Walker, Texas Ranger (1993–2001): Season 6, Episode 14 - Saving Grace - full transcript
( light rock action
theme playing)
(organ music playing)
CHOIR: ♪
Hallelujah, hallelujah ♪
♪ Hallelujah, hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah, hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
MAN: Hey, Reese.
You sure better hope
none of them gals you killed
got any brothers
over at Huntsville.
Hey, Corley, you'll
do all right in the joint.
As long as you stay
away from the mail room.
Crazy fool went postal at a
machine shop over in Lubbock.
Four dead, five wounded.
ALL: ♪ Hallelujah ♪
♪ Hallelujah ♪
( tense theme playing)
Hey, Walsh, what
are you looking at?
I'm sorry. I... I'm
being disrespectful.
I meant Preacher.
I heard this fool was
raised in a church.
Can you imagine that?
I bet you'd like
to lay your hands
around my neck right
now, wouldn't you?
You know what I'd
love to lay my hands on?
That 3 million bucks you
and Macy got stashed away.
You see, these old boys,
they pulled off the
Kurland Bank robbery.
You know, and the cops
never did find the money.
Tell you what, Preacher,
I'll make you a deal.
You tell me where the money
is, I'll cut you in for 50 percent.
What do you say?
CHOIR: ♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah, hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah, hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
( organ theme playing)
( tense theme playing)
(croaks)
Hey, you gotta do something.
MAN: He's having a fit.
He's gonna swallow his tongue.
He's dying, man!
(groaning)
It'll be our badges
if we let him die.
(grunts)
ALL: ♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
MAN: Watch out!
♪ Hallelujah, hallelujah ♪
(men coughing, groaning)
( tense theme playing)
MAN 1: Get off of me.
(man shouts indistinctly)
MAN 2: Hey, he...? He got keys?
MAN 3: Hey, back here.
MAN 4: Toss them back here.
Come on, man. Let's move.
All right, y'all, let's go!
ALL: Come on.
(all talking indistinctly)
MAN 1: Hey, what are you doing?
The keys!
Hey, what about us?
MAN 1: Come on,
don't let us stay here.
Reese, give me the keys.
MAN 2: What are you doing?
What'd you do that for?
It'll keep the cops
busy for a while.
Let's move out. Let's go!
(organ music playing)
ALL: ♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
TRIVETTE: If I won the
lottery right now, today,
I wouldn't change a thing.
You wouldn't change a thing?
Not a thing.
You mean you wouldn't move out
of that dinky little
apartment of yours?
Well, yeah, I'd buy a new house.
I mean, you know,
a little property.
How much property?
I don't know.
Five acres.
WALKER: Hm.
You mean, you wouldn't
buy a newer car?
Well, yeah, I'd buy a new car.
Yeah, buy a bigger car.
More leg room.
Trailer hitch for fishing trips.
Oh, then, you mean
you're gonna buy a boat too.
Well, you gotta have a boat.
(laughing): How you
gonna go fishing?
Right.
But that's it.
A house, a car
and boat. That's it.
Okay. You know the lottery's
up to 40 million bucks?
It is not. Yes, it is.
Forty million.
Forty million bucks.
WOMAN (on radio):
Attention all units
in the I-75 Grapevine area:
prisoner bus hijacked,
prisoners on the
loose, officers down.
That's not far from here.
( action theme playing)
(tires squeal)
( light rock action
theme playing)
♪ In the eyes of a Ranger ♪
♪ The unsuspecting stranger ♪
♪ Had better know the truth ♪
♪ Of wrong from right ♪
♪ 'Cause the eyes
Of the Ranger ♪
♪ Are upon you ♪
♪ Any wrong you
do He's gonna see ♪
♪ When you're in
Texas Look behind you ♪
♪ 'Cause that's where
The Ranger's gonna be ♪
( tense theme playing)
(indistinct radio chatter)
(police sirens
wailing distantly)
WOMAN (on radio): Last
seen in the Grapevine area.
Please be on the lookout.
These men are considered
armed and dangerous.
Notify and proceed with caution.
Repeat: This is an APB
for escaped prisoners
Ted Macy, Fred Corley,
Brady Reese, Kyle
Finley, and Matt Walsh.
Considered armed and dangerous.
Please notify and
proceed with caution.
How many prisoners are missing?
Well, we got all but five:
Matt Walsh, Ted Macy,
Brady Reese, Fred Corley,
and a Kyle Finley.
Where'd you catch those guys?
We caught them heading
down the highway.
What about down there?
Let's see where it leads.
( ominous theme playing)
Someone's been through here.
Matt Walsh and Ted Macy.
Looking at hard
time at Huntsville.
No chance of parole.
Yeah, the Kurland Bank robbery.
Had them outmanned,
outgunned and outsmarted
still held us off for 28 hours.
Yeah, now they got company.
Mr. Brady Reese. He's
a piece of work, huh?
Yeah, he sure is.
There's a farmhouse.
WALKER: Let's check it out.
( tense theme playing)
MAN: They wanna see inside.
(indistinct radio chatter)
Two dead, and they
never had a chance.
They stole the
farmer's truck too.
Hm.
Didn't Macy have a girlfriend?
Yeah, Bonnie Sutherland.
She didn't miss
a day of the trial.
Didn't we think that she
knew where that $3 million
from the bank robbery was?
Yeah.
You think she's still in town?
I don't know. Let's go find out.
( mysterious theme playing)
MACY: Hey, Reese,
I want you to know
that was a damn fine fit
you pitched on that bus.
I thought you was really dying.
Yeah, maybe I ought to haul
my butt out to Hollyweird, huh?
Yeah. (chuckles)
What are we doing here
anyway? We gotta get moving.
They're gonna be
looking for us everywhere.
Not everywhere.
Go get the key.
Meet us at the church.
What key?
To the safe-deposit box.
Yeah, Bonnie's gonna blow
a gasket when she finds out
she's been sitting
on top of $3 million.
(chuckles) I'll go with Macy.
How are you going to go
anywhere? All we got's one car.
(horn honks)
(honking)
MAN: Hey, buddy, move the truck.
Like my dear old mother
superior used to say:
(gun cocks) Ask
and ye shall receive.
( mysterious theme playing)
(wings flapping)
(coos)
Mother superior, is
something wrong?
No. I'm sure it's nothing.
(dove coos)
Look, mother superior, a dove.
Yes, it seems we have a
new member of the church.
I wanted to thank you
for allowing Ms. Cahill's
group to meet here today.
In my day,
we didn't air our
problems in a public forum.
We spoke to a priest.
Privately.
( melancholy theme playing)
Sister Mary Grace,
I'd like you to go down there.
See to it that
they're comfortable.
Yes, ma'am.
(dove coos)
ALEX: One of the purposes
of a battered-women's
support group
is to let you know
that you are not alone.
I know what you're
thinking. This is total bull.
But take it from me.
Just telling your
story for the first time
is a huge step toward
healing yourself.
Towards not being a victim.
Sister Mary Grace,
thank you so much
for letting us use your space.
Oh, we're happy to put
it to good use, Ms. Cahill.
I hope you're comfortable here.
Yes, quite
comfortable. Thank you.
( somber theme playing)
Hi.
I'm...
I'm sorry.
Julie? Julie, wait.
Julie.
Julie!
Julie?
I'm Alex Cahill.
I think we spoke on the phone.
I can't stay.
No, please, just for a moment.
I can't do this.
I thought maybe it
was a good idea, but...
It was a good idea. It
was a really good idea.
And if you leave now,
you're just gonna miss out.
On what?
On a chance to
get your life back.
Come on, I want you to
meet some really nice ladies.
( tense theme playing)
This where your old lady lives?
Yeah. Looks like she
made some new friends.
(door opens)
Hey, you've had enough.
(door closes)
(Bonnie shrieks)
Ted.
My god, Macy, you're out!
Who's this joker?
Nothing personal, guys.
(gunshots) (men grunt)
All right, got it.
DPS has roadblocks
all over the metroplex.
We've got APBs out
on all five escapees
and the farmer's four-by-four.
What about Macy's girlfriend,
Bonnie Sutherland?
Computer's down.
We're not gonna get
information for another half-hour.
JULIE: I grew up in a
house where no one even
raised their voices.
Jerry?
Jerry was... You
know, he was wild.
Always arguing with his
friends about politics and stuff.
I thought he had
all the answers.
(sniffles)
I never knew what
would set him off.
And if... If I tried
to pull away,
he'd punch me with his fist.
(Julie sobs)
It's okay.
Take your time.
He'd punch me right in the face.
He wasn't Jerry anymore.
He was like an animal.
And then...
Then he'd cry.
MOTHER SUPERIOR & SISTER
MARY: Hail Mary full of grace,
the Lord is with thee.
Blessed art thou amongst women,
and blessed is the
fruit of thy womb Jesus.
Holy Mary, mother of God,
pray for us sinners,
now and at the
hour of our death.
( tense theme playing)
Mother.
I'm home.
( mysterious theme playing)
That's right. IDs,
passports, visas
and firepower for five men.
Three hours. MAN
(on phone): Can I...?
WALSH: No, I said three hours.
I know, but I'll triple
your regular fee.
All right. Good. I'll see you.
REESE: Hey, Walsh,
look what I found, huh?
(chuckles)
Well, well, well,
miracles never cease.
Maybe there really is a god.
What are you doing here, Walsh?
No, what are you doing here,
Assistant District
Attorney Cahill?
I heard them talking, Preacher.
One of them took a
beating from her old man.
Now they're all down
there crying about it.
A battered-woman's
support group.
Does anybody else
see the irony here?
(chuckles)
I prayed for you, Matthew Walsh.
Thank you.
Matthew?
I prayed for your salvation.
Well, your prayers fell on
deaf ears, didn't they, mother?
You know this broad?
Well, yeah, Reese,
I grew up here.
Me and mother superior,
we go back a long way.
There was love for you here,
but you denied it.
You. I know you. Where
do I know you from?
I was an orphan here. Like you.
Grace. Grace Canfield.
It's Sister Mary Grace now.
Grace Canfield.
(dove cooing)
(cooing)
WALSH: The only
time I ever had the guts
to run away from this place,
you wouldn't let
me go alone, Grace.
Tell me something, sweetheart.
You ever been with a man?
Or am I gonna be the first?
Reese, back it off.
(groans)
Go watch the front door.
( tense theme playing)
All right, here's the deal.
We're all gonna spend
some time together.
Everybody stay calm and quiet,
and we're gonna be outta here
before you know it.
WOMAN: My baby.
I have to get home to my baby.
(sobbing)
(scoffs)
You can't do this.
What's your name?
Mallory.
Well, Mallory,
actually, yes, I can do this.
( tense theme playing)
TRIVETTE: All right.
Thanks.
Macy's old girlfriend
lives at 316 Hillhurst.
Let's go check it out.
What's that?
That's 3 million bucks, baby.
That's where you hid the key?
( mysterious theme playing)
TRIVETTE: That's
our license plate.
That's the sedan
that was carjacked.
Yeah.
Well, we'd better
call for backup.
Are you telling me that the key
was here the whole time?
Heh. That's what
I'm telling you, baby.
It was right in there.
BONNIE: Rotten son of a...
MACY: Oh, come on.
Listen, I know all
about temptation.
If I'd have told you
where the money was,
and you'd have given in to it,
I would have had to come
back here and kill you.
Huh?
I gotta go.
Hey, take me with you. Come on.
Mm-mm. No, no, no.
Not where I'm going, baby.
You bastard.
Get over there.
(whimpers)
(door closes)
( tense theme playing)
That's Macy and Corley.
I wonder where the others are.
I don't know. We'd
better follow them.
WALKER: Oh, of all the luck.
Need you to run some tags.
They're running the plates.
Yeah.
Call and tell them to back off.
Dispatch, this is
Ranger Trivette.
In pursuit.
(siren wailing)
Too late.
(tires squealing)
(horn honking)
(tires squealing)
(horn honks)
(man screams)
(siren wailing)
(honks)
( suspenseful theme playing)
MOTHER SUPERIOR: You
don't need Sister Mary Grace
and the others.
All you need is me.
One hostage is as good as eight.
Isn't that sweet?
No greater love hath a man...
Excuse me, a woman.
Than she who would lay
down her life for her sisters.
Could you please put
aside your hatred for me
for just one moment
and use your head?
You cannot stay here.
Jeez, Preacher,
maybe she's right.
And besides,
I feel funny in here, man,
like someone's watching us.
I mean, we're holding
guns on nuns, man.
The whole thing
gives me the creeps.
Just calm down, Finley.
Just go watch the front door.
I know what would calm me down.
I said knock it off, Reese.
What?
You sweet on this
little penguin yourself?
Maybe you ought
to take a number.
WALSH: Maybe I'm warning you
for the last time.
( tense theme playing)
( suspenseful theme playing)
FINLEY: Hey, Walsh,
our guns and passports are here.
(chuckles)
WALSH: Whoo!
Our walking papers just arrived!
All right, let's take the women.
Put them in the basement.
Let's go.
(laughs)
You can't do this.
This is God's house.
Oh, mother superior, don't
make me do something
I always wanted to do.
Just do it.
Get them downstairs.
Let's go. Move it.
Come on, come on, come
on, come on, come on.
( suspenseful theme playing)
Man, I haven't been inside
one of these places in years.
Did you get it all right?
Yeah.
It was a rush job, but I
think you'll be pleased.
Now, Floyd, here,
he'll take the pictures,
and then he'll rig them
under the passports.
But before we get
into any of this, Walsh,
I gotta see some green, man.
The money's on its way, Tanner.
It'll be here before we're done.
Well, it better be.
Come on. Start taking pictures.
(grunting)
(laughing)
(whimpers)
(laughing)
FINLEY: Hey, Reese.
Walsh says he wants
you upstairs now.
(sighs)
We'll finish this later.
(cell phone rings)
Trivette.
WALKER (on phone): It's Walker.
Walker, where are you, man?
I've been waiting
here for an hour.
I'm at the Immaculate
Heart Church in Pinewood.
Walsh and his men
are hiding out there.
They're hiding out at a church?
Yeah.
And another thing, Trivette:
Alex and her women's
group are being held hostage.
Call it in and get
right over here.
I'm on my way.
( tense theme playing)
Face it, Walsh.
If Macy hasn't shown up,
something must have happened.
Well, I guess
you're gonna have to
give me some
credit, though, huh?
(laughs): Sorry, I...
I don't give credit.
(grunts)
Guess now you do.
(helicopter whirs overhead)
( suspenseful theme playing)
We got trouble.
We got big trouble.
(indistinct police
radio chatter)
Come on. Move. Move.
Texas Rangers. We have
the building surrounded.
Throw down your weapons.
Come out with your hands up.
Oh... Oh.
(indistinct radio chatter)
Let's go!
(guns cock)
Line the perimeter.
Secured.
MAN: Stand by.
WALSH: Now, here's the deal.
I got eight hostages.
I want a million for each
one and I want a chopper
with plenty of gas.
And I want it all by 5:00.
What's our next move?
(sighs)
I've gotta find a way
into the basement.
See if you can dig up
the blueprints of this place.
I am the only hostage
you need, Walsh.
I'll tell you what I'll do.
I'll flip a coin
when it comes time
to kill one of you.
The nuns stay.
Take Cahill down below.
( dramatic theme playing)
(dove coos)
(cooing)
Matthew.
There was a time
when you did believe.
That was a long time ago,
before God turned
his back on me.
Matthew, it's not true.
God doesn't turn
his back on anyone.
I don't wanna hear it.
( ominous theme playing)
How about me, Sister?
Is there hope for me?
Hey, we've got plenty of time.
And I know just
how I wanna spend it.
That's it. Fight me, baby.
That's just what I like.
Ah!
I told you not to touch her.
Go ahead. Try it.
Try it. Try it
and I'll kill you.
(helicopter whirs overhead)
(all speaking indistinctly)
TRIVETTE: Immaculate Heart
is one of the oldest churches
in the metroplex.
We've got old tunnels
crisscrossing the property.
Here. Here.
Hm. And there's a doorway
at the end of this tunnel.
According to this blueprint,
it leads to the basement.
I'm gonna give it a try.
If I make it,
I'm gonna have you call
and distract them, okay?
You got it.
You got bolt cutters?
Thanks.
I bet I know why
they call you Preacher.
You're still telling
stories, aren't you?
Well, you probably think
I don't remember, but...
some nights in the orphanage,
right before I got adopted,
I'd get real scared, and...
Well, you'd tell
me a story, and...
I'd feel better.
Well, you're the only one.
Everybody else called me a liar.
Well, you were 7.
Oh, God, I hate this place.
I always have.
Why'd you come back?
( tender theme playing)
You remember any of the stories
we used to read from the Bible?
No.
Well, in the Bible,
there's this story about a man,
and he was a lot like you.
A thief. A killer.
And then one day,
he finds himself hanging
on a cross next to Jesus.
And there's a
third man with him,
and he has a real bad attitude.
And this third
man says to Jesus,
"Well, if you're the son of God,
"then why don't you just
take those Romans down
and bust us out of here"?
And the other man
tells him to shut up, tells him,
"Jesus hasn't done
anything wrong.
He's clean."
And then the man says to Jesus,
"Lord, remember me when
you come into your kingdom."
And Jesus says
to him, "Assuredly,
"I say to you that you will be
with me in paradise."
The man's name was
Dismas, and he was a fool.
Do you really
believe that, Matthew?
Why aren't you afraid of me?
SISTER MARY: I don't know.
I'm just not.
( religious theme playing)
(floor creaks)
( tense theme playing)
What are you looking at?
What are you worried
about? We're just talking here!
Walsh is one sick puppy, Finley.
You know that.
Well, he broke me out.
Yeah, out of the frying
pan and into the toilet.
He'll get us out of this.
Now, quit talking about him.
(metallic snap)
( mysterious theme playing)
You're not going anywhere.
You're surrounded.
I'll kill all of you!
You'll all go down!
I'll kill you all!
I'll kill you all.
(women whimper)
TANNER: Take it
easy. Just calm down.
FINLEY: Don't
tell me what to do!
(whispers): Now, Trivette.
(telephone rings)
Listen, Finley, I'm
an officer of the court.
I can make it go easy on you.
(telephone ringing)
You got nothing to say to me.
Listen to her. Shut up!
I know you were
dragged into this.
It's not your fault.
You're not a bad guy.
TANNER: Look,
I'm just a salesman.
I... I'm not even supposed to
be here. This is all a mistake.
Okay, okay, shut up.
I'll show you the way out.
You, you, get moving.
Come on, ladies.
Through the boiler room.
ALEX: Okay. Come on, ladies.
( dramatic theme playing)
( tense theme playing)
(gunshot)
( suspenseful theme playing)
OFFICER 1: Here they
come. Hold your fire.
OFFICER 2: Watch the door.
OFFICER 3: We'll take
them now, Ms. Cahill.
OFFICER 4: Let's
go. Go. Come on.
What's going on,
Reese? They're all gone.
What are you talking about?
The women. They're gone.
Finley's down and I think we got
a Texas Ranger in the basement.
What are we gonna do?
One more step,
and y'all are dead.
Get back here. Move it.
Move it. Let's go. Let's go.
Come on, get up
there. Get in there. Now.
Sit down! Sit down!
(dials)
I want my chopper and
my money right now.
In ten minutes.
You understand me?
No more games, no
more rescue operations,
or these nuns are dead.
Walker, you read me? You okay?
Yeah, I'm okay.
They blocked the basement door.
I think I found a
way into the church.
You want us to deploy?
No, not yet.
You let me know.
Hey, let me pop
the old broad, huh?
We'll let them know
we mean business.
WALSH: I gave them ten minutes.
(sighs)
What are you
doing? Get back here.
No more violence.
I'm going to open those doors
and let in the light.
I'll shoot you. Don't
make me do this.
Let God in.
Bring an end to all this.
I'll kill you. I mean it.
REESE: Yeah, do it.
You can't kill her. You can't.
You watch me.
(gun cocks)
She's your sister, Matthew.
You lie.
Grace Canfield is your sister.
You know I don't lie, Matthew.
Nobody was willing
to take in two children,
not in those days.
Why didn't you ever tell us?
I thought I was
doing the right thing.
God forgive me.
I've saved one,
destroyed the other.
(clicks)
( tender theme playing)
Hey, Walsh.
Walsh, what are you doing?
Walsh!
Hey, who cares if
she's your sister?
We gotta get out of here.
It's true.
Open the door. Let the light in.
REESE: Forget it, Walsh.
I'm not going down for nobody.
It's over, Reese.
Uh-uh. No, it's not.
I'm gonna kill her.
No!
(grunts) (screams)
( action theme playing)
( religious theme playing)
(Walsh sobbing)
Forgive me.
Please.
Only God can forgive you.
All you have to do is ask.
Just ask?
And ye shall receive.
God... please forgive me, Lord.
Today...
you will walk with
him in paradise.
(both sobbing)
( tender theme playing)
(dove cooing)
( uplifting theme playing)
( upbeat theme playing)
♪ 'Cause the eyes
Of the Ranger ♪
♪ Are upon you ♪
♪ Any wrong you
do He's gonna see ♪
♪ When you're in
Texas Look behind you ♪
♪ 'Cause that's where
The Ranger's gonna be ♪
theme playing)
(organ music playing)
CHOIR: ♪
Hallelujah, hallelujah ♪
♪ Hallelujah, hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah, hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
MAN: Hey, Reese.
You sure better hope
none of them gals you killed
got any brothers
over at Huntsville.
Hey, Corley, you'll
do all right in the joint.
As long as you stay
away from the mail room.
Crazy fool went postal at a
machine shop over in Lubbock.
Four dead, five wounded.
ALL: ♪ Hallelujah ♪
♪ Hallelujah ♪
( tense theme playing)
Hey, Walsh, what
are you looking at?
I'm sorry. I... I'm
being disrespectful.
I meant Preacher.
I heard this fool was
raised in a church.
Can you imagine that?
I bet you'd like
to lay your hands
around my neck right
now, wouldn't you?
You know what I'd
love to lay my hands on?
That 3 million bucks you
and Macy got stashed away.
You see, these old boys,
they pulled off the
Kurland Bank robbery.
You know, and the cops
never did find the money.
Tell you what, Preacher,
I'll make you a deal.
You tell me where the money
is, I'll cut you in for 50 percent.
What do you say?
CHOIR: ♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah, hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah, hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
( organ theme playing)
( tense theme playing)
(croaks)
Hey, you gotta do something.
MAN: He's having a fit.
He's gonna swallow his tongue.
He's dying, man!
(groaning)
It'll be our badges
if we let him die.
(grunts)
ALL: ♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
MAN: Watch out!
♪ Hallelujah, hallelujah ♪
(men coughing, groaning)
( tense theme playing)
MAN 1: Get off of me.
(man shouts indistinctly)
MAN 2: Hey, he...? He got keys?
MAN 3: Hey, back here.
MAN 4: Toss them back here.
Come on, man. Let's move.
All right, y'all, let's go!
ALL: Come on.
(all talking indistinctly)
MAN 1: Hey, what are you doing?
The keys!
Hey, what about us?
MAN 1: Come on,
don't let us stay here.
Reese, give me the keys.
MAN 2: What are you doing?
What'd you do that for?
It'll keep the cops
busy for a while.
Let's move out. Let's go!
(organ music playing)
ALL: ♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
♪ Hallelujah ♪
TRIVETTE: If I won the
lottery right now, today,
I wouldn't change a thing.
You wouldn't change a thing?
Not a thing.
You mean you wouldn't move out
of that dinky little
apartment of yours?
Well, yeah, I'd buy a new house.
I mean, you know,
a little property.
How much property?
I don't know.
Five acres.
WALKER: Hm.
You mean, you wouldn't
buy a newer car?
Well, yeah, I'd buy a new car.
Yeah, buy a bigger car.
More leg room.
Trailer hitch for fishing trips.
Oh, then, you mean
you're gonna buy a boat too.
Well, you gotta have a boat.
(laughing): How you
gonna go fishing?
Right.
But that's it.
A house, a car
and boat. That's it.
Okay. You know the lottery's
up to 40 million bucks?
It is not. Yes, it is.
Forty million.
Forty million bucks.
WOMAN (on radio):
Attention all units
in the I-75 Grapevine area:
prisoner bus hijacked,
prisoners on the
loose, officers down.
That's not far from here.
( action theme playing)
(tires squeal)
( light rock action
theme playing)
♪ In the eyes of a Ranger ♪
♪ The unsuspecting stranger ♪
♪ Had better know the truth ♪
♪ Of wrong from right ♪
♪ 'Cause the eyes
Of the Ranger ♪
♪ Are upon you ♪
♪ Any wrong you
do He's gonna see ♪
♪ When you're in
Texas Look behind you ♪
♪ 'Cause that's where
The Ranger's gonna be ♪
( tense theme playing)
(indistinct radio chatter)
(police sirens
wailing distantly)
WOMAN (on radio): Last
seen in the Grapevine area.
Please be on the lookout.
These men are considered
armed and dangerous.
Notify and proceed with caution.
Repeat: This is an APB
for escaped prisoners
Ted Macy, Fred Corley,
Brady Reese, Kyle
Finley, and Matt Walsh.
Considered armed and dangerous.
Please notify and
proceed with caution.
How many prisoners are missing?
Well, we got all but five:
Matt Walsh, Ted Macy,
Brady Reese, Fred Corley,
and a Kyle Finley.
Where'd you catch those guys?
We caught them heading
down the highway.
What about down there?
Let's see where it leads.
( ominous theme playing)
Someone's been through here.
Matt Walsh and Ted Macy.
Looking at hard
time at Huntsville.
No chance of parole.
Yeah, the Kurland Bank robbery.
Had them outmanned,
outgunned and outsmarted
still held us off for 28 hours.
Yeah, now they got company.
Mr. Brady Reese. He's
a piece of work, huh?
Yeah, he sure is.
There's a farmhouse.
WALKER: Let's check it out.
( tense theme playing)
MAN: They wanna see inside.
(indistinct radio chatter)
Two dead, and they
never had a chance.
They stole the
farmer's truck too.
Hm.
Didn't Macy have a girlfriend?
Yeah, Bonnie Sutherland.
She didn't miss
a day of the trial.
Didn't we think that she
knew where that $3 million
from the bank robbery was?
Yeah.
You think she's still in town?
I don't know. Let's go find out.
( mysterious theme playing)
MACY: Hey, Reese,
I want you to know
that was a damn fine fit
you pitched on that bus.
I thought you was really dying.
Yeah, maybe I ought to haul
my butt out to Hollyweird, huh?
Yeah. (chuckles)
What are we doing here
anyway? We gotta get moving.
They're gonna be
looking for us everywhere.
Not everywhere.
Go get the key.
Meet us at the church.
What key?
To the safe-deposit box.
Yeah, Bonnie's gonna blow
a gasket when she finds out
she's been sitting
on top of $3 million.
(chuckles) I'll go with Macy.
How are you going to go
anywhere? All we got's one car.
(horn honks)
(honking)
MAN: Hey, buddy, move the truck.
Like my dear old mother
superior used to say:
(gun cocks) Ask
and ye shall receive.
( mysterious theme playing)
(wings flapping)
(coos)
Mother superior, is
something wrong?
No. I'm sure it's nothing.
(dove coos)
Look, mother superior, a dove.
Yes, it seems we have a
new member of the church.
I wanted to thank you
for allowing Ms. Cahill's
group to meet here today.
In my day,
we didn't air our
problems in a public forum.
We spoke to a priest.
Privately.
( melancholy theme playing)
Sister Mary Grace,
I'd like you to go down there.
See to it that
they're comfortable.
Yes, ma'am.
(dove coos)
ALEX: One of the purposes
of a battered-women's
support group
is to let you know
that you are not alone.
I know what you're
thinking. This is total bull.
But take it from me.
Just telling your
story for the first time
is a huge step toward
healing yourself.
Towards not being a victim.
Sister Mary Grace,
thank you so much
for letting us use your space.
Oh, we're happy to put
it to good use, Ms. Cahill.
I hope you're comfortable here.
Yes, quite
comfortable. Thank you.
( somber theme playing)
Hi.
I'm...
I'm sorry.
Julie? Julie, wait.
Julie.
Julie!
Julie?
I'm Alex Cahill.
I think we spoke on the phone.
I can't stay.
No, please, just for a moment.
I can't do this.
I thought maybe it
was a good idea, but...
It was a good idea. It
was a really good idea.
And if you leave now,
you're just gonna miss out.
On what?
On a chance to
get your life back.
Come on, I want you to
meet some really nice ladies.
( tense theme playing)
This where your old lady lives?
Yeah. Looks like she
made some new friends.
(door opens)
Hey, you've had enough.
(door closes)
(Bonnie shrieks)
Ted.
My god, Macy, you're out!
Who's this joker?
Nothing personal, guys.
(gunshots) (men grunt)
All right, got it.
DPS has roadblocks
all over the metroplex.
We've got APBs out
on all five escapees
and the farmer's four-by-four.
What about Macy's girlfriend,
Bonnie Sutherland?
Computer's down.
We're not gonna get
information for another half-hour.
JULIE: I grew up in a
house where no one even
raised their voices.
Jerry?
Jerry was... You
know, he was wild.
Always arguing with his
friends about politics and stuff.
I thought he had
all the answers.
(sniffles)
I never knew what
would set him off.
And if... If I tried
to pull away,
he'd punch me with his fist.
(Julie sobs)
It's okay.
Take your time.
He'd punch me right in the face.
He wasn't Jerry anymore.
He was like an animal.
And then...
Then he'd cry.
MOTHER SUPERIOR & SISTER
MARY: Hail Mary full of grace,
the Lord is with thee.
Blessed art thou amongst women,
and blessed is the
fruit of thy womb Jesus.
Holy Mary, mother of God,
pray for us sinners,
now and at the
hour of our death.
( tense theme playing)
Mother.
I'm home.
( mysterious theme playing)
That's right. IDs,
passports, visas
and firepower for five men.
Three hours. MAN
(on phone): Can I...?
WALSH: No, I said three hours.
I know, but I'll triple
your regular fee.
All right. Good. I'll see you.
REESE: Hey, Walsh,
look what I found, huh?
(chuckles)
Well, well, well,
miracles never cease.
Maybe there really is a god.
What are you doing here, Walsh?
No, what are you doing here,
Assistant District
Attorney Cahill?
I heard them talking, Preacher.
One of them took a
beating from her old man.
Now they're all down
there crying about it.
A battered-woman's
support group.
Does anybody else
see the irony here?
(chuckles)
I prayed for you, Matthew Walsh.
Thank you.
Matthew?
I prayed for your salvation.
Well, your prayers fell on
deaf ears, didn't they, mother?
You know this broad?
Well, yeah, Reese,
I grew up here.
Me and mother superior,
we go back a long way.
There was love for you here,
but you denied it.
You. I know you. Where
do I know you from?
I was an orphan here. Like you.
Grace. Grace Canfield.
It's Sister Mary Grace now.
Grace Canfield.
(dove cooing)
(cooing)
WALSH: The only
time I ever had the guts
to run away from this place,
you wouldn't let
me go alone, Grace.
Tell me something, sweetheart.
You ever been with a man?
Or am I gonna be the first?
Reese, back it off.
(groans)
Go watch the front door.
( tense theme playing)
All right, here's the deal.
We're all gonna spend
some time together.
Everybody stay calm and quiet,
and we're gonna be outta here
before you know it.
WOMAN: My baby.
I have to get home to my baby.
(sobbing)
(scoffs)
You can't do this.
What's your name?
Mallory.
Well, Mallory,
actually, yes, I can do this.
( tense theme playing)
TRIVETTE: All right.
Thanks.
Macy's old girlfriend
lives at 316 Hillhurst.
Let's go check it out.
What's that?
That's 3 million bucks, baby.
That's where you hid the key?
( mysterious theme playing)
TRIVETTE: That's
our license plate.
That's the sedan
that was carjacked.
Yeah.
Well, we'd better
call for backup.
Are you telling me that the key
was here the whole time?
Heh. That's what
I'm telling you, baby.
It was right in there.
BONNIE: Rotten son of a...
MACY: Oh, come on.
Listen, I know all
about temptation.
If I'd have told you
where the money was,
and you'd have given in to it,
I would have had to come
back here and kill you.
Huh?
I gotta go.
Hey, take me with you. Come on.
Mm-mm. No, no, no.
Not where I'm going, baby.
You bastard.
Get over there.
(whimpers)
(door closes)
( tense theme playing)
That's Macy and Corley.
I wonder where the others are.
I don't know. We'd
better follow them.
WALKER: Oh, of all the luck.
Need you to run some tags.
They're running the plates.
Yeah.
Call and tell them to back off.
Dispatch, this is
Ranger Trivette.
In pursuit.
(siren wailing)
Too late.
(tires squealing)
(horn honking)
(tires squealing)
(horn honks)
(man screams)
(siren wailing)
(honks)
( suspenseful theme playing)
MOTHER SUPERIOR: You
don't need Sister Mary Grace
and the others.
All you need is me.
One hostage is as good as eight.
Isn't that sweet?
No greater love hath a man...
Excuse me, a woman.
Than she who would lay
down her life for her sisters.
Could you please put
aside your hatred for me
for just one moment
and use your head?
You cannot stay here.
Jeez, Preacher,
maybe she's right.
And besides,
I feel funny in here, man,
like someone's watching us.
I mean, we're holding
guns on nuns, man.
The whole thing
gives me the creeps.
Just calm down, Finley.
Just go watch the front door.
I know what would calm me down.
I said knock it off, Reese.
What?
You sweet on this
little penguin yourself?
Maybe you ought
to take a number.
WALSH: Maybe I'm warning you
for the last time.
( tense theme playing)
( suspenseful theme playing)
FINLEY: Hey, Walsh,
our guns and passports are here.
(chuckles)
WALSH: Whoo!
Our walking papers just arrived!
All right, let's take the women.
Put them in the basement.
Let's go.
(laughs)
You can't do this.
This is God's house.
Oh, mother superior, don't
make me do something
I always wanted to do.
Just do it.
Get them downstairs.
Let's go. Move it.
Come on, come on, come
on, come on, come on.
( suspenseful theme playing)
Man, I haven't been inside
one of these places in years.
Did you get it all right?
Yeah.
It was a rush job, but I
think you'll be pleased.
Now, Floyd, here,
he'll take the pictures,
and then he'll rig them
under the passports.
But before we get
into any of this, Walsh,
I gotta see some green, man.
The money's on its way, Tanner.
It'll be here before we're done.
Well, it better be.
Come on. Start taking pictures.
(grunting)
(laughing)
(whimpers)
(laughing)
FINLEY: Hey, Reese.
Walsh says he wants
you upstairs now.
(sighs)
We'll finish this later.
(cell phone rings)
Trivette.
WALKER (on phone): It's Walker.
Walker, where are you, man?
I've been waiting
here for an hour.
I'm at the Immaculate
Heart Church in Pinewood.
Walsh and his men
are hiding out there.
They're hiding out at a church?
Yeah.
And another thing, Trivette:
Alex and her women's
group are being held hostage.
Call it in and get
right over here.
I'm on my way.
( tense theme playing)
Face it, Walsh.
If Macy hasn't shown up,
something must have happened.
Well, I guess
you're gonna have to
give me some
credit, though, huh?
(laughs): Sorry, I...
I don't give credit.
(grunts)
Guess now you do.
(helicopter whirs overhead)
( suspenseful theme playing)
We got trouble.
We got big trouble.
(indistinct police
radio chatter)
Come on. Move. Move.
Texas Rangers. We have
the building surrounded.
Throw down your weapons.
Come out with your hands up.
Oh... Oh.
(indistinct radio chatter)
Let's go!
(guns cock)
Line the perimeter.
Secured.
MAN: Stand by.
WALSH: Now, here's the deal.
I got eight hostages.
I want a million for each
one and I want a chopper
with plenty of gas.
And I want it all by 5:00.
What's our next move?
(sighs)
I've gotta find a way
into the basement.
See if you can dig up
the blueprints of this place.
I am the only hostage
you need, Walsh.
I'll tell you what I'll do.
I'll flip a coin
when it comes time
to kill one of you.
The nuns stay.
Take Cahill down below.
( dramatic theme playing)
(dove coos)
(cooing)
Matthew.
There was a time
when you did believe.
That was a long time ago,
before God turned
his back on me.
Matthew, it's not true.
God doesn't turn
his back on anyone.
I don't wanna hear it.
( ominous theme playing)
How about me, Sister?
Is there hope for me?
Hey, we've got plenty of time.
And I know just
how I wanna spend it.
That's it. Fight me, baby.
That's just what I like.
Ah!
I told you not to touch her.
Go ahead. Try it.
Try it. Try it
and I'll kill you.
(helicopter whirs overhead)
(all speaking indistinctly)
TRIVETTE: Immaculate Heart
is one of the oldest churches
in the metroplex.
We've got old tunnels
crisscrossing the property.
Here. Here.
Hm. And there's a doorway
at the end of this tunnel.
According to this blueprint,
it leads to the basement.
I'm gonna give it a try.
If I make it,
I'm gonna have you call
and distract them, okay?
You got it.
You got bolt cutters?
Thanks.
I bet I know why
they call you Preacher.
You're still telling
stories, aren't you?
Well, you probably think
I don't remember, but...
some nights in the orphanage,
right before I got adopted,
I'd get real scared, and...
Well, you'd tell
me a story, and...
I'd feel better.
Well, you're the only one.
Everybody else called me a liar.
Well, you were 7.
Oh, God, I hate this place.
I always have.
Why'd you come back?
( tender theme playing)
You remember any of the stories
we used to read from the Bible?
No.
Well, in the Bible,
there's this story about a man,
and he was a lot like you.
A thief. A killer.
And then one day,
he finds himself hanging
on a cross next to Jesus.
And there's a
third man with him,
and he has a real bad attitude.
And this third
man says to Jesus,
"Well, if you're the son of God,
"then why don't you just
take those Romans down
and bust us out of here"?
And the other man
tells him to shut up, tells him,
"Jesus hasn't done
anything wrong.
He's clean."
And then the man says to Jesus,
"Lord, remember me when
you come into your kingdom."
And Jesus says
to him, "Assuredly,
"I say to you that you will be
with me in paradise."
The man's name was
Dismas, and he was a fool.
Do you really
believe that, Matthew?
Why aren't you afraid of me?
SISTER MARY: I don't know.
I'm just not.
( religious theme playing)
(floor creaks)
( tense theme playing)
What are you looking at?
What are you worried
about? We're just talking here!
Walsh is one sick puppy, Finley.
You know that.
Well, he broke me out.
Yeah, out of the frying
pan and into the toilet.
He'll get us out of this.
Now, quit talking about him.
(metallic snap)
( mysterious theme playing)
You're not going anywhere.
You're surrounded.
I'll kill all of you!
You'll all go down!
I'll kill you all!
I'll kill you all.
(women whimper)
TANNER: Take it
easy. Just calm down.
FINLEY: Don't
tell me what to do!
(whispers): Now, Trivette.
(telephone rings)
Listen, Finley, I'm
an officer of the court.
I can make it go easy on you.
(telephone ringing)
You got nothing to say to me.
Listen to her. Shut up!
I know you were
dragged into this.
It's not your fault.
You're not a bad guy.
TANNER: Look,
I'm just a salesman.
I... I'm not even supposed to
be here. This is all a mistake.
Okay, okay, shut up.
I'll show you the way out.
You, you, get moving.
Come on, ladies.
Through the boiler room.
ALEX: Okay. Come on, ladies.
( dramatic theme playing)
( tense theme playing)
(gunshot)
( suspenseful theme playing)
OFFICER 1: Here they
come. Hold your fire.
OFFICER 2: Watch the door.
OFFICER 3: We'll take
them now, Ms. Cahill.
OFFICER 4: Let's
go. Go. Come on.
What's going on,
Reese? They're all gone.
What are you talking about?
The women. They're gone.
Finley's down and I think we got
a Texas Ranger in the basement.
What are we gonna do?
One more step,
and y'all are dead.
Get back here. Move it.
Move it. Let's go. Let's go.
Come on, get up
there. Get in there. Now.
Sit down! Sit down!
(dials)
I want my chopper and
my money right now.
In ten minutes.
You understand me?
No more games, no
more rescue operations,
or these nuns are dead.
Walker, you read me? You okay?
Yeah, I'm okay.
They blocked the basement door.
I think I found a
way into the church.
You want us to deploy?
No, not yet.
You let me know.
Hey, let me pop
the old broad, huh?
We'll let them know
we mean business.
WALSH: I gave them ten minutes.
(sighs)
What are you
doing? Get back here.
No more violence.
I'm going to open those doors
and let in the light.
I'll shoot you. Don't
make me do this.
Let God in.
Bring an end to all this.
I'll kill you. I mean it.
REESE: Yeah, do it.
You can't kill her. You can't.
You watch me.
(gun cocks)
She's your sister, Matthew.
You lie.
Grace Canfield is your sister.
You know I don't lie, Matthew.
Nobody was willing
to take in two children,
not in those days.
Why didn't you ever tell us?
I thought I was
doing the right thing.
God forgive me.
I've saved one,
destroyed the other.
(clicks)
( tender theme playing)
Hey, Walsh.
Walsh, what are you doing?
Walsh!
Hey, who cares if
she's your sister?
We gotta get out of here.
It's true.
Open the door. Let the light in.
REESE: Forget it, Walsh.
I'm not going down for nobody.
It's over, Reese.
Uh-uh. No, it's not.
I'm gonna kill her.
No!
(grunts) (screams)
( action theme playing)
( religious theme playing)
(Walsh sobbing)
Forgive me.
Please.
Only God can forgive you.
All you have to do is ask.
Just ask?
And ye shall receive.
God... please forgive me, Lord.
Today...
you will walk with
him in paradise.
(both sobbing)
( tender theme playing)
(dove cooing)
( uplifting theme playing)
( upbeat theme playing)
♪ 'Cause the eyes
Of the Ranger ♪
♪ Are upon you ♪
♪ Any wrong you
do He's gonna see ♪
♪ When you're in
Texas Look behind you ♪
♪ 'Cause that's where
The Ranger's gonna be ♪