CHiPs (1977–1983): Season 1, Episode 16 - Vintage '54 - full transcript
Ponch and Jon help reunite a baby with the family who left the little one behind following the confusion of packing for a vacation.
I hate to see
this long weekend comin' up.
- It's always such a hassle.
- Yeah.
Everybody rushing
to get out of town for one day.
You'd think people wanna
just stay home and relax.
If we get through
today and tomorrow
I'm gonna sleep
on my day off.
What are you gonna do?
I don't know.
I think maybe I'll go
out of town for a day.
Sounds like fun.
[engine revving]
Oh, they're cute.
[imitating]
Oh, they're cute.
- Mother, make her stop.
- Don't involve me, kids.
I'm thinking of how to break
the news to your father.
Face it, Mary, they are cute.
Slush.
[giggling]
[Jason laughing]
'Come here.'
- No.
- Whoa.
What are you doin', huh?
'Oh, hey.
Come on, guys.'
Here they come.
Come on.
Hey.
- Hi, girls.
- 'Hi.'
Hey, I haven't seen you.
How are you?
- Hi, Mrs. Bassett.
- 'Uh, hi, Richie.'
Hi, Larry.
Hi, Jimmy. Hi, Max. Here.
Richie, honey,
you hold the baby.
Daddy, Mom can't come with us
and she doesn't know
how to tell ya.
Ellen wants to transfer
to a boarding school.
- I've to go to the bathroom.
- Later, later.
- You're not her brother.
- Nah.
Richie, when you put
the baby down..
[baby crying]
When you put the baby down
get your friends
and brothers in the wagon.
No, Jason.
Children, we have to
unload the car.
Daddy, I have to go bathroom.
Come here, David. Oh, boy.
Daddy, I have to go
to bathroom.
Mother, Ellen told him
you're not going.
Oh, darling, the agency
called just after you left.
Mr. Prosser is flying in
from New York
'and I've to spend
the afternoon with him.'
Alright, in that case,
what am I gonna do?
I'll take the baby to Grandma
and come up early tomorrow.
[Jason]
'Everybody, transfer everything
to the station wagon.'
[Martha]
'Hurry up, children, mother
has to go to the airport.'
Honey, if you're in a hurry,
I'll take the baby to grandma.
Honey, it's practically
on my way, I'll take the baby.
Mom, do we take
your sleeping bag too?
Yes, Max, mine too.
Mary, leave
what's-his-face alone.
- Daddy, I have to go bathroom.
- You gotta go to the bathroom.
Come on, guys,
give me a hand, will you?
We'll never get
to the lake now.
Please. Take.
Honey, take this one.
[Martha]
'Bye-bye.'
Bye-bye.
When our family
goes to the lake
we don't have
the car so crowded.
Jimmy, we wouldn't have
invited you and Larry to come
if we'd known this was gonna
happen and then you'd have
missed all
the fun, right?
So, lock all doors,
batten all hatches.
All ashore
that's going to shore.
We're off to sea
in our cuspidor.
[together]
Yay!
[Jason]
Yay!
[indistinct chattering]
[dramatic music]
[crying]
[theme music]
[music continues]
[music continues]
Hey, Danny.
Isn't that a '58 Vette?
If it is, we've got a buyer
waiting for it.
Yeah, '58.
[music continues]
What's that guy think?
He's at Le Mans?
It could be a deuce.
Let's go.
[engines revving]
[instrumental music]
Back off. Back off.
Cops are after him.
[music continues]
[music continues]
At least, they got him before
he ruined the merchandise.
Take the next off-ramp
and circle back.
See what happens
after the cops turn him loose.
[music continues]
[sputtering]
[honking]
There's a trucker with a problem
at the roadside park up ahead.
[engine revving]
Ten-wheeler?
This is the van.
'I found the bears
and clued 'em in.'
'They should be
there in a minute.'
- 'Come on.'
- Okay.
This is 10-4,
good buddy.
'Thank you. Go happy.'
Good morning.
What's the problem?
Problem? Come on.
I'll show you a problem.
How's that for a problem?
I'll call the unit.
I didn't wanna
touch a thing
till somebody got here.
'Got out of the rig,
heard her bawling'
'and that's just
the way I found her.'
Just like that.
This world is sick.
You think
this world ain't sick?
Um, did you find a note
or anything?
I told you, man,
I never touched anything.
Hey, watch it.
You'll get her scared.
You'll make it worse.
Come on, poopsie.
Daddy Bruno
gonna got you.
[baby crying]
Yes, you're gonna be fine.
Yes, don't cry.
- Excuse me. Sir, excuse me.
- You're gonna be fine.
Would you leave him alone
a minute, so we can talk?
You got kids?
You got kids? I got kids.
Four girls.
'She's a girl.'
Yeah, Jon.
Pink is for girls.
Be careful, you hear.
[baby crying]
Oh, come here,
you sweet little princess.
Hey. Take it easy, will you?
Come on, princess,
let's take a little walk.
He's got a way
with women.
Listen, when you arrived,
was anyone here?
Nope.
I stopped to get a drink
and use the bathroom.
I found the kid
and got on the CB.
Okay.
You know, you're the foxiest
little princess here.
[crying]
You got the wildest eyes.
You know that?
You know that? Yeah.
Now, what's
a nice kid like you
doing in a dump
like this anyway, huh?
Why don't you let me take you
away from all this?
I'll take you to romantic places
like Puerto Rico
Paris, Rome
Taj Mahal,
Lion Country Safari, huh?
You wanna go?
Hm? No? Want to go?
You stick with me
and I'll have you
in diamonds, huh?
[Baker]
'Hey, uh, Ponch.'
Hey, look at this little
heartbreaker, huh?
Female sorcery
written all over that face, huh?
Yeah, she sure isn't
underfed, huh?
Yeah, well-dressed,
well-cared for too.
- Yeah.
- What's wrong?
You know,
she isn't too heavy, is she?
Oh, no, light as a feather.
- Look at the eyes on her.
- Yeah.
Oh, I-I got
a statement from Mr. Klegg.
Good.
Also, I put the call
in for the unit.
- It'll be here soon.
- Great, great. Yeah.
Listen, uh, you know,
I'll carry her for a while
if you're
getting tired, okay?
I'm not getting tired.
Hey, you've been carrying her
for a long time.
What's the matter, Jon?
You getting jealous?
Who, me?
No.
Look at my baby.
Yeah, see?
She likes us both,
obviously.
That my baby girl, yeah.
Oh, yeah.
[chuckles]
[instrumental music]
Got into any trouble?
Nah. Piece of cake.
[Gilbert]
'Okay. I guess that does it.'
Except for the reports
from Baker and Poncherello.
Well, what's going on
in here, Webb?
Is this the little lady
you apprehended?
Well, actually Baker
and Poncherello apprehended her.
I just went out
and brought her in.
Well, how come you didn't take
her straight to juvenile hall?
Oh, this was quicker.
I was in the neighborhood.
Sergeant Getraer, Officer
Gilbert, County Juvenile.
How do you do?
'She's a cutie-pie.
We got a name on her?'
Poncherello's
been calling her princess
so we've been using that.
Oh.
Hello there, little princess.
[crying]
Uh, sorry.
Here's the forms.
They are all signed.
Watch it, Poncherello.
Now, don't frighten her.
What's the matter, princess?
You tired
of these strangers, huh?
Baker, uh,
now, don't frighten her.
It's okay, sarge,
she likes me.
[cooing]
Uh.
Actually, I'm, uh,
better with older kids.
Uh, honey, don't you trust
these dudes too far.
See you heroes later.
Uh.
- If you don't mind.
- Yeah, this is wrapped up now?
The county takes over
from now, right?
- Right.
- Right.
And you guys are, uh,
back on patrol, right?
- Right.
- Right, yeah.
[Getraer]
'Uh-huh.'
Yes.
Nobody's gonna hurt you.
Uh, where's she
gonna wind up now?
Foster home for a while.
Uh, is it possible
like, if somebody knew
a really nice foster couple
that have taken in kids
in the past
and are terrific with babies.
Oh, Wait a minute.
Who are they?
Virginia and Al Prideman.
They're neighbors of mine.
Um, what do you say?
It's possible,
if they're on the list.
You recommending them?
Well, we don't wanna
get personally involved.
We're recommending them.
'In fact, I've already called,
and she's agreed.'
That's good enough for me.
I think we can work it out.
Hi.
[babbling]
[laughing]
[clicks tongue]
Nice, nice baby. Yes.
[instrumental music]
She'll get great care, Jon.
The Pridemans are the best.
Super people.
She'll get all kinds
of good old-fashioned love.
She really got to you,
huh, pal?
The princess?
Are you kidding? No way.
She's a cute little kid.
'But you gotta know
how to let go, Jon, you know?'
Cut the ties that bind.
Let the fledgling leave
the nest and fly free.
Hey, look, skydivers.
Now, that's something
I've always wanted to try.
[scoffs]
[intense music]
Looks like he's in trouble.
There, he's got a reserve chute.
That's what you call lucky.
Yeah, but he's still in trouble.
He's too close to the freeway.
[engine revving]
[Poncherello]
Correction,
he's on the freeway.
[music continues]
Okay, you clear traffic
and call it in.
I'll go up there.
LA 15, 7 Mary 4.
Requesting a 1-11-41
and additional units
from 11-84
eastbound 10,
at the East LA interchange.
[music continues]
She's gotta be hurt.
She hit this rail
like a ton of bricks.
- Did you see it happen?
- Yeah. She screamed.
And then,
she must have passed out.
- Okay, give me your belt.
- Hm?
Your belt.
Will you hold this please?
Here, loop it through mine,
you can hold me with it.
You're not going
over there, are you?
Yeah, you wanna
do me a favor
and, uh,
hold on to my legs?
[music continues]
Okay. Hold on to my feet.
Alright.
Yeah, I'll try to take some
weight off this signpost.
Man, if that bar let's go,
her weight will break your back.
Jon, there's a hook
and ladder on the way.
Can you hold on?
Yeah, not for long.
This signpost goes,
it's all over.
Let's get the cars, please,
and pull them forward.
Sir, get in your car please.
I wanna clear this lane for
emergency vehicles only.
So, let's..
Come on, get in your car,
please, pull forward.
Move it forward, please.
Sir, I need your crane.
Pull it forward.
[whistles]
[metal creaking]
Help.
Oh.
Don't move, ma'am.
Just stay still, alright?
You'll be okay.
[intense music]
Move it right here.
Come on.
Thank you.
Listen, that's where I gotta go.
Take me up.
[groaning]
I'm hurt. My arm.
Just don't move, alright?
Just stay still, ma'am.
It'll be okay.
[creaking]
Oh, please don't
let me fall.
[sobbing]
Help.
You gotta get
a hold on me, guys.
I got ya.
Please.
Please don't let me fall.
Please.
Just stay still
and let me come to you.
[sobbing]
Come on.
Agh!
Ah!
[crying]
Alright.
[grunts]
It's alright. It's alright.
It's okay. You're safe.
It's alright, honey.
Hey, it's okay.
[crowd cheering]
Thank you.
Hey, you
hang in there, alright?
Thank you.
Drop in any time.
What is it about you that you
can't hang on to a girl?
I don't know,
it's, uh
like I was saying
to myself up there.
Jon, you're losing your grip.
[instrumental music]
There.
[doorbell buzzing]
There we go.
Oh, yeah.
Yes.
Hi, Virginia.
Well, hello, Frank.
Come on in.
I just dropped by
to court a princess.
Oh, that's wonderful.
Only do it quietly.
'Cause I just put
my own kids to sleep.
Okay.
She looks bright-eyed
and bushy-tailed.
Well, she should be.
She's been sleeping
all day long.
I'm real glad
you're here.
Here we go, baby.
I'm not interruptin'
her supper, huh?
No, no, she finished everything
except a cup of milk.
What? No bottle?
No, she does very well.
Can I try?
Sure.
As a matter of fact
there are some things
I need to get for her
'and Al's working
late tonight.'
'Are you free, maybe you could'
babysit for say, half an hour.
Virginia, I'm sworn to serve.
Well, that's wonderful.
What's in the package, a gift?
Yeah.
Well, we can open it later.
How are we doing, princess?
[Virginia]
'Now, you're sure
you're gonna be okay?'
You have fed babies
before, huh?
Oh, countless times.
No sweat.
I won't be long.
Okay.
Have I fed babies before,
she asks.
How do you like that?
Nothing to it, right,
princess? Huh?
'No, no, no.
Don't blow on it.'
'Just sip it.'
Yeah, there you are.
That's it.
See? Yeah, you got it.
You finish this and, uh,
we'll settle down together
and watch
a little television, huh?
'Oh, yeah, that's right.
You slept all day.'
Mm.
What do you wanna do?
You wanna go dancing, huh?
'Okay, we'll think of something.
Never mind.'
[doorbell buzzing]
Uh-oh.
Now, what do you suppose
Virginia forgot, huh?
You women,
you know, you're always
forgetting something.
I'll be right back.
No, now,
you stay here, okay?
Be right back.
Don't go anywhere.
Okay?
You stay.
- Hi.
- Hey, Mrs..
[door closes]
What are you
doin' here?
I'm babysittin'
by request.
Oh.
Uh, what's that?
Oh, it's a teddy bear.
Hm.
I was, uh, just going
by this store on the way
over here, okay?
[Jon chuckles]
Listen, they were selling
toy animals, okay?
I mean, I thought,
what the heck?
[baby crying]
Oh, no.
It's okay.
Here, princess,
look at little old teddy bear.
Come here, yeah.
Man, did I goof?
I left the cup
where she could reach it.
She's soaking wet.
[crying]
- Shh. Shh.
- 'Here you go'
Hey, did you get her
a present too?
Never mind that, Jon.
Jon, we got
a problem here.
[laughs]
I don't believe it,
two teddy bears.
That's funny, huh?
Yeah.
You're not laughing.
Because I don't think
all this wet is milk.
[honking]
[intense music]
[instrumental music]
Looks like
the Martians have landed.
Yeah, if those are Martians,
I'll take a dozen.
[Poncherello]
'Hey.'
No license plates.
No taillights.
Could be hardened criminals.
You better be alert.
[dramatic music]
Where the heck
have you been?
And who gave you permission
to drive this thing away?
Well, you're the one who told us
to change our costumes.
You're incredible.
The both of you.
Driving off in the very car
we're gonna shoot.
You know, I've got a good mind
to send you home.
Period.
What are these guys
doing here?
Uh, you know this car
is improperly equipped
to be driven
on the street?
Well, we were only
out there a minute.
Look, we're trying to film
a TV commercial, officer.
May I see your driver's license
and registration, please?
Well, they're
in the showroom.
Oh, we'll never do it again,
we promise.
Would you please show me
your driver's license?
Look, would you please
write up the ticket?
Do you know how much
this delay is costing me?
I'll tell you how much.
Thousands.
Look, I've got to have
this car right now, officer.
You can have
the car, sir
but, don't take it out
of the lot, okay?
Thank you very much.
Bring in the cameras.
Turn on the lights.
Vicky, your hair.
Julie, you come with me.
Vicky, you have to have
your hair fixed now, please.
Don't go away.
Do you know what I just
found out about myself?
Well,
I can guess though.
You, uh, you got a thing
for Martians, right?
Yeah,
how'd you know?
[instrumental music]
How come girls always go first?
It never fails.
Code of the West,
Max, don't fight it.
When our family
comes to the lake
we don't have
the cabin so crowded.
Jimmy, do me
a favor, will you?
Let's not discuss this
before breakfast.
Next.
[female #1]
'Hey, wait a minute.
Where are you going?'
Ellen, Ellen,
do me a favor.
Take my place in line
while I talk to Grandma.
Oh, Daddy.
Grandma?
Yeah, it's Jason.
- Mr. Basset.
- Hold on.
- Larry can go in with David.
- What?
Mr. Basset,
two can go.
David, will you open up
and let Larry in, please?
Open up.
- Grandma?
- I'm so sick of boys.
I could die.
Alright.
Yeah, everything's fine.
How's the baby?
The baby, Kimmy.
If you don't quit
I'm gonna
slap you silly.
Well, Martha said she was
gonna leave her with you.
Oh, well, I guess she decided
to, uh, keep her herself.
'Well, I guess she changed her
mind, decided to keep her.'
No, no, nothing's wrong.
Everything's fine.
I'll talk to you.
Bye-bye.
- Daddy?
- What?
Ellen's tired
of standing in line.
Your grandma
doesn't have the baby.
Sure, she does.
Mama took her there.
Who are you calling?
Go get yourself
some orange juice.
[ringing]
Hello.
[Jason]
'That you, darling?'
Oh, Jason.
I was just on my way
out the door.
'We'll be there by 11.'
Hey, that's wonderful.
How's the baby?
Uh, I don't know.
I haven't talked to Grandma yet.
Well, I have.
Wonderful, how's the baby?
Martha,
don't you have the baby?
Uh, no, dear.
Grandma has the baby.
Oh?
Darling, you took the baby
to Grandma's yesterday morning.
[Jason]
'Yesterday morning?
Darling.'
You said it was
on your way
and that you would
take the baby.
But I didn't.
That's not funny, Martha.
Oh, Jason.
[instrumental music]
Now, I know you're all
doing the paperwork
but, just remember that somebody
has to read what you write.
So, please..
Uh, Baker.
Uh, we were detained
in the line of duty, sir.
Just sit down, okay?
Poncherello.
It's true.
We stopped to apprehend
a couple of Martians.
[crowd laughing]
Martians?
- Two.
- Sit down.
Now, the main item today
is the increasing thefts of, uh
vintage automobiles.
Uh, yesterday a,
uh, '58 Corvette
and a '56 Cadillac were added
to the rip-off list.
'Now, there's no real MO'
'that the sheriff's
department can pin down.'
'What we do know
is that'
'they seem to be selective
about the cars they grab.'
'It figures that, uh'
'they're experts at restoring
them inside and out.'
'They probably market them'
'maybe sometimes
take an order.'
through a sales outlet,
uh, that looks legit.
'Now, as you can imagine,
a classic car buff'
will pay a small fortune
for a car
that he particularly wants.
'Auto Theft is working on this'
but they don't have
any solid leads.
So, uh, anything that you
guys can come up with, uh
you know.
'Okay, that's all.'
I don't care how confidential
the briefing is.
'I want to see
your boss.'
'Now, you either send him to me
or I'll go in after him myself.'
Sounds like your
number one girlfriend.
Yeah, Mrs. Downey.
Let's get out of here.
Are you the colonel?
- Uh, Sergeant Getraer, ma'am.
- Sergeant?
I've no time
for you, young man.
I want to see the head honcho.
Send me your colonel.
I'm in charge, ma'am.
We don't have any colonels
in this outfit.
'Never mind the excuses.'
'I want my car.'
I reported it stolen
last night.
Now, where is it?
Uh, let's see.
Is that the, uh, '56 Cad?
Cadillac.
Uh, was the car
in good condition, Mrs..
'Downey.'
Margaret Downey.
Yes, it is.
It rides like a pussycat.
Uh, did you leave the keys
in the car ma'am?
Certainly not.
What do you think I am?
A ninny?
Some wise dude cased it
at the market
hot-wired it
and bugged out.
- I see.
- Well, don't just stand there.
Go, find it.
Uh, yes, ma'am.
- Get it?
- Uh, right.
- Get. Huh.
- Right, right.
[woman on radio]
'LA 15, 7 Mary 3 and 4.'
'Check an 11-24, abandoned'
'1965 Avanti,
Hillside and Fuller.'
LA 7 Mary 3 and 4.
10-4, westbound Monroe
at Highland.
A '65 Avanti?
That's a classic,
you know.
Yeah, we better get it
off the streets
before the bad guys do.
[instrumental music]
[music continues]
[engine sputtering]
[intense music]
[engine revving]
[music continues]
[siren wailing]
[music continues]
[tires screeching]
[tires screeching]
Apprehended
runaway garbage.
You wanna call it in?
LA 15, 7 Mary
3 and 4..
[indistinct chatter]
I really don't know
what you call it.
Alright. Quiet.
Quiet! Quiet.
Alright.
Now, the
County Juvenile authority
'has charge of your baby'
'and if you'll just remain
calm and quiet'
it'll take me no longer
than five minutes
to find out exactly
where your baby is.
How long is it gonna take you
to find my car?
Well, we're working on it,
Mrs. Downey.
Working on it
indeed.
Just put
one of your stoolies
on it and it'll
work in no time.
- She looks like Grandma.
- Shh, honey.
You seem to think
that I don't
have
anything else to do.
Well, I'm expected
at a bingo party
this very afternoon.
Mrs. Downey,
if you'd like to go home--
'I can't go home.'
I'm stranded here.
'Because you
can't find my car.'
'Which means I've
to take a bus.'
Me, an 85-year-old
senior citizen
'barely able to walk.'
Now, how do you think that'll
look on the TV news tonight.
Uh, not good,
Mrs. Downey.
You're right.
Uh, Baricza!
Come here
a minute, please.
Yeah, sarge?
Uh.
You know, uh
I like the work
you've been doing lately
and I wanna reward you with
a special choice assignment.
Drive Mrs. Downey home.
- Drive her home?
- Home.
To her door.
- Clear?
- Yes, sir. Clear.
Okay, Mrs. Downey, if you'll go
with Officer Baricza here
he'll drive you right home
to your door
and we'll notify you as soon
as we hear about that car.
I kinda like you, son.
[instrumental music]
Alright,
hook it up and, uh
take it to the OP garage.
[dramatic music]
Hey,
maybe we're in luck.
Yeah?
Good or bad?
Well, the lady
that called it in
said she saw two guys
drive up last night.
'She thinks maybe they tried
to start the Avanti, and, uh'
Then gave up
and drove away.
Might've been the owner.
Yeah,
might not have been too.
I know why they gave it up.
Had a broken axle.
Anyway, we got a possible
license number here.
LA 15, 7 Mary 3.
Uh, 10-98, possible 10-8-51.
'Suspect vehicle,
late model pickup.'
Yellow in color.
'California plate
1 David 7-3-7-9-5.'
[woman on radio]
'10-4, 7 Mary 3.'
'Also, landline,
Virginia Prideman'
'at 553-5473
at your convenience.'
10-4.
It might be the princess.
Come on, let's get to a phone.
[instrumental music]
They would always rather eat
than talk.
I, uh, I'm an architect
and, uh
my wife's in public
relations and..
Actually, It doesn't seem very
important now, does it?
I-I hope you don't think
we're n-negligent or..
[sobbing]
You're back together now,
Mrs. Basset.
Everything's
gonna be okay.
I-I'm sorry, but the thought
of losing her..
[sobbing]
Yeah. We know.
We love her,
you know?
Very much.
You understand that?
Yes, sir, we do.
Oh,
wait, wait, wait.
Oh, here.
Y-you got mine. Heh.
Here, we got
a funny old teddy here.
[crying]
Thanks a lot.
Okay, take care.
[dramatic music]
[intense music]
LA 15-8, requesting backup
for 10-8-51 vehicle.
California, 1 David 7-3-7-9-5
at 14-840
San Fernando Road
location of possible
auto-theft ring.
Take a left
at the next corner.
Uh, Mrs. Downey, uh
we took a left
at this corner 10 minutes ago.
I'm entitled to one mistake,
now take a left.
You're sure this is
a shortcut?
Yes, to where
I want to go.
Now, Mrs. Downey,
I was told to take you home.
Did anyone ever tell you
that you are
a very handsome man?
Mrs. Downey.
Ma'am, we were
on this street before.
I think you took
a wrong turn.
Here, I didn't tell
you to do that.
No, ma'am, but the sergeant told
me to take you to your door.
You don't know
where I live.
'4300 Arcadia Street.'
Really, Mrs. Downey,
driving around
is no way
to find your car.
[woman on radio]
'7 Adam, 7 David,
7 Mary 3 and 4, LA'
'11-98 Auto Theft units
at Vermont and 8th'
'for possible 10-8-51.'
LA 15,
7 Mary 3 and 4, uh
responding
from 7th and Gill.
[siren wailing]
That's it.
That's it.
1-0-8-5-1.
Oh, I know what that means.
- Come on, let's go.
- Uh.
Uh, I'm sorry, ma'am.
That could be it
but I can't respond
with you in the car.
Now, Mrs. Downey,
that's your house.
Please.
Oh.
[indistinct chatter]
LA, 7 Adam.
Responding from 5th and Arcadia.
[woman on radio]
'10-4.'
[intense music]
[instrumental music]
[siren wailing]
[music continues]
Put your hands
on your head.
Get down
on your knees.
Hey, put your..
Cross your legs!
Cross your legs.
Doesn't look like these guys
will make the covers
of any Hot Rod magazines
this month, huh?
Yeah, it's a shame,
isn't it?
Get your pictures taken anyway.
Come on.
Oh, there it is.
There it is.
Oh, it's about time.
- Mrs. Downey. Mrs. Downey.
- Yeah?
Ma'am, you can't take
the car yet.
- Oh.
- Yeah, listen.
We have a lot
of paper work to do.
Ah, they're right,
Mrs. Downey, uh
all these vehicles
are used as evidence.
Oh, it's you again,
colonel.
Sergeant.
You ought to be ashamed
of yourself.
[Getraer]
'Hey, w-what did I do?'
- 'What did you do?'
- 'Yeah.'
Nothing.
That's just it.
I had to find
my own car.
[scoffs]
[car door closes]
[engine revving]
Mrs. Downey.
Mrs. Downey.
Hey, my bi..
[theme music]
[music continues]
this long weekend comin' up.
- It's always such a hassle.
- Yeah.
Everybody rushing
to get out of town for one day.
You'd think people wanna
just stay home and relax.
If we get through
today and tomorrow
I'm gonna sleep
on my day off.
What are you gonna do?
I don't know.
I think maybe I'll go
out of town for a day.
Sounds like fun.
[engine revving]
Oh, they're cute.
[imitating]
Oh, they're cute.
- Mother, make her stop.
- Don't involve me, kids.
I'm thinking of how to break
the news to your father.
Face it, Mary, they are cute.
Slush.
[giggling]
[Jason laughing]
'Come here.'
- No.
- Whoa.
What are you doin', huh?
'Oh, hey.
Come on, guys.'
Here they come.
Come on.
Hey.
- Hi, girls.
- 'Hi.'
Hey, I haven't seen you.
How are you?
- Hi, Mrs. Bassett.
- 'Uh, hi, Richie.'
Hi, Larry.
Hi, Jimmy. Hi, Max. Here.
Richie, honey,
you hold the baby.
Daddy, Mom can't come with us
and she doesn't know
how to tell ya.
Ellen wants to transfer
to a boarding school.
- I've to go to the bathroom.
- Later, later.
- You're not her brother.
- Nah.
Richie, when you put
the baby down..
[baby crying]
When you put the baby down
get your friends
and brothers in the wagon.
No, Jason.
Children, we have to
unload the car.
Daddy, I have to go bathroom.
Come here, David. Oh, boy.
Daddy, I have to go
to bathroom.
Mother, Ellen told him
you're not going.
Oh, darling, the agency
called just after you left.
Mr. Prosser is flying in
from New York
'and I've to spend
the afternoon with him.'
Alright, in that case,
what am I gonna do?
I'll take the baby to Grandma
and come up early tomorrow.
[Jason]
'Everybody, transfer everything
to the station wagon.'
[Martha]
'Hurry up, children, mother
has to go to the airport.'
Honey, if you're in a hurry,
I'll take the baby to grandma.
Honey, it's practically
on my way, I'll take the baby.
Mom, do we take
your sleeping bag too?
Yes, Max, mine too.
Mary, leave
what's-his-face alone.
- Daddy, I have to go bathroom.
- You gotta go to the bathroom.
Come on, guys,
give me a hand, will you?
We'll never get
to the lake now.
Please. Take.
Honey, take this one.
[Martha]
'Bye-bye.'
Bye-bye.
When our family
goes to the lake
we don't have
the car so crowded.
Jimmy, we wouldn't have
invited you and Larry to come
if we'd known this was gonna
happen and then you'd have
missed all
the fun, right?
So, lock all doors,
batten all hatches.
All ashore
that's going to shore.
We're off to sea
in our cuspidor.
[together]
Yay!
[Jason]
Yay!
[indistinct chattering]
[dramatic music]
[crying]
[theme music]
[music continues]
[music continues]
Hey, Danny.
Isn't that a '58 Vette?
If it is, we've got a buyer
waiting for it.
Yeah, '58.
[music continues]
What's that guy think?
He's at Le Mans?
It could be a deuce.
Let's go.
[engines revving]
[instrumental music]
Back off. Back off.
Cops are after him.
[music continues]
[music continues]
At least, they got him before
he ruined the merchandise.
Take the next off-ramp
and circle back.
See what happens
after the cops turn him loose.
[music continues]
[sputtering]
[honking]
There's a trucker with a problem
at the roadside park up ahead.
[engine revving]
Ten-wheeler?
This is the van.
'I found the bears
and clued 'em in.'
'They should be
there in a minute.'
- 'Come on.'
- Okay.
This is 10-4,
good buddy.
'Thank you. Go happy.'
Good morning.
What's the problem?
Problem? Come on.
I'll show you a problem.
How's that for a problem?
I'll call the unit.
I didn't wanna
touch a thing
till somebody got here.
'Got out of the rig,
heard her bawling'
'and that's just
the way I found her.'
Just like that.
This world is sick.
You think
this world ain't sick?
Um, did you find a note
or anything?
I told you, man,
I never touched anything.
Hey, watch it.
You'll get her scared.
You'll make it worse.
Come on, poopsie.
Daddy Bruno
gonna got you.
[baby crying]
Yes, you're gonna be fine.
Yes, don't cry.
- Excuse me. Sir, excuse me.
- You're gonna be fine.
Would you leave him alone
a minute, so we can talk?
You got kids?
You got kids? I got kids.
Four girls.
'She's a girl.'
Yeah, Jon.
Pink is for girls.
Be careful, you hear.
[baby crying]
Oh, come here,
you sweet little princess.
Hey. Take it easy, will you?
Come on, princess,
let's take a little walk.
He's got a way
with women.
Listen, when you arrived,
was anyone here?
Nope.
I stopped to get a drink
and use the bathroom.
I found the kid
and got on the CB.
Okay.
You know, you're the foxiest
little princess here.
[crying]
You got the wildest eyes.
You know that?
You know that? Yeah.
Now, what's
a nice kid like you
doing in a dump
like this anyway, huh?
Why don't you let me take you
away from all this?
I'll take you to romantic places
like Puerto Rico
Paris, Rome
Taj Mahal,
Lion Country Safari, huh?
You wanna go?
Hm? No? Want to go?
You stick with me
and I'll have you
in diamonds, huh?
[Baker]
'Hey, uh, Ponch.'
Hey, look at this little
heartbreaker, huh?
Female sorcery
written all over that face, huh?
Yeah, she sure isn't
underfed, huh?
Yeah, well-dressed,
well-cared for too.
- Yeah.
- What's wrong?
You know,
she isn't too heavy, is she?
Oh, no, light as a feather.
- Look at the eyes on her.
- Yeah.
Oh, I-I got
a statement from Mr. Klegg.
Good.
Also, I put the call
in for the unit.
- It'll be here soon.
- Great, great. Yeah.
Listen, uh, you know,
I'll carry her for a while
if you're
getting tired, okay?
I'm not getting tired.
Hey, you've been carrying her
for a long time.
What's the matter, Jon?
You getting jealous?
Who, me?
No.
Look at my baby.
Yeah, see?
She likes us both,
obviously.
That my baby girl, yeah.
Oh, yeah.
[chuckles]
[instrumental music]
Got into any trouble?
Nah. Piece of cake.
[Gilbert]
'Okay. I guess that does it.'
Except for the reports
from Baker and Poncherello.
Well, what's going on
in here, Webb?
Is this the little lady
you apprehended?
Well, actually Baker
and Poncherello apprehended her.
I just went out
and brought her in.
Well, how come you didn't take
her straight to juvenile hall?
Oh, this was quicker.
I was in the neighborhood.
Sergeant Getraer, Officer
Gilbert, County Juvenile.
How do you do?
'She's a cutie-pie.
We got a name on her?'
Poncherello's
been calling her princess
so we've been using that.
Oh.
Hello there, little princess.
[crying]
Uh, sorry.
Here's the forms.
They are all signed.
Watch it, Poncherello.
Now, don't frighten her.
What's the matter, princess?
You tired
of these strangers, huh?
Baker, uh,
now, don't frighten her.
It's okay, sarge,
she likes me.
[cooing]
Uh.
Actually, I'm, uh,
better with older kids.
Uh, honey, don't you trust
these dudes too far.
See you heroes later.
Uh.
- If you don't mind.
- Yeah, this is wrapped up now?
The county takes over
from now, right?
- Right.
- Right.
And you guys are, uh,
back on patrol, right?
- Right.
- Right, yeah.
[Getraer]
'Uh-huh.'
Yes.
Nobody's gonna hurt you.
Uh, where's she
gonna wind up now?
Foster home for a while.
Uh, is it possible
like, if somebody knew
a really nice foster couple
that have taken in kids
in the past
and are terrific with babies.
Oh, Wait a minute.
Who are they?
Virginia and Al Prideman.
They're neighbors of mine.
Um, what do you say?
It's possible,
if they're on the list.
You recommending them?
Well, we don't wanna
get personally involved.
We're recommending them.
'In fact, I've already called,
and she's agreed.'
That's good enough for me.
I think we can work it out.
Hi.
[babbling]
[laughing]
[clicks tongue]
Nice, nice baby. Yes.
[instrumental music]
She'll get great care, Jon.
The Pridemans are the best.
Super people.
She'll get all kinds
of good old-fashioned love.
She really got to you,
huh, pal?
The princess?
Are you kidding? No way.
She's a cute little kid.
'But you gotta know
how to let go, Jon, you know?'
Cut the ties that bind.
Let the fledgling leave
the nest and fly free.
Hey, look, skydivers.
Now, that's something
I've always wanted to try.
[scoffs]
[intense music]
Looks like he's in trouble.
There, he's got a reserve chute.
That's what you call lucky.
Yeah, but he's still in trouble.
He's too close to the freeway.
[engine revving]
[Poncherello]
Correction,
he's on the freeway.
[music continues]
Okay, you clear traffic
and call it in.
I'll go up there.
LA 15, 7 Mary 4.
Requesting a 1-11-41
and additional units
from 11-84
eastbound 10,
at the East LA interchange.
[music continues]
She's gotta be hurt.
She hit this rail
like a ton of bricks.
- Did you see it happen?
- Yeah. She screamed.
And then,
she must have passed out.
- Okay, give me your belt.
- Hm?
Your belt.
Will you hold this please?
Here, loop it through mine,
you can hold me with it.
You're not going
over there, are you?
Yeah, you wanna
do me a favor
and, uh,
hold on to my legs?
[music continues]
Okay. Hold on to my feet.
Alright.
Yeah, I'll try to take some
weight off this signpost.
Man, if that bar let's go,
her weight will break your back.
Jon, there's a hook
and ladder on the way.
Can you hold on?
Yeah, not for long.
This signpost goes,
it's all over.
Let's get the cars, please,
and pull them forward.
Sir, get in your car please.
I wanna clear this lane for
emergency vehicles only.
So, let's..
Come on, get in your car,
please, pull forward.
Move it forward, please.
Sir, I need your crane.
Pull it forward.
[whistles]
[metal creaking]
Help.
Oh.
Don't move, ma'am.
Just stay still, alright?
You'll be okay.
[intense music]
Move it right here.
Come on.
Thank you.
Listen, that's where I gotta go.
Take me up.
[groaning]
I'm hurt. My arm.
Just don't move, alright?
Just stay still, ma'am.
It'll be okay.
[creaking]
Oh, please don't
let me fall.
[sobbing]
Help.
You gotta get
a hold on me, guys.
I got ya.
Please.
Please don't let me fall.
Please.
Just stay still
and let me come to you.
[sobbing]
Come on.
Agh!
Ah!
[crying]
Alright.
[grunts]
It's alright. It's alright.
It's okay. You're safe.
It's alright, honey.
Hey, it's okay.
[crowd cheering]
Thank you.
Hey, you
hang in there, alright?
Thank you.
Drop in any time.
What is it about you that you
can't hang on to a girl?
I don't know,
it's, uh
like I was saying
to myself up there.
Jon, you're losing your grip.
[instrumental music]
There.
[doorbell buzzing]
There we go.
Oh, yeah.
Yes.
Hi, Virginia.
Well, hello, Frank.
Come on in.
I just dropped by
to court a princess.
Oh, that's wonderful.
Only do it quietly.
'Cause I just put
my own kids to sleep.
Okay.
She looks bright-eyed
and bushy-tailed.
Well, she should be.
She's been sleeping
all day long.
I'm real glad
you're here.
Here we go, baby.
I'm not interruptin'
her supper, huh?
No, no, she finished everything
except a cup of milk.
What? No bottle?
No, she does very well.
Can I try?
Sure.
As a matter of fact
there are some things
I need to get for her
'and Al's working
late tonight.'
'Are you free, maybe you could'
babysit for say, half an hour.
Virginia, I'm sworn to serve.
Well, that's wonderful.
What's in the package, a gift?
Yeah.
Well, we can open it later.
How are we doing, princess?
[Virginia]
'Now, you're sure
you're gonna be okay?'
You have fed babies
before, huh?
Oh, countless times.
No sweat.
I won't be long.
Okay.
Have I fed babies before,
she asks.
How do you like that?
Nothing to it, right,
princess? Huh?
'No, no, no.
Don't blow on it.'
'Just sip it.'
Yeah, there you are.
That's it.
See? Yeah, you got it.
You finish this and, uh,
we'll settle down together
and watch
a little television, huh?
'Oh, yeah, that's right.
You slept all day.'
Mm.
What do you wanna do?
You wanna go dancing, huh?
'Okay, we'll think of something.
Never mind.'
[doorbell buzzing]
Uh-oh.
Now, what do you suppose
Virginia forgot, huh?
You women,
you know, you're always
forgetting something.
I'll be right back.
No, now,
you stay here, okay?
Be right back.
Don't go anywhere.
Okay?
You stay.
- Hi.
- Hey, Mrs..
[door closes]
What are you
doin' here?
I'm babysittin'
by request.
Oh.
Uh, what's that?
Oh, it's a teddy bear.
Hm.
I was, uh, just going
by this store on the way
over here, okay?
[Jon chuckles]
Listen, they were selling
toy animals, okay?
I mean, I thought,
what the heck?
[baby crying]
Oh, no.
It's okay.
Here, princess,
look at little old teddy bear.
Come here, yeah.
Man, did I goof?
I left the cup
where she could reach it.
She's soaking wet.
[crying]
- Shh. Shh.
- 'Here you go'
Hey, did you get her
a present too?
Never mind that, Jon.
Jon, we got
a problem here.
[laughs]
I don't believe it,
two teddy bears.
That's funny, huh?
Yeah.
You're not laughing.
Because I don't think
all this wet is milk.
[honking]
[intense music]
[instrumental music]
Looks like
the Martians have landed.
Yeah, if those are Martians,
I'll take a dozen.
[Poncherello]
'Hey.'
No license plates.
No taillights.
Could be hardened criminals.
You better be alert.
[dramatic music]
Where the heck
have you been?
And who gave you permission
to drive this thing away?
Well, you're the one who told us
to change our costumes.
You're incredible.
The both of you.
Driving off in the very car
we're gonna shoot.
You know, I've got a good mind
to send you home.
Period.
What are these guys
doing here?
Uh, you know this car
is improperly equipped
to be driven
on the street?
Well, we were only
out there a minute.
Look, we're trying to film
a TV commercial, officer.
May I see your driver's license
and registration, please?
Well, they're
in the showroom.
Oh, we'll never do it again,
we promise.
Would you please show me
your driver's license?
Look, would you please
write up the ticket?
Do you know how much
this delay is costing me?
I'll tell you how much.
Thousands.
Look, I've got to have
this car right now, officer.
You can have
the car, sir
but, don't take it out
of the lot, okay?
Thank you very much.
Bring in the cameras.
Turn on the lights.
Vicky, your hair.
Julie, you come with me.
Vicky, you have to have
your hair fixed now, please.
Don't go away.
Do you know what I just
found out about myself?
Well,
I can guess though.
You, uh, you got a thing
for Martians, right?
Yeah,
how'd you know?
[instrumental music]
How come girls always go first?
It never fails.
Code of the West,
Max, don't fight it.
When our family
comes to the lake
we don't have
the cabin so crowded.
Jimmy, do me
a favor, will you?
Let's not discuss this
before breakfast.
Next.
[female #1]
'Hey, wait a minute.
Where are you going?'
Ellen, Ellen,
do me a favor.
Take my place in line
while I talk to Grandma.
Oh, Daddy.
Grandma?
Yeah, it's Jason.
- Mr. Basset.
- Hold on.
- Larry can go in with David.
- What?
Mr. Basset,
two can go.
David, will you open up
and let Larry in, please?
Open up.
- Grandma?
- I'm so sick of boys.
I could die.
Alright.
Yeah, everything's fine.
How's the baby?
The baby, Kimmy.
If you don't quit
I'm gonna
slap you silly.
Well, Martha said she was
gonna leave her with you.
Oh, well, I guess she decided
to, uh, keep her herself.
'Well, I guess she changed her
mind, decided to keep her.'
No, no, nothing's wrong.
Everything's fine.
I'll talk to you.
Bye-bye.
- Daddy?
- What?
Ellen's tired
of standing in line.
Your grandma
doesn't have the baby.
Sure, she does.
Mama took her there.
Who are you calling?
Go get yourself
some orange juice.
[ringing]
Hello.
[Jason]
'That you, darling?'
Oh, Jason.
I was just on my way
out the door.
'We'll be there by 11.'
Hey, that's wonderful.
How's the baby?
Uh, I don't know.
I haven't talked to Grandma yet.
Well, I have.
Wonderful, how's the baby?
Martha,
don't you have the baby?
Uh, no, dear.
Grandma has the baby.
Oh?
Darling, you took the baby
to Grandma's yesterday morning.
[Jason]
'Yesterday morning?
Darling.'
You said it was
on your way
and that you would
take the baby.
But I didn't.
That's not funny, Martha.
Oh, Jason.
[instrumental music]
Now, I know you're all
doing the paperwork
but, just remember that somebody
has to read what you write.
So, please..
Uh, Baker.
Uh, we were detained
in the line of duty, sir.
Just sit down, okay?
Poncherello.
It's true.
We stopped to apprehend
a couple of Martians.
[crowd laughing]
Martians?
- Two.
- Sit down.
Now, the main item today
is the increasing thefts of, uh
vintage automobiles.
Uh, yesterday a,
uh, '58 Corvette
and a '56 Cadillac were added
to the rip-off list.
'Now, there's no real MO'
'that the sheriff's
department can pin down.'
'What we do know
is that'
'they seem to be selective
about the cars they grab.'
'It figures that, uh'
'they're experts at restoring
them inside and out.'
'They probably market them'
'maybe sometimes
take an order.'
through a sales outlet,
uh, that looks legit.
'Now, as you can imagine,
a classic car buff'
will pay a small fortune
for a car
that he particularly wants.
'Auto Theft is working on this'
but they don't have
any solid leads.
So, uh, anything that you
guys can come up with, uh
you know.
'Okay, that's all.'
I don't care how confidential
the briefing is.
'I want to see
your boss.'
'Now, you either send him to me
or I'll go in after him myself.'
Sounds like your
number one girlfriend.
Yeah, Mrs. Downey.
Let's get out of here.
Are you the colonel?
- Uh, Sergeant Getraer, ma'am.
- Sergeant?
I've no time
for you, young man.
I want to see the head honcho.
Send me your colonel.
I'm in charge, ma'am.
We don't have any colonels
in this outfit.
'Never mind the excuses.'
'I want my car.'
I reported it stolen
last night.
Now, where is it?
Uh, let's see.
Is that the, uh, '56 Cad?
Cadillac.
Uh, was the car
in good condition, Mrs..
'Downey.'
Margaret Downey.
Yes, it is.
It rides like a pussycat.
Uh, did you leave the keys
in the car ma'am?
Certainly not.
What do you think I am?
A ninny?
Some wise dude cased it
at the market
hot-wired it
and bugged out.
- I see.
- Well, don't just stand there.
Go, find it.
Uh, yes, ma'am.
- Get it?
- Uh, right.
- Get. Huh.
- Right, right.
[woman on radio]
'LA 15, 7 Mary 3 and 4.'
'Check an 11-24, abandoned'
'1965 Avanti,
Hillside and Fuller.'
LA 7 Mary 3 and 4.
10-4, westbound Monroe
at Highland.
A '65 Avanti?
That's a classic,
you know.
Yeah, we better get it
off the streets
before the bad guys do.
[instrumental music]
[music continues]
[engine sputtering]
[intense music]
[engine revving]
[music continues]
[siren wailing]
[music continues]
[tires screeching]
[tires screeching]
Apprehended
runaway garbage.
You wanna call it in?
LA 15, 7 Mary
3 and 4..
[indistinct chatter]
I really don't know
what you call it.
Alright. Quiet.
Quiet! Quiet.
Alright.
Now, the
County Juvenile authority
'has charge of your baby'
'and if you'll just remain
calm and quiet'
it'll take me no longer
than five minutes
to find out exactly
where your baby is.
How long is it gonna take you
to find my car?
Well, we're working on it,
Mrs. Downey.
Working on it
indeed.
Just put
one of your stoolies
on it and it'll
work in no time.
- She looks like Grandma.
- Shh, honey.
You seem to think
that I don't
have
anything else to do.
Well, I'm expected
at a bingo party
this very afternoon.
Mrs. Downey,
if you'd like to go home--
'I can't go home.'
I'm stranded here.
'Because you
can't find my car.'
'Which means I've
to take a bus.'
Me, an 85-year-old
senior citizen
'barely able to walk.'
Now, how do you think that'll
look on the TV news tonight.
Uh, not good,
Mrs. Downey.
You're right.
Uh, Baricza!
Come here
a minute, please.
Yeah, sarge?
Uh.
You know, uh
I like the work
you've been doing lately
and I wanna reward you with
a special choice assignment.
Drive Mrs. Downey home.
- Drive her home?
- Home.
To her door.
- Clear?
- Yes, sir. Clear.
Okay, Mrs. Downey, if you'll go
with Officer Baricza here
he'll drive you right home
to your door
and we'll notify you as soon
as we hear about that car.
I kinda like you, son.
[instrumental music]
Alright,
hook it up and, uh
take it to the OP garage.
[dramatic music]
Hey,
maybe we're in luck.
Yeah?
Good or bad?
Well, the lady
that called it in
said she saw two guys
drive up last night.
'She thinks maybe they tried
to start the Avanti, and, uh'
Then gave up
and drove away.
Might've been the owner.
Yeah,
might not have been too.
I know why they gave it up.
Had a broken axle.
Anyway, we got a possible
license number here.
LA 15, 7 Mary 3.
Uh, 10-98, possible 10-8-51.
'Suspect vehicle,
late model pickup.'
Yellow in color.
'California plate
1 David 7-3-7-9-5.'
[woman on radio]
'10-4, 7 Mary 3.'
'Also, landline,
Virginia Prideman'
'at 553-5473
at your convenience.'
10-4.
It might be the princess.
Come on, let's get to a phone.
[instrumental music]
They would always rather eat
than talk.
I, uh, I'm an architect
and, uh
my wife's in public
relations and..
Actually, It doesn't seem very
important now, does it?
I-I hope you don't think
we're n-negligent or..
[sobbing]
You're back together now,
Mrs. Basset.
Everything's
gonna be okay.
I-I'm sorry, but the thought
of losing her..
[sobbing]
Yeah. We know.
We love her,
you know?
Very much.
You understand that?
Yes, sir, we do.
Oh,
wait, wait, wait.
Oh, here.
Y-you got mine. Heh.
Here, we got
a funny old teddy here.
[crying]
Thanks a lot.
Okay, take care.
[dramatic music]
[intense music]
LA 15-8, requesting backup
for 10-8-51 vehicle.
California, 1 David 7-3-7-9-5
at 14-840
San Fernando Road
location of possible
auto-theft ring.
Take a left
at the next corner.
Uh, Mrs. Downey, uh
we took a left
at this corner 10 minutes ago.
I'm entitled to one mistake,
now take a left.
You're sure this is
a shortcut?
Yes, to where
I want to go.
Now, Mrs. Downey,
I was told to take you home.
Did anyone ever tell you
that you are
a very handsome man?
Mrs. Downey.
Ma'am, we were
on this street before.
I think you took
a wrong turn.
Here, I didn't tell
you to do that.
No, ma'am, but the sergeant told
me to take you to your door.
You don't know
where I live.
'4300 Arcadia Street.'
Really, Mrs. Downey,
driving around
is no way
to find your car.
[woman on radio]
'7 Adam, 7 David,
7 Mary 3 and 4, LA'
'11-98 Auto Theft units
at Vermont and 8th'
'for possible 10-8-51.'
LA 15,
7 Mary 3 and 4, uh
responding
from 7th and Gill.
[siren wailing]
That's it.
That's it.
1-0-8-5-1.
Oh, I know what that means.
- Come on, let's go.
- Uh.
Uh, I'm sorry, ma'am.
That could be it
but I can't respond
with you in the car.
Now, Mrs. Downey,
that's your house.
Please.
Oh.
[indistinct chatter]
LA, 7 Adam.
Responding from 5th and Arcadia.
[woman on radio]
'10-4.'
[intense music]
[instrumental music]
[siren wailing]
[music continues]
Put your hands
on your head.
Get down
on your knees.
Hey, put your..
Cross your legs!
Cross your legs.
Doesn't look like these guys
will make the covers
of any Hot Rod magazines
this month, huh?
Yeah, it's a shame,
isn't it?
Get your pictures taken anyway.
Come on.
Oh, there it is.
There it is.
Oh, it's about time.
- Mrs. Downey. Mrs. Downey.
- Yeah?
Ma'am, you can't take
the car yet.
- Oh.
- Yeah, listen.
We have a lot
of paper work to do.
Ah, they're right,
Mrs. Downey, uh
all these vehicles
are used as evidence.
Oh, it's you again,
colonel.
Sergeant.
You ought to be ashamed
of yourself.
[Getraer]
'Hey, w-what did I do?'
- 'What did you do?'
- 'Yeah.'
Nothing.
That's just it.
I had to find
my own car.
[scoffs]
[car door closes]
[engine revving]
Mrs. Downey.
Mrs. Downey.
Hey, my bi..
[theme music]
[music continues]