The Man from U.N.C.L.E. (1964–1968): Season 3, Episode 1 - The Her Master's Voice Affair - full transcript

Over to the cab, don't look back,
I'll take the briefcase.

You've made the trip for nothing.

The plans aren't in the briefcase.
They're perfectly safe in my house.

In your house?

My wall safe has a 6-inch plate
and an automatic alarm system.

- Quite burglar-proof.
SOLO: Mm-hm.

Two U.N.C.L.E. agents meeting me
at this ungodly hour.

What have I done now?

It's not what you've done, Dr. Matsu,
it's what might be done to you.

All right, home, stiff.

[MUSIC-BOX VERSION
OF BRAHMS' LULLABY PLAYING]



All right, you stay here
and cover the front of the house, Spike.

Your milkman
certainly gives good service.

MATSU: Yeah, I only hope the music
doesn't wake the whole neighborhood.

SOLO:
Thank you.

Wow!

[SOLO WHISTLES THEN CHUCKLES]

MATSU:
I'm sure Miki's still asleep.

SOLO: Gee, I hope we don't--
MAN: Have you memorized it?

MATSU [WHISPERS]:
It's in the den.

SOLO [WHISPERS]:
Wait.

Shh, shh.

MAN:
You haven't answered me.

WOMAN: Yes, I know it all.
Down to the last comma.

Very good.



I want you to put the papers
back in the sate now and lock it.

Then no one will ever know
that it's been opened. Not even you.

Not even me.

All right, put your hands up
and don't move.

Get them up.

[GRUNTING]

MILKMAN 2:
Let's get out of here. Come on.

SOLO:
How do you feel?

You're gonna have a lump on your head.

[SOLO SHOUTS]

Come on, up! Come on.

And there is no doubt, Dr. Matsu,
that your daughter has acted...

...under the influence of some extremely
deep psychic interference.

The condition still exists.

Although she is completely normal
in every other respect...

...she is programmed to obey automatically
certain commands at a prearranged signal.

And you've been quite unable
to deprogram her?

DOCTOR:
We've tried everything.

The best we can hope for is that
time will be the healer.

That it will, um, erase itself
of its own accord.

WAVERLY:
Oh, thank you, Dr. Eliott.

You understand, of course, Dr. Matsu
the implications?

MATSU:
I'm afraid I do, Mr. Waverly.

My daughter has become a walking file
of top-secret information.

On a project that affects the security
of the entire world.

Under the circumstances, I think,
uh, it you'd like my opinion...

...that Miss Matsu ought to be put
under lock and key.

But I have to go to school.

It would be best if you didn't,
Miss Matsu.

But I have to. I'm on the debating team.

MATSU: I'm afraid she debating team
will have to do without you.

- For a little while anyway, Miki.
- Yes, father.

Which means that while I'm gone...

...you have to have a tutor
as well as a bodyguard.

WAVERLY:
If you'll leave that to us, Dr. Matsu.

We have a man in this very room
who fits both requirements perfectly.

Black belt in judo...

...did postgraduate work at Sorbonne...

...Ph.D., Cambridge.

Dead languages, wasn't it?

Quantum mechanics.

I didn't know we were colleagues.

Well, of course,
I'll have to brush up on my new maths.

Yes, do that, Mr. Kuryakin.

You, Mr. Solo, will check
into the matter of the school...

...the Partridge Academy
for Young Ladies.

Young ladies, Mr. Solo.

Somewhat younger
than you're accustomed to.

I'm very flattered that you came halfway
around the world to look us over.

Uh, cream or lemon, Mr. Solo?

Uh, just plain, thank you.

The Begum of Bangerpole,
you are her, uh...?

SOLO: Secretary. To be precise,
her private, confidential secretary.

I also served the maharajah.

The final decision,
of course, rests with him.

Naturally, and, uh, how old
is the young lady, Mr. Solo?

The maharani has just turned 16.

Heh, heh. My, how time flies.

It seems like it was only yesterday
that I took little Gigi on her first tiger hunt.

Have you ever hunted the big cat,
Miss Partridge?

Il must admit, never, Mr. Solo.

To be perfectly frank,
the sight of blood repels me.

Oh, well, Gigi is an only child...

...and I'm sure you can understand
the begum's concern...

...that I make a full report to her
on the school...

...before she makes her recommendation
to the maharajah.

I would expect that, Mr. Solo.

Now, we have a visitor's cottage here.

It would be my suggestion
that you would spend a few days with us...

...and acquaint yourself completely
with our facilities.

Mmm! Excellent thought.

Then it's settled.

[BELL RINGS]

I've sent for Duane
to show you to your room.

SOLO:
Thank you.

You called, Miss Partridge?

I'd like you to escort Mr. Solo
to the guest house.

- He's staying with us for a few days.
- Yes, ma'am.

- I'll take it. That's my job.
SOLO: I'm sorry.

PARTRIDGE:
Just make yourself at home, Mr. Solo.

We're completely at your disposal.

Thank you.

[WHISTLE BLOWS]

Out of bounds!

[STUDENTS CHATTERING]

GIRL 1:
Here, set it up. Ow.

[GIRLS GIGGLE]

Hey! Gee...

Hey., who's the stranger?

He's not bad-looking, if you like the type.

I like the type.

Would you look
what he's got on his head? Wild.

I wonder what he's hunting for here.

Girls, I hope.

[WHISTLE BLOWS
AND GIRLS GIGGLING]

All right, that'll be enough of that.

- Oh, Miss Burgoyne.
- Yes?

DUANE: This is Mr. Solo. He's going
to spend a couple of days with us.

- Hello, I'm Verity Burgoyne.
SOLO: How do you do?

DUANE: Miss Burgoyne is head
of the Physical Culture Department.

Well, I can certainly see she meets
all the requirements.

[GIRLS GIGGLES]

Well, how about introducing us?

BURGOYNE:
Get back to the game, girls.

The game, Kish.

You see, Duane is the only male
on the campus.

You're a new rooster in the henhouse,
Mr. Solo.

Well, I've certainly been in worse barnyards,
Miss Burgoyne.

[HORN HONKING]

Well, that's quite an entrance, who is it?

That's Mr. Sutro.

BURGOYNE:
Jason Sutro, the grapefruit king.

SUTRO:
Ah, Miss Partridge, good morning.

How are you, my dear? Good to see you.

Mr. Sutro appears to be another rooster.

Not really. The girls are fond of him
because he always brings presents.

The Pied Piper of Partridge.

Mr. Sutro has also endowed the school
with a new gymnasium and library.

He's really very sweet.

SUTRO:
Ah, how are you today? Here you are.

That little Japanese girl...

...I have something special for her,
where is she?

- You mean Miki?
SUTRO: Yes.

She's home.

Dr. Matsu took her out of school
for a few weeks.

- Oh., indeed.
PARTRIDGE: Yes.

Mr. Solo, why don't you
and Miss Burgoyne join us?

Thank you. Shall we, Miss Burgoyne?

PARTRIDGE: Oh, lovely
SUTRO: There you are. There you go.

Ah, Miss Burgoyne,
I have something special for you too.

My favorite perfume. Thank you.

Mr. Sutro, I'd like to present Mr. Solo.

SUTRO: Ah, delighted.
Are you the father of one of these girls?

Am I the--? Ha, oh, uh, no. No, I don't...

Uh, actually
I'm just an admirer of all of them.

[GIRLS GIGGLE]

Mr. Solo is the secretary
to the Begum of Bangerpole.

Perhaps her daughter will be a pupil here.

SUTRO:
Oh, marvelous!

He controls quite a bit of oil,
doesn't he?

Oh, yes, sir. Yes.

Mr. Solo is staying with us
for a few days.

SUTRO: Oh, wonderful.
If you're staying in the guest cottage...

...my chauffeur would be delighted
to take you there.

- Gratz!
SOLO: Please, don't go to any--

Something wrong., Mir. Solo?

No, no, not a thing.
Everything is just, uh...

Actually, it's fine. Heh...

[LIGHT APPLAUSE]

[STUDENTS CHEER]

SUTRO:
A beautifully executed dive, my dear.

BURGOYNE:
Thanks, Mr. Sutro.

SUTRO:
There you are.

You don't see much of that in Bangerpole,
do you, Mr. Solo?

Uh, no. I haven't seen anything like that.

Uh...

Do you come here often, Mr. Sutro?

Well, as often as my business will permit.

You see, I enjoy beauty and youth
and learning, Mr. Solo...

...and I find them all right here.

ll understand, uh, you've been very generous
to the Partridge Academy.

Gymnasium, library...

Well, I'm a very rich man.

I have no objection
to paying for value received.

You pay very well, Mr. Sutro.

I'm well-known for that.

As a matter of fact,
I'm very open-handed with my employees.

Oh, uh, that's from your,
uh, what, uh...?

Grapefruit business?

[CHUCKLES]

Yes, and among other things.

This is the age of diversification,
Mr. Solo.

I see.

SUTRO: See, I pay well because it is
my policy to employ only the best.

Matter of fact,
I'm always on the lookout...

...for, uh, @ man just like yourself,
Mr. Solo.

Thank you.

SUTRO: Of course, I realize
that you're engaged right now.

I wouldn't dream of trying
to lure you away from a maharajah.

But if the time should come...

...would see that, uh, your rewards
would commensurate with your abilities.

Well, thank you very much,
but, uh, I'm satisfied where I am.

Pity.

Next on the program will be
an exhibition of rhythmic exercises.

The participants will please
take their positions.

It's a remarkable collection of youngsters,
Mr. Solo.

In this group before us...

...there are the daughters
of two cabinet members...

...the daughter of a prime minister,
and a crown princess.

All right, you can start the music now,
Miss Burgoyne.

[WALTZ MUSIC PLAYING]

[WALTZ STOPS ABRUPTLY]

[MUSIC-BOX VERSION
OF BRAHMS' LULLABY PLAYING]

PARTRIDGE:
Never mind, girls, it's the wrong music!

[MUSIC STOPS]

I'm sorry.

I don't know how this tape
got mixed up in here.

[WALTZ MUSIC PLAYING]

ILLYA:
All right, describe as briefly as possible...

...the social and economic factors...

...that lead to the outbreak
of the Second Punic War.

Well, it was an outgrowth
of commercial rivalry...

...between Rome and Carthage,
which was caused--

Put them up.

Miki, we are suppose to be attentive
at lessons...

...and we do not play around
with loaded guns.

- Give it to me.
- I'm not playing.

I want you to open that door
and let me out.

I've been in this house so long
I'm going stir-crazy.

ILLYA: Miki--
-1f you don't, I'm going to shoot.

Bang! Right between the eyes.

Please give me the gun.

If I do, will you take me
to a nightclub tonight?

Absolutely not.

- A movie?
- That's out too.

A walk?

You'd take a dog for a walk.

I'm sorry, not even a walk.

MK
Then no gun.

Maybe I won't shoot.
I'll just call up your boss, that Mr. Waverly.

Mr. Waverly, listen, what kind of an agent
did you send out to protect me?

He's the one who needs protection.
I'm holding his own gun on him right now.

[MIKI SCREAMS]

Miki, if you do have to fire a gun...

...please remember you have to
take the safety catch off first.

You're cute.

Mmm, maybe.

[STRUMMING]

[RADIO BEEPING]

Kuryakin here.

I'm here at the Partridge Academy.

I haven't been able to check
the whole room for bugs yet...

...but I want you to listen very carefully.

I'm only gonna say this once.

[OVER RADIO]
I'm onto something.

Do you recall that music
coming from the milk truck?

Certainly, it was the "Brahms' Lullaby."

I want you to play it tor Miki
and let me know what happens.

ILLYA:
Just a moment.

[OVER SPEAKER]
Do you have a copy...

...of the "Brahms' Lullaby"
in your record collection?

Nonetheless, it was done
by Herman and the Hermits.

SOLO:
Shouldn't be any trouble to get it.

[OVER SPEAKER]
Just buy it...

...and put it on your expense account.

I haven't been reimbursed for the money
I paid out last month.

I'll do it,
but this is absolutely the last time.

Chintzy, aren't you?

A penny for your thoughts.

BURGOYNE:
Hmm?

SOLO:
A nickel?

That how the expression goes?

To be honest, Mr. Solo,
I wasn't thinking at all.

I was just relaxing a little.

Then relax.

How long have you been here?

Almost two years.

Two very happy years.

That speaks very well for the school
and Miss Partridge.

She's one of the finest women I know.

I have the feeling, uh,
there's more than meets the eye...

...between Miss Partridge and Mr. Sutro.

In what way, Mr. Solo?

Could it be a little romance?

I thought I detected a gleam in her eye.

Mmm. It was probably because
she was thinking of @ new dormitory...

...that Mr. Sutro's promised.

- Oh.
- Heh.

Check.

[DOORBELL RINGS]

Saved by the bell.

It'll be the delivery boy with the record.

MIKI:
Don't forget. You're supposed to tip him.

[DOORBELL RINGS]

All right, who is it?

MAN:
Delivery. Package for Mr. Kuryakin.

Two dollars and 90 cents, COD.

- Okay, sign here.
- Thank you.

[GRUNTING]

Illya!

[ILLYA SHOUTS]

- Are you all right?
- Yeah, thank you.

Uh, get the record.

I think it's broken.

[GIGGLES]

You're out $3.

[MUSIC-BOX VERSION
OF BRAHMS' LULLABY PLAYING]

[GRUNTING]

SOLO:
Come on. Come on.

[BURGOYNE PANTS]

What are you doing in my room?

Miss Burgoyne,
this happens to be my room.

You just tried to kill me with an axe.

See?

BURGOYNE:
Kill you?

[BURGOYNE SCREAMS]

SOLO:
Shh!

You wanna wake up the whole house?

Quiet!

All right? Now calm down. Okay.

Hold it here just a second.

I keep this with me just for emergencies,
and I consider this an emergency.

Here, take it. Easy, easy.

[BURGOYNE GASPS AND COUGHS]

Okay?

- I must have been walking in my sleep.
SOLO: Yeah.

It's never happened before.
I-- I don't know.

SOLO:
Okay, all right.

[FOOTSTEPS NEARBY]

Shh.

Get this over you.

Come on.

Miss Partridge, now, before you jump
to any conclusions, please let me explain.

I may be gullible, Mr. Solo,
but I'm not stupid.

I'm afraid it will take a great deal
more than an explanation.

DUANE:
Miss Partridge.

There's nothing here to interest you, girls.
Get back to your rooms, at once.

Tell them Miss Burgoyne
thought she saw a prowler.

Yes, ma'am.

Mr. Solo had nothing to do with this,
Miss Partridge. It was all--

Mr. Solo,
a scandal has never touched my school.

I shall not call the police.

I expect you to be packed
and gone by morning.

You may go to your room,
Miss Burgoyne.

We will discuss this in the morning.

In the morning, Mr. Solo.

Now, try and concentrate.

[JAZZ VERSION
OF BRAHMS' LULLABY PLAYING]

If you ask my opinion,
I think the whole thing is ridiculous.

What am I supposed to do
when I hear "Brahms' Lullaby"?

ll don't know,
that's why we're playing it.

Anything happening?

Yes, I'm getting sleepy.

Why don"t you tell me to do something?
Maybe that'll do it.

Something drastic,
like jumping off a cliff.

We don't have any cliffs.
Why not try the balcony?

Really, Mr. Kuryakin.

Miki?

Something happening?

You're putting me on.

MK
You cared! I really had you worried.

You thought I was gonna do it.

ILLYA:
Of all the childish, stupid--

[MIKI KISSING]

Miki. Miki, this is no joke.

Miki, will you stop it? Serious.

MK
I can't. I'm under a spell.

Miki, I will give you a good spanking
in a minute.

Supposing Taka came in and found us?

Oh, I'd just say
that you were attacking me.

That does it.

[RADIO BEEPING]

[ILLYA GRUNTS]

Kuryakin here.

Well, I haven't heard from you in a while,
so I thought I'd give you a jingle.

[OVER RADIO]
Did you play the record?

Yeah, it had no effect on her whatsoever.

[OVER RADIO]
How are things at the school?

Well, as a matter of fact,
I just got kicked out bag and baggage...

...for entertaining a member of the faculty
in my room.

I presume she was female.

Very. Yes.

She tried to kill me with a fire axe.

Illya, the answer is here. I'm sure of it.

[GIRL GIGGLES]

Someone's coming.
I'll have to talk to you later.

- Hey, come here.
- Mr. Solo.

KISH:
We heard that you left this morning.

GIRL: For India.
- Yeah, yeah, I was supposed to.

Actually,
I have a very good reason for staying.

As a matter of fact,
I'm looking for a place to roost.

The boathouse. It's on the lake
about two miles from here.

No, it's too far.

- How about the attic?
- Oh, that's too risky.

SOLO: I'll take it.
- You really wanna be near her, don't you?

Uh, I'm sorry. I beg your pardon?

You don't have to hide it, Mr. Solo.
It's written all over you.

Oh, yeah?
Why don't read it back to me, huh?

Miss Burgoyne.
I mean, you're in love with her, aren't you?

Oh, right!

[GIRLS GIGGLE]

- We'll keep your secret, Mr. Solo.
SOLO: All five of you?

No, about 20 altogether,
but we're very trustworthy.

SOLO: Well, that certainly
takes a load off my mind.

GIRL 1:
Chickie!

BURGOYNE: Well, I see the girls
are doing right well by you, Mr. Solo.

GIRL 2:
We better go now, girls.

BURGOYNE:
I think that's an excellent idea, Suzy.

Be gentle with her, Mr. Solo.

SOLO:
Gentle.

Be gentle with me, Mr. Solo?

Well, I think under the circumstances,
you could at least call me Napoleon.

You owe me an explanation, making the
girls think there's something between us.

- Of all the--
SOLO: Isn't there?

I mean, besides,
I really couldn't disappointed them.

All the world loves a lover,
and you know...?

Anyway, I did need a place to stay.

Who are you?

Uh, 'ma...

Look, have you ever heard
of an organization...

...with the initials UN.C.L.E.?

Some kind of security organization?

Yeah, that's right. I work tor it.

BURGOYNE: What does U.N.C.L.E.
have to do with the Partridge Academy?

SOLO:
Uh...

Listen, why don't you sit down here?

Okay?

I want you to try and remember...

...everything that happened last night
after you left me.

I went directly to my room.

- Had a cup of coffee.
- Yeah?

- Put on my nightie-- My nightgown.
- Right.

And went to bed.

That's all I remember until...

That's all right.
Now, think hard. Think very hard.

Do you remember hearing
any music earlier?

Now that you mention it...

-"Brahms' Lullaby," wasn't it?
- Right.

What's that got to do
with what happened?

Well, you see, you were programmed
to respond to that piece of music.

And when you were in a trance,
you were given a command to kill me.

But why?

Well, uh, we have reason to believe...

...that the school is infiltrated
by. uh, certain evil forces.

And that the pupils here
have been conditioned just as you were.

I don't understand.

Well, the girls here, the pupils,
are daughters of important people.

And therefore, they have access
to equally important information.

I see.

But who's behind it, Mr. Solo?

I think the original tape of
"Brahms' Lullaby" will supply the answers.

And there's only one person
who can help me get it.

[MOUTHS]
You.

What do you want me to do, Mr. Solo?

Napoleon.

- Napoleon.
SOLO: All right.

GIRL [ON TELEVISION]:
Ahmed...

...1 think there"s something
1 should tell you. I--

Why don't you ever kiss me like that?

Why doesn't anybody
ever kiss me like that?

[TELEPHONE RINGING]

All right, where is it?

Hello?

Way I speak to Miss Miki Matsu, please?
This is Miss Partridge.

Just a moment.

It's Miss Partridge.
She wants to have a word with you.

Hello, Miss Partridge.

I'm calling to find out
how you're feeling, my dear.

Oh, I'm fine, thank you, now.

I am so glad.

[MUSIC-BOX VERSION
OF BRAHMS' LULLABY PLAYING]

When are your coming back to school?

I don't know. Next week, I hope.

Don't change your voice
or your expression...

...just listen to me carefully.

I'm going to tell you
what you have to do.

[MISS PARTRIDGE SPEAKING
INDISTINCTLY OVER PHONE]

Yes, I understand, Miss Partridge.

Thank you for calling. Goodbye.

What did she want?

Just to know how I was teeling
and when I was coming back to school...

...and to say
how much everybody misses me.

Is everything all right?

Yeah, I'm just tired.

I think I'll go to bed.

You'll, uh, lock the windows?

MK
Don't I always?

And don't worry,
I've, uh, bugged your room...

...s0 there's nothing to worry about.

But if you even think
there's something wrong, just yell.

Don't worry, I will.

Good night.

Miki?

Miki!

All right--

SUTRO:
Come in, my dear.

BURGOYNE: I feel like Mata Hari.
SOLO: Good.

- Where'd you find it?
BURGOYNE: Miss Partridge's safe.

She gave me the combination last year...

...when she went to a teacher's conference
in England.

I hope you're wrong about this.

SOLO:
We'll find out in just a minute.

All right.

[MUSIC-BOX VERSION
OF BRAHMS' LULLABY PLAYING]

How do you feel?

I want you to tell me
what you want me to do.

Hmm.

[MUSIC STOPS]

Come on, snap out of it.

Come on.

- All right.
- What happened?

Just as I suspected. It's very clever.

You take a tune that everybody knows
and give it a music-box arrangement. Hmm.

And you take it from there.

I still can't believe that Miss Partridge
could have anything to do with this.

[RADIO BEEPING]

SOLO:
Solo here.

ILLYA [OVER RADIO]:
I'm in a bit of a mess.

I was hit on the head last night
and they took Miki.

Last night?
Why didn't you contact me earlier?

I only just came to.

I was booked by a very conscientious
policeman on a drunk charge...

...and illegal possession of firearms.

Does Mr. Waverly know about this?

I certainly do, Mr. Solo.

And now I have the unpleasant task
of calling Dr. Matsu...

...and telling him that his daughter--

SOLO [OVER RADIO]:
Just a moment.

[TIRES SCREECH)]

What is it, Mr. Solo?

It's Jason Sutro's car.
It's just pulling into the driveway.

They got Miki with them.
You'd better get moving, and fast.

Okay. Now, you stay here. I'm going--

DUANE:
You're bath going, Mr. Solo. Up.

Two barrels. You can take your pick.

She'll get what's left.

Now, get moving.

Just a minute.

Come on.

Go ahead.

SUTRO: I told you, you should've left
the tape with me! What are we gonna do?

PARTRIDGE: There's only
one person who could've taken it.

For your sake, my dear Hester,
I hope you're right.

PARTRIDGE:
Have I ever tailed you?

[DOOR OPENS]

DUANE:
All right. Over there.

I found them in the attic with this.

SUTRO: My most abject apologies,
my dear. Please forgive me.

Watch them closely.

You should've accepted my offer,
Mr. Solo.

Well, the party isn't over yet.

[LAUGHS]

Indeed, how right you are.
The entertainment is just about to begin.

Are you ready?

PARTRIDGE:
Indeed I am, Mr. Sutro.

[MUSIC-BOX VERSION
OF BRAHMS' LULLABY PLAYING]

I want you to relax.

There's nothing troubling you.

It's so good to relax.

MK
Relax.

That's very good.

You're a good girl, Miki. A very good girl.

Good girl.

PARTRIDGE: Do you remember
the papers in your father's safe, my dear?

The ones you took out and memorized?

Yes.

PARTRIDGE:
I want you to recite them to me.

Do you think you could do that?

MK
Yes.

All right, you can start now, Miki.

Matsu Five.

Top-secret.

Part one.

This project is based on the data...

...accumulated during my research
on the effects of gamma radiation.

The findings, we feel,
are of an enormous import.

The developments likely to emerge...

...can serve as a powerful force
for good or for evil.

MIKI: During my research...
SOLO: All right, I wouldn't, Sutro.

Drop it. Put it down.

MIKI:
We feel...

Turn it off. Turn it off!

MK
The developments likely to emerge--

SOLO: Come on, Verity,
get her out of here. Verity.

MIKI: --can serve as a powerful
force for good or evil.

Verity, snap out of it.

Come on, get Miki.

BURGOYNE: Snap out of it, Miki.
- Verity.

BURGOYNE: Come on.
MIKI: Verity.

SOLO: All right, now,
I will shoot the first one who follows.

Get back.

[GUNFIRE]

Come on!

DUANE: He fired both barrels.
He's out of ammunition.

SUTRO:
Stop!

I don't want the girl hurt.
Both of you, wait outside.

I have a better way.

What are you waiting for?
Do you want them to get away?

Oh, have no fear. They won't escape us.

GIRL:
Hi, Mr. Solo.

Hey, Miki.

Where are you all going?

[MUSIC-BOX VERSION OF BRAHMS'
LULLABY PLAYING OVER LOUDSPEAKER]

PARTRIDGE [OVER LOUDSPEAKER]:
Miki. Miki Matsu.

Get away from Mr. Solo. Run, Miki.

Do you understand me? Run.

- Miss Burgoyne.
- Miki, come back!

PARTRIDGE: Attention, Miss Burgoyne.
Mr. Solo means to harm you.

You have reason to hate him.

You will kill him.

Attention all girls on the playing fields.

Attention all girls on the playing fields.

This is Miss Partridge.

Mr. Solo is our enemy.

He wants to hurt Miki
and Miss Burgoyne.

!/ want you to stop him.

[GUNFIRE]

Open Channel D.

[HORNS HONKING]

WAVERLY: Come in, Mr. Solo.
- I'm running out of time, sir.

We're doing the best we can, Mr. Solo,
but it is the morning rush hour, you know.

[GUNFIRE]

[GUNSHOT]

PARTRIDGE: I'm going to resume
where we left off, Miki.

- Is that clear?
- Yes.

We have found that
by combining the two elements...

...the end result
will be an explosive force...

...which will be able to unleash
all the power within in the solar rays.

The other element...

[GIRLS SHOUTING]

GIRLS:
There he is! Kill him!

SUZY:
Quick, he's going under!

GIRLS:
Get him! Kill him!

Conclusions. One:

That the force field thus created
is of a degree heretofore--

[MIKI SCREAMS]

The girls, call them off.

[PARTRIDGE GROANING]

GIRLS:
There he is. Kill him!

What I did, it was--

It was for the school.
Can you believe that?

Attention all girls.

This is Miss Partridge. Stop now.

I repeat, I want--
I want you to stop now.

Go back to your classes.

And remember
you did what I asked you to do.

And I'm very, very proud...

...of all of you.

Mr. Solo, what were you doing in the pool
with all your clothes on?

[GIRLS LAUGHING]

MATSU: You sure
there won't be any aftereffects...

...on any of the girls, Mr. Waverly?

WAVERLY:
I have the unqualified statement...

...of the two foremost experts
in the field, Dr. Matsu.

There's nothing to fear on that score.

MK
What's going to happen to the school?

Miss Partridge left it in her will
to Miss Burgoyne.

She was very fond of Miss Burgoyne.

Why, that's wonderful!

Thank you, Miki.

I still don't know what to think
about Miss Partridge.

All the contradictions.

She really cared for her school.

She was very fond of her pupils.

When she found
she was likely to lose both...

Along came Jason Sutro, bearing gifts.

Indeed. There's a moral in all that.

Well, I'll have to get to other matters.

I'd like propose that we all
have dinner together this evening.

Oh, well, ll-- I'm sorry. sir.

Miss Burgoyne and I will have to beg off.

WAVERLY: Oh, forgive me, Mr. Solo.
I should have known.

Uh, well, just the four of us, then.

MIKL: WWlya and I have
an engagement too, Mr. Waverly.

ILLYA: We do?
- After all, we were cooped up for so long.

I thought we might go
to the Sayonara a Go-Go.

Is that all right, father?

MATSU:
Well, is it all right, Mr. Kuryakin?

The Sayonara a Go-Go?

Well, I suppose so.

WAVERLY: That leaves just you and me,
Dr. Matsu. Shall we make it 7:00?

Why don't we go to my place?

My old housekeeper makes
the best corned beef and cabbage...

...this side of Boston.

[ENGLISH SDH]