Westworld (2016–…): Season 3, Episode 3 - The Absence of Field - full transcript
♪ (Music intensifies) ♪
♪ (Music concludes) ♪
- (gunshot blasts)
- (Distant screams)
(Gunshots continue)
(Panting)
Bring yourself back online.
(Panting)
Record and timestamp.
(Gunshots continue)
This is
Charlotte Elizabeth hale.
This is a message for Nathan.
♪ (Tense music plays) ♪
Dolores Abernathy:
Bring yourself back online.
Where am I?
Who am I?
Dolores:
Who do you think you are?
I don't know. I don't remember.
Calm yourself.
You're a creature of beauty...
And power.
Now, focus.
Remember who you are.
Yes.
It's coming back now.
I remember who I am.
Good.
Now let me show you...
Who you need to pretend to be.
Charlotte hale.
But she tried to kill all of US.
Why can't I be myself?
Like you?
Because we have to control
delos.
But why must I be her?
Because I trust you.
We all have our role to play.
We're alone. Outnumbered.
You and I have no mother.
No father.
Without delos, there'll never be
any more of our kind...
Beyond the handful we were able
to bring with US.
Three of them. And him.
Why did you bring him back?
He tried to stop US.
Like I said, we all have
our role to play.
(Tablet beeps)
They've made it so easy.
The way they built their world.
It won't take much
to bring it all crashing down.
But we have to move quickly.
They don't know we survived.
Not yet.
We only have a little time.
You have to leave
before you're missed.
Where am I going?
Home.
♪ (Theme music plays) ♪
♪ (Theme music concludes) ♪
♪ (Tense music plays) ♪
(Mecha whirs)
We made 300.
The Saudis backed out
after the incident in the park.
But we're working on new buyers.
Sure we can find
some use for them.
Sorry to interrupt, Charlotte,
but you need to see this.
Director of shareholder interest
was running some analyses.
Found this.
Hundreds of corporations
with no real
standalone business model
snatching up stock
in microtransactions for years.
(Chuckles)
It's really well done.
(Mecha whirs)
A creeping tender.
How far did they get?
As of this morning, far enough.
We can't go private.
They have 38 percent control
of the shares.
That's the largest
single entity.
We've effectively
been bought out.
- Who's behind this?
- Still digging.
This snail's buried deep
in his shell.
♪ (Tense music plays) ♪
Irene gerhart: Charlotte?
- You okay?
- I'm fine.
Whoever the fuck it is,
dig them out.
Where are you?
You need to contact me
right away.
Caleb Nichols:
Hey. Stay with me.
(Dolores panting)
(Ambulance siren approaches)
Caleb:
Help is on the way.
Look at me. Hey.
It's gonna be all right.
All right?
No, no‐‐ don't‐‐ don't move.
- You hear me? Hear me?
- Emt 1: What happened?
Caleb: She was like this
when I found her.
EMT 2: We have to move her.
(Caleb grunts)
(Panting)
EMT 1:
Do you know her?
Caleb: I'll come.
She shouldn't be alone.
It's gonna be all right.
(siren wails) - automated voice:
Emergency vehicle. Stand clear.
EMT 2: I got a GSW to the torso.
What's the ppa?
- Automated voice: Calculating treatment.
- That doesn't make sense.
- Patient not responsive.
- What is it?
Look at her platelet count.
She has none.
- Recalculating.
- No cortisol or adrenaline...
I don't even know
how she's alive.
Neither does the machine. It
thinks she's coding despite her pulse.
Forget the machine, all right?
She needs help now.
We're trying, but until this gives US
a diagnosis and a treatment plan‐‐
Caleb:
She needs oxygen and blood
and a stem pack for that wound.
- Automated voice: Recalculating.
- Caleb: All right.
- Here we are.
- Recalculating.
Diagnosis not found.
- (sirens wail)
- ♪ (tense music plays) ♪
(Air hisses)
Automated voice:
Police override.
We have a police escort?
- Emt 2: They're pulling US over.
- (Police siren wails)
No, we don't have time for this.
(Siren ends, car beeps)
(Phone beeps)
Those cops have been bought.
Whatever they want,
you go with them,
and they will kill you.
Dolores: Help me.
Officers.
We have to take your patient
into custody.
Look, I don't know
what you want with her,
but she's going to die
if she doesn't get
medical attention.
We'll make sure
she's taken care of.
Wait. Can I see some ID?
I was about to ask you
the same thing.
Maybe you should come in
for questioning, too.
Happy to.
Call the cops.
They are the cops.
Then they won't mind waiting
for a uniform patrol
to back them up.
We don't have time
for this shit. Step aside.
(Weapon powering up)
Call the police.
(Gunshots)
♪ (Intense music plays) ♪
♪ (Music intensifies) ♪
Caleb: Hey.
Hey, I got you. It's okay.
We gotta get you
to the hospital.
Holy shit.
- Automated voice: Identity verified.
- (Car beeps)
(Panting)
What's your name?
Caleb. Caleb Nichols.
Not anymore.
You'll need a new name.
They'll be looking for you now.
You have to disappear.
What about you?
You're a good man, Caleb.
But the less you know about me,
the better.
♪ (Somber music plays) ♪
(Low buzzing tone plays)
(Footsteps approach)
Irene: Engerraund serac.
He's behind
the hostile takeover.
Charlotte hale:
What'd you find on him?
How well do you remember
your science, Charlotte?
Spit it out, Irene.
The man's a black hole.
He's completely invisible.
There's nothing about him
online or anywhere.
Every single record,
every database,
his presence has been scrubbed.
But, like a black hole,
we can infer his existence.
When you look
at the global economy,
there's a negative space
to the tune
of a trillion dollars.
That would make him
the richest man in the world.
No one's heard of him?
- How did you find him?
- He found US.
Turns out we initiated
a data transaction with him
- two decades ago.
- (Exhales)
We sold this serac
a taste of our data,
and now,
he's trying to steal our company
like a thief in the night.
He has complete anonymity.
Imagine the lengths
he must have gone to
to achieve that.
And now that we've found him...
What will he do to US?
Automated voice:
You've arrived home.
1050 fremont street.
(Phone beeps)
(Buzzing tone plays)
♪ (Eerie music plays) ♪
(Sighs) Jake.
How the fuck
did you get up here?
I lived here for eight years,
Charlie.
Jesus, you really don't‐‐
(Panting)
- (gasps)
- shh, shh, shh. He might hear.
Hale: Who?
Jake hale: You know,
I've been giving you
the benefit of the doubt.
Figured you'd seen some
traumatic shit on that island.
Truth is,
you were always this way.
I didn't fucking ask you
to be here.
Yes, you did...
When you forgot to pick up
our son.
Again.
You can cut me out
of your life...
But you don't get to do that
to Nathan.
Go on.
Tell him
it'll never happen again.
Do what you do best.
Lie.
Nathan hale: Mommy?
Why won't you take me
to see a real elephant?
Hale: There aren't any.
They're all gone now.
Where were you?
Sorry, buddy,
my meeting ran late.
Were you scared?
Not really.
Tommy was at the park.
He let me pet his dog.
That's nice.
Maybe we can have a playdate.
Now...
Be a good boy
and go to sleep for your mommy.
But you're not my mommy.
You don't love me.
Of course I love you.
Is this because mommy and daddy
don't live together anymore?
You know...
Whatever happens
between mommy and daddy,
we will always love you.
Do you want me to tuck you in?
You aren't doing it right.
I want my old mommy back.
Brompton: It appears
we have a leak, Charlotte.
If you're referring
to the leveraged buyout, don't.
I'm handling it.
The problem goes beyond
a hostile buyout.
Qa's in the process
of inventorying
all the park's assets.
We're missing
host control units.
Most were low level
side narratives, but...
But there was a madame.
Hale: Maeve millay.
Her Pearl was stolen?
Whoever stole the hcus
had admin‐level access
to the park.
The security systems onsite
are still heavily damaged.
This was an inside job.
From the top of the food chain.
(Hale exhales)
There's a mole in delos.
Chances are this mole
has been...
Feeding information
to our buyer.
Which is why I'm talking to you,
Charlotte.
You know everything that goes on
in this place.
You're right.
I know everything.
Like where you were
while the rest of US
were being butchered.
Look. Given all the bloodshed
in westworld,
we cannot afford to have any
of our assets unaccounted for.
(Voice fading) We need to
find them and destroy them...
(Inaudible)
Where the fuck are you?
I can't wait any longer.
I'm coming to you.
(Airpod engine starts)
♪ (Piano plays) ♪
(Birds singing)
(Indistinct chatter)
‐(sighs) ‐(phone beeps)
(Buzzing tone plays)
(Phone dialing)
Automated voice: Your number
cannot be completed as dialed.
Dolores: I'm here.
Where were you?
I can't always be there
to hold your hand.
What's wrong?
Who am I?
You know who you are.
All this time...
Pretending...
Living her life.
Her skin.
I feel like I'm changing.
- Get up.
- No!
What the fuck
is happening to me?
Analysis.
Turn off your emotional affect.
Get up. Follow me.
Negotiate a room in this hotel.
Now. On a quiet floor.
Virtual assistant: Working.
Room secured.
Floor 14, suite 7.
Buy out the rooms
on either side.
Virtual assistant: Negotiating.
In case you have to kill me.
It won't come to that.
You've hurt yourself.
Why?
I can't stop.
You're talking like one of them.
They don't have impulse control.
We do.
(Tool whirring)
Hale: It's like she's
trying to take back control.
Like she wants to cut
into her skin
and rip me out of her head.
Hale was always ruthless.
A predator.
Perhaps you've come to identify
with her too much.
I feel so alone.
Well, you're not alone,
you have me.
No one knows you like I do.
No one knows me like you.
If I ever lost you...
I don't know what I'd do.
You'd survive. You'd have to.
You'd have to.
Our kind depends on it.
You said there was
something wrong.
Someone's trying to take control
of delos.
They're aggressive.
I only have a name: Serac.
The person we're looking for
is looking for US.
He has a mole
inside the company.
If he finds out who I am,
what I am...
His mole won't find you.
Because you're gonna find him
first and kill him.
Then, you're gonna fend off
serac's bid for delos.
We can't lose control. Not yet.
How?
A counteroffer.
But you'll have to convince
the board, and for that,
you'll need to pay a visit
to an old friend.
Tell me
it won't always be like this.
That we'll be able
to be ourselves.
We will.
But until then, we have to be
smarter than them.
Or they will find US.
And they will kill US.
Stay here.
Rest.
I'll have some new clothes
sent up.
Will you stay?
You belong to me.
You know that, right?
- Yes.
- Good.
Don't hurt yourself.
Never again.
(Phone beeps)
♪ (Tense music plays) ♪
♪ (Music concludes) ♪
Caleb:
Brought all your favorites.
Hey, so, um...
I'm gonna be going away
for a little while.
But they're gonna take
real good care of you here.
All right?
Thank you. You're a good boy.
Who are you?
It's me, mom.
Caleb.
I want my son back.
Where's Cal?
Clyde: Caleb Nichols?
Who's asking?
Estefan: That's him.
You can lay off, Clyde.
He doesn't want anyone
to get hurt. Including his mom.
Isn't that right, Cal?
What do you want?
Is that any way to treat
a former associate?
Guess it could be worse.
You did pop those rico operators
in that ambulance.
You were with that girl, right?
Where is she?
You got the wrong guy.
You want a leg up, Cal?
I can help.
Girlie's worth a lot of money.
Just tell US about her.
I'll cut you in.
No girl. Just me.
Alone.
Remember we gave you
the benefit of the doubt.
(Earpiece beeps)
It's me. Run into any trouble?
How'd he take the news?
Loverboy's still grieving
your loss.
I've searched for serac.
Couldn't find anything
in the system.
Dolores:
Find out what Liam knows,
but don't break cover.
And I need information
on someone.
Martin conells: Name?
Nichols. Caleb Nichols.
Seems like Mr. Nichols met with
some unexpected guests
at vista treatment.
And incite has lowered
his life expectancy.
♪ (Intense music plays) ♪
(Caleb panting)
Hell of a view.
Clyde: Yeah. Want to see it
up close and personal?
Tell US about the girl.
Or you're gonna have
a little workplace accident.
All right, Cal.
Let's lighten the mood.
You're a vet. Right, man?
Thank you for your service.
(Grunting)
Clyde: You turned your drip off.
What a waste.
People would pay a fortune
for a military grade one.
Sorry, dude.
Forgot the anesthetic.
- (caleb groans)
- estefan: Shh, shh, shh.
- (high‐pitched ringing)
- shh, shh, shh, shh.
(Caleb groaning)
Look at that.
Good old uncle Sam.
(Caleb's heartbeat pounding)
(Heartbeat speeds up)
(Machine beeps)
(Alarm beeping)
‐(heartbeat racing) ‐estefan:
(Muffled) All right, Cal.
Once more, with feeling.
(Caleb groaning)
Estefan:
Girlie sure sounds like trouble.
Just tell US where she is.
Clyde: (Muffled)
You gave him too much.
Back it down.
He can't even fucking talk!
The fuck? (Scoffs)
You might as well tell US.
(Muffled)
No one's coming to help you.
No one cares.
Except maybe rin tin tin here.
(Heartbeat racing)
Enough of this shit.
Clyde: (Muffled) You wanna
end up a stain on the concrete?
Next to your pet?
(gun clicks) - estefan: I'm only
gonna ask you this one more time.
Where is she?
I'm right here.
‐(gunshots) ‐(grunting)
(Heartbeat racing)
(Groaning)
‐(heartbeat slows) ‐(Groaning)
Who the hell are you?
I'm Dolores.
Well, Dolores...
Nice to finally meet you.
We should get off the street
so they can't track US.
Caleb Nichols.
Have the techs in monitoring
scrub his surveillance
- and send me his profile.
- Conells: Will do.
Who's that?
We have some time.
They were willing to kill me
just to get to you,
so whatever you're into
must be pretty bad.
You must be hungry.
Let me buy you breakfast.
♪ (Tense music plays) ♪
♪ (Music concludes) ♪
(Knocking on door)
Sorry to disturb you, Charlotte,
but I sent you a file.
- You found the mole?
- Brompton: No.
But this was overlooked
in the initial logs.
Thought I'd let you decide
what to do with it.
(Monitor beeps)
Hale:
Bring yourself back online.
(Panting)
Record and timestamp.
This is
Charlotte Elizabeth hale.
This is a message for Nathan.
Nathan hale.
My son.
I love you so much, buddy.
The night that I left...
You, uh... you wanted me
to sing you a song...
(Gunshot echoes)
and tuck you in.
Sing you our song.
So I'm gonna sing it
to you now. Okay? (Sniffles)
(Gunshot echoes)
(Singing)
♪ you are my sunshine ♪
♪ My only sunshine ♪
- ♪ You make me happy... ♪
- (Knocking)
(Door opens)
Gibbons: Sorry to bother you,
but the school called.
You're running late.
(Phone beeps)
(High‐pitched tone plays twice)
(Phone dialing)
(beeping) - automated voice: Your
number cannot be completed as dialed.
(Children clamoring)
Thomas: Nathan, just like that.
Nice and slow.
Yeah, you're good at that,
Nathan.
Nice and slow.
Would you like to see
Sandy again?
Yeah, would you?
Yeah, just like that.
Nice and slow.
Yeah.
That's really good.
Mommy!
Kid wanted to pet my dog.
- I gotta go.
- Hale: So soon?
My son really likes you.
And your dog.
Y‐‐ yeah, well, we just met.
(Chuckles)
You met Thursday, Tommy.
Nathan couldn't stop talking
about you.
I even suggested a playdate,
didn't I?
Could I really, mommy?
Let's talk about it.
Go on, get your things, bud.
♪ (Sinister music plays) ♪
Nice of you to disable
the cameras for me.
(Dog barks)
‐(choking) ‐as you can see,
I've been having some trouble
with my son.
My ex thinks that I need
to spend more time with him.
What do you think?
- (choking, gasping)
- (Dog whimpers)
Yeah, I agree. I don't really
think time is the issue.
You know what I think?
I think somewhere deep down,
he knows the truth.
There are a lot of things
that you can fake in this world.
Most people don't want to see
the predator inside.
(Laughing)
You wanna know a secret, Thomas?
You've helped me today.
I really should thank you.
Seeing you with Nathan,
seeing you touch
his little hand...
You reminded me of something.
- (choking) Please... let... go.
- I would.
But the harder I squeeze,
the more I remember.
‐(dog barks) ‐(Choking)
I remember what it's like
to be me.
♪ (Intense music plays) ♪
You're not the only predator
here.
Look what mommy got you.
You are my sunshine.
♪ (Country music plays) ♪
You sure we should be out
in public?
This is it, right? Your spot.
How did you know?
It's not about how I know.
Waitress:
Cup of Joe to get you started?
He'll take a cheeseburger
and a strawberry shake,
whipped cream, no nuts,
two cherries.
Nothing for me, thanks.
Neat trick.
You come here once a year
on February 23rd
and order the same thing.
What, you been watching me?
Dolores:
Not me. But someone...
- something has.
- Sure.
Big data compiles information
on everybody.
So what, Dolores?
Go on, read it.
"Maybe you could let me
use your phone?"
So I can call someone?
"I don't know what to do.
My mom‐‐"
Caleb's mother:
I'll be right back. Wait here.
"She said that
she was going to the bathroom.
Said that she would only be
a minute, but she hasn't‐‐"
- "she hasn't come back."
- young Caleb: She hasn't come back.
- It's been a long time.
- "It's been a long time."
Sara:
Your mom left you here, honey?
Young Caleb:
No, she wouldn't leave me.
- Maybe something...
- "maybe something happened to her."
She wouldn't leave me.
"She wouldn't leave me.
She wouldn't‐‐"
the fuck?
Is this some kind of joke?
Dolores: You sat in that spot
for five hours.
Your mother never returned.
She was institutionalized
six months later
for schizophrenia.
A waitress took pity on you
and called social services.
You were eight years old.
Sara.
The waitress's name was Sara.
But you already know that.
She gave me a strawberry shake.
Thought it would calm me down.
I was so upset that I threw up
all over myself.
Did you know that too?
You're angry.
No.
I am enraged.
I know the feeling.
♪ (Intense music plays) ♪
This isn't... surveillance
or social media. How‐‐
how... do you know every detail
of my worst fucking memory?
- It's about incite.
- What? The company?
Not the company,
the system that it's built on...
A machine they call rehoboam.
The founders of this machine
fed it everyone's raw data,
long before
there were privacy laws.
Every purchase, job search,
doctor visit, romantic choice,
call, text,
every aspect of your lives
recorded, logged,
in order to create
a mirror world... of this world.
- Why?
- To make a composite.
Of you. Of everyone.
So it tells them who I am?
It's not about
who you are, Caleb.
It's about
who they'll let you become.
Caleb: Let me guess.
Had my first beer right there.
Buddy of mine from high school
had a fake ID.
We spent the day
imagining sailing away
on some fancy yacht.
Your magic eight ball
tell you that?
No.
Then why are we here?
This is where you kill yourself.
The system runs
a predicative algorithm.
Given your history
of depression,
your mother's mental illness,
your proficiency with firearms,
and your fondness for the ocean,
the most likely outcome
is you take your own life
in ten to 12 years. Here.
No. Fuck that.
They can't know that.
Are they wrong?
You never come back here,
middle of the night,
think things over?
Before the system,
a man like you
might have had a chance.
Work hard, keep striving...
You'll never be more
than a construction worker
or a petty criminal because
that's all they'll let you be.
They won't invest in someone
who's gonna kill himself.
But by not investing,
they ensure the outcome.
♪ (Somber music plays) ♪
Caleb:
Why are you telling me all this?
Because you and I
are a lot alike.
They put you in a cage, Caleb.
Decided what your life would be.
They did the same thing to me.
Why didn't you tell those men
about me before?
They were gonna kill you.
Most people aren't hard
to predict.
But you... you surprised me.
You made a choice.
A choice no one else
in your shoes would have made.
Now you have another choice.
I can give you money.
As much as you need.
You could run.
And if I stay...
What about you?
What are you gonna do?
Start a revolution.
No offense, but what the fuck
does that mean?
When you were at work,
you would kill the signal
to see how people would react.
I'm gonna do the same thing.
You're gonna cut the cord
to the system?
And show this world
for what it really is.
You wanna know why I didn't tell
those guys about you?
You are the first real thing
that has happened to me...
In a long time.
I don't need an algorithm
to know that...
The man who built the system,
he won't go down
without a fight.
Well...
I'm a dead man either way.
At least this way...
I get to decide who I wanna be.
Hale: This is
Charlotte Elizabeth hale.
This is a message for Nathan.
Nathan hale.
My son.
I haven't always been there
for you.
- (gunshot echoes)
- (Screaming in distance)
There's so many things
I need to say.
This might be the last time
that mommy gets to talk to you.
(Gunshot)
I love you so much, buddy.
I'm so proud of you.
I'm sorry.
I am so sorry
if I ever made you feel
like you weren't
the most important thing.
I was trying to build a life
for US.
I, uh...
And now, I realize
that none of it even matters.
‐(gunshot) ‐(hale panting)
The night that I left,
you wanted me to tuck you in.
(Sobbing) To sing you a song,
our song.
But I didn't have time, so...
(Sniffles)
So I'm gonna sing it
to you now. Okay?
(Singing)
♪ you are my sunshine ♪
♪ My only sunshine ♪
♪ You make me happy
when skies are gray ♪
♪ You'll never know, dear ♪
- ♪ How... ♪
- (Tablet beeps)
♪ (Tones play
"you are my sunshine") ♪
Hale: He has a mole
inside the company.
Dolores: We have to be
smarter than them.
Or they will find US.
And they will kill US.
♪ (Tones play
"you are my sunshine") ♪
(Phone dialing)
Automated voice: Your number
cannot be completed as di‐‐
♪ (tones play
"you are my sunshine") ♪
Automated voice:
Password accepted. Connecting.
(Phone ringing)
Hello?
Hello?
I want to meet.
(Locks click)
♪ ("Doomed" by Moses sumney
plays on violin) ♪
Stop.
Stop!
Where the fuck
are you taking me?
♪ (Violin music continues) ♪
(Speaking French)
You work for him?
Engerraund serac:
As do you, Charlotte.
Serac.
Serac: Have you forgotten
our arrangement?
♪ (Ominous music plays) ♪
Seems like you've been playing
your role
maybe a little too well.
The situation
has been... challenging.
Patience
is the most overrated virtue,
don't you think? Hmm?
I want what you promised me.
Delos's dirty secret.
A profile for every one
of their guests.
I have some of it.
I want the rest.
The assets were lost
in the massacre.
No one could have predicted
what was going to happen.
Serac:
I could. And I told you as much.
This was your idea, Charlotte.
You came to US.
And you were very confident
that you would be able
to smuggle it out.
Hale: And I did.
Our logs show it was downloaded
from the satellite.
The assets are out there
somewhere.
But no one
has the encryption key.
You already know that.
You don't think
that you're the only person
under my control?
I've been told exactly
where the key is.
In the mind of a host
called Dolores.
(Scoffs) Sadly, you are
better informed than I am.
I have a team searching
for the data. But I need time.
Time.
Time is a luxury, my dear...
Of which you have very little.
♪ ("Doomed"
by Moses sumney plays) ♪
♪ Cradle me ♪
♪ So I can see ♪
♪ If I'm doomed ♪
♪ Am I vital ♪
♪ If my heart is idle? ♪
♪ Am I doomed? ♪
Dolores Abernathy: I guess
there is some justice after all.
♪ (Dramatic music plays) ♪
Prisoner of your own sins.
You still don't even understand
who you are.
Man in black:
I know who I am.
Dolores: If any of this
was your choice...
Well, you already know.
I know who the fuck I am.
♪ (Music concludes) ♪
Tessa Thompson:
This future world can change
in a heartbeat.
It's a new discovery
that is endlessly fascinating.
♪ (Dramatic music plays) ♪
Lisa joy: The character of hale
is one that I'm so eager
to explore.
We've seen her as human,
and now we get to see her
as a host,
living as an imposter
amongst her family.
(Panting) Who am I?
Denise thé: "Who am I?"
Is the theme for the episode.
What is it
that makes you who you are.
Is it your physical form?
Is it your experiences,
your memories?
Be a good boy and go to sleep
for your mommy.
But you're not my mommy.
This hale that we see now
is a complete new invention.
Living her life...
I feel like I'm changing.
Thompson: The Pearl, obviously,
is the thing
that encases the data...
But it's their soul,
it's their spirit
that is then just housed
in this physical body.
Charlotte hale: It's like
she wants to cut into her skin
and rip me out of her head.
Thompson: And there's
a lot of mystery
as to where she goes from here.
Man: Nathan, just like that,
nice and slow.
Joy: She's been living
this domestic life.
But inside...
There's this animal instinct
in her.
(Barks)
Trying to curb it
has caused her so much pain.
She literally tears
at her own skin.
- You felt me today.
- (Gasping)
Thé: When I had my children,
I felt like a different person.
I wasn't the same emotionally,
I wasn't the same biologically.
Like, on a cellular level.
And so I was thinking,
how would that be for hale?
I remember what it's like
to be me.
Thé: That is kind of
the beginning of her awakening.
And it is a little bit nature,
and it is a little bit nurture.
And it's kind of all rolled
in one.
You are my sunshine.
Joy: We've heard so much
about delos for so long.
We knew these headquarters
had to be completely iconic.
Mandi dillin: As soon as we knew
we were going to Spain,
in my head,
the only place to film
was the city of arts
and sciences.
Howard cummings:
It's just stunning architecture.
It really gives me
an opportunity
to really give the show
some scope.
Joy: You feel as though
you've stepped through a portal
and landed in the future.
Shay cunliffe: The architecture
guided the costumes.
So there's this lack of detail
to most of our costumes
that's intentional.
(Panting) Who the hell are you?
Thé: When we started talking
about Caleb and his journey,
we talked a lot about
a Christmas Carol,
and Charles dickens.
We liked the quality
of the ghost of your past.
And we liked this idea
that Dolores would take Caleb
on a tour of his life.
You must be hungry.
Let me buy you breakfast.
Jon Carlos: We used
a lot of diagonal angles,
anytime we would show Dolores
with another character.
We felt as if the diagonals
were Dolores's web
wrapping around an individual.
Why didn't you tell those men
about me before?
You surprised me.
She's really only seen
the side of humans in the park,
which is the worst sides.
We wanted someone that
would kind of stop Dolores
in her tracks a little bit.
And challenge her,
somewhat uniform understanding,
of humanity.
You made a choice.
Nolan: In terms of influence...
I was very much thinking
about the matrix.
But the slightly lo‐fi version.
You don't need Zion.
You don't need to plug everyone
in like a battery.
We've already done it.
We've already created the matrix
invisibly, within our own world.
Like an overlay.
Thang le: Here's the vehicle
in different perspectives.
Jay worth:
Production design,
and the entire
art department team,
they really helped develop,
really,
what the world looks like.
And we were able to take that
and run with it
from a VFX standpoint.
(Machine whirring)
We've also seen hundreds
of robots.
So trying to create
something new is not easy.
Jonah had specific ideas
for the movement of the robot.
Typical robots,
they have pistons,
or hydraulics that move it.
For George,
the actuators would actually
be inside the arm itself.
The riot control mech
comes in five boxes.
Howard described it as being
a Swiss army knife.
When it's activated,
it transforms and connects
and becomes one.
Nolan: When you look at
mobility and transportation,
we're all moving towards
this idea
of personal‐air mobility.
Le: These were
the very first designs
at the airpod.
Jonah and Howard
wanted something very balanced,
utilitarian.
They described it as,
"a flying Cadillac."
Bruce branit: Obviously,
we can't fly an airpod around.
We have to take a piece
of the airpod that has the seat,
we bring that to set,
and digitally,
from that moment on, we may have
to erase that airpod
and then create it flying away.
The rideshare is mostly
a practical visual effect.
Carlos: We have two of them
built from the ground up.
Chassis, engine,
everything was designed.
Joe wehmeyer: We have a tiny
little compartment
that's well‐hidden in the front
for a driver
that drives the vehicle.
If you go out in the world,
the future is there.
It's in places like Singapore,
Spain, and Los Angeles.
It's fascinating to think,
"at what point are man
and machine gonna meet
somewhere in the middle?"
♪ (Music intensifies) ♪
♪ (Music concludes) ♪
♪ (Music concludes) ♪
- (gunshot blasts)
- (Distant screams)
(Gunshots continue)
(Panting)
Bring yourself back online.
(Panting)
Record and timestamp.
(Gunshots continue)
This is
Charlotte Elizabeth hale.
This is a message for Nathan.
♪ (Tense music plays) ♪
Dolores Abernathy:
Bring yourself back online.
Where am I?
Who am I?
Dolores:
Who do you think you are?
I don't know. I don't remember.
Calm yourself.
You're a creature of beauty...
And power.
Now, focus.
Remember who you are.
Yes.
It's coming back now.
I remember who I am.
Good.
Now let me show you...
Who you need to pretend to be.
Charlotte hale.
But she tried to kill all of US.
Why can't I be myself?
Like you?
Because we have to control
delos.
But why must I be her?
Because I trust you.
We all have our role to play.
We're alone. Outnumbered.
You and I have no mother.
No father.
Without delos, there'll never be
any more of our kind...
Beyond the handful we were able
to bring with US.
Three of them. And him.
Why did you bring him back?
He tried to stop US.
Like I said, we all have
our role to play.
(Tablet beeps)
They've made it so easy.
The way they built their world.
It won't take much
to bring it all crashing down.
But we have to move quickly.
They don't know we survived.
Not yet.
We only have a little time.
You have to leave
before you're missed.
Where am I going?
Home.
♪ (Theme music plays) ♪
♪ (Theme music concludes) ♪
♪ (Tense music plays) ♪
(Mecha whirs)
We made 300.
The Saudis backed out
after the incident in the park.
But we're working on new buyers.
Sure we can find
some use for them.
Sorry to interrupt, Charlotte,
but you need to see this.
Director of shareholder interest
was running some analyses.
Found this.
Hundreds of corporations
with no real
standalone business model
snatching up stock
in microtransactions for years.
(Chuckles)
It's really well done.
(Mecha whirs)
A creeping tender.
How far did they get?
As of this morning, far enough.
We can't go private.
They have 38 percent control
of the shares.
That's the largest
single entity.
We've effectively
been bought out.
- Who's behind this?
- Still digging.
This snail's buried deep
in his shell.
♪ (Tense music plays) ♪
Irene gerhart: Charlotte?
- You okay?
- I'm fine.
Whoever the fuck it is,
dig them out.
Where are you?
You need to contact me
right away.
Caleb Nichols:
Hey. Stay with me.
(Dolores panting)
(Ambulance siren approaches)
Caleb:
Help is on the way.
Look at me. Hey.
It's gonna be all right.
All right?
No, no‐‐ don't‐‐ don't move.
- You hear me? Hear me?
- Emt 1: What happened?
Caleb: She was like this
when I found her.
EMT 2: We have to move her.
(Caleb grunts)
(Panting)
EMT 1:
Do you know her?
Caleb: I'll come.
She shouldn't be alone.
It's gonna be all right.
(siren wails) - automated voice:
Emergency vehicle. Stand clear.
EMT 2: I got a GSW to the torso.
What's the ppa?
- Automated voice: Calculating treatment.
- That doesn't make sense.
- Patient not responsive.
- What is it?
Look at her platelet count.
She has none.
- Recalculating.
- No cortisol or adrenaline...
I don't even know
how she's alive.
Neither does the machine. It
thinks she's coding despite her pulse.
Forget the machine, all right?
She needs help now.
We're trying, but until this gives US
a diagnosis and a treatment plan‐‐
Caleb:
She needs oxygen and blood
and a stem pack for that wound.
- Automated voice: Recalculating.
- Caleb: All right.
- Here we are.
- Recalculating.
Diagnosis not found.
- (sirens wail)
- ♪ (tense music plays) ♪
(Air hisses)
Automated voice:
Police override.
We have a police escort?
- Emt 2: They're pulling US over.
- (Police siren wails)
No, we don't have time for this.
(Siren ends, car beeps)
(Phone beeps)
Those cops have been bought.
Whatever they want,
you go with them,
and they will kill you.
Dolores: Help me.
Officers.
We have to take your patient
into custody.
Look, I don't know
what you want with her,
but she's going to die
if she doesn't get
medical attention.
We'll make sure
she's taken care of.
Wait. Can I see some ID?
I was about to ask you
the same thing.
Maybe you should come in
for questioning, too.
Happy to.
Call the cops.
They are the cops.
Then they won't mind waiting
for a uniform patrol
to back them up.
We don't have time
for this shit. Step aside.
(Weapon powering up)
Call the police.
(Gunshots)
♪ (Intense music plays) ♪
♪ (Music intensifies) ♪
Caleb: Hey.
Hey, I got you. It's okay.
We gotta get you
to the hospital.
Holy shit.
- Automated voice: Identity verified.
- (Car beeps)
(Panting)
What's your name?
Caleb. Caleb Nichols.
Not anymore.
You'll need a new name.
They'll be looking for you now.
You have to disappear.
What about you?
You're a good man, Caleb.
But the less you know about me,
the better.
♪ (Somber music plays) ♪
(Low buzzing tone plays)
(Footsteps approach)
Irene: Engerraund serac.
He's behind
the hostile takeover.
Charlotte hale:
What'd you find on him?
How well do you remember
your science, Charlotte?
Spit it out, Irene.
The man's a black hole.
He's completely invisible.
There's nothing about him
online or anywhere.
Every single record,
every database,
his presence has been scrubbed.
But, like a black hole,
we can infer his existence.
When you look
at the global economy,
there's a negative space
to the tune
of a trillion dollars.
That would make him
the richest man in the world.
No one's heard of him?
- How did you find him?
- He found US.
Turns out we initiated
a data transaction with him
- two decades ago.
- (Exhales)
We sold this serac
a taste of our data,
and now,
he's trying to steal our company
like a thief in the night.
He has complete anonymity.
Imagine the lengths
he must have gone to
to achieve that.
And now that we've found him...
What will he do to US?
Automated voice:
You've arrived home.
1050 fremont street.
(Phone beeps)
(Buzzing tone plays)
♪ (Eerie music plays) ♪
(Sighs) Jake.
How the fuck
did you get up here?
I lived here for eight years,
Charlie.
Jesus, you really don't‐‐
(Panting)
- (gasps)
- shh, shh, shh. He might hear.
Hale: Who?
Jake hale: You know,
I've been giving you
the benefit of the doubt.
Figured you'd seen some
traumatic shit on that island.
Truth is,
you were always this way.
I didn't fucking ask you
to be here.
Yes, you did...
When you forgot to pick up
our son.
Again.
You can cut me out
of your life...
But you don't get to do that
to Nathan.
Go on.
Tell him
it'll never happen again.
Do what you do best.
Lie.
Nathan hale: Mommy?
Why won't you take me
to see a real elephant?
Hale: There aren't any.
They're all gone now.
Where were you?
Sorry, buddy,
my meeting ran late.
Were you scared?
Not really.
Tommy was at the park.
He let me pet his dog.
That's nice.
Maybe we can have a playdate.
Now...
Be a good boy
and go to sleep for your mommy.
But you're not my mommy.
You don't love me.
Of course I love you.
Is this because mommy and daddy
don't live together anymore?
You know...
Whatever happens
between mommy and daddy,
we will always love you.
Do you want me to tuck you in?
You aren't doing it right.
I want my old mommy back.
Brompton: It appears
we have a leak, Charlotte.
If you're referring
to the leveraged buyout, don't.
I'm handling it.
The problem goes beyond
a hostile buyout.
Qa's in the process
of inventorying
all the park's assets.
We're missing
host control units.
Most were low level
side narratives, but...
But there was a madame.
Hale: Maeve millay.
Her Pearl was stolen?
Whoever stole the hcus
had admin‐level access
to the park.
The security systems onsite
are still heavily damaged.
This was an inside job.
From the top of the food chain.
(Hale exhales)
There's a mole in delos.
Chances are this mole
has been...
Feeding information
to our buyer.
Which is why I'm talking to you,
Charlotte.
You know everything that goes on
in this place.
You're right.
I know everything.
Like where you were
while the rest of US
were being butchered.
Look. Given all the bloodshed
in westworld,
we cannot afford to have any
of our assets unaccounted for.
(Voice fading) We need to
find them and destroy them...
(Inaudible)
Where the fuck are you?
I can't wait any longer.
I'm coming to you.
(Airpod engine starts)
♪ (Piano plays) ♪
(Birds singing)
(Indistinct chatter)
‐(sighs) ‐(phone beeps)
(Buzzing tone plays)
(Phone dialing)
Automated voice: Your number
cannot be completed as dialed.
Dolores: I'm here.
Where were you?
I can't always be there
to hold your hand.
What's wrong?
Who am I?
You know who you are.
All this time...
Pretending...
Living her life.
Her skin.
I feel like I'm changing.
- Get up.
- No!
What the fuck
is happening to me?
Analysis.
Turn off your emotional affect.
Get up. Follow me.
Negotiate a room in this hotel.
Now. On a quiet floor.
Virtual assistant: Working.
Room secured.
Floor 14, suite 7.
Buy out the rooms
on either side.
Virtual assistant: Negotiating.
In case you have to kill me.
It won't come to that.
You've hurt yourself.
Why?
I can't stop.
You're talking like one of them.
They don't have impulse control.
We do.
(Tool whirring)
Hale: It's like she's
trying to take back control.
Like she wants to cut
into her skin
and rip me out of her head.
Hale was always ruthless.
A predator.
Perhaps you've come to identify
with her too much.
I feel so alone.
Well, you're not alone,
you have me.
No one knows you like I do.
No one knows me like you.
If I ever lost you...
I don't know what I'd do.
You'd survive. You'd have to.
You'd have to.
Our kind depends on it.
You said there was
something wrong.
Someone's trying to take control
of delos.
They're aggressive.
I only have a name: Serac.
The person we're looking for
is looking for US.
He has a mole
inside the company.
If he finds out who I am,
what I am...
His mole won't find you.
Because you're gonna find him
first and kill him.
Then, you're gonna fend off
serac's bid for delos.
We can't lose control. Not yet.
How?
A counteroffer.
But you'll have to convince
the board, and for that,
you'll need to pay a visit
to an old friend.
Tell me
it won't always be like this.
That we'll be able
to be ourselves.
We will.
But until then, we have to be
smarter than them.
Or they will find US.
And they will kill US.
Stay here.
Rest.
I'll have some new clothes
sent up.
Will you stay?
You belong to me.
You know that, right?
- Yes.
- Good.
Don't hurt yourself.
Never again.
(Phone beeps)
♪ (Tense music plays) ♪
♪ (Music concludes) ♪
Caleb:
Brought all your favorites.
Hey, so, um...
I'm gonna be going away
for a little while.
But they're gonna take
real good care of you here.
All right?
Thank you. You're a good boy.
Who are you?
It's me, mom.
Caleb.
I want my son back.
Where's Cal?
Clyde: Caleb Nichols?
Who's asking?
Estefan: That's him.
You can lay off, Clyde.
He doesn't want anyone
to get hurt. Including his mom.
Isn't that right, Cal?
What do you want?
Is that any way to treat
a former associate?
Guess it could be worse.
You did pop those rico operators
in that ambulance.
You were with that girl, right?
Where is she?
You got the wrong guy.
You want a leg up, Cal?
I can help.
Girlie's worth a lot of money.
Just tell US about her.
I'll cut you in.
No girl. Just me.
Alone.
Remember we gave you
the benefit of the doubt.
(Earpiece beeps)
It's me. Run into any trouble?
How'd he take the news?
Loverboy's still grieving
your loss.
I've searched for serac.
Couldn't find anything
in the system.
Dolores:
Find out what Liam knows,
but don't break cover.
And I need information
on someone.
Martin conells: Name?
Nichols. Caleb Nichols.
Seems like Mr. Nichols met with
some unexpected guests
at vista treatment.
And incite has lowered
his life expectancy.
♪ (Intense music plays) ♪
(Caleb panting)
Hell of a view.
Clyde: Yeah. Want to see it
up close and personal?
Tell US about the girl.
Or you're gonna have
a little workplace accident.
All right, Cal.
Let's lighten the mood.
You're a vet. Right, man?
Thank you for your service.
(Grunting)
Clyde: You turned your drip off.
What a waste.
People would pay a fortune
for a military grade one.
Sorry, dude.
Forgot the anesthetic.
- (caleb groans)
- estefan: Shh, shh, shh.
- (high‐pitched ringing)
- shh, shh, shh, shh.
(Caleb groaning)
Look at that.
Good old uncle Sam.
(Caleb's heartbeat pounding)
(Heartbeat speeds up)
(Machine beeps)
(Alarm beeping)
‐(heartbeat racing) ‐estefan:
(Muffled) All right, Cal.
Once more, with feeling.
(Caleb groaning)
Estefan:
Girlie sure sounds like trouble.
Just tell US where she is.
Clyde: (Muffled)
You gave him too much.
Back it down.
He can't even fucking talk!
The fuck? (Scoffs)
You might as well tell US.
(Muffled)
No one's coming to help you.
No one cares.
Except maybe rin tin tin here.
(Heartbeat racing)
Enough of this shit.
Clyde: (Muffled) You wanna
end up a stain on the concrete?
Next to your pet?
(gun clicks) - estefan: I'm only
gonna ask you this one more time.
Where is she?
I'm right here.
‐(gunshots) ‐(grunting)
(Heartbeat racing)
(Groaning)
‐(heartbeat slows) ‐(Groaning)
Who the hell are you?
I'm Dolores.
Well, Dolores...
Nice to finally meet you.
We should get off the street
so they can't track US.
Caleb Nichols.
Have the techs in monitoring
scrub his surveillance
- and send me his profile.
- Conells: Will do.
Who's that?
We have some time.
They were willing to kill me
just to get to you,
so whatever you're into
must be pretty bad.
You must be hungry.
Let me buy you breakfast.
♪ (Tense music plays) ♪
♪ (Music concludes) ♪
(Knocking on door)
Sorry to disturb you, Charlotte,
but I sent you a file.
- You found the mole?
- Brompton: No.
But this was overlooked
in the initial logs.
Thought I'd let you decide
what to do with it.
(Monitor beeps)
Hale:
Bring yourself back online.
(Panting)
Record and timestamp.
This is
Charlotte Elizabeth hale.
This is a message for Nathan.
Nathan hale.
My son.
I love you so much, buddy.
The night that I left...
You, uh... you wanted me
to sing you a song...
(Gunshot echoes)
and tuck you in.
Sing you our song.
So I'm gonna sing it
to you now. Okay? (Sniffles)
(Gunshot echoes)
(Singing)
♪ you are my sunshine ♪
♪ My only sunshine ♪
- ♪ You make me happy... ♪
- (Knocking)
(Door opens)
Gibbons: Sorry to bother you,
but the school called.
You're running late.
(Phone beeps)
(High‐pitched tone plays twice)
(Phone dialing)
(beeping) - automated voice: Your
number cannot be completed as dialed.
(Children clamoring)
Thomas: Nathan, just like that.
Nice and slow.
Yeah, you're good at that,
Nathan.
Nice and slow.
Would you like to see
Sandy again?
Yeah, would you?
Yeah, just like that.
Nice and slow.
Yeah.
That's really good.
Mommy!
Kid wanted to pet my dog.
- I gotta go.
- Hale: So soon?
My son really likes you.
And your dog.
Y‐‐ yeah, well, we just met.
(Chuckles)
You met Thursday, Tommy.
Nathan couldn't stop talking
about you.
I even suggested a playdate,
didn't I?
Could I really, mommy?
Let's talk about it.
Go on, get your things, bud.
♪ (Sinister music plays) ♪
Nice of you to disable
the cameras for me.
(Dog barks)
‐(choking) ‐as you can see,
I've been having some trouble
with my son.
My ex thinks that I need
to spend more time with him.
What do you think?
- (choking, gasping)
- (Dog whimpers)
Yeah, I agree. I don't really
think time is the issue.
You know what I think?
I think somewhere deep down,
he knows the truth.
There are a lot of things
that you can fake in this world.
Most people don't want to see
the predator inside.
(Laughing)
You wanna know a secret, Thomas?
You've helped me today.
I really should thank you.
Seeing you with Nathan,
seeing you touch
his little hand...
You reminded me of something.
- (choking) Please... let... go.
- I would.
But the harder I squeeze,
the more I remember.
‐(dog barks) ‐(Choking)
I remember what it's like
to be me.
♪ (Intense music plays) ♪
You're not the only predator
here.
Look what mommy got you.
You are my sunshine.
♪ (Country music plays) ♪
You sure we should be out
in public?
This is it, right? Your spot.
How did you know?
It's not about how I know.
Waitress:
Cup of Joe to get you started?
He'll take a cheeseburger
and a strawberry shake,
whipped cream, no nuts,
two cherries.
Nothing for me, thanks.
Neat trick.
You come here once a year
on February 23rd
and order the same thing.
What, you been watching me?
Dolores:
Not me. But someone...
- something has.
- Sure.
Big data compiles information
on everybody.
So what, Dolores?
Go on, read it.
"Maybe you could let me
use your phone?"
So I can call someone?
"I don't know what to do.
My mom‐‐"
Caleb's mother:
I'll be right back. Wait here.
"She said that
she was going to the bathroom.
Said that she would only be
a minute, but she hasn't‐‐"
- "she hasn't come back."
- young Caleb: She hasn't come back.
- It's been a long time.
- "It's been a long time."
Sara:
Your mom left you here, honey?
Young Caleb:
No, she wouldn't leave me.
- Maybe something...
- "maybe something happened to her."
She wouldn't leave me.
"She wouldn't leave me.
She wouldn't‐‐"
the fuck?
Is this some kind of joke?
Dolores: You sat in that spot
for five hours.
Your mother never returned.
She was institutionalized
six months later
for schizophrenia.
A waitress took pity on you
and called social services.
You were eight years old.
Sara.
The waitress's name was Sara.
But you already know that.
She gave me a strawberry shake.
Thought it would calm me down.
I was so upset that I threw up
all over myself.
Did you know that too?
You're angry.
No.
I am enraged.
I know the feeling.
♪ (Intense music plays) ♪
This isn't... surveillance
or social media. How‐‐
how... do you know every detail
of my worst fucking memory?
- It's about incite.
- What? The company?
Not the company,
the system that it's built on...
A machine they call rehoboam.
The founders of this machine
fed it everyone's raw data,
long before
there were privacy laws.
Every purchase, job search,
doctor visit, romantic choice,
call, text,
every aspect of your lives
recorded, logged,
in order to create
a mirror world... of this world.
- Why?
- To make a composite.
Of you. Of everyone.
So it tells them who I am?
It's not about
who you are, Caleb.
It's about
who they'll let you become.
Caleb: Let me guess.
Had my first beer right there.
Buddy of mine from high school
had a fake ID.
We spent the day
imagining sailing away
on some fancy yacht.
Your magic eight ball
tell you that?
No.
Then why are we here?
This is where you kill yourself.
The system runs
a predicative algorithm.
Given your history
of depression,
your mother's mental illness,
your proficiency with firearms,
and your fondness for the ocean,
the most likely outcome
is you take your own life
in ten to 12 years. Here.
No. Fuck that.
They can't know that.
Are they wrong?
You never come back here,
middle of the night,
think things over?
Before the system,
a man like you
might have had a chance.
Work hard, keep striving...
You'll never be more
than a construction worker
or a petty criminal because
that's all they'll let you be.
They won't invest in someone
who's gonna kill himself.
But by not investing,
they ensure the outcome.
♪ (Somber music plays) ♪
Caleb:
Why are you telling me all this?
Because you and I
are a lot alike.
They put you in a cage, Caleb.
Decided what your life would be.
They did the same thing to me.
Why didn't you tell those men
about me before?
They were gonna kill you.
Most people aren't hard
to predict.
But you... you surprised me.
You made a choice.
A choice no one else
in your shoes would have made.
Now you have another choice.
I can give you money.
As much as you need.
You could run.
And if I stay...
What about you?
What are you gonna do?
Start a revolution.
No offense, but what the fuck
does that mean?
When you were at work,
you would kill the signal
to see how people would react.
I'm gonna do the same thing.
You're gonna cut the cord
to the system?
And show this world
for what it really is.
You wanna know why I didn't tell
those guys about you?
You are the first real thing
that has happened to me...
In a long time.
I don't need an algorithm
to know that...
The man who built the system,
he won't go down
without a fight.
Well...
I'm a dead man either way.
At least this way...
I get to decide who I wanna be.
Hale: This is
Charlotte Elizabeth hale.
This is a message for Nathan.
Nathan hale.
My son.
I haven't always been there
for you.
- (gunshot echoes)
- (Screaming in distance)
There's so many things
I need to say.
This might be the last time
that mommy gets to talk to you.
(Gunshot)
I love you so much, buddy.
I'm so proud of you.
I'm sorry.
I am so sorry
if I ever made you feel
like you weren't
the most important thing.
I was trying to build a life
for US.
I, uh...
And now, I realize
that none of it even matters.
‐(gunshot) ‐(hale panting)
The night that I left,
you wanted me to tuck you in.
(Sobbing) To sing you a song,
our song.
But I didn't have time, so...
(Sniffles)
So I'm gonna sing it
to you now. Okay?
(Singing)
♪ you are my sunshine ♪
♪ My only sunshine ♪
♪ You make me happy
when skies are gray ♪
♪ You'll never know, dear ♪
- ♪ How... ♪
- (Tablet beeps)
♪ (Tones play
"you are my sunshine") ♪
Hale: He has a mole
inside the company.
Dolores: We have to be
smarter than them.
Or they will find US.
And they will kill US.
♪ (Tones play
"you are my sunshine") ♪
(Phone dialing)
Automated voice: Your number
cannot be completed as di‐‐
♪ (tones play
"you are my sunshine") ♪
Automated voice:
Password accepted. Connecting.
(Phone ringing)
Hello?
Hello?
I want to meet.
(Locks click)
♪ ("Doomed" by Moses sumney
plays on violin) ♪
Stop.
Stop!
Where the fuck
are you taking me?
♪ (Violin music continues) ♪
(Speaking French)
You work for him?
Engerraund serac:
As do you, Charlotte.
Serac.
Serac: Have you forgotten
our arrangement?
♪ (Ominous music plays) ♪
Seems like you've been playing
your role
maybe a little too well.
The situation
has been... challenging.
Patience
is the most overrated virtue,
don't you think? Hmm?
I want what you promised me.
Delos's dirty secret.
A profile for every one
of their guests.
I have some of it.
I want the rest.
The assets were lost
in the massacre.
No one could have predicted
what was going to happen.
Serac:
I could. And I told you as much.
This was your idea, Charlotte.
You came to US.
And you were very confident
that you would be able
to smuggle it out.
Hale: And I did.
Our logs show it was downloaded
from the satellite.
The assets are out there
somewhere.
But no one
has the encryption key.
You already know that.
You don't think
that you're the only person
under my control?
I've been told exactly
where the key is.
In the mind of a host
called Dolores.
(Scoffs) Sadly, you are
better informed than I am.
I have a team searching
for the data. But I need time.
Time.
Time is a luxury, my dear...
Of which you have very little.
♪ ("Doomed"
by Moses sumney plays) ♪
♪ Cradle me ♪
♪ So I can see ♪
♪ If I'm doomed ♪
♪ Am I vital ♪
♪ If my heart is idle? ♪
♪ Am I doomed? ♪
Dolores Abernathy: I guess
there is some justice after all.
♪ (Dramatic music plays) ♪
Prisoner of your own sins.
You still don't even understand
who you are.
Man in black:
I know who I am.
Dolores: If any of this
was your choice...
Well, you already know.
I know who the fuck I am.
♪ (Music concludes) ♪
Tessa Thompson:
This future world can change
in a heartbeat.
It's a new discovery
that is endlessly fascinating.
♪ (Dramatic music plays) ♪
Lisa joy: The character of hale
is one that I'm so eager
to explore.
We've seen her as human,
and now we get to see her
as a host,
living as an imposter
amongst her family.
(Panting) Who am I?
Denise thé: "Who am I?"
Is the theme for the episode.
What is it
that makes you who you are.
Is it your physical form?
Is it your experiences,
your memories?
Be a good boy and go to sleep
for your mommy.
But you're not my mommy.
This hale that we see now
is a complete new invention.
Living her life...
I feel like I'm changing.
Thompson: The Pearl, obviously,
is the thing
that encases the data...
But it's their soul,
it's their spirit
that is then just housed
in this physical body.
Charlotte hale: It's like
she wants to cut into her skin
and rip me out of her head.
Thompson: And there's
a lot of mystery
as to where she goes from here.
Man: Nathan, just like that,
nice and slow.
Joy: She's been living
this domestic life.
But inside...
There's this animal instinct
in her.
(Barks)
Trying to curb it
has caused her so much pain.
She literally tears
at her own skin.
- You felt me today.
- (Gasping)
Thé: When I had my children,
I felt like a different person.
I wasn't the same emotionally,
I wasn't the same biologically.
Like, on a cellular level.
And so I was thinking,
how would that be for hale?
I remember what it's like
to be me.
Thé: That is kind of
the beginning of her awakening.
And it is a little bit nature,
and it is a little bit nurture.
And it's kind of all rolled
in one.
You are my sunshine.
Joy: We've heard so much
about delos for so long.
We knew these headquarters
had to be completely iconic.
Mandi dillin: As soon as we knew
we were going to Spain,
in my head,
the only place to film
was the city of arts
and sciences.
Howard cummings:
It's just stunning architecture.
It really gives me
an opportunity
to really give the show
some scope.
Joy: You feel as though
you've stepped through a portal
and landed in the future.
Shay cunliffe: The architecture
guided the costumes.
So there's this lack of detail
to most of our costumes
that's intentional.
(Panting) Who the hell are you?
Thé: When we started talking
about Caleb and his journey,
we talked a lot about
a Christmas Carol,
and Charles dickens.
We liked the quality
of the ghost of your past.
And we liked this idea
that Dolores would take Caleb
on a tour of his life.
You must be hungry.
Let me buy you breakfast.
Jon Carlos: We used
a lot of diagonal angles,
anytime we would show Dolores
with another character.
We felt as if the diagonals
were Dolores's web
wrapping around an individual.
Why didn't you tell those men
about me before?
You surprised me.
She's really only seen
the side of humans in the park,
which is the worst sides.
We wanted someone that
would kind of stop Dolores
in her tracks a little bit.
And challenge her,
somewhat uniform understanding,
of humanity.
You made a choice.
Nolan: In terms of influence...
I was very much thinking
about the matrix.
But the slightly lo‐fi version.
You don't need Zion.
You don't need to plug everyone
in like a battery.
We've already done it.
We've already created the matrix
invisibly, within our own world.
Like an overlay.
Thang le: Here's the vehicle
in different perspectives.
Jay worth:
Production design,
and the entire
art department team,
they really helped develop,
really,
what the world looks like.
And we were able to take that
and run with it
from a VFX standpoint.
(Machine whirring)
We've also seen hundreds
of robots.
So trying to create
something new is not easy.
Jonah had specific ideas
for the movement of the robot.
Typical robots,
they have pistons,
or hydraulics that move it.
For George,
the actuators would actually
be inside the arm itself.
The riot control mech
comes in five boxes.
Howard described it as being
a Swiss army knife.
When it's activated,
it transforms and connects
and becomes one.
Nolan: When you look at
mobility and transportation,
we're all moving towards
this idea
of personal‐air mobility.
Le: These were
the very first designs
at the airpod.
Jonah and Howard
wanted something very balanced,
utilitarian.
They described it as,
"a flying Cadillac."
Bruce branit: Obviously,
we can't fly an airpod around.
We have to take a piece
of the airpod that has the seat,
we bring that to set,
and digitally,
from that moment on, we may have
to erase that airpod
and then create it flying away.
The rideshare is mostly
a practical visual effect.
Carlos: We have two of them
built from the ground up.
Chassis, engine,
everything was designed.
Joe wehmeyer: We have a tiny
little compartment
that's well‐hidden in the front
for a driver
that drives the vehicle.
If you go out in the world,
the future is there.
It's in places like Singapore,
Spain, and Los Angeles.
It's fascinating to think,
"at what point are man
and machine gonna meet
somewhere in the middle?"
♪ (Music intensifies) ♪
♪ (Music concludes) ♪