Switched at Birth (2011–2017): Season 1, Episode 25 - The Shock of Being Seen - full transcript

- PREVIOUSLY ON
"SWITCHED AT BIRTH"...
- WHAT THE HELL ARE YOU DOING?

PUT THE PIN BACK
IN THE GRENADE, ANGRY GIRL.
I'M JUST ANSWERING YOUR PIECE.

THE LAW SAY THAT
I HAVE TO ACCOMMODATE YOU
TO THE BEST OF MY ABILITY,

SO IF YOU WANT TO STAY,
GO WASH DISHES.

Judge:
WILL YOU,
REGINA TERESA VASQUEZ,

TAKE THIS MAN TO BE
YOUR LAWFULLY WEDDED HUSBAND?

- I WILL.
- THIS MARRIAGE IS
STRICTLY ON PAPER.

- WHAT EXACTLY
ARE WE LOOKING FOR?
- ANYTHING ABOUT THE HOSPITAL

OR WHERE ANGELO
MIGHT HAVE GONE.

MAYBE HE WENT TO SEE HER.

COLLEEN VANDERNOOT.
DOES THAT RING ANY BELLS?



I THOUGHT WE COULD GO
TALK TO HER TOGETHER AND MAYBE
IT WOULD JOG YOUR MEMORIES.

- NO, SERIOUSLY.
- I INSIST. I AM NOT
GOING TO LET YOU FREEZE.

- OH.
- I AM SO SORRY.

THEY'RE GOING TO BE MAKING SURE
THAT WE ARE LIVING TOGETHER.

AND IF WE ARE NOT,
WE COULD GO TO JAIL.

WHAT IF ANGELO DOESN'T MOVE
INTO THE GUEST HOUSE,

BUT HE MOVES IN HERE

WITH US?

( spray paint hissing )

( people laughing )

Medusa:
I'M NOT EVEN LISTENING
TO YOU, MAN.

SEE, THERE'S SOME
YELLOW IN HERE, YEAH.

- ( soft chatter )
- Guy: MAN, JUST STICK
WITH PAINT, BRO.

Medusa:
WHAT ARE YOU TALKING
ABOUT, DUDE?



( laughter, chatter )

HEY, WHO THE HELL ARE YOU?

ANGRY GIRL, YOU'RE BACK.

YEAH, AND AS A BONUS
I'M NOT EVEN ANGRY.

DAMN, WHAT AM I GONNA
CALL YOU THEN?

- BAY.
- I HAD HER PEGGED
AS MORE OF A COURTNEY.

( chuckles )
OR A BRITTANY.

- ( laughs )
- Bay: WELL, IT'S BAY.

IT'S BAY VASQUEZ
ACTUALLY.

OH YEAH?

YEAH.
WHAT'S YOUR NAME?

ZARRA.

THAT'S EIGHT BALL,
MOUSE AND THIS IS J.T.

DO YOU THINK THAT I COULD
HELP YOU GUYS OUT?

LIKE DO A LITTLE TORNADO
ON THAT STREETLAMP
OR SOMETHING?

- YEAH, WE ACTUALLY DON'T MESS
WITH TOYS OUT HERE, SO...
- I'M NOT A TOY.

- AND WE'VE ALREADY
WORKED TOGETHER, SO--
- YOU WORKED WITH HER?

UH... HUH.

LOOK, I GOT THIS, OKAY?

LOOK, THIS ONE'S ALMOST
ALL PLAYED OUT,

BUT WE'RE STARTING
SOMETHING NEW THIS WEEKEND.

MAYBE YOU COULD PITCH IN.

- REALLY?
- YEAH, I'LL TEXT YOU
A TIME AND PLACE.

I'LL BE THERE.

SURE YOU'RE UP FOR THIS?

- ABSOLUTELY.
- ALL RIGHT, GIMME YOUR NUMBER.

WE'RE GONNA FIND OUT.

HEY, I'M OUTTA HERE.

WHO ORDERED THESE?

I THINK THEY'RE FOR THAT
BRIDAL PARTY TOMORROW.

DUMBEST TREND EVER.

WHAT'S WRONG
WITH CUPCAKES?
THEY'RE DELICIOUS.

THEY'RE FOR
FIVE-YEAR-OLDS.

WHAT?
I'M YOUNG AT HEART.

YOU SHOULD PUT THESE
IN THE WALK-IN.

- AM I ALLOWED IN THERE?
- WHY NOT?

JUST DON'T GET LOCKED IN.

I'M KIDDING.
ACTUALLY NO, I'M NOT.

( screams )

- NO NO NO NO NO!
- DAPHNE.

- WHAT HAPPENED?
- I'M SORRY, JEFF.

I-- THE SHELF FELL AND I--

AW, DAMN IT.

IT'S OKAY,
IT'S NOT YOUR FAULT.

I KNEW I SHOULD HAVE
FIXED THAT SHELF.

HERE, JUST THROW THOSE OUT.

I MIGHT BE ABLE TO FIX THEM.
I'M PRETTY GOOD WITH
A FROSTING PIPER.

THEN YOU BETTER NOT HAVE
ANY PLANS TONIGHT.

I DON'T HAVE ANY PLANS.

TV:
They don't come
to the surface for air

like some marine mammals
because sharks are fish.

Like any other fish,
they rely upon their gills

to allow them to breathe
while underwater...

- HEY.
- SORRY. I THOUGHT YOU
WORKED OUT IN THE MORNING.

EH, SOMETIMES I
WORK OUT IN THE MORNING,

SOMETIMES
IN THE AFTERNOONS.

THAT'S THE BEAUTY
OF HAVING YOUR OWN GYM.

- YEAH.
- OH NO NO, PLEASE CONTINUE.

- I WAS PRETTY MUCH DONE.
- NO, YOU GOT A GREAT
SWEAT GOING.

- JUST FINISH UP.
- I'LL BE ANOTHER 20 MINUTES?

FANTASTIC.

JUST IF YOU COULD
REMEMBER TO WIPE

EVERYTHING DOWN
WHEN YOU'RE DONE?

- OKAY.
- YEAH.

( door closes )

- ( sighs )
- IF YOU LIFT UP AT THE END,

IT WILL GIVE YOU
MORE CONTROL.

GREAT.

I'M GONNA HAVE
SOME MORE COFFEE.

- THANK YOU.
- DID YOU EVER THINK
ABOUT DOING PASTRY?

- ( snickers )
- WHAT?

ARE YOU TRYING TO GET ME
OUT OF YOUR KITCHEN AGAIN?

NO. I CONTRACT OUT DESSERTS
BECAUSE I'M NO GOOD AT THEM.

YOU CLEARLY ARE.

I WANT TO BE GOOD
AT A LOT OF THINGS.

DESSERTS ARE JUST EASY
BECAUSE I'M A VEGETARIAN, BUT--

( chokes )

THAT IS WORSE
THAN THE DEAF THING.

DID YOU SERIOUSLY
JUST SAY THAT?

YEAH, I SERIOUSLY JUST DID.
IT'S NOT CUISINE.

WHAT, BECAUSE
THERE'S NO DEAD ANIMAL
IT'S NOT CUISINE?

WE ARE MEAT EATERS.
WE HAVE BEEN MEAT EATERS
FOR MILLENNIA.

- THAT HAS NOTHING
TO DO WITH IT.
- YES, IT DOES.

IT SATISFIES US.
I'VE SEEN YOU SCARFING DOWN
THOSE BUTTERED ROLLS.

YOU KNOW WHY YOU
LOVE THEM SO MUCH?
ANIMAL FAT.

YOUR POOR STARVING BODY
IS DYING FOR IT.

- I'M NOT STARVED!
- BUT YOU'RE NOT SATISFIED.

AND WHETHER OR NOT YOU WANT
TO SAVE BAMBI OR WHATEVER,

WE ARE IN THE BUSINESS
OF SATISFACTION,

NOT EVOLUTION.

OKAY.

IT'S YOUR TURN.

HAVE YOU EVER BEEN
TO A CHICKEN FARM?

BECAUSE I HAVE
AND THERE'S NOTHING
SATISFYING ABOUT IT.

- THERE'S FREE-RANGE--
- FREE-RANGE AND ALL THAT--

IT'S STILL DEATH.

AND ALSO, YOUR POINT OF VIEW
IS COMPLETELY NARROW-MINDED.

YOU SAY YOU HAVE TO BE THIS,
YOU CAN'T BE THAT.

IS THAT WHAT THEY TEACH YOU
AT CULINARY SCHOOL?

BECAUSE IF IT IS,
I'M NOT SURE I WANT TO GO.

YOU ARE FUN ON CAFFEINE.

YOU NEED SOME ANIMAL FAT
FOR YOUR COFFEE.

AND YOU CAN THANK M.I.T.
FOR MY NARROW MIND,

NOT CULINARY SCHOOL.

- M.I.T.?
- MASSACHUSETTS--

I KNOW WHAT
M.I.T. MEANS.

THAT'S WHY MY TUNA TARTARE IS
SO BEAUTIFULLY STACKED.

I HAD TO USE
MY ENGINEERING DEGREE
FOR SOMETHING.

SO WHAT HAPPENED?

SOMEBODY TOLD YOU
TO GET A NEW DREAM?

NO, IT NEVER REALLY
WAS MY DREAM.

ALSO PROBABLY WHY
I WAS SO MISERABLE.

THE ONLY THING
I EVER TRULY LOVED
TO DO WAS COOK, SO...

SO YOU DECIDED TO DO
WHAT YOU REALLY LOVED,

EVEN THOUGH NOBODY ELSE
THOUGHT IT WAS A GOOD IDEA.

HMM, THAT IS INTERESTING.

YOU HAVE A LITTLE--

( guitar notes playing )

I DON'T WANT TO INTERRUPT
THEIR MEETING IN THERE.
IT LOOKS IMPORTANT.

AH, IT'S JUST THEIR LAWYER.
ENDLESS LAWSUIT.

CROISSANT?
THEY GAVE ME AN EXTRA ONE.

OH NO, I'M GOOD.

SO HOW ARE YOU HOLDING UP
AT CASA DE KENNISH?

IT'S, UM--

IT'S NICE OF YOUR PARENTS
TO OPEN THEIR HOME TO ME.

SO...

HAVE YOU EVER PLAYED
WITH A BAND?

YEAH, BUT MY BASS PLAYER GOT
SHIPPED OFF TO BOARDING SCHOOL

AND MY DRUMMER HAD SEX
WITH MY GIRLFRIEND,

SO I'M KINDA NOWHERE
RIGHT NOW.

I KNOW WHAT YOU MEAN.

SO WE'RE GOING TO TRIAL

WITH ONE LACTATION
CONSULTANT

WHOSE FAVORITE TOPIC
IS THE ANTICHRIST?

MOST OF THE TIME SHE GIVES

A VERY CONVINCING PORTRAIT
OF THE HOSPITAL'S NEGLIGENCE.

I WAS HOPING WE'D HAVE
MORE AFTER SIX MONTHS.

WHAT ABOUT ANGELO'S SOURCE
AT THE HOSPITAL?

- WE ASKED HIM, WHAT? TWICE?
- TWICE.

EACH TIME HE SAID HE GOT
AN ANONYMOUS PHONE CALL

TIPPING HIM OFF
TO A DISGRUNTLED NURSE.

WHAT ABOUT THE FACT THAT
THE GIRLS WERE ACTUALLY
SWITCHED AT BIRTH?

- ( phone ringing )
- I MEAN DOESN'T THAT
COUNT FOR SOMETHING?

OH, I SHOULD GRAB THIS.
EXCUSE ME.

- HONEY--
- HELLO.

SO DID YOU HEAR THAT
I'M GOING TO BE INTERVIEWED

ON "GOOD AFTERNOON
KANSAS CITY"?

- NO NO, THAT'S GREAT.
- YEAH, ABOUT MY BOOK.

( stammering )
MARCIA GRACE--

SHE'S GOING TO INTERVIEW
ME AND REGINA.

UM, BUT THEY WANT TO DO IT
IN FRONT OF THE HOSPITAL.

- DO YOU THINK THAT'S OKAY?
- I DON'T SEE WHY NOT.

OBVIOUSLY STEER CLEAR
OF THE LAWSUIT

AND DON'T LET THEM TALK YOU
INTO SAYING ANYTHING
THAT YOU'LL REGRET.

OH, I'M SURE
I'LL BE FINE.

- I KNOW YOU WILL BE.
- YEAH.

SO YOU'RE ACTUALLY
DRIVING OUT TO SEE
CRAZY COLLEEN?

- YEP.
- ( both laugh )

WELL, I DON'T MISS THAT.

OH, I DIDN'T--

I DIDN'T MEAN--

NO NO, IT--

( footsteps )
AHEM.

THAT WAS
THE DEAN AT BUCKNER HALL.
CRAIG, YOU'LL HAVE TO EXCUSE US.

- WHAT IS IT, HONEY?
- WE NEED TO HAVE A CHAT
WITH OUR DAUGHTER.

ACADEMIC PROBATION?
THAT'S IMPOSSIBLE.

IT'S ONLY BEEN
LIKE THREE WEEKS.

THE DEAN WAS
IMPRESSED AS WELL.

- HE THINKS
YOU SET A NEW RECORD.
- WHAT CAN I SAY?

GRANDMA BONNIE WAS RIGHT.
I'M LATINA.

I'M AT A SEVERE
GENETIC DISADVANTAGE.

- BAY.
- THIS HAS NOTHING TO DO
WITH YOUR RACIST GRANDMOTHER.

- SHE'S NOT RACIST.
- OH, HONEY, PLEASE.

SWEETIE, YOU HAVE NOT
TURNED IN YOUR LABS
FROM THE GALAPAGOS,

NOT TO MENTION A WEEKS'
WORTH OF MATH HOMEWORK

AND I BELIEVE THERE'S A PAPER
DUE IN YOUR FRENCH CLASS?

THAT PAPER IS NOT DUE
UNTIL LIKE MONDAY.

OH.

HONEY, YOU REALLY
HAVE TO BUCKLE DOWN.

COLLEGES LOOK
AT THESE GRADES.

BUT I'M GONNA GO
TO ART SCHOOL.

AND THEY DON'T CARE
ABOUT STUFF LIKE THAT.

THEY JUST CARE ABOUT
THE WORK THAT I SUBMIT.

BAY, I KNOW YOU'RE
INTO PAINTING AND ALL THAT,

AND THAT'S WONDERFUL,
BUT YOU HAVE TO KEEP
YOUR OPTIONS OPEN.

OKAY?
UNTIL YOU FINISH
THESE ASSIGNMENTS

- YOU ARE NOT LEAVING THE HOUSE.
- YOU'RE LOCKING ME UP?

THAT-- WHAT IF I HAVE ERRANDS
THAT I NEED TO RUN OR SOMETHING?

- NO HOMEWORK, NO LEAVE.
- THAT IS SO UNFAIR, DAD!

HI, UM, I JUST NEEDED
TO PASS THROUGH.

- I'M SORRY TO INTERRUPT.
- YOU'RE NOT INTERRUPTING
ANYTHING.

THEY ARE PUTTING ME
UNDER HOUSE ARREST

- BECAUSE I'M A LITTLE
LATE ON HOMEWORK.
- SHE HAS SCIENCE LABS,

MATH HOMEWORK
AND A FRENCH PAPER
ALL DUE VERY SOON.

WE'RE JUST TRYING TO HELP HER
STRUCTURE HER TIME.

- I COULD HELP WITH THE FRENCH,
IF YOU'D LIKE.
- THAT'S OKAY.

- WE'VE GOT THIS COVERED.
- I WOULD LOVE YOUR HELP.

AFTER ALL,
WHAT ARE DADS FOR, RIGHT?

- HEY.
- HEY.

- IS CHEF HERE?
- HE'S OUT BACK.

SO I HEARD YOU GOT
STUCK HERE ALL NIGHT
WITH THE BEASTMASTER.

IT WAS AWFUL.

THIS SHELF JUST POOF!
AND THEN--
( mimics explosions )

THERE WAS SHRIMP
EVERYWHERE.

- ALL I HEARD WAS HOW
YOU SAVED THE DAY.
- REALLY?

YEAH, YOU AND YOUR MAD
FROSTING SKILLS.

DID YOU KNOW THAT
HE WENT TO M.I.T.?

OH, VIVIENNE, MA BELLE.

- ( speaks French )
- LAST STRAWBERRIES OF THE YEAR

AND THEY'RE THE BEST.
HERE, TRY.

- MMM, THAT'S GOOD.
- RIGHT?

WITH A LITTLE BALSAMIC
OR FRESH CREAM.

- Scuba: MMM, YEAH.
- HI, CHEF!

- ARE YOU ON THE SCHEDULE?
- NO.

WELL, I AM LATER.
I JUST CAME BY TO PICK UP
MY CHECK

AND I MADE YOU SOME
CAULIFLOWER GRATIN?

- SOME WHAT?
- CAULIFLOWER... GRATIN.

OH, GRATIN.
SORRY, I DIDN'T UNDERSTAND.

- VIVIENNE, HI!
- HI.

- Chef: WOW, THOSE LOOK GREAT.
- HAVE A STRAWBERRY.

OH.

- MMM.
- GOOD, RIGHT?

- IT'S FANTASTIC.
- HAVE SOME MORE.

THANK YOU.

- YES PLEASE.
- ( Vivienne laughs )

Bay:
SO IT'S ALL ABOUT
RELATIONSHIPS.

YEP, TRIG IS JUST ABOUT

SIDES AND RATIOS.
AND IF YOU GET STUCK,

- JUST REMEMBER...
- Both: SOH-CAH-TOA.

SINE EQUALS OPPOSITE
OVER HYPOTENUSE.

COSINE EQUALS ADJACENT
OVER HYPOTENUSE.

TANGENT EQUALS...

OPPOSITE OVER--

OVER-- OVER...

ADJACENT
ADJACENT ADJACENT!

YES, ALL RIGHT, SWEET!

OH, IN YOUR FACE,
MR. WINSLOW!

- ( laughs )
- ALL RIGHT, SO SERIOUSLY,

IF YOU NEED HELP
WITH, LIKE, AN ART PROJECT

OR, I DON'T KNOW,

SOMEONE TO TASTE
A CHOCOLATE SOUFFLE--

UM, ACTUALLY

YOU HAVE THIS ONE SHIRT--

OH COOL.
OKAY.

IT'S BLACK AND KIND
OF SEE-THROUGH?

UH...

YEAH, THIS ONE.

- DO YOU MIND?
- GO FOR IT.

IT'S A LITTLE HIGH OCTANE
FOR ME THESE DAYS ANYWAY.

- DO YOU USUALLY WEAR,
LIKE, A-- WITH IT?
- A CAMISOLE.

UH, HERE YOU GO.

SO ARE WE WRAPPING UP
THE GOODS FOR WILKE OR--

WELL, WE BOTH
DECIDED NOT TO DO
THE LONG-DISTANCE THING.

THERE'S ACTUALLY

THIS NEW GUY.
HE'S A LITTLE BIT OLDER.

UH, MORE.
IMMEDIATELY, PLEASE.

( laughs )
I DON'T WANT TO JINX IT.

AND I'M NOT ACTUALLY SURE
THAT I'M NOT MAKING
THE WHOLE THING UP.

( both laugh )

WELL, HA!

WE HAVE FOUND SOME
REAL COMMON GROUND HERE.

YOU'RE GONNA HELP ME
WITH TRIG,

AND I'M GONNA HELP YOU
WITH YOUR

BORDERLINE SLUTTY
RE-BRANDING.

HEY, I'M ON MY WAY
TO THE TV INTERVIEW
WITH KATHRYN.

I'LL-- WOW.

YOU LOOK... FANCY.

- THANKS. SO DO YOU.
- THANKS.

SO DID YOU
MAKE THE RESERVATION
FOR ME AND MELODY?

8:00. IF YOU COME EARLY,
I'LL TRY TO BRING YOU
INTO THE KITCHEN.

YOU'RE GOING TO WEAR
A SWEATER WITH THAT, RIGHT?

- NO, I'M GOOD.
- I DON'T THINK YOU ARE.

DO YOU TELL BAY
TO PUT ON A SWEATER
WHEN SHE WEARS THIS?

- BAY'S NEVER WORN THAT.
- IT'S HER SHIRT, MOM.

WELL, I MEAN, BAY...

WHAT? BAY CAN
PULL IT OFF AND I CAN'T?

LOOK, SWEETIE,
THERE ARE MANY WAYS

TO GET NOTICED,
SO IF YOU'RE TRYING
TO CATCH SOMEONE'S EYE--

OH MY GOD, MOM,
THIS IS NOT ABOUT SOME BOY.

CAN'T I JUST WANT
TO LOOK NICE FOR MYSELF?

OF COURSE.

I'LL SEE YOU THERE.
GOOD LUCK WITH THE INTERVIEW.

THANKS.

( door opens, closes )

AND TO THINK
THE LAST TIME WE WERE BOTH HERE
AT THE SAME TIME...

YEAH.

REGINA, THANK YOU SO MUCH
FOR DOING THIS FOR ME.

YOU'RE PUTTING ANGELO UP,
THE LEAST I COULD DO IS
BE YOUR P.R. LACKEY.

HI, I'M MARCIA.

- IT'S SUCH A PLEASURE
TO MEET YOU BOTH.
- SUCH AN HONOR.

- HI.
- HI.

OH OKAY.
WE'RE JUST ABOUT TO START.

- IF YOU'RE READY?
GREAT, HAVE A SEAT.
- YES.

OKAY.

WE'RE HERE WITH TWO WOMEN
WHO HAVE LIVED EVERY
MOTHER'S NIGHTMARE.

16 YEARS AGO,
THEIR DAUGHTERS WERE
SWITCHED AT BIRTH

IN THIS VERY HOSPITAL.

WE HAVE WITH US TODAY
KATHRYN KENNISH,
AUTHOR OF THE NEW MEMOIR

"THE TRUE STORY
OF A MOTHER'S JOURNEY"

AND REGINA VASQUEZ.
LADIES,

TELL ME ABOUT THAT FIRST TIME

YOU LAID EYES
ON YOUR BIOLOGICAL DAUGHTER.

OH, THE FIRST TIME I SAW DAPHNE
MY HEART JUST STOPPED.

ME, I WAS JUST
OVERWHELMED.

IT'S JUST NOT SOMETHING
I EVER EXPECTED.

BUT, REGINA,
FROM WHAT I UNDERSTAND
YOU AND YOUR DAUGHTER'S FATHER

HAD DOUBTS SHORTLY AFTER YOU
CAME HOME FROM THE HOSPITAL.
IS THAT RIGHT?

WELL, SHE DID HAVE
A DIFFERENT COLORING.

WE ALWAYS THOUGHT
THAT BAY WAS SPECIAL.

THOUGH YOU WROTE YOU NEVER
SUSPECTED ANYTHING,
ISN'T THAT RIGHT?

- WELL, NOT THAT
SHE WASN'T OURS.
- OH, OF COURSE.

AND YOU MUST HAVE
HAD A LOT OF NANNIES,
GIVEN YOUR RESOURCES,

SO YOU MAY NOT HAVE PICKED UP
ON SOME OF THE SUBTLE CUES
THE WAY REGINA DID.

I'M SURE I SPEAK
FOR A LOT OF MOTHERS
WHO ARE WONDERING

HOW YOU POSSIBLY DID IT--
A SINGLE MOTHER STRUGGLING
TO MAKE ENDS MEET,

BATTLING ALCOHOLISM,
RAISING A DEAF DAUGHTER.

I JUST DID
WHAT I HAD TO DO.

I TOOK IT
ONE DAY AT A TIME.

WELL, YOU ARE A TRUE HERO.

TELL US HOW YOU FOUND
THE TIME TO BECOME FLUENT
IN SIGN LANGUAGE.

I WOKE UP AN HOUR AND A HALF
BEFORE DAPHNE DID
AND I PRACTICED.

- I'VE BEEN LEARNING A.S.L.
- SHE'S GETTING REALLY GOOD.

- THANK YOU.
- I BET.

SO YOU LEFT YOUR HOME,

YOUR FRIENDS,
YOUR ENTIRE LIFE BEHIND

TO MOVE IN WITH THE KENNISHES
FOR THE SAKE OF YOUR DAUGHTERS.

HOW HAVE YOU BEEN
HANDLING THAT ADJUSTMENT?

I JUST DID WHAT ANY
DEVOTED MOTHER WOULD DO.

I'M NOT GONNA LIE, IT HAS
BEEN DIFFICULT GIVING UP
SOME OF MY AUTONOMY.

I'M SURE IT HAS.
TELL ME ABOUT
THE CULTURE SHOCK.

( sighs )
THAT WAS ACTUALLY
KINDA FUN.

THAT MARCIA GRACE SEEMS
A LOT NICER ON TV.

OH, SHE WASN'T THAT BAD.
ANYWAY, HOPEFULLY WE SOLD
A LOT OF BOOKS.

YEAH.

YOU SHOULD COME OUT
WITH ME AND MELODY
TONIGHT TO CELEBRATE.

- WE'RE GOING
TO DAPHNE'S RESTAURANT.
- I DON'T KNOW.

IT'LL BE FUN.

PLUS WITH MY WRIST,
I'M GONNA NEED SOMEBODY
TO HELP ME INTERPRET.

THINK OF IT AS
YOUR WAY OF PAYING ME BACK
FOR DOING THE INTERVIEW.

I THOUGHT THE INTERVIEW
WAS YOUR WAY

OF PAYING ME BACK
FOR ANGELO MOVING IN.

OH JEEZ, JUST COME.

IT'S THREE PARTS OLIVE OIL,
ONE PART VINEGAR,

SOME LEMON JUICE...

WHOA, NICE SHIRT.

YOU GOING
TO A STRIPPER'S FUNERAL?

- WHAT?
- YEAH OKAY,

APPARENTLY MY HUMOR
DOESN'T SURVIVE LIP READING.

- I'M SORRY.
- ( laughs )

- HI, CHEF.
- HEY. SCUBA,

THESE PEAR TARTS
CAME OUT KIND OF FLAT.

SEE WHAT YOU CAN DO WITH THEM--
ADD A GANACHE,

CREME ANGLAISE,
I REALLY DON'T CARE,
JUST MAKE 'EM GOOD.

YOU KNOW WHAT?
ACTUALLY USE HER AND DO IT FAST
BEFORE I NEED SOME DISHES, OKAY?

YOU GOT IT, CHEF.

- ARE YOU GOING SOMEWHERE?
- NO.

I-- JUST HERE.

I-- I MEANT AFTER.
'CAUSE YOU LOOK--

OH. I HAVE SOME FAMILY
COMING IN TONIGHT,

BUT I CAN
DEFINITELY STAY LATE.
I MEAN, IF YOU NEED ME TO.

OKAY.

( French dialogue on TV )

MR. FELDMAN IS
GONNA LOVE ME DOING
THE FRENCH NEW WAVE.

THIS IS SO MUCH COOLER
THAN THE FRENCH REVOLUTION.

BUT THESE MOVIES WERE
COMPLETELY REVOLUTIONARY
FOR THE TIME.

TRUFFAUT AND GODARD
GRABBED THEIR CAMERA

AND MADE
THE STREETS THEIR STUDIO.
IT'S TOTALLY ALIVE.

I KNOW EXACTLY
WHAT YOU MEAN.

I THOUGHT YOU WERE
SUPPOSED TO BE STUDYING.

I AM. THIS IS
MY FRENCH PROJECT.

DAD, WHY DON'T YOU JOIN US?
IT'S A REALLY GOOD MOVIE.

I CAN FILL YOU IN
ON WHAT YOU HAVE MISSED.

NO NO, THAT'S OKAY.
I THINK I'LL TAKE ADVANTAGE

OF THE EMPTY GYM
AND GRAB A WORKOUT.

I HOPE I'M NOT
CRASHING YOUR PARTY.

OF COURSE NOT!
I'M HAPPY YOU COULD COME.

IT'S GORGEOUS.

ALMOST.
ONCE THEY START
LETTING ME COOK,

THEN I'LL BE LIVING
MY DREAM.

RIGHT NOW DAPHNE
IS WASHING DISHES,

BUT NOT FOR LONG, RIGHT?

- CHEF.
- ARE THESE YOUR GUESTS?

I HOPE IT'S OKAY.
I WAS JUST SHOWING
THEM AROUND.

OF COURSE.
HAVE WE MET?

- ACTUALLY--
- THIS IS KATHRYN, MY MOM.

AND REGINA, MY MOM.
AND MELODY.

- HI.
- NICE TO MEET YOU.

JEFFREY REYCRAFT.
WELCOME TO MAIZE.

"CHEF JEFF"?
REALLY, CHEF JEFF?

( chuckles )
I BET YOU GET THAT
ALL THE TIME, I'M SORRY.

I'LL SHOW THEM
TO THEIR TABLE.

NO, I WILL.
BESIDES WE NEED

DAPHNE IN THE KITCHEN.

SHE'S OUR SECRET
WEAPON.

IF YOU LADIES
WILL FOLLOW ME?

YOU HAVE TO TRY
THE TASTING MENU.

I'LL BRING OUT EACH
INDIVIDUAL COURSE.

( reading in French )

( speaks French )

OTHER THAN THAT,
TRES BIEN.

HUH. WELL, I DON'T WANT
TO JINX ANYTHING,

BUT I THINK THIS FRENCH PAPER
MIGHT ACTUALLY BE GOOD.

- ( phone vibrating )
- YEAH.

UH, ANGELO, CAN I
ASK YOU A FAVOR?

I WOULD BE MORE THAN HAPPY
TO PROOFREAD.

OH NO, IT'S NOT THAT.
IT'S JUST--

I'M SUPPOSED
TO MEET SOMEBODY

AND AS YOU KNOW, I'M STILL
UNDER KENNISH HOUSE ARREST.

DO YOU MIND COVERING
FOR ME?

- WHERE DO YOU NEED TO GO?
- OH, IT'S NOT DANGEROUS
OR ANYTHING LIKE THAT.

I PROMISE.
IT'S JUST MY PARENTS ARE
NOT COOL LIKE YOU ARE.

- THEY WOULDN'T UNDERSTAND.
- BAY, I DON'T THINK
IT'S A GOOD IDEA.

YOU'RE MY DAD TOO.

YOU SHOULD HAVE A SAY
IN WHAT I DO.

AND I WON'T BE
MORE THAN AN HOUR.

PLEASE?

- HI.
- SO, UH,

ANGELO THOUGHT IT WOULD BE
A GOOD IDEA FOR ME TO CONTINUE
STUDYING AT A FRENCH CAFE.

YOU KNOW, THE WHOLE
IMMERSION THING.

A CAFE?

DOESN'T SOUND LIKE A VERY
CONDUCIVE WORK ENVIRONMENT.

C'MON, I JUST WANT
A CROISSANT AND A LITTLE
CHANGE OF SCENERY.

PLUS LOOK AT ALL THE WORK
I'VE DONE, OKAY?

I HAVE TRIGONOMETRY,

ALL MY LABS
FROM THE GALAPAGOS,

AND AN ENGLISH PAPER
THAT'S NOT EVEN DUE
TILL WEDNESDAY.

ISN'T IT AMAZING
WHAT YOU CAN DO WHEN
YOU PUT YOUR MIND TO IT?

- THANK YOU.
- THAT'S WHY I'VE BEEN
SO HARD ON YOU, BAY.

I THINK YOUR ART IS FANTASTIC,
BUT IF YOU REALLY
APPLY YOURSELF,

YOU COULD BE SOMEBODY.

YEAH.

SO YOU THINK
THE CAFE THING WILL HELP?

NEVER DOUBT THE POWER
OF LE CROISSANT TO INSPIRE.

OKAY,
CURFEW'S AT 10:30.

ALL RIGHT, THEN AS
THE FRENCH SAY--

HOWEVER THE FRENCH SAY,
"LET'S GO," WE'RE GONNA DO THAT.

- ALLEZ-Y.
- ALLEZ-Y.

"AND THEN
THERE WAS THIS GUY
WHO BROUGHT HIS PUG

IN A BAG WITH HIM
EVERYWHERE HE WENT."

YOU SHOULD
INTRODUCE HIM TO THE GUY
WITH THE BOA CONSTRICTOR.

TO START THINGS OFF,
WE HAVE AN AMUSE BOUCHE.

MY TWIST ON THE CLASSIC
CHILES RELLENOS.

TEMPURA CHILE, CRAB,
CORN AND SCALLIONS.

AMUSE BOUCHE?

IT'S AN APPETIZER
TO AN APPETIZER.

IT'S FRENCH FOR "AMUSEMENT
FOR THE MOUTH."

I DON'T, UM...

- SHE LOVES SCALLIONS.
- OH.

ENJOY.

MMM MMM!

ANYONE ELSE WANT
ANOTHER GLASS OF WINE?

I THINK
WE'VE HAD ENOUGH.

ARE YOU AFRAID IF I DRINK
TOO MUCH, I MIGHT FINALLY
BECOME MORE INTERESTING?

OR, I DON'T KNOW,
MORE HEROIC?

( sighs )
KATHRYN, MARCIA GRACE
ONLY FOUND ME HEROIC

BECAUSE OF WHAT
YOU WROTE.

LOOK, THEY LOOK GREAT.

OKAY FINE, MAYBE I DIDN'T HAVE
TO UPROOT MY ENTIRE FAMILY,

BUT THAT DOESN'T MEAN
IT HASN'T BEEN HARD HAVING
EVERYBODY MOVE INTO OUR HOUSE.

ESPECIALLY ANGELO.
YOU THINK THAT MARCIA GRACE
MIGHT HAVE MENTIONED THAT.

EXCUSE ME, COULD I HAVE
ANOTHER PINOT NOIR?

- THANK YOU.
- I'LL DRIVE HER HOME.

( rap music playing )
* SEE, THEY BUILD YOU UP
TO BREAK YOU DOWN *

* BUT I WILL
STAND MY GROUND, YEAH *

* WHEN IT ALL GOES DOWN,
AIN'T NO STOPPING NOW *

* 'CAUSE I'M COMING
FOR THAT CROWN *

* 'CAUSE I'M A WARRIOR,
A WARRIOR *

* A WARRIOR, YEAH YEAH

- * I'M A WARRIOR,
A WARRIOR... *
- WHERE IS EVERYBODY?

IT'S JUST YOU.

I THOUGHT THIS WAS
LIKE A GROUP THING.

WELL, HERE'S THE DEAL:
I LIKE YOUR STUFF BUT
THE BOYS NEED PROOF.

- OKAY.
- SO YOU'RE GONNA DO
A SOLO PIECE,

SOMETHING HOT.
NO YARDS, NO TUNNELS.

FINE,
WHAT KIND OF PIECE?

IT DOESN'T MATTER.

AS LONG AS
IT'S GOT RISK, Y'KNOW?

LOOK, THE PEOPLE
OUT THERE, THEY DON'T
WANT TO SEE US, RIGHT?

SO YOU GOTTA FIND SOMEPLACE
WHERE THEY GOTTA SEE YOU,

WHERE THEY GOTTA KNOW YOU.

AND THEN I CAN
WORK WITH YOU GUYS?

TEXT ME A SHOT,
I'LL LET YOU KNOW.

* I WILL STAND MY GROUND.

TRY THAT.

MMM, THAT'S GOOD.

WHAT IS THAT?
LIKE...

MAPLE OR SOMETHING?

DAPHNE, I NEED SOME HELP
PREPPING FOR TOMORROW'S BRUNCH.

- YOU'RE ALL RIGHT TO STAY?
- ABSOLUTELY.

- TONIGHT?
- UNLESS YOU HAVE OTHER PLANS.

NOPE, I'M GOOD.

GOOD.

( acoustic guitar playing )

- HEY, TOBY.
- OH HEY, WHAT'S UP, MAN?

- HAVE YOU SEEN BAY?
- NO, I THOUGHT SHE
WAS WITH YOU.

DIDN'T YOU GUYS GO
TO A CAFE OR SOMETHING?

WE-- WE DID, BUT, UH...

OH!
YOU'RE HER NEW COVER.

IT USED TO BE ME.

- SO YOU HAVEN'T HEARD FROM HER?
- NO, I'M SORRY.

SHE WAS SUPPOSED
TO COME TO THE CAFE
AFTER SHE MET SOMEBODY,

BUT SHE NEVER SHOWED UP,
SHE HASN'T ANSWERED
MY TEXTS.

IS IT A BOY?
IS SHE INTO DRUGS
OR ANYTHING?

NO, IT'S NOTHING LIKE THAT.

BUT WAIT,
IF YOU WERE WORRIED ABOUT THAT,
WHY DID YOU LET HER GO?

- ( door closes )
- HEY, GUYS.

WHERE'S BAY?

I DON'T KNOW.

WHAT DO YOU MEAN
YOU DON'T KNOW?

WELL, UM, THIS IS
A GOOD OPPORTUNITY--

I DON'T FOLLOW.
WHAT DO YOU MEAN YOU
DON'T KNOW WHERE BAY IS?

IT SEEMED LIKE YOU
WERE BLAMING HER BECAUSE
I MOVED IN SO I WANTED TO DO

- SOMETHING NICE FOR HER.
- WHAT THE HELL ARE YOU
TALKING ABOUT?

- SHE HAD SOMEPLACE
SHE WANTED TO GO.
- WHAT DO YOU MEAN SOMEPLACE--

- A FRIEND TEXTED HER
AND SHE WANTED TO MEET UP--
- WHAT FRIEND TEXTED?

- I DIDN'T SEE ANY HARM.
- YOU SAW NO HARM IN THIS?

WHAT ARE YOU
TALKING ABOUT?

YOU LET HER GO OFF
TO GOD KNOWS WHERE
WITH GOD KNOWS WHOM?

- SHE PROMISED
SHE'D BE BACK IN AN HOUR.
- LET ME EXPLAIN SOMETHING.

YOU ARE NOT HER FRIEND, OKAY?
YOU'RE HER FATHER!

YOU'RE HER FATHER.

AND THAT MEANS
THAT YOU HAVE TO SAY
"NO" TO HER SOMETIMES.

SHE WILL NOT
LIKE YOU FOR IT,

BUT IT DOESN'T MATTER

'CAUSE YOUR JOB IS NOT
TO MAKE HER LIKE YOU.

YOUR JOB IS
TO PROTEC HER.

YOU'RE RIGHT.

SO WHAT DO WE DO NOW?

WE GO OUT, WE LOOK FOR HER?

- WHERE?
- I DON'T KNOW, JOHN.

NO, YOU KNOW WHAT
WE DO RIGHT NOW?

WE SIT, WE WORRY,

WE WAIT.

( door opens )

( groans )

- THERE'S NO PLACE FOR A KEY.
- JUST PUSH THE BUTTON.

- ( engine starts )
- ( beeps )

NOW IT'S ASKING ME
IF I WANNA BUY
A MOVIE TICKET.

- ARE YOU KIDDING ME?
- SO I'VE GOT A FANCY
DASHBOARD SYSTEM.

I HOPE IT'S NOT TOO MUCH
OF A CULTURE SHOCK.

OKAY, YOU REALLY
NEED TO LET GO
OF THAT INTERVIEW.

ALL THOSE YEARS OF JUST
BEING MRS. JOHN KENNISH

AND I THOUGHT FINALLY
PEOPLE ACTUALLY CARED
ABOUT WHAT I HAD TO SAY.

BUT NO! THEY JUST WANT
TO HEAR YOUR STORY.

WHAT ABOUT ALL
THE GOOD REVIEWS
FOR THE BOOK YOU WROTE?

YOU KNOW WHAT I DON'T GET?

YOU KEPT MY DAUGHTER
AWAY FROM ME FOR 13 YEARS,

AND SOMEHOW
I'M THE BAD GUY?

- 'CAUSE I AM SO
RICH AND OUT OF TOUCH.
- YOU ARE NOT THE BAD GUY.

HOW DID I NOT KNOW?

WHEN THEY PUT BAY IN MY HANDS
INSTEAD OF DAPHNE,

HOW DID I NOT KNOW?

YOU CAN'T BLAME YOURSELF

OR MARCIA GRACE OR ME.

THIS THING HAS TO HAVE
A NAVIGATION SYSTEM, RIGHT?

- I KNOW THE WAY HOME.
- WE'RE NOT GOING HOME.

WE'RE GONNA GO EXORCISE
SOME DEMONS.

OH WOW,
I WAS NOT EXPECTING
YOU BOTH TO STILL BE UP.

- THANK GOD YOU'RE OKAY.
- I'M SORRY.

I HAD REALLY TERRIBLE RECEPTION,
I DIDN'T GET ANY OF YOUR TEXTS
UNTIL, LIKE, JUST NOW.

THAT'S ALL YOU HAVE TO SAY?

I'M SORRY.
I REALLY AM.

WHY DO YOU THINK
WE'VE ALL TURNED
OUR LIVES UPSIDE DOWN?

SO THAT THIS MAN COULD
BE A PART OF YOUR LIFE.

I KNOW.

AND YET YOU TREATED HIM
LIKE A CONVENIENT ALIBI.

HE DESERVES
MORE THAN THAT.

I'M GOING TO BED.

I REALLY MESSED UP.
I SHOULDN'T HAVE ASKED YOU
TO LIE FOR ME.

AND I SHOULDN'T HAVE DONE IT.

I SHOULD GO TO BED.

YEAH.

( Kathryn gasps )
THEY'RE SO TINY.

- Regina: YEAH.
- OH.

DO YOU REMEMBER THEM
BEING SO TINY?

I REMEMBER BEING
CONVINCED THAT I WAS
GOING TO DROP DAPHNE.

OH, I USED TO HAVE
NIGHTMARES

ABOUT LEAVING BAY
IN THE DIRTY LAUNDRY.

OH, AND ONE TIME
ON THE TOP OF THE CAR. UGH.

THEY DO ALL
SORT OF LOOK ALIKE.

THEY DO.

DON'T THEY?

WELL...

I GUESS THAT'S
ALL THE CATHARSIS
I CAN TAKE RIGHT NOW.

- WANNA BLOW?
- I'M GOOD.

HI, GOOD EVENING,
LADIES.

WHICH BABY ARE
WE VISITING TONIGHT?

OH, JUST TAKING A WALK
DOWN MEMORY LANE.

AW, OKAY.
HAVE A GOOD NIGHT.

OKAY.

- YOU HUNGRY?
- YEAH.

IT'S SALMON--

OH GOD, PLEASE DON'T
TELL ME FISH TOO?

NO, I EAT FISH.
IT LOOKS AMAZING.
THANK YOU.

AND THANK YOU FOR BEING
SO SWEET TO MY MOMS.

- THEY WERE BLOWN AWAY.
- OF COURSE.

IT WAS NICE TO MEET THEM.
THEY'RE A CUTE COUPLE.

OH, THEY'RE NOT TOGETHER.

IT'S JUST A LONG STORY.

COME ON, I TOLD YOU ABOUT
MY ENGINEERING DEGREE.

YEAH, SOME OTHER TIME.

MMM, SO

I WAS THINKING ABOUT
PUTTING YOU ON GARDE MANGER

WITH SCUBA NEXT WEEK,
SEE HOW IT GOES.

WAIT, I'M SORRY,
I JUST WANT TO MAKE SURE
I GOT THAT.

YOU AND SCUBA
ON GARDE MANGER.

- SALAD STATION?
- THAT'S WHAT I THOUGHT
YOU SAID.

SO YOU MEAN NO MORE
WASHING DISHES?

AS LONG AS YOU STOP TRYING
TO TURN ME VEGETARIAN.

YES!
OH MY GOD, THANK YOU!

I'M SORRY,
I TOTALLY SHOULDN'T
HAVE DONE-- I--

BUT I'M SO EXCITED.
THANK YOU SO MUCH!

YEAH, DO ME A FAVOR,
I HAVE A BOTTLE OF
CHATEAUNEUF DU PAPE

STASHED BEHIND SOME COGNAC
BACK THERE, YOU MIND
GRABBING IT FOR ME?

OF COURSE.

A BOTTLE OF WHAT?

CHATEAUN-- NEVER MIND.

I'LL GRAB IT.
YOU WORK ON YOUR FRENCH.

( laughs )

OH, UH...

YEAH, I'M ACTUALLY
ALL GOOD WITH GLASSES.

YEAH NO, I WAS JUST...

SCUBA SHOULD BE
BACK IN A FEW.

TRY NOT TO LET HIM
KEEP YOU TOO LATE.

* YOU LOOK DARKLY
ON THE DAY *

* THE MEMORIES
TO LIGHT YOUR WAY *

* A LITTLE SAD,
BUT IT'S ALL RIGHT *

* WE ARE ALWAYS

* LIVING IN TWILIGHT

* AND NO ONE KNOCKS
UPON YOUR DOOR... *

* WE ARE ALWAYS

* LIVING IN TWILIGHT.

NO, I DEFINITELY WANT
TO TAKE A LOOK AT IT.

NO, DON'T CALL THE POLICE
UNTIL I SEE IT.

I'LL BE THERE IN 20.
YEAH.

- ( phone beeps )
- POLICE?

YEAH, GOOD MORNING.
APPARENTLY THERE WAS AN INCIDENT
AT THE CAR WASH LAST NIGHT.

- I HAVE TO HEAD IN.
- HUH.

I FINISHED
MY FRENCH PROJECT
LAST NIGHT

IF YOU WANTED
TO TAKE A LOOK AT IT.

I WOULD BE HAPPY TO TAKE
A LOOK AT IT WHEN I GET BACK.

DAD, WHY DON'T I JUST
GO WITH YOU?

I CAN SHOW YOU MY PROJECT
AT THE CAR WASH.

OKAY.
GET DRESSED.

- AHH.
- BLUEBERRY MUFFINS?

- FROM CHUCK'S?
- IT'S THE ONLY PLACE
IN THE NEIGHBORHOOD

- THAT IS OPEN AT 7:00.
- YOU'RE NOT EATING
WITH THE KENNISHES?

- NAH.
- YEAH, THEY'RE PRETTY
CHEERY IN THE MORNING.

IT'S NOT THAT.
I JUST FEEL LIKE
I'M IN THE WAY.

AND WHEN I'M NOT,
I'M MESSING THINGS UP
WITH BAY.

RUN-INS WITH THE KENNISHES,

MAKING MISTAKES
WITH YOUR DAUGHTER--

WELCOME TO MY WORLD.

COME ON.

YOU SHOULDN'T HAVE TO HAVE
BREAKFAST ALONE EVERY MORNING.

GOOD EVENING, LADIES.
WHICH BABY ARE WE
VISITING TONIGHT?

Regina:
JUST TAKING A TRIP
DOWN MEMORY LANE.

ALL RIGHT.
WELL, HAVE A GOOD NIGHT.

CRAIG, IT'S KATHRYN.
I'M SORRY TO BOTHER YOU
ON A SUNDAY,

BUT I THINK I MIGHT
HAVE FIGURED OUT

WHO ANGELO'S SOURCE
AT THE HOSPITAL IS.

CALL ME WHEN YOU CAN.

John: HUH.

WOW, WILL YOU
LOOK AT THAT?

IT'S, UH, COOL, RIGHT?

YOU KNOW
IT'S BAD ENOUGH THEY TRASH
THEIR OWN NEIGHBORHOODS,

NOW THEY COME DOWN HERE
AND PULL THIS CRAP?

AND GUESS WHO GETS
TO CLEAN UP?

ME. EH, IT'S GOOD
THAT YOU'RE HERE.

I GOT PAINT AND ROLLERS
IN THE BACK.

YOU CAN TELL ME ALL ABOUT YOUR
FRENCH PROJECT WHILE WE WORK.

* I LISTEN TO
THAT SAME SONG OF OURS *

* OVER AND OVER WHILE
WATCHING ALL THE CARS *

* MAYBE YOUR WINDOW'S DOWN
OR YOUR VOICE JUST SHOUTS *

* I LISTEN TO THAT
SAME SONG OF OURS *

* THE LETTER
YOU HAD WRITTEN DOWN *

* ONLY PART OF YOU
STILL LEFT AROUND *

* EVERY LETTER
I DIDN'T WANT TO KEEP *

* I JUST READ A MEMORY

* I JUST READ A MEMORY

* YET IT'S STILL THERE

* YET IT'S STILL THERE
IN THE MIDNIGHT HOUR *

* YEAH, WE'RE STILL HERE,
YEAH, WE'RE STILL HERE *

* IN THE MIDNIGHT HOUR

* EVERY LETTER
THAT YOU WROTE *

* I DIDN'T WANT TO KEEP

* I JUST READ A MEMORY

* I JUST READ A MEMORY

* I JUST READ A MEMORY.