The Story of Film: An Odyssey (2011): Season 1, Episode 4 - Episode #1.4 - full transcript
The Story of Film: An Odyssey is an epic journey through the history of cinema. Guided by film historian Mark Cousins, this 15-part love letter to the movies spans from the invention of film in the 19th century to the digital industry of the 21st.
1800? y? s? n at the end
a new art form ka? was uncovered.
It looked like our dreams.
Movies increased? K multi-milyarl? K
a global amusement sector? r ?.
But are they? y? What is the gi? e ba? ar? s?
or g? steran d? Nyasa? the? province.
Passion, love.
I find this passion? S
d? nyay? It is full buy-in.
This guy ?, "What? Mura Dance"? N
y? NetMine NEW Stanley Donan '? ka? angle.
Australian Jane Campion's' ?.
And Kyoko Kagawa's? S films.
Probably one of the best films.
And d? Nyan? S most mA? H actin? R?
Amitabh Bachchan '?.
The moon? Ca and Martin Scorsese
Spike Lee.
Lars Von Trier, Akira Kurosawa.
The Cinema? S Story of
ho? Welcome.
A journey,
The defeat? s epic? story.
20 years? Zy? S over
bottom? k? taste ge? the thousands of films.
00:01:20,407 --> 00:01:24,446
B? Y? K American T? Ru movies and
European Cinema? N? N D? Rke me
This b? L? M y master? NetMine who ...
... Howard Hawks and
Alfred Hitchcock'l tan ?? z ?? ace.
And the French in the 1930s? Za theater? N? N
g? Zell? s ka? fedea think? trail.
America, the end of 1920.
D? Ny h? Zl de? I? Iyor.
Wall Street ?? k ??.
12 years? S S? Ren B? Y? K Depression ba? L? Yor.
Du Cinema? Nyasa? At the end of 20
going head over heels. Audio d? Moisture ba? L? Yor.
Talking films, silent cinema
more than ten million tickets sold? every year? s.
Sound money in there ?.
Times Square? 'S in the Palace Cinema?
g? t sound like places.
Sound film? Cultivation
A brand new year? NTE now.
Art? K stretch? Additional places?
use force? m ?? t? ...
... ?? Pt? suddenly digging or
? Attachment? It could be sound.
This year? Z from the filmmaker? S
st like this? DYO the back d? nd? s.
Art? K names? He platoy.
What was this plateau?
1931 "of a student ??
? Admittedly's? "In this game? We can run.
Voice recording? ? It becomes damp ...
... G? R? Nt? Take the second plan? ld ?.
Oil Bing Crosby? S plan? Planting ...
... Violinist? still the same? at position
? Continue to do so.
Crosby y? Z? N? N as? In
clumsily enters the frame.
This is because,
voice recording? i? like in television ...
Two camera ...
the same? now? planting done? lmas? d? r.
Oil? S plan, a single camera? What ekils
violinist? low back ka? ar ...
... And the plan would not be so much snow ??? k ?.
I also note a ???.
More d? Z, hill Lighting.
In the Hollywood films? Il,
style of the television series.
The same? Currently both oil? n
as well as gene? the plan? If you want bread ...
... Lighting different? no.
This year? Z from the voice d? Ba ?? n in moisture
cinema, sinematiklik the distance? t ?.
The Cinema? S Story in
created? c? that? is the ...
... This s? N? R's? a? to
ideas? was rejected.
Rouben Mamoul opera y? NetMine to? Ti
and ferment static cinema? l? He did not.
In 1932? Created ok? C?
a m? zikal? was attached.
? Yla that would recommend movies as well? In
It remained as pa? avra ?.
"Tonight Sevi? Elim" in Paris D? Er.
Do with sound? S can be? Eyler
Mamoul that '? excited? rm ?? t ?.
Paris awoke g? Ndelik of sound
It depicts creating a symphony.
Then, the main character,
With this brave tailor tan ??? r? z.
A? Atom or? Ayan a princess
a ?? k will? r.
Tailor "How romantic" i s? Yl? Exhaust.
M ?? customers will hear it.
- Taxi?
- No? R, air regiment? Have I.
Hear a melody composer ...
And note ge? Big travelers.
Then what? S al ?, soldiers? I told u? I
A m? It takes the form of? r.
Arkas? From? Ingener are
violin with? al.
Eventually? Al?
take only the princess's ear ?? n ?? r ula.
B? Ction sound, the metaphor of a journey
It is, combine? exchanger a sequence d? n ??? r.
Movie sound tracks.
G? R? Nt? followed by voice.
But Mamoul that '? N created? C? L ???
s with that? n? rl? that? was not.
? October to do? L? inn? Did the wave
ge? mek i? s k? so barking? put.
Gere? Instead of additional voices
metaphoric sounds utilization ?.
B? Ction y? NetMine airports
sounds reflect exactly? t than we saved ?.
Audio, film d? Nyasa? S money
and won new bi? flags? rd ?.
But films; ? Tbsp style ?, and
He gave? I ready to g? re s? n? f the month? rd ?.
Old? movie t? r? There ?.
E? Lence theater? y? many years of
This familiar t? r and utilization ?.
Horror films since the 1920s, there ?.
Germans do best? M? Yd ?.
"Golem" brave? Apraz compositions
and d ?? avurumc it is a design? Is there? r.
Jews persecuted? Did I recover from? S ...
... It makes a golem from clay a rabbi.
James Whales film "Frankenstein"
Universal St? DYO on? 'In? Planted? T.
1931 made? M? movie
"Golem" We have to say? A influenced the? T.
German avurumcul of d ??? Flour
? D? N? German? s ...
... Hollywood horror films,? Harp? C?
Katas by an air ?? to be noticed? t.
"Frankenstein", created a monster
a scientist? n? n? yk? s? d? r.
Monster, the driving g? R? Nt? S? y? z? From the
governmental party? s man from the d ??? r.
Mary Shelley's original novel? In
Monster s? k s? k topic? ur.
Whale and scenario writers?
this monster? many issues? tour ?? I t? r.
Be careful Frankenstein.
Boris Karloff's sensitive? performance?
thanks to Frankenstein ...
...? Nyarg? S right? N in
most speak on? em st? DYO film olmu? tour.
Horror ?? es Universal St? DYO on? 'S? N
brand? olmu? tour.
G? N? M? In our? Arrow say? A
st tourists? DYO on? visit.
"Frankenstein" and "Dracula"
enjoy the movies as well? in fear of string.
Next best horror film? NetMine airports,
creating fear? c? a? used in such a way? r.
? Rn? In French? Z movie
"Y? Z? Non-D? Z" can be ...
... A surgeon? N k? Z? N? N
bi? bookmark a bad year? z? There? r.
This year? Z wears a mask.
Emotions? unpredictable.
If s? Z? L? Is r.
Behind the mask? S what happened in? Flour
g? are eager to r? z.
Horror cinema? usually
g? r? l do not? E's genius? consider the meat? r.
Japanese film "? L? M Provasi?" In
a quiet woman to break up the nerve? s ...
... To marry him? Al ?? moment
or? l? angry man.
Phone? And then it gets.
The movie? S most? Arrow makers
One of the scene.
Our nerves are stretched.
Horror films would recommend t? M t? The r
closer? nd? r our nervous system.
Di revealed in a blood ?? 30? T? R
the gangster movies.
In contrast to the horror movies
They? s men? to Europe as well? is not.
Between 1920-1933? In
Alcohol banned in America ?? t? R.
Enter this year? Z from? Enterprising outlaws,
gangsters emerged km ?? ?? t? r.
? City and k? Y between? In the shuttle tissue
? Italian,? Irish k? Variability of these people ...
... Empire? N?
y as a family? NetMine of? t.
? One of the first? Damp gangster movies
"People D ?? man?" D? R.
Come to the cinema's sound? Than in
two years? s next? planted? t.
Jimmy Cagney
c? a for such va? opportunity ?? d? r.
Money? i? that I? gaining the land? r.
He and? Childhood friend ??
every moment is alert.
But what a great depth of field? Inde
back ?? n? n was shot? s g? r? r? z.
Cagney stored ka ?? p? R.
?? But then over the snow,
if s? r? tmaktad? r. Hu? ? Z? Lmaz.
A former dance ?? which Cagney
? It was a planter.
Civilians? Rg? T in America? Ekicil of? E
gave premiums? ii? addressed in the film? tardi.
Gangster movies right? In today? N
ongoing moral debate ?? ma ba? lad ?.
In 1930, journalist
Ben Hecht wrote ??? ...
... And Howard Hawks'? N y? He is? I
"Wounded? Y? Z" ...
... Gangster movie t? R? N?
Greek Tragedyas? s d? n ?? t? rd ?.
This is the finale of the film.
? ?? Exhaust dear embrace.
Actually? S also a lover? Counties, brother? S.
- What fire? You did not?
- I do not know. Maybe ...
Maybe you was I? I? Download.
I you.
Always? It was her representative.
Paul Muni a ?? r? hard,
half? m ak? ll? It is a gangster.
The new leg as if pressurizing America ?? as
A dark? Italian accent? There? r.
So you look like a monkey
ka? s? I? nl? t? r? lm ?? t? r.
K? Z brother? I shot.
Without a hi? it? s the p? y's.
You remove one? S!
Small? K? Ld ?! Angelo? Ld ?!
Without you I? L? R? M Cesca.
Not only be a heck not ?? ma!
Cesca! D ?? ar? Branches!
They all want to catch me!
Me? They will not ans! L? Tf that!
Me? O y? Sub-zein? In
tragic loser? l? k.
B? Y? K man? N ??? k ??? kl.
Cesca? S Up! L? Tf The Cesca!
"Scarface" speak in? Soak in? Manner
1983 again? Planted.
Print this time Oliver Stone?
and Brian de Palma y? were clear.
And marks farikas?
vin? ? Planting the utilization ?.
Camont's your name? Montana olmu? T.
She also new game ?? who were from.
This time K? Honey? a cocaine buy? c? s? yd ?.
Film, t? Cat ?? lg I? N? 80 to
? OK g? Private NRM is? T.
Bright buildings
and ??? l? l? Does a pop? dhikr.
Camont in the original film, "D? Nya Your"
summer? l? It took a sign? in? l? r.
De Palma's film center of that scene? In
d into a baroque scene? n ?? t? r? r.
D? Nya you
V? camera? i irony? It signs.
D? Nya Montana? N? It is not.
D? Ny Montana i? S end ERM? T.
After 1930 ?? y? s on
70 gangster film in Hollywood? Planted.
These years? Many years of t? M k? Tau in
cinema? n? affected.
1954 in Japan "Seven Samurai"
gangster motifs ...
... Traditional Japanese k? L ?? masters? and
k? yl? s the? tbsp? s the harmanlad ?.
The empty glass? When? RCA ya? Do ya? Moment
these scenes are like a black pen.
"Seven Samurai" t? M once? N
Olmi the most impressive movies? tour.
"Once Upon a Time in America"
It is perhaps the best gangster movie.
Robert De Niro plays ??? Noodles
places do? ru looking at ...
... The movie? S gangsters
fear, fa? ism the ...
... Victim role? What offspring? Flour,
arrogance, style and marijuana? n? reflected? t? r.
1930? N from American movies
Even ideas? Stop.
M? Zikal, fears and gangster movies
Boom in the 1930s did ?.
But the cowboy movies
first year? curtain since the line was.
? O? U between 1860-1900? In D? Er.
John Ford's "The Iron Horse"? N in
the scene ...
... Cowboy movies t? R? N? N
so? OK ?? inspiration bar? nd? r? r.
Of course? City g? R? Nt? S instead
There landscapes? r.
In a chase scene
camera h? moves rapidly.
If the gangster movies
camera? o? mostly, is constant.
Film ge? The iron horse,
of course is the way to train.
Modernity? S ba? Lang? C ?,
In cowboy films? The damp housing.
At? N from in and co ?!
Ford trains? Use the Aryo? R.
Event obviously g ?? m of whites
and K? z? lderili between? in D? er.
Cynical? an d? The humidity? planted mafia
movies right vigilantes? cultivate? r.
The best cowboy movies, idealistic
an d? The legislators humidity? n? understand? r.
Ford later? He stood? Ida this movie
Henry Fonda, Wyatt Earp '? play.
Tombstone town? N? N
? Erife Olmi? Tour.
He is a law-maker.
New towns and communities do? Maktad? R,
at least? s good to whites? s.
Fonda, virgin territory? Search? t? r? r.
Colour: White pure and I ?? k? R.
If the town or gangster movies
? City? Is s. D? Nya dark? Kt? R.
Hu? no laws? s credit? u
The time? moment? not MSA.
Quiet American cinema? N? N
the? wet t? r? comedy ...
... Is the voice? Also iyle? I? I to u? Rad ?.
More women? Ns? He received a state ?.
New vulgar women? S first of comedy
"Twenty-Y? Zy? S" d ?.
Peri? An actor, art? K Hollywood
y? ld? z? ex-girlfriend who ...
... Broadway d? N? P career
help recovery? Is not i? s ...
... U convince? Ra ?? exhaust.
But there is a problem. Each other
they hate. ? Amatal? dialogue.
Under smb.'s Nose
10 thousand, 15 thousand dollars in my rocking ...
... A? Z? N? S waters? flowing ba? s.
Ba ?? r? R? N!
"Give him to me," he said!
- Do? Ru Oscar. ? Now get out.
Or threw you off the train? R? R? M.
- Some horse will g? R? R? Z.
Do? Mc? Y? John Barrymore played
? It was a damp theater actor.
But a complete idiot role in this movie? What
b? r? nm ?? t? r.
Exaggerating? L? facial expression, look like crazy ?? s,
h? rp NEW sa? s.
Carole Lombard is better.
Do? Help but? Arrow h? Zl ?.
Y? What is man, "is made role Lombarde
it i? m ?? skin clips to? s? I ction.
Cues? Yla h? Zl? s? ction was the
Barrymore can not think what ?? n? He does not know.
Sometimes I do not even know. "
demi? t.
This h? Z cinema is new.
The same? y? What mania "Dangerous Baby" in the
h? z and crow? a more fazlad? r.
A scientist woman millionaire ?,? N? N
Help for yla dinosaur bone? i alacakt? r.
But the men? S, women? Ns and baby name?
leopard? yla to travel? increased? r.
- I do not believe? Reviewers.
- But to believe zorundas? N.
Again you a ?? r? Imagine g? c? n? n
victim? I've been to.
? People right? In the back and forth
issue? MamaY? ?? You renin b? Ction of.
Yet poor? For man
and c? rtlak a woman? s.
Department as white? R. B? Ction of
and two leopards? s plan ?? profits.
Cary Grant and Katherine Hepburn
the same? Currently topic? galls.
The player? A stretch? Additional? I adds an element
?? Does this approach, applied for the first time? r.
Gere? Additional? Marrow and stretch? Additional? H? C? L? K,
even a new voice in cinema? i am.
"Twenty-Y? Zy? S"
and "Dangerous Baby" ...
... 1930? S most talented stable? DYO
y? NetMine AnlArIndAn Howard Hawks'? nd? r.
Hawks'? S name? "What? L? Fox" is.
?? K s? Fast ?, a simple bloke? R.
S? Rapidly? Do not believe should never be? M.
Never water? Rapidly? Ma imzalamad? M.
B? Ction sa? Im could do.
St? DYO
A good? tbsp? s? If ...
... Ba? Tan "that also? I? Dashes think? Im"
I would say.
They said, "How? S if you want," he says.
Like me? ANSL? if you? z
to do it? ze they give permission.
And? ANSL? Yd? a.
? People? S still line? INTERTANKO ???
movies created ?? t? r.
? Implicated comedy as well? In
"Wounded? Y? Z?" ...
... Film noir t? R? N? tan? MLA in
"Deep Sleep" yu to make, ?? ...
... "K? Z? L river" and
"Heroes? Ehri" is meant to be ...
... Rich, foods special cowboy movies
pi? able ire? s the game? Stern? t.
Pop? S movie t? R of
? Take shape the yard? Mc? olmu? tour.
Maybe that? Marrow? Characteristics of
? OK? E? Was the variety? U i? S B? Yl is.
One addressed development financing Hawks i? S "The movie? S
created ??? The B? y? k optimistic "demi? t.
A ba? Muscle? "Life snow ??? Especially
AC? Look ??? There are "demi? t.
One? Planted in both do? The run.
Here ??? s in a motocross race.
? OK masculine d? Nya.
The box? St? N simple one sitting.
It? S ??? tired half.
Hawks, it? S of a car accident? N ...
... K? T? ? Planted the injured ??? n? Hearing
movie? etm to continue to sow? t.
Some anti-Semitic? it? s the
Some of the biseks? was hand? s s? y's.
Life? S in the mix ?? kl? K whatever
st? DYO year? NetMine those of ...
... The sick ?, the g? Z? N? N is?
and patroness saint.
1930? S sound film t? R of
Do you? zikal theater? ? Examples of g? Rm ?? t? K.
1933 made? M? "Alt? N Caller K? Z's?" ...
... Do you? Zikal i? Create the most in the land? C? that? the future of the
Busby Berkley your regular password? T.
Army g? Rev ?? taken appropriate name? M
y? r? y ?? s fans remained ?? t? r.
This year? Z from the film as well
soldiers or lower? m? n y? r? probate ...
... This year? R? Y ?? one of teatrall? I
? N ?? carmine plan ?? t? R.
The second source of ideas ?? if? were u:
Every morning for 30 minutes is not it? get it? While ...
... Look at bath geometry? P
dancing figures? r etm to imagine? t.
At the end of the film ...
... K in the choir? Z,
forgotten men ...
... War? Tan d? How and trauma ge? Iren ...
Veterans into depression ... right? In
a? al? p? y's.
Hollywood movies? O? A man? S
Look ?? a ?? s? n from? planted? t.
Here is a woman? S, a? A ?? LanM ??
The mention of a male generation.
This social commentary ...
... Erotic? Zlem and
cinematic g? r? nt? Progress is decorated.
30? N the innovation? I one scene.
1930 d? Nyay? surrounding the bottom? nc?
Hollywood cinema? t? r? ? Spectrum is the movie.
Since 1906
? Izgi make movies? Lm ?? t? R:
Koran? S pen? Izilm ?, the black-and-white,
shaky, cartoon? r? ms ?.
20 years? S later in Germany
Reineg Lotte ...
... G? Lg game technique? Iyle
"Prince Ahmed adventures?" Is? created? R.
The cut? par? a to b? l?
Metal mente? The ele ...
... Figures? R to NASA? S movement
katti ??? n? n S? r? d? r.
But Walt Disney animation globally
an art bi? bookmark into bring? t.
Robert L. Stevenson et
Mr Charlie Chaplin? S? Rd ?.
New York, with a great draftsman,
Dutch? IBU to lwerks'l to? Get ?? t ?.
? People? S love of? Good character
They decided to create.
Disney decided in mice k? Ld ?.
? The first Mickey film "The? Ak ?? g? N?".
Black-and-white, simple? Illustrations on.
Excited? Mickey magic
one that car? a? a? d? n ?? t? r? r.
Disney in 1937 ...
... "Snow White and the Seven C? CE and" la
t? m? g? e in nyam record? k? rd ?.
Snow White
It was a human? u i? s ...
... Stretch Disney? In addition a player
ribs? Do you dress to her movie? she was attached.
Then his image
?? ka in D? was good.
This is the first time? L? He was tired.
Today? S this technique? E
movement is called capture.
Snow White
stretch? dance as an additional k? z.
Elegant, not jerky movements,
v? cudi? harp? k that? it is not.
Last? T ?? alkane film standing land ?.
Addressed utilisable who ?? ld? Rm ?? t ?.
There used to be here in the building
thousand make a fuss? lm ?? t ?.
Disney huh? Error gonna do ?? as
g? r? n? was tired.
Once i? S less innovation? I was
and retained? t ?.
McCarthy d? anti-kom in humidity? nist
CAD? hunting? s? during? he gave the statement.
? S production? Rec de? I? T. ? Illustrations art? K
the movie? st? What photocopy? He planted.
It was cheaper, but
"101 Plunge? Lean?" In this scene ...
... K? So, windows and around the mattress? In
black? Izgi g? r? l? r this year? z.
? The first stretch of the Disney movies? Additional? H? C? Yd?
and technical innovations from a ??? He jumps.
But y? S in ga? Tic? E
stretch? additional? h? c? l? k and innovation? marrow ...
... Replaced by a more conservative technique
and messages to be? rakt ?.
Horror, gangster and cowboy movies,
comedies? spectrum of films.
Hollywood ?, self hayrand
d? a ?? kt NY Hollywood ?.
1930? N ??? l? L? Also in Paris
movie end? strictures of the standard ?? formed.
But the best year? NetMine who,
Georges Melies'n the magic ...
... And Lumiere brother? S stretch of? Ek? Ili? In the
further ta ?? d ?.
French? Za theater? N? N B? Y? K wizard?
? A and art ?? Jean Cocteau ...
... Here, in Paris' di na ???
This Yemya? il b? doda LGE? di.
The Cocteau
"One? Aire's blood?" N ...
A statue ...
gene? or an art ?? ...
... Horse? ?? The lye k? P
the mirror? n i? s of ga? s menu? y's.
Cocteau ??? s? Was decorated with k? I
this scene, art ?? He did so.
This silent film making
Do you? mk? n? it is not.
Mirror? S back? In
Dramatic madness finds the hotel.
Maybe you know? Bottom? N? emblematic
Locations in this place there is no seed.
Cocteau; Picasso, organizer? R
The Diaghlev and is affected by opium? T.
Set in the hallway scene, hand? Planted?
and motion playback in reverse? lm ?? t? r.
Gere? Additional? H? C? the first d? humidity movies
A simple technique.
80 years? S next Christopher Nolan '? N
"B? Lang ??" ?, he be? Y? S? bottom? cultivate? r.
This time corridor, d? Nd? R? Man
a pipe giant? s in? EDILI? t.
Cocteau'nun make up the pantry? C? one
but genes? Progress and politics ...
... Oil? S interested in the 30? S films,
French? Z y? What belongs to man Jean Vigo.
Vigo's "State and go? S? F? R"? N in
? Look at the scene? N.
If i? Melted snow or poop ??.
Basque? C? or? l? he in the school? s who
YaST in the dorm? k war ?? do tire.
Vigo movement slows? Exhaust.
Vigo plays the voice as Cocteau.
M? Dhikr reverse? Al? Measured reliably? R.
A clever innovation that loud.
It? S who rebelled? R.
? October to the fun is and chaotic.
Film, Frans? Z schools? S language handed ???
i? is banned for ever in the 40? r.
Lindsay Anderson '? S film
"M? Er ..." takes inspiration from? R.
This film Vigo radicalism,
? English s? N? F you do? S? Yla blends.
Anderson '? N ?? unruly students also
? At? From attack? R? R ...
... But the film, though? Hatred in a school D? Er.
Water buckets? N? N and books? S place
machine-t? fekr al? r.
His next film, "D? Rope Outgoing? Assign to" the
snow tradition ?? ?? K ??? continues.
Dita's Parlour played ??? women? s
? Or assigned? Month of a gene? Le married.
Parlour like d? Nyan? N? Poetry, the
What? e and sevecenl? i ka? feder.
Vigo film in Paris
In this channel? ekmi? t.
? Planting the center? S profit be? S,
continuity? l? k ?? profit issue.
Soviet years? What bearing Dziga Vertov
brother? i, which ...
... Vigo intelligent cameraman?
Boris Kaufman ...
... Camera? The above? removed? r? r. B? Ction of
Parlour behind? g? ky? z? It becomes.
S a p? Re after Parlour? K? L? R
and Paris ??? k? n d? is what it is.
Her husband? y channel? zur
?? Pt? underwater? The y? infusions of ...
... G? Z ?? nce of a human? N
I loved? i that? good game? rece? s the duym to? tour.
"Hal and Go? S? F? R" such as
ho? snow ?? not LANs.
Vigo order? Na ulan? M ?? t? R.
? O? U human g? Rsell is? S ba? Enmi of? Se de
Expect a more classic story? t.
Ozu and French? Z y comedy? NetMine NEW
Jacques Tati ...
... And? Skoda? As Bill Forsyth,
Vigo also? Tbsp? Yla my deal? T.
A woman? S? N pleasant, b? Y? Visor,
chance? rs? z A? in such a way ...
... Life? tan? y ??? n?
g? steran to prompt? t.
What summer? K in Vigo? It is s.
L? Semi patients? D? R
and 1934 ...
... Which is used here
or at a 29 ?? s building? l? r.
Vigo utilization ???
This channel in Paris ...
... Writer-y? What is the team with Marcel Carne
and Jacques Prevert's the venue? d? r.
What's new in 1930? I Carne-Prevert
movies, forgotten people? understand? r.
H? Z? Nl? in the morning or
ak? am ??? k? n in the snow ?? le ?? r ...
... During associations
revived for a moment? r ...
... After its i? S and
pessimism? k? n g? m? l? r these people.
In 1935 in France
half? Did million fine? you there ?.
Political instability? Zl ??? Nazis
Paris ga addressed? Was followed by ire.
Movie end? Stricture is also unstable? Rc ?.
? Rpertic Carne-Prevert films
? Iirsel Gere? Additional? Buttonhole he called? R? L? R.
"Fog R? Ht? M?" A typical
? Iirsel stretch? Additional? I movie.
An unfortunate or Jean Gabin? Am? one
ku? ak is a legion of soldiers.
The months from France? S? P re ba? L to
want. Ride in a truck in the harbor.
Times midnight? S? D? R.
Truck headlights? dark ??? Lighting? r.
Fog and darkness of twilight? Kta
d? ny gloomy g? r? n? r.
Carne this stage
dif? Use the filters surf? r.
Gabi y? Z?
Humphrey Bogart? S like that is expressionless.
Only? Zd? R. Only one k? So
behind him? Want to be.
A marvelous portrayal of mood.
BA ?? ? How to? Ik film.
Hollywood optimistic characters
new? forgiveness? a while looking for ...
... Prevert d? Nyasa? It is tragic.
"Fog R? Ht? M?" France 30's? N? N
recognize the mood? past mistakes in monetary? r.
Nazi wrong? S?
Vichy h? K? S text? Scout? S? ...
... "Sava ?? 'Sis R? Ht? M?'
y? z? We lost from the "demi? t.
Carne, "F? Rt? Na y? Z? N the barometer
water? layamazs? n? z, "he answers.
In Hollywood
It's like Howard Hawks ...
... In Joinville in the Paris d ???
master year? AnIdIr NetMine.
These walls? S back? N in
Path former St? DYO on? 'in ...
... Carne and design? MC? S? Alexander
Trauner d? Ny are created ?? lard? R.
Hi? One "Heaven? Children are?" From the
more muh? em too? it is not.
Movie 19 years? Zy? S on
In a theater in Paris D? Er.
Life for women? N? Garance included
so? arrow that? s or? am? n? transfer? r.
Garance, a rich man? S time
? In getting water? Lanmaktad? R.
Mimc Baptiste, his innocent flour
g? r? was run and what? s the game? Stern.
- Tan? M ?? k are
- I!
I ??? m tank.
- What gun? Rd? N?
Each? Eu.
Do you? Dhikr adds Carne than mime.
Street theater scene d? N ??? r.
Dress in white? Jean Louis Barrault
mime the works wonders? r.
A political touch? There also? r.
Quiet tan? Kl ??? yla rich man? S
s lying? He ction? s of transfer? r ...
... And this game? Private lives of women? S? N?
save? r.
Mimc becomes a ?? k him.
Make? M? s? ras? in France
I Nazis? Was gali lower? In? U i? S ...
... "Heaven? Children have?"
Available stretch? e? i can not handle.
Actually? In compulsorily
??? s or fleeing dreams? understand? r.
These gentlemen, Carnea tan? Exhaust. The film
? He planted? I also own the theater ?.
What? OK? Zelle? I ?. there
A great? K? Yk? S? ...
... S? N? R's? compelling style ...
... France? S carefree? Z
once? na? zlem ...
... Frivolity ...
We Frans? Z and d? Nyan? N
mirror? happened? We claim our u.
Do us? There is no hide and at that time my
still a little p? r? l? m? z remained ?? t? r.
?? Gal be? Teak, k? S olmu? Tuk.
?? I can not act brave,
Olmu alliance with the Germans? Tuk.
Carne's why we love movies?
?? Pt? ke us? acakir
It offered a place.
Water than ourselves? S not feel,
design? m? z? g ?? E were throwing.
The name of the movie? "Heaven? Children have?" ...
... Sat in the theater of the poor? U
The cheapest seats a horse? ft? r.
Ger life here? Additional? I look? Can.
Carne and Prevert's
Look ?? a ?? s? like.
Carne stretch? Additional? I and say romantic? L? RSA
Jean Renoir ...
... 1930 French? Za theater? N? N
most humane? that? the job.
Masters actor? R Norman Lloyd
40 in Reno? Al ?? m ?? t? R.
In his films he called ??? ? Well,
found in our films? u have? O ...
... Y? Ce a humane? L? Kt? R
People? s are f? id.
Curtain ba? K a y? NetMine Zealand
bulamaya think ?? n? live up to z? d? r this.
Jean '? N g? ALGEBRAIC sentiment?
spect? emsa also ...
...? It? S simple? Are planting.
In this scene Lloyd, Renoir '? N
humane? s ??? from caste? understand ?? l? r.
Most? Nl? film "Game Rules?" from.
Gere? Appendix D? Nya right? In the? O do not know
aristocrats? s or? name ??? a? atoday? z.
? The old friends? a? k? ??? weigh tired.
Renoir, Octave? playing ...
... Tak? M dress, i? You playboy.
It would recommend Evel average, and k ???
a camera ?? s? What's new? also i? il.
It's like Renoir? S camera?
civilizations ??? s ??? n ?? k? g? The zlemliy.
But then Renoir
the movie? nl? repli? s s? y are:
- I want to get rid of Ka ?? p.
- Why?
What is good and what is k? T? it? s decision
You have to give? knowledge.
Fear? that? Well,
the fact that everyone has a reason ?.
The Nazis left? U neck and in
The war ?? e? i? indeyk the ...
... This attention? Are planters.
Cinema history? Is Jean Michel Frodo.
Renoir'n? S most significant? c? mle of:
"Everyone had a reason? R."
That matter good or bad? T? fact? ...
... Future or D? You? fact ?,
b? y? k s letters? Ylenia that? oh well? province.
Renoir '? N S? N in fast ???
b? y? k letters are not.
This year? Z from the movie be? Ction live on? ...
... But a so
It is difficult to accept.
?? Pt? believe by ?? n? z There is no basis.
? Y is who, k? T? Who is?
A war? Fugitive ??? R. But where
reality but going-and why? Hi ?.
Renoir, Montmarte in Paris
k ?? k do this? di.
His father? French? Z impressionist painter
Pierre August Renoir'd ?.
Renoir? S "Prisoners of War"
human? n is related to the balance.
1. D? Ny ?? Sava. A German
A French? z officer in the prison camp? s ...
... Silent cinema roles like blood ??
Eric Von Stroheim'l to ...
... The German camp commander? Yla
behind? It becomes.
He is not
aristocrat s? n? ftand? r.
Renoir both e? It be? I my gun? Stern.
But Stroheim in the captive
It is acting humanely? r.
S? Radan insanlard? R French? Z soldiers.
They also e? It be? I me g? R? Nt? The entertainment.
30? N war? movies
typical good and k? t? s there? r.
But Renoir
both i? best in the in ...
... Different? s? n? f between coming from? n in
respect? y? catches.
S film? Ous skid
He wanted? s s? y's.
Both design? Do ?, both? I trace? I d? Nyay?
He sat in a playful ground.
Vigo like Renoir
dosdo? home run of the story? not LAN.
Zigzags of movies? Traces the,
s? n? r the t? had ge? like the menu.
In this scene, soldiers, Jews
c? Mertl? i right? in the subject? the suit.
He came from a rich family? Im i? S
I am very proud.
Inviting you to my table
this game? steran on? I attached.
? O? U people think stingy for us.
Wrong ??,? OK c? Brave people? Z.
What summer? K of Jehovah as well? In
us a ?? r? arrogance bet? etm of ?.
Jehovah? S life? Hell!
You're a great friend.
Reno? Tbsp? Took a moment had faded? R? R ...
... And soldiers
discipline and improvement? i weigh ?? t? r? r.
India to go on ?,
Asian philosophies ?? Renmei? T.
? People? S, d? Nyan? S what? Inspiration away
holding t? s and? rt? nd? k to p? y's.
Jean Renoir '? The movies
us t? s behind the scenes? n? g? Stern.
But in the 1930s t? R d ??? movies
only in France? ekilme me? t.
In 1930 GE? Ney America
The first innovation? i ?? Kartmin movie ?? t? r.
Brazilian? Mario Peixoto
film "Limite" t ?? n at 19 or? the addition.
Soviet master fiction? Ayzen? Tayna
"? Arrow g? Special movie," he says.
A woman? S hill only be na ??
sitting. Subject? Do not have to reverse a ?? no.
PE? p? e g? i? NSAIDs
if it do? r y? r? y them.
Exhausted d ?? m ?? g? r? n? exhaust.
Environment a ?? r? s? hot.
Then the camera y? Z? What speed? Rapidly approach ?? exhaust.
A hand camera ?.
After this.
If u? Will fit.
Prison km ?? new ?? could prove to be? ini
?? Renica one? Eyler understand? Y We.
Maybe t? A ?, Kenmin
life prisoner? s trauma ge? mills in ?.
BA ?? d? n to b? l? yor.
The first film in 1906 in Brazil? Planted.
100 movie? Planted? T the end of the 20.
"Limite" them? The most g? Z ?, sinking
most sensitive? the film is.
French? Z impressionistic filmmaker? S? N
etm to refine their ideas? t.
Until the 1950s in Brazil
it's a good movie? not planted.
1930? N Poland's? N from ...
... Cinema? The Story of
The first contribution? income.
? First st in the country? DYO 1920 lm ?? a ?? t? R.
But 1938 did? M? t? r d ??? this movie,
It brings sound.
Stefan and the Francizk to Themerso
side? from? planted? t.
The men mirroring the forest? ?? t r a closet.
Sometimes lyrical, stretch? Additional? St? an adventure.
Themerson are short and the exposure ???
Play? may? is love.
Sometimes they are too experimental.
Landscape ?? s,
rewind? lm ?? actions.
30 years? S then Poland? S
the? nl? filmmaker? s? Roman Polanski ...
... Themerson? N? Th? movie
In an experimental use? planting? r.
Poland in the 1930s
D hard times? is huge.
Then com? Usu Germany
there? s the good? shall be gal.
30? N pop? S
German films k? Y i? Id ...
... That? S, m? Music and homeland
right? cultivate? r.
Hitler's National Socialist
Jews movie end? Assigns the stricture.
This moral woe? I from the forest,
Leni Riefenstahl ?? The kagel.
A softer ?????, fog,
in? landscape? n? ...
... His oil? S plans? N? Use? r.
Talented, cruel, g? Special and dedicated.
Hitler and his propaganda minister?
Josef Goebbels ...
... From Riefenstahl, the Nazi Party
Almas filmed the rally? n? want.
The last? t? r the documentary
"? Rad's Victory" is.
Hitler and his party
It depicts the mythical ?? e.
"Home? G? R? S? Zl? K" or "Napoleon" on
The allocated resources like.
GE? S? Ta
Your faithfulness to me ...
... You have proved thousands of times.
Future ...
... This, huh? ?? Phesiz
the same? ? Manner will? R.
G? R? Nt? S geometric, epic? Foria
and bombastic? d? r.
Later
Berlin Olympic Stadium? 'In ...
... 1936 Olympics? 'S? film? The attachment.
Disbursement ??? One of the camera.
Cameras? balloon to be? lam ?? ...
... Athletes with the same? to the level i? s
place the gun? mm ?? t? r.
Remote oil? S plan? Planting i? S
Use the zoom lens? r ...
... And b? Ction of pop in the 32? NSAIDs? Most
reflect a sense of intimacy? t? r.
The crowd ??? i? Detail the land?
I catch? s use these lenses? r.
This branch ?? sequence? in,
do water sports? cutting without harp.
Or play the reverse movement? R
or ba? a? a ?? ? The attachment.
B? Ction of k? Cream, the balems of
Do you? zikalims g? r? nt? s capture.
Hollywood choreographer Busby Berkeley
military y? r? y ?? ridicule? s inspired from it? ...
Riefenstahl in her ...
I stole these ideas ?? t? r.
Riefenstahl years? First be applied to,
g? n? n? the tee as well ??? ...
Spect ...? Em and? Rk? T? C?
a? eyle concern? t.
? People ?, Greek
tan? s? ym ??? hang? na? ekmi? t.
Money supply ?? n? N
Does political? stehcenl of? ini approves? r.
30 and 40 in
Orson Welles and Hitchcock d ??? s in ...
... Hi? A year? What bearing her up
NME my cinematic d ???? t.
Last year? S? N in repudiated by
concentration camps? People in that? ...
... "Plain" right? film
fig? r ?? t used it as? r.
Again, brilliant technique, meticulous?
follow? planting and pessimistic ??? k.
The modernization? S come? I and that? S the
right dichotomy? s ideas in the snow ?? ...
Riefenstahl-style ...? N?
huh? the? i? Termez me? t.
70s? I supplement? I
Africans? foto? racks? ...
... 30 in
similar to athlete image.
? The main value of 30? N
American t? With r ...
... Would recommend? Principles in
What's new? province? e looked at? k.
But the 30's London? In
The meet a guy? z.
B? Y? K t? Is one of the r y? NetMine AnlArIndAn,
the same? also the innovation? id.
This is the? I Alfred Hitchcock.
Yes, but? Lazur to keep in mind? M:
Intimidation s? Reci ...
... But a transmission medium? with me? mk? nd? r.
This transmission medium? I think sinemad? r.
?? I was most? Damp k? Sm? ...
... Film, I create fear? S
It is to bring together.
Hitchcock 20 years? Zy? L? N
most speak on? em filmmaker? s? olmu? tour.
Probably even Pablo Picasso
It is more decisive.
Is this what basis? s? yl? We yr?
There are seven reasons.
? S that look ?? a ?? s ?.
Gene? Hitchcock ...
Oxford Street in London ...
I watch a ghost movie camera? t.
The camera of a train? N? What
being fitted? t.
In the bay? Lm ?? t? R. The camera? S
that? s the game? z? could prove to be? in the game? rm ?? t? r.
50 years? S then r? Yams? skinflicks
"Y? Elev ation Fear" n ...
... Camera? James Stewart? S
g? z? It becomes. ? S glass? With sowing ...
... Stewart? S wear? Nt? has made? i
women? s? n his car? n? We follow the trail.
Hitchcock's g? R? Nt? S of b? Yla
spect? em fact? n? The second reason ...
It ... do? Di? Is u place.
Buras ?? t ?,? England in Essex.
A place full of life.
But Hitchcock handle? K? A ...
... "Movies different life? Should? ...
... Stretch? Additional? The marrow
more g ?? l? should be? "he says.
Films from the game? Ndelik life? Snow ??? R.
Why?
Maybe this place y? Z? N from.
E Catholic Jesuit school? Education received ??,
so that it can not prove ...?
... To be able to demonstrate a logical? K
Keep? t. God? 'S? The presence ??? like.
This films
d? ny d ??? the mant? k layer ?? t? r.
? Rn? In this film.
? A good guy, this rich cellar at home
prisoners. D ?? ar? ?? Suck-? required.
Smoke algae? Layer? C? Or holding matches.
Clothing k? R ??? r and a little bit? Slan? R.
A moment later, d ?? ar? As is the street.
The Silkiniy but k? R ??? kl? K ?? are reduced.
Nas? L d ?? ar? ??? N ?? kt? g? steran
There is no scene. A miracle.
In Hitchcock's character g? R? Man
Jesuit logic ???.
Hitchcock ??? Article? intelligent approach ?? m ?,
fear is the ability to understand it.
Her g? Re horror s? Are within the race
and? octane difference? d? r.
Londra'y? bombing? al ?? moment
German '? told ??? "Sabotage" a look? N.
A London freeway? S? In a? Children.
Bomb explodes in one hand.
Okay. ? Every time being? O path.
He? Man? S? R. ? OK and tragedy.
But fear? Octane difference? D? R.
"Sabotage" the Hitchcock ...
... At least 15 times? OC? S hands
It was a bomb? s s? y's ...
... And bomb Saturdays g? N?
hours 13:45 to patlayacakt? r.
Ku? S 13:45 to? To t forget
Fear is due to the approach? An? Is OK.
Throughout his career, Hitchcock us
? N from my fear? Z? p? y, and fear? z.
Hitchcock German theater? In the? Al ?? m ?? ...
... Then the Americans? S? N? The UK
wolf? u doing this? m? company to come in? t.
Snow? S? Yla defined here ?? m ?? and Americans?
women? s the author? OK? O ?? Renmei? t.
Hitchcock movies? Arrow di? Id.
Hitchcock's b? Y? N ??? kl? S
d? rd? nc? Why oil? s plan? are planting.
Ayzen? Oil after Tayna? N? Planting
the? OK loves y? What man is Hitchcock.
Spect? Em? British film
"39 Steps" manual to TSS ?? t? R.
Cut fingered? mystery man
What happened to the press ?? 39? S is to know.
Playing Hannay'y
Madeline Carroll? 'S hands ...
...? Orapa? N? ?? Snow? While
Kelep? eliminated.
Keep hands at the end of the film? Galls.
Oil? N? Planting,
the ring? Almas? like.
Dramatic punctuation i? Are signs.
And the oil? N? Planting
us be? t th ?? r cause.
? O? Y? What financing environment to us?
tan? t I? plan with cut in the middle ...
... Then burn? S plan D? Er.
Hitchcock does the opposite.
This "39 Steps"? Na ba? Lang? C ?.
A neon-lit? N? Plantation.
Where are we?
After a ticket g? Es.
Then the state? and feet.
Then a p? Rt.
A double bass? S top
and an orchestra? efi.
But then the gene? plans to ge? We e.
A London tiyatrosunday? Leak? R.
But the? City landscape? or
The theater d ??? n? g? We can not run.
"39 Steps" or Hitchcock? Name ???,
ideas? I refuse? I wrote in this place? lm ?? t? r.
Norman Lloyd, Hitchcock? O? U
TV g? do Stern? MC? s? d? r.
This stage g? R? N? R
y and why? zy? l? n ...
... Most? Damp filmmaker? S? it? s the
a ?? clarifies the bottom? nc? Why the gun? Stern.
In America? Z. Lloyd,
? Zg? Rl? K of the statue? A ?? ?? song.
There just run? Zgr sound? R.
Light sound.
LSL? As k? province, if
r? zg? n f? s? LDA voice.
Hold the arms of the ?? m.
Standard voltage in
here a dramatic par? a? al.
Lloyd's best man Robert Cummings
ba ?? Raraku help? Do you need to ask.
But Hitchcock did? Not use dhikr
and for dialogue? s? s the? r.
Did you clean ?? ?? deer.
I swear.
Did you clean ?? ?? deer.
- Bring the rope in a hurry!
Why is there so little sound?
?? Pt? The more sound ...
... S of the coat of arms? K? L be
details? n? ?? ka can run.
Ayr? C Hitchcock silent cinema
? OK? O ?? Renmei? T.
? No matter abuk.
Coat of arms!
Kane!
It is dominated by a sense of urgency.
Rescued him? i? s man begged? r.
The same? MEK in time d ??
it? s also the difference? cultivate? r.
Bob Cummings
hold on to? get ??? while ...
... Ba ?? rman? N i? E yaramaya think ?? n? N
The difference? cultivate? r.
Can teach him that sense of urgency
stretch it? You can save the attachment.
Hitchcock's film "Marnie" Best
? Look at the scene? N.
Hitchcock's why speak? Em
it? s the seventh cause.
Sean Connery, who plays Marnie
Tippi Hedren'l to.
They're inside a passenger.
The man wants sex,
women? s not like.
- Can I learn with you? ? I would like arrows.
- No? R!
Kad? N? Y n dress? Rtarak ?? snow? Exhaust.
Women? S freezing? Exhaust.
? Zg? N? M Marnie.
What Hitchcock do? Tired?
Yi made a? A ?? or cutting ksek? Exhaust.
A ??? l? K.
It ??? s ??? m ??
Hitchcock
"Oil? N? Planting is the sound of the bell ...
... Y? Ksek a ?? from? October
is tremolo, "he says.
This B? Y? K? English movies? Planted? I
St in London? DYO over ...
... Today? S rich
There are apartments.
Similar to the Buddha
Hitchcock statue.
Wise and cannabis ?.
B? Y? K ?, to filmmakers? Linker Hitchcock
g? r probably k? k? rdard ?.
Hitchin physics? I was evident.
Consequently if ...
... Churchill-like, Buddha-like,
? He stands as one state.
If you look at? P ...
... "Do you think s? Ction what you
logic? kl? Does it come from? "he seemed to say.
1930s, the voice theater? N
The first ten years? l? If we look at the ...
... New movie t? R, the ba? d? nd? r? c?
and creation? c? behind? s? m? z ...
... Tan ?? s? M? Z, like our beloved.
But? Rk? T? C? stranger? s in there? r:
Cocteau, it can not be categorized as Vigo
French? Z? Iirsel romantic year? NetMine who ...
... Such as Leni Riefenstahl
intelligent, but scary skills ...
... And the name Alfred Hitchcock? S on
obsession? l? a trickster.
30 and ends
and the war in Europe? ba? Started ...
... ?? women? s right? in ?? movie ...
... Enjoy life and stretch? Without additional
ka? man? s role? n? consider? r.
"G? S not Kad? N" I'm putting in what? Unique? Nist,
a? k? dressed as found by the princesses.
"On the road? S, d? Ny in the country? S ?.
He was placed in the path of revolution.
Bombs d ?? will.
Civilization will be small.
But the fact that now? N.
What's the rush?
Hold it in your life? The taste? N? ?? Corals? M.
A? K ??? LDA diamonds and the? City
ba ?? n? d? nd? rm ?? t? r.
? Zeren most ??? k d ??
20 are as romantic theater? S on.
? Ok and happy? OK I'm tired.
"Oz B? Y? C? S?" Is also in Dorothy
a gray stretch? I attached? s or? amaktad? r.
This? Nl? scene, sepia-toned clothing
Players wearing the same? advances in color sets.
D? Nyasa? N ?, container from a man ??
blue plaid dress Judy Garland '? ...
... A fantastic colors that be? Ka set,
a land of delight? n ?? r te: Oz.
The Ninotchka? S like Paris
d fantasy? nyad? r.
But Oz
Dorothy's g? Rd ??? a d ?? t? r.
In the end "no place like home"
What do you mean, moments.
Camera y? Kselirk movie 30? N
stretch? appendixes ka? Do you question the idea.
And y ka? Ma idea? Rapidly? The
??? Article? women? s coming.
"R? Zgr as D? Ti" said Scarlett O'Hara
rich and ?? m? k is one.
A fantasy d? Nyasa? S or? R
but stretch? attached? e and arguments? a name? Is throws.
Y? The Contextually camera? N? Transplantation, trauma? N
b? y? n ??? kl? g? z? n? What series.
? Previous two films Ninotchka and Dorothy
stretch? appendixes k? t? klar? i? s water? not LAN.
But the diagnosis in the film? Raft g? Z Scarlett
punished? r? r all? O loses.
Gere? Appendixes ka? May? addressing
to arrive? ge? it? It is the best movie ...
... But a ?? k? A
stretch? appendixes ka? Is the idea to attack? r? r.
B? I The mosque is a ba? Ka issue.
D? Nyasa? ? The vitality? and sensitivity? ...
... You have? camera? ? Yl m? Thi ?,
m? z? i? yla intense that it is un ...
... Pain? the drug? s taste? lighter.
Ninotchka, Dorothy and Scarlett.
Stretch in 1939? Appendixes ka? Man? S
? Moisture this ?? women? s in g? r? r? z.
But ear fluff? Nce,
war? drums? ...
... Stretch? Is attached and Orson Welles
It can be heard.
:52:23,247 --> 00:52:28,765
Cut fingered? mystery man
What happened to the press ?? 39? S is to know.
Playing Hannay'y
Madeline Carroll? 'S hands ...
...? Orapa? N? ?? Snow? While
Kelep? eliminated.
Keep hands at the end of the film? Galls.
Oil? N? Planting,
the ring? Almas? like.
Dramatic punctuation i? Are signs.
And the oil? N? Planting
us be? t th ?? r cause.
? O? Y? What financing environment to us?
tan? t I? plan with cut in the middle ...
... Then burn? S plan D? Er.
Hitchcock does the opposite.
This "39 Steps"? Na ba? Lang? C ?.
A neon-lit? N? Plantation.
Where are w
a new art form ka? was uncovered.
It looked like our dreams.
Movies increased? K multi-milyarl? K
a global amusement sector? r ?.
But are they? y? What is the gi? e ba? ar? s?
or g? steran d? Nyasa? the? province.
Passion, love.
I find this passion? S
d? nyay? It is full buy-in.
This guy ?, "What? Mura Dance"? N
y? NetMine NEW Stanley Donan '? ka? angle.
Australian Jane Campion's' ?.
And Kyoko Kagawa's? S films.
Probably one of the best films.
And d? Nyan? S most mA? H actin? R?
Amitabh Bachchan '?.
The moon? Ca and Martin Scorsese
Spike Lee.
Lars Von Trier, Akira Kurosawa.
The Cinema? S Story of
ho? Welcome.
A journey,
The defeat? s epic? story.
20 years? Zy? S over
bottom? k? taste ge? the thousands of films.
00:01:20,407 --> 00:01:24,446
B? Y? K American T? Ru movies and
European Cinema? N? N D? Rke me
This b? L? M y master? NetMine who ...
... Howard Hawks and
Alfred Hitchcock'l tan ?? z ?? ace.
And the French in the 1930s? Za theater? N? N
g? Zell? s ka? fedea think? trail.
America, the end of 1920.
D? Ny h? Zl de? I? Iyor.
Wall Street ?? k ??.
12 years? S S? Ren B? Y? K Depression ba? L? Yor.
Du Cinema? Nyasa? At the end of 20
going head over heels. Audio d? Moisture ba? L? Yor.
Talking films, silent cinema
more than ten million tickets sold? every year? s.
Sound money in there ?.
Times Square? 'S in the Palace Cinema?
g? t sound like places.
Sound film? Cultivation
A brand new year? NTE now.
Art? K stretch? Additional places?
use force? m ?? t? ...
... ?? Pt? suddenly digging or
? Attachment? It could be sound.
This year? Z from the filmmaker? S
st like this? DYO the back d? nd? s.
Art? K names? He platoy.
What was this plateau?
1931 "of a student ??
? Admittedly's? "In this game? We can run.
Voice recording? ? It becomes damp ...
... G? R? Nt? Take the second plan? ld ?.
Oil Bing Crosby? S plan? Planting ...
... Violinist? still the same? at position
? Continue to do so.
Crosby y? Z? N? N as? In
clumsily enters the frame.
This is because,
voice recording? i? like in television ...
Two camera ...
the same? now? planting done? lmas? d? r.
Oil? S plan, a single camera? What ekils
violinist? low back ka? ar ...
... And the plan would not be so much snow ??? k ?.
I also note a ???.
More d? Z, hill Lighting.
In the Hollywood films? Il,
style of the television series.
The same? Currently both oil? n
as well as gene? the plan? If you want bread ...
... Lighting different? no.
This year? Z from the voice d? Ba ?? n in moisture
cinema, sinematiklik the distance? t ?.
The Cinema? S Story in
created? c? that? is the ...
... This s? N? R's? a? to
ideas? was rejected.
Rouben Mamoul opera y? NetMine to? Ti
and ferment static cinema? l? He did not.
In 1932? Created ok? C?
a m? zikal? was attached.
? Yla that would recommend movies as well? In
It remained as pa? avra ?.
"Tonight Sevi? Elim" in Paris D? Er.
Do with sound? S can be? Eyler
Mamoul that '? excited? rm ?? t ?.
Paris awoke g? Ndelik of sound
It depicts creating a symphony.
Then, the main character,
With this brave tailor tan ??? r? z.
A? Atom or? Ayan a princess
a ?? k will? r.
Tailor "How romantic" i s? Yl? Exhaust.
M ?? customers will hear it.
- Taxi?
- No? R, air regiment? Have I.
Hear a melody composer ...
And note ge? Big travelers.
Then what? S al ?, soldiers? I told u? I
A m? It takes the form of? r.
Arkas? From? Ingener are
violin with? al.
Eventually? Al?
take only the princess's ear ?? n ?? r ula.
B? Ction sound, the metaphor of a journey
It is, combine? exchanger a sequence d? n ??? r.
Movie sound tracks.
G? R? Nt? followed by voice.
But Mamoul that '? N created? C? L ???
s with that? n? rl? that? was not.
? October to do? L? inn? Did the wave
ge? mek i? s k? so barking? put.
Gere? Instead of additional voices
metaphoric sounds utilization ?.
B? Ction y? NetMine airports
sounds reflect exactly? t than we saved ?.
Audio, film d? Nyasa? S money
and won new bi? flags? rd ?.
But films; ? Tbsp style ?, and
He gave? I ready to g? re s? n? f the month? rd ?.
Old? movie t? r? There ?.
E? Lence theater? y? many years of
This familiar t? r and utilization ?.
Horror films since the 1920s, there ?.
Germans do best? M? Yd ?.
"Golem" brave? Apraz compositions
and d ?? avurumc it is a design? Is there? r.
Jews persecuted? Did I recover from? S ...
... It makes a golem from clay a rabbi.
James Whales film "Frankenstein"
Universal St? DYO on? 'In? Planted? T.
1931 made? M? movie
"Golem" We have to say? A influenced the? T.
German avurumcul of d ??? Flour
? D? N? German? s ...
... Hollywood horror films,? Harp? C?
Katas by an air ?? to be noticed? t.
"Frankenstein", created a monster
a scientist? n? n? yk? s? d? r.
Monster, the driving g? R? Nt? S? y? z? From the
governmental party? s man from the d ??? r.
Mary Shelley's original novel? In
Monster s? k s? k topic? ur.
Whale and scenario writers?
this monster? many issues? tour ?? I t? r.
Be careful Frankenstein.
Boris Karloff's sensitive? performance?
thanks to Frankenstein ...
...? Nyarg? S right? N in
most speak on? em st? DYO film olmu? tour.
Horror ?? es Universal St? DYO on? 'S? N
brand? olmu? tour.
G? N? M? In our? Arrow say? A
st tourists? DYO on? visit.
"Frankenstein" and "Dracula"
enjoy the movies as well? in fear of string.
Next best horror film? NetMine airports,
creating fear? c? a? used in such a way? r.
? Rn? In French? Z movie
"Y? Z? Non-D? Z" can be ...
... A surgeon? N k? Z? N? N
bi? bookmark a bad year? z? There? r.
This year? Z wears a mask.
Emotions? unpredictable.
If s? Z? L? Is r.
Behind the mask? S what happened in? Flour
g? are eager to r? z.
Horror cinema? usually
g? r? l do not? E's genius? consider the meat? r.
Japanese film "? L? M Provasi?" In
a quiet woman to break up the nerve? s ...
... To marry him? Al ?? moment
or? l? angry man.
Phone? And then it gets.
The movie? S most? Arrow makers
One of the scene.
Our nerves are stretched.
Horror films would recommend t? M t? The r
closer? nd? r our nervous system.
Di revealed in a blood ?? 30? T? R
the gangster movies.
In contrast to the horror movies
They? s men? to Europe as well? is not.
Between 1920-1933? In
Alcohol banned in America ?? t? R.
Enter this year? Z from? Enterprising outlaws,
gangsters emerged km ?? ?? t? r.
? City and k? Y between? In the shuttle tissue
? Italian,? Irish k? Variability of these people ...
... Empire? N?
y as a family? NetMine of? t.
? One of the first? Damp gangster movies
"People D ?? man?" D? R.
Come to the cinema's sound? Than in
two years? s next? planted? t.
Jimmy Cagney
c? a for such va? opportunity ?? d? r.
Money? i? that I? gaining the land? r.
He and? Childhood friend ??
every moment is alert.
But what a great depth of field? Inde
back ?? n? n was shot? s g? r? r? z.
Cagney stored ka ?? p? R.
?? But then over the snow,
if s? r? tmaktad? r. Hu? ? Z? Lmaz.
A former dance ?? which Cagney
? It was a planter.
Civilians? Rg? T in America? Ekicil of? E
gave premiums? ii? addressed in the film? tardi.
Gangster movies right? In today? N
ongoing moral debate ?? ma ba? lad ?.
In 1930, journalist
Ben Hecht wrote ??? ...
... And Howard Hawks'? N y? He is? I
"Wounded? Y? Z" ...
... Gangster movie t? R? N?
Greek Tragedyas? s d? n ?? t? rd ?.
This is the finale of the film.
? ?? Exhaust dear embrace.
Actually? S also a lover? Counties, brother? S.
- What fire? You did not?
- I do not know. Maybe ...
Maybe you was I? I? Download.
I you.
Always? It was her representative.
Paul Muni a ?? r? hard,
half? m ak? ll? It is a gangster.
The new leg as if pressurizing America ?? as
A dark? Italian accent? There? r.
So you look like a monkey
ka? s? I? nl? t? r? lm ?? t? r.
K? Z brother? I shot.
Without a hi? it? s the p? y's.
You remove one? S!
Small? K? Ld ?! Angelo? Ld ?!
Without you I? L? R? M Cesca.
Not only be a heck not ?? ma!
Cesca! D ?? ar? Branches!
They all want to catch me!
Me? They will not ans! L? Tf that!
Me? O y? Sub-zein? In
tragic loser? l? k.
B? Y? K man? N ??? k ??? kl.
Cesca? S Up! L? Tf The Cesca!
"Scarface" speak in? Soak in? Manner
1983 again? Planted.
Print this time Oliver Stone?
and Brian de Palma y? were clear.
And marks farikas?
vin? ? Planting the utilization ?.
Camont's your name? Montana olmu? T.
She also new game ?? who were from.
This time K? Honey? a cocaine buy? c? s? yd ?.
Film, t? Cat ?? lg I? N? 80 to
? OK g? Private NRM is? T.
Bright buildings
and ??? l? l? Does a pop? dhikr.
Camont in the original film, "D? Nya Your"
summer? l? It took a sign? in? l? r.
De Palma's film center of that scene? In
d into a baroque scene? n ?? t? r? r.
D? Nya you
V? camera? i irony? It signs.
D? Nya Montana? N? It is not.
D? Ny Montana i? S end ERM? T.
After 1930 ?? y? s on
70 gangster film in Hollywood? Planted.
These years? Many years of t? M k? Tau in
cinema? n? affected.
1954 in Japan "Seven Samurai"
gangster motifs ...
... Traditional Japanese k? L ?? masters? and
k? yl? s the? tbsp? s the harmanlad ?.
The empty glass? When? RCA ya? Do ya? Moment
these scenes are like a black pen.
"Seven Samurai" t? M once? N
Olmi the most impressive movies? tour.
"Once Upon a Time in America"
It is perhaps the best gangster movie.
Robert De Niro plays ??? Noodles
places do? ru looking at ...
... The movie? S gangsters
fear, fa? ism the ...
... Victim role? What offspring? Flour,
arrogance, style and marijuana? n? reflected? t? r.
1930? N from American movies
Even ideas? Stop.
M? Zikal, fears and gangster movies
Boom in the 1930s did ?.
But the cowboy movies
first year? curtain since the line was.
? O? U between 1860-1900? In D? Er.
John Ford's "The Iron Horse"? N in
the scene ...
... Cowboy movies t? R? N? N
so? OK ?? inspiration bar? nd? r? r.
Of course? City g? R? Nt? S instead
There landscapes? r.
In a chase scene
camera h? moves rapidly.
If the gangster movies
camera? o? mostly, is constant.
Film ge? The iron horse,
of course is the way to train.
Modernity? S ba? Lang? C ?,
In cowboy films? The damp housing.
At? N from in and co ?!
Ford trains? Use the Aryo? R.
Event obviously g ?? m of whites
and K? z? lderili between? in D? er.
Cynical? an d? The humidity? planted mafia
movies right vigilantes? cultivate? r.
The best cowboy movies, idealistic
an d? The legislators humidity? n? understand? r.
Ford later? He stood? Ida this movie
Henry Fonda, Wyatt Earp '? play.
Tombstone town? N? N
? Erife Olmi? Tour.
He is a law-maker.
New towns and communities do? Maktad? R,
at least? s good to whites? s.
Fonda, virgin territory? Search? t? r? r.
Colour: White pure and I ?? k? R.
If the town or gangster movies
? City? Is s. D? Nya dark? Kt? R.
Hu? no laws? s credit? u
The time? moment? not MSA.
Quiet American cinema? N? N
the? wet t? r? comedy ...
... Is the voice? Also iyle? I? I to u? Rad ?.
More women? Ns? He received a state ?.
New vulgar women? S first of comedy
"Twenty-Y? Zy? S" d ?.
Peri? An actor, art? K Hollywood
y? ld? z? ex-girlfriend who ...
... Broadway d? N? P career
help recovery? Is not i? s ...
... U convince? Ra ?? exhaust.
But there is a problem. Each other
they hate. ? Amatal? dialogue.
Under smb.'s Nose
10 thousand, 15 thousand dollars in my rocking ...
... A? Z? N? S waters? flowing ba? s.
Ba ?? r? R? N!
"Give him to me," he said!
- Do? Ru Oscar. ? Now get out.
Or threw you off the train? R? R? M.
- Some horse will g? R? R? Z.
Do? Mc? Y? John Barrymore played
? It was a damp theater actor.
But a complete idiot role in this movie? What
b? r? nm ?? t? r.
Exaggerating? L? facial expression, look like crazy ?? s,
h? rp NEW sa? s.
Carole Lombard is better.
Do? Help but? Arrow h? Zl ?.
Y? What is man, "is made role Lombarde
it i? m ?? skin clips to? s? I ction.
Cues? Yla h? Zl? s? ction was the
Barrymore can not think what ?? n? He does not know.
Sometimes I do not even know. "
demi? t.
This h? Z cinema is new.
The same? y? What mania "Dangerous Baby" in the
h? z and crow? a more fazlad? r.
A scientist woman millionaire ?,? N? N
Help for yla dinosaur bone? i alacakt? r.
But the men? S, women? Ns and baby name?
leopard? yla to travel? increased? r.
- I do not believe? Reviewers.
- But to believe zorundas? N.
Again you a ?? r? Imagine g? c? n? n
victim? I've been to.
? People right? In the back and forth
issue? MamaY? ?? You renin b? Ction of.
Yet poor? For man
and c? rtlak a woman? s.
Department as white? R. B? Ction of
and two leopards? s plan ?? profits.
Cary Grant and Katherine Hepburn
the same? Currently topic? galls.
The player? A stretch? Additional? I adds an element
?? Does this approach, applied for the first time? r.
Gere? Additional? Marrow and stretch? Additional? H? C? L? K,
even a new voice in cinema? i am.
"Twenty-Y? Zy? S"
and "Dangerous Baby" ...
... 1930? S most talented stable? DYO
y? NetMine AnlArIndAn Howard Hawks'? nd? r.
Hawks'? S name? "What? L? Fox" is.
?? K s? Fast ?, a simple bloke? R.
S? Rapidly? Do not believe should never be? M.
Never water? Rapidly? Ma imzalamad? M.
B? Ction sa? Im could do.
St? DYO
A good? tbsp? s? If ...
... Ba? Tan "that also? I? Dashes think? Im"
I would say.
They said, "How? S if you want," he says.
Like me? ANSL? if you? z
to do it? ze they give permission.
And? ANSL? Yd? a.
? People? S still line? INTERTANKO ???
movies created ?? t? r.
? Implicated comedy as well? In
"Wounded? Y? Z?" ...
... Film noir t? R? N? tan? MLA in
"Deep Sleep" yu to make, ?? ...
... "K? Z? L river" and
"Heroes? Ehri" is meant to be ...
... Rich, foods special cowboy movies
pi? able ire? s the game? Stern? t.
Pop? S movie t? R of
? Take shape the yard? Mc? olmu? tour.
Maybe that? Marrow? Characteristics of
? OK? E? Was the variety? U i? S B? Yl is.
One addressed development financing Hawks i? S "The movie? S
created ??? The B? y? k optimistic "demi? t.
A ba? Muscle? "Life snow ??? Especially
AC? Look ??? There are "demi? t.
One? Planted in both do? The run.
Here ??? s in a motocross race.
? OK masculine d? Nya.
The box? St? N simple one sitting.
It? S ??? tired half.
Hawks, it? S of a car accident? N ...
... K? T? ? Planted the injured ??? n? Hearing
movie? etm to continue to sow? t.
Some anti-Semitic? it? s the
Some of the biseks? was hand? s s? y's.
Life? S in the mix ?? kl? K whatever
st? DYO year? NetMine those of ...
... The sick ?, the g? Z? N? N is?
and patroness saint.
1930? S sound film t? R of
Do you? zikal theater? ? Examples of g? Rm ?? t? K.
1933 made? M? "Alt? N Caller K? Z's?" ...
... Do you? Zikal i? Create the most in the land? C? that? the future of the
Busby Berkley your regular password? T.
Army g? Rev ?? taken appropriate name? M
y? r? y ?? s fans remained ?? t? r.
This year? Z from the film as well
soldiers or lower? m? n y? r? probate ...
... This year? R? Y ?? one of teatrall? I
? N ?? carmine plan ?? t? R.
The second source of ideas ?? if? were u:
Every morning for 30 minutes is not it? get it? While ...
... Look at bath geometry? P
dancing figures? r etm to imagine? t.
At the end of the film ...
... K in the choir? Z,
forgotten men ...
... War? Tan d? How and trauma ge? Iren ...
Veterans into depression ... right? In
a? al? p? y's.
Hollywood movies? O? A man? S
Look ?? a ?? s? n from? planted? t.
Here is a woman? S, a? A ?? LanM ??
The mention of a male generation.
This social commentary ...
... Erotic? Zlem and
cinematic g? r? nt? Progress is decorated.
30? N the innovation? I one scene.
1930 d? Nyay? surrounding the bottom? nc?
Hollywood cinema? t? r? ? Spectrum is the movie.
Since 1906
? Izgi make movies? Lm ?? t? R:
Koran? S pen? Izilm ?, the black-and-white,
shaky, cartoon? r? ms ?.
20 years? S later in Germany
Reineg Lotte ...
... G? Lg game technique? Iyle
"Prince Ahmed adventures?" Is? created? R.
The cut? par? a to b? l?
Metal mente? The ele ...
... Figures? R to NASA? S movement
katti ??? n? n S? r? d? r.
But Walt Disney animation globally
an art bi? bookmark into bring? t.
Robert L. Stevenson et
Mr Charlie Chaplin? S? Rd ?.
New York, with a great draftsman,
Dutch? IBU to lwerks'l to? Get ?? t ?.
? People? S love of? Good character
They decided to create.
Disney decided in mice k? Ld ?.
? The first Mickey film "The? Ak ?? g? N?".
Black-and-white, simple? Illustrations on.
Excited? Mickey magic
one that car? a? a? d? n ?? t? r? r.
Disney in 1937 ...
... "Snow White and the Seven C? CE and" la
t? m? g? e in nyam record? k? rd ?.
Snow White
It was a human? u i? s ...
... Stretch Disney? In addition a player
ribs? Do you dress to her movie? she was attached.
Then his image
?? ka in D? was good.
This is the first time? L? He was tired.
Today? S this technique? E
movement is called capture.
Snow White
stretch? dance as an additional k? z.
Elegant, not jerky movements,
v? cudi? harp? k that? it is not.
Last? T ?? alkane film standing land ?.
Addressed utilisable who ?? ld? Rm ?? t ?.
There used to be here in the building
thousand make a fuss? lm ?? t ?.
Disney huh? Error gonna do ?? as
g? r? n? was tired.
Once i? S less innovation? I was
and retained? t ?.
McCarthy d? anti-kom in humidity? nist
CAD? hunting? s? during? he gave the statement.
? S production? Rec de? I? T. ? Illustrations art? K
the movie? st? What photocopy? He planted.
It was cheaper, but
"101 Plunge? Lean?" In this scene ...
... K? So, windows and around the mattress? In
black? Izgi g? r? l? r this year? z.
? The first stretch of the Disney movies? Additional? H? C? Yd?
and technical innovations from a ??? He jumps.
But y? S in ga? Tic? E
stretch? additional? h? c? l? k and innovation? marrow ...
... Replaced by a more conservative technique
and messages to be? rakt ?.
Horror, gangster and cowboy movies,
comedies? spectrum of films.
Hollywood ?, self hayrand
d? a ?? kt NY Hollywood ?.
1930? N ??? l? L? Also in Paris
movie end? strictures of the standard ?? formed.
But the best year? NetMine who,
Georges Melies'n the magic ...
... And Lumiere brother? S stretch of? Ek? Ili? In the
further ta ?? d ?.
French? Za theater? N? N B? Y? K wizard?
? A and art ?? Jean Cocteau ...
... Here, in Paris' di na ???
This Yemya? il b? doda LGE? di.
The Cocteau
"One? Aire's blood?" N ...
A statue ...
gene? or an art ?? ...
... Horse? ?? The lye k? P
the mirror? n i? s of ga? s menu? y's.
Cocteau ??? s? Was decorated with k? I
this scene, art ?? He did so.
This silent film making
Do you? mk? n? it is not.
Mirror? S back? In
Dramatic madness finds the hotel.
Maybe you know? Bottom? N? emblematic
Locations in this place there is no seed.
Cocteau; Picasso, organizer? R
The Diaghlev and is affected by opium? T.
Set in the hallway scene, hand? Planted?
and motion playback in reverse? lm ?? t? r.
Gere? Additional? H? C? the first d? humidity movies
A simple technique.
80 years? S next Christopher Nolan '? N
"B? Lang ??" ?, he be? Y? S? bottom? cultivate? r.
This time corridor, d? Nd? R? Man
a pipe giant? s in? EDILI? t.
Cocteau'nun make up the pantry? C? one
but genes? Progress and politics ...
... Oil? S interested in the 30? S films,
French? Z y? What belongs to man Jean Vigo.
Vigo's "State and go? S? F? R"? N in
? Look at the scene? N.
If i? Melted snow or poop ??.
Basque? C? or? l? he in the school? s who
YaST in the dorm? k war ?? do tire.
Vigo movement slows? Exhaust.
Vigo plays the voice as Cocteau.
M? Dhikr reverse? Al? Measured reliably? R.
A clever innovation that loud.
It? S who rebelled? R.
? October to the fun is and chaotic.
Film, Frans? Z schools? S language handed ???
i? is banned for ever in the 40? r.
Lindsay Anderson '? S film
"M? Er ..." takes inspiration from? R.
This film Vigo radicalism,
? English s? N? F you do? S? Yla blends.
Anderson '? N ?? unruly students also
? At? From attack? R? R ...
... But the film, though? Hatred in a school D? Er.
Water buckets? N? N and books? S place
machine-t? fekr al? r.
His next film, "D? Rope Outgoing? Assign to" the
snow tradition ?? ?? K ??? continues.
Dita's Parlour played ??? women? s
? Or assigned? Month of a gene? Le married.
Parlour like d? Nyan? N? Poetry, the
What? e and sevecenl? i ka? feder.
Vigo film in Paris
In this channel? ekmi? t.
? Planting the center? S profit be? S,
continuity? l? k ?? profit issue.
Soviet years? What bearing Dziga Vertov
brother? i, which ...
... Vigo intelligent cameraman?
Boris Kaufman ...
... Camera? The above? removed? r? r. B? Ction of
Parlour behind? g? ky? z? It becomes.
S a p? Re after Parlour? K? L? R
and Paris ??? k? n d? is what it is.
Her husband? y channel? zur
?? Pt? underwater? The y? infusions of ...
... G? Z ?? nce of a human? N
I loved? i that? good game? rece? s the duym to? tour.
"Hal and Go? S? F? R" such as
ho? snow ?? not LANs.
Vigo order? Na ulan? M ?? t? R.
? O? U human g? Rsell is? S ba? Enmi of? Se de
Expect a more classic story? t.
Ozu and French? Z y comedy? NetMine NEW
Jacques Tati ...
... And? Skoda? As Bill Forsyth,
Vigo also? Tbsp? Yla my deal? T.
A woman? S? N pleasant, b? Y? Visor,
chance? rs? z A? in such a way ...
... Life? tan? y ??? n?
g? steran to prompt? t.
What summer? K in Vigo? It is s.
L? Semi patients? D? R
and 1934 ...
... Which is used here
or at a 29 ?? s building? l? r.
Vigo utilization ???
This channel in Paris ...
... Writer-y? What is the team with Marcel Carne
and Jacques Prevert's the venue? d? r.
What's new in 1930? I Carne-Prevert
movies, forgotten people? understand? r.
H? Z? Nl? in the morning or
ak? am ??? k? n in the snow ?? le ?? r ...
... During associations
revived for a moment? r ...
... After its i? S and
pessimism? k? n g? m? l? r these people.
In 1935 in France
half? Did million fine? you there ?.
Political instability? Zl ??? Nazis
Paris ga addressed? Was followed by ire.
Movie end? Stricture is also unstable? Rc ?.
? Rpertic Carne-Prevert films
? Iirsel Gere? Additional? Buttonhole he called? R? L? R.
"Fog R? Ht? M?" A typical
? Iirsel stretch? Additional? I movie.
An unfortunate or Jean Gabin? Am? one
ku? ak is a legion of soldiers.
The months from France? S? P re ba? L to
want. Ride in a truck in the harbor.
Times midnight? S? D? R.
Truck headlights? dark ??? Lighting? r.
Fog and darkness of twilight? Kta
d? ny gloomy g? r? n? r.
Carne this stage
dif? Use the filters surf? r.
Gabi y? Z?
Humphrey Bogart? S like that is expressionless.
Only? Zd? R. Only one k? So
behind him? Want to be.
A marvelous portrayal of mood.
BA ?? ? How to? Ik film.
Hollywood optimistic characters
new? forgiveness? a while looking for ...
... Prevert d? Nyasa? It is tragic.
"Fog R? Ht? M?" France 30's? N? N
recognize the mood? past mistakes in monetary? r.
Nazi wrong? S?
Vichy h? K? S text? Scout? S? ...
... "Sava ?? 'Sis R? Ht? M?'
y? z? We lost from the "demi? t.
Carne, "F? Rt? Na y? Z? N the barometer
water? layamazs? n? z, "he answers.
In Hollywood
It's like Howard Hawks ...
... In Joinville in the Paris d ???
master year? AnIdIr NetMine.
These walls? S back? N in
Path former St? DYO on? 'in ...
... Carne and design? MC? S? Alexander
Trauner d? Ny are created ?? lard? R.
Hi? One "Heaven? Children are?" From the
more muh? em too? it is not.
Movie 19 years? Zy? S on
In a theater in Paris D? Er.
Life for women? N? Garance included
so? arrow that? s or? am? n? transfer? r.
Garance, a rich man? S time
? In getting water? Lanmaktad? R.
Mimc Baptiste, his innocent flour
g? r? was run and what? s the game? Stern.
- Tan? M ?? k are
- I!
I ??? m tank.
- What gun? Rd? N?
Each? Eu.
Do you? Dhikr adds Carne than mime.
Street theater scene d? N ??? r.
Dress in white? Jean Louis Barrault
mime the works wonders? r.
A political touch? There also? r.
Quiet tan? Kl ??? yla rich man? S
s lying? He ction? s of transfer? r ...
... And this game? Private lives of women? S? N?
save? r.
Mimc becomes a ?? k him.
Make? M? s? ras? in France
I Nazis? Was gali lower? In? U i? S ...
... "Heaven? Children have?"
Available stretch? e? i can not handle.
Actually? In compulsorily
??? s or fleeing dreams? understand? r.
These gentlemen, Carnea tan? Exhaust. The film
? He planted? I also own the theater ?.
What? OK? Zelle? I ?. there
A great? K? Yk? S? ...
... S? N? R's? compelling style ...
... France? S carefree? Z
once? na? zlem ...
... Frivolity ...
We Frans? Z and d? Nyan? N
mirror? happened? We claim our u.
Do us? There is no hide and at that time my
still a little p? r? l? m? z remained ?? t? r.
?? Gal be? Teak, k? S olmu? Tuk.
?? I can not act brave,
Olmu alliance with the Germans? Tuk.
Carne's why we love movies?
?? Pt? ke us? acakir
It offered a place.
Water than ourselves? S not feel,
design? m? z? g ?? E were throwing.
The name of the movie? "Heaven? Children have?" ...
... Sat in the theater of the poor? U
The cheapest seats a horse? ft? r.
Ger life here? Additional? I look? Can.
Carne and Prevert's
Look ?? a ?? s? like.
Carne stretch? Additional? I and say romantic? L? RSA
Jean Renoir ...
... 1930 French? Za theater? N? N
most humane? that? the job.
Masters actor? R Norman Lloyd
40 in Reno? Al ?? m ?? t? R.
In his films he called ??? ? Well,
found in our films? u have? O ...
... Y? Ce a humane? L? Kt? R
People? s are f? id.
Curtain ba? K a y? NetMine Zealand
bulamaya think ?? n? live up to z? d? r this.
Jean '? N g? ALGEBRAIC sentiment?
spect? emsa also ...
...? It? S simple? Are planting.
In this scene Lloyd, Renoir '? N
humane? s ??? from caste? understand ?? l? r.
Most? Nl? film "Game Rules?" from.
Gere? Appendix D? Nya right? In the? O do not know
aristocrats? s or? name ??? a? atoday? z.
? The old friends? a? k? ??? weigh tired.
Renoir, Octave? playing ...
... Tak? M dress, i? You playboy.
It would recommend Evel average, and k ???
a camera ?? s? What's new? also i? il.
It's like Renoir? S camera?
civilizations ??? s ??? n ?? k? g? The zlemliy.
But then Renoir
the movie? nl? repli? s s? y are:
- I want to get rid of Ka ?? p.
- Why?
What is good and what is k? T? it? s decision
You have to give? knowledge.
Fear? that? Well,
the fact that everyone has a reason ?.
The Nazis left? U neck and in
The war ?? e? i? indeyk the ...
... This attention? Are planters.
Cinema history? Is Jean Michel Frodo.
Renoir'n? S most significant? c? mle of:
"Everyone had a reason? R."
That matter good or bad? T? fact? ...
... Future or D? You? fact ?,
b? y? k s letters? Ylenia that? oh well? province.
Renoir '? N S? N in fast ???
b? y? k letters are not.
This year? Z from the movie be? Ction live on? ...
... But a so
It is difficult to accept.
?? Pt? believe by ?? n? z There is no basis.
? Y is who, k? T? Who is?
A war? Fugitive ??? R. But where
reality but going-and why? Hi ?.
Renoir, Montmarte in Paris
k ?? k do this? di.
His father? French? Z impressionist painter
Pierre August Renoir'd ?.
Renoir? S "Prisoners of War"
human? n is related to the balance.
1. D? Ny ?? Sava. A German
A French? z officer in the prison camp? s ...
... Silent cinema roles like blood ??
Eric Von Stroheim'l to ...
... The German camp commander? Yla
behind? It becomes.
He is not
aristocrat s? n? ftand? r.
Renoir both e? It be? I my gun? Stern.
But Stroheim in the captive
It is acting humanely? r.
S? Radan insanlard? R French? Z soldiers.
They also e? It be? I me g? R? Nt? The entertainment.
30? N war? movies
typical good and k? t? s there? r.
But Renoir
both i? best in the in ...
... Different? s? n? f between coming from? n in
respect? y? catches.
S film? Ous skid
He wanted? s s? y's.
Both design? Do ?, both? I trace? I d? Nyay?
He sat in a playful ground.
Vigo like Renoir
dosdo? home run of the story? not LAN.
Zigzags of movies? Traces the,
s? n? r the t? had ge? like the menu.
In this scene, soldiers, Jews
c? Mertl? i right? in the subject? the suit.
He came from a rich family? Im i? S
I am very proud.
Inviting you to my table
this game? steran on? I attached.
? O? U people think stingy for us.
Wrong ??,? OK c? Brave people? Z.
What summer? K of Jehovah as well? In
us a ?? r? arrogance bet? etm of ?.
Jehovah? S life? Hell!
You're a great friend.
Reno? Tbsp? Took a moment had faded? R? R ...
... And soldiers
discipline and improvement? i weigh ?? t? r? r.
India to go on ?,
Asian philosophies ?? Renmei? T.
? People? S, d? Nyan? S what? Inspiration away
holding t? s and? rt? nd? k to p? y's.
Jean Renoir '? The movies
us t? s behind the scenes? n? g? Stern.
But in the 1930s t? R d ??? movies
only in France? ekilme me? t.
In 1930 GE? Ney America
The first innovation? i ?? Kartmin movie ?? t? r.
Brazilian? Mario Peixoto
film "Limite" t ?? n at 19 or? the addition.
Soviet master fiction? Ayzen? Tayna
"? Arrow g? Special movie," he says.
A woman? S hill only be na ??
sitting. Subject? Do not have to reverse a ?? no.
PE? p? e g? i? NSAIDs
if it do? r y? r? y them.
Exhausted d ?? m ?? g? r? n? exhaust.
Environment a ?? r? s? hot.
Then the camera y? Z? What speed? Rapidly approach ?? exhaust.
A hand camera ?.
After this.
If u? Will fit.
Prison km ?? new ?? could prove to be? ini
?? Renica one? Eyler understand? Y We.
Maybe t? A ?, Kenmin
life prisoner? s trauma ge? mills in ?.
BA ?? d? n to b? l? yor.
The first film in 1906 in Brazil? Planted.
100 movie? Planted? T the end of the 20.
"Limite" them? The most g? Z ?, sinking
most sensitive? the film is.
French? Z impressionistic filmmaker? S? N
etm to refine their ideas? t.
Until the 1950s in Brazil
it's a good movie? not planted.
1930? N Poland's? N from ...
... Cinema? The Story of
The first contribution? income.
? First st in the country? DYO 1920 lm ?? a ?? t? R.
But 1938 did? M? t? r d ??? this movie,
It brings sound.
Stefan and the Francizk to Themerso
side? from? planted? t.
The men mirroring the forest? ?? t r a closet.
Sometimes lyrical, stretch? Additional? St? an adventure.
Themerson are short and the exposure ???
Play? may? is love.
Sometimes they are too experimental.
Landscape ?? s,
rewind? lm ?? actions.
30 years? S then Poland? S
the? nl? filmmaker? s? Roman Polanski ...
... Themerson? N? Th? movie
In an experimental use? planting? r.
Poland in the 1930s
D hard times? is huge.
Then com? Usu Germany
there? s the good? shall be gal.
30? N pop? S
German films k? Y i? Id ...
... That? S, m? Music and homeland
right? cultivate? r.
Hitler's National Socialist
Jews movie end? Assigns the stricture.
This moral woe? I from the forest,
Leni Riefenstahl ?? The kagel.
A softer ?????, fog,
in? landscape? n? ...
... His oil? S plans? N? Use? r.
Talented, cruel, g? Special and dedicated.
Hitler and his propaganda minister?
Josef Goebbels ...
... From Riefenstahl, the Nazi Party
Almas filmed the rally? n? want.
The last? t? r the documentary
"? Rad's Victory" is.
Hitler and his party
It depicts the mythical ?? e.
"Home? G? R? S? Zl? K" or "Napoleon" on
The allocated resources like.
GE? S? Ta
Your faithfulness to me ...
... You have proved thousands of times.
Future ...
... This, huh? ?? Phesiz
the same? ? Manner will? R.
G? R? Nt? S geometric, epic? Foria
and bombastic? d? r.
Later
Berlin Olympic Stadium? 'In ...
... 1936 Olympics? 'S? film? The attachment.
Disbursement ??? One of the camera.
Cameras? balloon to be? lam ?? ...
... Athletes with the same? to the level i? s
place the gun? mm ?? t? r.
Remote oil? S plan? Planting i? S
Use the zoom lens? r ...
... And b? Ction of pop in the 32? NSAIDs? Most
reflect a sense of intimacy? t? r.
The crowd ??? i? Detail the land?
I catch? s use these lenses? r.
This branch ?? sequence? in,
do water sports? cutting without harp.
Or play the reverse movement? R
or ba? a? a ?? ? The attachment.
B? Ction of k? Cream, the balems of
Do you? zikalims g? r? nt? s capture.
Hollywood choreographer Busby Berkeley
military y? r? y ?? ridicule? s inspired from it? ...
Riefenstahl in her ...
I stole these ideas ?? t? r.
Riefenstahl years? First be applied to,
g? n? n? the tee as well ??? ...
Spect ...? Em and? Rk? T? C?
a? eyle concern? t.
? People ?, Greek
tan? s? ym ??? hang? na? ekmi? t.
Money supply ?? n? N
Does political? stehcenl of? ini approves? r.
30 and 40 in
Orson Welles and Hitchcock d ??? s in ...
... Hi? A year? What bearing her up
NME my cinematic d ???? t.
Last year? S? N in repudiated by
concentration camps? People in that? ...
... "Plain" right? film
fig? r ?? t used it as? r.
Again, brilliant technique, meticulous?
follow? planting and pessimistic ??? k.
The modernization? S come? I and that? S the
right dichotomy? s ideas in the snow ?? ...
Riefenstahl-style ...? N?
huh? the? i? Termez me? t.
70s? I supplement? I
Africans? foto? racks? ...
... 30 in
similar to athlete image.
? The main value of 30? N
American t? With r ...
... Would recommend? Principles in
What's new? province? e looked at? k.
But the 30's London? In
The meet a guy? z.
B? Y? K t? Is one of the r y? NetMine AnlArIndAn,
the same? also the innovation? id.
This is the? I Alfred Hitchcock.
Yes, but? Lazur to keep in mind? M:
Intimidation s? Reci ...
... But a transmission medium? with me? mk? nd? r.
This transmission medium? I think sinemad? r.
?? I was most? Damp k? Sm? ...
... Film, I create fear? S
It is to bring together.
Hitchcock 20 years? Zy? L? N
most speak on? em filmmaker? s? olmu? tour.
Probably even Pablo Picasso
It is more decisive.
Is this what basis? s? yl? We yr?
There are seven reasons.
? S that look ?? a ?? s ?.
Gene? Hitchcock ...
Oxford Street in London ...
I watch a ghost movie camera? t.
The camera of a train? N? What
being fitted? t.
In the bay? Lm ?? t? R. The camera? S
that? s the game? z? could prove to be? in the game? rm ?? t? r.
50 years? S then r? Yams? skinflicks
"Y? Elev ation Fear" n ...
... Camera? James Stewart? S
g? z? It becomes. ? S glass? With sowing ...
... Stewart? S wear? Nt? has made? i
women? s? n his car? n? We follow the trail.
Hitchcock's g? R? Nt? S of b? Yla
spect? em fact? n? The second reason ...
It ... do? Di? Is u place.
Buras ?? t ?,? England in Essex.
A place full of life.
But Hitchcock handle? K? A ...
... "Movies different life? Should? ...
... Stretch? Additional? The marrow
more g ?? l? should be? "he says.
Films from the game? Ndelik life? Snow ??? R.
Why?
Maybe this place y? Z? N from.
E Catholic Jesuit school? Education received ??,
so that it can not prove ...?
... To be able to demonstrate a logical? K
Keep? t. God? 'S? The presence ??? like.
This films
d? ny d ??? the mant? k layer ?? t? r.
? Rn? In this film.
? A good guy, this rich cellar at home
prisoners. D ?? ar? ?? Suck-? required.
Smoke algae? Layer? C? Or holding matches.
Clothing k? R ??? r and a little bit? Slan? R.
A moment later, d ?? ar? As is the street.
The Silkiniy but k? R ??? kl? K ?? are reduced.
Nas? L d ?? ar? ??? N ?? kt? g? steran
There is no scene. A miracle.
In Hitchcock's character g? R? Man
Jesuit logic ???.
Hitchcock ??? Article? intelligent approach ?? m ?,
fear is the ability to understand it.
Her g? Re horror s? Are within the race
and? octane difference? d? r.
Londra'y? bombing? al ?? moment
German '? told ??? "Sabotage" a look? N.
A London freeway? S? In a? Children.
Bomb explodes in one hand.
Okay. ? Every time being? O path.
He? Man? S? R. ? OK and tragedy.
But fear? Octane difference? D? R.
"Sabotage" the Hitchcock ...
... At least 15 times? OC? S hands
It was a bomb? s s? y's ...
... And bomb Saturdays g? N?
hours 13:45 to patlayacakt? r.
Ku? S 13:45 to? To t forget
Fear is due to the approach? An? Is OK.
Throughout his career, Hitchcock us
? N from my fear? Z? p? y, and fear? z.
Hitchcock German theater? In the? Al ?? m ?? ...
... Then the Americans? S? N? The UK
wolf? u doing this? m? company to come in? t.
Snow? S? Yla defined here ?? m ?? and Americans?
women? s the author? OK? O ?? Renmei? t.
Hitchcock movies? Arrow di? Id.
Hitchcock's b? Y? N ??? kl? S
d? rd? nc? Why oil? s plan? are planting.
Ayzen? Oil after Tayna? N? Planting
the? OK loves y? What man is Hitchcock.
Spect? Em? British film
"39 Steps" manual to TSS ?? t? R.
Cut fingered? mystery man
What happened to the press ?? 39? S is to know.
Playing Hannay'y
Madeline Carroll? 'S hands ...
...? Orapa? N? ?? Snow? While
Kelep? eliminated.
Keep hands at the end of the film? Galls.
Oil? N? Planting,
the ring? Almas? like.
Dramatic punctuation i? Are signs.
And the oil? N? Planting
us be? t th ?? r cause.
? O? Y? What financing environment to us?
tan? t I? plan with cut in the middle ...
... Then burn? S plan D? Er.
Hitchcock does the opposite.
This "39 Steps"? Na ba? Lang? C ?.
A neon-lit? N? Plantation.
Where are we?
After a ticket g? Es.
Then the state? and feet.
Then a p? Rt.
A double bass? S top
and an orchestra? efi.
But then the gene? plans to ge? We e.
A London tiyatrosunday? Leak? R.
But the? City landscape? or
The theater d ??? n? g? We can not run.
"39 Steps" or Hitchcock? Name ???,
ideas? I refuse? I wrote in this place? lm ?? t? r.
Norman Lloyd, Hitchcock? O? U
TV g? do Stern? MC? s? d? r.
This stage g? R? N? R
y and why? zy? l? n ...
... Most? Damp filmmaker? S? it? s the
a ?? clarifies the bottom? nc? Why the gun? Stern.
In America? Z. Lloyd,
? Zg? Rl? K of the statue? A ?? ?? song.
There just run? Zgr sound? R.
Light sound.
LSL? As k? province, if
r? zg? n f? s? LDA voice.
Hold the arms of the ?? m.
Standard voltage in
here a dramatic par? a? al.
Lloyd's best man Robert Cummings
ba ?? Raraku help? Do you need to ask.
But Hitchcock did? Not use dhikr
and for dialogue? s? s the? r.
Did you clean ?? ?? deer.
I swear.
Did you clean ?? ?? deer.
- Bring the rope in a hurry!
Why is there so little sound?
?? Pt? The more sound ...
... S of the coat of arms? K? L be
details? n? ?? ka can run.
Ayr? C Hitchcock silent cinema
? OK? O ?? Renmei? T.
? No matter abuk.
Coat of arms!
Kane!
It is dominated by a sense of urgency.
Rescued him? i? s man begged? r.
The same? MEK in time d ??
it? s also the difference? cultivate? r.
Bob Cummings
hold on to? get ??? while ...
... Ba ?? rman? N i? E yaramaya think ?? n? N
The difference? cultivate? r.
Can teach him that sense of urgency
stretch it? You can save the attachment.
Hitchcock's film "Marnie" Best
? Look at the scene? N.
Hitchcock's why speak? Em
it? s the seventh cause.
Sean Connery, who plays Marnie
Tippi Hedren'l to.
They're inside a passenger.
The man wants sex,
women? s not like.
- Can I learn with you? ? I would like arrows.
- No? R!
Kad? N? Y n dress? Rtarak ?? snow? Exhaust.
Women? S freezing? Exhaust.
? Zg? N? M Marnie.
What Hitchcock do? Tired?
Yi made a? A ?? or cutting ksek? Exhaust.
A ??? l? K.
It ??? s ??? m ??
Hitchcock
"Oil? N? Planting is the sound of the bell ...
... Y? Ksek a ?? from? October
is tremolo, "he says.
This B? Y? K? English movies? Planted? I
St in London? DYO over ...
... Today? S rich
There are apartments.
Similar to the Buddha
Hitchcock statue.
Wise and cannabis ?.
B? Y? K ?, to filmmakers? Linker Hitchcock
g? r probably k? k? rdard ?.
Hitchin physics? I was evident.
Consequently if ...
... Churchill-like, Buddha-like,
? He stands as one state.
If you look at? P ...
... "Do you think s? Ction what you
logic? kl? Does it come from? "he seemed to say.
1930s, the voice theater? N
The first ten years? l? If we look at the ...
... New movie t? R, the ba? d? nd? r? c?
and creation? c? behind? s? m? z ...
... Tan ?? s? M? Z, like our beloved.
But? Rk? T? C? stranger? s in there? r:
Cocteau, it can not be categorized as Vigo
French? Z? Iirsel romantic year? NetMine who ...
... Such as Leni Riefenstahl
intelligent, but scary skills ...
... And the name Alfred Hitchcock? S on
obsession? l? a trickster.
30 and ends
and the war in Europe? ba? Started ...
... ?? women? s right? in ?? movie ...
... Enjoy life and stretch? Without additional
ka? man? s role? n? consider? r.
"G? S not Kad? N" I'm putting in what? Unique? Nist,
a? k? dressed as found by the princesses.
"On the road? S, d? Ny in the country? S ?.
He was placed in the path of revolution.
Bombs d ?? will.
Civilization will be small.
But the fact that now? N.
What's the rush?
Hold it in your life? The taste? N? ?? Corals? M.
A? K ??? LDA diamonds and the? City
ba ?? n? d? nd? rm ?? t? r.
? Zeren most ??? k d ??
20 are as romantic theater? S on.
? Ok and happy? OK I'm tired.
"Oz B? Y? C? S?" Is also in Dorothy
a gray stretch? I attached? s or? amaktad? r.
This? Nl? scene, sepia-toned clothing
Players wearing the same? advances in color sets.
D? Nyasa? N ?, container from a man ??
blue plaid dress Judy Garland '? ...
... A fantastic colors that be? Ka set,
a land of delight? n ?? r te: Oz.
The Ninotchka? S like Paris
d fantasy? nyad? r.
But Oz
Dorothy's g? Rd ??? a d ?? t? r.
In the end "no place like home"
What do you mean, moments.
Camera y? Kselirk movie 30? N
stretch? appendixes ka? Do you question the idea.
And y ka? Ma idea? Rapidly? The
??? Article? women? s coming.
"R? Zgr as D? Ti" said Scarlett O'Hara
rich and ?? m? k is one.
A fantasy d? Nyasa? S or? R
but stretch? attached? e and arguments? a name? Is throws.
Y? The Contextually camera? N? Transplantation, trauma? N
b? y? n ??? kl? g? z? n? What series.
? Previous two films Ninotchka and Dorothy
stretch? appendixes k? t? klar? i? s water? not LAN.
But the diagnosis in the film? Raft g? Z Scarlett
punished? r? r all? O loses.
Gere? Appendixes ka? May? addressing
to arrive? ge? it? It is the best movie ...
... But a ?? k? A
stretch? appendixes ka? Is the idea to attack? r? r.
B? I The mosque is a ba? Ka issue.
D? Nyasa? ? The vitality? and sensitivity? ...
... You have? camera? ? Yl m? Thi ?,
m? z? i? yla intense that it is un ...
... Pain? the drug? s taste? lighter.
Ninotchka, Dorothy and Scarlett.
Stretch in 1939? Appendixes ka? Man? S
? Moisture this ?? women? s in g? r? r? z.
But ear fluff? Nce,
war? drums? ...
... Stretch? Is attached and Orson Welles
It can be heard.
:52:23,247 --> 00:52:28,765
Cut fingered? mystery man
What happened to the press ?? 39? S is to know.
Playing Hannay'y
Madeline Carroll? 'S hands ...
...? Orapa? N? ?? Snow? While
Kelep? eliminated.
Keep hands at the end of the film? Galls.
Oil? N? Planting,
the ring? Almas? like.
Dramatic punctuation i? Are signs.
And the oil? N? Planting
us be? t th ?? r cause.
? O? Y? What financing environment to us?
tan? t I? plan with cut in the middle ...
... Then burn? S plan D? Er.
Hitchcock does the opposite.
This "39 Steps"? Na ba? Lang? C ?.
A neon-lit? N? Plantation.
Where are w