The White Shadow (1978–1981): Season 1, Episode 15 - LeGrande Finale - full transcript

{\a1\pos(96,460)}HEY, KAREN LeGRAND,
THE ONE-NIGHT STAND!

{\a1\pos(12,460)}WHAT'S HAPPENING, KAREN?

{\a1\pos(12,460)}IF YOU CAME ACROSS A GIRL
THAT YOU REALLY LIKED,

{\a1\pos(12,432)}ONLY THERE WERE THESE RUMORS--
I THINK I'D FIND OUT
FOR MYSELF.

{\a1\pos(264,404)}♪ [ Harmonizing ]
♪ OH, DO I LOVE YOU ♪

{\a1\pos(12,460)}YOU SEE, WE'RE MORE
THAN JUST A BASKETBALL TEAM.
WE'RE A GROUP.

{\a1\pos(96,460)}- LIKE A MOB?
- A SINGING GROUP!

{\a1\pos(264,460)}WE TOOK A VOTE, MAN.
YOU'RE OUT OF IT.

{\a1\pos(180,460)}- OUT OF WHAT?
- THE GROUP.

{\a1\pos(96,460)}YOU'RE CHUMPIN' US OFF
FOR A CHICK, MAN, WHO
AIN'T WORTH LOOSE CHANGE.

{\a1\pos(180,460)}[ Crowd Cheering ]



{\a1\pos(180,460)}HELP OUT! HELP OUT!

{\a1\pos(180,460)}[ Cheering ]

{\a1\pos(12,460)}WHOO!

{\a1\pos(12,96)}[ Cheerleaders Chanting,
Indistinct ]

{\a1\pos(180,460)}- THREE, TWO, ONE!
- OHHH!

{\a1\pos(12,460)}[ Bell Buzzing ]

{\a1\pos(96,460)}[ All Cheering ]

{\a1\pos(180,460)}[ Cheering Continues ]

{\a1\pos(12,460)}[ Indistinct Shouting ]

{\a1\pos(348,460)}[ Whistling ]

{\a1\pos(12,432)}HEY, HEY, HEY!
LOOK, I DON'T WANT
TO TURN THIS INTO MUSH.

{\a1\pos(96,460)}I JUST WANT TO TELL YOU GUYS
HOW PROUD I AM OF ALL OF YOU
AND WHY.

{\a1\pos(12,460)}WE'RE NOT GONNA BE
IN THE PLAY-OFFS THIS YEAR...

{\a1\pos(12,460)}'CAUSE WE LOST
TOO MANY GAMES EARLY ON.



{\a1\pos(12,460)}YOU ALL KNEW THAT
GOIN' INTO THIS GAME.

{\a1\pos(12,460)}ALL YOU HAD TO PLAY FOR
WAS PRIDE.

{\a1\pos(180,460)}IT WAS THE LAST GAME
OF THE SEASON.

{\a1\pos(96,460)}AND THAT'S EXACTLY
WHAT EVERY ONE OF YOU DID
RIGHT DOWN THE LINE.

{\a1\pos(96,460)}YOU PLAYED WITH PRIDE.
YOU WENT OUT THERE
WITH NOTHIN' AT STAKE...

{\a1\pos(117,460)}AND BEAT THE PANTS
OFF OF A TEAM...

{\a1\pos(12,460)}THAT'S GOIN' INTO
THE FIRST DIVISIONAL PLAY-OFF.

{\a1\pos(12,404)}[ Boys Cheering ]
ALL RIGHT!

{\a1\pos(264,460)}AND WE GOT A LOT
TO LOOK FORWARD TO
NEXT SEASON.

{\a1\pos(12,460)}[ Sighs ]
I'M REALLY PROUD OF YOU GUYS,

{\a1\pos(96,460)}AND YOU'VE GOT EVERY RIGHT
TO BE PROUD OF YOURSELVES.

{\a1\pos(96,460)}[ Mock Sobbing ]

{\a1\pos(180,460)}[ All Sobbing ]

{\a1\pos(96,460)}ALL RIGHT, ALL RIGHT.
FORGET IT.

{\a1\pos(201,460)}FORGET IT.
JUST HIT THE SHOWERS
AND GET DRESSED.

{\a1\pos(117,460)}OH, AND BY THE WAY,
DON'T ANYBODY MAKE ANY
PLANS FOR TOMORROW NIGHT,

{\a1\pos(96,460)}'CAUSE I GOT RESERVATIONS
FOR 13 AT ANTONIO'S
FOR A TEAM DINNER.

{\a1\pos(12,460)}- ALL RIGHT!
- [ Boys Cheering ]

{\a1\pos(12,404)}ALL RIGHT!
[ Cheering Continues ]

{\a1\pos(99,404)}♪ [ Harmonizing ]
♪ YOU'RE PUSHIN' ME TOO FAR ♪

{\a1\pos(96,460)}♪ I LOVE YOU FOR ♪

{\a1\pos(96,460)}♪ ALL I SAW BEFORE ♪

{\a1\pos(96,460)}♪ I SQUEEZE YOU
WHEN I NEED YOU ♪

{\a1\pos(12,460)}♪ BUT I COULD NOT TELL YOU
I LOVE YOU, YOU, YOU, YOU ♪

{\a1\pos(96,460)}♪ TAKE IT BACK
DOO-DOO-DOO-DOO ♪

{\a1\pos(96,432)}♪ TAKE IT BACK
DOO-DOO-DOO-DOO ♪

{\a1\pos(12,460)}♪ YOU TAKE ME DOWN REAL NICE
THIS LOVE AFFAIR ♪

{\a1\pos(180,460)}♪ DOO-DOO-DOO-DOO
TAKE IT BACK ♪

{\a1\pos(12,460)}♪ [ Continues, Indistinct ]

{\a1\pos(12,460)}♪ STARTIN' NOW
IT'S GONNA HAVE MORE MEANING ♪

{\a1\pos(96,432)}♪ GIRL, GIRL, GIRL ♪
♪ DOO-DOO-DOO-DOO
TAKE IT BACK ♪

{\a1\pos(12,404)}OH, YEAH!
ALL RIGHT! YEAH!

{\a1\pos(141,404)}YOU LOOK LIKE A CLOWN.
HEY, THAT DIDN'T SOUND BAD.

{\a1\pos(12,460)}YEAH, MAN,
JUST WHEN THE SEASON ENDS,

{\a1\pos(12,460)}WE START PLAYIN'
LIKE N.B.A. MATERIAL...

{\a1\pos(12,460)}AND SINGIN'
LIKE MOTOWN MATERIAL.

{\a1\pos(96,460)}HEY, I'M GONNA MISS
SINGIN' IN THE SHOWER.

{\a1\pos(12,432)}WHY DO WE GOTTA STOP?
BECAUSE BASKETBALL
SEASON'S OVER,

{\a1\pos(96,460)}AND IF WE START GETTIN'
TOGETHER TO TAKE SHOWERS,
PEOPLE ARE GONNA TALK.

{\a1\pos(285,460)}HEY, LISTEN, MAN.
SALAMI'S RIGHT.

{\a1\pos(12,460)}I MEAN, JUST 'CAUSE
BASKETBALL SEASON'S OVER DON'T
MEAN WE GOTTA STOP SINGIN'.

{\a1\pos(96,460)}YEAH, MAN, WE GOT IT ALL.
WE GOT A WHITE BOY.

{\a1\pos(180,460)}WE GOT A MEXICAN.
WE GOT A JEW.

{\a1\pos(96,460)}WE GOT ALL YOU BROTHERS.
MAN, WE CAN HAVE
SOUL-SALSA-DISCO.

{\a1\pos(96,460)}WAIT A MINUTE, MAN.
DON'T FORGET BLUES.
MAN, WE GOTTA HAVE BLUES.

{\a1\pos(96,460)}- YEAH, AND BLUES TOO.
- HEY, WHAT DO WE DO?

{\a1\pos(12,460)}WELL, UH, WHY DON'T WE GO SEE
MR. LEONARD, THE MUSIC TEACHER,
FIRST THING TOMORROW MORNING?

{\a1\pos(12,460)}WHY HIM, MAN? ALL HE KNOWS
IS THAT BEETHOVEN STUFF.

{\a1\pos(96,460)}WELL, HE CAN TEACH US
A FEW THINGS, BROTHER.

{\a1\pos(96,460)}WHAT'S HE GONNA TEACH US?
HE'S A TEACHER.
WHAT DOES HE KNOW?

{\a1\pos(180,404)}[ All Laughing ]
THAT'S RIGHT.

{\a1\pos(96,432)}HEY!
YOU THINK
MR. LEONARD'S IN YET?

{\a1\pos(12,460)}I DON'T KNOW, MAN.
IF HE AIN'T, WE'LL WAIT FOR HIM.

{\a1\pos(12,460)}LOOK, THE SOONER WE GET
THE SHOW ON THE ROAD, THE SOONER
WE GET THE SHOW ON THE ROAD.

{\a1\pos(96,404)}ON THE ROAD!
LOOK WHO'S COMING.

{\a1\pos(96,460)}[ Goldstein ]
HEY, IT'S KAREN LeGRAND,
THE ONE-NIGHT STAND!

{\a1\pos(96,460)}HEY, HOW YOU DOIN', KAREN?

{\a1\pos(12,432)}HOW'S IT GOIN',
SWEETHEART?
WOULD YOU TAKE A WALK?

{\a1\pos(12,460)}I AM. WITH YOU,
BABY CAKES.

{\a1\pos(12,460)}[ Boys Laughing ]

{\a1\pos(12,460)}HEY, LISTEN, KAREN.
WHAT YOU GONNA DO
THIS WEEKEND?

{\a1\pos(348,460)}I DON'T KNOW.

{\a1\pos(12,460)}[ Hayward ]
HEY, THORPE, COME ON, MAN.

{\a1\pos(12,460)}HEY, LISTEN, LISTEN.
THESE FOLKS ARE TRYIN' TO SING.

{\a1\pos(348,404)}[ Chattering ]
♪ [ Humming ]

{\a1\pos(264,460)}♪ [ Singing Opera ]

{\a1\pos(12,460)}♪ [ Continues ]

{\a1\pos(348,460)}[ Chuckling ]

{\a1\pos(96,460)}I, UH-- I SUPPOSE
YOU'RE NOT HERE TO BORROW
MY PAVAROTTI RECORDS, RIGHT?

{\a1\pos(180,460)}NO, ACTUALLY WE'RE HERE
TO ASK YOU A COUPLE
OF QUESTIONS.

{\a1\pos(432,404)}ABOUT WHAT?
ABOUT MUSIC.

{\a1\pos(180,460)}WHAT CAN I DO FOR YOU?

{\a1\pos(12,460)}UH, WELL, SEEIN' AS
YOU'RE THE MUSIC TEACHER,

{\a1\pos(12,460)}WE THOUGHT WE COULD COME
TO YOU FOR SOME HELP.

{\a1\pos(12,460)}I DON'T UNDERSTAND WHAT MUSIC
HAS TO DO WITH BASKETBALL.

{\a1\pos(12,460)}HAS NOTHIN'
TO DO WITH BASKETBALL.

{\a1\pos(12,460)}YOU SEE, WE'RE MORE
THAN JUST A BASKETBALL TEAM.
WE'RE A GROUP.

{\a1\pos(180,460)}LIKE A MOB?

{\a1\pos(12,460)}A SINGING GROUP!
LIKE THE COMMODORES.

{\a1\pos(96,460)}SEE, IT'S LIKE THIS, MAN.
WE SING IN THE SHOWER
ALL THE TIME--

{\a1\pos(12,460)}AFTER GAMES, AFTER PRACTICES--
AND WE'RE STARTIN' TO SOUND
PRETTY GOOD.

{\a1\pos(12,460)}BUT, YOU KNOW, ONLY THING IS
BASKETBALL'S OVER, AND THERE'S
NOWHERE TO PRACTICE.

{\a1\pos(96,460)}YEAH, AND WE THOUGHT YOU'D
BE ABLE TO HELP US OUT--

{\a1\pos(180,460)}GIVE US A HAND GETTIN'
THE GROUP TOGETHER,

{\a1\pos(96,460)}A PLACE TO PRACTICE,
GET SOME INSTRUMENTS, MAYBE.

{\a1\pos(180,460)}WHAT KIND OF INSTRUMENTS
DO YOU NEED?

{\a1\pos(12,460)}A COUPLE OF ELECTRIC GUITARS,
A SET OF DRUMS--

{\a1\pos(12,460)}A SAX.
WE GOTTA HAVE A SAX.

{\a1\pos(96,460)}- I DIDN'T KNOW
YOU PLAYED THE SAX.
- I DON'T.

{\a1\pos(12,432)}[ Gomez ]
AND A TAMBOURINE.
WELL, TAMBOURINES I HAVE,

{\a1\pos(180,460)}BUT THE REST I DON'T.

{\a1\pos(180,460)}BUT LOOK, IF YOU NEED
A PLACE TO PRACTICE,

{\a1\pos(96,460)}YOU CAN USE
THE MUSIC ROOM AFTER SCHOOL
WHENEVER YOU WANT.

{\a1\pos(12,460)}WHAT GOOD IS THE MUSIC ROOM
IF WE CAN'T MAKE NO MUSIC?

{\a1\pos(12,460)}WELL, MAYBE WE SHOULD START OFF
SINGIN' A CAPELLA.

{\a1\pos(96,460)}- I DON'T KNOW THAT SONG.
- THAT MEANS WITH NO MUSIC,
GOOB.

{\a1\pos(12,460)}WELL, THE MUSIC ROOM IS OPEN,
AND I'LL BE HAPPY TO HELP YOU.

{\a1\pos(285,404)}WELL, ALL RIGHT!
WAY TO GO!

{\a1\pos(96,460)}[ Knocking ]

{\a1\pos(264,460)}UH-HUH. HEY, THORPE.

{\a1\pos(12,460)}UH, YOU GOT A MINUTE?
I'VE GOT SOMETHIN' I'D
LIKE TO TALK TO YOU ABOUT.

{\a1\pos(264,460)}FOR NEXT YEAR'S
ALL-CITY GUARD?

{\a1\pos(180,460)}I GOT EVEN TWO MINUTES.

{\a1\pos(12,460)}UM, IF YOU CAME ACROSS
A GIRL...

{\a1\pos(12,460)}THAT YOU REALLY LIKED,

{\a1\pos(12,460)}THAT YOU, UH, THOUGHT WAS WORTH
PUTTIN' SOME TIME INTO,

{\a1\pos(12,460)}ONLY THERE WERE THESE RUMORS
FLYIN' AROUND ABOUT HER, UH,
PAST, YOU KNOW,

{\a1\pos(12,460)}WHAT WOULD YOU DO?

{\a1\pos(264,460)}WHAT KIND OF RUMORS?

{\a1\pos(12,460)}WELL, THAT MAYBE SHE'S
NOT ALL THAT, UM, FRESH.

{\a1\pos(351,432)}IS IT TRUE?
LOCKER ROOM TRUE.
YOU NEVER KNOW.

{\a1\pos(12,460)}WELL, THEN I'D FORGET ABOUT IT
AND GO FIND OUT FOR YOURSELF.

{\a1\pos(12,404)}YEAH?
SURE. TALK IS CHEAP,

{\a1\pos(96,460)}AND RUMORS ARE EVEN CHEAPER.

{\a1\pos(96,460)}I MEAN, IF YOU'RE JUST
GONNA GO BY WHAT YOU HEAR,

{\a1\pos(12,460)}YOU'RE GONNA FILTER YOURSELF
OUT OF A LOT OF LIVING, RIGHT?

{\a1\pos(12,460)}THEN YOU'D GO FOR HER?

{\a1\pos(180,460)}I THINK I'D FIND OUT
FOR MYSELF.

{\a1\pos(180,460)}- THANKS.
- [ Door Closes ]

{\a1\pos(78,404)}HEY, WHAT'S HAPPENIN', MAN?
HEY, MAN, WHAT ABOUT YOURSELF?

{\a1\pos(12,432)}HEY, WHERE'S THORPE?
HE OVER THERE
TALKIN' TO THAT CHICK.

{\a1\pos(12,460)}MAN, I'M HUNGRY.

{\a1\pos(96,460)}YOU KEEP EATIN' LIKE THAT,
YOU'RE NOT GONNA HAVE ANY
ROOM LEFT FOR TONIGHT.

{\a1\pos(12,460)}- WHAT'S TONIGHT?
- TEAM DINNER.

{\a1\pos(12,460)}OH, WOW.
FORGOT ALL ABOUT IT.

{\a1\pos(264,460)}IT'S ALL RIGHT, BOY.
I SEEN YOU EAT.

{\a1\pos(180,460)}YOU AIN'T GOT NOTHIN'
TO WORRY ABOUT.

{\a1\pos(12,460)}WELL, I'M SUPPOSED
TO SEE KAREN TONIGHT.
I MADE A DATE WITH HER.

{\a1\pos(12,460)}- WHAT ABOUT THE TEAM DINNER?
- I GUESS I WON'T BE ABLE
TO MAKE IT.

{\a1\pos(12,460)}HEY, MAN, YOU'RE GONNA HURT
THE COACH'S FEELINGS.

{\a1\pos(12,460)}LISTEN, HE'LL UNDERSTAND.

{\a1\pos(264,460)}WELL, MAYBE HE WILL,
BUT I DON'T.

{\a1\pos(12,460)}LOOK, MAN, THE GIRL'S BEEN
TRYIN' TO GET ME TO TAKE HER OUT
FOR THREE WEEKS.

{\a1\pos(12,460)}IF I BREAK THE DATE, SHE
MAY NOT RECOVER FROM THE BLOW.

{\a1\pos(96,460)}SOUNDS TO ME LIKE YOU
DON'T WANT TO BREAK IT, MAN.

{\a1\pos(12,460)}HEY, LOOK, MAN, WHY DON'T YOU
JUST DROP IT, HUH?

{\a1\pos(117,460)}WHOO! WHAT'S THE MATTER?
YOU GOT A PROBLEM, THORPE?

{\a1\pos(12,460)}I THINK HE'S ANGRY.

{\a1\pos(96,460)}[ Chattering ]

{\a1\pos(12,460)}HEY, COACH! OVER HERE.

{\a1\pos(180,460)}SORRY I'M LATE.

{\a1\pos(12,460)}[ Salami ]
YEAH. HEY, COACH,
WHAT'S IN THE BOX?

{\a1\pos(96,460)}NEVER MIND.
WE'LL GET TO THAT LATER.

{\a1\pos(12,460)}WHERE'S, UH, THORPE
AND GOLDSTEIN?

{\a1\pos(12,460)}- GOLDSTEIN'S IN THE KYBO.
- YEAH? WELL, WHERE'S THORPE?

{\a1\pos(12,460)}UH, HE'S NOT GONNA BE ABLE
TO MAKE IT TONIGHT.

{\a1\pos(12,460)}WELL, IS ANYTHING WRONG?
I MEAN, IS HE SICK OR SOMETHIN'?

{\a1\pos(264,460)}UH, NO, NOTHIN'
LIKE THAT, COACH.

{\a1\pos(12,460)}COME ONE. OUT WITH IT.
I KNOW WHEN YOU GUYS
ARE COVERING UP.

{\a1\pos(12,460)}WHAT KIND OF TROUBLE
IS HE IN NOW?

{\a1\pos(96,460)}UH, HE'S-HE'S OUT
WITH THIS CHICK, YOU KNOW?

{\a1\pos(12,460)}OH, YEAH. I THINK I REMEMBER HIM
MENTIONING SOMETHING ABOUT THAT.

{\a1\pos(96,460)}WHAT ARE WE GONNA HAVE
FOR DINNER?

{\a1\pos(180,460)}EVENING, COACH.
UH, WHAT'S IN THE BOX?

{\a1\pos(12,460)}A SURPRISE.
HAVE A SEAT.

{\a1\pos(12,460)}WAITER?

{\a1\pos(180,404)}CAN I TAKE YOUR ORDER?
YEAH. WHAT'S THIS STUFF?

{\a1\pos(180,460)}OH, THAT'S MOSTACIOLLI.
IT'S A PASTA.

{\a1\pos(96,460)}UH, WHAT'S THIS...
"OSCO BUSCO"?

{\a1\pos(285,460)}NO, NO. OSSO BUCO.
IT'S A VEAL DISH.

{\a1\pos(117,460)}UH, WAITER, I'LL START
WITH THE BAKED CLAMS.

{\a1\pos(12,460)}THEN I'LL HAVE
THE SHRIMP MARINARA WITH
A SIDE OF ZITI IN MEAT SAUCE.

{\a1\pos(12,460)}VERY GOOD, SIR.

{\a1\pos(12,432)}WELL, I'LL HAVE
THE MEATBALL AND SPAGHETTI.
THAT SOUNDS GOOD TO ME TOO.

{\a1\pos(264,432)}YEAH.
YEAH, I THINK THAT--
THAT'S GOOD.

{\a1\pos(12,432)}FINE WITH ME.
IT'S 11 MEATBALLS
AND SPAGHETTI?

{\a1\pos(96,460)}- AND A CASE OF BEER.
- [ Boys Agreeing ]

{\a1\pos(96,460)}PASS ON THAT. UH, BRING HIM
A GLASS OF MILK.

{\a1\pos(96,460)}- [ Boys Laughing ]
- SODAS FOR EVERYBODY ELSE.

{\a1\pos(96,460)}YOU GUYS MAY BE TERRORS
OUT IN THE STREET,

{\a1\pos(96,460)}BUT IN A RESTAURANT
YOU'RE A BUNCH OF CHICKENS.

{\a1\pos(264,460)}WELL, UH, WHEN YOU
GONNA SHOW US WHAT'S
IN THE BOX, COACH?

{\a1\pos(96,460)}- WELL, AFTER WE EAT.
- OH, COME ON, COACH.
LET'S OPEN IT NOW.

{\a1\pos(285,460)}[ Jackson ]
YEAH, THE CURIOSITY
IS KILLING ME.

{\a1\pos(12,460)}OKAY. I THOUGHT WE'D WAIT TILL
AFTER WE EAT SO YOU WOULDN'T
SPILL ANYTHING ON 'EM, BUT, UH--

{\a1\pos(180,432)}HAYWARD.
OH, MAN!
ALL RIGHT!

{\a1\pos(264,404)}JACKSON.
AW, BITCHIN', MAN!

{\a1\pos(264,404)}GOMEZ.
ALL RIGHT!

{\a1\pos(96,460)}- [ Chattering Continues ]
- WE'RE STYLIN'!

{\a1\pos(96,460)}- WHERE'S MINE?
- FOR COOLIDGE, EXTRA LONG,
EXTRA LARGE, EXTRA WIDE.

{\a1\pos(351,404)}[ Laughing ]
THAT'S ALL RIGHT.

{\a1\pos(12,460)}WHERE DID CARVER COME UP
WITH THE MONEY TO GET THESE?

{\a1\pos(180,460)}UH, THEY DIDN'T.
UH, I BOUGHT 'EM.

{\a1\pos(12,432)}YOU BOUGHT 'EM?
I FIGURED NOW THAT YOU GUYS
ARE PLAYIN' LIKE CHAMPIONS,

{\a1\pos(12,460)}YOU OUGHTA BE DRESSED
LIKE CHAMPIONS.

{\a1\pos(96,460)}- ALL RIGHT! THANKS, COACH.
- [ Chattering Continues ]

{\a1\pos(12,460)}GREAT STUFF, MAN.

{\a1\pos(348,460)}THANKS, COACH.

{\a1\pos(12,404)}THIS IS NICE!
[ Chattering ]

{\a1\pos(180,460)}HEY! WHAT'S GOIN' ON?

{\a1\pos(12,460)}WE'RE GOIN' DOWN
TO SEE MR. LEONARD.

{\a1\pos(12,460)}WELL, YOU WEREN'T GONNA START
WITHOUT ME OR SOMETHIN'?

{\a1\pos(96,460)}WELL, THE LINE TO YOUR
OFFICE WAS BUSY.

{\a1\pos(96,460)}I MEAN, WITHOUT ME,
YOU'RE TALKIN' ABOUT
A CAREER OF SHOWER SINGIN'.

{\a1\pos(180,460)}HEY, UH, WHAT'S
WITH THE NEW JACKETS?

{\a1\pos(12,432)}THEY'RE A GIFT
FROM THE COACH.
YEAH?

{\a1\pos(180,460)}YEAH, GIVEN TO US
AT THE TEAM{\r} DINNER.

{\a1\pos(180,460)}SO WHAT'D YOU DO
WITH MINE, BURN IT?

{\a1\pos(180,460)}NO, WE, UH-- WE LEFT IT
WITH THE COACH, MAN.

{\a1\pos(96,460)}HE SAID YOU COULD COME BY
AND PICK IT UP ANYTIME...
IF YOU DARE.

{\a1\pos(96,460)}- [ Boys Laughing ]
- COME ON. LET'S GO SING.

{\a1\pos(12,460)}SO WHAT HAPPENED
WITH KAREN ANYWAY?

{\a1\pos(204,404)}UH, SHE DIDN'T SHOW.
IT'S PAR FOR THE COURSE.

{\a1\pos(96,404)}[ All Talking ]
HOLD IT! HOLD IT!

{\a1\pos(180,460)}NOW WHAT YOU GOTTA HAVE
IN A LEAD SINGER, MAN,

{\a1\pos(180,460)}IS SOMEBODY THAT
ALL THE CHICKS ARE
GONNA GO CRAZY OVER.

{\a1\pos(12,404)}YEAH, THAT'S RIGHT-- ME.
MEANIN'?

{\a1\pos(372,404)}MEANIN' ME.
[ All Scoffing ]

{\a1\pos(264,432)}MAN, WHAT ARE YOU
TALKIN' ABOUT?
[ All Talking ]

{\a1\pos(264,460)}ALL RIGHT, WELL,
LISTEN, MAN. LISTEN.

{\a1\pos(180,460)}WE'LL LET MR. LEONARD
DECIDE, AND WHATEVER
HE SAYS GOES.

{\a1\pos(96,432)}ALL RIGHT. LET'S DO IT.
HEY, MR. LEONARD,
LISTEN TO THIS.

{\a1\pos(264,404)}MR. LEONARD.
LOOK HERE, MAN.

{\a1\pos(180,460)}LISTEN. WE'RE HAVING
A SMALL ALTERCATION...

{\a1\pos(180,460)}SURROUNDING THE ISSUE
OF WHO IS TO BE
THE LEAD SINGER.

{\a1\pos(96,460)}I-I THINK THE SOLUTION
IS SIMPLY NOT TO HAVE
ONE LEAD SINGER.

{\a1\pos(264,460)}OH, MAN, BUT
EVERY GROUP'S
GOT A LEAD SINGER.

{\a1\pos(12,460)}- YOU EVER HEAR OF THE MARCELS?
- [ All ] NO.

{\a1\pos(285,460)}OR A GROUP
CALLED THE SHARPS?

{\a1\pos(12,432)}THE SHARPS?
YEAH, THEY WERE
A GROUP IN THE '50s.

{\a1\pos(96,460)}THE CUT A RECORD
OF "STORMY WEATHER."
IT WAS A CLASSIC.

{\a1\pos(309,432)}OH, YEAH.
WELL, YOU MUST KNOW
THE DRIFTERS.

{\a1\pos(12,432)}YEAH. I HEARD OF THE DRIFTERS.
THESE GROUPS HAD DIFFERENT LEAD
SINGERS. EVERYBODY SANG LEAD.

{\a1\pos(96,460)}THE DRIFTERS--
IT WAS BEN E. KING.
HE SANG LEAD.

{\a1\pos(12,460)}AND, UH, CLYDE McPHATTER
SANG LEAD TOO.

{\a1\pos(96,460)}YOU MEAN, BOTH THOSE GUYS
SANG LEAD WITH THE DRIFTERS?

{\a1\pos(96,432)}THAT'S RIGHT.
HEY, YEAH, OKAY.
THAT'S COOL, MAN.

{\a1\pos(162,432)}WE CAN WORK IT OUT.
WE'LL SPLIT IT UP.
THANKS A LOT, MR. LEONARD.

{\a1\pos(264,404)}[ All Talking ]
ALL RIGHT. ALL RIGHT.

{\a1\pos(12,460)}ALL RIGHT, NOW,
WHAT ARE WE GONNA SING?

{\a1\pos(12,432)}UH, "I DO."
HOW ABOUT "I DO"?
I KNOW THAT.

{\a1\pos(246,404)}[ All Talking ]
ALL RIGHT, HERE WE GO.

{\a1\pos(12,460)}ONE, TWO,
UH, ONE, TWO, THREE, FOUR.

{\a1\pos(264,460)}♪ DOO DOO, DOO DOO ♪

{\a1\pos(264,432)}♪ DOO DOO, DOO DOO ♪

{\a1\pos(96,460)}[ Singing Off-key ]
♪ DOO DOO, DOO DOO ♪

{\a1\pos(201,460)}♪ DOO DOO, DOO DOO ♪

{\a1\pos(201,432)}♪ DOO DOO, DOO DOO-- ♪

{\a1\pos(12,460)}HOLD IT! HOLD IT!
HAVEN'T YOU GUYS
EVER HEARD OF HARMONY?

{\a1\pos(12,460)}WH-WHAT DOES BROTHERHOOD
HAVE TO DO WITH SINGING?

{\a1\pos(12,460)}NO, NOT THAT KIND OF HARMONY.
COME OVER HERE FOR A MINUTE.

{\a1\pos(12,432)}CAN ANYBODY
HIT THIS NOTE?
YEAH.

{\a1\pos(12,460)}NO, I MEAN SING THE NOTE.

{\a1\pos(12,404)}♪ [ Plays Note ]
TRY IT.

{\a1\pos(96,460)}[ Coughs, Clears Throat ]
OKAY. OKAY. GO AHEAD.

{\a1\pos(12,404)}♪ [ Plays Note ]
♪ [ Hums Same Note ]

{\a1\pos(96,460)}- A LITTLE LOUDER.
- ♪ [ Hums ]

{\a1\pos(12,404)}♪ [ Plays Note ]
♪ [ Hums Same Note ]

{\a1\pos(12,460)}GOOD. GOOD.
COOLIDGE, YOU'RE A BASS.

{\a1\pos(12,460)}OKAY, WHO CAN HIT
THIS ONE?

{\a1\pos(162,432)}♪ [ All Vocalizing ]
HOLD IT. HOLD IT. HOLD IT.
HOLD IT. HOLD IT.

{\a1\pos(516,404)}JACKSON.
JACKSON.

{\a1\pos(12,404)}♪ [ Plays Note ]
♪ [ Vocalizing ]

{\a1\pos(12,460)}GOOD. I THINK YOU'RE
A BARITONE. OKAY?

{\a1\pos(12,460)}UH, NEXT.
♪ [ Plays Note ]

{\a1\pos(96,432)}♪ [ Vocalizing ]
GOOD. YOU'RE
A SECOND TENOR, UH--

{\a1\pos(96,460)}- HAYWARD.
- I'M LOST WHEN
THE JACKETS ARE OFF.

{\a1\pos(96,460)}OKAY, I NEED
A FIRST TENOR.

{\a1\pos(12,460)}WELL, ANYTHING TO DO WITH FIRST
MUST MEAN ME. MORRIS THORPE.

{\a1\pos(180,404)}HERE YOU GO.
♪ [ Plays Note ]

{\a1\pos(180,460)}♪ [ Vocalizing ]

{\a1\pos(96,460)}- OKAY. WHO'S LEFT?
- UH, ME-- REESE.

{\a1\pos(12,460)}ALL RIGHT, REESE,
TRY THIS... FALSETTO.

{\a1\pos(12,460)}♪ [ Plays Note ]

{\a1\pos(12,460)}♪ [ Vocalizing High Note ]

{\a1\pos(12,460)}GOOD. OKAY, UH--

{\a1\pos(180,404)}SALAMI.
SALAMI AND--

{\a1\pos(264,404)}GOLDSTEIN.
GOLDSTEIN.

{\a1\pos(12,432)}UH, YOU HIT
THE SAME NOTE AS, UH--
HAYWARD.

{\a1\pos(12,432)}HAYWARD.
NO, THIS ONE RIGHT HERE.
♪ [ Plays Note ]

{\a1\pos(180,404)}♪ [ Humming ]
OKAY, AND, UH, YOU.

{\a1\pos(96,460)}- GOMEZ.
- HIT THE SAME NOTE
AS MR. THORPE.

{\a1\pos(96,460)}- ♪ [ Plays Note ]
-{\r} HERE'S YOUR NOTE.

{\a1\pos(12,460)}- ♪ [ Harmonizing ]
- ♪ [ Vocalizing Off-key ]

{\a1\pos(12,460)}HOW WOULD YOU LIKE
TO PLAY THE TAMBOURINE?

{\a1\pos(264,460)}SURE.

{\a1\pos(12,460)}OKAY, NOW, EVERYBODY
HIT YOUR NOTE ONE AT A TIME
AND HOLD IT ALL THE WAY THROUGH.

{\a1\pos(12,404)}COOLIDGE.
♪ [ Vocalizing ]

{\a1\pos(180,460)}♪ [ Harmonizing ]

{\a1\pos(96,460)}- THAT'S NOT BAD.
NOT TOO BAD AT ALL.
- [ Boys Laughing ]

{\a1\pos(12,460)}I WASN'T GONNA SAY ANYTHING
UNLESS I THOUGHT YOU
WERE GOOD ENOUGH.

{\a1\pos(12,460)}BUT IF YOU LIKE, WE CAN WORK
ON A NUMBER FOR YOU TO SING
AT THE SPRING DANCE...

{\a1\pos(12,460)}IF YOU'RE INTERESTED.

{\a1\pos(180,460)}[ All Agreeing ]

{\a1\pos(12,460)}ALL RIGHT, YOU GUYS, THAT MEANS
WE'RE GONNA HAVE TO PRACTICE
TWICE A DAY, STARTING TONIGHT.

{\a1\pos(348,404)}RIGHT ON, MAN.
[ All Agreeing ]

{\a1\pos(12,460)}YOU MISSED A PRETTY GOOD
FREEBIE LAST NIGHT, THORPE.
JACKETS AND EVERYTHING.

{\a1\pos(180,460)}YEAH, I HEARD ABOUT IT.
SAW THE GUYS.

{\a1\pos(180,460)}LISTEN, UH, I'M SORRY
ABOUT SKIPPING OUT
ON YOU LAST NIGHT.

{\a1\pos(180,432)}IT'S JUST THAT SOMETHING
KIND OF CAME UP.
THE GIRL?

{\a1\pos(180,432)}YEAH. EXCEPT THE KICKER
IS SHE NEVER SHOWED.
NO?

{\a1\pos(180,460)}YEAH, INSTEAD I COULD'VE
BEEN EATIN' VEAL CUTLET
AND GARLIC BREAD.

{\a1\pos(96,460)}LET ME TELL YOU
SOMETHIN', THORPE.

{\a1\pos(96,460)}THERE'S ONLY ONE THING
IN THIS WORLD MORE
UNPREDICTABLE THAN A WOMAN.

{\a1\pos(12,460)}AND WHAT, PRAY TELL,
IS THAT?

{\a1\pos(180,460)}A WOMAN WITH AUTHORITY.

{\a1\pos(12,404)}CAFETERIA DUTY.
THANKS.

{\a1\pos(12,432)}DROP BY THE OFFICE.
I'LL GIVE YOU YOUR JACKET.
ALL RIGHT.

{\a1\pos(12,460)}[ Boys Chattering, Shouting ]

{\a1\pos(96,460)}[ Chattering Continues ]

{\a1\pos(96,404)}WHOA!
I NEED SOME HELP, MAN!

{\a1\pos(96,460)}[ Chattering Continues ]

{\a1\pos(201,460)}[ Cheering ]

{\a1\pos(180,432)}LET'S PLAY ANOTHER ONE!
LET'S PLAY ONE MORE!
[ All Shouting ]

{\a1\pos(12,460)}[ Jackson ]
MAN, IT'S AMAZING WHAT ANIMAL
INSTINCTS CAN DO TO A MAN.

{\a1\pos(12,460)}WHAT HAPPENED LAST NIGHT?

{\a1\pos(96,460)}MY AUNT AND UNCLE CAME OVER.
I HAD TO STAY HOME.

{\a1\pos(12,460)}I WAITED FOR TWO HOURS.

{\a1\pos(264,460)}I'M SORRY.
I COULDN'T HELP IT.

{\a1\pos(96,404)}[ Sighs ]
WHAT ABOUT TONIGHT?

{\a1\pos(12,460)}UH, I CAN'T.
I GOT PRACTICE.

{\a1\pos(264,460)}I THOUGHT BASKETBALL
SEASON WAS OVER.

{\a1\pos(12,460)}IT IS. THIS IS
SINGIN' PRACTICE.

{\a1\pos(264,460)}OKAY. IF YOU
DON'T WANNA GO--

{\a1\pos(12,460)}WAIT A SECOND.
WAIT A SECOND.

{\a1\pos(12,460)}UM, HERE'S WHAT WE CAN DO.

{\a1\pos(264,460)}CAN YOU GET A CAR?

{\a1\pos(96,460)}NO SWEAT.

{\a1\pos(96,460)}OKAY. PICK ME UP AT 8:00.

{\a1\pos(96,460)}YOU GOT IT.

{\a1\pos(96,460)}HEY, SALAMI,
DO ME A FAVOR, BROTHER.
I NEED YOUR WHEELS TONIGHT.

{\a1\pos(12,460)}I DON'T KNOW.
MY CAR HASN'T BEEN RUNNING
SO DEPENDABLE LATELY.

{\a1\pos(180,460)}HEY, LISTEN, I'LL TAKE
RESPONSIBILITY FOR IT.

{\a1\pos(180,460)}ANYTHING HAPPENS,
I'LL PAY FOR IT
OUT OF MY OWN POCKET.

{\a1\pos(12,460)}OH, YEAH? WELL, JUST, UH,
WHAT'S SO IMPORTANT ANYWAY?

{\a1\pos(264,404)}TAKIN' KAREN OUT.
UH-HUH.

{\a1\pos(12,460)}FIRST YOU SKIP THE TEAM DINNER,
THEN SINGIN' PRACTICE.

{\a1\pos(12,460)}YOU KNOW, YOU'RE UNBELIEVABLE.
THROWIN' US OFF
FOR THAT KIND OF CHICK.

{\a1\pos(12,460)}JUST WHO DO YOU THINK
YOU'RE KIDDIN' ANYWAY?

{\a1\pos(348,460)}CAN I BORROW
YOUR CAR OR NOT?

{\a1\pos(12,460)}[ Sighs ]
YOU'RE LUCKY I GOT A SOFT HEART.

{\a1\pos(96,460)}[ Doorbell Chimes ]

{\a1\pos(96,432)}YES?
UH, YEAH. I'M HERE
TO PICK UP KAREN.

{\a1\pos(96,432)}KAREN?
RIGHT.
WE HAVE A DATE.

{\a1\pos(12,460)}OH, COME ON IN.
I'LL TELL HER YOU'RE HERE.

{\a1\pos(12,460)}IN HERE. ARE YOU HELPING
KAREN STUDY OR SOMETHING?

{\a1\pos(180,460)}UH, NO, WE HAVE A DATE.

{\a1\pos(12,460)}OH. WELL, CAN I GET YOU
ANYTHING WHILE YOU'RE WAITING?

{\a1\pos(264,460)}NO, THAT'S OKAY.
THANK YOU.

{\a1\pos(12,460)}WELL-- WELL,
I'LL JUST GO GET HER.
[ Nervous Chuckling ]

{\a1\pos(264,460)}THANK YOU VERY MUCH.

{\a1\pos(264,404)}[ Clears Throat ]
[ Hits Keys ]

{\a1\pos(180,460)}♪ [ Playing Notes ]

{\a1\pos(12,460)}HI. HOW ARE YOU DOIN'?

{\a1\pos(348,460)}FINE. FINE.

{\a1\pos(12,404)}UH, S-SIT DOWN.
THANK YOU.

{\a1\pos(12,460)}UH, MY WIFE TELLS ME THAT
YOU AND KAREN HAVE A DATE.

{\a1\pos(348,460)}THAT'S RIGHT.

{\a1\pos(12,432)}UH, DO YOU MIND
IF I SIT DOWN?
HEY, IT'S YOUR HOUSE.

{\a1\pos(12,460)}[ Laughs ]
YEAH.

{\a1\pos(96,460)}[ Sighs ]

{\a1\pos(12,460)}MY WIFE AND I
REALLY ENJOYED ROOTS.

{\a1\pos(348,432)}YEAH, ME TOO.
[ Laughs ]
YEAH.

{\a1\pos(12,460)}ME TOO.
DO YOU KNOW KAREN LONG?

{\a1\pos(180,460)}WELL, ACTUALLY,
THIS IS OUR FIRST DATE,
BUT, UH, I KNEW OF HER.

{\a1\pos(96,404)}HUH?
AT SCHOOL, I MEAN.

{\a1\pos(12,460)}OH. WELL, IS THIS
JUST A FRIENDLY DATE,

{\a1\pos(12,460)}OR ARE YOU JUST FRIENDS,
OR WHAT?

{\a1\pos(12,460)}DO YOU GET MY MEANING?

{\a1\pos(348,460)}NO, I'M NOT SURE
THAT I DO.

{\a1\pos(12,460)}WELL, WHAT I MEAN IS
WHAT ARE YOUR INTENTIONS?

{\a1\pos(96,460)}WELL, MY INTENTIONS
ARE TO FINISH HIGH SCHOOL.

{\a1\pos(12,460)}I HAVE ONE MORE YEAR TO GO, AND
THEN I'D LIKE TO STUDY BOTANY AT
THE UNIVERSITY OF ALBUQUERQUE.

{\a1\pos(96,460)}HI. YOU READY TO GO?

{\a1\pos(96,460)}UH, YEAH. YOUR--
YOUR FATHER AND I WERE JUST
GETTING A LITTLE ACQUAINTED.

{\a1\pos(12,432)}KAREN, I'D LIKE YOU
HOME BY 9:30.
DADDY, IT'S 8:30 NOW!

{\a1\pos(12,404)}WELL, IT'S A SCHOOL NIGHT.
WELL, I'LL BE HOME BY 12:00.

{\a1\pos(180,404)}ELEVEN!
[ Door Closes ]

{\a1\pos(96,460)}YOU KNOW, I GOT
THE DISTINCT IMPRESSION...

{\a1\pos(96,460)}THAT YOUR FOLKS WERE
A LITTLE, UH, SURPRISED...

{\a1\pos(96,460)}AT MY BEING
OF THE COLORED PERSUASION.

{\a1\pos(12,460)}THEY DIDN'T KNOW
YOU WERE BLACK.

{\a1\pos(180,460)}I GOT THE FEELING
THEY DIDN'T EVEN KNOW
YOU HAD A DATE.

{\a1\pos(12,460)}THEY DIDN'T. I DON'T TALK
TO MY PARENTS MUCH.

{\a1\pos(12,460)}BESIDES, MY FATHER'S
A LITTLE UPTIGHT.

{\a1\pos(12,460)}I FIGURED IF I MENTIONED
ANYTHING, HE'D JUST MAKE
A SCENE ABOUT IT.

{\a1\pos(264,460)}YEAH, HE SEEMED
A LITTLE CONCERNED.

{\a1\pos(264,460)}I KNOW HOW IT IS
NOT TALKING TO YOUR
PARENTS THOUGH.

{\a1\pos(180,460)}I DON'T TALK
TO MY FOLKS MUCH EITHER.

{\a1\pos(180,460)}BUT IT IS GOOD TO HAVE
SOMEBODY TO TALK TO
WHEN YOU HAVE A PROBLEM.

{\a1\pos(12,460)}WHO DO YOU TALK TO?

{\a1\pos(180,460)}WELL, SOMETIMES
I TALK TO MY FRIENDS.

{\a1\pos(264,460)}SOMETIMES I TALK
TO MY COACH.

{\a1\pos(12,404)}YOUR COACH?
YEAH.

{\a1\pos(12,460)}ISN'T THAT
A LITTLE CORNY?

{\a1\pos(180,460)}WELL, WHO DO YOU TALK TO
WHEN YOU HAVE A PROBLEM?

{\a1\pos(12,460)}I DON'T HAVE TO TALK TO ANYBODY.
I DON'T HAVE ANY PROBLEMS.

{\a1\pos(12,460)}SO, ARE WE GONNA
DRIVE AROUND ALL NIGHT,
OR ARE WE GONNA GO SOMEPLACE?

{\a1\pos(180,460)}I HAVE A PLACE IN MIND.

{\a1\pos(12,460)}[ Thorpe ]
JUST IMAGINE: FROM HERE YOU
CAN GO ANYPLACE IN THE WORLD.

{\a1\pos(12,460)}MAKES YOU FEEL
KINDA FREE, DON'T IT?

{\a1\pos(96,460)}ACTUALLY, IT MAKES ME
FEEL A LITTLE COLD.

{\a1\pos(12,460)}WELL, JUST IMAGINE YOU'RE GOING
TO MIAMI OR SOMEPLACE.

{\a1\pos(96,460)}THAT'LL WARM YOU UP.
THAT IS, UNLESS YOU NEED
A LITTLE HELP.

{\a1\pos(12,460)}SO, UH, WHAT DO YOU WANNA DO
WHEN YOU GROW UP?

{\a1\pos(96,460)}I DON'T KNOW.
I NEVER THOUGHT ABOUT IT.

{\a1\pos(12,460)}YOU KNOW, I NEVER WENT OUT
WITH SOMEONE WHO'S BLACK BEFORE.

{\a1\pos(264,460)}WHAT'S THAT
SUPPOSED TO MEAN?

{\a1\pos(12,460)}NOTHING. IT'S JUST THE TRUTH.
I JUST THOUGHT I'D MENTION IT.

{\a1\pos(12,460)}HAVE YOU BEEN OUT WITH
MANY WHITE GIRLS BEFORE?

{\a1\pos(348,460)}MM, ONE OR TWO.

{\a1\pos(12,460)}YEAH? WELL, WHICH
DO YOU THINK ARE BETTER?

{\a1\pos(12,460)}WHITE GIRLS
OR BLACK GIRLS?

{\a1\pos(96,460)}YOU KNOW, THAT'S GOTTA BE
THE DUMBEST QUESTION
I'VE EVER HEARD.

{\a1\pos(12,460)}SO THERE'S NO DIFFERENCE?

{\a1\pos(348,460)}WELL, I DIDN'T
SAY THAT EITHER.

{\a1\pos(12,460)}WELL, WHAT DO YOU THINK?

{\a1\pos(264,460)}I THINK YOU ASK
TOO MANY QUESTIONS.

{\a1\pos(96,460)}HOW ABOUT IF I ASK
THE QUESTIONS FOR A WHILE?

{\a1\pos(12,460)}GO AHEAD.
[ Laughs ]

{\a1\pos(264,460)}WHAT DO YOU WANNA DO
WHEN YOU GRADUATE?

{\a1\pos(12,460)}OH, WHO KNOWS? I MEAN,
THAT'S MORE THAN A YEAR AWAY.

{\a1\pos(264,460)}WELL, DON'T YOU
WANNA BE ANYTHING--

{\a1\pos(264,460)}I MEAN, DO ANYTHING
WITH YOUR LIFE?

{\a1\pos(12,460)}I DON'T KNOW. I'M TAKING
A COMMERCIAL COURSE IN SCHOOL.

{\a1\pos(12,460)}I CAN TYPE
75 WORDS A MINUTE.

{\a1\pos(12,460)}MAYBE I'LL GET A SECRETARY JOB
DOWNTOWN SOMEPLACE.

{\a1\pos(348,460)}[ Scoffs ]

{\a1\pos(180,460)}YEAH, WELL, I'M
AN UPTOWN DUDE MYSELF.

{\a1\pos(12,460)}WHAT'S UPTOWN?

{\a1\pos(180,460)}I DON'T KNOW,
BUT IT'S GOTTA BE
BETTER THAN DOWNTOWN.

{\a1\pos(12,432)}HOW DO YOU KNOW?
I'VE BEEN DOWNTOWN
ALL MY LIFE.

{\a1\pos(12,460)}OH, I'M COLD.
CAN YOU PUT THE TOP UP?

{\a1\pos(96,460)}WELL, YOU SEE,
THE PROBLEM WITH THAT IS
THAT THE TOP IS ALREADY UP.

{\a1\pos(12,460)}[ Sighs ]

{\a1\pos(12,460)}SO WHERE DO YOU
WANT TO GO NOW?

{\a1\pos(96,460)}WELL, LISTEN,
I KNOW THIS GREAT SPOT
BEHIND TURNER'S HARDWARE...

{\a1\pos(264,460)}WHERE THERE'LL BE
NOBODY TO BOTHER US.

{\a1\pos(12,460)}THAT'S WHAT YOU HAD
ON YOUR MIND?

{\a1\pos(180,460)}[ Sighing ]
ALL RIGHT, WELL, LOOK.
WHERE DO YOU WANT TO GO?

{\a1\pos(12,460)}I WANT TO GO HOME.

{\a1\pos(348,460)}[ Sighs ]

{\a1\pos(12,460)}WELL, GOOD NIGHT.

{\a1\pos(96,432)}WAIT A SECOND.
WHAT'S THE MATTER WITH YOU?
NOTHING.

{\a1\pos(12,460)}LOOK, IT'S AFTER 12:00.
I GOTTA GO, OKAY?

{\a1\pos(96,460)}LISTEN, THE ONLY REASON
I SAID THAT THING ABOUT
PARKING BEHIND TURNER'S...

{\a1\pos(180,460)}WAS BECAUSE I THOUGHT
YOU EXPECTED ME TO.

{\a1\pos(264,460)}I'M TRYING
TO TELL YOU THAT--

{\a1\pos(264,460)}THAT I LIKE YOU,

{\a1\pos(180,460)}AND I DON'T CARE
WHAT YOUR REPUTATION IS.

{\a1\pos(12,460)}SO WHAT AM I SUPPOSED TO DO,
GET DOWN ON MY KNEES
AND THANK MY LUCKY STARS?

{\a1\pos(12,460)}DO YOU REMEMBER DAVE LYNCH?

{\a1\pos(96,432)}PLAYED HALFBACK LAST YEAR?
GRADUATED, RIGHT?
YEAH.

{\a1\pos(12,460)}WELL, I WAS CRAZY ABOUT HIM,
AND HE KNEW IT.

{\a1\pos(12,460)}HE ASKED ME OUT
THREE TIMES IN EIGHT DAYS.

{\a1\pos(12,460)}ATE LUNCH WITH ME AT SCHOOL.

{\a1\pos(12,460)}INTRODUCED ME
TO ALL HIS FRIENDS.

{\a1\pos(12,460)}AND THE WHOLE BIT.

{\a1\pos(12,460)}AND I... REALLY
WENT NUTS OVER HIM.

{\a1\pos(12,460)}I LOVED HIM,

{\a1\pos(12,460)}AND I SHOWED HIM
THAT I LOVED HIM.

{\a1\pos(12,460)}WELL, AFTER THAT,
THE LUNCHES STOPPED,

{\a1\pos(12,460)}AND THE PHONE CALLS
SLOWED DOWN...

{\a1\pos(12,460)}TO ONCE EVERY TWO WEEKS.

{\a1\pos(12,460)}WELL, HE HAD ME...
SO CONFUSED.

{\a1\pos(12,460)}SUDDENLY...
THE BOYS ARE TALKING,

{\a1\pos(12,460)}AND THE GIRLS ARE TALKING,

{\a1\pos(12,460)}AND THEY'RE NOT SAYING
ANYTHING TO ME.

{\a1\pos(12,460)}I MEAN, THEY'RE JUST
GIVING ME THESE LOOKS.

{\a1\pos(12,460)}I HAVE NEWS FOR YOU.

{\a1\pos(12,460)}I AM NOT...
WHAT PEOPLE SAY I AM,

{\a1\pos(12,460)}AND YOU CAN GO BACK
AND SAY THAT TO YOUR FRIENDS.

{\a1\pos(96,460)}YOU WANNA GO WITH ME
TO THAT DANCE FRIDAY NIGHT?

{\a1\pos(12,460)}YOU WANT TO TAKE ME?

{\a1\pos(12,460)}[ Boys Chattering ]

{\a1\pos(12,460)}WHAT'S HAPPENIN'?

{\a1\pos(96,460)}- WHAT'D YOU DO THAT FOR?
- THE SEAT'S TAKEN.

{\a1\pos(12,404)}YEAH? BY WHO?
WE'LL THINK OF SOMEBODY.

{\a1\pos(12,460)}HEY, WHAT THE HELL
IS THIS ALL ABOUT ANYWAY?

{\a1\pos(264,460)}WE TOOK A VOTE, MAN.
YOU'RE OUT OF IT.

{\a1\pos(12,460)}[ Laughs ]
OUT OF IT? OUT OF WHAT?

{\a1\pos(180,460)}THE GROUP.
EVERYTHING ELSE, MAN.

{\a1\pos(12,460)}WE DECIDED THAT MAYBE
YOU OUGHTA SPEND ALL YOUR LITTLE
TIME WITH YOUR NEW GIRLFRIEND.

{\a1\pos(12,460)}YEAH, WELL, IF YOU'RE TALKING
ABOUT KAREN, THEN LISTEN UP...

{\a1\pos(12,432)}'CAUSE THERE'S SOME THINGS
YOU DUDES OUGHTA BE HEARING.
WHICH THINGS?

{\a1\pos(12,460)}THINGS ABOUT THE GIRL THAT
NOBODY AROUND THIS DUMP KNOWS.

{\a1\pos(96,460)}MAN, WHEN IT COMES
TO KAREN LeGRAND, MAN,

{\a1\pos(12,460)}THERE'S NOTHIN' ABOUT THAT GIRL
NO ONE DON'T KNOW.

{\a1\pos(12,460)}I'M TRYIN' TO TELL YOU
WHAT'S REALLY GOIN' ON.

{\a1\pos(180,460)}HEY, YOU'RE TALKIN'
ON DEAF EARS, MAN!

{\a1\pos(180,460)}NOW IT'S ONE THING
SKIPPING A DINNER,

{\a1\pos(96,460)}OR PRACTICE MAYBE
WHEN YOU'RE GOIN' OUT WITH
A CHICK THAT YOU REALLY DIG,

{\a1\pos(96,460)}BUT YOU'RE CHUMPIN' US OFF
FOR A CHICK, MAN, WHO AIN'T
WORTH LOOSE CHANGE.

{\a1\pos(117,432)}AND WE DON'T WANT
NO PARTS OF IT, UNDERSTAND?
HEY, MAN, LET ME TELL--

{\a1\pos(264,460)}NO PART. DIG?

{\a1\pos(12,460)}♪ DOO, DOO DOO, DOO, DOO DOO
DOO, DOO DOO, DOO, DOO DOO ♪

{\a1\pos(12,460)}[ Harmonizing ]
♪ DOO, DOO DOO, DOO, DOO DOO
DOO, DOO DOO, DOO, DOO DOO ♪

{\a1\pos(12,460)}♪ DOO, DOO DOO, DOO, DOO DOO
DOO, DOO DOO, DOO, DOO DOO ♪

{\a1\pos(117,432)}♪ [ Continues ]
♪ BOOM, BOOM BOOM
BOOM, BOOM BOOM ♪

{\a1\pos(12,460)}♪ BOOM, BOOM BOOM
BOOM, BOOM BOOM ♪

{\a1\pos(12,404)}♪ [ Background Continues ]
♪ OH, DO I LOVE YOU ♪

{\a1\pos(96,460)}♪ WITH ALL OF MY HEART ♪

{\a1\pos(285,460)}♪ I DO, I DO NOW ♪

{\a1\pos(369,460)}♪ YES, I DO ♪

{\a1\pos(12,460)}♪ DO I WANT YOU
TO STAY BY MY SIDE ♪

{\a1\pos(117,460)}♪ I DO, I DO NOW ♪

{\a1\pos(180,460)}♪ YES, I DO ♪

{\a1\pos(12,460)}♪ AND I LOVE YOU, MY BABY ♪

{\a1\pos(180,460)}♪ YES, I DO ♪

{\a1\pos(96,460)}♪ AND I WANT YOU
OH, MY DARLING ♪

{\a1\pos(12,460)}♪ YEAH YEAH YEAH YEAH YEAH ♪

{\a1\pos(12,460)}♪ DOO, DOO DOO, DOO, DOO DOO
DOO, DOO DOO, DOO, DOO DOO ♪

{\a1\pos(12,460)}[ Harmonizing ]
♪ DOO, DOO DOO, DOO, DOO DOO
DOO, DOO DOO, DOO, DOO DOO ♪

{\a1\pos(12,432)}♪ DOO, DOO DOO, DOO, DOO DOO
DOO, DOO DOO, DOO, DOO DOO ♪
♪ BOOM, BOOM BOOM ♪

{\a1\pos(348,404)}♪ DOO ♪
[ All Cheering ]

{\a1\pos(264,460)}[ All Shouting ]

{\a1\pos(12,460)}WAIT, WAIT!
Y'ALL HOLD IT, MAN.

{\a1\pos(12,460)}THAT WAS GREAT, MAN,
BUT, GOMEZ, NEXT TIME, MAN,
JUST MOVE YOUR LIPS, OKAY?

{\a1\pos(225,432)}[ Laughing ]
BUT THAT WAS GOOD, MAN.
WE DID IT.

{\a1\pos(12,460)}[ Reeves ]
HEY, WHAT ARE YOU GUYS DOIN'?

{\a1\pos(264,460)}HEY, COACH,
WHAT'S GOIN' ON?

{\a1\pos(180,460)}- SO, HOW'S THE GROUP?
- WE'RE DOIN' FINE.

{\a1\pos(96,460)}MR. LEONARD'S TEACHING US
HARMONY. WE SHOULD BE READY
FOR VEGAS IN A WEEK OR SO.

{\a1\pos(12,460)}I'LL BE SATISFIED IF WE'RE
READY FOR FRIDAY NIGHT.

{\a1\pos(12,460)}WELL, UH, IF ANY OF YOU GUYS
WANT TO COME DOWN TO THE GYM--

{\a1\pos(180,460)}WORK OUT OR ANYTHING,
GO A LITTLE ONE-ON-ONE--
THE DOOR'S ALWAYS OPEN.

{\a1\pos(12,404)}YEAH, SURE.
OH, BY THE WAY,

{\a1\pos(96,460)}I GOT SOME LAKER TICKETS
FOR TOMORROW NIGHT
IF ANYBODY'S INTERESTED.

{\a1\pos(96,404)}CAN'T. WE GOTTA PRACTICE.
YEAH, WE GOTTA PRACTICE.

{\a1\pos(96,460)}- ALL RIGHT.
- BUT YOU COULD ASK THORPE.

{\a1\pos(96,432)}HE'S GONNA HAVE
PLENTY OF TIME ON HIS HANDS.
YEAH.

{\a1\pos(96,460)}- WHY THORPE?
ISN'T HE IN YOUR GROUP?
- WAS{\r} IN THE GROUP.

{\a1\pos(180,460)}THIS DOESN'T HAVE
ANYTHING TO DO WITH HIS
MISSING THE TEAM DINNER?

{\a1\pos(96,460)}NO, IT'S NOT JUST THAT.
THE GUY'S BEEN WALKING
ALL OVER US LATELY.

{\a1\pos(180,460)}YOU GUYS WANT TO TALK
ABOUT THIS?

{\a1\pos(12,404)}UM--
UH, WE, UH--

{\a1\pos(180,460)}ALL RIGHT, LET'S GET OUT
OF THE HOLLAND TUNNEL.

{\a1\pos(96,460)}HE'S JUST FULL OF IT.

{\a1\pos(201,460)}OKAY, LET'S HAVE IT.

{\a1\pos(12,460)}WELL, IT'S LIKE THIS, COACH.

{\a1\pos(12,460)}THORPE HAS BEEN HANGIN' OUT
WITH THIS CHICK NAMED
KAREN LeGRAND LATELY,

{\a1\pos(12,460)}AND, UH, SHE'S CAUSING HIM
TO MISS PRACTICE.

{\a1\pos(12,432)}HE'S MISSED
THE SINGING LESSONS.
SO MAYBE HE'S IN LOVE.

{\a1\pos(264,404)}[ All Laughing ]
OH, GEEZ.

{\a1\pos(180,460)}NOW, WHAT'S SO FUNNY?
HAVEN'T YOU GUYS
EVER HEARD OF LOVE?

{\a1\pos(180,460)}I KNOW YOU'VE HEARD
OF GIRLS.

{\a1\pos(12,460)}WELL, I DON'T KNOW HOW TO PUT
THIS TO YOU DELICATELY, COACH,

{\a1\pos(12,460)}BUT, UH, SHE'S NOT
THE TYPE OF GIRL YOU'D LIKE
TO BRING HOME TO MOTHER.

{\a1\pos(180,460)}ALL HE'S INTERESTED IN
IS MAKIN' OUT WITH HER.

{\a1\pos(12,460)}HOLD IT. HOLD IT. SOUNDS LIKE
EVERYBODY'S JUMPING TO A LOT
OF CONCLUSIONS AROUND HERE.

{\a1\pos(12,460)}IF THORPE REALLY LIKES
THIS GIRL, AND SHE DOES HAVE A--

{\a1\pos(12,460)}A REPUTATION, YOU GUYS AREN'T
MAKIN' IT ANY EASIER ON HIM.

{\a1\pos(96,460)}HE'S PROBABLY GOT ENOUGH
TO PUT UP WITH WITHOUT HIS
OWN FRIENDS TURNING ON HIM.

{\a1\pos(12,460)}WELL, WE DIDN'T TURN ON HIM.
HE TURNED ON US.

{\a1\pos(12,460)}FIRST THE TEAM DINNER,
THEN THE SINGING PRACTICE.

{\a1\pos(12,460)}IT'S LIKE A SLAP IN THE FACE.
HE KNOWS HOW MUCH EVERYBODY'S
COUNTING ON THIS THING.

{\a1\pos(180,460)}SO MAYBE THIS GIRL'S
IMPORTANT TO HIM.

{\a1\pos(12,460)}- I'LL BELIEVE IT WHEN I SEE IT.
- A LADIES' MAN LIKE HIM?

{\a1\pos(96,460)}AIN'T NO GIRL
THAT IMPORTANT TO THORPE.

{\a1\pos(180,460)}WHY DON'T YOU ASK HIM
AND FIND OUT BEFORE
MAKIN' ANY JUDGMENTS?

{\a1\pos(12,460)}YEAH, WE'LL THINK ABOUT IT.

{\a1\pos(12,460)}HAVE A SEAT.
KAREN'S STILL DRESSING.
SHE'LL BE DOWN IN A MINUTE.

{\a1\pos(264,460)}THANKS.

{\a1\pos(12,460)}[ Sighs, Clears Throat ]
MORRIS, COULD I TALK TO YOU
FOR A MINUTE, UH, MAN TO MAN?

{\a1\pos(264,460)}SURE. WHAT ABOUT?

{\a1\pos(12,460)}YOU... AND KAREN.

{\a1\pos(432,460)}GO AHEAD.

{\a1\pos(12,460)}WELL, UM, DO YOU THINK
THAT YOU AND KAREN WILL BE
SEEING A LOT OF EACH OTHER?

{\a1\pos(348,460)}WELL, I HOPE SO.

{\a1\pos(12,460)}[ Sighs ]
UM, WELL, HOW ARE THINGS
BETWEEN YOU?

{\a1\pos(12,460)}I MEAN, ARE YOU JUST FRIENDS,

{\a1\pos(96,460)}OR ARE YOU MORE SERIOUS
THAN THAT, OR WHAT?

{\a1\pos(12,460)}WELL, I DON'T KNOW
WHAT YOU MEAN BY "SERIOUS."

{\a1\pos(96,460)}WHAT, ARE YOU KIDS
GOING STEADY OR SOMETHING?

{\a1\pos(12,460)}[ Laughs ]
GOING STEADY. I DON'T KNOW.

{\a1\pos(12,460)}THAT'S, UH--
THAT'S PRETTY CORNY.

{\a1\pos(264,460)}[ Laughs ]
I GUESS YOU ARE
A NEW GENERATION.

{\a1\pos(12,460)}THAT'S WHAT WE USED TO CALL IT
IN HIGH SCHOOL...

{\a1\pos(12,460)}WHEN A BOY AND A GIRL DECLARED
UNDYING LOVE FOR EACH OTHER.

{\a1\pos(12,460)}SEE, I MET KAREN'S
MOTHER IN HIGH SCHOOL.

{\a1\pos(12,460)}I THINK WE WERE
THE ONLY ONES IN OUR CROWD
TO ACTUALLY GET MARRIED.

{\a1\pos(12,460)}WELL, YOU KNOW HOW IT IS
WITH HIGH SCHOOL ROMANCES.

{\a1\pos(12,460)}MOST OF THEM
JUST SORT OF FIZZLE OUT.

{\a1\pos(96,460)}UH, WHAT'S THIS GOT TO DO
WITH ME AND KAREN?

{\a1\pos(12,460)}I DON'T KNOW.
I'M JUST TRYING TO FIND OUT
WHERE THINGS STAND BETWEEN YOU.

{\a1\pos(180,460)}SOUNDS TO ME LIKE YOU'RE
BEATIN' AROUND THE BUSH.

{\a1\pos(12,460)}I'M TRYING TO BE HONEST.
WHAT I HAVE TO SAY ISN'T EASY.

{\a1\pos(12,460)}YOU KNOW, WHEN KAREN TOLD US
THAT YOU WERE TAKING HER
TO THE DANCE TONIGHT,

{\a1\pos(12,460)}WELL, HER-HER MOTHER AND I,
WE HAD A LITTLE TALK.

{\a1\pos(96,460)}AND YOU DON'T WANT ME
TO TAKE KAREN TO THE DANCE?

{\a1\pos(12,460)}NO, NOT AT ALL.
NO, GO TO THE DANCE.

{\a1\pos(12,460)}ENJOY YOURSELF.
HAVE A WONDERFUL TIME.

{\a1\pos(12,460)}IT'S JUST THAT
KAREN'S MOTHER AND I FEEL...

{\a1\pos(12,460)}THAT IT WOULD BE BETTER
AFTER TONIGHT IF--

{\a1\pos(12,460)}IF YOU AND KAREN
DIDN'T SEE EACH OTHER ANYMORE,

{\a1\pos(12,460)}BEFORE THINGS GET SERIOUS.

{\a1\pos(348,460)}HOW DOES KAREN
FEEL ABOUT THIS?

{\a1\pos(12,460)}I WANTED TO TALK TO YOU FIRST.

{\a1\pos(12,460)}LOOK, I KNOW
WHAT YOU'RE THINKING.

{\a1\pos(12,432)}I AM NOT A PREJUDICED MAN.
OH, NO?
WHAT DO YOU CALL IT?

{\a1\pos(12,460)}AT YOUR AGE, LIFE IS SIMPLE.

{\a1\pos(12,460)}YOU'RE YOUNG, AND YOU'RE STRONG,
AND YOU DO WHAT YOU WANT,

{\a1\pos(12,460)}AND THE HELL WITH WHAT
THE REST OF THE WORLD THINKS.

{\a1\pos(96,460)}FOR PEOPLE LIKE ME,
IT'S NOT SO EASY.

{\a1\pos(96,460)}I-I'M NOT PROUD
ABOUT THIS, BUT--

{\a1\pos(12,460)}WELL, I DO CARE HOW
THE REST OF THE WORLD THINKS.

{\a1\pos(12,460)}I CARE WHAT KAREN'S
GRANDMOTHER'S GOING TO THINK.

{\a1\pos(12,460)}I CARE WHAT OUR NEIGHBORS
ARE GOING TO THINK.

{\a1\pos(12,460)}I CARE WHAT OUR FRIENDS
ARE GOING TO THINK.

{\a1\pos(12,460)}LET'S FACE IT.
EVERYBODY'S NOT AS LIBERAL AS
THEY MAKE THEMSELVES OUT TO BE.

{\a1\pos(12,460)}PEOPLE WILL TALK.

{\a1\pos(12,460)}AND-- AND I'M SCARED THAT
I'M JUST NOT GOING TO KNOW
WHAT TO SAY TO THEM.

{\a1\pos(12,460)}I DON'T KNOW
IF YOU COULD UNDERSTAND THAT.

{\a1\pos(180,460)}YEAH, I UNDERSTAND.

{\a1\pos(180,460)}I GOT A GRANDMOTHER,
AND I GOT NEIGHBORS,

{\a1\pos(201,460)}AND I'M WORRYIN' ABOUT
HOW{\r} THEY'RE GONNA FEEL.

{\a1\pos(180,460)}YOU SEE, IT'S
A TWO-SIDED COIN, MAN.

{\a1\pos(12,460)}HE'S RIGHT.

{\a1\pos(96,460)}I NEVER TOLD YOU BEFORE,

{\a1\pos(96,460)}BUT I'VE GOT
A REPUTATION AT SCHOOL.

{\a1\pos(201,460)}PEOPLE THINK THINGS
ABOUT ME.

{\a1\pos(96,460)}THEY SAY THINGS ABOUT ME.
ESPECIALLY THE BOYS.

{\a1\pos(12,460)}LOWER YOUR VOICE. I DON'T WANT
YOUR MOTHER TO HEAR THIS.

{\a1\pos(180,460)}WHY CAN'T SHE?

{\a1\pos(96,460)}YOU KNOW, THAT IS
THE PROBLEM AROUND HERE.

{\a1\pos(96,460)}I NEVER FEEL LIKE I CAN TALK
TO YOU OR MAMA,

{\a1\pos(96,460)}THAT YOU WANT TO HEAR
WHAT MY PROBLEMS ARE.

{\a1\pos(117,460)}ANYONE WHO'S ASKED ME OUT
WAS AFTER ONE THING.

{\a1\pos(96,460)}[ Sighs ]
BUT MORRIS IS DIFFERENT.

{\a1\pos(180,460)}HE LIKES ME... FOR ME,

{\a1\pos(180,460)}AND HE'S TAKING ME
TO THE SCHOOL DANCE.

{\a1\pos(180,460)}HE DOESN'T CARE
ABOUT THE RUMORS.

{\a1\pos(285,460)}HE HASN'T LET
WHAT PEOPLE SAY...

{\a1\pos(180,460)}OR WHAT PEOPLE THINK
STOP HIM.

{\a1\pos(12,460)}HAVE A GOOD TIME.

{\a1\pos(516,460)}THANKS.

{\a1\pos(96,460)}I LOVE YOU.

{\a1\pos(180,460)}I LOVE YOU TOO.

{\a1\pos(12,460)}♪ [ Rock ]

{\a1\pos(12,460)}♪ [ Continues ]

{\a1\pos(12,460)}MAN, I'M GETTING NERVOUS.

{\a1\pos(180,460)}WELL, WHAT DO YOU GOT
TO BE NERVOUS ABOUT?
YOU AIN'T EVEN SINGING.

{\a1\pos(96,460)}I'M ONSTAGE, AREN'T I?
I GOT STAGE FRIGHT.

{\a1\pos(12,460)}THE WORST THAT COULD HAPPEN
IS YOU'LL DROP THE TAMBOURINE.

{\a1\pos(264,460)}[ Clears Throat ]

{\a1\pos(12,460)}YOU KNOW, IT'S BEEN A LONG TIME
SINCE I'VE BEEN TO ONE OF THESE.

{\a1\pos(180,432)}YEAH? HOW DOES IT
MAKE YOU FEEL?
OLD.

{\a1\pos(180,432)}THAT'S BECAUSE YOU ARE.
THANK YOU.
THANK YOU VERY MUCH.

{\a1\pos(264,404)}DON'T MENTION IT.
HOW YOU DOIN', COACH?

{\a1\pos(264,432)}OH, HI.
MISS BUCHANAN,
MR. WILLIS.

{\a1\pos(309,404)}MORRIS.
HAVING A GOOD TIME?

{\a1\pos(12,432)}WE JUST GOT HERE, BUT SO FAR
I'M HAVING A REAL GOOD TIME.
HOW ARE YOU, KAREN?

{\a1\pos(12,404)}FINE. THANKS.
OH, I ALMOST FORGOT.

{\a1\pos(180,460)}UH, COACH,
THIS IS KAREN LeGRAND.

{\a1\pos(12,404)}KAREN, THIS IS THE COACH.
NICE TO MEET YOU.

{\a1\pos(12,460)}I'VE SEEN YOU AROUND SCHOOL.
YOU KNOW, MORRIS TALKS
A LOT ABOUT YOU.

{\a1\pos(12,460)}HE SAYS THAT
YOU'RE THE ONE HE TALKS TO
WHEN HE'S GOT A PROBLEM.

{\a1\pos(393,404)}OH.
DON'T SAY THAT.

{\a1\pos(180,460)}FORGET IT.
I DIDN'T HEAR A THING.
SPEAKING OF PROBLEMS,

{\a1\pos(96,460)}I'M STILL A LITTLE MIFFED
ABOUT YOU MISSING
THE TEAM DINNER.

{\a1\pos(180,460)}HEY, LISTEN,
I'M REALLY SORRY.

{\a1\pos(12,460)}YEAH, WELL, IT'S STILL KINDA
BUGGING ME, SO I THOUGHT AFTER
THEY PLAY "GOOD NIGHT LADIES,"

{\a1\pos(12,460)}OR WHATEVER IT IS THEY PLAY
AROUND HERE, MAYBE YOU,
ME AND KAREN...

{\a1\pos(12,460)}COULD SLIP OVER TO ANTONIO'S
FOR A LITTLE VEAL PIZZAIOLA;
TAKE A LOAD OFF MY MIND.

{\a1\pos(180,404)}HOW ABOUT IT?
SOUNDS GREAT.

{\a1\pos(12,460)}HOW ABOUT YOU?
YOU WANT TO DOUBLE?

{\a1\pos(264,404)}WHAT? UH-- WELL--
[ Mock Stammering ]

{\a1\pos(96,460)}WELL, IT'LL BLOW MY DIET.
BUT SURE. WHY NOT.

{\a1\pos(12,460)}GOOD. THEN IT'S A DATE.
AND, UH--

{\a1\pos(12,460)}I DIDN'T THINK SO.

{\a1\pos(12,460)}♪ [ Continues ]

{\a1\pos(96,460)}HEY, COACH.
HEY, MR. WILLIS.

{\a1\pos(348,432)}HOW'S IT GOING?
WE'LL SEE
YOU GUYS LATER.

{\a1\pos(432,404)}HAVE FUN.
HI, KAREN.

{\a1\pos(432,432)}HI, KAREN.
HOW ARE YOU?
HELLO, KAREN.

{\a1\pos(96,404)}HELLO.
BE NICE.

{\a1\pos(96,460)}UH, THORPE, UH,
WE NEED TO--

{\a1\pos(12,460)}I MEAN, GOMEZ JUST
AIN'T NEVER GONNA MAKE IT
AS A FIRST TENOR, AND, UH--

{\a1\pos(180,460)}MR. LEONARD SAYS
WE GO ON IN 15 MINUTES.

{\a1\pos(432,460)}OKAY?

{\a1\pos(264,460)}LET ME CALL
MY AGENT, FELLAS.

{\a1\pos(96,460)}AH, GET OUTTA HERE!
CALL HIS AGENT, MAN!
CAN YOU BELIEVE THIS?

{\a1\pos(96,460)}OH, LISTEN, THORPE,
UH, I WAS WONDERING, MAN,

{\a1\pos(12,460)}IF YOU WOULDN'T MIND,
MAYBE I COULD, UH, HAVE
ONE DANCE HERE WITH YOUR LADY.

{\a1\pos(264,460)}ONE DANCE.

{\a1\pos(12,460)}THAT'S ALL I NEED, JACK.

{\a1\pos(180,460)}AND, UH, LISTEN.
DON'T BELIEVE ANYTHING
HE TELLS YOU ABOUT ME.

{\a1\pos(180,404)}ME?
YOU.

{\a1\pos(12,460)}SAY, THORPIE,
WHY DON'T WE CATCH US
A COUPLE OF YOUNG TENDERS...

{\a1\pos(12,460)}AND... KICK IT UP.

{\a1\pos(96,460)}YOU KNOW, MAYBE YOU
WOULDN'T FEEL SO OLD...

{\a1\pos(12,460)}IF YOU GOT OUT ON THE DANCE
FLOOR AND KIND OF SHOWED US
SOME DANCE STEPS OF YOUR OWN.

{\a1\pos(12,404)}WHAT DO YOU MEAN, DANCE?
YEAH, COME ON.

{\a1\pos(12,404)}NO, NO. I CAN'T DO THAT.
WELL, WHY NOT?

{\a1\pos(12,432)}I DON'T KNOW HOW.
OH, COME ON.
IT'S EASY.

{\a1\pos(12,460)}YOU GO OUT THERE AND YOU WATCH
WHAT EVERYBODY ELSE IS DOING.

{\a1\pos(264,432)}EXCUSE ME. TRUST ME.
YOU CAN HANDLE IT.
NO. WHY?

{\a1\pos(12,432)}LAST TIME I TRUSTED YOU,
I WOUND UP IN THIS JOB.
LET'S GO. COME ON.

{\a1\pos(12,460)}- TRUST ME. YOU CAN HANDLE IT.
- THE KNEE. I SHOULDN'T PUT
ANY STRAIN ON IT, YOU KNOW.

{\a1\pos(96,460)}IT COULD GO ANY MINUTE.

{\a1\pos(12,460)}♪ [ Continues ]

{\a1\pos(96,460)}HEY, COACH.
IF YOU AIN'T BUSY, STOP BY
MONDAY NIGHT AFTER SCHOOL,

{\a1\pos(180,432)}AND I'LL TEACH YOU
A COUPLE OF STEPS.
OH, GREAT.

{\a1\pos(96,460)}A COUPLE OF WEEKS AGO,
YOU KNOW, THAT WOULD'VE BEEN
10 LAPS AFTER PRACTICE.

{\a1\pos(96,460)}THAT WAS A COUPLE
OF WEEKS AGO.

{\a1\pos(96,460)}HOW ABOUT THE FIRST PRACTICE
NEXT YEAR, 20 LAPS?
DON'T THINK I'LL FORGET.

{\a1\pos(96,460)}LADIES AND GENTLEMEN, CAN I
HAVE YOUR ATTENTION, PLEASE?

{\a1\pos(96,460)}I WANT TO INTRODUCE TO YOU
EIGHT YOUNG GUYS...

{\a1\pos(96,460)}WHO YOU'VE ALL SEEN BEFORE,
ESPECIALLY HERE IN THIS GYM,

{\a1\pos(96,460)}WHO ARE ABOUT TO MAKE
THEIR PERFORMING DEBUT.

{\a1\pos(12,460)}THEY CALL THEMSELVES "THE TEAM,"
AND HERE THEY ARE!

{\a1\pos(12,460)}[ Harmonizing ]
♪ FEE FEE, FI FI, FO FO, FUM ♪

{\a1\pos(96,460)}♪ I SMELL SMOKE
IN THE AUDITORIUM ♪

{\a1\pos(96,460)}♪ CHARLIE BROWN
CHARLIE BROWN ♪

{\a1\pos(96,460)}♪ HE'S A CLOWN
THAT CHARLIE BROWN ♪

{\a1\pos(96,460)}♪ HE'S GONNA GET CAUGHT
JUST YOU WAIT AND SEE ♪

{\a1\pos(96,460)}[ Deep Voice ]
♪ WHY IS EVERYBODY
ALWAYS PICKIN' ON ME ♪

{\a1\pos(12,460)}♪ THAT'S HIM ON HIS KNEES
I KNOW THAT'S HIM ♪

{\a1\pos(12,460)}♪ YELLIN' SEVEN COME ELEVEN
DOWN IN THE BOYS' GYM ♪

{\a1\pos(96,460)}♪ CHARLIE BROWN
CHARLIE BROWN ♪

{\a1\pos(12,460)}♪ HE'S A CLOWN
THAT CHARLIE BROWN ♪

{\a1\pos(96,460)}♪ HE'S GONNA GET CAUGHT
JUST YOU WAIT AND SEE ♪

{\a1\pos(96,460)}[ Deep Voice ]
♪ WHY IS EVERYBODY
ALWAYS PICKIN' ON ME ♪

{\a1\pos(96,460)}♪ WHO'S ALWAYS
WRITING ON THE WALL ♪

{\a1\pos(96,460)}♪ WHO'S ALWAYS
GOOFING IN THE HALL ♪

{\a1\pos(96,460)}♪ WHO'S ALWAYS
THROWING SPITBALLS ♪

{\a1\pos(180,460)}- ♪ GUESS WHO ♪
- ♪ WHO, ME ♪

{\a1\pos(348,460)}♪ YEAH, YOU ♪

{\a1\pos(96,460)}♪ HE WALKS IN THE CLASSROOM
COOL AND SLOW ♪

{\a1\pos(12,460)}♪ WHO CALLS THE ENGLISH
TEACHER "DADDY-O" ♪

{\a1\pos(96,460)}♪ CHARLIE BROWN
CHARLIE BROWN ♪

{\a1\pos(12,460)}♪ HE'S A CLOWN
THAT CHARLIE BROWN ♪

{\a1\pos(96,460)}♪ HE'S GONNA GET CAUGHT
JUST YOU WAIT AND SEE ♪

{\a1\pos(12,460)}[ Deep Voice ]
♪ WHY IS EVERYBODY
ALWAYS PICKIN' ON ME ♪

{\a1\pos(180,460)}YEAH!

{\a1\pos(12,460)}[ Cheering ]