The Queen of Flow (2018–2021): Season 1, Episode 12 - Episode #1.12 - full transcript
A NETFLIX ORIGINAL SERIES
This is a work of fiction.
All characters, stories, and events in it
are products of the author's imagination.
Any resemblance to real persons, events
or businesses is purely coincidental.
You don't happen to remember
if my mother had a friend
or someone close
she used to talk to a lot?
Yes, of course. Rola.
She was a very close friend of hers.
Why do you ask me that,
my dear?
Well, I don't think my mother
wants me to know
who my real parents are.
Maybe Rola has some information
that I could find useful.
Why don't you just check
with Family Welfare?
Who knows? Maybe you're registered there
and they have some information?
Oh, I hadn't thought of that.
One of my nieces works there.
Let me call her, see if she can help us.
I really appreciate this a lot.
Wow! Tammy, what's all this?
Are you serious?
What do you think?
This is where
we're going to make magic.
-Wow!
-I knew you were going to love it.
-You did?
-Of course.
You're starting to freak me out.
It's feels like
you knew me from before.
-No. Before?
-Right. From a past life or something.
OK then, maybe.
-If you believe in that sort of thing.
-No, I don't.
But since I've met you,
I think I may start to reassess
my skepticism towards it maybe,
because...
-What's up, Cris?
-Good to see you.
-So, how are you?
-Good?
-This is Juan Camilo Mesa.
-Juancho.
-It's a pleasure.
-How are you doing, Juancho?
He's going to be working with us
from now on.
Finally, our new sound engineer.
OK, cool.
Let's do this, I'm ready to record.
Very good, very good.
But you're kinda late.
40 minutes late.
You know it takes me a while
to get down here.
You'll see, once I get a chauffeur,
it'll be problem solved.
Sure, why not?
OK, go get set up.
Go ahead.
Close the door.
OK.
Is this guy kidding
or does he need taking down a peg?
-Let's make a start already.
-OK.
Wait, wait.
Where...? Here it is.
-Can you hear me OK?
-Yes.
Great.
Let's try something.
I'm going to play you any
of these tracks at random
and you can just improvise, OK?
OK.
-Ready...
-This is to get warmed up.
On my count. Three, two.
Off you go!
I'm walking strong
Without doing wrong
I want all y'all to hear
The rhymes I'm spitting here
Yeah, I'm freestylin'
Playin'
Tell 'em, Tammy
We just up in here playin'
-Sweet.
-Nice.
We haven't found any child registrations
submitted in San Félix on that date.
Are you certain of the month?
I'm sure of the year,
but I guessed the month
based on what my adoptive parents told me.
We're only able to find
children above the age of three.
None that were recently born.
Is there no other institution
where people go to adopt children?
No. In Colombia, it's only possible
through Family Welfare.
Legally, that is.
And illegally,
does that happen a lot?
It happens a lot.
Mostly kids from the neighborhood
that end up pregnant.
They give up their kids
for money.
That complicates my search a lot.
No, there are sometimes
grandmothers or aunts
that adopt their grandkids and nephews
as if they were their own.
No, no. Not in my case.
I highly doubt that my father
would have done it legally.
-Hey, thanks very much.
-No, of course.
Good luck with your search.
Three, two, off you go!
Listen, gorgeous lady
I feel your eyes are deceiving me
I don't know what you're up to
But I'll take a chance for you
Listen, gorgeous lady...
Ah, no.
Is this a party up in here?
Wait just one moment, Cris,
stay right there.
Working hard.
Juancho is on another level.
Is he?
How does it feel to be back?
Well, it feels like I never left.
So does the boss get
to have a listen then?
OK, take a seat.
Excuse me.
-From the chorus. OK?
-OK.
Three, two, off you go!
Listen, gorgeous lady
I feel your eyes are deceiving me
Maybe adjust the levels a little bit.
No, no, no.
Leave it.
But we'll hear the instruments
a little better on the track.
No, no. Leave it like that.
Maybe after, you can equalize them.
I feel your eyes are deceiving me
I don't know
what you're up to
But I'll take a chance for you
I'll take a chance
I'll take a chance
I'll take a chance for you
I'll take a chance.
-Can we fix the reverb on the chorus?
-Sure, we can.
-Yeah, go ahead.
-No, no, no. Leave it.
Then let's do two versions
and we can decide after.
No, just one version.
Leave the reverb.
This reminds me of Soul and Bass.
You're right.
We're just missing Little Fish.
Yeimy, yes.
God bless Yeimy.
May she rest in peace.
Your phone is ringing.
ZULMA:
I NEED YOU RIGHT NOW
Problem?
There is always a problem.
We'll talk later.
That's a pity, beautiful.
I hope it goes well.
-Later, Juancho.
-OK.
Sounds good.
We'll talk later.
Thanks a lot.
Take out the reverb.
It sounds really horrible.
Thank you.
Let's go from the top.
Three, two, off you go!
-Listen, gorgeous lady...
-Careful with your pitch, Cris.
-Hey, Don Jose.
-God bless you, Charly.
Amen.
At least tell me if you're OK.
Yes, relax.
I'm calling because I wanted to talk.
Not over the phone, though.
Please tell me when you are
and I'll send a car.
If you don't want to come here,
then we can meet somewhere else.
It doesn't matter. At least
let me do that for you.
I'm in San Félix. You can pick me up
at the front of the park.
OK, so we'll see each other shortly.
Bye.
Sorry to interrupt, Gema.
Do you know where Charly is?
What do you need him for?
Oh, never mind.
I know where he'll be. Forgive me.
Really? Where is he?
With the journalist, Zulma.
Remember?
When we were in the studio,
she called and he ran out.
It's fine, I'll show him
what Cris and I have done later. Thanks.
Charly, where are you?
Why are you with that woman?
I told you to sleep with her
once, to shut her up.
You think I'm going to allow you
to have a lover?
Or did you end up liking her?
OK. Then end it now.
Now, Charly.
Hey.
Why the disguise?
-How are you?
-You look very nice.
-You seem well and everything.
-Really?
-Yes. I have a surprise for you.
-What is it?
I'm sure you're going to love it.
-What's this?
-Your photos.
I wanted you to choose your favorite
to go with the interview.
I don't do this for everyone.
Princess, I'm a busy guy.
I don't have time for these things.
Well, let's say
I also wanted to see you.
After everything I had to do
to get to this point.
Are you really serious, Zulma?
Come on,
don't get mad.
You're your own boss.
You can take the afternoon off,
so the two of us can
go somewhere more private.
What are you talking about?
Falling in love is a bad idea.
Don't be ridiculous.
I'm simply saying that
I have the afternoon free
and I thought it would be a nice idea
for us to have a little fun.
That is exactly what
is happening here.
We're having a little fun,
and nothing more.
Of course.
Especially since
you have more to lose...
if people were to find out, you know.
I mean, you're a public figure
who needs to maintain his image
as a family guy.
Are you threatening me?
No. Prince, how could
you think that?
I would never do that.
It's just that...
I don't like being used.
You know what? I'm starting to realize
that when you call me,
I'm available.
But if I call you, you yell.
That doesn't seem fair.
Hey, princess,
don't be like that.
I just haven't had time,
that's all.
As soon as we both have time,
we can see each other.
Tonight?
Don't tell me
you can't make it work.
Of course I can.
I'll call you later
to let you know the time and place.
Can you believe Gema knew
Charly was sleeping with the journalist?
That's ruined the plans I had.
Look.
It's one thing to give him
permission
to sleep with her once.
Tolerating a permanent
side chick is another.
No, Charly's going to end it with her.
Seriously?
You think it's that easy to end it
with a woman as intense as Zulma?
Or just "Kick her to the curb,"
as we say in Venezuela.
That is way too optimistic.
Even more so
after what you just told me.
Wait for me here.
How are you, Mom?
I didn't think you would
come around here.
I'd go to the depths of hell
for my son if I have to.
Look at the place.
It's changed so much.
It's incredible to think
that I lived here for half my life.
Look.
You don't need to do that.
You can come home.
Ma, let's not talk about this again.
I already told you why I left.
Yes. OK, well, I'm here.
Let's go.
Where are we going?
I've got a little surprise for you.
It's something really cool.
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
Stop, stop, stop.
You're a little flat at the end
when you go up.
Let's try something out.
Try taking in a little air
just before you get to that part
and use that air
for the entire line, OK?
No, what do you mean? Charly is in charge
of this thing and he liked it.
Well, it's simple. If you want to learn
and grow in this business,
you have to learn to take advice
and criticism, don't you think?
That's exactly what I'm saying.
Charly is the boss,
of this place
and he liked what I was doing,
so what's the problem?
OK, let's get one thing
straight between us.
I'm the guy in charge of making sure
your song sounds good, OK?
That's why Tammy brought me here.
And the guy in charge
totally agrees with that. Are we clear?
Should we keep going
with the song?
So are we going to take it
from the top or are you tired?
-No, no, no.
-That's it.
Let's get that chauffeur, man.
Three, two...
This is for the chauffeur, man.
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
That's it!
Her appearance is so seductive
Especially when she looks at me
I don't know if I want her
Or if it's a lie
Killer body and mischievous smile
If it's all a game
Let's play hard
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
How did the session go, Cris?
Be honest, jerk, go on.
Well...
I don't understand why
I have to keep repeating things
that seem perfectly fine to me.
Charly said the same thing,
so I think...
Charly heard very little.
Look, Cris. What we want
is something polished,
so that your launch will be a hit.
Cris, look, at the start,
it can be difficult.
But you need to understand something.
This is a once-in-a-lifetime
opportunity.
Take advantage of it.
Work hard for it.
Try to stay humble, remember that
life rarely gives us two chances.
OK, OK. Tomorrow I'm going
to be on time. You hear?
Good, good.
That's it.
OK, go home, get some rest,
recharge your batteries.
-OK.
-Talk to you later.
Talk to you later.
What?
Should I have been tougher?
No, you did really well.
Why are you looking at me
like that?
I don't know. The way you were talking,
it reminded me of Little Fish.
Really? You mean to tell me your friend
was that mature?
The truth is, she was.
A young lady that was...
How old was she?
-Eighteen.
-And she was mature?
More mature than most.
She was something.
She had quite the temper.
What do you mean?
Are you saying she was a wild one?
No, no, no. Wild, no.
But she was a real firecracker.
A real firecracker.
OK, I'll finish up the mix so we have
something decent to show Charly.
-OK? You need anything else?
-OK.
-Cool.
-All good.
OK, get out of here.
The game's over. Come on, out.
Come on, buddy.
Get all of these people out of here.
Move, let's go.
Come on, come on.
Everyone out.
Move, let's go!
Where were we?
I just can't believe it.
Why do you always take his side?
I want you both to talk, not fight.
We need to learn how to fix
the problems in our family.
Or do you want them
to get worse, Manín?
I want to know
what you're playing at, son.
Why did you leave home?
It doesn't have to be this way.
Mom didn't tell you?
Charly came to the house to hurt me
because I went with Vanesa to a job.
He told me that I was an orphan.
Is that true?
Yes.
Is that why you left home?
I left home
because that's what I felt
like doing. It's my life
and I'll do whatever I like.
Not for some time yet.
Not until you're old enough.
Why did you bring me here?
So that he can force me
to come home again?
I could do that,
but I'm not going to.
I'm trying to understand
why you keep making
such stupid decisions.
I'm trying to understand you.
Well, to be completely honest,
and I'm sorry if this offends you,
I want to distance myself from this family
because I don't feel I belong here.
I can't believe
how unappreciative he is.
Do you know why I'm doing this?
-No.
-What is he talking about?
A while ago he wanted
to ask you something, but...
Ask him.
Well, come on, ask me.
I want to know who
my real parents are.
What is the big mystery?
Why can't you tell me who they are?
Is it because the adoption
was illegal?
I really don't understand
why you're so concerned with
these things after so many years, Erik.
Why do you think? Because my entire life
I've felt like the black sheep.
Plus, I don't see what the problem is
with knowing who my parents are.
Tell him something.
He has every right.
OK, so I'll tell you the truth.
Your mother is dead.
-I don't believe you.
-You don't believe me? Well, it's true.
Your mother was a drug addict
who ended up a mess,
and God only knows
who your father is.
Liar!
I'm lying?
What right do you have
to call me a liar?
I saved you from being the son of a sad
excuse of a mother, and a bum of a father.
You should be on your knees,
thanking me, instead of criticizing me.
So I'm just some charity case?
No, no, no.
That's not it, my love.
Why do you talk to him like that?
Say how you feel, sure, but come on.
You think you were
a charity case, Erik?
Even though I've loved you
as if you were my own son.
It's like you tried to buy me.
Well, you can have it all back because
I'm not interested in material things.
I'm telling you that you're my son.
I love you as if you were
my own flesh and blood, fool.
I'm not interested in your money
or anything to do with you.
Because with you,
there is only one way of doing things.
And I'm not like you.
I never will be!
Erik...
Make him come home
for me, Manín.
-So that he can hate me more?
-He doesn't hate you, dear.
Didn't you see
how he spoke to me?
Didn't you see
how he spoke to me?
He'll come back, my love.
Don't worry.
When he can't find his parents,
he'll be back.
You never did tell me
where you got Erik from that night.
Sweetheart, I just told you.
What I said is true.
Don't get angry,
but I know you.
I can tell there's something
you're not telling me.
What is it?
You can trust me, sweetheart.
Are you deaf or what?
Didn't you hear what I said?
Erik is the son of drug addicts...
and that's the end of it.
Not for Erik. He'll just keep looking
and looking until...
Then he can keep on looking!
Let him go live in that damn commune,
until he is hungry and needs something!
Maybe that's what it'll take
for him to realize
and appreciate
what we've done for him.
That's the end of it!
Always shouting.
Seriously, you don't know
how to just talk.
-Carrancho, take her wherever she's going.
-Yes, sir.
Vane. Princess.
Mom, what are you doing here?
Did something happen?
No, princess.
The agency called earlier
and they want us to go look at the photos
to pick the ones for the campaign.
Really?
But wasn't Dad mad about
all of that...?
Is your father the only one
that can decide these things?
No, I have the power
to make decisions too, Vanesa.
You're the best, Mom!
You know what, Vane?
I want you to be able to do
everything that I couldn't do.
If that means modeling,
then I'll support you in that.
Even if your father disagrees.
Promise?
Such a diva.
Without jumping. Thank you.
Is everything good then?
Yes, all is in order.
Gema was looking for you.
Yes, I spoke with her.
It's all good.
What's wrong? What's with the face?
Are you OK?
Yes, I have a little bit of a headache,
but I'm fine.
Do you know what?
I'm probably just hungry.
So what do you say, princess?
-What?
-Accompany me to lunch.
Don't leave me
to have lunch alone.
The press will be out there
taking photos of me,
"Charly Flow dines alone."
OK, lunch, but here.
I have a lot of work to do
on Cris's demo.
Here is fine.
How about in my office?
-OK, let's go.
-OK, after you.
We did an excellent job.
Nicolas is, without a doubt,
the best photographer
that we have here.
He knew just how to capture
Vanesa's essence,
her natural beauty,
with every single shot.
Really, I'm very happy with them.
You know what?
I'm going to have approval of the photos.
Well, that's my job, it's what I do here,
I usually do that.
I understand that.
But for her first job,
I need to know
which images you plan on selling.
Well, Mom, I like them all.
The client will be happy with
what we have, no doubt.
Well, of course, I don't doubt that.
-Look, these are my favorites.
-Look.
Excellent. I love this one.
This one, too.
Great selection, really.
OK then,
I think this is a good moment
to continue working.
And what I really would like
is for us to start celebrating.
I won't accept no
as an answer.
Come on, Mom, we're not late for anything.
It's just for a little while.
Let me make a call first
and we'll see.
As long as it's a yes,
as you please.
I'll be back.
Leave your message
after the tone.
Where are you?
Please don't tell me that
you're out with that journalist,
because it won't end well,
Carlos Cruz.
Call me when you
get this message.
OK, so?
Are we celebrating?
OK.
But only for a little while.
That's great. OK.
After you. Let's go, ladies.
So, tell me more about you.
Do you have a boyfriend
I should be worried about?
I'm asking because of the amount
of hours you'll be working here.
No. I'm better alone.
That depends on
who you're with.
Good point.
My being single is a good thing.
I can just focus on my work.
Speaking of work,
I know you told us you didn't want
several versions of Cris's song,
but Juancho and I
have got a great one.
We'll let you hear it,
I know you're going to love it.
Is that so?
You know me that well?
I'm getting there.
That, I can bet on.
Ah, a playful soul.
I like that.
You know what?
Cheers to that.
And because you're going to approve
the single for Cris.
Hey, we'll see about that.
You do seem very sure about it, though.
I'm starting to be convinced.
Then we're moving
in the right direction.
Cheers.
OK, drink up.
Did it go down the wrong way?
Seriously? This stuff
is from your adopted homeland.
No, I just prefer
sugar cane liquor.
Oh, you should have said so.
No, no way, no way.
I've got a lot of work to do.
I'm not going to drink more liquor now.
I'd be out of it.
Well, in that case, here's an idea.
Let's celebrate tonight.
Hey, I finished the mix.
My bad, am I interrupting something?
No, not at all.
I was just telling Charly about
what you're working on with Cris.
-I was just on my way.
-Wait, wait.
Come here, come here.
Are we agreed
for tonight then or what?
I'm sorry. It's private.
Is your plan with Charly
something special or...?
No, no. Not at all.
Hold on. I need to do something.
We're supposed to be careful,
but you keep calling me all day.
What's wrong now?
OK, OK. I'll be right there.
What's taking this guy
so long, man?
I'm getting tired of my Uncle Manín
stalking me.
You know how the boss is, son.
Let's go then.
I don't have all day.
-Rizzo.
-Rizzo, right at this moment
Charly's on his way
to meet up with his uncle.
He didn't leave in his car,
someone came to pick him up.
Pérez.
Tell me the license plate number
and the type of vehicle
so that I can run an ID.
GOF 248.
Got it?
Zulma and my uncle together
are going to bleed me dry.
Why has my uncle
been so uptight recently?
I don't know.
I don't get involved in those things.
Of course, what would you know?
You're just the lap dog.
Sir, I don't get paid to talk.
-Really?
-I get paid to pay attention.
Is that so?
So pay attention to this.
Don't show up at my studio
like that again.
The next time my uncle needs me,
you can call me and I'll come down.
Don't raise suspicions.
Listen to this guy.
Tell me something.
You think it would be
less suspicious
coming to the commune
in that ride of yours?
Do you know
what you need to do?
Upgrade that tiny car you've got.
That'll get you a meeting with the boss.
-Or maybe a caravan?
-Listen to this guy.
You mean like
the one you have, right?
Just like it.
Mostro. Step on it,
it looks like we're being followed.
What do you mean
we're being followed?
That little red car right there.
Let's go, let's go.
Try putting it in drive, buddy.
That car disappeared, it was nothing,
you scared me half to death.
They weren't following us at all.
Hey, hurry up, let's go.
Rizzo, I just aborted the mission.
I'm certain they saw me
by the commune entrance.
Take down your location,
we need to secure the perimeter.
OK, ladies.
Go take a cold shower.
Now, now.
So, what's up, Uncle.
All good or what?
What happened?
Who told you could mess with my son,
asshole?
That's why you called?
To talk about him?
You're kidding.
I don't have time for this.
Wait.
What now?
Don't you raise your voice
at me, boy.
-Leave me alone.
-You will respect me.
-Don't fuck with me.
-I'm your uncle, don't mess with me.
What's wrong with you?
What the fuck is wrong with you,
asshole?
That's how you talk to your uncle?
I'll talk to him how I like.
Got a problem?
I'm not scared of you,
pretty boy.
-I'm not scared of you either.
-Sir.
-Go on then. Use it.
-You want me to use it? Tough guy.
Get the fuck out of my way.
You listen to me good.
Just like you'd die for your son,
I'd do the same for my daughter.
I hope that's clear.
Tell me, sir, what are we doing?
Say the word, I'll mess him up.
Let him go.
OK, today we're celebrating
the new arrival at the agency.
So please, I'd like you all,
to make her feel at home,
and make her
feel welcome, OK?
Perfect. OK, thanks.
Hey, I was thinking
about something.
Would you be interested
in managing other models?
We have a lot of great talent
at this agency,
and I think
we're missing someone like you.
No, I'm only doing this
because my daughter wants to model.
No reason other than that.
OK, that really is a shame,
because you seem to be really good
at what you're doing.
Having the experience
is really important,
it's worth a lot in this industry.
I'm positive that we could
do some really great things here.
The thing is that my experience
is limited
to managing Charly Flow, that's it.
It must be really difficult
managing a character like that,
I'm sure it takes a lot.
I don't know.
Isn't it a bit intense?
Be very careful now.
You're talking about my husband.
I don't mean to offend.
Anyway, I don't have
complaints about Charly.
How's that?
Not a single complaint about him?
Now that surprises me
a little more.
CHARLY MY LOVE
OK, so tell me.
What would this business involve?
So seductive
Especially when she looks at me
I don't know if I want her
Or if it's a lie
Killer body and mischievous smile
If it's all a game, let's play hard
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
Listen, gorgeous lady
I feel your eyes
are deceiving me
Listen, gorgeous lady
I feel your...
What are you doing here?
I'm here to explain,
if you'll let me.
I only wanted to help Vane.
I realize I should have told her
to speak with you guys first.
Instead you come here
after you've complained to your father.
Yes or no?
I already told him
what had happened because...
because what you said to me hurt.
That I was a bitter orphan.
You know I say
stupid shit sometimes.
Let's forget about that.
In fact, sit down,
I want you to hear something.
Sit down. Sit down.
Listen, gorgeous lady...
His name is Cris Vega.
We're about to launch his new record.
What do you think?
It's kinda hot.
No, but, wait, wait.
This is the best part.
Here, you see
how the rhythm comes in.
Charly, look, I came here because
there's something else I need to ask you.
Wait, hold on.
What?
Do you know anything
about my adoption?
Hey, Erik, Erik.
If this is about what I said yesterday,
I already said
I say some stupid things.
We're family.
You're my brother. End of story.
I've always wondered
where I came from.
And now I'm looking
for my real parents.
Do you know anything
that could help me?
Not even a clue or anything?
A clue, the truth is...
not really, no.
The only thing that I know
is that you're the son of a lowlife
from the northeast commune.
-And...
-Hold on.
I also know...
that your mother is dead.
That's all I know.
And do you have a name
for this lowlife?
No.
So there's no way I can meet
my biological mother,
but maybe I can meet my father.
You know you can count on me
for whatever you need, right?
DAD
Hello, Dad.
Princess, where are you?
Are you with your mother?
Yes, sure. I'm with her.
Put her on, please.
She won't pick up.
-Bye, beautiful.
-I can't... she's in the bathroom.
Oh, OK. Where are you?
We're at a restaurant, but I don't think
we'll be much longer.
Are you home already?
Unfortunately not, princess.
Actually, I need you
to do me a favor.
Tell your mother
I'll be late tonight.
Tell her not to wait up,
and not to be calling me all night
because I won't pick up, OK?
Yes, OK.
I'll tell her.
I love you, my princess.
OK. Bye, Dad.
Hey, Zulma, how's it going?
See each other? Where?
Why out there?
Come on, that's really far.
OK, don't start,
don't start, don't start.
I'll write it down.
Where?
OK then.
Yes. I'll see you shortly.
Still working?
Yes, on a demo
that Juancho sent me.
So, can I hear it or what?
You want to listen to it here?
Let's go to the studio.
Maybe we should celebrate tonight?
No, no. I'm going to have to take
a raincheck on the celebration.
I'll see you tomorrow.
You can show me then.
-Take care.
-OK.
-OK, then.
-Bye.
Bye.
-Hello.
-So is everything good, or what?
Yes.
Hey, hold up. Wait, wait.
Weren't we going to talk?
No.
Sir, stop please, stop here.
-Are you getting out here, miss?
-No, no. I'm not getting out here.
Can you wait for me
further up the street?
I'll pay you this now. I'll give you
the other half when I get back.
And only vengeance
And seeing you in pain
Drive each thought in my head
Blood in my eyes from so many tears
It's the withering look
that you'll never forget
And once you fall wounded
Forgiveness, you'll beg
Only in the end will my soul rest
Shiver 'cause now your predator's here
You stole every illusion from me
Betrayal is all your mind knows
You are the snake
that poisoned my soul
I bring you sweet nothings
The same ones you used
In your performance
Of a loving man
Gentle and honest
That only existed in your twisted mind
Oh...
That only existed in your twisted mind
Oh...
That only existed in your twisted mind
I say, shiver
'Cause now the queen is here
As soon I can
My revenge you will feel
You are such a fool
You thought I was dead
No one will save you,
I’m here to make you pay
From behind those bars
I kept thinking of you
And often I would dream of having you
‘Cause love took everything from me
Now I’m Phoenix reborn
here to make you weep
Subtitle translation by: Daniel Crawford
This is a work of fiction.
All characters, stories, and events in it
are products of the author's imagination.
Any resemblance to real persons, events
or businesses is purely coincidental.
You don't happen to remember
if my mother had a friend
or someone close
she used to talk to a lot?
Yes, of course. Rola.
She was a very close friend of hers.
Why do you ask me that,
my dear?
Well, I don't think my mother
wants me to know
who my real parents are.
Maybe Rola has some information
that I could find useful.
Why don't you just check
with Family Welfare?
Who knows? Maybe you're registered there
and they have some information?
Oh, I hadn't thought of that.
One of my nieces works there.
Let me call her, see if she can help us.
I really appreciate this a lot.
Wow! Tammy, what's all this?
Are you serious?
What do you think?
This is where
we're going to make magic.
-Wow!
-I knew you were going to love it.
-You did?
-Of course.
You're starting to freak me out.
It's feels like
you knew me from before.
-No. Before?
-Right. From a past life or something.
OK then, maybe.
-If you believe in that sort of thing.
-No, I don't.
But since I've met you,
I think I may start to reassess
my skepticism towards it maybe,
because...
-What's up, Cris?
-Good to see you.
-So, how are you?
-Good?
-This is Juan Camilo Mesa.
-Juancho.
-It's a pleasure.
-How are you doing, Juancho?
He's going to be working with us
from now on.
Finally, our new sound engineer.
OK, cool.
Let's do this, I'm ready to record.
Very good, very good.
But you're kinda late.
40 minutes late.
You know it takes me a while
to get down here.
You'll see, once I get a chauffeur,
it'll be problem solved.
Sure, why not?
OK, go get set up.
Go ahead.
Close the door.
OK.
Is this guy kidding
or does he need taking down a peg?
-Let's make a start already.
-OK.
Wait, wait.
Where...? Here it is.
-Can you hear me OK?
-Yes.
Great.
Let's try something.
I'm going to play you any
of these tracks at random
and you can just improvise, OK?
OK.
-Ready...
-This is to get warmed up.
On my count. Three, two.
Off you go!
I'm walking strong
Without doing wrong
I want all y'all to hear
The rhymes I'm spitting here
Yeah, I'm freestylin'
Playin'
Tell 'em, Tammy
We just up in here playin'
-Sweet.
-Nice.
We haven't found any child registrations
submitted in San Félix on that date.
Are you certain of the month?
I'm sure of the year,
but I guessed the month
based on what my adoptive parents told me.
We're only able to find
children above the age of three.
None that were recently born.
Is there no other institution
where people go to adopt children?
No. In Colombia, it's only possible
through Family Welfare.
Legally, that is.
And illegally,
does that happen a lot?
It happens a lot.
Mostly kids from the neighborhood
that end up pregnant.
They give up their kids
for money.
That complicates my search a lot.
No, there are sometimes
grandmothers or aunts
that adopt their grandkids and nephews
as if they were their own.
No, no. Not in my case.
I highly doubt that my father
would have done it legally.
-Hey, thanks very much.
-No, of course.
Good luck with your search.
Three, two, off you go!
Listen, gorgeous lady
I feel your eyes are deceiving me
I don't know what you're up to
But I'll take a chance for you
Listen, gorgeous lady...
Ah, no.
Is this a party up in here?
Wait just one moment, Cris,
stay right there.
Working hard.
Juancho is on another level.
Is he?
How does it feel to be back?
Well, it feels like I never left.
So does the boss get
to have a listen then?
OK, take a seat.
Excuse me.
-From the chorus. OK?
-OK.
Three, two, off you go!
Listen, gorgeous lady
I feel your eyes are deceiving me
Maybe adjust the levels a little bit.
No, no, no.
Leave it.
But we'll hear the instruments
a little better on the track.
No, no. Leave it like that.
Maybe after, you can equalize them.
I feel your eyes are deceiving me
I don't know
what you're up to
But I'll take a chance for you
I'll take a chance
I'll take a chance
I'll take a chance for you
I'll take a chance.
-Can we fix the reverb on the chorus?
-Sure, we can.
-Yeah, go ahead.
-No, no, no. Leave it.
Then let's do two versions
and we can decide after.
No, just one version.
Leave the reverb.
This reminds me of Soul and Bass.
You're right.
We're just missing Little Fish.
Yeimy, yes.
God bless Yeimy.
May she rest in peace.
Your phone is ringing.
ZULMA:
I NEED YOU RIGHT NOW
Problem?
There is always a problem.
We'll talk later.
That's a pity, beautiful.
I hope it goes well.
-Later, Juancho.
-OK.
Sounds good.
We'll talk later.
Thanks a lot.
Take out the reverb.
It sounds really horrible.
Thank you.
Let's go from the top.
Three, two, off you go!
-Listen, gorgeous lady...
-Careful with your pitch, Cris.
-Hey, Don Jose.
-God bless you, Charly.
Amen.
At least tell me if you're OK.
Yes, relax.
I'm calling because I wanted to talk.
Not over the phone, though.
Please tell me when you are
and I'll send a car.
If you don't want to come here,
then we can meet somewhere else.
It doesn't matter. At least
let me do that for you.
I'm in San Félix. You can pick me up
at the front of the park.
OK, so we'll see each other shortly.
Bye.
Sorry to interrupt, Gema.
Do you know where Charly is?
What do you need him for?
Oh, never mind.
I know where he'll be. Forgive me.
Really? Where is he?
With the journalist, Zulma.
Remember?
When we were in the studio,
she called and he ran out.
It's fine, I'll show him
what Cris and I have done later. Thanks.
Charly, where are you?
Why are you with that woman?
I told you to sleep with her
once, to shut her up.
You think I'm going to allow you
to have a lover?
Or did you end up liking her?
OK. Then end it now.
Now, Charly.
Hey.
Why the disguise?
-How are you?
-You look very nice.
-You seem well and everything.
-Really?
-Yes. I have a surprise for you.
-What is it?
I'm sure you're going to love it.
-What's this?
-Your photos.
I wanted you to choose your favorite
to go with the interview.
I don't do this for everyone.
Princess, I'm a busy guy.
I don't have time for these things.
Well, let's say
I also wanted to see you.
After everything I had to do
to get to this point.
Are you really serious, Zulma?
Come on,
don't get mad.
You're your own boss.
You can take the afternoon off,
so the two of us can
go somewhere more private.
What are you talking about?
Falling in love is a bad idea.
Don't be ridiculous.
I'm simply saying that
I have the afternoon free
and I thought it would be a nice idea
for us to have a little fun.
That is exactly what
is happening here.
We're having a little fun,
and nothing more.
Of course.
Especially since
you have more to lose...
if people were to find out, you know.
I mean, you're a public figure
who needs to maintain his image
as a family guy.
Are you threatening me?
No. Prince, how could
you think that?
I would never do that.
It's just that...
I don't like being used.
You know what? I'm starting to realize
that when you call me,
I'm available.
But if I call you, you yell.
That doesn't seem fair.
Hey, princess,
don't be like that.
I just haven't had time,
that's all.
As soon as we both have time,
we can see each other.
Tonight?
Don't tell me
you can't make it work.
Of course I can.
I'll call you later
to let you know the time and place.
Can you believe Gema knew
Charly was sleeping with the journalist?
That's ruined the plans I had.
Look.
It's one thing to give him
permission
to sleep with her once.
Tolerating a permanent
side chick is another.
No, Charly's going to end it with her.
Seriously?
You think it's that easy to end it
with a woman as intense as Zulma?
Or just "Kick her to the curb,"
as we say in Venezuela.
That is way too optimistic.
Even more so
after what you just told me.
Wait for me here.
How are you, Mom?
I didn't think you would
come around here.
I'd go to the depths of hell
for my son if I have to.
Look at the place.
It's changed so much.
It's incredible to think
that I lived here for half my life.
Look.
You don't need to do that.
You can come home.
Ma, let's not talk about this again.
I already told you why I left.
Yes. OK, well, I'm here.
Let's go.
Where are we going?
I've got a little surprise for you.
It's something really cool.
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
Stop, stop, stop.
You're a little flat at the end
when you go up.
Let's try something out.
Try taking in a little air
just before you get to that part
and use that air
for the entire line, OK?
No, what do you mean? Charly is in charge
of this thing and he liked it.
Well, it's simple. If you want to learn
and grow in this business,
you have to learn to take advice
and criticism, don't you think?
That's exactly what I'm saying.
Charly is the boss,
of this place
and he liked what I was doing,
so what's the problem?
OK, let's get one thing
straight between us.
I'm the guy in charge of making sure
your song sounds good, OK?
That's why Tammy brought me here.
And the guy in charge
totally agrees with that. Are we clear?
Should we keep going
with the song?
So are we going to take it
from the top or are you tired?
-No, no, no.
-That's it.
Let's get that chauffeur, man.
Three, two...
This is for the chauffeur, man.
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
That's it!
Her appearance is so seductive
Especially when she looks at me
I don't know if I want her
Or if it's a lie
Killer body and mischievous smile
If it's all a game
Let's play hard
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
How did the session go, Cris?
Be honest, jerk, go on.
Well...
I don't understand why
I have to keep repeating things
that seem perfectly fine to me.
Charly said the same thing,
so I think...
Charly heard very little.
Look, Cris. What we want
is something polished,
so that your launch will be a hit.
Cris, look, at the start,
it can be difficult.
But you need to understand something.
This is a once-in-a-lifetime
opportunity.
Take advantage of it.
Work hard for it.
Try to stay humble, remember that
life rarely gives us two chances.
OK, OK. Tomorrow I'm going
to be on time. You hear?
Good, good.
That's it.
OK, go home, get some rest,
recharge your batteries.
-OK.
-Talk to you later.
Talk to you later.
What?
Should I have been tougher?
No, you did really well.
Why are you looking at me
like that?
I don't know. The way you were talking,
it reminded me of Little Fish.
Really? You mean to tell me your friend
was that mature?
The truth is, she was.
A young lady that was...
How old was she?
-Eighteen.
-And she was mature?
More mature than most.
She was something.
She had quite the temper.
What do you mean?
Are you saying she was a wild one?
No, no, no. Wild, no.
But she was a real firecracker.
A real firecracker.
OK, I'll finish up the mix so we have
something decent to show Charly.
-OK? You need anything else?
-OK.
-Cool.
-All good.
OK, get out of here.
The game's over. Come on, out.
Come on, buddy.
Get all of these people out of here.
Move, let's go.
Come on, come on.
Everyone out.
Move, let's go!
Where were we?
I just can't believe it.
Why do you always take his side?
I want you both to talk, not fight.
We need to learn how to fix
the problems in our family.
Or do you want them
to get worse, Manín?
I want to know
what you're playing at, son.
Why did you leave home?
It doesn't have to be this way.
Mom didn't tell you?
Charly came to the house to hurt me
because I went with Vanesa to a job.
He told me that I was an orphan.
Is that true?
Yes.
Is that why you left home?
I left home
because that's what I felt
like doing. It's my life
and I'll do whatever I like.
Not for some time yet.
Not until you're old enough.
Why did you bring me here?
So that he can force me
to come home again?
I could do that,
but I'm not going to.
I'm trying to understand
why you keep making
such stupid decisions.
I'm trying to understand you.
Well, to be completely honest,
and I'm sorry if this offends you,
I want to distance myself from this family
because I don't feel I belong here.
I can't believe
how unappreciative he is.
Do you know why I'm doing this?
-No.
-What is he talking about?
A while ago he wanted
to ask you something, but...
Ask him.
Well, come on, ask me.
I want to know who
my real parents are.
What is the big mystery?
Why can't you tell me who they are?
Is it because the adoption
was illegal?
I really don't understand
why you're so concerned with
these things after so many years, Erik.
Why do you think? Because my entire life
I've felt like the black sheep.
Plus, I don't see what the problem is
with knowing who my parents are.
Tell him something.
He has every right.
OK, so I'll tell you the truth.
Your mother is dead.
-I don't believe you.
-You don't believe me? Well, it's true.
Your mother was a drug addict
who ended up a mess,
and God only knows
who your father is.
Liar!
I'm lying?
What right do you have
to call me a liar?
I saved you from being the son of a sad
excuse of a mother, and a bum of a father.
You should be on your knees,
thanking me, instead of criticizing me.
So I'm just some charity case?
No, no, no.
That's not it, my love.
Why do you talk to him like that?
Say how you feel, sure, but come on.
You think you were
a charity case, Erik?
Even though I've loved you
as if you were my own son.
It's like you tried to buy me.
Well, you can have it all back because
I'm not interested in material things.
I'm telling you that you're my son.
I love you as if you were
my own flesh and blood, fool.
I'm not interested in your money
or anything to do with you.
Because with you,
there is only one way of doing things.
And I'm not like you.
I never will be!
Erik...
Make him come home
for me, Manín.
-So that he can hate me more?
-He doesn't hate you, dear.
Didn't you see
how he spoke to me?
Didn't you see
how he spoke to me?
He'll come back, my love.
Don't worry.
When he can't find his parents,
he'll be back.
You never did tell me
where you got Erik from that night.
Sweetheart, I just told you.
What I said is true.
Don't get angry,
but I know you.
I can tell there's something
you're not telling me.
What is it?
You can trust me, sweetheart.
Are you deaf or what?
Didn't you hear what I said?
Erik is the son of drug addicts...
and that's the end of it.
Not for Erik. He'll just keep looking
and looking until...
Then he can keep on looking!
Let him go live in that damn commune,
until he is hungry and needs something!
Maybe that's what it'll take
for him to realize
and appreciate
what we've done for him.
That's the end of it!
Always shouting.
Seriously, you don't know
how to just talk.
-Carrancho, take her wherever she's going.
-Yes, sir.
Vane. Princess.
Mom, what are you doing here?
Did something happen?
No, princess.
The agency called earlier
and they want us to go look at the photos
to pick the ones for the campaign.
Really?
But wasn't Dad mad about
all of that...?
Is your father the only one
that can decide these things?
No, I have the power
to make decisions too, Vanesa.
You're the best, Mom!
You know what, Vane?
I want you to be able to do
everything that I couldn't do.
If that means modeling,
then I'll support you in that.
Even if your father disagrees.
Promise?
Such a diva.
Without jumping. Thank you.
Is everything good then?
Yes, all is in order.
Gema was looking for you.
Yes, I spoke with her.
It's all good.
What's wrong? What's with the face?
Are you OK?
Yes, I have a little bit of a headache,
but I'm fine.
Do you know what?
I'm probably just hungry.
So what do you say, princess?
-What?
-Accompany me to lunch.
Don't leave me
to have lunch alone.
The press will be out there
taking photos of me,
"Charly Flow dines alone."
OK, lunch, but here.
I have a lot of work to do
on Cris's demo.
Here is fine.
How about in my office?
-OK, let's go.
-OK, after you.
We did an excellent job.
Nicolas is, without a doubt,
the best photographer
that we have here.
He knew just how to capture
Vanesa's essence,
her natural beauty,
with every single shot.
Really, I'm very happy with them.
You know what?
I'm going to have approval of the photos.
Well, that's my job, it's what I do here,
I usually do that.
I understand that.
But for her first job,
I need to know
which images you plan on selling.
Well, Mom, I like them all.
The client will be happy with
what we have, no doubt.
Well, of course, I don't doubt that.
-Look, these are my favorites.
-Look.
Excellent. I love this one.
This one, too.
Great selection, really.
OK then,
I think this is a good moment
to continue working.
And what I really would like
is for us to start celebrating.
I won't accept no
as an answer.
Come on, Mom, we're not late for anything.
It's just for a little while.
Let me make a call first
and we'll see.
As long as it's a yes,
as you please.
I'll be back.
Leave your message
after the tone.
Where are you?
Please don't tell me that
you're out with that journalist,
because it won't end well,
Carlos Cruz.
Call me when you
get this message.
OK, so?
Are we celebrating?
OK.
But only for a little while.
That's great. OK.
After you. Let's go, ladies.
So, tell me more about you.
Do you have a boyfriend
I should be worried about?
I'm asking because of the amount
of hours you'll be working here.
No. I'm better alone.
That depends on
who you're with.
Good point.
My being single is a good thing.
I can just focus on my work.
Speaking of work,
I know you told us you didn't want
several versions of Cris's song,
but Juancho and I
have got a great one.
We'll let you hear it,
I know you're going to love it.
Is that so?
You know me that well?
I'm getting there.
That, I can bet on.
Ah, a playful soul.
I like that.
You know what?
Cheers to that.
And because you're going to approve
the single for Cris.
Hey, we'll see about that.
You do seem very sure about it, though.
I'm starting to be convinced.
Then we're moving
in the right direction.
Cheers.
OK, drink up.
Did it go down the wrong way?
Seriously? This stuff
is from your adopted homeland.
No, I just prefer
sugar cane liquor.
Oh, you should have said so.
No, no way, no way.
I've got a lot of work to do.
I'm not going to drink more liquor now.
I'd be out of it.
Well, in that case, here's an idea.
Let's celebrate tonight.
Hey, I finished the mix.
My bad, am I interrupting something?
No, not at all.
I was just telling Charly about
what you're working on with Cris.
-I was just on my way.
-Wait, wait.
Come here, come here.
Are we agreed
for tonight then or what?
I'm sorry. It's private.
Is your plan with Charly
something special or...?
No, no. Not at all.
Hold on. I need to do something.
We're supposed to be careful,
but you keep calling me all day.
What's wrong now?
OK, OK. I'll be right there.
What's taking this guy
so long, man?
I'm getting tired of my Uncle Manín
stalking me.
You know how the boss is, son.
Let's go then.
I don't have all day.
-Rizzo.
-Rizzo, right at this moment
Charly's on his way
to meet up with his uncle.
He didn't leave in his car,
someone came to pick him up.
Pérez.
Tell me the license plate number
and the type of vehicle
so that I can run an ID.
GOF 248.
Got it?
Zulma and my uncle together
are going to bleed me dry.
Why has my uncle
been so uptight recently?
I don't know.
I don't get involved in those things.
Of course, what would you know?
You're just the lap dog.
Sir, I don't get paid to talk.
-Really?
-I get paid to pay attention.
Is that so?
So pay attention to this.
Don't show up at my studio
like that again.
The next time my uncle needs me,
you can call me and I'll come down.
Don't raise suspicions.
Listen to this guy.
Tell me something.
You think it would be
less suspicious
coming to the commune
in that ride of yours?
Do you know
what you need to do?
Upgrade that tiny car you've got.
That'll get you a meeting with the boss.
-Or maybe a caravan?
-Listen to this guy.
You mean like
the one you have, right?
Just like it.
Mostro. Step on it,
it looks like we're being followed.
What do you mean
we're being followed?
That little red car right there.
Let's go, let's go.
Try putting it in drive, buddy.
That car disappeared, it was nothing,
you scared me half to death.
They weren't following us at all.
Hey, hurry up, let's go.
Rizzo, I just aborted the mission.
I'm certain they saw me
by the commune entrance.
Take down your location,
we need to secure the perimeter.
OK, ladies.
Go take a cold shower.
Now, now.
So, what's up, Uncle.
All good or what?
What happened?
Who told you could mess with my son,
asshole?
That's why you called?
To talk about him?
You're kidding.
I don't have time for this.
Wait.
What now?
Don't you raise your voice
at me, boy.
-Leave me alone.
-You will respect me.
-Don't fuck with me.
-I'm your uncle, don't mess with me.
What's wrong with you?
What the fuck is wrong with you,
asshole?
That's how you talk to your uncle?
I'll talk to him how I like.
Got a problem?
I'm not scared of you,
pretty boy.
-I'm not scared of you either.
-Sir.
-Go on then. Use it.
-You want me to use it? Tough guy.
Get the fuck out of my way.
You listen to me good.
Just like you'd die for your son,
I'd do the same for my daughter.
I hope that's clear.
Tell me, sir, what are we doing?
Say the word, I'll mess him up.
Let him go.
OK, today we're celebrating
the new arrival at the agency.
So please, I'd like you all,
to make her feel at home,
and make her
feel welcome, OK?
Perfect. OK, thanks.
Hey, I was thinking
about something.
Would you be interested
in managing other models?
We have a lot of great talent
at this agency,
and I think
we're missing someone like you.
No, I'm only doing this
because my daughter wants to model.
No reason other than that.
OK, that really is a shame,
because you seem to be really good
at what you're doing.
Having the experience
is really important,
it's worth a lot in this industry.
I'm positive that we could
do some really great things here.
The thing is that my experience
is limited
to managing Charly Flow, that's it.
It must be really difficult
managing a character like that,
I'm sure it takes a lot.
I don't know.
Isn't it a bit intense?
Be very careful now.
You're talking about my husband.
I don't mean to offend.
Anyway, I don't have
complaints about Charly.
How's that?
Not a single complaint about him?
Now that surprises me
a little more.
CHARLY MY LOVE
OK, so tell me.
What would this business involve?
So seductive
Especially when she looks at me
I don't know if I want her
Or if it's a lie
Killer body and mischievous smile
If it's all a game, let's play hard
If she wants to kiss me
She won't be able to stop
Her madness I will unravel
Listen, gorgeous lady
I feel your eyes
are deceiving me
Listen, gorgeous lady
I feel your...
What are you doing here?
I'm here to explain,
if you'll let me.
I only wanted to help Vane.
I realize I should have told her
to speak with you guys first.
Instead you come here
after you've complained to your father.
Yes or no?
I already told him
what had happened because...
because what you said to me hurt.
That I was a bitter orphan.
You know I say
stupid shit sometimes.
Let's forget about that.
In fact, sit down,
I want you to hear something.
Sit down. Sit down.
Listen, gorgeous lady...
His name is Cris Vega.
We're about to launch his new record.
What do you think?
It's kinda hot.
No, but, wait, wait.
This is the best part.
Here, you see
how the rhythm comes in.
Charly, look, I came here because
there's something else I need to ask you.
Wait, hold on.
What?
Do you know anything
about my adoption?
Hey, Erik, Erik.
If this is about what I said yesterday,
I already said
I say some stupid things.
We're family.
You're my brother. End of story.
I've always wondered
where I came from.
And now I'm looking
for my real parents.
Do you know anything
that could help me?
Not even a clue or anything?
A clue, the truth is...
not really, no.
The only thing that I know
is that you're the son of a lowlife
from the northeast commune.
-And...
-Hold on.
I also know...
that your mother is dead.
That's all I know.
And do you have a name
for this lowlife?
No.
So there's no way I can meet
my biological mother,
but maybe I can meet my father.
You know you can count on me
for whatever you need, right?
DAD
Hello, Dad.
Princess, where are you?
Are you with your mother?
Yes, sure. I'm with her.
Put her on, please.
She won't pick up.
-Bye, beautiful.
-I can't... she's in the bathroom.
Oh, OK. Where are you?
We're at a restaurant, but I don't think
we'll be much longer.
Are you home already?
Unfortunately not, princess.
Actually, I need you
to do me a favor.
Tell your mother
I'll be late tonight.
Tell her not to wait up,
and not to be calling me all night
because I won't pick up, OK?
Yes, OK.
I'll tell her.
I love you, my princess.
OK. Bye, Dad.
Hey, Zulma, how's it going?
See each other? Where?
Why out there?
Come on, that's really far.
OK, don't start,
don't start, don't start.
I'll write it down.
Where?
OK then.
Yes. I'll see you shortly.
Still working?
Yes, on a demo
that Juancho sent me.
So, can I hear it or what?
You want to listen to it here?
Let's go to the studio.
Maybe we should celebrate tonight?
No, no. I'm going to have to take
a raincheck on the celebration.
I'll see you tomorrow.
You can show me then.
-Take care.
-OK.
-OK, then.
-Bye.
Bye.
-Hello.
-So is everything good, or what?
Yes.
Hey, hold up. Wait, wait.
Weren't we going to talk?
No.
Sir, stop please, stop here.
-Are you getting out here, miss?
-No, no. I'm not getting out here.
Can you wait for me
further up the street?
I'll pay you this now. I'll give you
the other half when I get back.
And only vengeance
And seeing you in pain
Drive each thought in my head
Blood in my eyes from so many tears
It's the withering look
that you'll never forget
And once you fall wounded
Forgiveness, you'll beg
Only in the end will my soul rest
Shiver 'cause now your predator's here
You stole every illusion from me
Betrayal is all your mind knows
You are the snake
that poisoned my soul
I bring you sweet nothings
The same ones you used
In your performance
Of a loving man
Gentle and honest
That only existed in your twisted mind
Oh...
That only existed in your twisted mind
Oh...
That only existed in your twisted mind
I say, shiver
'Cause now the queen is here
As soon I can
My revenge you will feel
You are such a fool
You thought I was dead
No one will save you,
I’m here to make you pay
From behind those bars
I kept thinking of you
And often I would dream of having you
‘Cause love took everything from me
Now I’m Phoenix reborn
here to make you weep
Subtitle translation by: Daniel Crawford