Season 1, Episode 4 - Transitions - full transcript
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ YOU KNOW WHAT I'M SAYIN' ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ YOU CAN WALK ON THE
MOON FLOAT LIKE A BALLOON ♪
♪ IT'S NEVER TOO LATE
AND IT'S NEVER TOO SOON ♪
♪ TAKE IT FROM ME
IT'S A'IGHT TO BE ♪
♪ IN LIVING COLOR ♪
♪ HOW WOULD YOU FEEL KNOWING
PREJUDICE WAS OBSOLETE ♪
♪ AND ALL MANKIND
DANCED TO THE EXACT BEAT ♪
♪ AND AT NIGHT IT WAS SAFE
TO WALK DOWN THE STREET ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ EVERYBODY HERE
IS EQUALLY KIND ♪
♪ IN LIVING COLOR ♪
♪ WHAT'S MINE IS YOURS
AND WHAT'S YOURS IS MINE ♪
♪ IN LIVING COLOR ♪
♪ HOW WOULD YOU FEEL KNOWING
EVERYBODY WAS YOUR FRIEND ♪
♪ FROM THIN TO THICK AND
THROUGH THICK AND THIN ♪
♪ AND EGOTISTICAL
TRIPS WAS PUT TO AN END ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ YOU CAN WALK ON THE
MOON FLOAT LIKE A BALLOON ♪
♪ IT'S NEVER TOO LATE
AND IT'S NEVER TOO SOON ♪
♪ TAKE IT FROM ME
IT'S A'IGHT TO BE ♪
♪ IN LIVING COLOR ♪
♪ HOW WOULD YOU FEEL KNOWING
PREJUDICE WAS OBSOLETE ♪
♪ AND ALL MANKIND
DANCED TO THE EXACT BEAT ♪
♪ AND AT NIGHT IT WAS SAFE
TO WALK DOWN THE STREET ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪♪
LADIES AND GENTLEMEN,
KEENEN IVORY WAYANS.
WON'T BE HERE TONIGHT. UH, UNFORTUNATELY
KEENEN'S A LITTLE TIED UP RIGHT NOW.
BUT HE DID ASK ME TO HOST
THE SHOW FOR HIM. [Door Rattling]
LET ME INTRODUCE MYSELF.
MY NAME IS SHAWN WAYANS,
BETTER KNOWN AS D.J. S.W. ONE.
[Knocking] I'M THE SECOND YOUNGEST
AND PROBABLY MOST TALENTED ONE...
IN THE WAYANS FAMILY.
OPEN THE DOOR! BECAUSE OF THAT,
THERE'S GONNA BE A COUPLE CHANGES.
PAUL? [On P.A.] YEAH, SHAWN?
YOU'RE FIRED, MAN. LISA, BABY,
YOU'RE GONNA BE MY NEW DIRECTOR.
SHAWN? DEIDRE, I WANT YOU TO
BE MY NEW PERSONAL ASSISTANT.
YESTERDAY YOU SAID I COULD
SING. OPEN THE DOOR NOW!
HEY, BABY, NOT NOW. NEXT
TIME IT'S GONNA BE ABOUT Y'ALL.
NOT RIGHT NOW. LET ME
HOST THE SHOW. [Knocking]
UH, I'D LIKE TO GET ON WITH THE
SHOW. PLEASE, CAN I HAVE A SPOTLIGHT?
[Door Rattling] NO, NOT
ON THEM. JUST ON ME.
SHAWN, I'M GONNA
RIP YOUR HEAD OFF!
TONIGHT THERE'S NOT GONNA BE ANY
SKETCHES. JUST GONNA BE A ONE-MAN SHOW.
AND I'D LIKE TO START OFF
WITH MY FAVORITE IMPRESSION.
THIS ONE KILLS ME!
BILL COSBY!
WE'LL BE RIGHT BACK.
OH, COME ON, MAN!
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪♪
HELLO!
HELLO.
WHAT WOULD YOU DO IF THE
MAN THAT YOU WERE LIVIN' WITH...
AND SUPPORTIN' FOR
FIVE LONG YEARS...
GOT WEAK IN THE KNEES EVERY TIME
YOU MENTIONED THE WORD "MARRIAGE"?
JOINING US TODAY
ARE TWO COUPLES...
WHO ARE HAVIN' THAT
SAME EXACT PROBLEM.
SAY HELLO, IF YOU
WILL, TO MARY STEWART.
[Audience Applauding, Cheering]
[Oprah] HOLD THE APPLAUSE
TILL I FINISH, PLEASE.
HER MALE OPPRESSOR, ROLLO WELLS.
[Audience Booing]
JENNIFER KENT...
[Audience Applauding]
AND HER POOR EXCUSE
FOR A MAN, DARYL TILLS.
[Booing]
NOW, MARY, YOU SAID...
THAT ROLLO ACTUALLY
SHOWED UP TO YOUR WEDDING...
AND THEN DIDN'T GO THROUGH
WITH THE VOWS AT THE LAST MOMENT?
OPRAH, I WAS TOTALLY
HUMILIATED! MM-HMM. MM-HMM.
I MEAN, LOOK AT HIM. MM-HMM.
AND HE SHOWS UP ONLY TO
TAKE BACK HIS FUNKY RING.
THAT'S THE ONLY
REASON WHY HE CAME.
LET ME TELL YOU WHAT
REALLY HAPPENED. SHUT UP!
DON'T INTERRUPT THE GIRL.
THANK YOU. WELL, I
COULD HAVE DIED. OH, GIRL.
MY WHOLE FAMILY WAS THERE. THEY NEVER
EVEN BELIEVED I WAS GONNA GET MARRIED.
I HAD A NEW DRESS. IT
WAS AWFUL. OH, GIRL!
I KNOW. I COULDN'T BELIEVE
IT. I HAD MY NAILS DONE.
I KNOW JUST WHAT YOU MEAN. YOU
KNOW, ME AND STEADMAN BROKE UP.
DID YOU? MM-HMM. YEAH.
GIRL, HE SAID THAT HE CAN'T
COMMIT TO MARRIAGE. I KNOW.
HE SAID THAT HE'S NOT READY TO
SPEND THE REST OF HIS LIFE WITH ME.
HE CERTAINLY CAN
SPEND MY MONEY, THOUGH.
ROLLO, WHY DID YOU
WALK OUT ON HER?
WHO'S ASKING? JUST
ANSWER THE QUESTION!
WELL, YOU KNOW,
WHEN WE FIRST GOT...
SHE TOLD ME SHE WAS A VIRGIN WHEN WE
FIRST MET. I FOUND OUT SHE GOT SIX KIDS.
SO? SO?
WHY IS IT WE WOMEN ALWAYS
HAVE TO BE SO PURE FOR YOU MEN?
HMM?
ALL THEM KIDS ARE
BIGGER THAN ME.
SHE GOT A SON LOOK
LIKE ERIC DICKERSON.
JENNIFER, MY GIRLFRIEND,
YOU'VE BEEN WITH THIS
MAN FOR EIGHT LONG YEARS.
HOW MUCH LONGER ARE
YOU GONNA HANG AROUND?
WELL, IT'S HARD WHEN YOU
PUT A RELATIONSHIP TOGETHER.
YOU PUT ALL OF YOUR TIME
INTO IT. IT'S OKAY. I DON'T MIND.
IN OTHER WORDS, HOMEBOY IS STILL
THROWING DOWN IN THE BEDROOM.
UH, YEAH, ACTUALLY.
DARYL, DO YOU EVER PLAN ON
MARRYING GIRLFRIEND OVER HERE?
UH, WELL, OKAY. NOW, LIKE, TO ANSWER
YOUR QUESTION, THAT'S A YES AND A NO.
MM-HMM. SEE, LIKE,
I'M WITH HER NOW,
BUT I STILL WANT TO BE FREE AND EASY,
CASE SOMETHING BETTER COME ALONG.
YOU DID NOT SAY THAT ON MY SHOW.
WHAT DID I SAY? CALLER!
CALLER! CALLER, YOU SAY WHAT?
[Man] YES, OPRAH, I JUST WANNA
SAY THAT EVERY TIME I SEE...
IS THAT YOU, WILLIE? YEAH. ROLLO, IS
THAT YOU? I JUST HIT THE NUMBER, MAN!
YOU JUST HIT THE NUMBER? YEAH!
MAN, CONGRATULATIONS. I GUESS YOU
CAN BRING ME MY SEVEN DOLLARS NOW.
[Dial Tone Humming] DARYL, DON'T YOU
THINK IT'S EVER GONNA BE TOO LATE?
- WHAT ABOUT CHILDREN?
- NOW, LOOK HERE, OPRAH.
TO ANSWER YOUR QUESTION, THAT'S
A YES AND A NO ON THEM CHILDREN.
AS YOU KNOW, A MAN REMAINS
FERTILE UNTIL HIS LATE 60s.
SO THAT GIVES ME ABOUT ANOTHER 31
YEARS TO SPREAD MY SEED, RIGHT, FELLAS?
NO, BUT I WAS FIGURING, LIKE, SHE COULD
DROP THAT CALF WHEN SHE ABOUT 45 OR 50.
AIN'T THAT RIGHT, BABY?
THAT'S WHAT I WAS THINKING.
THAT'S NOT WHAT YOU WERE THINKING.
LET ME TELL YOU WHAT YOU WERE THINKING.
YOU WERE THINKING THAT YOU WOULD LEAVE
HER SITTIN' HOME BAREFOOT AND PREGNANT...
WHILE YOU GO OUT HANGIN'
OUT WITH YOUR FRIENDS,
HANGIN' OUT IN MY CONDO
ON LAKESHORE DRIVE,
EATIN' AT MY RESTAURANT,
SPENDIN' ALL MY MONEY!
THAT'S WHAT YOU THOUGHT!
THAT'S WHAT YOU THOUGHT!
[Shouting] DO YOU HEAR ME?
FOOD IS MY LOVER!
FOOD IS MY FRIEND!
WHERE ARE MY OREOS? AAH! AAH!
OHH! OHH, OREOS!
[Loud Bang]
♪♪ [Whistling] HI, HONEY!
YOU'RE MIGHTY CHIPPER THIS
MORNING. WHY SHOULDN'T I BE?
GOT MY OLD JOB BACK. AH, I CAN'T
WAIT TO GET BACK OUT TO SEA.
I'M SO PROUD OF YOU. I
MADE YOU A BIG BREAKFAST.
DIG IN. GREAT!
I JUST WANT YOU TO
KNOW, IT'S WONDERFUL THE
WAY YOU STUCK BY ME
THROUGH THIS WHOLE THING.
I STUCK BY YOU, SAM,
BECAUSE I BELIEVE IN YOU.
I KNOW YOU. WELL, THEY MADE
YOU OUT TO LOOK LIKE SUCH A KLUTZ.
SUCH A MORON. THE MEDIA
REALLY TOOK ADVANTAGE OF YOU.
AFTER ALL, IT WASN'T YOUR FAULT
THAT YOUR TANKER HIT THAT REEF...
AND LEAKED ALL THAT OIL.
JUST BECAUSE YOU'RE THE CAPTAIN
DOESN'T MEAN YOU SHOULD BE RESPONSIBLE...
FOR EVERY LITTLE THING
THAT HAPPENS TO YOUR SHIP.
AND WHEN THE TANKER
DID START LEAKING,
WELL, THE COMPANY DID JUST
WHAT THEY WERE SUPPOSED TO DO...
THEY LAID DOWN A
CONTAINMENT BOOM.
THAT'S WHAT ANY
RATIONAL GROUP WOULD DO.
HOW WERE THEY SUPPOSED TO KNOW
THE SPILL WAS TOO BIG TO BE CONTAINED?
THEY WERE JUST DOING WHAT
THEY THOUGHT WAS RIGHT.
SO THEY DID THE NEXT
LOGICAL THING. WHAT WAS THAT?
THEY POURED ABSORBENT
MATERIAL ON THE SPILL TO SOAK IT UP.
ARE YOU OKAY, HONEY?
YEAH. JUST GETTIN' THE COFFEE.
YEAH, THAT ABSORBENT
MATERIAL WAS A GREAT IDEA.
TOO BAD IT JUST
MADE A BIGGER MESS.
THEY REALLY TURNED THE TIDE
WHEN THEY DECIDED TO BURN IT OFF.
THAT WAS BRILLIANT.
SOMETIMES THAT'S THE
ONLY THING THAT'LL WORK.
IT'S THE CLEANSING
POWER OF FLAME.
YOU JUST HAVE TO BURN
OFF WHAT YOU CAN...
AND LET MOTHER NATURE TAKE CARE
OF THE REST THROUGH EVAPORATION.
HELL'S BELLS, IN A
HUNDRED YEARS OR SO,
THEY'LL NEVER KNOW THERE
WAS A SILLY LITTLE SPILL AT ALL.
I THINK YOU'RE RIGHT,
HON. WE DID GOOD.
YOU SURE DID. I'M SO
PROUD OF YOU, SAM.
GOODNESS, LOOK AT THE TIME!
THERE'S A FRESH
TANKER OF CRUDE IN THE
HARBOR, MISTER, AND
IT'S GOT YOUR NAME ON IT.
I LOVE YOU!
BYE. DON'T FORGET YOUR LUNCH.
OH, YEAH.
GOT IT!
[Announcer] COMING
THIS FALL, IT'S:
NOBODY'S PERFECT.
BLACK INNOVATORS HAVE OFTEN
FAILED TO GET THE CREDIT DUE THEM...
FOR THEIR BRILLIANT WORK
IN THE BUSINESS WORLD.
IN 1975, ENTREPRENEUR
CALVIN THOMPSON...
WAS EMPLOYED AT A
GAS STATION IN DETROIT.
HE WAS WORKING ONE SUNNY AFTERNOON WHEN
A CUSTOMER DROVE UP IN A BIG, BLUE SEDAN.
[Horn Honking]
HEY, BUDDY, CAN I GET
A LITTLE GAS OVER HERE?
THOMPSON HAD A MOMENT OF
INSPIRATION AND SAID TO THE CUSTOMER...
GET IT YOUR DAMN SELF!
SO TODAY WE SALUTE
CALVIN THOMPSON,
INVENTOR OF THE
SELF-SERVICE GAS STATION.
I'M DAVID ALAN GRIER, AND
THIS HAS BEEN ANOTHER...
GREAT MOMENT IN BLACK HISTORY.
♪ GO, MOMMY GO, MOMMY ♪
♪ GO, MOMMY GO,
MOMMY, GO, MOMMY ♪
♪ I'M BACK, A BLACK
QUEEN UPON THE SCENE ♪
♪ WITH A KNACK FOR FUNKY
TRACKS KNOW WHAT I MEAN ♪
♪ PRINCE PAUL PRODUCES
THIS AND IT'S A FLY ONE ♪
♪ IT HAS A BEAT THAT
WAY HE'S ONE OF MY SONS ♪
♪ IT'S A FAMILY AFFAIR AND
THEN WE'RE OUTTA HERE ♪
♪ THERE'S NO DOUBT HERE
'CAUSE THIS IS OUR YEAR ♪
♪ SO FLEX TO A QUEEN
LATIFAH DE LA SOUL SOUND ♪♪
THE AMERICAN HERITAGE
DICTIONARY DEFINES A TRANSITION...
AS "AN INSTANCE OR PROCESS OF
CHANGING FROM ONE FORM TO ANOTHER."
SO THIS IS ONE TRANSITION.
AAH! AAH! AAAH!
AND THIS IS ANOTHER.
[Grunting, Squealing]
BUT THIS, MY FRIENDS,
IS MY FAVORITE
TRANSITION OF ALL.
[Impersonating Jack Nicholson]
WAIT TILL THEY GET A LOAD OF ME.
JIM IS FABULOUS. HE MUST BE
EATIN' GREEN EGGS AND HAM.
HEY, I'M DOWNTOWN JULIE BROWN
WITH YOU, ROCKIN' IT UPTOWN,
DOWNTOWN AND UPSIDE DOWN
AND EVERY PLACE ELSE IN BETWEEN.
WE'VE GOT SOME GREAT
MUSIC COMING YOUR WAY.
THE NEW TUNE FROM THAT HOT
LITTLE SNEAKER COMMERCIAL,
SOMETHING FROM A
LITTLE BEER COMMERCIAL,
BUT RIGHT NOW I GOT A
LITTLE TREAT FOR YOU.
MISS WHITNEY HOUSTON IN HER WORLD
PREMIERE VIDEO, "THE RHYTHMLESS NATION."
CHECK IT OUT. PUMP IT UP.
FIVE, FOUR, THREE, TWO, ONE!
♪♪ [R&B] HA!
HA!
[Off-key] ♪ THERE'S MUSIC ON MY
SIDE WHICH REALLY HELPS ME HIDE ♪
♪ PLUS THE FACT
THAT I CAN'T SING ♪
♪ IT'S ME JUST DOIN' MY THING ♪
♪ IF YOU LOOK CLOSE YOU'LL SEE ♪
♪ I'M SURE THAT YOU'LL AGREE ♪
♪ I AM A PART OF A
RHYTHMLESS NATION ♪♪
[Brakes Hissing]
[Brakes Screeching]
[Clears Throat]
EXCUSE ME, LADIES AND GENTLEMEN.
PLEASE DO NOT BE ALARMED.
THERE SEEMS TO BE SOME SORT
OF A SYSTEM MALFUNCTION HERE.
MY NAME IS ANTON.
I'M A VICTIM OF SOCIETY...
AND AN ENTERTAINER.
I WILL KEEP YOU COMPANY UNTIL
THE PROBLEM HAS RESOLVED.
LET ME WIPE THAT
ON THERE FOR YOU.
SOME OF YOU MAY
ALREADY RECOGNIZE ME...
FROM SOME OF MY MANY
TELEVISION APPEARANCES.
I WAS ON THE 6:00
NEWS LAST NIGHT.
YEAH, I WAS THE DUDE IN
THE CHOKE HOLD. [Guffaws]
IS THIS THING ON?
I KNOW WHAT YOU GUYS LIKE. YOU
WANT TO HEAR SOME IMPRESSIONS?
ALL RIGHT, HERE'S ONE.
THIS IS ELVIS PRESLEY...
IF HE WAS ALIVE TODAY.
HEY, GET ME OUTTA
HERE! I AIN'T DEAD YET.
SOMEBODY DIG ME UP!
THE KING, LADIES AND GENTLEMEN.
THE KING.
NOW, I WOULD LOVE TO
PERFORM FOR FREE FOR Y'ALL,
BUT THE UNION STIPULATES...
THAT I COLLECT COMPENSATION...
FOR MY CREATIVE ENDEAVORS.
SO I APPRECIATE IT IF WHEN
I PASS MY SNEAKER AROUND,
YOU WOULD BE SO KIND...
AS TO GIVE TO THE CAUSE.
'CAUSE RENT IS DUE. [Chortling]
THERE YOU GO. PASS IT DOWN.
OH, I KNOW WHAT IT IS. Y'ALL WANNA
SEE SOME MORE OF MY TALENT.
ALL RIGHT. HOW 'BOUT A SONG?
♪♪ [Loud]
GIVE IT UP FOR THE BAND,
LADIES AND GENTLEMEN.
MACEO AND THE GANG.
♪ YOU GOT WHAT I NEED ♪
♪ AND THEY SAY SHE'S JUST
A FRIEND JUST A FRIEND ♪
♪ NOT A COUSIN SAY
SHE'S JUST A FRIEND ♪
♪ OH, BABY, YOU ♪
♪ GOT WHAT I NEED ♪♪
LOOK, LOOK, LOOK. I'M GONNA
GIVE YOU ANYTHING, MAN.
JUST BE QUIET!
OH, THANKS, BRO!
HEY, BRO, SOUL
POWER. SOUL POWER.
OH, BEAUT... AH, Y'ALL TOO KIND.
OW, THAT HIT ME IN MY HEAD.
I'M GETTIN' OFF AT THE
NEXT STOP. ME TOO.
[Conductor On P.A.] I'M SORRY, BUT WE
WILL BE DELAYED FOR SEVERAL MINUTES.
PLEASE EXCUSE US
FOR THE INCONVENIENCE.
OH, LADIES AND GENTLEMEN,
I'M HAPPY TO ANNOUNCE...
THAT SHOW NUMBER
TWO HAS JUST BEGUN.
I'D LIKE TO RECITE A
"SOQUILOKEE," IF I CAN.
TO BE OR NOT TO BE...
THAT ALWAYS CONFUSED ME.
♪ YOU GOT WHAT I NEED ♪♪
♪ DON'T MAKE ME WAIT DON'T
MAKE ME WAIT DON'T MAKE ME WAIT ♪
[Echoing] ♪ GIVE ME BODY ♪
♪ DON'T MAKE ME WAIT
DON'T MAKE ME WAIT ♪
♪ DON'T MAKE ME WAIT ♪
♪ COME INTO MY HOUSE ♪ ♪ DON'T
MAKE ME WAIT DON'T MAKE ME WAIT ♪
♪ GIVE ME BODY ♪
♪ DON'T MAKE ME WAIT ♪
♪ COME INTO MY HOUSE ♪♪
♪ IT'S RAINING MEN HALLELUJAH ♪
[Announcer] AND NOW, PUBLIC
ACCESS TELEVISION PRESENTS...
MEN ON ART.
♪♪ [Continues]
HELLO. I'M BLAYNE EDWARDS.
AND I'M ANTOINE MERRIWETHER.
[Both] AND WELCOME
TO MEN ON ART.
THE SHOW THAT LOOKS AT GREAT
ART FROM THE PAST AND PRESENT.
FROM A MALE POINT OF VIEW.
YES, THE FIRST LITTLE PIECE WE'D LIKE
TO DISCUSS... DON'T FORGET OUR SPONSOR.
WHAT? DON'T FORGET
OUR NEW SPONSOR.
OH, GOOD GOLLY, MISS
MOLLY. THAT'S RIGHT.
TONIGHT'S BROADCAST
IS BROUGHT TO YOU BY...
BEND-GAY.
I AIN'T GONNA TOUCH IT.
BEN DID. STOP.
AS I WAS SAYING, OUR FIRST
PIECE WE'RE GONNA DISCUSS...
IS REMBRANDT'S THE NIGHT WATCH.
THIS IS SO NICE TO
SEE MALE BONDING.
SEE HOW THEY'RE DRESSED UP WITH THE SWORDS
AND ACTING BUTCH, BUT THEY STILL TOGETHER.
MM-HMM. HEAR! HEAR!
OUR NEXT PIECE
WE'RE GONNA DISCUSS...
IS LEONARDO DA
VINCI'S MONA LISA.
[Both] HATED IT!
YOU KNOW, WHERE ARE MISS
MONA'S EYEBROWS? TELL ME.
YES, I THINK SOMEBODY
WENT A LITTLE TWEEZER CRAZY.
YOU'D BETTER STOP.
LOOK WHO'S TALKIN'.
DON'T HATE ME
'CAUSE I'M BEAUTIFUL.
AND THIS LITTLE THINGY OVER HERE,
THAT'S BOTTICELLI'S BIRTH OF VENUS.
HATED IT!
AND NOW WE COME TO ANDY
WARHOL'S PORTRAIT OF MARILYN MONROE.
OH, I WISH I WAS STILL A BLOND.
YEAH, AND DOROTHY WISH
SHE COULD GO BACK TO KANSAS.
I HAVE JUST TWO WORDS
TO DESCRIBE THIS...
GOR-GEOUS.
I HAVE TO DISAGREE. MARILYN
WAS NOTHING BUT A SLUT.
I MEAN, TWO KENNEDYS
AND A MAFIOSO?
THAT TRASH WAS WORKIN' OVERTIME.
OH, YOU ARE SO WRONG.
MISS MARILYN WAS
THE LAST TRUE DIVA.
I USED TO DO HER IN MY NIGHTCLUB
ACT, AN EVENING WITH THE STARS.
WITH HAIRY LEGS.
NOW, DON'T GO THERE.
I'M SORRY, 'TOINE.
I LIKED YOUR LITTLE NIGHTCLUB
SKITS. DID YOU REALLY LIKE IT?
CROSS MY HEART AND HOPE TO LOOK
LIKE WHOOPI GOLDBERG IN MY NEXT LIFE.
STOP!
WELL, OUR NEXT PIECE
IS TRULY A WORK OF ART.
YES, IT IS. IT'S MICHELANGELO'S
STATUE OF DAVID.
[Gasps]
GASP AND SWOON! I
JUST CAUGHT THE VAPORS.
NOW, THIS IS ART. YES, IT IS.
AND LITTLE DAVID IS
WORKING THAT BOW TIE.
YOU KNOW, THAT WAS MY IDEA. YES.
WE'RE GONNA HAVE TO GIVE THIS
ONE TWO SNAPS UP IN A CIRCLE.
I MEAN, WHAT POWER, WHAT
STRENGTH, WHAT A MAN.
MM-HMM. I SEE WHY
GOLIATH DROPPED DEAD.
STOP. WELL, IT LOOKS LIKE
WE'RE JUST ABOUT OUT OF TIME.
JOIN US NEXT WEEK WHEN WE'LL BE
LOOKING AT GAINSBOROUGH'S THE BLUE BOY.
AND THIS DAVID AGAIN.
YOU BETTER HUSH.
BYE. ♪ IT'S RAINING
MEN HALLELUJAH ♪
♪ IT'S RAINING MEN HEY, HEY ♪♪
THANK YOU.
THANK YOU VERY MUCH. THANK YOU
FROM ALL OF US HERE ON IN LIVING COLOR.
WE'LL SEE Y'ALL
NEXT WEEK. PEACE.
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ YOU KNOW WHAT I'M SAYIN' ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ YOU CAN WALK ON THE
MOON FLOAT LIKE A BALLOON ♪
♪ IT'S NEVER TOO LATE
AND IT'S NEVER TOO SOON ♪
♪ TAKE IT FROM ME
IT'S A'IGHT TO BE ♪
♪ IN LIVING COLOR ♪
♪ HOW WOULD YOU FEEL KNOWING
PREJUDICE WAS OBSOLETE ♪
♪ AND ALL MANKIND
DANCED TO THE EXACT BEAT ♪
♪ AND AT NIGHT IT WAS SAFE
TO WALK DOWN THE STREET ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ EVERYBODY HERE
IS EQUALLY KIND ♪
♪ IN LIVING COLOR ♪
♪ WHAT'S MINE IS YOURS
AND WHAT'S YOURS IS MINE ♪
♪ IN LIVING COLOR ♪
♪ HOW WOULD YOU FEEL KNOWING
EVERYBODY WAS YOUR FRIEND ♪
♪ FROM THIN TO THICK AND
THROUGH THICK AND THIN ♪
♪ AND EGOTISTICAL
TRIPS WAS PUT TO AN END ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪
♪ YOU CAN WALK ON THE
MOON FLOAT LIKE A BALLOON ♪
♪ IT'S NEVER TOO LATE
AND IT'S NEVER TOO SOON ♪
♪ TAKE IT FROM ME
IT'S A'IGHT TO BE ♪
♪ IN LIVING COLOR ♪
♪ HOW WOULD YOU FEEL KNOWING
PREJUDICE WAS OBSOLETE ♪
♪ AND ALL MANKIND
DANCED TO THE EXACT BEAT ♪
♪ AND AT NIGHT IT WAS SAFE
TO WALK DOWN THE STREET ♪
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪♪
LADIES AND GENTLEMEN,
KEENEN IVORY WAYANS.
WON'T BE HERE TONIGHT. UH, UNFORTUNATELY
KEENEN'S A LITTLE TIED UP RIGHT NOW.
BUT HE DID ASK ME TO HOST
THE SHOW FOR HIM. [Door Rattling]
LET ME INTRODUCE MYSELF.
MY NAME IS SHAWN WAYANS,
BETTER KNOWN AS D.J. S.W. ONE.
[Knocking] I'M THE SECOND YOUNGEST
AND PROBABLY MOST TALENTED ONE...
IN THE WAYANS FAMILY.
OPEN THE DOOR! BECAUSE OF THAT,
THERE'S GONNA BE A COUPLE CHANGES.
PAUL? [On P.A.] YEAH, SHAWN?
YOU'RE FIRED, MAN. LISA, BABY,
YOU'RE GONNA BE MY NEW DIRECTOR.
SHAWN? DEIDRE, I WANT YOU TO
BE MY NEW PERSONAL ASSISTANT.
YESTERDAY YOU SAID I COULD
SING. OPEN THE DOOR NOW!
HEY, BABY, NOT NOW. NEXT
TIME IT'S GONNA BE ABOUT Y'ALL.
NOT RIGHT NOW. LET ME
HOST THE SHOW. [Knocking]
UH, I'D LIKE TO GET ON WITH THE
SHOW. PLEASE, CAN I HAVE A SPOTLIGHT?
[Door Rattling] NO, NOT
ON THEM. JUST ON ME.
SHAWN, I'M GONNA
RIP YOUR HEAD OFF!
TONIGHT THERE'S NOT GONNA BE ANY
SKETCHES. JUST GONNA BE A ONE-MAN SHOW.
AND I'D LIKE TO START OFF
WITH MY FAVORITE IMPRESSION.
THIS ONE KILLS ME!
BILL COSBY!
WE'LL BE RIGHT BACK.
OH, COME ON, MAN!
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪
♪ IN LIVING COLOR ♪♪
HELLO!
HELLO.
WHAT WOULD YOU DO IF THE
MAN THAT YOU WERE LIVIN' WITH...
AND SUPPORTIN' FOR
FIVE LONG YEARS...
GOT WEAK IN THE KNEES EVERY TIME
YOU MENTIONED THE WORD "MARRIAGE"?
JOINING US TODAY
ARE TWO COUPLES...
WHO ARE HAVIN' THAT
SAME EXACT PROBLEM.
SAY HELLO, IF YOU
WILL, TO MARY STEWART.
[Audience Applauding, Cheering]
[Oprah] HOLD THE APPLAUSE
TILL I FINISH, PLEASE.
HER MALE OPPRESSOR, ROLLO WELLS.
[Audience Booing]
JENNIFER KENT...
[Audience Applauding]
AND HER POOR EXCUSE
FOR A MAN, DARYL TILLS.
[Booing]
NOW, MARY, YOU SAID...
THAT ROLLO ACTUALLY
SHOWED UP TO YOUR WEDDING...
AND THEN DIDN'T GO THROUGH
WITH THE VOWS AT THE LAST MOMENT?
OPRAH, I WAS TOTALLY
HUMILIATED! MM-HMM. MM-HMM.
I MEAN, LOOK AT HIM. MM-HMM.
AND HE SHOWS UP ONLY TO
TAKE BACK HIS FUNKY RING.
THAT'S THE ONLY
REASON WHY HE CAME.
LET ME TELL YOU WHAT
REALLY HAPPENED. SHUT UP!
DON'T INTERRUPT THE GIRL.
THANK YOU. WELL, I
COULD HAVE DIED. OH, GIRL.
MY WHOLE FAMILY WAS THERE. THEY NEVER
EVEN BELIEVED I WAS GONNA GET MARRIED.
I HAD A NEW DRESS. IT
WAS AWFUL. OH, GIRL!
I KNOW. I COULDN'T BELIEVE
IT. I HAD MY NAILS DONE.
I KNOW JUST WHAT YOU MEAN. YOU
KNOW, ME AND STEADMAN BROKE UP.
DID YOU? MM-HMM. YEAH.
GIRL, HE SAID THAT HE CAN'T
COMMIT TO MARRIAGE. I KNOW.
HE SAID THAT HE'S NOT READY TO
SPEND THE REST OF HIS LIFE WITH ME.
HE CERTAINLY CAN
SPEND MY MONEY, THOUGH.
ROLLO, WHY DID YOU
WALK OUT ON HER?
WHO'S ASKING? JUST
ANSWER THE QUESTION!
WELL, YOU KNOW,
WHEN WE FIRST GOT...
SHE TOLD ME SHE WAS A VIRGIN WHEN WE
FIRST MET. I FOUND OUT SHE GOT SIX KIDS.
SO? SO?
WHY IS IT WE WOMEN ALWAYS
HAVE TO BE SO PURE FOR YOU MEN?
HMM?
ALL THEM KIDS ARE
BIGGER THAN ME.
SHE GOT A SON LOOK
LIKE ERIC DICKERSON.
JENNIFER, MY GIRLFRIEND,
YOU'VE BEEN WITH THIS
MAN FOR EIGHT LONG YEARS.
HOW MUCH LONGER ARE
YOU GONNA HANG AROUND?
WELL, IT'S HARD WHEN YOU
PUT A RELATIONSHIP TOGETHER.
YOU PUT ALL OF YOUR TIME
INTO IT. IT'S OKAY. I DON'T MIND.
IN OTHER WORDS, HOMEBOY IS STILL
THROWING DOWN IN THE BEDROOM.
UH, YEAH, ACTUALLY.
DARYL, DO YOU EVER PLAN ON
MARRYING GIRLFRIEND OVER HERE?
UH, WELL, OKAY. NOW, LIKE, TO ANSWER
YOUR QUESTION, THAT'S A YES AND A NO.
MM-HMM. SEE, LIKE,
I'M WITH HER NOW,
BUT I STILL WANT TO BE FREE AND EASY,
CASE SOMETHING BETTER COME ALONG.
YOU DID NOT SAY THAT ON MY SHOW.
WHAT DID I SAY? CALLER!
CALLER! CALLER, YOU SAY WHAT?
[Man] YES, OPRAH, I JUST WANNA
SAY THAT EVERY TIME I SEE...
IS THAT YOU, WILLIE? YEAH. ROLLO, IS
THAT YOU? I JUST HIT THE NUMBER, MAN!
YOU JUST HIT THE NUMBER? YEAH!
MAN, CONGRATULATIONS. I GUESS YOU
CAN BRING ME MY SEVEN DOLLARS NOW.
[Dial Tone Humming] DARYL, DON'T YOU
THINK IT'S EVER GONNA BE TOO LATE?
- WHAT ABOUT CHILDREN?
- NOW, LOOK HERE, OPRAH.
TO ANSWER YOUR QUESTION, THAT'S
A YES AND A NO ON THEM CHILDREN.
AS YOU KNOW, A MAN REMAINS
FERTILE UNTIL HIS LATE 60s.
SO THAT GIVES ME ABOUT ANOTHER 31
YEARS TO SPREAD MY SEED, RIGHT, FELLAS?
NO, BUT I WAS FIGURING, LIKE, SHE COULD
DROP THAT CALF WHEN SHE ABOUT 45 OR 50.
AIN'T THAT RIGHT, BABY?
THAT'S WHAT I WAS THINKING.
THAT'S NOT WHAT YOU WERE THINKING.
LET ME TELL YOU WHAT YOU WERE THINKING.
YOU WERE THINKING THAT YOU WOULD LEAVE
HER SITTIN' HOME BAREFOOT AND PREGNANT...
WHILE YOU GO OUT HANGIN'
OUT WITH YOUR FRIENDS,
HANGIN' OUT IN MY CONDO
ON LAKESHORE DRIVE,
EATIN' AT MY RESTAURANT,
SPENDIN' ALL MY MONEY!
THAT'S WHAT YOU THOUGHT!
THAT'S WHAT YOU THOUGHT!
[Shouting] DO YOU HEAR ME?
FOOD IS MY LOVER!
FOOD IS MY FRIEND!
WHERE ARE MY OREOS? AAH! AAH!
OHH! OHH, OREOS!
[Loud Bang]
♪♪ [Whistling] HI, HONEY!
YOU'RE MIGHTY CHIPPER THIS
MORNING. WHY SHOULDN'T I BE?
GOT MY OLD JOB BACK. AH, I CAN'T
WAIT TO GET BACK OUT TO SEA.
I'M SO PROUD OF YOU. I
MADE YOU A BIG BREAKFAST.
DIG IN. GREAT!
I JUST WANT YOU TO
KNOW, IT'S WONDERFUL THE
WAY YOU STUCK BY ME
THROUGH THIS WHOLE THING.
I STUCK BY YOU, SAM,
BECAUSE I BELIEVE IN YOU.
I KNOW YOU. WELL, THEY MADE
YOU OUT TO LOOK LIKE SUCH A KLUTZ.
SUCH A MORON. THE MEDIA
REALLY TOOK ADVANTAGE OF YOU.
AFTER ALL, IT WASN'T YOUR FAULT
THAT YOUR TANKER HIT THAT REEF...
AND LEAKED ALL THAT OIL.
JUST BECAUSE YOU'RE THE CAPTAIN
DOESN'T MEAN YOU SHOULD BE RESPONSIBLE...
FOR EVERY LITTLE THING
THAT HAPPENS TO YOUR SHIP.
AND WHEN THE TANKER
DID START LEAKING,
WELL, THE COMPANY DID JUST
WHAT THEY WERE SUPPOSED TO DO...
THEY LAID DOWN A
CONTAINMENT BOOM.
THAT'S WHAT ANY
RATIONAL GROUP WOULD DO.
HOW WERE THEY SUPPOSED TO KNOW
THE SPILL WAS TOO BIG TO BE CONTAINED?
THEY WERE JUST DOING WHAT
THEY THOUGHT WAS RIGHT.
SO THEY DID THE NEXT
LOGICAL THING. WHAT WAS THAT?
THEY POURED ABSORBENT
MATERIAL ON THE SPILL TO SOAK IT UP.
ARE YOU OKAY, HONEY?
YEAH. JUST GETTIN' THE COFFEE.
YEAH, THAT ABSORBENT
MATERIAL WAS A GREAT IDEA.
TOO BAD IT JUST
MADE A BIGGER MESS.
THEY REALLY TURNED THE TIDE
WHEN THEY DECIDED TO BURN IT OFF.
THAT WAS BRILLIANT.
SOMETIMES THAT'S THE
ONLY THING THAT'LL WORK.
IT'S THE CLEANSING
POWER OF FLAME.
YOU JUST HAVE TO BURN
OFF WHAT YOU CAN...
AND LET MOTHER NATURE TAKE CARE
OF THE REST THROUGH EVAPORATION.
HELL'S BELLS, IN A
HUNDRED YEARS OR SO,
THEY'LL NEVER KNOW THERE
WAS A SILLY LITTLE SPILL AT ALL.
I THINK YOU'RE RIGHT,
HON. WE DID GOOD.
YOU SURE DID. I'M SO
PROUD OF YOU, SAM.
GOODNESS, LOOK AT THE TIME!
THERE'S A FRESH
TANKER OF CRUDE IN THE
HARBOR, MISTER, AND
IT'S GOT YOUR NAME ON IT.
I LOVE YOU!
BYE. DON'T FORGET YOUR LUNCH.
OH, YEAH.
GOT IT!
[Announcer] COMING
THIS FALL, IT'S:
NOBODY'S PERFECT.
BLACK INNOVATORS HAVE OFTEN
FAILED TO GET THE CREDIT DUE THEM...
FOR THEIR BRILLIANT WORK
IN THE BUSINESS WORLD.
IN 1975, ENTREPRENEUR
CALVIN THOMPSON...
WAS EMPLOYED AT A
GAS STATION IN DETROIT.
HE WAS WORKING ONE SUNNY AFTERNOON WHEN
A CUSTOMER DROVE UP IN A BIG, BLUE SEDAN.
[Horn Honking]
HEY, BUDDY, CAN I GET
A LITTLE GAS OVER HERE?
THOMPSON HAD A MOMENT OF
INSPIRATION AND SAID TO THE CUSTOMER...
GET IT YOUR DAMN SELF!
SO TODAY WE SALUTE
CALVIN THOMPSON,
INVENTOR OF THE
SELF-SERVICE GAS STATION.
I'M DAVID ALAN GRIER, AND
THIS HAS BEEN ANOTHER...
GREAT MOMENT IN BLACK HISTORY.
♪ GO, MOMMY GO, MOMMY ♪
♪ GO, MOMMY GO,
MOMMY, GO, MOMMY ♪
♪ I'M BACK, A BLACK
QUEEN UPON THE SCENE ♪
♪ WITH A KNACK FOR FUNKY
TRACKS KNOW WHAT I MEAN ♪
♪ PRINCE PAUL PRODUCES
THIS AND IT'S A FLY ONE ♪
♪ IT HAS A BEAT THAT
WAY HE'S ONE OF MY SONS ♪
♪ IT'S A FAMILY AFFAIR AND
THEN WE'RE OUTTA HERE ♪
♪ THERE'S NO DOUBT HERE
'CAUSE THIS IS OUR YEAR ♪
♪ SO FLEX TO A QUEEN
LATIFAH DE LA SOUL SOUND ♪♪
THE AMERICAN HERITAGE
DICTIONARY DEFINES A TRANSITION...
AS "AN INSTANCE OR PROCESS OF
CHANGING FROM ONE FORM TO ANOTHER."
SO THIS IS ONE TRANSITION.
AAH! AAH! AAAH!
AND THIS IS ANOTHER.
[Grunting, Squealing]
BUT THIS, MY FRIENDS,
IS MY FAVORITE
TRANSITION OF ALL.
[Impersonating Jack Nicholson]
WAIT TILL THEY GET A LOAD OF ME.
JIM IS FABULOUS. HE MUST BE
EATIN' GREEN EGGS AND HAM.
HEY, I'M DOWNTOWN JULIE BROWN
WITH YOU, ROCKIN' IT UPTOWN,
DOWNTOWN AND UPSIDE DOWN
AND EVERY PLACE ELSE IN BETWEEN.
WE'VE GOT SOME GREAT
MUSIC COMING YOUR WAY.
THE NEW TUNE FROM THAT HOT
LITTLE SNEAKER COMMERCIAL,
SOMETHING FROM A
LITTLE BEER COMMERCIAL,
BUT RIGHT NOW I GOT A
LITTLE TREAT FOR YOU.
MISS WHITNEY HOUSTON IN HER WORLD
PREMIERE VIDEO, "THE RHYTHMLESS NATION."
CHECK IT OUT. PUMP IT UP.
FIVE, FOUR, THREE, TWO, ONE!
♪♪ [R&B] HA!
HA!
[Off-key] ♪ THERE'S MUSIC ON MY
SIDE WHICH REALLY HELPS ME HIDE ♪
♪ PLUS THE FACT
THAT I CAN'T SING ♪
♪ IT'S ME JUST DOIN' MY THING ♪
♪ IF YOU LOOK CLOSE YOU'LL SEE ♪
♪ I'M SURE THAT YOU'LL AGREE ♪
♪ I AM A PART OF A
RHYTHMLESS NATION ♪♪
[Brakes Hissing]
[Brakes Screeching]
[Clears Throat]
EXCUSE ME, LADIES AND GENTLEMEN.
PLEASE DO NOT BE ALARMED.
THERE SEEMS TO BE SOME SORT
OF A SYSTEM MALFUNCTION HERE.
MY NAME IS ANTON.
I'M A VICTIM OF SOCIETY...
AND AN ENTERTAINER.
I WILL KEEP YOU COMPANY UNTIL
THE PROBLEM HAS RESOLVED.
LET ME WIPE THAT
ON THERE FOR YOU.
SOME OF YOU MAY
ALREADY RECOGNIZE ME...
FROM SOME OF MY MANY
TELEVISION APPEARANCES.
I WAS ON THE 6:00
NEWS LAST NIGHT.
YEAH, I WAS THE DUDE IN
THE CHOKE HOLD. [Guffaws]
IS THIS THING ON?
I KNOW WHAT YOU GUYS LIKE. YOU
WANT TO HEAR SOME IMPRESSIONS?
ALL RIGHT, HERE'S ONE.
THIS IS ELVIS PRESLEY...
IF HE WAS ALIVE TODAY.
HEY, GET ME OUTTA
HERE! I AIN'T DEAD YET.
SOMEBODY DIG ME UP!
THE KING, LADIES AND GENTLEMEN.
THE KING.
NOW, I WOULD LOVE TO
PERFORM FOR FREE FOR Y'ALL,
BUT THE UNION STIPULATES...
THAT I COLLECT COMPENSATION...
FOR MY CREATIVE ENDEAVORS.
SO I APPRECIATE IT IF WHEN
I PASS MY SNEAKER AROUND,
YOU WOULD BE SO KIND...
AS TO GIVE TO THE CAUSE.
'CAUSE RENT IS DUE. [Chortling]
THERE YOU GO. PASS IT DOWN.
OH, I KNOW WHAT IT IS. Y'ALL WANNA
SEE SOME MORE OF MY TALENT.
ALL RIGHT. HOW 'BOUT A SONG?
♪♪ [Loud]
GIVE IT UP FOR THE BAND,
LADIES AND GENTLEMEN.
MACEO AND THE GANG.
♪ YOU GOT WHAT I NEED ♪
♪ AND THEY SAY SHE'S JUST
A FRIEND JUST A FRIEND ♪
♪ NOT A COUSIN SAY
SHE'S JUST A FRIEND ♪
♪ OH, BABY, YOU ♪
♪ GOT WHAT I NEED ♪♪
LOOK, LOOK, LOOK. I'M GONNA
GIVE YOU ANYTHING, MAN.
JUST BE QUIET!
OH, THANKS, BRO!
HEY, BRO, SOUL
POWER. SOUL POWER.
OH, BEAUT... AH, Y'ALL TOO KIND.
OW, THAT HIT ME IN MY HEAD.
I'M GETTIN' OFF AT THE
NEXT STOP. ME TOO.
[Conductor On P.A.] I'M SORRY, BUT WE
WILL BE DELAYED FOR SEVERAL MINUTES.
PLEASE EXCUSE US
FOR THE INCONVENIENCE.
OH, LADIES AND GENTLEMEN,
I'M HAPPY TO ANNOUNCE...
THAT SHOW NUMBER
TWO HAS JUST BEGUN.
I'D LIKE TO RECITE A
"SOQUILOKEE," IF I CAN.
TO BE OR NOT TO BE...
THAT ALWAYS CONFUSED ME.
♪ YOU GOT WHAT I NEED ♪♪
♪ DON'T MAKE ME WAIT DON'T
MAKE ME WAIT DON'T MAKE ME WAIT ♪
[Echoing] ♪ GIVE ME BODY ♪
♪ DON'T MAKE ME WAIT
DON'T MAKE ME WAIT ♪
♪ DON'T MAKE ME WAIT ♪
♪ COME INTO MY HOUSE ♪ ♪ DON'T
MAKE ME WAIT DON'T MAKE ME WAIT ♪
♪ GIVE ME BODY ♪
♪ DON'T MAKE ME WAIT ♪
♪ COME INTO MY HOUSE ♪♪
♪ IT'S RAINING MEN HALLELUJAH ♪
[Announcer] AND NOW, PUBLIC
ACCESS TELEVISION PRESENTS...
MEN ON ART.
♪♪ [Continues]
HELLO. I'M BLAYNE EDWARDS.
AND I'M ANTOINE MERRIWETHER.
[Both] AND WELCOME
TO MEN ON ART.
THE SHOW THAT LOOKS AT GREAT
ART FROM THE PAST AND PRESENT.
FROM A MALE POINT OF VIEW.
YES, THE FIRST LITTLE PIECE WE'D LIKE
TO DISCUSS... DON'T FORGET OUR SPONSOR.
WHAT? DON'T FORGET
OUR NEW SPONSOR.
OH, GOOD GOLLY, MISS
MOLLY. THAT'S RIGHT.
TONIGHT'S BROADCAST
IS BROUGHT TO YOU BY...
BEND-GAY.
I AIN'T GONNA TOUCH IT.
BEN DID. STOP.
AS I WAS SAYING, OUR FIRST
PIECE WE'RE GONNA DISCUSS...
IS REMBRANDT'S THE NIGHT WATCH.
THIS IS SO NICE TO
SEE MALE BONDING.
SEE HOW THEY'RE DRESSED UP WITH THE SWORDS
AND ACTING BUTCH, BUT THEY STILL TOGETHER.
MM-HMM. HEAR! HEAR!
OUR NEXT PIECE
WE'RE GONNA DISCUSS...
IS LEONARDO DA
VINCI'S MONA LISA.
[Both] HATED IT!
YOU KNOW, WHERE ARE MISS
MONA'S EYEBROWS? TELL ME.
YES, I THINK SOMEBODY
WENT A LITTLE TWEEZER CRAZY.
YOU'D BETTER STOP.
LOOK WHO'S TALKIN'.
DON'T HATE ME
'CAUSE I'M BEAUTIFUL.
AND THIS LITTLE THINGY OVER HERE,
THAT'S BOTTICELLI'S BIRTH OF VENUS.
HATED IT!
AND NOW WE COME TO ANDY
WARHOL'S PORTRAIT OF MARILYN MONROE.
OH, I WISH I WAS STILL A BLOND.
YEAH, AND DOROTHY WISH
SHE COULD GO BACK TO KANSAS.
I HAVE JUST TWO WORDS
TO DESCRIBE THIS...
GOR-GEOUS.
I HAVE TO DISAGREE. MARILYN
WAS NOTHING BUT A SLUT.
I MEAN, TWO KENNEDYS
AND A MAFIOSO?
THAT TRASH WAS WORKIN' OVERTIME.
OH, YOU ARE SO WRONG.
MISS MARILYN WAS
THE LAST TRUE DIVA.
I USED TO DO HER IN MY NIGHTCLUB
ACT, AN EVENING WITH THE STARS.
WITH HAIRY LEGS.
NOW, DON'T GO THERE.
I'M SORRY, 'TOINE.
I LIKED YOUR LITTLE NIGHTCLUB
SKITS. DID YOU REALLY LIKE IT?
CROSS MY HEART AND HOPE TO LOOK
LIKE WHOOPI GOLDBERG IN MY NEXT LIFE.
STOP!
WELL, OUR NEXT PIECE
IS TRULY A WORK OF ART.
YES, IT IS. IT'S MICHELANGELO'S
STATUE OF DAVID.
[Gasps]
GASP AND SWOON! I
JUST CAUGHT THE VAPORS.
NOW, THIS IS ART. YES, IT IS.
AND LITTLE DAVID IS
WORKING THAT BOW TIE.
YOU KNOW, THAT WAS MY IDEA. YES.
WE'RE GONNA HAVE TO GIVE THIS
ONE TWO SNAPS UP IN A CIRCLE.
I MEAN, WHAT POWER, WHAT
STRENGTH, WHAT A MAN.
MM-HMM. I SEE WHY
GOLIATH DROPPED DEAD.
STOP. WELL, IT LOOKS LIKE
WE'RE JUST ABOUT OUT OF TIME.
JOIN US NEXT WEEK WHEN WE'LL BE
LOOKING AT GAINSBOROUGH'S THE BLUE BOY.
AND THIS DAVID AGAIN.
YOU BETTER HUSH.
BYE. ♪ IT'S RAINING
MEN HALLELUJAH ♪
♪ IT'S RAINING MEN HEY, HEY ♪♪
THANK YOU.
THANK YOU VERY MUCH. THANK YOU
FROM ALL OF US HERE ON IN LIVING COLOR.
WE'LL SEE Y'ALL
NEXT WEEK. PEACE.
♪ YOU CAN DO WHAT YOU WANNA DO ♪
♪ IN LIVING COLOR ♪♪