Wonder Woman (1975–1979): Season 2, Episode 5 - Knockout - full transcript

[theme song]

♪ Wonder Woman ♪

♪ Wonder Woman ♪

♪ All the world
is waiting for you ♪

♪ And the wonders that you do ♪

♪ In your satin tights
fighting for our rights ♪

♪ And the old
red white and blue ♪

♪ Wonder Woman ♪

♪ Wonder Woman ♪

♪ All of us
are counting on you ♪

♪ And the power you possess ♪



♪ Putting all your might
on the side of right ♪

♪ And our courage to the test ♪

♪ Wonder Woman ♪

♪ Get us out from under
Wonder Woman ♪

♪ Here you fight
the force of evil ♪

♪ And your chance
won't be denied ♪

♪ Woman of the hour
with your superpower ♪

♪ We're so proud ♪

♪ You're on our side ♪

♪ Wonder Woman ♪

♪ Wonder Woman ♪

♪ You're a wonder
Wonder Woman ♪♪

[instrumental music]

[rattling]



[thunderclap]

[intense music]

Who are you?

What are you doing in this

girl's apartment?

[beeping]

Hello?

Diana, switch this call

to the monitor, please.

[beeping]

What's up, Joe?

I'm sorry to disturb
you this late.

I've already been disturbed.

What's wrong?

Two men just tried
to break into my apartment.

They didn't make it.

- It's worse than I thought.
- What are you talking about?

Well, somebody's
apparently gotten Steve

'and now they've
made a try for you.'

- What? Kidnapped? Why?
- We don't know.

Now, Joe, you know that
he left for his vacation.

I know, Diana. Steve left for
a vacation in LA this morning.

Well, then, h-how..

He was supposed to have dinner

with our regional
bureau chief

in LA this evening.

He didn't show.

Kelly called the hotel
and learned that

he hadn't gotten
there at all.

Oh, no.

Exactly.

- First Steve, now you.
- What about yourself?

(Joe)
'Well, I'm alright so far.'

But I haven't got
any answers either.

'Who? What? Why?'

Is it a knockout
on the top level of the IADC

'or does it go even further?'

Diana, can you have a bag
packed in 20 minutes?

Fifteen. Now, listen,
Joe, what could it be? Why?

We know that there's no case
that's hot right now.

I don't know, but I do know
that you are apparently

'a prime target for
whoever's doing this job.'

I thought the IADC safe house in
Arlington until we get a line.

Joe, I'm going to pack a bag

and make a reservation
on the red-eye flight to LAX.

Diana, I cannot stop you
from going after Steve

but there's a man
in the White House who can.

There's a man in the White House
that you're not gonna call.

(Diana)
'Isn't that right?'

Call me back when you
got a flight number.

'I'll call Kelly in LA.'

No. Don't call anyone yet.

Somebody knew what
flight Steve was on.

'I won't fly into LAX.'

'I'll take a detour
to South Coast.'

You have my blessing.

I hope you don't need it.

[intense music]

- Hi.
- Hi!

Easy, easy.

Uh, wasn't the other driver
ahead of you?

Sure.

But you're the prettiest girl
on the early morning flight.

There won't be any prettier
on the noon flight

or the night flight.

And I'm Pete the driver.
Where to?

Thank you.
Uh...Camden Hotel.

Right.

Thank you.

Have a nice day, buddy.

[instrumental music]

LA your home?

Uh, no, but I visit
here fairly often.

- How about you?
- Native son.

I saw some of the world
when I was racin'

but you can't beat
the old Golden State.

- You were a race driver?
- Yeah.

That's what I said,
Pete the driver.

I took a third at Cannes once.

And then I tried going
to the far wall at the Indy 500.

- Ooh.
- Wrong way to go.

That's too bad.

Yeah, breaks of a tough game.

'I can't race anymore'

but the, uh, the leg
doesn't bother me

unless I try
and dance all night.

[chuckles]

[intense music]

- Pete?
- Mm-hmm?

I'm gonna take a chance
and tell you something.

'There's a car following us.'

Yeah, I noticed.
Husband? Boyfriend? Cops?

No. Listen, Pete, it's serious.

I work with the government.

Oh, right.

- Look.
- I see.

It's possible they're going
to try to kidnap me or kill me.

Do you want to let me off
at the next corner?

No, but if we're getting
into something hairy

you can at least tell me
your first name.

Diana. Diana Prince.

Peter Johnson. Pete.

[intense music]

[car horn honking]

[honking continues]

[music continues]

[honking continues]

[engine revving]

[music continues]

[tires screeching]

[tires screeching]

[engine revving]

[music continues]

[tires screeching]

Take off, Diana,
and grab a phone

have the operator get the LAPD.

- Move! Come on.
- Okay.

[intense music]

I guess you guys know
you're gonna lose

your driver's licenses..

[dramatic music]

[thunderclap]

♪ Wonder Woman ♪

♪ Wonder Woman ♪♪

Now you have
to tell me the truth.

Why were you
stopping Diana Prince?

A man paid us a 150 bucks.

What were you supposed
to do with her?

Leave her tied up
and gagged in a motel room

at 2130 East Soto Street.

That's in East LA, miss.

Who hired you?

All we know
is the first name, Angel.

Chicano kid we were
in the CYA with.

Uh, California Youth Authority.

Some pretty hard cases
come out of there.

What did he
want with her?

Did he mention a man
named Steve Trevor?

No.

When I release you,
you'll forget everything

that I've asked you and
everything that you've told me.

Hey, that's terrific.
I can't think of an encore.

But I'd sure like to be
around when you do it.

Uh, don't you think those guys
ought to hit the slammer?

Oh, they're not important.

- Thank you for your help.
- Oh, yeah, sure.

I've got to go back up the hill
and try to find my fare.

She's a stand-up lady.

Well, if you don't
find her, why don't you

drop off her luggage at her
hotel, and leave your card.

I'm sure she'd like
to see you get paid.

Yeah, okay, I, uh..

I kind of feel like I let her
down this time around

but, uh, if she needs any help

the card will tell her
how to get ahold of me.

- Okay.
- Uh...what's your name?

Wonder Woman.

Uh-huh.

It all seems to fit together.

[intense music]

[telephone ringing]

[ringing continues]

(male #1)
Hello.

Not again.

I can't figure it out.

It's a replay of the mess
in the girl's apartment

in Washington.

Alright, Angel.

I guess we'll have
to bring in a professional.

Just have him dump her.

'Carolyn will hire him,
and you'll handle the payoff.'

'I'll get back to you.'

It's a mistake,
keeping him alive.

It's a mistake you'll
have to live with.

(male #1)
'I don't understand.
Why is he so important to you?'

A few years ago,
he saved my life

risking his own doing it.

You can call it old loyalty.

(male #1)
Loyalty is for losers.

Get out.

Now.

(male #1)
'I was just leaving.'

I'll be back, though.

I was almost sure
you would be.

[instrumental music]

Sleep tight, Steve.

There's nothing good
to wake up for.

[instrumental music]

[elevator dings]

[dramatic music]

[elevator dings]

[music continues]

[intense music]

[elevator dings]

[elevator dings]

[music continues]

[music continues]

Hey, hey, alright, miss.
What's the hurry?

Is somebody after you?

- Yes, uh, he was, but--
- Hey, Jack, uh..

No, wait a minute.
I can explain.

My name is Diana Prince
and I'm with

the Inter-Agency
Defense Command.

Yeah, well,
I've heard of it, but..

Okay, what can we
do for you, miss?

I'd appreciate it
if you could just

stay here while I
make a phone call.

Yeah, well, sure thing.
But I mean, is anything wrong?

Not with you here.

I'll be right back.

[intense music]

[phone dings]

[dial tone beeping]

[instrumental music]

[telephone beeping]

Yes?

Has the call been
switched to a secured line?

Well, put her on, please.

Diana, where are you?

Uh, Downtown LA.

I decided to take a cab
directly over to your office

but a man in the elevator
tried to intercept me.

They seem to know what we're
gonna do before we do it.

How'd you get away?

A couple of very nice

young LAPD officers.

- 'They make an arrest?'
- No. I didn't want them to try.

- The man was a professional.
- You recognized him?

Not the man, but the eyes.
There's something in his eyes.

They might have gotten him, but
there were people in the lobby

and someone
could've gotten hurt.

Alright, Diana.
Give me your address.

I'll have somebody bring you in.

'Better still,
I'll come myself.'

Not just yet, John.

Uh, what you said before
is true.

They seem to be
ahead of us all the way

and I want to find out why.

[sighs]
You're saying you want to
stay out in the cold.

Just a little
while longer, John.

I'll call you back in about
three hours. Anything on Steve?

'Not a word...not a trace.'

I, uh...got a call

from Joe Atkinson
only a few minutes ago.

Somebody put a plastic bomb

'under the hood of his car
but he found it.'

'With the help of
the Washington, DC Bomb Squad.'

I see. I'll call you
back in three hours.

[sighs]

[phone dings]

[dial tone beeping]

Cover your face. Cover
your face. Cover your face.

Come on. Ah.
Good, very good, ah..

[telephone ringing]

Oh, wait a minute!
Oh! Phone's ringing.

Just a minute,
just a minute.

[telephone ringing]

- Hello?
- This is Diana Prince.

- Remember me?
- How could I forget?

Uh, listen, I wanted to thank
you for dropping off my luggage

and leaving your card.

You told Wonder Woman
that you'd give me a hand?

Absolutely.

Well, what I'm gonna ask you
to do

could be very dangerous.

Uh, look, before I was
a driver I was a marine.

- Where you at?
- Eighth and Spring.

Incidentally, I still haven't
paid you for your first trip.

[laughing]
Don't worry about it.

I don't send out
statements till the 15th.

Yeah, I'll get Mrs. Garcia
to take care

of my son and I'm there.

Um...ten minutes?

Thanks, Pete.

- Thank you, gentlemen.
- Yeah.

But you know,
you still look worried.

I mean, are you sure
that there's nothing

that Los Angeles'
finest can do for you?

Well, you've really been
enough help already, but, uh..

...if you leave me your card,
I'm sure I can find something.

Yeah, you know, somehow
I have the feeling

that you probably could.

[indistinct chattering]

- Terrific neighborhood.
- Yeah.

The address that Wonder Woman
said they would have taken me to

looks like it's right
around the corner.

Yeah, that's
a fascinating lady.

She, uh, she usually show up

when you're in some
kind of trouble?

Well, sometimes,
but usually

when the man that I
work with is in trouble.

Ah! The one you think
may have bought the farm?

Bought the farm?

Um, expression we had in 'Nam.

You didn't die,
you bought the farm.

Well, shall we?

Listen, Pete, I think
it'd be a better idea

if, uh, you stayed here
and sort of kept an eye out

while I go in
and take a look myself.

- You sure?
- I'm sure. It's better.

- Okay?
- Okay.

[dramatic music]

[clattering]

[cat mewing]

[music continues]

[music continues]

[thunderclap]

♪ Wonder Woman ♪

♪ Wonder Woman ♪♪

[door creaks]

What's your name?

Angel Velasquez.

And who are you
working for?

I can't explain it.

It's called The Movement.

But I only know the two guys
that I sent after you

and the girl Carolyn.

Carolyn?

Where can I find her?

I don't know.

She finds me.

Don't you have a last name,
a phone number?

No. And that's why
The Movement is so effective.

No one knows
more than a few members.

What does
The Movement plan to do?

To change the world,
so that those on the top can be

taken away from power and those
at the bottom shall be set free.

Did this Carolyn
recruit you?

Yes. Funny thing.

She used to be a cop.

- Did she tell you that?
- No.

Cops can tell ex-cons

and ex-cons can tell ex-cops.

I can't explain it,
but sometime, somewhere..

...she wore the badge.

[instrumental music]

Hi.

- You open for business?
- Uh, no.

Sorry, buddy, I got a fare.

Well, that's quite alright,
that's quite alright.

[dramatic music]

[engine starts]

- Taxi, lady?
- Oh, yes.

[instrumental music]

For the next few hours
I need a place to stay

until I can find out
some things

my people can find out
some things.

Well, uh, listen,
Mrs. Garcia's got an extra room

and Ted and I
are right upstairs.

She had a boarder for a while,
so there's a phone there.

Ted your son?

Yeah, yeah.
He's eight.

But he's big for his age.

There's just one thing.
He, uh, can't talk.

Oh, you mean he's mute?

Well, the doctors
aren't sure, um.

It could be
a psychological block.

- They can't find anything, uh--
- 'Organic.'

Yeah, yeah, that's the word.

'I've got him
in a good special school'

'and I spend as much time
with him as I can.'

Mm.

Uh, thanks for not asking.

Not asking about what?

His mother.

Actually, there's
not that much to it.

She was a dancer
in a nightclub in Oceanside

where Marines hang out.

Nobody's fault.
Just..

Never should have
gotten married.

How do you tell a kid that?

Hey, uh, why don't I
pick up some cheeseburgers?

Or tacos.
You like tacos?

Oh, I love tacos.
Either one's fine.

Okay.

Hey, tiger.

What you doing?
Come here.

You know what I got here? Huh?
What's that? What is it?

[laughing]

Lady will think
you haven't eaten in weeks.

Ted...this is
Ms. Diana Prince.

It's so nice to
meet you, sir.

Would you like
to take this bag in?

You like tacos?

Why don't we go eat, okay?

[instrumental music]

[music continues]

[music continues]

So you've located
the driver's house?

Yes.

But I gather, she's the only one
you want taken out.

Now, I can't leave
any witnesses.

And you want your money now?

No...I had a bit of bad luck

in that I missed her.

But I'll trust you
until the job is completed.

Alright.

Thank you.

Doesn't it ever bother you?

Sometimes.

As in this case, when it's
a young, attractive woman.

And you raise your prices then?

No.

It would bother me doing
what you're doing.

You don't know what we do.

No.

But I imagine, it involves
changing the world

through some form of violence.

Senseless, wasteful violence.

The world has to be changed.

Maybe...but I doubt very much

whether yours
will be the group to do it.

Oh, you'll make
a name for yourselves.

And you'll wind up
in some alley, prison

or a county grave.

It's a shame.

You're a very attractive
young woman yourself.

It must be done
by tomorrow night.

It will be.

[instrumental music]

(male #1 on TV)
'Has Intersect
come up with anything?'

Well, we've had the computers
on it most of the night.

Before I came in, I got a call

that a very positive
trace has just come in.

(male #1 on TV)
'Go ahead, then.'

Thank you, sir.

(female #1 on TV)
'Intersect trace,
Carolyn Hamilton.'

'Born 3-16-52
in San Francisco.'

'Employed,
San Francisco Police Department'

'4-18-71.'

'Resigned, 5-11-75.'

'No derogatory information,
SFPD Files.'

'No present address.'

'Additional material
forthcoming.'

Have the names
of IADC personnel concerned

been intersected
with that of the Hamilton girl?

(female #1 on TV)
'Yes, sir, on 4 April, 1972'

'Steve Trevor
and Carolyn Hamilton'

'worked in an undercover
capacity to capture a group.'

'Federal charges of espionage'

'plus federal
and state charges'

'of import and sales
of narcotics.'

'In a gun battle,
Agent Trevor'

'saved the life
of policewoman Hamilton.'

'End Intersect trace.'

(male #1 on TV)
'Is there anything happening
that might'

'somehow relate
to this knockout?'

I've been thinking about that.

The only thing I've come up with

is the World Trade Conference.

But Steve and Diana coordinated
our L.A. office's plans

with the LAPD months ago.

I took care
of international liaison

and you approved
the final plan.

(male #1 on TV)
'But we're talking
about a situation where'

'a governor's aide,
a deputy mayor'

'and several heads of state
will be in one spot.'

- 'We'd better have you there.'
- Thank you, sir.

(male #1 on TV)
'Is Diana still
out in the cold?'

Yes, but I've begun to believe

somehow, she's made
the right choice.

I see. No way that
it can be prevented?

Alright, I'll get him
out of here.

No.

That problem is already
being taken care of.

If you yell, Steve,
no one's going to hear you.

I'm not gonna yell.

May I have a drink of water?

Certainly.

Thanks.

We're gonna have to
move you.

Carolyn, what happened
to you?

- I grew up.
- Don't give me that.

When we worked together,
you were one of the brightest

most able, mature cops
I ever worked with!

Alright, go ahead and say it.
So, you saved my life.

I'm trying to return the favor,
if I can.

I'm not talking about that.

I'm talking about
where your head is.

How it got there and how we can
bring you back to reality.

Reality?

I've had a lot of
reality, Steve.

Vice, narcotics, child abuse!

Rich crooks in the streets
and poor ones in the joints.

Oh, come on,
there's not a working cop

in the country who hasn't seen
the same thing.

Don't I rate a better,
more honest answer than that?

Okay.

I fell in love.

Two years ago, I was assigned

to infiltrate a radical group.

They were small, and have long
since been wrapped and put away.

But the leader of that group
was a genuinely brave

and honorable man
who believed in something.

You fell in love with him?

Yes.

He was willing
to die for a cause!

And did he?

No. He's in prison.

Convicted under my testimony.

When the jury
brought in the verdict..

...I turned in my badge.

Do you still love him?

- No.
- Then what are you doing?

'You talk about vice,
narcotics, child abuse.'

Those are the things an honest
cop spends a lifetime fighting!

Don't push it too far, Steve.

You wanna hand the problem
over to the other side?

Let them solve it?
Go ahead, they'll solve it.

With slave labor camps,
secret police--

Stop it, Steve!

[instrumental music]

[music continues]

[music continues]

Diana, I don't think
you've met

my assistant agent
in charge, Tom Baker.

- Hi.
- Hi.

- How you doing?
- Alright.

Steve?

Nothing.

'Atkinson's flying out.'

We've identified the girl

as Carolyn Hamilton, SFPD.

'Steve saved her life once.'

'Apparently, she's gone bad.'

She's been traveling a lot
between San Francisco and L.A.

'We just got the address
of a rented apartment'

'in the Los Feliz area.'

'You wanna join
the raiding party?'

"Raiding party?"

Listen, if there's any chance
at all that Steve's alive

the last thing
we need's a raiding party!

It's standard procedure.

I'm not interested
in standard procedure.

Or telling me
how to run my office.

Listen.

If there's just one chance

to save Steve...I want it.

John?

You've got it.

Thanks.

[instrumental music]

[knocking on door]

- Pete?
- Diana.

I-I'm sorry,
I had to come up.

Well, that's alright, they're
already gone. What's wrong?

While I was waiting for you,
I called home.

Somebody's got Ted!

They called Mrs. Garcia
and they asked for you.

Let's go.

[telephone ringing]

Hello.

Yes, this is Diana Prince.

I have the boy.

What do you want me to do?

Now, it's all very simple.

I will drive by the house..

...you come out..

...the boy gets out of the car..

...you get in the car..

...and you and I drive away.

'Now, if there is anything'

'unmarked police cars..'

'...other agents..'

...if there is anything at all..

...that boy is--

Don't worry.
I'll do exactly as you say.

Fifteen minutes.

- Pete.
- What?

- Ted'll be back in 15 minutes.
- I don't get it.

It's a simple exchange.
It's done all the time.

But-but that's crazy! Now..

I want my kid back,
but that guy gets to have--

No, listen--
He's a professional.

He'll keep his word.
I gave him mine.

Yeah, well,
I didn't give mine.

Now we can get
this block surrounded

by cops in plain clothes.

No!

He'd know.

Listen, you have
15 minutes to wait.

- Can you make it?
- Yeah.

Okay.

[dramatic music]

Pete, no!
Listen, stay back.

I'll handle it.

[music continues]

Come on.

And you don't have
to be afraid anymore.

Go.

Ohh..

Dad!

Hey!

- He spoke.
- What?

I said, he spoke.

He's been silent all his life

and he just called out
to his dad.

- Sit on the other side.
- Right.

[mouthing]
Don't worry.

[engine revving]

[instrumental music]

[tires screeching]

[music continues]

[tires screeching]

[thunderclap]

[music continues]

[music continues]

[clanking]

Who are you?

What are you?

I ask the questions now.

I'm sure you're very good
at getting the answers, too.

And ask anything you like.

But remember,
I'm told

and want to be told

only those things
that I need to know.

That doesn't surprise me.
It's a business with you.

Well, now,
you're out of business.

[splashing]

[instrumental music]

We've moved the schedule up.

At 12:30, the governor's aide,
Lane Curran

will make the statement of
welcome in the reception area.

Keeping it brief, so they're not
out in the open too long.

Just as Steve and Diana
and I discussed.

[intercom buzzing]

Yes?

'Send her in.'

Diana?

- Joe.
- Diana.

- How are you?
- Good.

- Have you got anything?
- Yes.

'I did some work last night
out at the airport.'

Now, Steve's plane
arrived at 11:15

on Wednesday, Flight 628.

'His luggage was offloaded
on ramp three.'

At 11:09, Flight 731
arrived from San Francisco.

The luggage from that flight
was offloaded on ramp two.

What are you
leading up to, Diana?

I think I begin to see.

Those ramps are only
20 feet apart.

That's right, now,
I showed Carolyn's picture

to the flight crew on 731.

They verified that she was
on the flight, used an alias

C. Hammond,
and that she was alone.

You mean, they met by accident?

Exactly!

But the only other contact Steve

had with the Hamilton girl

she was still a cop
in San Francisco.

That's right, but suppose

someone was meeting Carolyn.

'Someone that knew Steve, knew
that they'd known each other'

before and didn't
wanna take a chance

that Steve might
find out the truth.

[instrumental music]

This'll all be over with
in just a few hours, Steve.

One way or another,
when and if I get a chance

I'll let someone
know where you are.

Are you really going for

the Trade Conference ceremony?

Yes.

[chuckles]

Don't you realize how tight

security's gonna be?

Don't you realize the LAPD

has a no-hostage policy?

Even if you do take hostages,
they're not gonna let you go.

The final decision will be
that of the government

and I do believe we have some
rather persuasive argument.

I'm sorry, Steve, we've met
twice and I don't think

'there's a possibility
of us meeting a third time.'

I really wish you well,
personally.

Oh, I'd do
a lot better personally

if I could keep you
from sacrificing your life

and the lives
of who knows how many others.

We should get
started, Carolyn.

You have 25 minutes
to get to the Trade Building

and you and the others,
even less to get into position.

(Carolyn)
'Alright.'

It's too bad
you're in such a hurry!

'I'd like to hear
the speeches.'

What speeches?

Why, the speeches he made

to convince you
that you're a part of

'a genuine independent
revolutionary movement.'

- Shut up!
- Instead of what he really is!

'A sleeper, a traitor'

planted years ago
by the other side!

[grunting]

Leave him alone!

I should've got rid of him
at the airport.

Yeah, while I still thought

I was meeting
some old friends.

You just picked a bad time
and place for a vacation

if you're telling the truth.

Goodbye, Steve.

You said we're running behind.

[tires screeching]

(male #2)
'Ms. Prince, hey!'

I see you got help from
the brass today, huh?

Oh, what a nice surprise!

I was planning to call
to thank you again.

Well, it's nice to see you.

I'll try to see you later.
I gotta run.

Okay.

[instrumental music]

[music continues]

[dramatic music]

Over there.

Those phony IADC credentials
worked perfect, didn't they?

Yeah, perfect!

Good afternoon,
ladies and gentlemen.

Had it been possible,
the governor himself

would be with us here today,
but both he and the mayor

'are at the state-wide
conference on the drought'

which, as you know, has reached
critical proportions.

'However, they have
asked...that we stress'

the enthusiasm and
the excitement that we all feel

for this internationally
important occasion--

That's a very nice speech

but I've got a shorter one
and a better one.

Alright, everybody freeze,
or you'll be killed!

Now, get over there.
Move it!

Move it!

Move it!

Alright, in this richest city..

'...in this richest country
of the world..'

'...in this gathering
of the richest of nations'

we announce today
the existence of a movement..

...that someday
would change all that forever!

Now, we know...that security
forces can storm this area.

But I warn you..

...killing me
or any of these men

will result
in the lives of many here!

'Now, at this moment'

rifles are trained
on this lectern

from a vantage point which
you can never reach in time!

What...do you want?

Demand number one!

Twenty million dollars

'be drawn from federal
and private bank vaults'

within the next 90 minutes.

Demand number two!

A private jet

'for which we have the crew'

'to be serviced at Los Angeles
International Airport.'

Alright. Hold it!
Hold your fire, hold your fire.

Freeze!

Ms. Prince's ridiculous escape
changes nothing!

[thunderclap]

[gunshots]

[body thuds]

I'm not afraid of you.
Do you understand that?

I've never wanted you
to be afraid of me.

All I want is to free
Steve Trevor.

And let me help you
if you want me to.

But you don't understand.
I can't go back!

But no one
can go back, Carolyn.

'Believe me,
I know that better than you.'

But you can go forward
and face whatever it is

that has to be faced,
and endure it.

(male #3)
'Freeze!'

- Please, hold your fire!
- Shoot them, Carolyn!

Take them with us! Shoot!

You can't do it, Carolyn

any more than you could
let someone take the life

of a man who once
saved yours.

'It's a different badge, yes'

but he's doing the same job

that you once did.

You can't do it.

[sobbing]
At least it's ended.

At least it's begun.

[siren wailing at distance]

[instrumental music]

Baker, once he'd lost
his sharpshooters

surrendered rather quickly.

He's been arraigned,
and is being held

in lieu of
one million dollars bail.

In a series of raids
just completed

by federal
and state authorities

we managed to knock out
all other

known groups
of The Movement.

(male #1 on TV)
'What's going to happen
to Carolyn Hamilton?'

It's a good question.

She took part
in serious crimes.

She also saved Steve's life

and told us where
he was being held.

And when she and Wonder Woman
were on that balcony

she made a choice that I think
any jury will understand.

(male #1 on TV)
'This taxi driver,
Pete Johnson'

'Diana, is there some way--'

Oh, well, I turned in an expense
voucher that represents a trip

to Disneyland for Pete and his
son with all the trimmings.

Little Ted hasn't stopped
talking about it since.

I'll sign that voucher.

(male #1 on TV)
'And so will I.'

'Well, Steve,
we certainly can't take'

'the last few days
of your vacation time.'

'Do you plan to continue?'

Uh, yes, well, I've been
giving that some thought, sir

and, uh, it's not a bad time
of the year in Washington.

Oh, no, not at all,
it's just hot

muggy, crowded
with tourists.

And then,
the air conditioning unit

in your apartment
has been going out regularly.

Would you believe
San Francisco?

(male #1 on TV)
'No way of checking out'

'Wonder Woman's preference,
I suppose.'

Steve, San Francisco's
an old and colorful city.

'It's sophisticated,
fashionable.'

I should think it might
appeal to the lady.

[theme music]

♪ Wonder Woman ♪

♪ Here to fight
the force of evil ♪

♪ And your chance
won't be denied ♪

♪ Woman of the hour ♪

♪ With your super power ♪

♪ We're so glad ♪

♪ You're on our side ♪

♪ Wonder Woman ♪

♪ You're a wonder
Wonder Woman ♪♪