Warehouse 13 (2009–2014): Season 1, Episode 8 - Duped - full transcript

Ho. Excellent.

Huh? Oh.

So you want a piece of me?

Agh!

Is there anything
you don't play with?

Um, no.

Ah-ah-ah-ah,
lift the point.

Off the floor.

- Oh, sorry.
- Put it down. put it down.

- Yes.
- Gently.

Lay it up. What?



- Lay it up.
- Oh.

I'm sorry. Sorry.
Sorry. Sorry.

Sorry, Artie.
It's, uh--that is really cool.

oh, thank you. We try.

- You--you made this?
- In record time too.

With the help of-- things.

This is a copy of the finest
samurai sword ever forged.

The Honjo Msamune,

Owned by the ruling family
in Japan for centuries

Before it disappeared.

The real one unearthed
a few weeks ago

At a dig site in Okinawa.

the real one. Which does what?

Which will arrive in D.C.
first thing in the morning



In order to be presented
as a gift to the president.

But it's not going to happen
because you two

Are going to intercept it
at the Japanese embassy.

- that wasn't what I meant.
- no, I know what you meant.

But you've got to pack.
and you got to catch a plane.

And it really doesn't matter,
does it,

What the real sword does?

Because, remember, "snag it,
bag it, and tag it?"

Well, get snagging, bagging,
and tagging.

You're off to swap Masamune
for an Artie Nielsen.

- Arigato.
- Bitte schön

- What is that?
- Get out.

- Okay.
- So many questions.

It was never boring
working with you people.

Hmm. Back and forth.
Back and forth.

One day your government
wants me,

The next I'm a crackpot.

Your own partner said to me,
"never again."

Even then I knew

One day one of you would be back

To place an order.

Huh?

Oh, it better be cash.

American credit ain't
what it used to be.

What's that? Another gadget
for me to tinker with?

Wait. I did what you asked.

Lots of eyes to make the switch here.

I guess night's our only option.

White house won't be any easier.

I'd feel a lot more comfortable doing it

Before it gets anywhere near
the president.

It's ridiculous that we don't know

what we're protecting him from, but...

Typical Artie.

I mean, I understand
grabbing the artifact

Before it causes trouble.

But he couldn't spare two seconds

To warn us about what we're walking into?

Look, I'm sure if it were really dangerous,

Artie would've told us.

Let's go.

Uh, go--go--go back.
Go back. Go back.

What--what exactly happened there?

You tell us, Artie, okay?

Because the Japanese sure as hell don't know.

They're testing for everything
from dirty bombs to gas leaks.

They won't let us in the room.
They're holding us in the lobby.

They're--they're treating us
like suspects.

Suspects? Why? did you have
the decoy sword with you?

No. but they're not even
looking for the sword, Artie.

They--they're not even sure
whether or not it was taken.

Okay, that makes no sense
to me whatsoever.

Either it's gone or it's not gone.

You said you saw somebody leaving.

Did he have it? I don't know, okay?

'cause I was about two seconds
away from passing out.

Yeah, wh--wh--what did
this guy look like?

Uh, not female.

Look, Artie, uh, my Japanese sucks.

But it sounds to me as if they think the sword

Was vaporized or something.

What do you mean vaporized?
What do you mean? By the bomb?

There was no bomb, Artie.

Nothing blew up.

There was no victims that were brought out

Or--or dead bodies.

There was nothing. I don't understand.

Nothing blew up? That's the weird part.

It was--it was like a bomb, only backwards, okay?

Instead of blowing out,
it--it--it yanked everything in.

- Implosion.
- Artie.

Artie. Did the sword do this?

And if it did, can I reconsider this mission?

It didn't.

And what you have to do
is you have to get in that room

And tell me exactly what you see.

That's a look I don't know.

It's called the past rearing
its ugly head.

So in other words,
the sword didn't do

whatever happened at the embassy.

But you know what did.

Oh, God, I hope not.

- Artie, where are you going?
- No, no, I can't--

First, I have to...

- Hey.
- Here we go.

Round two with Mr. Congeniality.

Mr. Ogawa, look, we've
answered all your questions,

And now we have a few for you.

Actually, agent Bering,
I have one more.

Why does the secret service
need to send two different units

To inspect the same gift?

Two different...

I'm quite certain they will
have the same question.

On the Q.T. is one thing.

But you're tramping
through my backyard,

Literally tripping over my agents,

And you don't even give me a heads-up.

We have explicit instructions
not to contact you any more.

Artie Nielsen.

Look, it's not like
we can't have coffee

now and then.

We just can't have you on speed dial.

Look. I get it.

For better or for worse--
and I happen to think worse--

You two are serving a new master.

This isn't your screw-up. It was his.

It's just that
he doesn't really...

Play well with others...

- Hmm.
- So much.

So this security officer,
Ogawa, Japanese embassy,

Is waiting for my explanation
of what you were doing

And if you had anything to do
with whatever the hell that was.

Any suggestions what I'm supposed to tell him?

All right. Do me one favor.

Get on a plane and leave D.C.
while I can still let you.

Can I at least have that?

Be out of here as soon as possible.

I don't think this is what Dickinson

had in mind.

Well, what are we gonna do?
We've got to get into that room.

A room that's losing evidence
as we speak.

I know. It's just, I thought
coming back to D.C.

Would feel like old home week or something.

- Home is overrated.
- God.

- Uncool, Artie.
- What are you doing here?

- Uncool, Artie.
- What is he doing?

I had a hunch about something

From Pete's description
and I just need to see this

with my own eyes.

You two have a plan to get in there?

Yeah. We're gonna crawl
under the motion sensors--

Yes. There's an access panel on the roof.

We can go in through the--
well, please, ladies first.

No. You know what, you--you be
the smart one this time.

Okay, get this,

There's an access panel
on the roof.

It'll bring us in right above the main wiring

For the security system.

Now, if we crawl on our bellies,

we can avoid the motion sensors.

And what do you mean "this time"?

All right. I get the idea. If I may, put these on.

Really. Or you'll be of no use to me.

Let's go.

I look like Kermit the frog.

Oh, God. Artie, stop doing that!

Yeah, I gotta tell you, Myka,

those really bring out your eyes.

This is a, uh, 14th century Chinese firework

Known as an ice flower.

Very few-- very few like it left.

Now...

Do not tell Mrs. Frederic
that I did this, all right?

All right, we've got about
ten minutes, more or less.

Let's go.

The light pattern triggers
a feedback loop

In the optic nerve that mesmerizes the viewer.

They won't remember a thing.

Booga-booga.

Whoa, freaky McFreakerson.

So it's some sort of reverse chemical reaction?

Oh, yeah. Okay, take these off.

Just don't look directly through the window.

This was made by an implosion grenade.

It removes matter from the center of a space

And pulls everything--
Obviously everything--

Directly towards it with violent force.

This explains

why they couldn't find the sword.

It could be in there.

- Oh, no, no, no, no.

No. the sword, long gone. Stolen.

This was used by the thief as a cover.

- So the guy that I saw--
- The guy you kind of saw?

The guy that I saw leaving
must've stolen the sword

And hidden in this room over here

When he set off the bomb.

I collected these grenades years ago.

Every last one of them. I know I did.

So, wait, whoever stole the sword

Has other things that belong in the warehouse--

Which would mean that we have competition.

I don't know.

Artie, just how long is this list of things

We don't know?

I don't know.

About twice as long as the list of things

That I don't know about, all right?

Well, who else would have
these implosion grenades, Artie,

I mean, if you collected them all?

Well, whoever it is,
if he's willing to use this

To cover his tracks,
then it's somebody that's--

What's a darker word for dangerous?

If he did this to steal the sword,

He'd have no trouble killing anyone

Who got in his way.

Oh, none at all.

Next time, don't get a suite--just a room.

Okay. The lead here is the implosion grenade.

We find out who had one of those

And then we find out

Who has the sword.

Okay, let me just--

Is there a listing for implosion grenades?

- Those were the days.
- Artie, we've got WiFi.

- No, no, no, I like paper.

Actually, I hate paper.

But, you know, it's a security issue.

Okay, Artie, enough.
You have to fill us in.

Okay, if the competition
used an implosion grenade

to steal the sword,

Then what the hell does this sword do?

Yeah. I mean, it must be pretty major, right?

You don't drop a nuclear bomb
to steal a butter knife.

Exactly.

Okay. You want to know about the sword?

I'll tell you about the sword.

The Honjo Masamune is much,
much more than a dull knife.

It kept the ruling Shogunate
in power for hundreds of years

By making them invincible in battle.

And the beauty in the way these things were forged.

I mean, ritually hammered and folded.

The blade millions of layers of steel

With a carbon content that's right off the charts.

And each layer only atoms--atoms--thick.

I mean this sword...

Is said to be perfectly aligned.

- So what does it do?
- Yeah.

Um, ha, uh...

Okay, you know how geese fly in a "v" formation

And the wind hits the first bird and then splits

And then it keeps on splitting
wider and wider

When it hits each successive bird

'cause it makes it easier
for the birds to fly that way.

- Good. So--so what... does the sword...do?

The blade in this particular sword

Is said to be so perfect
that light splits in its path

And goes around the person holding it.

Um, are we--are we talking
about, um, invisibility?

Mm. Kind of. In effect.
No, the person's still there.

Although, you know, the light that we see

Doesn't hit-- yes, invisibility.

Awesome.

I knew-- I knew that was possible.

I knew it.

Okay. Invisible swords now...

Hey, Artie, these are--
these are the same sword, right?

- Yeah.
- They don't match.

What?

Well, you see, disc thing
that's attached to the grip--

Well, it's in the painting,
but it's not in the sword

From the dig site.

It's missing its tsuba.

This piece right here
is called a "tsuba."

It's actually a collectible
in its own right,

You know, separate from the sword.

But this is missing its tsuba.

Then the sword might not even work.

And if it doesn't, the guy's
going to come looking for it.

We are in a race. We're in a race.

You two have to find
what happened to that tsuba

and fast.

Well, Artie, we're looking
for a 500-year-old sword.

800. Exactly. So it should be easy.

You guys follow the tsuba. I will follow--

Ah...the implosion grenade.

And one of us will find the thief.

W--wait. I mean, wh--wh--where are you going?

Somebody is making new grenades.

Somebody who promised not to.

Again he doesn't answer.

And no good-bye.

This is impossible.

Keep at it though. you're the smart one.

- What are you doing?
- What?

- What are you doing?
- Nothing.

You're--you're doing great.

- Hello.
- Leena, hey.

Hey, is--is Claudia there?

Okay, she won't be able to find it either.

Claudia's out. It's just me.

Oh, um, okay.

Uh, well, you'll do.

- Flattered.
- Sorry.

Listen, Leena, you know
that 800-year-old sword

That we were swapping out?

Uh, well, it turns out, a piece of it

has come up missing.

So if--if--if you were standing next to Artie, right,

And he was looking for this thing,

Wh--what--what would he be doing?

Artie did say that the sword
was from the Edo period.

So instead of trying to track it forward

From the past, just find it in the present.

Identify any collectors that deal in that period

And then try and find
as much information as you can

On any sales or transactions
of those pieces.

- Right. Right. Right.

Uh, since-- since you're right there,

Do--do you think that, uh,
maybe you could, uh...

Give me a minute, Pete.

One point, Lattimer.

Thank you.

Hello. Hello!

Hello!

Oh, you should've kept your promises, Erik.

The tsuba, did you find it?

- Well--
- Well, it wasn't easy.

You know, it--it took some digging.

But, uh, it turns out an antiques dealer

Had it in Tokyo in the 1920s.

Now it's here in Washington.

Artie, it's at the secret service.

What the hell's it doing there?

Well, the Japanese government presented it

In the 1920s to Woodrow Wilson as a symbol of peace.

Guess that didn't work out so well.

And the curator at the Wilson museum of peace

Made the connection a couple days ago

And offered it to be united with the sword

At the gift ceremony.

But freaky explosions

tend to put the kibosh on ceremonies,

So it's going back to the museum in the morning.

The sword and the tsuba in D.C. at the same time.

No, no, no. That's--that's too much coinc--

Too much coincidence.

Well, Artie, we're sitting
on the secret service building.

But, look, if this thief
is--is coming to get the tsuba,

We have to warn Dickinson.

No, no. absolutely not.

Well, Artie, you saw
what this guy's willing to do.

Yeah, and--and so did you.

And imagine what he's capable
of with the sword.

No, no, no. this thief
is ruthless and smart.

So if you warn the secret service,

And they do anything
out of the ordinary--

Anything at all--
then he will be tipped off.

So you want to use him as bait.

- No, Artie. No.
- Hey, hey, hey, hey!

This is not a discussion. When I--

- Hello, Artie.
- Artie.

- Artie.

- James.

Okay, I think I know who this is.

And I've got to go.

You tail the agents. Grab the tsuba.

Watch out
For implosion grenades.

Good-bye.

Your agents Bering and Lattimer

Are compromised.

Not possible.

I ran a background check on Arthur Nielsen.

Where'd you get this information?

I have my sources same as you do.

I don't see how any of this
is your business.

The three of them returned
to the embassy last night.

I'm very sorry to hear that.

I have no desire to stir up
an international incident.

It's a great deal of paperwork
and a great deal of scrutiny.

And you and I both get screwed.

If you can't handle this,

I will be forced to take this
to a higher authority.

Everything all right? Yes. Peachy. What?

The tsuba's heading back to the museum.

We're heading out. Regards to President Wilson.

Hi, it's me, Artie. No, I-I-I know. I know.

Look, please, do you
think you could meet me?

As soon as possible.

Artie does to us what he's making us do to them.

He keeps us in the dark.

For all we know, we're decoys too.

Look, we're all pretty good
at our jobs, okay?

We accepted the risks going in.

Having intel in the field
keeps an agent alive, Pete.

But Artie acts like keeping us alive

Isn't a priority.

To him, we're just-- red shirts?

- Yeah.
- Okay.

First, he doesn't think we're red shirts.

And second, that's so cool
you knew what I meant.

Come on.

He's got a Tesla too.

Drop that weapon!

Are you okay? Yeah.

Grab the tsuba.

Ah.

You get a look?

- We get it?
- We got it.

Yes.

Now give it back. Slowly.

No. no, no, no.

Did--did you see that--that guy

With the--with that--that gun?

It--it erases your short-term--no. Psst.

What the hell is up with you two?

Now who are you working for? Secret service.

But a department that you, sir, know nothing about.

I doubt that. Now what department?

It's a, um, archival department.

You're filing clerks

Running around shooting stun guns

At your own people?

Oh, we didn't shoot you.

All right, filing clerks that protect us

from invisible bad guys.

- Yeah. Pretty much.
- Yeah. Yeah. Pretty much.

I'll take it from here.

Careful, archives.

Paper cuts, they take days to heal.

That's hilar-- you're hilarious.

Very scared.

- So glad to see you.
- Thank you.

Not a damn word.

Now, I warned you to back off
before things got worse.

Do you have any idea
what this looks like?

Come on. You know we didn't shoot at them.

- You know that we're legit.
- Yeah, I do.

But if you keep shutting me out,

How am I supposed to back you up?

We'll just--

This stays with me until things die down.

- Or implode.
- What?

Sir, you're putting yourself in serious danger.

You have no idea what you're dealing with.

So tell me.

We can't.

Well, I admire your loyalty.
I prized it myself once.

But you need to look
at where you're placing it

right now.

This has come to my attention.
It checks out.

And I will have to act on it.

You want me to trust you, okay.

If there's even a remnant
of a two-way street left--

If you still trust that I'm trying

To look out for you--then read it.

I want some extra people in the office.

Around the clock for the next 72.

Just in case.

Why?

'cause he stole something dangerous

And it's important that I get it back from him.

What makes you so sure it was him?

Call it a gut feeling.

Oh, that's still annoying, you know.

What is?

You talking in riddles and intuition.

You never change.

Yeah. So has he?

You know, contacted you?

I haven't seen or heard from James in 15 years.

And, uh, the irony's not lost on me

That you're the one who's asking.

Carol. Carol. Look at me.

No matter what you think,

I'm not the one who drove him away.

You made things intolerable for all of us.

Well, if it--if it makes
you comfortable to blame me,

Then you should go ahead and blame me.

I don't care.

But the truth is that you made choices.

And the choices you made--you chose badly.

I'm not the one who disappeared.

Oh, there it is.
How did I not know?

What? What--not know what?
Oh, stop it, Artie.

You're in town for whatever reason

and you decide to twist the knife

For old time's sake.

Rub it in that I chose the wrong guy.

Right. You're not the one who disappeared.

You would've had to have
been there in the first place.

No, not Artie.

Oh, all your--all your secrets,

And your--and your treasure hunts,

And that damned place.

You know, James believed in life.

You need to get one. Hold on. Hold on.

Carol. Carol. Carol.

Could you please--please.
Wait. Wait. Wait.

- What?
- Listen. Listen. Listen.

Carol, if you're harboring him in any way,

You're in danger.

What are you doing here?

Just about to ask you the same thing.

Why are you bothering that poor woman

and torturing yourself?

It is called investigating a case.

This isn't the case. This is self-pity.

The case is the implosion grenade

And the sword.

And someone out there is running around

Using the artifacts--

but that someone--that someone is Macpherson.

And I can prove it.

Remember?

Artie, we've both seen you like this before.

No, no, no, no. He planted this on purpose.

He wanted me to find it.

Otherwise he would've been much too careful.

He's taunting me. Would you listen to yourself?

You are leaping to wild conclusions

Based on nothing.

And meanwhile, your team
is falling apart around you.

Oh, they're not falling apart.
Myka and Pete are fine.

Are they?

Did you know the tsuba's
now under Dickinson's control?

Did you know Bering and Lattimer
had been detained?

They're at the hotel.

I'm taking you all off this case.

- Wait. Wait. Wait.

Wh--what if I'm right?
What if it is Macpherson?

Go home, Artie.

- Artie, where are you?
- It doesn't matter.

New orders.

You two stay in the hotel
and you wait for me.

I will take it from here.

What's the matter? What's wrong? You okay?

- Yeah. Everything's fine.
- All right.

I don't want to hear
about it 'cause it isn't true.

That isn't Artie.

I don't want to believe it either, Pete,

But it's true.

Yeah, well, you shouldn't even be reading that.

Pete.

We should be out doing something.

Pete, his real name isn't even Artie Nielsen.

It's Artie Weisfelt.

He used to work for the NSA.

He was a cryptographer--a code breaker--

When he was in his 20s.

They recruited him right out of school.

They had him decoding soviet communications.

He intercepted letters, phone transcripts.

Then they think he turned.

He contacted one of the people
they were spying on

And he started selling secrets
to the Russians.

And his file, it just ends.

He was never prosecuted.
It's like he just disappeared.

But it's him, Pete. What?

It's definitely him.

You're under arrest.

No, no, no. listen to me.
I have to take this.

Lives are in danger--no, no, not for that.

Dr. Weisfeld, you're under arrest
for treason.

Just tell us that the charges aren't true.

We both know. So just tell us.

- I can't. They're true.
- Okay, that's--that's not--

I had my reasons.

Artie, homeland security's coming

To pick you up.

You need to give us
a way to help you now.

You need to concentrate on the mission,

Not worry so much about me.

Mrs. Frederic fixed this once
and she can fix it a--

This whole thing could've been avoided

If you just told us
anything about the sword,

the tsuba, your past.

Anything, Artie, we--we--we could have helped.

We could have run interference with Dickinson.

If you just trusted us.

So--so what happens now, Artie?

I mean, what--what happens with the warehouse?

I mean, what, are we in charge?
what? I think we should know.

She fixed all this. Mrs. Frederic.

She fixed all of this years ago.

It's him too. It--it has to be.

Okay, Artie,

This isn't just about
the treason, all right?

You also burglarized the secret service.

I'll spend a little time in prison.

You're not getting what is important here.

I'm not getting what's important.

And the fact that I changed my name--

Which, by the way, I did
so the soviets wouldn't find me,

Not to hide from our government.

Important. That--Mrs. Frederic
fixed all this.

She expunged all the charges.
Someone obviously unfixed it.

- Artie, focus.
- Oh, I'm focused.

Here's the key. Who gave Dickinson my file?

Find out, that'll take you
directly to who has the sword.

And that will lead you to Macpherson.

Who?

Time's up.

Some friendly advice,
it's self-preservation time.

Put in for transfers while this
whole warehouse business

Is still just a sidetrack in your careers.

Scars don't have to be permanent.

- Yeah. No can do.
- Just think about it.

Meantime, I have some
self-preservation to do too.

Now, I may not be your boss anymore,

But until someone tells me otherwise,

I still outrank you.

So this time I am putting you on a plane

With your best friends as an escort.

- Why is he here?
- Ogawa?

That guy makes me itch.

Well, the Japanese want their tsuba back.

With the sword gone,

it's all that's left of a national treasure.

Don't worry. They're leaving tonight for Japan.

By tomorrow, the tsuba will be
on the other side of the planet.

By the way, just to ask it,

who did give you that file on Artie?

That's my secret to keep.

Cooper, see that they get
on their plane.

No detours.

Yeah, and--and don't rule out
shooting them if necessary.

What's going on?

What?

It's Ogawa. it was him at the embassy.

He walked out with the sword.

- Are you sure?
- Myka, I saw him.

You have to trust me.

Dickinson looked at him
when I asked him about the file.

Artie was right.

Yeah, and now he's got the sword and the tsuba.

Heading for the diplomatic terminal.

There's no security.

How about you both just take a time-out, huh?

Just for the drive to Dulles. Let's go.

Bored? Yeah. Oh, finally.

Hi.

Who's Mrs. Frederic?

I'd tell you, but then he'd have to kill you.

What do you think? 6th to constitution?

This time of day I'd take 9th.

Yeah, you're right.

Want to grab a beer

after we drop off these two jokers?

Ah, I can't. in-laws are in town.

Hey, hey, hang on. I want to pull over

And grab a paper.

They'll be fine.

Before you say anything,

I know that I mangled this.

I know I ran in there impulsively

Without--without thinking--without my bag--

Because I had a bigger--someone dug you up.

Oh. So you know. It's Macpherson. I'm right.

Yes, I'm afraid you are.

Now it's up to you to stop him.

Thank you.

Don't move!

So, Mr. Ogawa, when does he get here?

Oh, God. It works.

- Hello, Arthur.
- James.

Good to see you after all these years.

Wish I could say the same.

Not while you're pointing a gun at me or trying to.

Well, no, you're an invisible guy

with a sword.

I think you might have the advantage over me.

My point exactly.

So what happened to you, James?

What happened?

I mean, I know we had our differences

And I know Carol... happened.

You always had your own ideas,

Your own objections to warehouse policy.

But, I mean, James, James--killing people.

When did you turn into that?

I woke up, Arthur.

Ah.

Once I was out from under
Mrs. Frederic's iron hand

And your neuroses,

I could see the world more clearly.

Yeah, well, you know, that's a little pathetic,

Isn't it, James, blaming
everybody else but yourself?

I don't think you found clarity.

I don't think your ego
could stand the light.

I'd love to discuss this with you at length.

You or one of your new agents.
Lattimer and Bering, right?

I've been observing them for some time.

I see they have potential, but they're so raw,

So untrained, so corruptible.

If you come anywhere near them, I promise you--

I promise you, James,
that you're going to regret it.

You'll never get
anywhere close to them

as long as I'm alive!

Arthur, you can still read my mind.

- Ah! Ah. Ah.

Ah.

You always hurt the one you love.

Artie?

No! No! No!

- Artie.
- Yeah.

Oh, my God. okay, we have
to get you to a hospital.

Wh--what did you do to yourself?

Well, it was the only way
I knew how to get the sword.

What if we didn't
get here in time?

Yeah, I thought you would.

So just--right now,
could you just hurry up,

Pull it out?

Wait. Wait. Whoa. Whoa. Whoa.

Wait a minute. Now wait a minute.

Are you sure?

Yeah, it's the sharpest sword ever made.

It should slide out just like butter.

Just--just do it really, really,
really, really fast.

Okay! Not like butter!

You all right?

- Is that one of those...
- Yeah.

I wasn't here when everything went down

Between Artie and MacPherson,
but I know it was bad.

Here. Yeah, this feels right.

Yeah. It must've been bad.

I mean, all that stuff with Ogawa.

Giving Dickinson the file.

He wanted more than the sword.

He wanted to mess us up as a team.

It worked.

Well, I don't know
how to work with him right now.

The thing about Artie is that he's lost

A lot of people in his life--including agents.

So now he just shuts everybody out.

It's a defense mechanism.

That's not an excuse.

It's not a reason to keep secrets

as compulsively as he does.

It's not meant to be an excuse.

Just an explanation.

Artie acts like he doesn't care,

But he does--about you both--a lot.

And that scares him.

Well, I guess he needs
to work that out, doesn't he?

You know, just because he lost people,

It doesn't make us expendable.

I'm not a red shirt.

I'm not.

She's upset because I don't communicate.

Did she not notice the word "secret"

in her job description?

Their job is to follow instructions.

So is yours.

You knew that I couldn't let this go.

as it turns out, I was right.

I apologize for doubting you.

Oh. Well, thank--thank--
we're--we're all human.

As far as I know.

You know that this was only
Macpherson's first move.

And he's planning something... bigger.

Any guesses what his plan might be?

No. I don't know. I don't want
to wait to find out.

You know what the Talmud says?

"If someone's coming to kill you,

get up early, kill them first."

It also says "don't rush
into any unnecessary danger.

A miracle may not save you."