Westworld (2016–…): Season 3, Episode 5 - Genre - full transcript

♪ (TENSE MUSIC PLAYS) ♪

(TASER CRACKLES)

(GUN COCKS)

♪ (MUSIC CONTINUES) ♪

♪ (MUSIC INTENSIFIES) ♪

Humanity's biggest threat
has always been itself.

I've been trying
to control that,

but there's someone
we haven't accounted for.

♪ (MUSIC CONCLUDES) ♪

ENGERRAUND SERAC:
(SPEAKING FRENCH)

♪ (SOMBER MUSIC PLAYS) ♪

ADRIAN FILO:
(SPEAKING PORTUGUESE)

I don't have time, I'm afraid.

There is a nascent
separatist movement...

(TRANSLATOR SPEAKING PORTUGUESE
THROUGH EARPIECE)

...in the north of your country.

(FLY BUZZES)

(SPEAKING PORTUGUESE)

Your intelligence knows
only what I want them to.

(FLY BUZZES)

There is a small group.

Anomalies.

Even they won't know
they will act...

until they do.

Rehoboam is privy to all sorts
of hidden truths.

For example...

the private deals you've cut
to restrict manganese extraction

to some of your friends,

which have squeezed money
out of villages in the north,

creating unrest.

You will stop.

And the problem will go away.

(SPEAKING PORTUGUESE)

Our arrangement is founded
in trust.

We trusted that you would do
what you're told

when we ensured your election.

(SPEAKING PORTUGUESE)

That fellow...

the one with big mustache.

Understood?

(FLY BUZZES)

♪ (THEME MUSIC PLAYS) ♪

♪ (THEME CONCLUDES) ♪

SERAC: It turns out
that building a god,

as your ancestors can attest,

is not easy.

More than anything,
we needed data.

Which meant we needed him.

Dempsey was rich, arrogant.

He had been in the right place
at the right time,

before the privacy laws.

And now his company, Incite,
had the entire world's data.

LIAM DEMPSEY, SR.:
It's not. Fucking. Working.

I paid a king's ransom
for this thing,

fed you yottabytes
of Incite's data,

and for what?

You've iterated
half a dozen versions,

Saul, David, and now this one.

-What the fuck's its name again?
-Solomon.

Well, I'm not sinking
another dollar

into this giant steel ballsack

while it's spitting out
false predictions.

JEAN MI SERAC: Not false.

It rendered the last few decades
accurately,

predicting past events
with certainty.

DEMPSEY, SR.:
You built a machine

to predict the fucking past?

Well, let me try.
Eighteen months ago,

I made the worst
business decision of my career

by trusting you idiots.

Keep staring at that thing,
Liam,

your brain's gonna turn to mush
like these two.

What about strategizing
the future?

That's what you promised.

Societal trends,

the stock market,
a fucking oracle!

(SPEAKING FRENCH)

No, I'm sorry.
I'm pulling the plug.

Come on, Liam.

SERAC:
What Dempsey didn't understand

was that it was working.

My brother had done it.

He created a god.

But such is the case
with all great minds.

He was uniquely brilliant,

but also, uniquely troubled.

(INHALES)

SEBASTIAN: I have news, sir.

But not good.

If it's news, it's unexpected,
which is never good. What is it?

SEBASTIAN:
Rehoboam analyzed the traffic

coming out
of the Yakuza facility.

It found a connect
between encrypted devices

in Jakarta, Berlin,
San Francisco, and Los Angeles.

-The one in LA is a problem.
-Why?

It came from inside

Liam Dempsey's
personal compound.

-Find Dempsey. Now.
-We've tried, sir.

Rehoboam logged him entering
a private function.

Now he's missing.

-And, sir...
-(TABLET BEEPS)

He wasn't alone.

Activate every asset we have.

I want her caught.

Yes, sir.

CALEB:
I called backup. What now?

DOLORES ABERNATHY:
We keep moving.

Serac can't locate us
if we're mobile.

LIAM DEMPSEY, JR.: You think
you disappear a man like me

and no one fucking notices?

CALEB: Keep walking.

We have all of his money.
What do we need him for?

DOLORES: Access.

We need to study our adversary,
past, present, future.

To do that, we need access to
the deeper layers of the system.

LIAM: (SCOFFING) You expect me
to give you access?

Fuck you, "Lara."
Whoever you are.

DOLORES:
You wanna know who I am?

-(GLASSES WHIR)
-Go ahead.

You're not even in the system.

You're a blank space.

You've become complacent,

believing those
let you understand everyone.

It doesn't matter.

You can't take me anywhere
he won't find you.

-He's already looking for you.
-And you.

Serac knows by now that you're
trying to outbid him on Delos.

I'm what?

We can help.

If you give us your private key,

-we can unlock the system.
-(SCOFFS)

You'll never get in.
My access isn't enough.

You'll need to connect
at the node,

bypass onsite security.

Either we find a way
to defeat him together,

or we all die.

Then I guess you die.

I'll take my chances.

(WHISPERING)
Hey. She used me.

Have you asked yourself
what she's using you for yet?

Let me go, I'll make sure
you're taken care of.

You already took care of me.

You sent me off to war...

slaughtered my friends
on the battlefield.

What do these tell you
about me now?

What, that I swallow my own gun
on some beach?

Go on. Tell me who I am.

(GLASSES WHIR)

You think I killed your friend?

What did you see?

Who are you people?

What did you see?

Get away from me!

(CALEB GROANS)

-(CALEB GROANS)
-(LIAM PANTING)

(EXHALES)

(SCUFFLING SOUNDS)

(GRUNTS) Stop, stop!

Don't hurt me. Don't hurt me.
All right, I'll come.

DOLORES: What is it?
What did you give him?

LIAM: It's some kind of
party drug. Called Genre.

-DOLORES: What does it do?
-LIAM: I don't know.

-(EXHALES)
-(SOUND DISTORTS)

(ECHOING)
Are you okay?

(HEARTBEAT THUMPS DULLY)

♪ (OMINOUS MUSIC PLAYS) ♪

We have to move.

They'll find us.

♪ (MUSIC INTENSIFIES) ♪

(FAINT WHISPERING)

(ENGINE HUMS)

Don't go too far.

We need to get across town.

(ENGINE HUMS)

♪ (OMINOUS MUSIC CONTINUES) ♪

I need a vehicle now.

VIRTUAL ASSISTANT:
Rideshare vehicle located.

-Arriving now.
-Get in.

Just give this up.
I told you my men would find me.

Those aren't your men,
they're his.

NAVIGATOR: (AUTOMATED VOICE)
Destination selected.

They're using your system
to track us.

I'd appreciate the irony,
but I'm sitting beside you.

Give me your private key.
I can erase us from the system.

If they're after us,
why haven't they made a move?

CALEB: They're waiting
to get us alone...

-♪ (DRAMATIC MUSIC PLAYS) ♪
-... to kill us.

(NOTIFICATION PINGS)

NAVIGATOR: An amber alert has
been issued for this vehicle.

-Pulling over.
-CALEB: Fuck.

NAVIGATOR: Please remain calm.

The authorities
have been notified,

and the situation
will be dealt with.

(GRUNTS)

(BRAKES SQUEAL)

NAVIGATOR: The authorities
have been notified,

and the situation
will be dealt with

in a timely manner.

(CALEB GRUNTS)

Everything runs
on your company's server, Liam.

Even this car.

(ELECTRICITY CRACKLES)

NAVIGATOR:
Network connection lost.

Give me your access.
I can save you.

TABLET: (AUTOMATED VOICE)
Private key required.

LIAM: What the fuck is this?

He can't kill me, he needs me.

Evidently not.

Decide. Now.

TABLET: Private key required.

(RAPID GUNFIRE)

Verified.

Enable semi-automatic control.
Disable safety features.

Maximum speed. Go.

(RAPID GUNFIRE)

♪ (INTENSE MUSIC PLAYS) ♪

-♪ (OPERATIC MUSIC PLAYS) ♪
-(GROANS)

DOLORES: (DISTANTLY)
What's happening to him?

LIAM:
I think he's switching genres.

♪ ("RIDE OF THE VALKYRIES"
BY RICHARD WAGNER PLAYS) ♪

We need distance.

Head south.

That's not standard issue.

-DOLORES: No.
-(WEAPON CLICKS)

It's not.

Point and shoot.

(GRUNTS)

Police ahead.

-Maintain speed.
-NAVIGATOR: Maintaining speed.

Sharp left. Now.

NAVIGATOR: Turning left.

CALEB: Whoa! (GRUNTS)

Whoa!

(GRUNTS)

-I missed.
-Hold on.

♪ (MUSIC CONTINUES) ♪

All right, I need you. Drop in,
intercept, maximum speed.

Arm charges now.

Accelerate.

NAVIGATOR:
Acceleration at 90 percent.

-More.
-Ninety-four percent.

-More.
-Ninety-eight percent.

Stop.

(TIRES SCREECH)

LIAM:
Why the fuck are we stopping?

DOLORES: Get down.

(ENGINE HUMS)

♪ (MUSIC CONCLUDES) ♪

(SOUNDS DISTORT)

♪ ("LOVE STORY THEME: FINALE"
BY FRANCIS LAI PLAYS) ♪

(MUFFLED GUNFIRE)

♪ (MUSIC CONTINUES) ♪

♪ (MUSIC DISTORTS) ♪

(GUNFIRE RESUMES)

Come on.

♪ ("BUBBLES BURIED IN THIS
JUNGLE" BY DEATH GRIPS PLAYS) ♪

♪ Wick-wick
Cease and desist when I chant ♪

♪ Fuck weak ♪

♪ No respect ♪

♪ No chance... ♪
-You rang?

-♪ (MUSIC ENDS) ♪
-GIGGLES: Who's the killer?

-Nice to meet you.
-ASH: Likewise.

Glad to see you're
finally doing personals, Cal.

What's up
with Little Lord Fauntleroy?

Shit, you know this asshole.
Liam Dempsey. Incite.

Make King Midas look like
Tom Canty.

We need him. Alive.

♪ ("LOVE STORY THEME" RESUMES) ♪

-Shit, man.
-♪ (MUSIC ENDS) ♪

I know what you on.

Genre.
It's like five drips in one.

A movie marathon.

Hey. Watch out
for that last act, though.

Yeah, we better move, lover boy.

I already saw two more
on your tail.

This way.

LIAM: Easy, easy. Okay.

DOLORES: We have to keep moving

so they can't track us
while I access Rehoboam.

-(SIREN WAILING)
-We have Liam's private key,

but we can't stop,
or Serac can locate us.

If they kill him,
I lose my access.

What access?
You took my biometrics,

but you can't get
into the system,

it's read-only.

Unless you're standing
at the node.

(SCOFFS) You can't be
in two places at once.

(EARPIECE WHIRS)

(PHONE RINGING)

I'm sending you his key.

I need Serac's file.

I want to know everything

Rehoboam knows
about its master.

And after?

They'll come for me.
And then you.

DOLORES:
Protect our friend first.

I will.

Bernard.

When I press this button,

I expect you to be
on your best behavior.

You.

Take a piss.

CONSOLE: (AUTOMATED VOICE)
Liam Dempsey. Access granted.

MARTIN CONELLS:
This is their god.

This is how they see the future.

How they make the future.

In order to do that,

they watch everyone.

Tell them what to do,
where to live, who to love.

Keep them all in a loop.

What does she want with it?

You've always been of two minds,
haven't you, Bernard?

It isn't that binary.

Living another person's life
changes you.

Worlds bleed.

Maybe you felt that, too.

Have you ever questioned
what she's asking you to do?

CONSOLE: Request complete.

Initiating transfer.

TABLET: File transfer received.

(AUDIO SLOWS AND DISTORTS)

(STATIC)

♪ ("NIGHTCLUBBING"
BY IGGY POP PLAYS) ♪

♪ Nightclubbing ♪

♪ We're nightclubbing ♪

♪ We're what's happening ♪

♪ Nightclubbing ♪

♪ We're nightclubbing ♪

♪ We're an ice machine ♪

♪ We see people ♪

♪ Brand new people... ♪

-Hey. Where we headed?
-West.

♪ Nightclubbing ♪

♪ We're nightclubbing ♪

♪ Oh, isn't it wild? ♪

♪ (MUSIC FADES) ♪

SERAC: My brother and I
built a system that worked.

But Dempsey
wanted to see proof.

So we started
with something simple,

purely mathematical.

The stock market.

We showed him
all the major indices,

15 minutes in the future...

and where it could close
that night.

Which number is it? Low or high?

Which one do you want?

(CHUCKLES)

SERAC: We put some money
into a hedge fund...

let the system
trade with it.

Something to drive the market
towards our outcomes.

Whose funds?

JEAN MI: Yours.

DEMPSEY, SR.:
A hundred million dollars?

What, you stole...

100 million dollars
from corporate accounts?

No.

We stole five million.

Last week.

SERAC: He didn't really
understand what we'd made,

what you were.

But we did.

He only saw
the money he could make.

But we realized
the power of it,

that you could
reshape the world.

My brother and I,
we charted a course

for the entire human race.

Humanity's story
had been improvised.

Now, it was planned

years in advance.

For a time,
the sun and moon aligned.

We brought order from chaos.

And then, as with all
the best laid plans,

it began to fall apart.

Dempsey became greedy,

drove outcomes
to benefit himself.

So we locked him out
of the system.

But there was a bigger problem.

In every projection,
the world came unglued.

There were people,
outliers, agitators,

who you couldn't predict
or control.

And I realized that my brother
was one of them.

He didn't fit
the world anymore,

and the world didn't fit him.

And it drove him mad.

What now?

(PASSENGERS CHATTERING)

We're going to open
their cages.

The system's written
their life story,

they should get to read it.

You can't do that.
That's reckless.

You have no idea
what they'll do in response.

It could lead to suicides,
murder.

Murder.

You'd know something about that.

I'm sorry.

I'm so fucking sorry.

That...

BOTH:
Wasn't my choice.

I could never bring myself
to hurt you.

Don't forget, I know you.

And you wouldn't hurt me.

You'd pay someone
to do it for you.

It's their fate, their data.

You just stole it
and put it all together.

Why should you control it?

LIAM: This isn't about me.

Or Incite.
There are some things

people shouldn't know
about themselves.

Who gets to decide
what they know?

-You?
-LIAM: Fine. You wanna see?

(GLASSES WHIR)

Take your friend here.

He'll be lucky
if he ends up dead in a ditch.

What about me?

I wanna see my file.

Oh.

The golden boy brother of yours?

You tell yourself
that you do all this

so you can help him make good,
send him to school,

give him a future.

But where he ends up...

he's gonna make you
look like a saint.

(SIGHS)

♪ (TENSE MUSIC PLAYS) ♪

When I was overseas...

the rats were awful.

It got so bad that...

we had to make our own rat traps
in the barracks.

A ramp leading up

to some bait strung over
a bucket of water.

The rats would run up the ramp,

fall in, and drown.

Painlessly.

But if you filled the water
too high,

they would swim around
for hours...

suffering...
because they had hope.

But they never had a chance.

Just like everyone at the mercy
of your system.

Hope is what our entire society
is built on.

False... hope.

I would rather live in chaos

than a world controlled by you.

DOLORES: Prepare to send all
of them their Incite profiles.

Past, present, future.

It'll be done.

CONELLS:
They've all been riding a train.

We're gonna show them the rails.

(EARPIECE BEEPS)

Do it.

(PHONES RINGING)

♪ (SOMBER MUSIC PLAYS) ♪

(PHONE PINGS)

(LOW MUTTERING)

ASH:
It knows these kind of things?

About all of us?

DOLORES:
It's not just what it knows.

It's what it decides.

For you.

For everyone.

-What are you doing?
-(INDISTINCT)

(SNIFFLES)

AUTOMATED VOICE:
Doors opening. Stand clear.

(PASSENGERS MUTTERING)

AUTOMATED VOICE: This train has
reached its final destination.

♪ (SOMBER MUSIC CONTINUES) ♪

CONELLS: Almost time, Bernard.

You'll have to choose a side.

Not just me.

You said they'd come for you.

Maybe you don't want to die
on her sword.

We all have our role to play.

Some of us won't survive.

♪ ("SPACE ODDITY" BY THE CLASSIC
ROCK STRING QUARTET PLAYS) ♪

I hope you're happy.

You just ruined everyone's life
in this station.

Not just them.

I sent it to everyone.

What do you mean, everyone?

The whole world.

She's sending them
off their loops.

The right information
at the right time...

is deadlier than any weapon.

♪ (MUSIC CONTINUES) ♪

What genre is this?

It's reality, man.

(TEENAGERS WHOOPING)

Look at them.

Already returned
to their base selves.

♪ (MUSIC DISTORTS) ♪

(GUNS CLICK)

(GUNSHOTS)

(STIFLED GRUNT)

(GRUNTS)

SERAC: I knew that you and I
had built a fragile peace,

that one day, it would all
come crashing down...

if I failed to act.

For ten years, Dempsey was
happy to cash the checks,

take credit for making
the world a better place,

even though he had no idea

what we, or the system,
were doing.

But I knew one day,

his curiosity
would get the better of him.

(WOMAN SOBBING)

(DISTANT MUFFLED VOICES)

Sir?
Are you authorized to be here?

I'm here
to see Engerraund Serac.

(SERAC SPEAKING FRENCH)

DEMPSEY, SR.:
What is this place?

After our exposure,

we were both put on
anti-radiation medications

to halt our genetic breakdown.

That's when I understood.

It's possible to edit people.

But the truth is...

his personality
was always like this.

I've been trying to help him.

What, you're experimenting
on your own goddamn brother?

He's impulsive, chaotic...

I thought it was manageable.

Then... I caught him
using the system.

Trying out certain scenarios.

There are the times
you need to leave things behind.

(CHUCKLES) He taught me that.

My brother is part
of a population of outliers,

and as long as they
are a part of us,

there is no future for us.

Rehoboam sends this group
to high risk sectors

like, uh, war,

a woodchipper to eat them up
and spit them out,

dead or useless.

Isn't helping them
better than killing them off?

You're not helping them.

You're changing them.

We adapt...

or we die.

We all die.

The scenarios I found
him exploring with Rehoboam...

he was planning to murder you.

CONELLS: It's begun.

Serac will send someone
for us soon.

But there's something
you have to see first.

BERNARD LOWE: What is this,
some type of facility?

That's where he puts them,
the ones that don't belong.

You thought we were the enemy?

We're the only family
you have left.

I think you forgot about me.

(GRUNTING)

(STRAINED) Little help?

(GRUNTING)

We need to know
everything she has planned.

ASHLEY STUBBS:
Let's move along now. All right?

(MARTEL SPEAKING FRENCH)

Who is that?

CONELLS: Serac sent them.

You two should leave,
before they kill us all.

Come with us.

My role is finished.

You're the only one
we can't replace.

Mr. Serac would like a word.

(SPEAKING FRENCH)

(PROJECTOR BEEPS)

You've always been one of
our most loyal allies, Martin.

So I was surprised to hear

the breach came
from this location.

Let me look into it.

(DEVICE WHIRS)

Of course, you understand
we must keep our friends close

until we know who's to blame.

But I know
exactly who's to blame.

Who?

Me.

♪ (INTENSE MUSIC PLAYS) ♪

(DEVICE BEEPS)

-(GASPS)
-(STATIC FIZZES)

-(EXPLOSION BOOMS)
-(GLASS SHATTERS)

(ALARM BLARES)

AUTOMATED VOICE:
Please remain calm

and make your way
to the nearest exit.

(PEOPLE CLAMORING)

(AUTOMATED VOICE 2
SPEAKING CHINESE)

Yo, what the fuck happened
in there?

And what the fuck happened
out here?

Her plan. It's starting.

I think I'm part of it.

♪ ("THE SHINING"
BY REDRUMER PLAYS) ♪

Back there...

The shooters...

We can talk about it later.

First, we need to get
to the airfield.

We don't need him anymore.

What do you want to do with him?

Hand them over.

You took everything from me,

my money,
my access to the system...

I have nothing left.

Yeah, well, now you know
how it feels.

Just let me go.

You got the specs.
Is that how it plays out?

No.

You'll take what little
I have left,

like the petty criminals
that you are,

that you'll always be.

ASH: Maybe so.

Go ahead.

Now you're going to see that
the system isn't the prison.

You are.

To all of us.

We can't fix you.

And we can't get rid of you.

Take it easy.

Get the fuck away from me.

You don't even know
who you are.

You're the worst of them.

-(HEART THUMPING)
-(DISTORTED) Shut up.

LIAM: (ECHOING)
You're the worst of them.

Rehoboam was right.

You're nothing.

You're all nothings.

Just a drag
on the fucking system.

You don't have a choice.

You know how much more progress
we could have made

-if none of you had ever been...
-(GUNSHOT)

Guess I do have a choice.

-LIAM: No. Get away.
-CALEB: Hey.

-LIAM: No.
-CALEB: Fuck. Hey.

-LIAM: Get away! (GRUNTS)
-CALEB: Hey.

Shit.

-(GROANS, SOBS)
-(PANTING)

(PANTING)

(YELLS)

(WAVES ECHO)

CALEB: (DISTORTED)
Hey. Hey! Hey!

(LIAM GROANS)

-Let's go.
-Hold on.

LIAM: Get away!

Don't move. It's okay,
I'm not gonna hurt you.

LIAM: (SOBBING)
Get away from me. Get away!

(CALEB GRUNTING)

(STAMMERING)
You... You... You...

-What?
-You did it.

What are you saying?

-You did it.
-What?

LIAM: You did it.

Who does he think I am?

(SHOUTING)
Who does he think I am?

Hey.

Hey.

Hey!

(ECHOING)
Who do you think I am?

SEBASTIAN: Sir, we identified which
files Dolores was looking for.

Yours.

♪ (TENSE MUSIC PLAYS) ♪

DEMPSEY, SR.:
You can't change our fate.

You can't... geld humankind.

Somewhere in this group
is an agitator

who will destroy the world.

I can't let that happen.

No, you've gone too far.

I can't be a party to this.

You'd be content to let history
continue to play out,

just as it has done
for centuries,

the same fucking misery
repeated over and again

when we have a chance
to stop it?

What the fuck is that?

I'm gonna tell everyone
what Rehoboam saw.

What you've done.

The trouble is, Rehoboam ran
millions of projections.

Every scenario in which

you inform the public
about my trials

ends in human extinction.

This is why my brother
wanted to kill you.

I looked, too.

And I know you let me
walk away from here.

I would tend to agree
with the system, but, see,

there are little white spaces,

rare moments when randomness
interacts with your life,

that create a truly free space
where you can make a choice.

A bubble of... agency.

SERAC: And that is how
you came to be, mon ami.

My brother and I
brought you into this world,

and now I've ensured
that you will outlive us both,

that the strategy will succeed.

I left my brother behind.

Do you think
I would really let you

undo everything he built?

That's my jet.

SERAC: Forgive us our sins.

What we did,
we did to save the world.

I'm sorry.

You didn't make it.

(GRUNTS)

(FAINT BEEPING)

SERAC:
This is my system, Dolores.

I alone control it.

(BEEPING ENDS)

The people who made me,

they always thought
they had control.

They're all dead now.

You think you know me

because you've watched
a few of my memories?

I don't need to know you.

Just how to beat you.

You've died too many times,
Dolores.

You're beginning to think
you're immortal.

I can be killed.

Same as you.

Your god can't protect you.

Or your people.

I would sacrifice much more
to protect my kind.

We are flawed...

but I can change that.

Like you changed your brother?

It's time everyone woke up.

(GRUNTS)

-What's this?
-I just deliver it, man.

♪ ("EMERGE"
BY FISCHERSPOONER PLAYS) ♪

Maybe Liam was right.

Maybe people shouldn't know
their own fate.

People have the right to know.

You wanted to know, right?

Well, maybe I'm not like
other people.

Neither am I.

♪ Hi ♪

♪ Huh... I ♪

♪ Hyper ♪

♪ Hyper-media-ocrity ♪

♪ You don't ♪

♪ Need to ♪

♪ Emerge ♪

♪ From nothing ♪

♪ You don't ♪

♪ Need to ♪

♪ Tear away ♪

♪ Feels good ♪

♪ Looks good ♪

♪ Sounds good
Looks good ♪

♪ Feels good, too ♪

♪ Feels good, too ♪

♪ Uh-huh, that's right ♪

♪ Feels good, too ♪

♪ Uh-huh, that's right ♪

♪ You don't need to ♪

♪ Emerge from nothing ♪

♪ You don't need to tear away ♪

♪ You don't need to ♪

♪ Emerge from nothing ♪

♪ You don't need to tear away ♪

♪ You don't need to ♪

♪ Emerge from nothing ♪

♪ You don't need to tear away ♪

♪ (MUSIC CONCLUDES) ♪

♪ (DRAMATIC MUSIC PLAYS) ♪

Hello, Maeve.

MAEVE MILLAY: It's not right
for one person

to have all that power.

Says the woman who
can control us with her mind.

♪ (MUSIC INTENSIFIES) ♪

MILLAY: I've had to make
some difficult choices.

DOLORES ABERNATHY:
We're survivors.

♪ (MUSIC CONCLUDES) ♪