The Hardy Boys/Nancy Drew Mysteries (1977–1979): Season 2, Episode 1 - Hardy Boys and Nancy Drew Meet Dracula, Part I - full transcript

(THUNDER RUMBLING)

What are you doing
in this room?

Isn't that our line?

Well, I was sixteen,
and sick of school

I didn't know
what I wanted to do

I bought a guitar,
I got the fever

That's rock and roll

You lay one hand
on those bags

you're gonna be lying on your
back, checking out the ceiling.

Miss Drew, may I remind you, that
you're meddling in our father's case.

Meddling?
I was invited to help.



Come on, we have
an appointment to keep.

With whom?
Dracula.

(LAUGHS)

Roll on thunder,
shine on lightning

And the days are long and
the nights are frightening,

(BESS SCREAMING)

Nancy, why don't we just come back in
the morning? You can almost feel death

NARRATOR: Tonight the Hardy
Boys and Nancy Drew Meet Dracula.

(COYOTE HOWLING)

How much farther?

At the top
of the mountain.

The next turn.
It's not too far.

(THUNDER CLAPPING)

They must have run out of materials or
money when they were building this road.



It's really not used.
Nobody comes up here.

Nobody except me.

This has been this way
for many, many, many years.

And now this American
rock singer has come.

You should have told me
he's an American rock singer.

Ah, this is too much.
It's just too bad.

That's good for business,
isn't it?

Nobody should come here
to this place.

Now, here. Look here.

What a place.

(COYOTE HOWLING)

If I were you,
I would not go inside.

You are not going to tell me
these old legends

about the living dead
and Dracula's castle?

That castle is very old.
I know it. I am the caretaker.

Now, about the legends.
They are just what legends are.

Hey, wait a minute.
I want you to wait for me.

I wait for you at the bottom
of the hill. It smells like rain.

I don't want to
get stuck in the mud.

I'm glad you don't believe
in those superstitions.

(THUNDER CONTINUES CLAPPING)

What's that?

Who's there?

Hello.

(CHITTERING)

FRANK: Joe, he's been missing
for two weeks.

You've gotta follow up every
lead, no matter how thin.

JOE: You'll forgive me if I
pray this one doesn't work out.

He was washed up
from la Seine, the river.

Identification
may be difficult.

(SPEAKING FRENCH)

That's not our father.

(SPEAKING FRENCH)

(PEOPLE CHATTERING)

Frank.

Not bad, huh?

Let's go.

(PEOPLE CHATTERING)

You know, Joe, I'm sure if Dad
was gonna be gone for several days,

he would have checked out
of the hotel.

(RUSTLING)

Who are you and what
are you doing in this room?

Isn't that our line?

Only if this is your room.

It's our father's room.

And your father is?

Fenton Hardy.
Now it's your turn.

Inspector Stavlin.
Romanian police.

You're a long way
from home, Inspector.

You are visiting
with your father?

No.

We've come here to find out
what's happened to our father.

Ah.

I'm afraid I know
only as much as you.

But I will tell you
everything I do know.

Your father was working
with Interpol

on a case
of international importance.

A series of spectacular thefts
of paintings

which emptied the museums
in Europe.

I believe your father was on
the threshold of a breakthrough,

when nothing more
was heard of him.

Until...

Until what?

One night

I received a telephone call.

Very late.

He had a lead.

Could I join him here
in Paris?

And then?

And then the line went dead.

Why would our father
call you, Inspector?

Your father was liaison between
all the police departments of Europe.

We became most friendly in the short
time we worked together. Most friendly.

Do you have any leads
to these art thefts?

Do you think it was a gang?
Do you have any names?

We have nothing.

Interpol is circulating pictures
of your father throughout Europe.

Oh, we will find him.
Of course we will find him.

Why don't you two boys
go back home and wait?

I promise you,
I will telephone you myself

as soon as I know anything.

Waiting isn't exactly
our long suit, Inspector.

I regret that we have to meet
under these circumstances.

If our father does call us,
how can we reach you?

I am returning to Poenari
this afternoon.

This is a town in the
province of Transylvania.

You may contact me there
or through Interpol.

Thank you.

Thank you, Inspector.

(SPEAKING FOREIGN LANGUAGE)

Did he say Transylvania?

I wasn't aware
it really existed.

What do you think?

We better search
Dad's hotel room.

JOE: If Dad's running through the
form, his notebook should be right here.

Aha!

Here we go. Notations
on that insurance fraud.

Dellano case,
over there.

FRANK: Here we go.
Look, Europe.

List of dates.

Munich, Vienna.

These are the robberies.

JOE: See these.

These correspond
with the robbery dates.

FRANK: Meet at Ritz Hotel,
Munich, June 11th, 5:00.

Book room 301
in the name of Fredricks.

Look at this.

Poenari. That's where
the Stavlin's from.

JOE: What is
a Dracula festival?

Do you think we should
show this to the Inspector?

No, no.

Stavlin's main concern is with
the paintings, not with finding Dad.

We could blunder in asking questions
and mess up everything Dad's worked for.

Even endanger his life.

So we don't travel as Frank and
Joe Hardy looking for their father.

We need a cover.

How do we get into the Ritz
Hotel as anyone else but ourselves?

I'm Frank Hardy
and this is my brother Joe.

Hi. Nice to meet you.

How long have you all been
together? Do me a favor.

They didn't come with me.

I picked them up over here,
didn't I? On the Eau de Cologne.

The what?

The telephone.
It's Cockney rhyming slang.

Hey, Gurd, Frenchie. Come over
and meet the boys, Frank and Joe.

Hi. Frank.
Hello, Joe

Brother Joe.
Yes. Frankie. This is Joe.

I am Tim Car stairs.

FRANK: Nice to see.

That's pretty much the Queen's
English, but they are great musicians.

Oh, my brother's a musician.
He's got a group back home.

Oh, whoopee.

(SPEAKING FRENCH)

(SPEAKING FRENCH)

How come
none of you sing?

Well, nobody speaks
the same language, do they?

And me, I've got voice
that'd break a glass?

We would like to go along
with you.

Now, listen, man,
there's three of us already

and that doesn't leave a lot
for us to split up between us.

We will make an adjustment.
We will pay you to take us along.

You mean you are willing
to pay us to join our group.

Yeah.

How much?

$50 a night.

Either you must be very
desperate to get into show business

or he must be awful.

Come on, Joe. Sing a few bars.

Yeah. Come on.

Come on everybody, get
down, let's rock and roll

Well, make it $60.

(LAUGHING) We're on then?

Why not? We can do
with the company, can't we?

Great. We know
of some dates in Munich.

Okay. But we got a big one on
the 12th. It's the Dracula Festival.

You know,
the Count's very own castle.

Place called Poenari
in Transylvania.

Allison Troy's headlining it.
Should be a guest actually.

Good.
Well, you're going.

We'll get our stuff
and come right back.

Okay, then.
We will be waiting for you.

Dracula Festival. It's the
last entry in Dad's book.

Sounds like all roads
lead to Transylvania.

ALL: Obladi, oblada,
life goes on, brah

la, Ia, Ia, la, goes on

In a couple of years they
have built a home sweet home

With a couple of kids
running in the yard

of Desmond and Molly Jones.

Happy ever after
in the market place

Molly lets the children
lend a hand

Desmond stays at home
and does his pretty face

And in the evening
she's a singer with the band

Obladi, oblada,
life goes on, brah

la, Ia, Ia, la, goes on

In a couple of years they
have built a home sweet home

with a couple of kids
running in the yard

of Desmond and Molly Jones

Happy ever after
in the market place

Molly lets the children
lend a hand

Desmond stays at home
and does his pretty face

And in the evening she's a
singer with the band, okay

Obladi, oblada,
life goes on, brah

la, Ia, Ia, la, goes on

Obladi, oblada,
life goes on, brah

la, Ia, Ia, la, goes on

If you want some fun,
say Ob-la-di-bla-da

GURD: And you, and you.

Yes, sir.
May I help you.

I believe we're expected.

We reserved suite 301.
We did?

Yes, for the 11th
in the name of Fredricks.

Ah, you are Herr Fredricks.

No, we're meeting
Mr. Fredricks.

We?

My brother and I. We'll need an
additional room for the other three.

Well, I know they are a
little ragged at the moment,

but they are
very prominent musicians.

I am sure your guests will be
thrilled to hear they're staying.

Prominent?

Yes, an American musical group called
Circus. I'm sure you've heard of them.

I'm only familiar
with the Mills Brothers.

Ah, yes, well, it's difficult to
keep up with all the new groups.

If we could get up
to those rooms now.

Before the reporters jump all
over us, we like to freshen up.

Jet lag.

Reporters.

Yes, if you'll register here.

I'll have the bellman
bring up your bags.

(BELL RINGING)
Fritz!

Yeah, Capitan.

I told you
never to call me that!

Sorry.

You can bring the bags
in here.

Frank, it's your cue.

Thank you.

Thanks very much.

Thank you, sir.

A steady diet of Fritz, and we could
be in trouble long before we find Dad.

If we find Dad.

I gotta tell you, Frank,
I'm really worried.

I mean, if this lead
doesn't pan out, I...

Look, it's almost 3:00.
We still have two hours.

Whoever is supposed to show
at suite 301 will be here at 5:00.

Still could be Dad.

Well, this could be the only chance
we have to get a break. You hungry?

Thought you'd never ask.

(WOMAN CHATTERING)

Hello. I am here
for suite 301.

301?

You would be Miss Fredricks?

Yes, that's right.

The rest of your group
is here.

They've already gone up
to their rooms.

They?
All five.

There are five people
in suite 301?

No.

Three of them
are on the second floor.

I'm sorry we could not
make it adjoining rooms.

There was nothing in the reservation
about an American rock and roll group.

Is something wrong?

No, that's fine.

If you'll just send
a bellman up with me.

Fritz!

Bess...

Sorry.

Let me guess. They
don't have the reservation.

Oh, they have it all right.

Apparently, they've got some rock
group booked into our contact's room.

I don't know. We'll find out
when we get there.

A rock group?
What am I doing here?

You are here because I asked you here. You
can't always be at the classical concert.

(WOMAN CHATTERING)

Whose bags are these?

The two gentlemen
in your party.

Is one of them a man about 40
with graying temples?

No, no,
they are very young men.

The rock group
I was telling you about.

I'm afraid these young men
you're referring to

have been pulling
a slight number on your hotel.

Number?

A con, a rip off.

Look, if you'll please return
these bags to the lobby

and tell the clerk that these boys can stay
with their three friends, but not with us.

I think I understand.

I think we all do.

(MUMBLING)

Nancy,
what are you doing?

How do you know you
haven't sent our contact away?

The one
you're supposed to meet.

Dad arranged for me to register
under the name of Fredricks

to meet a man named Fenton
Hardy at 5:00 on the 11th.

Fenton Hardy is hardly
a rock group.

These boys are probably just trying
to beat the hotel out of a night's rent.

What are those guys going to do when they
find out their bags are down in the lobby?

They'll probably realize
they've been caught

and they'll be so embarrassed
we'll never see them again.

(WOMAN CHATTERING)

See anything you like?

Yeah.

What?

Our luggage.

Excuse me.

What do you think
you are doing with my bags?

I only obey orders, sir. Well,
you're going to get some new ones.

Follow me while I get this
straightened out.

Who told you
to remove my bags?

There's another party
occupying the room.

Well, yes, but what you
don't understand is

I'm expecting another party
to occupy the room.

I understand. It's the other party
who doesn't seem to understand.

Waiter. I'll order
for my brother.

Was one of these people a
45-year-old man with graying temples?

Together, these two ladies
would not add up to 45.

Ladies?

Take these bags down to the front
desk and explain there has been a mix-up.

I'll be waiting
in the lobby for new orders.

Now there won't be
any new orders.

Waiter, we're ready.

Hello, achtung.

But your partner
didn't return, sir.

I will order for him.

Frank will have the...

We're in a very big hurry.
If you could help us out?

Why, of course.

Thank you.

Where's the food? Why
didn't you order food, Joey?

If we miss
that connection upstairs...

I tried to order.
She stole our waiter.

Joe, can't you
ever be serious?

Nancy, just this once
I think I will go off my diet.

Wait!

Nancy, I was only kidding.
Nancy, where you going?

NANCY: Wait a minute!

Where do you think you're
going with those bags?

I'm only following orders.

Whose?

The gentleman in 301. He has no gray
in his temples. And this time he was alone.

What are your orders?

My orders are for you to take
those bags right back up there.

It's about time I got
to the bottom of this.

Of course.
Go ahead.

Al right.
I will follow you.

Waiter.

We don't have time to eat now.
Let's get something later. Come on

Bess, you go ahead and eat.
I will be right back.

But, Nancy,
where are you going?

To straighten
a couple of jokers out.

It's almost 5:00.

Hold that!

(ELEVATOR BELL DINGING)

Thanks.

I'm glad somebody around here
has some manners.

I know what you mean.

You're having trouble
with the natives?

No, my countrymen.

When they come over here,
they're loud,

and they're devious.
They jump reservations.

Steal waiters.
Joe.

You have to excuse
my brother.

He's had a little trouble
with a native himself.

Not a native.

Anyway, my name is Frank.
Frank...

Listen. Good luck.
It was nice to meet you.

I'm sorry. I'm in an awful
hurry. Enjoy Europe.

And another one slips
through my fingers.

Somehow I got a message
from that one.

I wouldn't worry about it
too much, Frank.

I have a feeling our paths
are bound to cross again.

Astrology?
Metallurgy.

Metallurgy?

According to the key
in her hand,

the young lady shares a very
important place in our future.

The very least,
she's sharing a room with us.

What do you want?
What are you doing in my room?

We want our waiter back.

Joe.

Look, I sent your luggage
down once.

If I have to,
I'll carry it out again.

But this time it stays out.
Understand?

If you lay one hand
on those bags,

you're gonna be lying on your
back, checking out the ceiling.

That's a cute trick.

Now then?

Keep the waiter.
I lost my appetite.

Are you two going to leave
quietly or do I call the desk?

You call the desk.

Look, there's been
some kind of mistake.

I don't know why you two
insist on compounding it.

Apparently, you two feel
entitled to this room.

Well, you can have it.

Thank you.

After tonight, I need you two
out of here by 5:00.

5:00?
5:00?

Yes, that's right. I have a
personal appointment here at 5:00.

It's not personal.
It's confidential.

Fredricks?

A middle-aged man
with graying temples?

Who are you?
What have you done with him?

Mr. Fredricks is our father.

What do you
have to do with him?

How do I know
you're who you say you are?

Would a passport help?

I take a little better
picture, Miss...

Oh, Nancy Drew.

Well, I'm sorry
about this misunderstanding.

This isn't the way
it was supposed to be.

Where's your father?
Why did he send you?

He didn't send us.

He mysteriously fell out of phone
contact with us over a week ago.

The police called for us
to identify a body.

Fortunately, it wasn't him.

But what we found was the
notebook he uses on his cases.

And it was our only lead to his
disappearance, this rendezvous.

Well, do you think
anything's happened to him?

Well, we hope not. But
the fact is that he's not here.

We'd like to know
what you know about this case.

While I was attending a summer
extension course at the University of Paris

with a friend of mine, a client
of my father's was also in Paris

to pick up a rare painting
that he'd purchased.

It was to be donated
to a museum back home.

Unfortunately,
the painting was stolen.

And so the client called my father
to see what he could do about it.

Your father's a detective?
No, my father's an attorney.

And he found out from the
authorities that this was just one

in a whole series of art thefts
that have been taking place

for the past six months,
undoubtedly by the same ring.

That's the case
Dad's working on.

How do you fit into all this?

Well, I do investigative work for my
father. I came up with some pieces

to the puzzle that your father
was interested in.

You talked to Dad?
Yes. About 10 days ago.

We were supposed to meet here
and compare notes.

Well, I have Dad's notes. Maybe
you can make some sense out of them.

These dates correspond with
concert appearances given by

the American Rock star,
Allison Troy.

Allison Troy could buy
every museum in Europe.

Why would he want to be
involved with stolen paintings?

Your father discovered that
each of the robberies took place

during one of
Allison's concerts.

It was his theory that somebody
from Allison's entourage was involved.

How did he expect you
to help him?

I was running backgrounds
on Allison's people.

Now, it seems to me
when I solve the robbery case,

we'll find out what happened
to your father.

When you solve this case?

Miss Drew, may I remind you, that
your meddling in our father's case

could seriously
compromise his position.

Meddling?
I was invited to help.

As I understand it, you two
are just here on your own.

We have a cover that's gonna
bring us right into Transylvania.

Low profile,
no questions asked.

Let me guess, a rock group.

Right.

You call a rock group
low profile?

Well, apparently Allison Troy is bringing in
every rag tag group drifting around Europe.

We will be able to wander
around at will.

We'll be glad to keep you
informed back here in Munich.

But I won't be in Munich.
I'll be in Transylvania.

Doing the kind of planned, thorough
investigative work that I learned from my father.

I got your message.
The bags are in the lobby.

Good, because we're leaving.
Come on, Bess.

Very nice meeting you,
gentlemen. Almost.

Well, we didn't have
any choice, did we?

We did the right thing.

What was that all about?
The Amateur Hour.

Come on, we have
an appointment to keep.

With whom?
Dracula.

(COYOTE HOWLING)

Is that where
we're going to play?

I don't think I'll fancy
this gig that much after all.

JOE: It's just an old castle.
FRANK: Dracula's castle.

It is a little
ominous-looking, I must say.

Yeah, you blokes
are getting me going.

Can't we come back
in the morning?

I'm sure we must be
a day early.

STAVLIN: The rock festival
is not the answer.

It is a humiliation
for the entire world.

Inspector, my hotel
is sold out for the week.

Shopkeepers tell me business
is booming already.

People are pouring into the
town from all over Europe.

And the United States.

I have not lost my touch with
reality. I do read the newspapers.

You know what young people do when
they move into a town for a rock festival?

Joe.

They destroy it.

He doesn't exactly give us young
people the benefit of the doubt, does he?

Hey, you blokes
gonna register?

You go ahead. We've just seen
a friend we want to say hello to.

An old friend in this place? Say,
just who are you guys anyway?

Just two frustrated performers who
wanted to get in show business, remember?

Yeah, I remember what you said. I
wasn't born bleeding yesterday either.

FRANK: Inspector Stavlin.

Well, it's good to see you.
Inspector.

Please meet my friends.

This is Frank Hardy
and Joe Hardy. Our mayor.

Hello.
Mr. Kolbe.

I'm Haufman Berger,
I'm the owner of the hotel.

How do you do?

Well, what brings you
to Poenari?

We're some of those young people
that are here at the Dracula Festival.

I see.

There is no Dracula Festival.
There is a festival of St. Elias,

which has been celebrated as a
tradition for many hundreds of years.

Allison Troy has leased
the castle for one week.

His performances are being
televised by one of your networks.

Travesty. Travesty.

Tell me, Hans, is it really the
commercialism which worried you?

This festival is putting our town
back on the map after 600 years.

We're going to
come out of it very well.

So what is it? Is it fear
of whom you might offend?

Or what?

Our friend, the Mayor, of course, is
referring to the Prince of Wallachia,

Vlad Tebes,
known as the Berserker,

the Impaler,
the Count Dracula.

So he was a real person?

Oh, yes.
Just as real as you and I.

He was the ruler of Wallachia,
of this land here,

from 1456 to 1462.

He tortured and killed
thousands of people in that castle.

Until he himself was killed
by the Turks.

It is said that the monks
from the monastery of Snagov

buried Dracula's body
on the island of Snagov.

Others say that he was brought
back here to rest.

And rise again from the dead.

HAUFMAN: Well, I think we'll
leave that nonsense for the tourists.

I'm not afraid of the living dead,
it's only the living that I mistrust.

I'm merely trying to protect the
honor and integrity of Poenari.

With your permission, I will
take my two young friends

and have them registered.
Yeah, very good idea.

Thank you.

I must say, I was quite surprised to
see you. Pleased but very surprised.

We found Dad's notebook. It indicates he
was following Allison Troy's European tour.

Which coincides in every city
with one of the art thefts.

The last statement in the book shows that
he was coming here, to the Dracula Festival.

And you expect to find
your father here?

It's the only lead we've got.

Very good. Very good.

Now if you find anything,
anything, come to me immediately.

We will.

Haufman Berger has promised these
two young men a room in the hotel.

Thank you.

That proves Dad was here.

Question is, is he still here
or has he moved on?

If he was after Allison Troy,
he wouldn't have moved on.

Speaking of moves,
what's our next one?

Allison Troy.

Roll on thunder,
shine on lightning

And the days are long and
the nights are frightening,

Nothing matters anyway
and that's the hell of it.

Winter comes
and the winds grow colder,

while some grow wiser,
you just grew older,

you never listened anyway
and that's the hell of it.

Good for nothing,
bad in bed

Nobody likes you
and you're better off dead

Goodbye
CHORUS: Goodbye

We've all come to say goodbye
CHORUS: Goodbye

Goodbye
Goodbye

Born defeated, died in vain

super destructive,
we were hooked on pain

And though your music
lingers on,

All of us are glad
you're gone

Loved yourself
as you loved no other

Be no man's fool
and no man's brother

That we're all
going to die alone, you know,

and that's the hell of it

Life's a game where
they're bound to beat you

And time's a trick
that can turn to cheat you

And we only waste it anyway,
And that's the hell of it

Good for nothing, bad in bed

Nobody liked you
and you're better off dead

Goodbye
Goodbye

We've all come to say goodbye
Goodbye

Goodbye
Goodbye

Born defeated, died in vain

Super-destructive,
you were hooked on pain

And though your music
lingers on,

all of us are glad
you're gone

If I could live my life
half as worthlessly as you

I'm convinced
that I'd wind up burning too

(LAUGHING)

(SPEAKING FOREIGN LANGUAGE)

We're playing here.
We are the Circus.

That's the guy we know, that's the
guy we want to have over there, Mr. Troy.

Hey, Allison Troy.
Hey, over here, Allison.

Allison Troy.

What a lovely girl. What
blood type are you? Double A?

Over here. Wait.

You?

Who are you?

Part of the Circus, the main
part. I am Tim Car stairs.

I remember three.

Yeah, well, we picked up a
little vocal talent on the way.

Well, the money
stays the same,

if you want to divide it five
ways, that's fine with me.

Well this bloke's ace,
he's dynamite.

He's gonna be the hit
of the festival.

You'll be in the fourth spot
rotating every 45 minutes.

Continual music is what we want.
Leave the grandstanding for me.

We'll be televising every
night, but don't get too excited

because 90%
of the show is me.

That's the way
we planned it. Got it?

Good. Now get your contracts from
Kelly, get your costumes from Valerie.

One other thing, try to be
careful in this crumbling old ruin.

Our insurance doesn't exactly cover
people falling through rotten floors

and heavy masonry
falling upon their head.

Most of this place
is off limits, understand.

The Mayor has been very nice.
It's a historical landmark in his words.

So, let's not try to take too many
souvenirs home with us, guys.

One other thing,
nobody but nobody,

goes through that arch
into the caverns below.

Why not? Why? Because
the Count says so.

That's why. And the
Count is the Captain. Mike.

Okay, guys.
Let's go and get up.

Warm human being.

It's that little personal
touch, like a rattle snake.

Yeah, we've got
to stick close.

Dad must have had
a pretty good reason

to follow him all over Europe.
Come on.

Turned a shrine, a national
cemetery, into a carnival for pennies.

No one is buried here
except some silly legends.

Let's finally stop
considering this nonsense.

We will go down and inspect the caverns
to make sure that they're safe for filming.

And to dispel your ghosts
once and for all.

You must not go in there.
It's dangerous.

You must not disturb.

Perhaps the old man is right.
Perhaps we should not disturb.

Really, who?
The undead?

Stop, you are really letting your
imagination run away with you.

It is a good thing Stavlin is retiring.
He is older in spirit than his old castle.

You show us the way, please.

Al right.

Hey, thank you, ladies
and gentlemen, thank you.

Just another pretty face.

(ALL LAUGHING)

Ladies and gentlemen,
I give you, the Circus.

This is where we part company.
Keep them entertained.

Where are you going? To learn
what we came here to find out.

What happened to Dad.

Well I was sixteen,
and sick of school

I didn't know
what I wanted to do

I bought a guitar,
I got the fever

That's rock and roll

I played at parties,
played in bars

I spent my money
buying new guitars

I scream my heart out

but how I love you,
that's rock and roll

(MICE SQUEALING)

Well, come on everybody
get down and get with it

Come on, everybody,
get down and get with it

Come on everybody get
down, lets rock and roll

It's red smoking, and the
beat, tugs at your heart

can you rock with the beat

Bess.
Hey, not bad.

Just have to fight it
just go inside

that's rock and roll

Come on.

Nancy, do we really
have to go down there?

You don't have to.
I have to.

Good, 'cause this is one
of my favorite songs.

Very heavy. Come on.

Well, come on everybody,
get down and get with it

Come on everybody,
get down and get with it

Well, come on everybody,
get down, let's rock and roll

HAUFMAN: What is this? I don't think
I've ever seen a crest like this before.

We took the wrong turn.
Quickly out of here.

Everybody, out! Out! Quickly.

It's just that kind of
superstitious nonsense

that's put our country back
in the old age.

It's getting really chilly
at this end of the tunnel.

Must be a passage
to the canyons below.

We better don't go any further, we
could plummet down a thousand feet.

We better find the caretaker.
All right.

Who did they keep
in here? Victims.

(EXCLAIMING)

I'm too old for
this sort of adventure.

Come.

Please keep close. The
castle is very, very dangerous.

Yes, perhaps
Dracula will attack us.

Hey, Berger.
Berger. Berger?

Where is he?

I warned you. Warned you.

Oh, rubbish. Berger is the
most intelligent of all of us.

He became bored and went back.

I'm getting bored, too.
Let's go back, shall we?

Yes.
Thank you.

Well, at least now we know
it's safe for the film company.

Nancy, why don't we just
come back in the morning.

Because a life might
be hanging in the balance.

Yeah, that's what
I'm afraid of.

This place is so old,
you can almost feel death.

(SCREAMING)