Wentworth (2013–…): Season 7, Episode 10 - Under Siege Pt 2 - full transcript

The lives of officers and prisoners remain in the balance as the prison is still under hostage. Who lives and who dies. Will the prison ever be the same again?

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---
I need access to the internet.

Come on, let's get a move on.

You know I'll take care of you, Sean.

I will not let you destroy him.

I'm here for Winter. She has a visitor.

Your committal hearing's at
3:30. Brawler's on its way.

- We'll have you out within the hour.
- How?

Brawler meant for Connors,
then a private jet.

But it is not taking off

until we are satisfied
you have erased that file.

Show me your IDs.



You're going to the
Psych Unit, Birdsworth.

Fuckin' Psych Unit! I
don't need Psych Unit!

Come here!

Call in a lockdown! Call a lockdown!

- What have you done?
- Put her back in the strip-search room

and shut her the fuck up.

Do you think you can get the
women through the east airlock?

- Shit!
- Hey!

- Get in there now.
- Move!

But Marie Winter is running things.

Whatever it is with Officer
Brody and those other two fellas,

- Marie's behind it.
- Are you trying to escape?

- Just tell me the truth, Marie.
- Just open the gate, Will.

Time is up.



Release the lockdown or I shoot Vera.

- It's over, Sean.
- Open the doors, Will.

Just drop the gun and end
this before someone gets hurt.

Open the fuckin' airlock!

Don't make this worse
for yourself, Sean!

(GUNSHOT)

(WOMEN CRYING AND SCREAMING)

This is your fault!

If Vera's dead, this is on you.

Jackson.

Next time I tell you to do
something, you fuckin' do it.

Who is that? Who is it?

It's Kosta.

Oh, fuck.

♪ You don't know me
when I don't know you ♪

♪ You don't know me
when I don't know you ♪

♪ You're calling me in ♪

♪ You're catching me out ♪

♪ You're calling me in ♪

- ♪ You're catching me out ♪
- ♪ When I don't know you ♪

- ♪ You're calling me in ♪
- ♪ You don't know me ♪

- ♪ You're catching me out ♪
- ♪ When I don't know you ♪

- ♪ You don't know me ♪
- ♪ You're calling me in ♪

- ♪ When I don't know you. ♪
- ♪ You're catching me out ♪

(DARK MUSIC)

- Can't we get out of here?
- Not while we're in lockdown.

- Governor Jackson?
- Yes.

Rachel Marsh, Special Operations Group.

- What's the situation?
- If he hasn't called the cops, he will have now.

OK, well, we'd be out of
here if it wasn't for you.

I didn't pull that trigger.

That is on you, not on me.

Are there any other officers down there?

Yeah, but they're safe. They're
locked down in various units.

Give me a radio.

Brody doesn't know you're
here. He told us no police.

Radio.

Officer Brody?

- Who the hell is this?
- This is Rachel Marsh,

Special Operations Group.

- Oh.
- Mr Brody, I just want to talk.

Yeah, well, I'm not
talking to the police.

I talk to Jackson, so put him on now!

Keep him calm and don't do
anything without my authorisation.

- Brody, it's me.
- Oh, you screwed up, big fella.

You tell your copper mates I
want a chopper on the roof ASAP.

- Brody, I don't think they can do that...
- No, no, no,

they're gonna do it or I'm
gonna get trigger-happy.

- Hey, Brody?
- Give him what he wants.

All right, get a chopper on standby.

Call in a back-up team and
get me some building plans.

Where's your surveillance room?

Clear. Move up. Approaching
ground-level Corridor B.

Oh!

- It's Kosta.
- Liz!

- It's Kosta.
- Liz, Liz, Liz...

don't look at her! Focus at me.

Come here. Sh, come here. It's OK.

What's... what's... what's happening?

- You need to help me get out of this room.
- Yeah.

- There is an unconscious officer in that room.
- Yeah.

Get her keys and unlock this door.

Lizzie, I need you to hurry.

- OK.
- Quiet. Off you go. Go on.

OK. The keys.

(TENSE MUSIC)

Go, yeah.

Oh, my God. I'm sorry, love.

I've gotta take those keys.

Got the keys.

Yes. Come on!

Start with the big keys first.

- Oh, I'm shaking.
- Take a breath.

- Try each one. Nice and calm.
- Try this one?

- No.
- Nice and calm. Nice and calm.

- You're doing great.
- Oh. OK.

Oh!

OK.

- (CLICK)
- Oh, my God! I did it!

- You did it.
- I did it. I got you out!

What's happening? What's happening?

Oh, God, somebody's coming!

Hey!

(QUIVERS)

Ahh!

Hey! Don't you hurt her.

Don't you hurt her!

You need to take control
of the situation, all right?

No, you do something or
those files go public.

- (GASPS)
- Hey. Hey. Hey.

Oh, God, it's Kosta.

- It's OK. It's OK.
- Sh.

- Kosta's dead.
- Sh!

- Are they gonna kill us?
- No. No, no, no.

Oh, they are. No, no, no. No way.

- They're gonna kill us. They're gonna kill us.
- Hey, hey, hey. Hey!

Look at me. Look at me.
I'm gonna protect ya.

They'd need a cannon to take you down.

That shit is not helpful, Jenkins.

They should just open the
fuckin' doors and let them escape.

Fuck that. Then she'll get away
with it like she always does.

- Like she did with Kaz.
- What do you mean?

Everyone knows Marie killed Kaz.

Listen. Listen.

There's a dozen of us and
there's only four of them.

Yeah. If we time this right,

- we could make a move.
- No. No.

We've gotta be smart about this.

I don't want anyone else getting hurt.

It's K... Kosta's blood.
It's Kosta's blood!

Hey, hey, hey, hey,
hey, you're gonna be OK.

- (GROANING)
- Sh! Stay quiet.

You'll be OK. I'll be back.

Fuck.

MAN: Corridor C secure.
Covering stairwell.

Where's that chopper, Jackson?

Brody, the police are on
it. They just need time.

Well, you tell 'em from me,

if we're not out of here in
20 minutes, I start shootin'.

Hey! Hey!

That's Connors, in the holding cell.

- Go and check it out.
- Hey!

Hey!

Shut the hell up.

(GROANS) Oh!

What's taking him so long?

Wes!

Wes!

Ahh!

Anton!

- Protect yourself.
- Shit.

Let go of the fuckin' gun.

Let go of the fuckin' gun!

Ah!

- Fuck!
- Get fuckin' off!

Fuckin' bitch!

- Shit!
- Oh!

Oh, fuck!

Fuckin'...

Fuckin'... Open the door!

Marie, you're in charge
in here, we know that.

- You don't have to point a gun at us.
- OK, everyone just stay put, OK?

(ALL GASP)

Shit.

- Get back! I said get back!
- Shit!

Jesus Christ.

Brody?

Brody!

What the fuck is he doing?

- Ahh!
- You all right?

- Yeah.
- Here, patch him up,

then get that officer in
the laundry with the others.

Jackson, we need morphine
or something down here now.

- Why, what's happened?
- Connors tried to be a hero.

- Is she hurt?
- Just get us the morphine now!

That wasn't Connors in the background.

That sounded like one of his men.

Let me take the drugs down there.

I can try and get a
read on what's going on.

We'll need something
in return. A hostage.

Brody, you can have your pain
relief if you give us Vera.

You send the drugs

or Vera gets a bullet.

WOMAN: Sierra 7 to Sierra 1,
shifting prisoners to J Block.

MAN: Copy that, Sierra 7. We'll
be waiting on the other side.

Hey! Hey, hey, hey!

If we grab her, then we can use
her as a hostage to get out of here.

- OK, but we've gotta be careful.
- She's got a gun now.

She's got a shiv, too.
I saw it in her pocket.

- I can take her out.
- And get shot?

Nice plan, dumbo.

Hey, there will be no heroics.

Is that clear?

Get up. You're coming with me.

- (ALL SHOUTING)
- No, Sean! Sean!

MAN: Stay calm. Take positions and hold.

Try anything,

she dies.

- Will, isolate the airlock.
- Copy that.

(ELECTRONIC BEEP)

You drop the drugs, you back away.

I want to swap with Vera.

You let her out and
you can take me instead.

Aw! Jake!

Back the fuck away.

Now.

Piss off back upstairs.

Pick 'em up.

- They've got the drugs.
- Come on.

Do as you're told, Jakey.

If he comes back here, shoot him.

Sit down.

Suck one up.

You OK?

It's a twinge.

It's all right. It's all right.

Sit down.

It's OK.

Jackson, where's that chopper?

It's coming. I'll get an update.

No! No.

- OK, OK.
- No, no, no, no, no, you drop...

you drop that gun or I'll cut her.

- You let her go...
- Drop it!

- ... right now.
- Nah.

- Boomer, please.
- Oh, shut up.

'Cause of you, people are dead.

I wasn't responsible for Kosta.

You killed Kaz.

- I didn't!
- Everyone knows it.

- Drop the fuckin' shiv, Jenkins.
- I didn't kill anyone.

- Oh, you did, 'cause you wanted to be Top Dog.
- It wasn't me!

Oh, bullshit! You cut
her fuckin' throat.

I killed fuckin' Proctor!

You stupid bitch. Now
drop the fuckin' shiv!

- You're lying.
- Susan, don't be an idiot.

Put it down, ya fuckin' dumbo.

Don't call me that.

You let Marie go,

or I'm gonna shoot your mum.

And I'm not fuckin' around, Jenkins.

- You've got five seconds.- Boomer,
please, no-one needs to get hurt.

- Just save your mum. Let me go. Please.
- Three seconds.

- Please, Boomer!
- Boomer. Boomer.

- Jenkins!
- Do as he says.

Two. One.

OK, OK, OK.

- No, no, no, I'm gonna put it down.
- Sit down.

- I'm gonna sit down.
- You're gonna have a sit down?

- OK. Oh, it's OK.
- I need you to...

- I need you to... sit next to me.
- Yeah, sit down.

- Stay here with me.
- OK.

- Just stay with me. OK?
- Yeah. Yeah, yeah.

I need you to stay next to me.

(SCREAMING)

Oh! Oh, shit!

Oh, God.

(SCREAMING)

That is enough!

I said, that is enough!

Enough!

Brody?

Brody, what's happening?

Brody!

You got one less prisoner.

- What?
- May Jenkins.

- Finally gave up the grog.
- Oh, Jesus Christ.

- Fuck!
- The chopper's on its way.

You said 20 minutes.

Well, you've got 10
minutes till the next one.

Brody.

Brody!

Brody?

Commander? The Attorney
General's arrived.

What the hell's he doing here?

He's demanding a full briefing.
Won't take no for an answer.

Fine. Send him up.

I want these guys out of my prison.

I don't care how we do
it, I just want them gone.

No more casualties.

Have you lost your mind?

You'd be dead if it wasn't for
me, so you pipe the fuck down.

Oh, Jesus Christ.

Did you really kill Kaz?

I was in your unit when
she found those papers.

She knew Michael was protecting you.

- So you cut her throat?
- She would've blabbed.

She wrote his initials in her own
blood, the fucking crazy bitch.

I did it for him.

He has been so good to me, Marie,

and he is gonna get us out of here.

You just... you have to trust him.

Oh, shit.

Hey, hey. Hey, we need a doctor
out here. It's Ms Bennett.

My waters have broken.

Marie, let her go.

No, fuck that.

She's our most valuable hostage.

When the gunmen leave
the laundry for the roof,

we'll send a squad
through here behind them.

Then when they reach the stairs,
there'll be a second squad here

- waiting, boxing them in.
- What about the hostages?

This is our best chance
at a controlled take-down.

An ambush on the stairs
puts the women at risk.

Let them get to the
roof, then take them down.

It's a bigger space. It's
harder to wrangle hostages.

If the chopper is there, there
is a chance, however small,

- that they'll make it aboard.
- Our priority is the safety of the women.

If they get away, take 'em down later.

- That chopper needs to land somewhere.
- I agree.

With respect, sir, neither of you

- have the tactical experience that I have...
- We've got two dead bodies down there

- and I don't want any more.
- (KNOCK ON DOOR)

Found this inmate downstairs.
Says she's got intel.

I am so sorry, love.

(GROANS)

God, I've got six weeks to go.
This shouldn't be happening.

Hey.

We really need a doctor or a nurse here.

Tell her to cross her legs.

- So there's two guns in play?
- Yep.

Uh, Brody's is a Glock. Probably a 17.

MAN: Greyhound Leader, this is
Trap 2. We're in position, over.

Roger that, Trap 2. Stand by.

- Well, it's about fuckin' time.
- Don't start celebrating yet.

OK, check the corridors are
clear. Let's get ready to move out.

- Radio Brody.
- (SIGHS)

Brody?

- Yeah.
- We're ready.

I'm releasing the lockdown.

Use your swipe card on the airlocks

and make your way to the
roof via the main stairs.

Nuh, stairs are too exposed.
We're taking the fire escape.

Whatever you say, Brody.

- We just want you out of here.
- Oh!

That's Vera.

Brody, what's happened to Vera?

Well, she's in labour
and it's not looking good,

- so you'd better get a fuckin' move on.
- Shit!

Open the airlocks.

Airlocks open, Brody.

Where are the gunmen?

Shit.

They're all wearing hoodies.

Use your swipe card.

Move. Eyes down.

Try and get Brody to use his radio,

- so we can ID him.
- Brody?

Brody, can you hear me?

Brody!

Fuck.

Trap 1, this is Greyhound
Leader. Do you read me?

MAN: Affirmative,
Greyhound Leader. Go ahead.

Hostages and gunmen are all
wearing prison teal hoodies.

- Yeah?
- Why is Brody helping Marie?

We don't know.

He must be working for her protector.

Her what?

There's something I need to tell you.

I'm a detective, undercover.

I came in here to do
a job on Marie Winter.

- What?
- Marie's been pulling someone's strings.

Someone high up in the
police force or government.

They're protecting her. That's
who Brody must be working for.

- Bullshit.
- It's all true, I swear.

Whoever this protector
is, Marie had a file,

and she was using
that to blackmail them.

I thought it was destroyed,
but if she's still leveraging,

she must have access to a back-up.

Maybe Brody gave her access to the net.

Oh, f... Shit!

It wasn't Brody, it was me.

She said she needed
files for her appeal.

Which computer did she use?

- Can you show me?
- Yep.

When did she last use it?

Just look at the history. That
was the last time I logged in.

- So, you're seriously a cop?
- I was.

But they cut me loose after Drago.

Hold up.

We're in a blind spot.

Wait here.

Trap 1, we've lost our eyes,

but we think they're heading for
the stairwell. They're coming up.

- Let's go.
- Open it.

- Inside. We're going up.
- Move!

Keep your heads down!

- Oh. I need a minute.
- We don't have a minute, so keep moving.

- I said keep moving!
- (GASPS AND YELLS)

This is Sierra 5. The
lockdown's been lifted

and the hostages are on
their way to the roof.

Any officers on the ground
floor, please secure the laundry.

- Sierra 9, I'm on my way.
- OK, wait here.

Keep your head down. I'll be back.

_

Gotcha.

Move! Let's go!

(GROANS)

- Wait.
- (GROANS)

Hey! Keep moving!

I am giving birth!

- You want me to move, you can fucking carry me.
- Move!

(WHIMPERS)

- You too.
- Don't worry about 'em.

Just leave 'em here. We're almost there.

(WHIMPERS) (WHISPERS) Lizzie.

Lizzie, I need you to focus.

(GROANS)

You're having a baby.

Yes, I am, and I need your help.

Right. Oh, God.

Boomer, I need both of you.

OK.

OK, I've got you.

Just... just breathe and
push through the breath.

OK, it's OK. We're
here. We're here, love.

- Oh, jeez.
- Jesus Christ.

Jeez, these kids.

Oh, shit.

It's him.

They'll be on the roof any second.

- Everyone stand by.
- All units stand by.

Roger that, Greyhound Leader.

Open the door.

Go. Move, move. Let's go. Move! Move!

Move along!

Come on!

GREYHOUND LEADER: Targets
are out in the open.

- You're clear.
- Copy that. Locating a hot zone.

What the fuck's going on?

- Get on the ground! Get on the ground!
- Everyone down! Everyone down.

- Down, down!
- Drop the weapon.

- Drop it!
- OK, OK!

Hands where I can see 'em.

Trap 1, we have a situation.
ID Brody immediately.

Find Brody.

Where's the other gun? The other gun?

There's a second gun.
Who's got the other gun?

No, he's not here.

That's a negative, Greyhound
Leader. Brody's not here.

- What the fuck?
- Shit, we've lost Brody.

Fuck it!

- It's a set-up.
- What?

Fuckin' scumbag is a paedophile.

He's working with Winter.
The roof is a diversion.

Where the fuck is Brody?

- Fuckin' keep moving.
- Why?

'Cause I've got a gun,
and you're my insurance.

- Oh, shit.
- I'm not gonna let you rot in here.

We're getting out of the
country. You're coming with me.

- This is insane.
- Now we're gonna push.

- Push, push, push, push, push, push, push!
- (GROANS)

Into your bum, into your bottom. Push!

Yes, yes. Now hold, hold.

Good. You're doing so well, love.

Boomer, Boomer, can you take
off your hoodie when she comes?

- You have to wrap her in it.
- Oh, my God.

- (GROANS) Oh!
- I know it hurts, love,

- but it's worth it in the end, I promise.
- Is she coming?

- Can you see her? Is she OK?
- It's all OK, it's all OK.

Now you hold the push for
the next contraction, yeah?

We've just got to get to Heston's car

- and then we're home.
- Yeah.

Hey, Marie, did you forget about me?

Give me the gun.

- We are leaving...
- Give me that gun!

Marie!

This is for Danny!

- (GUNSHOT)
- (SCREAMS) Oh!

OK. OK, just...

- Allie, no!
- Ahh!

Now, come on, just...

- You killed Kaz.
- All right.

Allie, put the gun away.

- Allie, don't do it.
- Listen to her.

- Come on, Allie.
- Please.

Yeah, come on.

You do as you're told, you stupid cu...

No.

No, Allie.

Allie. Allie!

Please. Please don't.

No.

I'm done now.

(SHOUTING) Everyone get on the ground!

Get on the ground! Get on the ground!

(GROANS)

OK, push, push, push,
push, push, push, push!

- Good, good, good, good.
- (GROANS)

Push, yes! Good, good! Yes, yes,

there's the head! We've got the head!

Good, good, good. Now
hold, hold, hold, hold.

Now one big, big push, all right?

Are you ready? Go.

- (GROANS)
- Push, push, push, push, push!

Push, push, push!
Push, push, push, push.

Yes, yes, yes! Yes.

Oh, my God, she's here. She's here.

(BABY CRIES)

Is she OK?

- Is she OK?
- She's beautiful!

She's too early.

- Oh, hello.
- It's OK. It's OK.

Ten fingers and ten
toes. Well done, love.

Hello.

(COMMS CHATTER)

MAN: Calling assistance
for Officer Bennett.

- Holy shit. Vera?
- It's a girl.

WILL: Sierra 5, this is Sierra 3.

The gunman has been
arrested. Siege is over.

Um, I'm with Vera and the baby.

We're in the plant room.
Um, everyone's fine,

but send the paramedics up here.

What are you gonna call her?

- Grace.
- Oh!

- Grace!
- Lovely! Hi, Grace.

Can I...

Oh...

Hello. Hey?

Hi, my beautiful girl.

- Wait, are you the...
- Boom-booms... not now love, OK?

- Shit.
- Well done.

She's beautiful.

(LAUGHS)

She is.

Grace.

(SIRENS WAIL)

(COMMS CHATTER)

(DRAMATIC MUSIC)

Is it true? Did Brody kill Kaz?

I didn't know until today.

None of this was meant to happen.

- Just believe me, Will...
- When you get back from the hospital,

you're going straight into Protection.

Alone,

and for good.

(COMMS CHATTER)

Oh!

Hey.

Oh, look at her.

She's beautiful.

- She really is.
- I'm really happy for you.

I'm so sorry, Vera.

I'll see ya.

(DOOR CLANKS)

- Hey.
- Hi.

- All good?
- Yeah.

Just finished my police interview.

They're, um, contacting my old bosses.

Now that I've IDed Marie's protector,

maybe they can try
and get me out of here.

Well, I'll do everything I can to help.

Cheers. Night.

Night, Rita.

(ELECTRONIC BEEP)

RITA: Thanks.

Roo... you right?

Yeah, I'm all right.

Hey, she told me about Allie.

She was a total hero
taking that psycho out, eh?

- Where is she?
- Oh, she's still being interviewed.

So sorry to hear about your mum.

Yeah.

I just wish she'd had a better life.

- (SIGHS)
- (THUMP)

Liz? Liz, you OK?

Liz! Quick, there's something
wrong with Liz.

Liz?

Liz. Liz, Liz, Liz!

- I'll go and get someone.
- Hey, can...

can you see me?

Hey, Liz! Can you...

- What's happening?
- I don't know, mate.

- Hey, hey...
- (LIZ MUMBLES)

Don't you leave me!

Don't you leave me.

ECHOES: Liz?

(SOMBRE MUSIC)

The scans reveal Liz has what
we call 'locked-in syndrome'.

She can hear everything
that's going on around her, but

she can't move or communicate.

Right.

But she'll get better, yeah?

It was a very serious stroke.

I'm... I'm really sorry, Boomer.

But we've made her as
comfortable as we can.

Comfortable?

In the fuckin' Psych Unit?

It's the only place in the prison

that we can offer her
round-the-clock care.

- (WOMAN MOANING IN BACKGROUND)
- Well,

let's put her back in
H1. I'll look after her.

I'm so sorry, Boomer,
it's just not possible.

- But...
- (GROANS)

... she hates it here.

She never, ever wanted to come here.

I'll give you a few minutes, OK?

Hey...

So, dementia wasn't enough for you, hey?

Had to go and have a bloody
stroke, too, ya greedy bitch.

(MUMBLES)

If I could swap places with ya, I would.

You're like a mum to me.

To all of us.

So, I'm supposed to be getting out soon.

But if I wasn't...

I'd wanna be just like you.

Looking after people who need a mum.

And being loved back,

'cause you are.

You are loved, Lizzie.

So much.

- So much.
- (MOANS)

I know. I know. I know
you don't wanna be here.

And I remember what you asked me.

Um...

but the...

the thing is...

I don't...

I don't want you to go.

See, I'm... I'm not ready for the end.

I'm not ready.

(MOANS)

(CONTINUES MOANING)

(MELANCHOLY MUSIC)

I love you.

(MOANS)

I love you.

I love you.

(SOBS)

(CRIES)

(BACKGROUND CHATTER)

Connors.

Still can't get used to it.

Keep expecting to see her in the unit.

Yeah, we all miss her.

Any news on Boomer?

Yeah, she'll be back
in General tomorrow.

She's been formally
charged with manslaughter.

She loved Liz more than anyone.

What Boomer did was kind.

Rita, there's something
I need to tell you.

Hey. You're late for the vote.

Here, you can't keep turning 'em down.

The women look up to ya.
They want you as Top Dog.

Close the door. Sit down for a sec.

- No, we gotta go.
- Roo.

What happened?

The cops are prosecuting
the Attorney General.

True?

Well, you should be proud of yourself.

He was a paedo scumbag and
you helped take him down.

They're calling me as a witness,

and they're investigating this
whole undercover-cop thing.

That's solid, sis.

They'll find out you're telling
the truth, and they'll pull you out.

There's a shitload of
police corruption going on.

This could blow the
Undercover Unit wide open.

People are gonna come after me, Roo.

The AG has a network.

My ex-handlers have a network.

I'm the enemy.

Roo, they're putting me
into Protective Custody.

Away from the prison,

it's not safe for me here.

If they leak to the women that I
was a cop, you know what'll happen.

They'll lynch me.
You'll be in danger, too.

- So where are they taking you?
- They won't say.

- How long for?
- Oh, till the trial's over? I don't know.

I put up a fight, but they're
not giving me a choice.

No, they're right.

If it means you're safe,
then you have to go.

You've grown up so much.

It's been beautiful to watch.

Hey, yeah, don't get soft on me now.

- (KNOCK ON THE DOOR)
- So, when are you going?

Sorry, Rita. It's time.

Look, we'll get your stuff
packed up and sent on.

Me and Mr Jackson made an agreement.

While you're in Wentworth, he's
gonna make sure you're safe.

Isn't that right, Mr Jackson?

I want her to hear it.

Ruby, I promise

you'll be safe.

Now,

you have to focus on
getting out of here.

Keep your head down and
your nose clean, you hear me?

I'll see you on the outside.

Come here.

I love you, my little Kangarooby.

♪ I never thought ♪

♪ This day would end ♪

♪ As it comes to a close ♪

♪ I try to make some sense ♪

♪ Of what this life is ♪

♪ It's harder ♪

♪ The weight is bearing
down on my spine tonight ♪

♪ I go out searching ♪

♪ Wading ♪

♪ Hope I won't cross
over the line tonight ♪

♪ And I ♪

♪ It leads me back to you ♪

♪ It leads me back to you ♪

♪ It leads me back to you ♪

♪ One thing for certain ♪

♪ I don't wanna be without you ♪

♪ We're always hurting ♪

♪ Failing ♪

♪ The ones that we know
we should love the most ♪

♪ The most... ♪

(OMINOUS MUSIC)