Acapulco H.E.A.T. (1998–…): Season 1, Episode 2 - Code Name: The Raven - Part 2 - full transcript

Tonight on "Acapulco
H.E.A.T..."

There were over a hundred
bullet holes in two dead men.

- Tell me every contact
you have ever had

with this Acapulco H.E.A.T.

- I am no stool pigeon...

- Unh!
- Aah!

- Of course I take the money.

- Now I know there's a leak.
- You were set up.

- Good morning, Tommy.
You're under arrest.

The first painting's gone,

and the H.E.A.T. group
has the necklace.



- I located the history
on the necklace.

- The Raven can come out
from anywhere,

and you might not see it coming.

- I am not leaving here

until I learn what is going on.

Next shot, you're a soprano!

♪ Ah, can you feel it

♪ Burnin' inside?

♪ Yeah

♪ Sweat

♪ Drippin' down my spine

♪ Makin' me hazy

♪ Wet

♪ Fingers touchin' mine



♪ Makin' me crazy

♪ I'm on the street

♪ I feel the heat

♪ Deep

♪ In the darkest night

♪ I feel the motion

♪ Keep

♪ All my love alive

♪ Come to the ocean

♪ Out on the street

♪ I feel the heat

Last time
on "Acapulco H.E.A.T..."

- Nicole, my dear,
I need you for a manhunt,

and I want you to find
and recover six masterpieces.

And when you do...
find The Raven.

Nicole, you're a spy?!

- They are no match
for The Raven.

- I need experienced help.

- Uhh!
- Unh!

- Acapulco H.E.A.T.
was a unique enterprise

made up of very special people.

- I want you in.

- Well, I'm not in that business
any longer.

- Do you have the necklace?

- I want to work
with all of you.

She can do anything

with a computer or wires.

- Then tell me
what you didn't tell the cops.

- It wouldn't be right.

Would you care to join me
for a late lunch,

perhaps further discuss
business arrangements?

- I've seen this necklace before
right here in Puerto Vallarta!

- Why is it
you were followed here?

What is it you want of me?

- Lunch.
Unh!

- We came for your jewels.

- I don't know
what do do with that.

- I wish I could believe you...

but my only real choice
is to kill you.

We have someone on the grounds,
gentlemen. Find him.

- Aah!

Damn it, we lost him.

Sit tight and stay alert.

Raven's not gonna let you
keep the necklace.

He knew. The Raven knew
who we were

and what we were there for.

We didn't recover a damn thing.

All we're doing is caretaking
a necklace till he comes for it.

- That could be called bait.

Or another trap.

Look The Raven knew before.

He'll have information
on us again.

- The Raven is not
a common criminal.

He has money,
organization and sources.

- Simple answer is not to trust
anyone outside the team.

I never did.

- You are too cynical, Tommy.

You have to believe in people.

You have to trust someone
sometime or other.

- Lesson number two, Joanna:

Never trust anybody

and you don't have to worry
about your secrets.

- Smile, Tommy.

- If we don't inform Lucien,

we cannot ask
for any additional funding

or use any of his sources.

- We don't need money right now.

What we need is patience,

and The Raven is going
to try and collect

what he thinks is his.
He's not afraid.

- Oh, he won't.
He knows he'll be caught.

- He's never been caught before.

The rest of the paintings
are safe

and there is no reason
not to continue with our plans.

You will receive your profits
when we complete our dealings.

Paintings are within hours
of this location.

I will arrange their disposal
from here.

I have to finish some personal
business, my friend.

I will also need some additional
people I can trust.

Please arrange it.

Continue, my friend.

I want to hear more about
this Acapulco H.E.A.T. business.

- I know everything
you need to know.

- There's four partners:
two left over and two new ones.

There's a French lady
and the young kid...

well, not so young.

Then there's Tommy and Cat.

They were with the business
before.

- Must be
a very successful enterprise

to support four adults.

- There used to be seven
or eight of them.

They did okay.

So taking care of four
must be a breeze.

They were always spreading pesos
around.

- For their way of life
or for your talents:

information?

- Not like information
information, you know?

Tommy sometimes, he, um,
asked me questions.

If I know the answers,
I tell him.

- For certain considerations?

- Sometimes he gives me a loan.

We're friends.

Friends do that.

- Of course.

- What have you told your friend
lately?

- I can't say.

That wouldn't be right.

- Let's get one thing
perfectly clear:

You are a paid informant.

You have no oath or loyalty
except to money.

You have no obligation except to
your own greed and satisfaction.

- I am no stool pigeon, okay?

- Call yourself
whatever you want.

Your function does not change.

You have a choice between
the money and loyalty to me

or a bullet.

- You got to be kidding.

Of course I take the money.

- Very smart of you.

Now tell me what you know

and every contact
you have ever had

with this Acapulco H.E.A.T.
group.

And, remember,
the bullet is still an option.

Ladies, you have to accompany
me now to the police station.

Captain Ortega wish
to see all of you now.

- We have an appointment
right now.

I'll call him
and make other arrangements.

- I'm afraid now, señorita.
You have to come now.

- Are we under arrest?

Only if it becomes necessary.

Chill.

- It's always a pleasure
to see Captain Ortega.

The villa looked
like Swiss cheese.

There were over a hundred
bullet holes in two dead men.

Now, the location
was abandoned...

except for the two bodies.

- Then get busy
and find out who did it.

- I have an informant that
tells me you four were there.

I want to know
what was going on.

- So would I.

Who can we ask?

- I'm asking you.

- The answer is no.

No?

That is not the proper answer.

- Joanna...

you do it.

- Me? Okay.

Um...

We don't know
what you're talking about,

so I, I guess the answer
really is no.

Tommy and I are both no's too.

- This is my city.

I take care of it
and the people in it.

You... are merely guests here,

and if I feel

that you are
a danger to my people...

I will personally
take you to the border

and walk you across
into the U.S.

Understand?

- I'm French.

- Then you will have to swim.

- You got a lot
you could clean up around here

without coming after us.

- If you have a crime to report
to me, señor,

then do it.

If not, then you are just more
of a problem than you're worth.

Hey, that's not fair.

- To who?

It's fair to me.

You can go now.

Unh!

- Arg!

Back away!

Next shot, you're a soprano!

You're a mess.

Thank you.

You're beautiful too.

- I never thought you noticed.

- Well, it just came
to my attention.

- Mmm. Because I'm a good shot?

- I thought you missed.

Oh.

- How'd you know where I'd be?

- I'm very good at understanding
hot-tempered people

and keeping promises.

Besides, where else would you go
to let out steam.

- Yeah. Well, somebody else
figured that out too, 'cause...

those drug dealer goons
were waiting for me.

Now I know there's a leak.

- Well, it couldn't have come
from the people who hired us.

I didn't think so.

Somebody local
fed them the information,

and if I'm being clocked
by The Raven, we all are.

And Cat will be his main target.

- We knew The Raven would
come back for his necklace...

andhis reputation.

If we don't want him to do that,
we could return it.

- I think I should explain
certain realities and options.

- Like what?
Go to the police?

- Oh, sure. Then we gotta try
to explain to Ortega

about the dead guys
in the villa.

- Captain Ortega is no fool.

He must know that those men
are legitimate.

- And by now, he also knows that
we're more than a dress shop.

- Yeah, Ortega's
not gonna let go.

He's always gonna be nosing
around, asking questions.

- Is there any chance
that we can get his help?

- Not blind, he won't.

We'd have to fill him in.

- Well, we're stuck
between the law and The Raven.

- Weis more like you, Cat.

You're the one
with the face-to-face with him.

- I think we're all targets,

and we're gonna have
to cover each other's back.

- And a little more than that.

- Especially Joanna.

- Right. We're all gonna have
to keep our eye on her,

because, well, she's the only
one who hasn't been here before.

Tommy!

Tommy!

I found it. I located the
history on the necklace.

- This is great work.

- I was able to break into
insurance files and I found it.

- Good...
- It's had three owners.

The last one was located
not far from here in La Paz.

We're getting closer, Tommy!

- Could you just hold on
a minute...

- It hasn't been reported
lost or stolen,

so we can assume that it was
traded for one of the paintings,

and Hector Diaz is the owner.
Ta-da!

What do we do now?

- What's important right now...
is what youdo.

- I don't understand.

Then listen to me.

The Raven knows who
and where we are,

he's coming for us.

Now, we don't know enough
to find him first,

and, well, we can't even
use the cops to help us.

- Well, it sounds terrible
when you put it like that.

- Yeah, well, things
could be better.

Look... the rest of us

have been in situations
like this before, okay?

We know what we're doing.

See, we were thinking maybe
you could go back to the States

till this is over, you know?

Visit some family,
have a little vacation.

- No!
No, I won't!

- Hey! The Raven
can come at us from anywhere,

and you might not see it coming.

- Did I do okay up till now?

Yeah, you did better than okay.

Am I fired?

No, we can't fire you.
You're part of the team.

- Well, then youtake a trip.

I have a brother who is
a biology teacher in Iowa.

You go cut open some frogs
with him!

Okay.

Okay, forget I said anything.

But these are the rules:

You go nowhere alone.

Nowhere.

Unless one of us is with you.

- You?

- Maybe.

Probably.

- I've never seen anyone
go through so much trouble

just to get a date.

- I don't speak French.

What did she say?

- That I am a fool,
and perhaps I am for being here.

- I'm not. I want some answers,
and this is a way to get them.

- Who are they?

- Our silent investors.

Not so silent.

What is happening here?
People are being killed.

- Maybe they're being careless.

- We don't need humor right now.

A Captain Ortega of
the local police sent an inquiry

to Interpol on the identity
of one of the dead men.

He had a criminal history

that linked him to the raider
that was killed in Paris.

- What do you know
about it, Nicole?

- I'd like to know more.

Is there anything else
you can tell me?

- You are being...

evasive.

- If I am,
there are reasons for it.

You have to accept that
for now, Lucien.

That will be difficult.

- It's impossible.

We want answers.

Now.

- You... are rude.

And you're boring me.

- I am not leaving here
until I learn what is going on.

- Gentlemen...

the store is not open
for business,

so I'd like you to leave.
- I told you

this would be
a waste of time.
- Now.

- This is crazy.

It's insane.

We are paying people
that lie and insult us?!

- They do not file reports.

These people are known
for results, not conversations.

I suggest we take a day
in the sun,

and then we return to Paris.

- I may decide to stay here
a little longer.

- In that case,
you will do so alone.

- I would prefer it that way.

- If the organization
is asking questions,

then they know nothing.

- So they're not the source
of the information.

- Yeah, that makes sense,
but there's still no reason

to let them in
until we have The Raven.

- Then we won't.

- No, but then we'll lose their
sources for the information,

and that's not gonna leave us
with a lot to go on.

I'll backtrack my moves.
Maybe it starts there.

- Oh. Did you talk to Joanna?

- Yeah, sure did.
- And?

- And...
she knows what might happen...

She wants to stay in.

- It's not her style to quit.

- I'll look out for her.

- We'll all look out
for each other.

- Where's he going?

- Oh, he does that sometimes.

It's in his nature.

He's basically a loner.

- He likes people too much
for that.

Yeah.

That's his major conflict.

I guess we all have our hang-ups
sometimes.

- You?

- Impatience.

I hate waiting for something
to happen.

- Me, I have a terrible temper.

- How do you feel right now?

- Mad.

- And I'm tired of being
a spectator.

Let's do something about it.

- ¿Cómo está?

Okay-dokey.

You have a call for Joe?

I say...

when did you get posh enough
to run parties in hotels?

- Buying my friends a few drinks
don't make me rich.

Yes. And informing on them

will not lead
to a long and healthy life.

- What are you talking about?

- Somebody asked questions
about my habits...

and you sold me to him.

- So? What are you mad about?

- Hmm...
Almost got me killed.

- Well, I'm sorry,

but you can't expect me
to be exclusive, okay?

It's what I do.

I'm a part-timer
for a lot of people.

- So...

who paid you
to read a diary on me?

- Some guy on a boat.

It was a foreigner, I think.

- What boat?

- A boat? What do I know?

They float. It's a boat.

- Show me which one.

- Sorry, tours cost extra.

- How about five knuckles extra?

- Okay. Okay.

I'll give you a package deal.

- Okay.

- It's there, um, that spot.

- There's no boat there.
It's empty.

- But this is where
I was supposed to meet him.
- Hey. Hey, hey, hey, hey, hey.

- I mean it...
- Hey, hey, hey, hey, hey, hey!

Why should I believe you?

- 'Cause I am a lot of things,
but I am not a liar.

This guy's boat
was supposed to be here.

It was called... "Chiripo"

Stay tuned

for more "Acapulco H.E.A.T."

- Now, I suggest you calm down.

This H.E.A.T. group has proved
to be an annoyance.

I will take care of them.

- I have invested my money
and political position

in this venture,

and all I have to show for it
is failure.

You have disposed
of one painting,

and that alone should have been
enough to cover all costs.

Instead...
the first painting is gone

and the H.E.A.T. group
has the necklace.

- There are still five more,
and they are quite safe.

Delivery dates
have been arranged.

Trading for the jewels
will all take place next week.

You're going to be a very
wealthy man, Sergei.

- Where are the paintings?

- They are safe.

- That answer
does not satisfy me.

- Then perhaps the money will.

- And are we to mark off the
first painting and the necklace

as the insignificant loss
of a few million dollars?

- I haven't.

I will take the necklace back
when I'm ready.

- This is enticement.

They're trying to lure me out
into the open.

They think they can trap me.

- I could lose everything
if this scheme fails:

my position...

my freedom...

everything I have.

- I am wanted for capital crimes

in almost every major country
of the world.

If I am caught, I face a series
of trials and death sentences.

I only need one.

Do not presume to tell me
about the dangers of failure.

I live with them every day.

- Much different for you.

- It is not different.

I may be better
at what I do than you are,

but dead is still dead.

Now go back to your hotel,

act correctly.

I will contact you
when I'm ready.

- Hey, when are you gonna finish
laying these floors, huh?

When I get a check

from Lucien.

- What happened to you?

- Well, went for a little swim,

decided to take a dip
in the ocean.

- How nice.

- Yeah. Wasn't my idea.

Somebody opened up on me and the
harbor became my best friend.

- You were set up.

- Jose was showing me where
he sold us out to The Raven.

It turned out to be a trap
for both of us.

He died.

Now it's open house
on all of us.

- Well, I hope they think
you were hit and drowned.

- You know what?
I don't care what they think,

as long as they don't find
my body.

- You're okay, aren't you?

Yeah.

- What do we do about La Paz?

- We should go and talk to Diaz.

We can be there
in an hour or so.

We have a necklace,
let's reverse the trade.

- Yeah. At least we'll recover
one of the paintings.

I mean, it is what we're
getting paid for.

- Yeah. If Diaz is smart,
he'll swap back.

Either way,
let's go shake him up.

- Yeah.

Where did you hide
that necklace?

That's it?

Oh, boy.

- That's what
you consider security

for a necklace
worth over a million?

- Oh, would you have thought
to look there?

- Not on a mannequin.

- Shame on you.

- Sorry, I've only been this way
since I started shaving.

Well, I doubt that.

Who's making the trip?

- Well, I've got a friend
with a small plane.

- That's no longer mine.

I sold it.

- Then why didn't you cancel
the insurance?

- Well, I will
at my convenience.

- Could it be because
the transaction

wasn't exactly legal and proper?

- Now, you have no right
to accuse me

of something like that.

- Let's cut through it,
Señor Diaz.

Now, we could have come
with the police

and created a great deal
of trouble for you,

that's not our purpose.

Our purpose is a fair trade.
A swap.

- I'm not quite really sure
of what you want.

- We want to give you back
the necklace for the painting.

- If I was foolish enough
to admit to that,

I'd be admitting to a crime.

- I don't give a damn
about your crime...

or your stupidity
in dealing with this man.

But you do have two choices:

you can deal with us
or the authorities.

Now... we'll forget
we were ever here.

They won't.

- You know, I'm a collector,
not a thief.

I was willing to pay cash
for the painting,

but the man wanted jewelry.

He had his own reasons.

I'm willing to pay cash
for that piece right now.

- We didn't come for cash.

We came for the painting.

- Give it up.

And the worse thing
that will happen to you

is that you'll end up even.

Back where you started.

Don't be a fool again.

- I'll get the painting.

- Good morning, Tommy.

You're under arrest.

- For what?
- For the murder of a man

we both know
as Jose "Call Me Joe."

- I can't cover you
while I'm in jail.

Stay safe.

- I can do better than that.
I'm going with you.

- I'm afraid that's impossible.

He'sunder arrest, you're not.

Uhh!

You've done it this time,
Frenchie.

You're also under arrest.

- Exactly.

You were seen arguing
with Jose at the hotel

and then dragging him out.

Jose was found shot to death
at the marina dock.

And your truck was found
parked outside...

all night.

- So?
Give me a ticket.

- You already have one
on your windshield.

Now, let's get to the murder.

- Tommy did not murder anyone.

There you go, see?

She would not lie.
Can we go now?

- I guarantee you will both run
out of cute comments

before this is over.

Come on, captain.

You can't be serious about this,
can you?

- Very.

- Look, if I can prove to you
what really went down,

will you help us
with something else?

- Don't try to explain to him.
Wait for our lawyer to arrive.

Don't work that way down here.

Right now...
we're our own lawyers.

- I suggest you stay out of it,
little lady.

- I am glad I hit you.

- So am I.

It has removed any obligation
on my part

to treat you as a woman,

and this would be a good time
for you

to start proving anything to me.

- Look, I was there
when Jose was killed.

- I already knew that.

- Hey, I didn't kill him.

Look, you give me
one of your men,

I'll take him down to the dock

and I'll prove to him
what really did happen.

- Well, it better be the truth.

- I was with Jose here.

He was pointing at the end
of the pier when he got hit.

Ugh!

He dropped here.

Then there were two more shots
fired at the dock.

Here, pow, and here, pow.

I checked Jose.

He was dead.

So... I ran down the pier.

Look at these holes.

They followed my heels
all the way

till I reached this box.

How many shots do you think
were fired at you?

- Oh, six... seven...

maybe a couple more.

- Did you fire back?

- You know,
I didn't have my gun.

I thought I'd be better off
taking a swim, but...

I think the bullet holes
in the water healed up by now.

- I'm afraid you'll have
to do better than that.

- Check the bullets in the dock

against the one
that killed Jose.

They'll match.

Come on, do you actually think

I would fire at myself
and into the dock?

Doesn't make any sense,
and you know it.

- There are three dead bodies

connected to you
and your friends.

Keeping you in jail may preserve

the population
of Puerto Vallarta.

- Listen, he did not kill Jose.

You have to let us go.

- What do you mean "us"?
Your charge is separate.

What is this about, exactly?

- It has to do with the recovery
of some masterpieces.

Paintings... that were stolen
in Europe.

They are worth millions.

Now, if Captain Ortega
will help us return them,

he could become the most famous
law enforcement officer

in all of Mexico.

- Captain Ortega is already
the most famous one

in Puerto Vallarta.

- Well, then do it

because it's the right thing
to do.

- I would
if I could believe you.

- If we show you one
of the paintings,

would you believe us?

New customers?

- Did you pick up the package?

- Yeah, we got it.

Safe and sound.

- We need to show it
to Captain Ortega.

- What?

- I went to a lot
of trouble to keep it secret.

- It's okay, Joanna.

Just think of it as bail, okay?

We need it for freedom.

Ourfreedom.

- It's there...

on the easel.

- It's an early Vermeer.

It's beautiful.

You two will not be held.

- If you want to hit me,
I'll understand.

- Perhaps a small pat
sometime in the future.

Do you have a plan?

- Oh, we're working on it.

- Then the one thing I can do
is...

take this with me.

And, uh...
I'll put it in jail...

where it will be safe.

Vamonos.

Stay tuned for more "H.E.A.T."

- Well, I can't figure out
whether we're winning or losing.

- We're ahead.
One painting.

- With five and The Raven to go.

- We are off and running.

- When you grew up in Iowa,
or wherever,

did it ever rain there?

I mean, we still haven't
identified The Raven.

- Cat and you know him.

You met him face-to-face.

- That makes us his targets.

Well, so much for the sleepy
little fishing village

of Puerto Vallarta,

where the sun burns on the backs
of gringo tourists

and shines on the wealth
of Latin empires.

- Now, that was poetic.

- Yeah, I thought so.

- That can't be the only reason
The Raven came here.

- She's right.

The Raven had to have
a better reason

than just convenience
to Latin markets.

- He had to have had
an inside contact.

Powerful enough to know
about the recovered paintings

and where they were kept.

- And he would have
to have one here too.

There are too many locations

that could have suited him
better.

- Yeah. That makes sense.

Okay, let's go with that theory.

So, we cross-check
every name of anyone

involved in this in any way.

- Surely you don't mean
Paul Lucien.

- We have to do a run
on everyone.

- I trust him with my life.

- Sorry... I don't.

- Well, how far back
do I have to check?

- To the womb.

- Lucien.

- Ah, you came to see me off.

- I have no time to waste.

Be a dear, right, and just
answer my questions, okay?

- Of course.

- How many people actually
knew how and where

the paintings were stolen
in Paris?

- The security people knew

they were guarding something
valuable, but not what.
I knew...

Señor Perezknew that some art
had been recovered,

but not what it was...

German envoy and, uh, Serge.

- What did Serge know?

- All of it, what and where.

- Only him and you, then?

- You're not accusing me
of anything, I hope.

- No. No, I don't.

- So you think Serge?

I don't believe he would be
involved. He's not...

- Then help me prove it
or disprove it.

- As you wish.

- What do you mean,

theyare asking questions?

About what?

Am I being accused of something?

Serge, my friend,

I do not know what you have
or have not done,

I'm only speaking to you

because I have known you
for many years.

Pointed questions
have been raised.

These questions
are connected to you.

- What?! Tell me, what?!

I'm sorry, I can't say any more.

I've probably said too much
already.

- You have to.

You are supposed
to be my friend.

- I'm sorry, I can't speak.

It is a matter of, uh, ethics.

- Let's do it.

This thing have air bags?

- Uh, I don't know.
Check the manual.

Ha. That's okay.

I'll just wait
till we hit a mountain.

- Don't sweat it, Tommy.
I'm a better driver than Serge.

- Oh, yeah, great.

Well, he'll
just hit a mountain first.

Please, I've got it
under control.

Stay close to him.

Whoa! I said,
"Stay close to him,"

not in his trunk.

Ha!

Do you even have
a driver's license?

Yes.

Then don't lose it.

I won't!

Whoa, whoa, whoa!

Jeez!

Ah.

- Yeah, that's our man's boat.
We got him.

- Not without some help,
we don't.

Cat, did it work?

- We're watching his boat now.

He's four miles south of town,

the first cove after the river
cuts in.

Joanna can punch up a map.

- Fine, I'll make the call
and I'll be there.

- I heard.
I'm printing a map now.

- What is it
with the phone call?

You call, you panic
and come scampering to me

like a frightened puppy.

- And the note.
I, I got the note.

- You idiot.
I never sent a note.

It's a set-up.
Are you so stupid,

you cannot recognize it?

- Well, how would I know?

I've never done anything
like this before.

- Then you also need to realize
you were probably followed here.

- Take all our people,
search outside.

There is someone out there.
Find him quickly.

- But they know.

Somebody knows
of my involvement!

My reputation!

- Your name means nothing.

Right now, all you have
to worry about

is prison or your life.

Out. Out! Out!

Get out there and help.

Go clean up the mess
you created.

Go on!

Go.

- Oh! Oh, maybe we're not
so smart after all.

- Oh, sure we are.

Maybe.

If we head back to the boat,

then we'll figure that.
We gotta buy some time.

- It's not gonna be easy
getting past them.

- Well, we have no choice.

- There are three of them!

Thank you!

Thank you.

- I've run out.

- Should have come to lunch.
You were looking for riches,

and instead you have only found
your graves.

- The local police
know we are here.

- Do they?

- You're finished, pigeon.

- Perhaps, my kitty cat.

- Freeze! Police.

Drop your weapons.

I have men all around you.

Drop 'em!

- Vamonos!

- I guess you came in
right on cue there, captain.

We owe you one.

- I think a major celebration
is in order.

Too bad you can't join us.

- Maybe some other time,
my dear.

- Well, if we're done,

I'd love a massage
and a margarita.

- It won't be long.

I just need
to locate Paul Lucien

and make notifications
that everyone is safe.

How much longer?

Oh, not too long.

- Hi! We got him, eh? Great!

Oh, that's him.
I recognize him now.

Well, let's go.
I have a car outside,

I can drive us back,

and you know there's food
at the shop, so...

and, and there's a bunch
of orders to fill, so let's...

- Stop!

- Hey, man, what are you doing?
- What is this?

Move it!

- Captain Ortega's The Raven's
Puerto Vallarta connection.

I ran him through the program,

it turns out he's related
to Zyker?

- but The Raven killed Zyker.

- He had to die.

- The paintings, where are they?

- Well, six paintings are fine,

and we will parole them
from here as we need them.

In the meantime,
we will find Lucien

and you will all have
a tragic boating accident.

Now, you can leave here
with or without bullet holes.

Your choice.

This is Paul Lucien.

I'm outside
with a military detachment.

We have already taken command
of your police.

They are assisting us right now.

Please come out with
your hands over your heads.

- Diablo.

Hyah!

- Aah!
- Unh!

Hyah!

- Uhh!

Uhh!

No! Eh... Tommy.

You got me.

He's American.

But guess what...

hasn't been a prison built
that can hold me.

- Well... make an appointment.

We'll be waiting.

The "H.E.A.T." team

will be right back.

Stay tuned.

The "H.E.A.T." team
will be right back.

Ah.
We won.

- No. But The Raven lost.

- We're not done yet.

We have a 10:00 p.m. appointment
tonight.

- We do?
- Yep.

We got some
drug dealers to annoy.

- Tonight? Do we have to?

- Ido.

- I'll go with you, Tommy.

- Like I promised, we'll all go.

- All right.

Take the check with us

or do we let Joanna hide it?

- Oh, no. Oh, no.

I have to deposit it

to cover the cost
of the equipment I ordered.

- How much?

- I can pay for the drinks.

Huh!

- No, no, no, no!

Aah!

Aah!