Full House (1987–1995): Season 2, Episode 17 - El Problema Grande de D.J. - full transcript

DJ gets a "D" in Spanish. Danny goes to try and find out what was going on and talks to the teacher. The teacher explains that DJ just wasn't trying. She comes over to the house later and ...

THAT'S MINE. YOU HAD TWO.

ONE OF MINE WAS BROKEN.

LISTEN, STEPHANIE JUDITH.

I'M LISTENING,
DONNA JO MARGARET.

STOP IT.

BE NICE.

OK, YOU CAN HAVE THE COOKIE.

NO. IT'S YOUR COOKIE.

MY COOKIE.

YOU KNOW WHO SHE REMINDS ME OF?

YOU.



♪ WHATEVER HAPPENED
TO PREDICTABILITY ♪

♪ THE MILKMAN, THE
PAPER BOY, EVENING TV ♪

♪ HOW DID I GET DELIVERED HERE ♪

♪ SOMEBODY TELL ME, PLEASE ♪

♪ THIS OLD WORLD'S
CONFUSIN' ME ♪

♪ CLOUDS AS MEAN
AS YOU'VE EVER SEEN ♪

♪ THERE AIN'T A BIRD
WHO KNOWS YOUR TUNE ♪

♪ THEN A LITTLE VOICE
INSIDE YOU WHISPERS ♪

♪ KID, DON'T SELL YOUR
DREAMS SO SOON ♪

♪ EVERYWHERE YOU LOOK ♪

♪ EVERYWHERE YOU LOOK ♪

♪ THERE'S A HEART,
THERE'S A HEART ♪

♪ A HAND TO HOLD ONTO ♪

♪ EVERYWHERE YOU LOOK ♪



♪ EVERYWHERE YOU LOOK ♪

♪ THERE'S A FACE ♪

♪ OF SOMEBODY WHO NEEDS YOU ♪

♪ EVERYWHERE YOU LOOK ♪

♪ WHEN YOU'RE LOST OUT THERE ♪

♪ AND YOU'RE ALL ALONE ♪

♪ A LIGHT IS WAITIN'
TO CARRY YOU HOME ♪

♪ EVERYWHERE YOU LOOK ♪

♪ EVERYWHERE YOU LOOK ♪

♪ DOOBIE DOO BAH BAH DAH ♪♪

HERE, JESSE.

2 GALLONS OF MILK.

ALL RIGHT. A CAN
OF TOMATO JUICE.

THINK FAST.

AND THE BOX BOY'S
OWN PERSONAL TOUCH...

BREAD ON THE BOTTOM OF THE BAG.

BREAK OUT THE ROOT BEER.

MY REPORT CARD'S AWESOME.

ALL RIGHT!

THREE AS, A "B," AND A B-MINUS.

I NEVER GOT GOOD GRADES.

I STAYED AFTER SCHOOL SO OFTEN,

PEOPLE THOUGHT
I WAS THE JANITOR.

THESE ARE TERRIFIC GRADES,

BUT YOUR TEACHER WROTE HERE,

"STEPHANIE IS A
WONDERFUL STUDENT,

BUT SHE NEEDS TO CONTROL
HER TALKING IN CLASS."

DAD, IT'S NOT MY FAULT.

KIDS ARE ALWAYS
ASKING ME FOR HELP.

WHO CAN BLAME THEM?

CHECK OUT THESE GRADES.

IF YOU'RE ALWAYS
TALKING DURING CLASS,

YOU MIGHT MISS
SOMETHING IMPORTANT.

LIKE RECESS... OR
READING AND WRITING

AND THE FUNDAMENTAL THINGS.

YOU HAVE TO STOP BEING
A LITTLE CHATTERBOX.

SO, MY OWN FAMILY
THINKS I'M A CHATTERBOX?

HOW RUDE.

STEF... FROM NOW ON,

THIS LITTLE CHATTERBOX
IS ALL LOCKED UP.

DAD, YOU'VE GOT TO DO SOMETHING.

LISTEN TO MY REPORT CARD.

IT'S SO UNFAIR.

"A," "A," "A," "A," "A"...
HOW DARE THEY?

THIS IS AN OUTRAGE.

YOU DIDN'T HEAR MY
SPANISH GRADE... "D."

A "D" IN SPANISH?

¿QUE PASA?

HUH?

SEÑORITA MOSLEY HATES ME.

I DON'T KNOW WHY,
BUT SHE JUST DOES.

SHE LOVES ME. I GOT A "C."

HOLD IT. YOU GOT A "C,"

AND D.J. GOT A "D"?

I SAW LA BAMBA FIVE TIMES.

SIX AS AND ONE "D."

SOMETHING'S WRONG HERE.

I'LL HAVE A TALK
WITH YOUR TEACHER.

THANKS. I KNEW YOU'D HELP.

D.J., SOMEDAY
YOU'LL BE VERY HAPPY

YOU CAN SPEAK A SECOND LANGUAGE.

IT ALWAYS COMES IN HANDY.

OH, EXCUSE ME, MR. BERLITZ.

WHAT OTHER LANGUAGES
DO YOU SPEAK?

IT JUST SO HAPPENS
THAT I SPEAK SEVERAL.

[IMITATES KERMIT]
I'M FLUENT IN FROG...

[IMITATES BULLWINKLE] I STUDIED
MOOSE AT WHATSAMATTA U.,

[IMITATES POPEYE] AND I SPEAKS
JUST A SMATTERING OF SAILOR.

HA GA GA GA GA GA GA!

WHOA!

[DOORBELL RINGS]

WHO IS IT?

STEPHANIE? IT'S MR. MALATESTA,

JESSIE AND JOEY'S BOSS.

THANKS.

UH, ARE THE FELLOWS IN?

UH, WHERE'S THEIR OFFICE?

DOWN THROUGH THE KITCHEN...

AND DOWN THE STAIRS.

THANKS.

JUST WHAT WE NEED
IN SAN FRANCISCO...

ANOTHER MIME.

PEEK-EE-BOO.

PEEK-EE-BOO.

PEEK-EE-BOO.

PEEK-EE-BOO.

PEEK-EE-BOO.

PEEK-EE-BOO.

I SEE YOU.

I SEE YOU, TOO.

HO!

JOSEPH, COMPANY...
MR. MALATESTA.

NOW I KNOW WHY YOU WORK AT HOME.

GETTING A GOOD PEEK-EE-BOO GAME

IS RARE AT THE AGENCY.

I'LL MAKE SOME COFFEE.

I'LL MAKE MY BED.

WE GOT BIG TROUBLE

ON THE MR. MARSHMALLOW ACCOUNT.

WE NEED A NEW SLOGAN NOW.

PEEK-EE-BOO.

UH, NOT NOW, MICHELLE.

WE'RE TRYING TO WORK.

YOU JUST SIT HERE

AND ENJOY THESE
DELICIOUS MARSHMALLOWS.

DELICIOUS!

HOW ABOUT THAT?

NO. IT'S BEEN DONE.

YUMMY!

YUMMY... THERE'S A GREAT WORD,

BUT IT NEEDS MORE.

MICHELLE, WHAT ELSE YOU GOT?

NO, NO, NO. IT NEEDS, UH...

YUMMY IN THE TUMMY.

YUMMY IN THE TUMMY.

IT WORKS FOR HER.

IT WORKS FOR ME,

AND I LOVE IT
COMING FROM A BABY.

PICTURE THIS, SIR.
THE BABY'S FLOATING

ON A CLOUD THAT LOOKS
LIKE A MARSHMALLOW.

WE GOT MUSIC, THE WIND BLOWING.

WE GOT TO FIND SAN
FRANCISCO'S MOST ADORABLE BABY.

AHEM. AHEM.

AHEM.

UH, FELLAS, SHE IS CUTE,

BUT SHOULDN'T WE USE
A PROFESSIONAL BABY?

SIR, THIS KID HAS GOT TWO YEARS

OF EXPERIENCE PLAYING A BABY.

GIVE HIM A KISS.

GIVE HIM A KISS.

AW. AW.

OK, KID, YOU GOT THE JOB,

BUT YOU BETTER BE GOOD.

DON'T WORRY.

BE HAPPY.

THIS IS MY SPANISH CLASS.

REMEMBER, THAT "D"
WAS TOTALLY UNFAIR.

DON'T WORRY. I'LL GET YOUR
GRADE STRAIGHTENED OUT.

HI, STEF. HOW'S IT GOING?

YOU THINK SHE'S CARRYING

THIS "I'M NOT A
CHATTERBOX" THING TOO FAR?

PERSONALLY, I FIND IT

A REFRESHING CHANGE OF PACE.

MR. TANNER, DID YOU GET
D.J.'S GRADE CHANGED?

DID YOU YELL AT SEÑORITA MOSLEY?

HE HASN'T GONE IN YET.

CHICKEN?

KIMMY, YOU'RE DOING
WELL IN SPANISH.

YOU EVER CONSIDER
MOVING TO MEXICO?

COME ON. CLASS
IS GOING TO START.

GO IN AND SHOW NO MERCY.

DON'T WORRY, DEEJ.

I'M TOTALLY COOL.

EXCUSE ME.

SEÑORITA MOSLEY?

DANNY TANNER?

I MEAN MR. TANNER.

OH, I LOVE YOUR TALK SHOW.

I WATCH YOU ALL THE TIME.

YOU'RE TALLER THAN I EXPECTED.

YEAH, WELL... ON
TV I'M ONLY THIS BIG.

OH, YOU'RE SO FUNNY.

I LOVED THE SHOW LAST WEEK

WHERE YOU MADE PIZZA DOUGH.

IT'S HARDER THAN IT LOOKS.

FIRST YOU GOT TO
POUND THE DOUGH.

DAD'S REALLY
GIVING IT TO HER NOW.

OR YOU COULD PICK UP
A PHONE AND ORDER ONE.

OH, YOU'RE SO WITTY.

NO WONDER YOU'RE
SUCH A BIG STAR.

I WOULDN'T CALL MYSELF A STAR,

BUT YOU JUST DID.

IT WOULD BE SILLY
FOR ME TO ARGUE.

WELL, IT'S NICE MEETING YOU.

NICE MEETING YOU.

OH. WAIT, UM...

I CAME HERE TO TALK
ABOUT D.J.'S GRADE.

WHY DID SHE GET A "D"?

SHE STARTED OUT MUCH BETTER.

AS THE WORK GOT HARDER,
SHE GOT DISCOURAGED.

SHE SIMPLY STOPPED TRYING.

DO YOU THINK... [BELL RINGS]

SORRY. CLASS IS STARTING.

I COULD STOP BY AFTER SCHOOL

AND SET UP A STUDY PROGRAM

TO HELP D.J. CATCH UP.

REALLY? I'D APPRECIATE THAT.

THANK YOU.

I'M HERE TO HELP.

WELL, UNTIL... LATER.

HASTA LUEGO.

UH, EL POLLO LOCO.

BYE.

BYE.

COME ON IN.

SO WHAT'S MY NEW GRADE,

"A," A-PLUS, A-MINUS?

"D."

"D"? THAT'S THE GRADE I HAD.

I THOUGHT YOU WERE ON MY SIDE.

I AM. SEÑORITA MOSLEY THINKS

SHE CAN HELP YOU
BRING UP THAT "D."

WE'LL DISCUSS THIS AFTER SCHOOL.

YUMMY IN THE TUMMY.

THAT WAS GOOD, MICHELLE.

NEXT TIME USE MORE
ENERGY... NICE AND LOUD.

YUMMY IN THE TUMMY!

JOEY, YOU'RE TURNING
MY SWEET LITTLE MICHELLE

INTO SAM KINISON.

MICHELLE, GRAB YOUR WARDROBE.

YOU'LL MAKE THAT GERBER
BABY HANG UP HER BOOTIES.

COME ON.

THAT A GIRL.

AND LABEL THE DOOR LA PUERTA.

LA PUERTA.

NICE MEETING YOU, LINDA.

EL GUSTO ES MIO.

RIGHT BACK AT YOU.

OH, WAIT A MINUTE.

OH, GOOD LUCK, MICHELLE.

WHEN YOU'RE A BIG STAR,

REMEMBER WHO CHANGED
YOUR DIAPERS ALL THOSE YEARS.

ME. ME.

COME ON.

BYE-BYE.

SEE YOU.

LET'S KEEP LABELING.

IT'S REALLY A FUN WAY

TO HELP BUILD D.J.'S
SPANISH VOCABULARY.

THIS IS EL SOFA.

THE SOFA IS EL SOFA?

HOW COULD SHE GET A
"D" IN THIS LANGUAGE?

WELL, THEY'RE NOT ALL THAT EASY.

OH. "PERRO."

THAT MEANS "TWO OF," RIGHT?

AS IN "YOU HAVE A
LOVELY PERRO EYES."

THAT'S SWEET OF YOU,

BUT IT MEANS "DOG,"
AND IT'S PRONOUNCED

[ROLLS RS] PERRO.

THE DOUBLE "R" IS VERY
IMPORTANT IN SPANISH.

IT ROLLS.

RRRRRR.

ADUH-DUH-DUH-DUH-DUH.

COME ON. TRY IT WITH ME.

PERRO.

PERRO.

PERRO.

YOU NEED MORE LIPS.

NOW WATCH MY MOUTH.

PERRO.

PERRO.

PERRO.

PERRO.

PERRO.

PER...

CARAMBA.

I'M SORRY.

OH.

NO, NO.

LINDA, WAIT A MINUTE.

DON'T BE... SORRRRRY.

THAT FELT NICE.

WHOA, BABY!

THAT'S WHY YOU TOOK HER SIDE.

THANKS FOR STICKING
UP FOR ME, DAD!

[KNOCK ON DOOR]

D.J., SOMETHING TELLS
ME WE NEED TO TALK.

THERE'S NOTHING TO TALK ABOUT.

YOU KISSED MY TEACHER.

YOU KISSED MR. ZAMBRUSKI?

NO, I KISSED SEÑORITA MOSLEY.

YOU KISSED A TEACHER? OOH!

OOPS. THERE I GO
AGAIN, CHATTERING AWAY.

SILLY ME.

I CAN'T BELIEVE YOU
SOLD ME OUT FOR A KISS.

THAT'S NOT WHAT HAPPENED.

YOU WERE ON MY SIDE.

LET'S GET THINGS STRAIGHT.

MY KISSING SEÑORITA MOSLEY

HAD NOTHING TO DO WITH YOU.

KISSING HER WAS A MISTAKE,

AND IT WILL NEVER HAPPEN AGAIN.

THAT HAS NOTHING TO DO
WITH YOUR "D" IN SPANISH.

DAD, FORGET MY GRADE.

YOU KISSED MY TEACHER.
ALL MY FRIENDS SAW IT.

LOOK, PARENTS
MAKE MISTAKES, TOO.

I DON'T KNOW WHAT ELSE TO SAY.

YOU'RE JUST GOING TO
HAVE TO ACCEPT MY APOLOGY.

FINE. APOLOGY ACCEPTED.

EXCUSE ME.

THAT WENT WELL.

CAN YOU TURN DOWN THE LIGHTING?

YOU'RE STARTING TO
TOAST MY MARSHMALLOWS.

YOU'RE A NICE KID. DON'T CHANGE.

ALL RIGHT!

YEAH!

LOOK AT OUR SON.

SUCH A BIG SHOT.

SEEMS LIKE JUST YESTERDAY

I DIAPERED THIS LITTLE TUSHY.

WHOA! WHOA!

PLEASE, WITH MY TUSHY!

I HAVE TO WORK
WITH THESE PEOPLE.

WHY ARE YOU HERE?

YOU WANTED MICHELLE PICKED UP.

YES, AT 6:00.

IT'S ONLY 4:00, MOTHER.

OH, ARE WE EARLY?

IRENE, YOU HAVE A CAMERA.

YOU'RE NOT FOOLING ANYBODY.

OK, OK.

WE CAME TO SEE MICHELLE.

WHERE'S OUR LITTLE SUPERSTAR?

STEP ASIDE, PLEASE.

MAKE WAY FOR MISS TANNER.

HEY, BABE.

I TOLD YOU YOU'D GET
A LAUGH WITH THAT.

NO AUTOGRAPHS. MISS
TANNER CAN'T WRITE.

LOOK AT THIS LITTLE
CUTIE PIE. SHE'S LIKE...

WHO'S THAT REDHEAD
ON GILLIGAN'S ISLAND?

NOT MARY ANN, THE MOVIE STAR.

TINA LOUISE.

RIGHT. SHE'S A TEENY, TINY TINA.

AND LOOK AT THAT LITTLE TUSHY.

WHOA! MOTHER, DO YOU HAVE
TO GRAB EVERYONE'S TUSHY?

COME ON, IRENE.

ALL RIGHT, HERE
WE GO, LITTLE ANGEL.

NOW, WHAT YOU DO

YOU SIT UP HERE ON
THE MARSHMALLOW...

MA!

OK, OK.

STAND BY, EVERYONE!

STAND BY!

WE'RE ALMOST READY TO
MAKE MARSHMALLOW MAGIC.

THAT'S IT... MARSHMALLOW MAGIC.

OK, MICHELLE, LET'S
SHOW MR. MALATESTA

JUST HOW WE PRACTICED IT.

NO MORE.

THIS IS HOW SHE WARMS UP.

RIGHT, SHE THROWS ONE FIRST.

MERYL STREEP... SAME TECHNIQUE.

MICHELLE, REMEMBER,
"YUMMY IN THE TUMMY."

YUCKY.

IT SOUNDED LIKE
SHE SAID, "YUCKY."

TUMMY FULL.

WHAT'S HAPPENED IS
SHE'S REHEARSED ALL DAY.

SHE WENT THROUGH A WHOLE BAG.

HEY, I UNDERSTAND. IT HAPPENS.

DUMP THE BABY.

GET ME THAT BABY FROM
THE DOG-FOOD COMMERCIAL.

SIR, LET HER DIGEST.

IS HE CRAZY?

THIS IS THE NEXT TINA LOUISE.

LET ME TALK TO HIM.

MOTHER, THAT'S MY BOSS.
DON'T TOUCH HIS TUSHY.

OH, MICHELLE, YOU WERE TERRIFIC.

WE LET YOU EAT TOO
MANY MARSHMALLOWS.

NOW, DON'T TAKE THIS PERSONALLY.

YOU'RE FIRED.

YOU'RE FIRED.

YOU'RE FIRED.

NO, YOU.

NO, YOU.

GIVE ME A KISS.

YOU'RE STILL FIRED.

NO, YOU'RE FIRED.

WE MADE YOUR FAVORITE LUNCH...

PEANUT BUTTER,
JELLY, AND BANANA.

WE GOT TO GET HER TALKING.

I'VE NO IDEA WHAT'S
HAPPENING IN FIRST GRADE.

COME ON, D.J. YOU'LL
BE LATE FOR SCHOOL.

I DON'T WANT TO GO. I FEEL SICK.

YOU'RE WORRIED THE KIDS
ARE GOING TO TEASE YOU

ABOUT YOUR DAD KISSING
YOUR TEACHER, RIGHT?

OH, YEAH.

THE PERFECT WAY TO HANDLE THIS

IS TELL A BUNCH OF JOKES

ABOUT YOUR DAD
KISSING YOUR TEACHER.

BEAT THEM TO THE PUNCH LINE.

I DON'T KNOW ANY JOKES.

I'LL HELP WRITE THEM.

WHEN I HAD A FACE FULL OF ZITS,

NOBODY TEASED ME.

WHY NOT?

I BEAT UP THE FIRST GUY
WHO SAID SOMETHING.

ACTUALLY, IT MIGHT BE BEST

TO GO WITH JOEY'S
PLAN IN THIS CASE.

IT'S NOT THAT I'M NOT
ATTRACTED TO YOU,

I JUST THINK IT'S
INAPPROPRIATE FOR US TO DATE

WHILE YOU'RE D.J.'S TEACHER.

YOU'RE RIGHT.

WHY DID I KISS YOU?

HOW COULD I DO SUCH
A HORRIBLE THING?

I SAID IT WAS INAPPROPRIATE.

I DIDN'T THINK IT WAS REPULSIVE.

I MEANT I SHOULDN'T BE INVOLVED

WITH A STUDENT'S PARENT.

I DON'T WANT D.J. IN
AN AWKWARD POSITION.

I'LL ONLY BE HER TEACHER
FOR THREE MORE MONTHS.

WE'LL HAVE DINNER
THE DAY SHE GRADUATES.

[BELL RINGS]

I'LL SLIP OUT THE BACK.

DANNY, DANNY,
THAT'S THE... CLOSET.

BUENOS DIAS, ESTUDIANTES.

AH, LET'S NOT GET SETTLED YET.

WE'RE GOING TO THE CAFETERIA

TO LEARN SPANISH FOR KNIFE,
FORK, AND MYSTERY MEAT.

OOH! OOH! OOH!

CLASE, POR FAVOR!

UH, THAT'S OK, SEÑORITA MOSLEY.

"OHH!" THAT'S THE
BEST YOU CAN DO?

HOW ABOUT THIS... KNOCK KNOCK.

WHO'S THERE?

DEEJ.

DEEJ WHO?

DEEJ YOU SEE MY
FATHER KISS THE TEACHER?

D.J.

YOU'LL LOVE THIS ONE.

WHY DOES MY FATHER WEAR

I-LOVE-SEÑORITA-MOSLEY
SUSPENDERS?

TO KEEP MY GRADES UP.

CLASE, VAMONOS A LA CAFETERIA.

OH, HI, DEEJ.

OOH! OOH! OOH!

WHAT DID I EVER DO TO YOU?

CLASS, THIS ISN'T
WHAT YOU THINK.

THAT'S RIGHT!

I'M SURE YOU'VE ALL
SEEN MY TV SHOW.

WE'RE DOING A SPECIAL

ON GREAT CLOSETS
IN SAN FRANCISCO.

WHEN WILL THAT
CLOSET SPECIAL BE ON?

I'LL LET YOU KNOW, KIMMY.

THANKS FOR ASKING.

AMAZING!

THAT GUY LOOKS JUST LIKE MY DAD.

THE CLOSET'S THE FIRST
PLACE EVERYONE LOOKS.

I WASN'T HIDING. I
WAS TRYING TO LEAVE.

D.J., DO YOU REMEMBER
THAT SPEECH I GAVE YOU

ABOUT PARENTS MAKING MISTAKES?

MM-HMM WANT TO HEAR IT AGAIN?

LOOK, I'M NOT GOING TO SEE LINDA

WHILE SHE'S YOUR TEACHER.

I'M REALLY SORRY AGAIN
THAT I EMBARRASSED YOU...

AGAIN.

WE SHOULD TALK ABOUT WHAT
STARTED THIS WHOLE MESS.

YOU WOULDN'T GET
MY GRADE CHANGED.

YOU KNOW YOU DESERVED THAT "D."

ALL RIGHT.

MAYBE I JUST GAVE UP.

LET'S FACE IT, I'M
NO GOOD IN SPANISH.

HOLD IT, DEEJ.

COME HERE.

LOOK, HONEY, I UNDERSTAND
IT'S FRUSTRATING.

MANY THINGS COME EASILY TO YOU.

BUT NOT EVERYTHING WILL.

IF YOU GIVE UP ON SOMETHING
BECAUSE IT'S DIFFICULT,

YOU'RE GOING TO MISS OUT
ON A LOT THAT'S VALUABLE.

THERE'S NO BETTER FEELING
THAN CONQUERING SOMETHING

THAT'S REALLY HARD FOR YOU.

UNDERSTAND?

YEAH.

WHAT IF I WORK REALLY HARD

AND STILL CAN'T GET AN "A?"

I'LL BE PROUD OF YOU

FOR WORKING AS HARD AS YOU CAN.

OK, I'LL TRY.

THANKS.

THAT'S GRACIAS.

YOU'RE A PADRE MUY BUENO.

HUH?

THAT MEANS YOU'RE A GREAT DAD.

COME ON, STEF, I
CAN'T TAKE THE SILENCE.

PLEASE, I MISS THE
OLD CHATTERBOX.

LET'S HEAR SOME CHATTER.

ARE YOU SURE?

YEAH, ARE YOU GUYS SURE?

WE WANT TO HEAR
EVERYTHING THAT HAPPENED.

I'LL GO DO MY SPANISH HOMEWORK.

OK, HAVE A SEAT.

THIS MORNING MR. GIBBLER
RAN OVER A GARBAGE CAN

AND GOT TV DINNER TRAYS
ALL OVER THE STREET.

YOU DON'T SAY?

I DO SAY.

I SAW A DOG THAT
LOOKED LIKE A LION.

MRS. NORTON HIT IT
WITH A NEWSPAPER.

IT BARKED, SO I WAS
PRETTY SURE IT WAS A DOG.

REALLY?

WOULD I MAKE THAT UP?

DID YOU HEAR THAT GINNY GAUDING

GOT $5.00 FROM THE TOOTH FAIRY.

MUST HAVE BEEN A BIG TOOTH.

DO I HAVE SMALL TEETH
OR A CHEAP TOOTH FAIRY?

WHAT ELSE?

DID YOU HEAR...

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NATIONAL CAPTIONING INSTITUTE, INC.

PUBLIC PERFORMANCE OF
CAPTIONS PROHIBITED WITHOUT

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CAPTIONING INSTITUTE