The Repair Shop (2017–…): Season 7, Episode 21 - Episode #7.21 - full transcript

Welcome to The Repair Shop, where
precious but faded treasures...

This is bad.

I don't think I've ever seen a chair
quite so broken as this.

..are restored
to their former glory.

That's lovely.
Isn't it? That's lovely, isn't it?

Furniture restorer Jay Blades...

Bringing history back to life
is what makes The Repair Shop

so special. ..and a dream team
of expert craftspeople...

Amazing.

It's a bit like brain surgery.

Go on!



..come together to
work their magic...

When you look at something
that looks so hopeless like this,

it makes me even more determined
to get it back.

That's teamwork.

..employing heritage craft skills
passed down the generations...

It is a privilege to be able to do
something for somebody that means

so much to them. ..preserving
irreplaceable heirlooms.

To bring those pieces back to life,

it's just the most wonderful thing,
and I'd like to do it forever.

The team will restore the items...

Whoa!
..the memories...

I'm so happy to see it.

..and unlock the stories
that they hold.

That's made it all worthwhile.



In The Repair Shop today...

..Brenton's marvellous metal
machine...

The draw bench is like an old
medieval rack for making wire.

..is pressed into service.

I've never done this before
and I don't know if it'll work.

And Richard's mettle is tested...

There's a hand engraving,
it's like someone's handwriting.

..preserving the cherished love
message on an irreplaceable piece.

I'm just hoping that a careful,
slow process of removing it all

is going to allow me
to keep this engraving intact.

Fellow furniture restorers, Jay
and Sonnaz, are contemplating

the barn's first arrival.

This chair has definitely
seen better days, Jay.

Yeah, I totally agree with you on
that.

It's been well loved, well used.
Well used, yeah.

Gloria Bartlett, from Croydon,
is the very proud owner

of this design classic.

Hi. Hello. Welcome.

How are you? All right, thank you.
I'm Sonnaz. I'm Jay. Hello.

And you are? Gloria. Al right,
Gloria? Tell you what, I've always

wanted to own a Chesterfield, but
I've never got one. Have you?

No, I've never had one. They're
quite fabulous, aren't they? Yeah.

They are, aren't they?
So how did you get this?

I bought this in the early '80s.

I saw an advert in a local paper
saying that they were having a sale

in a warehouse and I thought,

"Oh, I'm going to go down there
and have a look."

And it was my friend and I,

we drove down, I was pregnant
with my second child. Right.

I went with the intention
of just looking, but I ended

up buying a whole set.
You bought the whole set? Yeah.

So the three-seater and the two
armchairs? And two armchairs. Wow!

Yeah. And I decided
that I must have them.

So you fell in love with them,
pretty much as soon as you saw them?

Exactly, yeah. I'm really jealous
because the Chesterfield style

is just so iconic.
They are, very. Yeah.

I've always been attracted
to Chesterfields because only

the rich and famous had them. Yeah.
Is that what you wanted to be, yeah?

Yeah. Yes.

THEY LAUGH

How did you feel when you got
it home?

Oh, God, I felt like the Queen.
I bet!

THEY LAUGH

It was lovely.

Yeah. I felt posh.

Yeah. Because I thought no-one else
that I know would have this. No.

All my children grew up seeing
and taking photos

in this chair, posing,
we'll call it.

So did people gravitate to this
chair specifically, did they?

Yes, because it's quite
a comfortable chair. Yeah.

As soon as you sit in it, you just
start to fall asleep. That's what

the Chesterfield's about, innit? Got
the wings there so you can just rest

your head. Yeah. What would you like
Sonnaz to do to this?

I would like it to be restored
to its original look,

with all the buttons, the studs.
Yeah. Yeah.

My eldest granddaughter,
she's started picking at the arms.

Oh! She'll just sit there and pick
at it. Yes.

And that's how it's ended
up like that.

How do you think it's going
to feel having this back

in your home, restored?
Oh, my God.

It will be... It will be fantastic.

I could go back to taking
photos in it again.

THEY LAUGH

I can see the chair means a lot
to you. Absolutely. We'll be able to

do something for you. Yeah.
I hope so. Yeah.

Thank you for bringing this in.
Thank you. Take care now.

Right, then, see you. Bye. OK.

I feel really excited in leaving
the chair behind because I know

Sonnaz is going to do
a very good job.

I can't wait to see the beauty
of it after it's been repaired.

It'll be nice to have it back.

This is a big job.

I am going to unpick all
of these staples and start taking

off these layers of the leather.

I'm slightly unsure about which
panels I'm going to keep.

I might keep the outside arms
and maybe the outside back,

and then replace the inside arm.

So I'm going to do a partial
strip-out of this chair.

I'm not stripping it
all back to frame.

And already I can start to see
evidence of what the original

leather looked like,

how Gloria would have seen it when
she first saw it in the shop.

A wingback chair is really
a quintessential, classic design.

And the Chesterfield wingback
chair goes that extra step

with the buttoning
on the inside back.

And that's what kind of makes
it iconic.

The leather that I'm keeping,
I will actually restore the colour

back into it,

and then once I've done that,
I can make the seat base,

that will really be
the finishing touch.

Now that I can move on to the studs,
I'm taking them all out,

one by one.

I would say that maybe there's
around 500 studs,

so this is going
to be slow and steady work.

As Sonnaz settles
into the painstaking removal

of hundreds of brass studs, there's

more brass work needing attention.

Brenton. Do you mind joining us?

Joanne Piper-Bourn,
from Gloucestershire,

is hoping silversmith Brenton West
can restore a handcrafted

item that holds precious memories.

Now, this is a beautiful box, isn't
it? It's lovely. Yeah.

I've never seen anything like this.

Can you tell us about it, please?

Yeah, it's always been in my life
in one way or another.

Firstly, at my nan's house,

and then my mum, and now me.
Right.

What's your nan's name?
Gladys. Gladys.

So Gladys owned this box?

Her husband made it, my grandad.

Your grandad made this box?!
Yeah, yeah. Whoa! Wow!

That's amazing.

He was a carpenter-joiner,

and where he worked,

there was a place that did
decorative metal panelling.

So your grandad made this and then
you said it went to your mum?

My mum, Lynne, had it.
You know that look

your parents give you when
they're proud with you?

She used to give that box that look
and say, "My dad made that."

"My dad that made that." Yeah.
Is Mum still with us?

No, unfortunately not. No.

I lost my mum the year I got
married, in 2016.

OK. We got married in the August

and I lost her in the October.

We were like a double act,
and she was infamous,

she'd do absolutely anything
for you.

She was just amazing.

Yeah, I miss her.
I can tell.

So, I mean, as much as my grandad
made this box,

for me, this is about my mum.

What would you like us to do to it?

At the moment, I don't think
it's safe.

As you go into my house now, it's
sort of tucked up in the corner,

because it's got, like...
Here, it's lethal.

Yeah, I see. OK.

So you would like the edges
to be smoothed over. Yeah.

So, yeah, you can see where the
brass work here,

it's all... Tarnished, yeah.
..tarnished.

We've got a bit missing completely,
down at the front here. Yeah.

Yeah. It's definitely seen
better days.

So you want it to shine?

I want it to shine, and I want
to be able to put things

in there about my mum,
about her mum, about Grandad.

So it'll be like a memory box.

Yeah. Yeah.

Joanne, thank you
for bringing this in.

I'm sure Brenton's going to make
your family proud, OK? Thank you.

Thank you. Bye. You take care.
Bye. Bye-bye. Bye. Bye-bye.

The box has grown in importance,

because not only did my mum love
the box,

it was made by a member
of my family.

Mum would be absolutely thrilled
that I'm getting this box repaired,

so as much as it's a wrench
leaving it,

I know it's going to be worth it.

Before Brenton can touch
any of the brass work, he's got

a vital task to attend to.

I've brought Joanne's box outside
because I've noticed that the wood

on it - which is, I think,
plywood - is full of woodworm.

So before I do any work on it,
I'm going to treat this woodworm.

I've got a water-based
woodworm killer.

So every wooden surface
that I can see, I'm going to cover

with this stuff and let
that really soak in well,

and hopefully that will be the end
of the problem.

So woodworm is an affliction
that a lot of furniture

and old houses get, and it's a
little beetle that bores its way

into the wood and lays its eggs
in the wood and then bores its way

back out again.

And I think we've
just about caught this in time.

So once I've got this all treated,
I've got to match this turquoise

paint so I can touch it up.

I'm going to give it a good polish
and have a look at the condition

of the brass work, and some
of these pieces that are sort

of tearing away,

I will need to remake so it's safe
and she can keep her family memories

in it when she gets it back.

In her quest to repair
the Chesterfield chair, Sonnaz

has decided which leather panels
to restore and which to cut

new from scratch.

I'm replacing the leather on the
inside arms because there's no

way of making that hole good.

Once I've marked this out,

I can cut it out and then I'll cut
the other inside arm and the two

inside wings as well.

Just double-checking that I've got
the right leather on the right side

arm, and I'm going to temporarily
tack them in place

with a tack and hammer before I
start with my staple gun

and fixing them down with that.

I'm just trying to mix the right hue

of green with my leather renovation
colours,

to start getting the colour back on
to the inside back

of the chair.

I've started to touch the inside
back up now, because I can get

a really good overview
against the brand-new leather

of the inside wings and arms,
so I want to make sure

it's a really good, seamless match.

I'm just adding this lighter green,
that's got a little bit more ochre

in it, to these areas where it looks

like the darker green
has rubbed off.

When I go over this
with darker green,

it really is going to look
like the grain of the leather.

I am elated with how the renovation
has gone on the leather

on the inside back, and what that
means now is that I can start

cutting the leather
for the outside wings.

So that is now both of the outside
wings on, and before I can put

the outside arms on, I need to start

webbing and upholster the base.

This webbing really creates

the foundation on which I'm going

to build the base.

I'm using a web stretcher,
to stretch my webs,

as the name suggests.

This tool really hasn't
changed for decades.

Without it, I wouldn't get
the tension I need in the base.

The trick with webbing is not to get

it absolutely drum-tight.

You want to get it firm but still
with a little bit of give in it,

so that when you sit down, it's not
like sitting

on a piece of wood.

Now that I've fully upholstered
the chair,

I've really struggled to get
the right colour stud,

so I found some that look aged,

which fits with the chair,

but I'm actually going to spray them
with this dark green spray,

and that, I hope, will make
them the perfect colour.

All these finishing touches
are so important.

If I don't go the extra
mile and make these look

like they're meant to be there,

all my efforts so far wouldn't
have been worth it.

And that's why I'm really keen
to get this colour on here and make

it look perfect for Gloria.

As Sonnaz gets down
to brass tacks...

..there's more metal magic
in store at The Repair Shop.

Paul Cass and his son Pete,
from Kent, are hoping jeweller

Richard Talman can rescue
a precious keepsake.

Hello. Hello there! How's it going?
I'm Dom. Nice to meet you, Dom.

I'm Richard. Nice to meet you both.
Come on, then. What have you got?

Where is it?

THEY LAUGH

Oh, silver bracelet.

Where did you get it from?

My wife gave it to me when we got
engaged in 1978.

She had the engagement ring,
then she gave me that.

That's a beautiful gift
for an engagement.

Oh, yes. What was her name?
Cherry. What was she like?

Brilliant. Yeah?

Couldn't ask for a better wife.

How did you meet Cherry?
At work.

At work?

Yeah. I said,
"You want to come out?"

So she says, "Yeah."

So we sort of sat there
from that night onwards...

..for the next 42 years.

Best thing I've ever done.

Mum was disabled, in a wheelchair,

so dad's been her carer... Right.
..for most of her adult life.

What happened?

Muscular dystrophy.
Muscular dystrophy.

She got diagnosed when she was 11.

It's a muscle-wasting disease,
which is cruel.

Unfortunately,
in 2018, she passed away.

Sorry to hear that. Sorry.

But her two main wishes was to get
married and have a child.

And you ticked both boxes. She
ticked both of them boxes, yeah.

That must have been real
special love that you two had.

So what was Cherry like as a mum?

Brilliant.

It's different having a mum
who's in a wheelchair, obviously,

but very talented lady, used to make
lots of cakes,

and certainly always
had the best birthday cake. Aw!

But very talented, very artistic
and very encouraging,

and always wanted to see me do well.

For such a cherished bracelet,
what happened?

Well, Friday nights I go out
for a drink, and unfortunately,

one night, perhaps I didn't do
the clasp up right or something,

it came off. Torch out, going
around the street, looking for it.

A week later, I got a phone call
from the club I go to, saying,

"We found your bracelet, but it's
damaged."

I said I don't care,

as long as I've
got that on the back.

"With love from Cherry."

That's what matters.

We think it got run over by a car.

It was found in a car park
under some leaves. Right. Yeah.

What are you hoping I'm going to be
able to do with this, Paul?

As much as you can to get it back
to as it should be.

We'll see if we can make the safety
catch on it a little bit better

this time, so it doesn't end up on
the road again. That'd be useful!

Thank you so much for bringing
it into us. Lovely to meet you both.

OK. Thank you very much.
Thanks a lot. Thank you.

Look forward to seeing you soon.

Cherry was the love of my life,

and I miss her,

and that bracelet is something that
she's always with me.

I know he loved my mum dearly.

Having the bracelet back would
mean the world to him.

It's been run over quite severely.

The whole...whole bracelet, even

all in the inside parts of the
chain,

everywhere has got damage from the
gravel or the tarmac.

So the first thing I'm going
to need to do is remove the chain

from either side of the identity
part, and I'm going to have to get

all the dents
and the scratches out.

Now, that's usually not a problem,
but on this bracelet, we've got

the engraving, not only of Paul's
name on the front,

but the lovely message
from his late wife on the back.

Now, it's absolutely essential
that that engraving is preserved,

which is going to cause quite
a lot of problems in removing

the damage.

This plate in the middle
has been run over quite flat.

So I'm going to need to get

that curvature back into it.

Now, we do that by hammering

it around a bangle mandrel.

So in order to protect that as much
as possible, I'm just going

to take a piece of leather...

So that's gradually pulling back
in that curvature shape.

I can't see any cracks that are
appearing in it, which is a bit

of a relief, and even more
of a relief is...

..the process of hammering it hasn't
caused any more of the engraving

to be defaced.

With the decorative box now free
of woodworm, Brenton is ready

to start tackling the broken
brass work.

Joanne was saying she was very
concerned about these sharp edges,

and I can't say I blame her.

Unfortunately, this brass
is very thin and if you catch

it on something, it will tear off.

And it's obviously this corner
has been caught on something,

and this edge here has been caught
on something, so I might try

and repair this one,
and maybe replace this one.

But until I've got it off, I don't
know how I'm going to do it yet.

So these are nice and short, these
nails, nice and easy to get out,

so that helps me.

OK, so I've got to try and create

this shape in a piece of brass.

I'm going to scratch my head
and think about that for a while.

Meanwhile, I'm going to polish
the whole box.

The reason this box looks so bright
is because when it was first made,

it was lacquered and then polished.

So I'm hoping that this metal polish
will, with lots of rubbing, remove

the lacquer
and polish the metal beneath it.

This'll be lots and lots of work.

I've finished polishing it, and I've
come up with a bit of a plan

to try and copy this moulding,
and this is a 90-degree piece

of brass with a little raised
bit on it, the same

as all of these raised bits
on the original box.

And what I've done is I've cut
a piece of steel with a slot,

with a raised bit in it,
and I've forced this little piece

of brass into it.
As I push it through,

it will make that flat piece of
brass into the profile that I want,

so the little raised piece at the
end, and I'm now going to try and

drag it through my draw bench.

The draw bench is like an old
medieval rack for making wire.

I've never done this before.
This is the very first time,

and I don't know if it'll work.

I'll give it a go.

I'm really, really amazed
that that's worked so well.

So pleased.

So I need to put a fold in that,
so it fits on the bottom of the box,

and I'm going to do that
on the folding machine.

I'm really pleased these mouldings
have worked. Chuffed to bits.

I'm going to now nail them
into position.

That looks amazing.

Once that's polished, you'll never
know that I've been at this end

of the box.

Sonnaz has finished hammering
in hundreds of tacks to create

the distinctive brass accents
on the iconic

Chesterfield chair.

Beautiful.

All that's left now is a new,
comfortable seat.

I am on the home straight.

I have sewn up my cushion and now

I'm going to stuff my foam

inside the cushion.

And this really is the moment
of truth as to whether I've cut

everything correctly or not.

That fits perfectly, and I can't
wait to see what Gloria thinks.

This chair has been at the centre
of Gloria's family life

for nearly 40 years.

But it was looking shabby
and didn't live

up to the grand Chesterfield name.

You've done a brilliant job.
Thank you.

She's going to love it. I hope so.

But Sonnaz has returned
it to its regal best.

I'm feeling very excited
about seeing the chair,

because it's been in my life
for so long.

I just can't wait to see
the finished product.

Hi. Hello. How are you doing?

I'm all right, thank you.
How are you feeling?

I'm nervous. Nervous?
Just can't wait.

Yeah, I can't wait to see my chair!

You ready to see it?
Yes. Let's have a look.

Oh, my God! This is it!

This is it! This is it!

This is how it actually
did look! Oh, good.

Oh, my gosh!

Oh, I'm so pleased about it.

This is the chair that I bought!

Yeah? Yeah!

It is the chair, isn't it?
It's the same chair, yeah.

You didn't replace it with
anything else?

No, it's the same chair.

I can't believe it.

Oh, this is so nice.

And all the buttons and all
the studs as well.

Wow, you've done a very good job!

Thank you. Thank you very much.
My pleasure.

Can I sit in it? Of course.
Yep, I'll bring it down for you.

It's heavy.

Yeah, it's a proper chair, Gloria.

Yes, solid.

Oh...

SONNAZ AND JAY LAUGH

In your rightful place!

Yes.

This is a chair that, as soon
as you sit in it, you want

to fall asleep.

Yeah. Aw!
Because it's so comfortable.

Good. Oh, this is so nice.

How does it feel to sit
back in there again?

Oh, nice. It takes me back years.
Yeah? Does it?

I used to sit in it with my kids
and take photos.

Yeah.

Oh, it's really nice.

I'm lost for words, honestly.
Oh, Gloria...

You know? ..that's sweet. I am.

I can see the work that's gone
into it, and I really appreciate it.

Thank you for bringing it in.

Thank you very, very much.

Bye-bye. Take care, won't you?
Bye-bye. Bye, bye. Bless her.

Oh, gosh, when I sat in that chair,

it took me right back to 1984

when I bought it.

The plan is to have it in my living
room with the hope that we will

continue to take many more photos,

sitting in that chair, because it's
such a beautiful chair.

Jewellery expert Richard is
restoring a bracelet

inscribed with a message
from a loving wife to her husband.

I've started to remove the dents
and scratches from the side.

The part where I need to be a lot
more careful

is in and around the engraving.

And for that, what I need to do
first is to burnish.

Now, burnishing is the art of taking
hard steel, and you push

the burnisher over the dent

and it sort of pushes all the metal
that's been raised up as part

of the damage back down
into the crevice.

With the aid of the burnisher
and the sandpaper, I've managed

to get most of that dent out,
which was very, very close

to the L. Now I've got to do
it around about 100 times more.

I've removed the heavier damage
from around the outside of

the engraving here, and now
I really need to try and get in,

into the detail between the
engraving.

Now, the problem with any
engraving that's on there,

it's a hand engraving, it's like
someone's handwriting, almost,

so patching it in exactly the same
is going to be quite difficult.

So I'm just going to use the
lightest grade of paper I've got,

which is 1,200, and I'm just hoping
that a careful, slow process

of removing it all with the right

grade emery is going to allow me

to keep this engraving intact.

Now I'm just going to use a very,
very fine, abrasive disc

in the end of the drill, and this is
going to polish up all the way

around the engraving so I can see
what damage is beneath it

and how much more I've got
to address.

It's very, very accurate as well.

I can go right in between where
the words are.

Now, actually, what this
has just done is it's actually

just highlighted a dent, right
by the M, which I didn't think

was there before that, so it's
certainly done its job,

but it's just caused me
a little bit more work to do.

I've spent a bit of time on this,
sandpapering out the dents and

scratches from the chain, but now
it's time to turn my attention to

probably one of the most important
parts of the bracelet.

So this has actually got
a very clever design

where it's all held together
in place by a figure-of-eight clasp,

but it's completely twisted,
so I'm definitely going

to have to replace that,

and that could possibly have even
been the reason why Paul lost

it in the first place.

OK.

Good. Snip, snip.

Now, this part now gets melted
to form a little tab

to put your thumbnail under.

So now that locks completely fine,

and you can actually hear it...
CLASP CLICKS

..click over, like so.

And hopefully,
with a good catch on it,

Paul won't be having a problem with
this falling off his wrist again.

With the ornate brass work restored
on the decorative box, Brenton's

final task is to get the enamel
panels up to scratch.

I'm just mixing up some paint
here to do these chips.

The paint's got a lovely patina
to it and I don't want to repaint

the whole thing.

I think some of the age
to it is really good-looking.

And then build up the layers
so that the chips don't stand

out so much,

and this box will be ready
to go back.

This box has been part of Joanne's
family for three generations

and provides a vital link
to her beloved mum.

Just can't wait to see more or less
how it would have looked when my mum

was a little girl and to just think
how proud she would be.

Just to see that.

Can't wait.

Here she is. Hi. Hello.
Hi, Joanne. Hello, Brenton. Hi.

How are you doing?

I'm really...really...excited.

So, yeah, I'm chomping at the bit.

Aw! Yeah. Because it's a bit
more than a box, really, isn't it?

It's... Oh, yeah.

It's my mum's girlie look on her
face when she would say

how proud she was that her dad
had made this, so... Yeah.

Yeah, and I wish she was here.

You ready? Yeah.

SHE GASPS

Oh, you can't even tell there was a
bit missing there!

Oh, my God!

It's nice and shiny.

Thank you!

Oh...

I'm speechless! I really, really am!

I just wish she could see it.

Sorry, I'm going to take
the glasses off.

Oh, my goodness.

Oh, it's amazing.

Thank you.

I can't wait to get it home and
start putting the things in it now

of Nan and Grandad's wedding photos,
Mum and Dad's wedding photos.

Yeah. It's not going to be tucked
away any more.

That will be where
it can be admired.

Well, it's yours to take now. Thank
you. Thank you for bringing it in.

It's beautiful. Thank you.
Thank you.

Brenton, do you want to get the
door? I'll get the door for you.

I promise I'll look after it,
Brenton. You take care now.

And you. Bye. OK. Bye-bye.

It's gorgeous.

It feels like I can put everything
that was myself and my mum

and our relationship in there,
for the future generations to see,

and I just know she would just adore
what the box is now.

She'd be...oh, made up,
absolutely made up.

The silver engagement bracelet
has been transformed

by Richard's expert touch.

This has to be done in pliers
because...

..no way my fingers are strong
enough.

Now he's ready to reassemble it.

All looks pretty even.

Now it's just time to give it a
little bit of sandpapering to those

last two links that I used to join
the chain to the centre,

and then finally, I'm going
to be doing a lustre polish

with jeweller's rouge, and then that
is going to be ready to get back

on Paul's wrist. I'm really, really
excited about him seeing it.

This bracelet represents the love
between Paul

and his late wife Cherry.

Now, accompanied by his son Pete,

he's returned to collect
the talisman.

I'm feeling very happy to get
the chain back. Over the moon.

My heart's going like a good 'un.

Oh, he's going to love it.

He spoke quite a lot about Mum and
been thinking about her a bit more,

and it's been good to...
Bringing back floods of memories.

..to think about that, hasn't it?

Paul, hi. Hi there.

You OK? Good to see you again.

How are you feeling?

Quite, uh...

..nerve-racking at the moment.

Excited? Very.

Yeah? Yeah. Shak... Yeah.

So am I! I was going to say!

Yeah. Do you want to see it?

Oh, definitely.
"Go on. Get on with it! Go on!"

Wow!

Oh...

Brand-new!

Wow!

Not in a million years would I
have thought it'd

ever be like this.
That's fantastic.

It's amazing.

Brilliant.

Even got the curve in it an' all.
Yeah, it's just perfect, isn't it?

It's perfect. Yeah. Yeah. How are
you feeling? My heart's going.

Yeah? The old pacemaker's
working overtime.

THEY CHUCKLE

Just like the day I got it.

Do you want to try it on?

Oh, yes.

Oh, yeah...

Absolutely brilliant.

It's nice and secure, now it's got
a new clasp, yes? Yes!

I can wear it with pride.

Thank you very much. Been a
pleasure. Safe journey home.

Thank you. Thank you. Bye.
See you later. Take care.

It's indescribable.

I shall put it on the mantelpiece,
on a little stand,

because I always say
goodnight to her.

Every night.

I feel like I've got a bit
of Cherry back with me,

and she's with me now, closer.

Wearing this makes me really happy.

Join us next time...

CHIMING

That's hitting the right note.

..for repairs that restore joy...

Oh, would you look at that?!

..in The Repair Shop.