Touch (2012–2013): Season 2, Episode 2 - Closer - full transcript

What brings you out here?
Looking for my daughter.

Previously on Touch...

What's your daughter's name?

Amelia.

It's called BreakWire.
It's a Web-based

user-generated
news organization.

I had a gift to see how

things all fit together.

I share the same gift.

It's how I found you.

[grunts]



This, right here, that I'm
working on, it's a God sequence.

I'm talking

the evolution of the
entire human species.

And I'm not just
gonna give it up to them

for some mindless profit.

I can't do that. Not this time.

Money is what you need.

And money is what I have.

A lot of it.

She's here... my baby's here.

I heard you went to
the beach this morning.

I don't like it here.

I miss my parents.
I want to go home.

LUCY: Made you a bagel, Jake.



You like bagels?

"Of course, I like bagels,
Lucy, who doesn't like bagels?"

MARTIN: Morning.

Uh, good morning.

Hey, buddy.

Oh, he won't eat that like that.

H-He's really particular

about his bagel... half of it

needs to be toasted,
cut into four pieces,

two pieces buttered and
two pieces plain. It's...

Wow.

He's never done that before.

Well, maybe he's...

ready for something new.

Aren't we all?

Want some coffee?

Y-Yeah.

I'll get it.

Mm.

Hey, I'm sorry for, uh,

waking you up last night.

You didn't wake me up.

No, yeah, I did.

I-I saw your light go on.

It's just, I have this thing,

whenever I'm in a new
place, I wake up disoriented,

and, uh, I know
the best thing for me

when I panic is to
go outside and...

look at the stars and
figure out where I am.

[chuckles] Sounds nice.

For a panic attack.

[chuckles]

Truth is, you didn't wake me up.

I was already up.

I-I heard you...

walk outside. I...

don't sleep very well either.

Well, you can join
me anytime you like.

You just have to bring
some anti-panic party favors

like scotch, some
new yoga moves,

something... I appreciate it.

Okay. I'm off.

What are those?

Oh. This is my morning.

I'm gonna start at the
beach and paper my way

through the city. Lucy,

y-you can't put those up.
Aster Corps's looking for Jake.

I mean, hell, the police
are looking for me and Jake.

You can't put flyers
up telling people

how to find us. My daughter

is missing, Martin. I'm gonna
do whatever I can to find her,

and if that's a problem for you
then you should just... It's not.

It's not a problem.

Lucy, I'm on
your side here, I...

It is my responsibility to
make sure Jake is safe.

That's all. I...

Sometimes I overreact,
I guess. I'm-I'm sorry.

Got it. Sorry.

Honey on your bagel,
that's quite a step forward.

[alarm beeps]

What is it?

I set up a news
alert on my laptop.

Let me know when anything's
happening with Aster Corps.

The very brain inside of each
of us will become obsolete.

Redundant.

Aster Corps wants to
make money off that.

Driven by profits
and corporate greed,

it's a dystopian
nightmare in the making.

They plan on using my
algorithms to further their need...

This guy is railing
against Aster Corps

in front of their stockholders.

He's talking about algorithms.

Imagine it. A single
numerical sequence

LUCY: "Single
numerical sequence..."

What?

Removed?!

Who would do that?

Aster Corps. Right.

I'm gonna go down to BreakWire.

Maybe they got the whole thing.

See if Trevor can help
me find out who this guy is.

Jake, come on,
buddy. We gotta go.

Your room is this way.
Come on, sweetheart.

I've gotta get your bag.

Five, zero, zero.

Five...

Jake.

Jake, please.

Jake!

I think maybe

he wants to go with me.

I-I'm sorry, is that... No.

That's fine. Uh...

Would you really be cool if...

if he went with you?

No, I'm good.

We have a lot to talk about.

Okay. Um...

why don't you guys
meet me at BreakWire

as soon as you're finished.

Will do.

Thank you.

JAKE: For thousands of years,

sailors have looked to the stars

to understand where they are.

As oceans move beneath them,

they take comfort in the
fixed mark of the North Star,

while here, below,
nothing ever stops moving.

[grunting]

Come on!

Get in the van!

Let's go! Let's go, let's go.

[engine revs, tires screech]

JAKE: Mass attracts mass.

Bodies moving toward
each other in space

will speed up as
they get closer.

MAN: Amelia.

[screams]

Amelia!

[crying]: I...

want... out... of... here!

I want to go home!

This is your home.

Amelia...

[screams]

The gravitational pull

between two bodies
becomes stronger...

We have a problem.

Making convergence inevitable.

This isn't working.
Results are no better

in the house than
they were in the lab.

She knows the difference.

Look, we need to go
back to the original plan.

JAKE: What we're heading toward

or what the outcome of
the convergence will be

is unknowable.

♪♪

Man continues to look
to the stars for certainty.

But the only real certainty

is that every day we're alive

our destiny is getting
closer and closer.

Trevor.

Oh, hey, Martin.

Oh, it's juice.

I juice now.

Good for you.

Can we talk?

Of course.

Let's go over here.

TREVOR: This is unbelievable.

Calvin Norburg tanks their
stock price with one speech.

I need to talk to this guy.

Yeah, you and every
other journalist in the world.

He doesn't talk to the press
under any circumstance.

He'll want to talk to me.
We share the same enemy.

Yeah, Martin. At what
point are you gonna tell me

why Aster Corps is
after you and vice versa?

They're not after me.

They're after my son.

Lucy's daughter Amelia
and my son Jake...

They're the same.
They have a gift...

They can see things in
numbers and patterns.

To be honest with you,

I-I don't really understand it.

But obviously Aster Corps
does and they see a value in it.

They kidnapped Amelia
and faked her death.

When Ruben found
that death certificate

in their files with Jake's

name on it, that's
when I realized

that's what they were gonna
do to Jake, but they couldn't

because I took him and ran.

We've been investigating

Aster Corps abroad
for some time now...

Their business practices,

murder and everything
else down the line but...

I didn't they tried here.

Right now the only
way that I can prove

that Aster Corps is doing
this is to find Amelia alive.

I figured since... Calvin
Norburg had turned against them

that maybe he could help me.

I'm telling you, you're
not gonna get to him.

But...

you may...

get to someone close to him.

There.

MARTIN: Five, zero, zero.

What?

Jake's number.

Earlier this morning,
Jake showed me a number,

five, zero, zero.

Who is this guy?

Uh, uh, Vikash Nayar.

He's been all over
the wire this morning.

One of the top five venture
capitalists in the world.

Huge risk taker;
known for backing

unconventional entrepreneurs.

What's his
connection to Norburg?

Business partner. As of...

this moment.

When everyone
thought Calvin Norburg

had lost his mind, Vikash Nayar

saw an opportunity
and seized it.

He's the one guy Calvin
Norburg's talking to.

How do I find him?

I'll make some calls,

find out where he's staying.

Thank you.

The things we'll accomplish
together, my friend...

Breakthroughs
in the Third World,

vertical farming, water
delivery systems...

Thanks to you and your
generous investment.

Which Aster Corps are trying
very hard to talk me out of.

Oh, they've contacted you?

Numerous ways
and numerous times.

They've made it clear
that investing in you

is gonna be bad for
my financial health.

And you said?

Nothing.

I refused to meet with them.

I sent word through
my lawyers that...

I've made my decision

and you will have
the money soon.

I believe in you, Calvin.

In your vision.

I'd like to meet with my
bankers before I fly to Spain.

When do you leave?

This evening. I'm
due at the unveiling

of my latest
construction project...

A cathedral in Barcelona.

So, uh, this afternoon?
Lunch, maybe?

[phone ringing] I'd like that.

Excuse me one moment.

Who is this?

I understand.

Everything okay?

I have... I must go.

What about lunch?

It'll have to wait.
I'll be in touch.

Is everything all right, sir?

I have to go take
care of something.

I'll have the driver
bring the car around.

No, I'm going to go on my own.

I can't let you do that, sir.

You work for me, and you
are dismissed for the day.

Yes, sir.

Follow him.

Right now, I got a lot of
limos coming and going,

but no sign of Vikash Nayar.

You got a room
number on him yet?

There's a Presidential
Suite on the seventh floor,

but so far, no
confirmation that he's in it.

Okay.

[valet blows whistle]
MARTIN: Hold on.

I got him.

Excuse me, but this
is my cab. No, it isn't.

Yes, it is, and I don't have
time for this. Sir, I need this taxi.

I can send for another car.
Take couple of minutes. No!

I have to be downtown in 15 minutes.
Fine. I need to be downtown, too.

Why don't we just share the
cab, so neither of us will be late?

Fine, but let's just go. The
corner of Fifth and San Pedro.

That'll work for me.

[indistinct conversations,
lively music playing]

Rosemary Mathis?

Then we shall speak in English.

Bless you. Have we met?

No, no. I'm simply a fan.

The concert hall
you have designed

for the Berlin Opera
brought me to my knees,

and I believe
with this cathedral,

you have reached perfection.

That's a lovely thing to
say. Thank you very much.

I hope I'm not embarrassing you.

No... no, I, um...

I must learn to take a
compliment, I'm told.

Then let me be
the one to help you.

I love your use of chiaroscuro.

I mean, the contrast between
illumination and blackness...

It's tragic.

Tragic? Yes.

Reminds us how far
away we are from God.

His light.

Yes, it is tragic.

And yet loving.

These shafts of light

cascading onto
the parishioners...

It's like you're
invoking the Nativity.

The star of Bethlehem bathing

the common man.

Yes.

You show such compassion.

And yet... I wonder.

What?

You can say it.
It's all... it's all right.

Are you trying to
deliver us into the light,

or are you using
the shadows to hide?

I mean, is there something

you do not want
the world to know?

Rosemary, I need you.

The London Times
is doing a piece.

Yes. Please excuse me.

[whispering]

Will you stay?

Yes, of course.

[gasps quietly]

ALL: Surprise!

[whoops]

[laughter] MAN: Hold it
up. Hold the banner up.

If you'd have given
us a little more notice,

we could've done better
than a grocery store cake

and a banner from
our dot matrix printer.

I didn't expect
anything like this.

Thank you. Really.

Uh, we need plates. Ava, plates.

You never said anything
about retiring before.

Sometimes these things
just come over you in a flash.

It's time to make a change.

Like what? Oh...

I don't know. Travel. Where?

Paris. Paris!

Oh! Paris!

Oh! I've always
wanted to go to Paris.

I have, too.

Well, we are really gonna
miss you around here.

When you get back from
your trip, please come by

and show us your pictures.

We'll set up a slide
show in the AV room.

Thank you, Louise.
[people sighing]

Thank you, everybody.

This is so sweet.

[chatter and laughter]

[seagulls screeching]

[calliope music playing]

All right. Good spot.

Okay, where else?

How about that fence over there?

People see it as soon as
they get off the Scrambler.

What? Wait. We have no more?

We went through
the entire stack?

We're just gonna have
to make some more.

But first, how about
some ice cream, yeah?

You like ice cream? Come on.

"I like ice cream, Lucy.
Who doesn't like ice cream?"

What's your favorite flavor?

I like, the like, strawberry
cheesecake kind...

GIRL: Hey! Hey, kid!

Kid, kid, kid, you've got to
come with me on the Scrambler.

It's really super fun, but you
can't go alone. WOMAN: Soleil?

And my mom gets so
dizzy. It's right there.

Soleil, you cannot run
away from me like that!

Hi. Hi.

Beth Friedman. I see you
have already met my daughter.

My name's Soleil, like
the sun, but in French.

Wow! Bonjour, Soleil.

I'm Lucy, this is Jake.

BOTH: Hi, Jake! He's not much
of a talker, but he's very cool.

Oh, don't worry. She will talk
enough for the both of them.

Come on, Jake, let's
go on the Scrambler.

Please? Please? It's right
there! You can go if you want.

Yay! Yay! This is
gonna be the best.

Look, I'm sorry about
the mix-up earlier.

I just couldn't afford to
be late for this meeting.

It's fine.

I recognize you.

Have we met before?

M-Martin Bishop.

I sincerely doubt it.

That's what it is.
I recognize you.

You were at the Aster
Corps shareholder meeting.

What did you make of
Calvin Norburg's meltdown?

What do you think set him off?

You're a reporter.

I should have known.

That ploy with the cab.

[laughing]: I'm not a reporter.

Yeah, right.

Okay, fine. I am a reporter.

And I'm working on a story

accusing Aster Corps
of criminal activity,

starting with and not
limited to attempted murder,

kidnapping, false imprisonment,

and the faking of a
death of at least one child.

How much further?

Almost there. Look,

unless you want to be linked
to this story, you're gonna have

to talk to me, and I
need you to put me

in contact with Calvin
Norburg. Let me out up there.

Please, these people are
dangerous... do you understand?

I need you to put me in touch
with Calvin Norburg! Damn it!

Yeah, I followed him downtown.

He's headed into some alley.

I'm not sure what's going on.

I'm staying on him.

Just-just stay right where
you are. Don't move.

[vehicle approaching]

Mr. Nayar, do you have my money?

Where's my father?

Show him his father.

Mr. Nayar?

Don't go any further, please.

Get down!

Move!

Don't slow down.

They shot my bodyguard!

Get in the cab. Go!

Go! Drive!

Drive!

[tires squealing]

Are you all right?
Have you been hit? No.

Give me your cell phone. What?

Your cell phone!
They can track it!

We got to go back!
They're gonna kill him. Who?

My father. Why?

It's kidnapping. They
said they had him,

and they wanted $100,000
in cash. Listen to me.

They don't want your
father or your $100,000.

They're trying to kill you, and
they used your father as bait.

Take this to the 10,
get off on Robertson.

Where are we going? Somewhere
safe till we can figure this out.

Damn it!

[squealing, laughing]

BETH: It's going so
fast, I can't believe it.

Hey! You know, well, we had
this really wonderful relationship.

We met 15 years ago.
It was love at first sight.

So, you know, we
really tried to work it out.

Don't step on the crack, or
you'll break your mom's back.

We were in therapy,
going back and forth,

and it probably wasn't,
you know, worth it.

Seriously, don't step on it.

So, anyway, he
stayed in San Francisco.

We came back here to live
with my father in Mar Vista.

House I grew up in. Trippy.

I mean, where do
the years go, right?

Uh, look at them. My goodness.

She has really
taken to your son.

You are so lucky you have a boy.

They are so much
easier than girls, so I hear.

Are they? Well, I
guess you wouldn't know

unless you have a daughter
to compare. Do you?

SOLEIL: Hey, Mommy?

Can we ride on the
roller coaster? Please?

Sure. It's okay with me

if it's okay with Jake's mom.

Sure. Whatever he wants.

Have fun.

Hey! Uh, hold on!

Coming!

[classical music playing]

I'd lost sight of you. I
thought you had gone.

No.

It is possible for us to
continue our conversation.

I know a quiet bar
down the street.

I don't know you.

You understand.

Yes.

But we could have a drink here.

Frances.

You're really leaving?

I have to.

Is it someone else?

It's not someone
else. Oh, I can see it.

You got the new laptop,
the Facebook account.

I should have known.

I didn't meet anyone,
Carl, online or anywhere.

Well, then, what is going on?

I'm making some changes
in my life, big changes.

They will require all of
my energy and my focus.

There just won't be
time for anything else.

It's really as simple as that.

Paris... Paris was
supposed to be about us.

I'm not going to Paris. I
heard you tell Louise...

I had to say something.
Well, then, what is going on?

Where are you going?

I can't really talk about it,
but I have to go underground

for a while, and no one
can know where I am.

Not even me? Especially you.

I don't want you
getting involved in this.

I couldn't live with
myself if you got hurt.

I'm hurting right now.

I am so sorry, Carl.

I don't have a choice.

This is your idea
of a safe harbor?

There's cameras
all over the building.

These people are my friends.

They'll help us figure
out what we need to do.

Martin, I...

Mr. Nayar.

Uh, Trevor Wilcox.

Wow, you're good.

We need somewhere to talk.

This way.

Please.

You can power
your phone back up.

This place has a
cell signal block.

Now, why would
Aster Corps do this?

I was a major
shareholder of theirs

because I believed
in Calvin Norburg.

When he left, I left.

I took my money
out of Aster Corps

so I can give it to him. I'm sure
they're not too happy about that.

Their lawyers were relentless,

but I refused to meet with them.

I was scheduled to transfer
the money today, but...

But they kidnapped your father.

I didn't even know anyone
knew about my father.

We've been estranged for years.

My mother's dying wish
was that I reconcile with him,

but he lives on the street.

He does these crazy sculptures.

I didn't try very hard to
find him, and now my money

is going to get him killed.

Excuse me just for
one second, please.

What's happening?

The man in the conference
room is Vikash Nayar.

Jake's number led me to him.

His father was kidnapped; I
think Aster Corps is behind it

because he was trying
to help Calvin Norburg.

So they kidnapped his father
like they kidnapped Amelia.

That means he can help
us; this is good. Yes, yes,

I know, but we have
to do this in stages.

Right now we have to
help him find his father.

What? He knows Calvin.

We need Calvin in
order to find Amelia,

so I'm going to speak to him.

Lucy, please just,

just calm down, okay?

I don't want to calm down.

[Jake hyperventilating]

Jake, Jake,
sweetheart, it's all right.

We were just talking, okay?

Jake... I'm sorry.

I'm done talking.

I'm sorry.

MARTIN: Lucy. I'm sorry, Jake.

MARTIN: Lucy, please.

Jake, Jake...

Please just stay here. Lucy!

Lucy!

Lucy! Lucy!

Where are you going?

[turns engine off]

I don't know.

[scoffs]

Really, I was just
wondering the same thing.

I was about to pull out
and I thought, "I have

nowhere else to go."

Do you know what I mean?

I... have all this stuff and I
don't know where to put it,

so I just want to
find my daughter,

and I can't do anything,
but I want to do something.

I know, I know.

Listen to me.

Right now the best chance
we have to find Calvin Norburg

is sitting in that
conference room.

So... so why don't we just
take a breath here, okay?

And then go back inside and
try and figure this thing out?

I need to find my daughter.

I can't sleep.

I can't do anything.

I can barely walk.

I can barely get out of
bed. Look, look, look at me.

How long have you been
looking for your daughter?

Three years.

Look at how much closer
we've gotten in just two days.

I need you to trust me.

I need you to believe that
I'm gonna do everything I can

to help you find your daughter.

I promise.

I'm sorry, I've... I've
got to go back inside

and get Jake.

Come on.

Just, I'll be a minute, okay?

Okay.

I'll see you inside.

In the Cathedral of Toledo,

there is a hidden skylight,
so high up that only those

who seek the source
ever see what's truly there.

And what's there?

A portal to Heaven.

How is that not blasphemy?

How is it?

When man aspires
to the level of God,

he offends God,

and offending God means death.

I believe in a more
compassionate deity,

one who welcomes us into Heaven.

We are always closer to
Heaven than we realize.

Tell me the story.

Of what?

Your scar.

It was a deep wound.

It's a painful memory...
and shameful.

Shameful?

Because it involves a woman.

Did you deserve it?

Yes.

I hurt her...

and I regret it deeply.

Then the scar
serves its purpose.

To remind you the pain
we inflict on others...

remains our own.

I'm sorry.

It's... late.

Walk me to my flat?

Vikash Nayar is
gone, disappeared.

What are you talking
about? Where'd he go?

He got a phone call
a couple minutes ago,

went down the hall to take it.

Next thing I know, he was gone.

The kidnappers must
have gotten to him.

Why would he listen
to the kidnappers?

Because he's desperate
and he thinks he can

save his father.
They'll kill both of 'em.

I'll call the hotel, see if
they have a contact number

for him. Okay, I'll see
if I can track down his...

Where the...?

Jake, did you take
my cell phone?

Trevor, has your
phone got GPS tracking?

Yeah. Let me see it.

I got him.

He's heading
eastbound on the 10.

You're a good boy, Jake.

Okay, heading east on Olympic.
MARTIN: You get a sense

of how fast they're going?

No, all I'm getting is
a... a steady blinking dot.

W-W-Wait, south on Fig...

F-Figueroa. Figueroa.

How far ahead of us are they?

I-I don't know,
it's hard to tell.

Not that far.

Hold on.

Don't do this, Frances.

Don't cut me out of your life.

You are making
this so much harder.

It should be hard.

It should be impossible.

It is.

[sighs]

I can't tell you what
I'm doing or why.

This is my new phone number.

Please don't tell anyone.

[sighs] This is it.

Thank you for walking me home.

I could have walked
with you forever.

[gentle laugh]

Why have I never met you before?

[chuckles]

Things happen when they must.

So we were destined to meet?

[both chuckle]

What else are we destined for?

You, for greatness.

Please don't.

It's true.

It's a burden and a lie.

What do you mean?

The designs aren't mine.

They come to me fully formed.

There is no thought,

no artistry, no pleasure.

I see patterns and calculations

and I write them down.

You are the chosen vessel.

They come through you.

It's your destiny.

Must I fulfill my destiny?

Can I choose a different path?

Why would you?

To be normal.

To be happy.

To feel loved.

I would give up
everything for that.

[exhales]

Wouldn't you?

We shall see.

I'm sorry.

What for?

The answer is no.

No?

We cannot choose
a different path.

We must fulfill our destiny.

There they are.

What are they doing?

VIKASH: Hey, he's not well.

Not my problem.

Is that a gun? I got an idea.

Let me see your phone.

All I have to do is pick a
target in the photograph

and I can enlarge it
over a hundred times.

Tell your bosses I will cancel
the deal with Calvin Norburg...

[pained grunting]

or I'll pay you
whatever you want.

Just let us go.

SANJAY: Please, please.

Don't hurt my son.

VIKASH: I'm so sorry, Father.

[panting]

It's almost time.

My sculpture, it
will be revealed.

Please!

[phone ringing]

What is that? Who
knows you're here?

Give me that.

No, that's not my phone.

That's not my phone.

What is this?

Oh, man, that's us.

Somebody's watching us.

[phone ringing]

Who is this?

The photographs
that I just sent you,

I've also sent to the police.

I figure you've got
four to seven minutes.

Look, I know you're just
doing this for the money.

Don't be stupid.
Get out of there now.

All you have to do is
leave the two men behind

and walk away.

I said walk away now!

I said walk away now!

Let's go.

Come on, let's go.

MARTIN: They're
moving, let's go.

[tires screeching]

[grunts]

[both gasping]

[Vikash sobbing]

[tires squealing]

[tires squealing]

You made this happen.

How can I ever repay you?

Right now I'm just grateful that you and
your father are okay. Are you all right?

Look, I am absolutely positive

that Aster Corps
was behind this,

but I can't prove
it; at least not now.

So you're going to have to
tighten up your own security

until you can get
your funds transferred

out of the company.

I'm going to give you my number

in case Calvin Norburg
wants to talk to me.

If he does, I would be grateful.

[tearing paper from pad]

I'm Lucy. Yes.

She will be here soon.

Who?

[chains jingling]

LUCY: Oh, my.

[laughs softly]

That's Amelia.

My daughter.

How did you do that?

You have lost your child?

Yeah.

You will find her.

The police are going to
be here in about 15 minutes.

I can't be here.

Good luck.

Lucy, we need to go.

Amelia.

I'm sorry, but
we've got to go now.

Thank you.

Thank you. Thank you. Thank
you. Thank you. Thank you.

JAKE: We are all in motion,

hurtling toward a destiny

we did not choose
and cannot avoid.

Hi, Amelia.

My name's Frances.

I'm going to take care
of you from now on.

Just me, no one else.

I know you've been lonely.

I know you miss your mother.

I'm sorry she left you.

I'm a mother.

And it breaks my heart
to see a child so all alone.

I'm alone, too.

We can keep each other company.

Maybe we'll go to
the beach tomorrow.

You love the beach, don't you?

I like the tides.

I brought you a book on tides.

LUCY: So what do you think
our chances are of getting

a meeting with Calvin Norburg?

I don't know, but I'm
not getting my hopes up.

Huh. Uh, that is a skill I
have not yet mastered.

[laughs]

[children laughing,
shouting happily]

Jake?!

LUCY: Hey, Jake?!

Jake? What's he doing?

Jake, stop now!

Don't you ever do that again.

Do you understand
me? It's dangerous.

Hey. Hey, what is it?

Jake, hey!

Hey, this is my school.

Do you go to school here, too?

Want to play basketball?

LUCY: Look who it is. Soleil.

Like the sun. This is Martin,

Jake's dad. We met
her at the pier today.

Hi. Hi. Who?

Come on, Jake! Let's go!

Go. Go.

What the hell is happening?

JAKE: Bodies moving
through space speed up

as they get nearer
to one another.

The convergence is inevitable.

SOLEIL: Come meet my grandpa!

Grandpa! Grandpa!

Hi. Hi, honey.

This is my friend Jake.

CARL: Hey, Jake.

I'm Carl.

SOLEIL: Let's go play!

Come on!

Oh, forget it.

JAKE: For thousands of years,

sailors have looked to the stars

to understand where they are.

As oceans move beneath
them, they take comfort

in the fixed mark
of the North Star.

But here, below, nothing
ever stops moving.

[phone ringing]

Hello?

MAN: Martin Bishop?

Who is this?

Calvin Norburg.

I understand you want to
speak with me about Aster Corps.

Yes, very much.

I'll be in touch.

W-Wait. Hello?

Hey.

You can't sleep, either, huh?

No.

Did you figure out
where we are yet?

Closer.

Captioning sponsored
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