Snowpiercer (2020–…): Season 3, Episode 8 - Episode #3.8 - full transcript
- Take your time.
Get a feel for it.
If you don't like it,
we'll find you something else.
[gentle music]
- Thanks.
- Having a purpose here
on Snowpiercer will help.
I promise.
♪ ♪
- Green was the first color
to disappear outside.
Our crops withered by drought.
Our forests set ablaze.
And then the whole charred
ruin locked away in ice.
♪ ♪
- [inhales]
[knocking at door]
- Asha.
I know you're in there.
Can you let me in?
♪ ♪
- I-I'd rather you didn't.
- Asha, I know you've been
pinching things
from the market.
So you can let me in,
or I can come back
with Brakemen--it's up to you.
♪ ♪
Layton told me about your time
in the reactor
and I can't even imagine.
But all of that,
it's behind you now, Asha.
- You think you're safe here,
don't you, Ruth?
But you're not.
Andre,
he didn't know the whole story.
You know, after--after
the marauders died off,
we turned on each other.
I was desperate
to keep my nephew safe,
so I poisoned all the others.
And then cancer took
my nephew away
and I was left all by myself.
Once you choose
survival at any cost,
there's no going back.
[tense music]
- Except there is.
I've seen it.
We all find our place here
working together as one train.
- Um, I'm just doing
some pickling,
and I was wondering
if you had anything
with a bit of heat to it.
- [chuckles]
Yeah.
- Oh, thank you so much.
Ooh.
I'm gonna call it "Ms. Asha's
New Eden Hot Batch."
- [laughs]
- Yeah? Yeah? Huh?
- Here among the plants,
I'm six again.
Running through the forest
of my grandparent's farm
in the Western gardens.
Peppercorn, cardamom,
and ginger,
boiled together
by the humidity
like a cup of chai.
When anyone would get upset,
my grandmother would say,
"Jab sab galat ho raha ho,
tab sab sahi ho raha hai."
When everything goes wrong,
perhaps it's setting itself
right.
For the longest time,
I couldn't find truth
in her words,
how out of so much loss
she could find hope.
Enjoy.
But now, I think I see it here
with them pulling together
for something more than
just survival,
on Snowpiercer,
1,029 cars long.
[dramatic music]
♪ ♪
- You were there in the reactor
at the beginning.
- When you had this vision
of a New Eden.
- Yeah, and that vision
is what has been keeping me
going this whole time.
That's why we're here.
Just days away.
- It's keeping us all going.
It's hope.
So what happened?
- I went back there, Asha.
Somewhere in some dark corner
of my mind.
And we were there
in the reactor together, and...
now my faith
in all of this is gone.
[tense music]
♪ ♪
Have you seen this?
- That's your vision?
- You recognize it?
- Yeah.
There was one of these trees
in a calendar on my wall.
Reminded me
how special the world is.
♪ ♪
- I made it all up.
- Don't say that.
I'm right out
on that limb with you.
Finally feeling like
I'm part of the train.
- Oh, there you are, Andre.
Is everything all right?
- Yeah, fine.
- I'm sorry to interrupt,
but Ben and Alex
would like to see us
in the engine.
- Don't worry about it, Asha,
we're good.
[clears throat]
♪ ♪
- You think Melanie is alive?
- Well, we can't leap to that.
Something's moving out there.
But first, you need to
understand how switches work.
- Track switches
operate on battery power.
When Ben and I
took a look at the data,
we saw that some of them
have lost juice.
- It's because something is
moving from switch to switch,
drawing down power.
When we follow the breadcrumbs,
they lead us to
the Rocky Mountain Test Track.
- Where we last saw Melanie.
- It's gotta be her then.
- There's a facility
on that track.
In theory, she could have
reached the hanger
and gotten
a maintenance vehicle going
or a track scaler or a plow.
- But these are bare-bones,
autonomous machines.
They're not designed
to support life.
- But it's moving.
You said so yourself.
- Yeah, the vehicle's moving.
It could go on for years.
It's just about the person
inside of it.
- With no support or water.
And they're barely
the size of a broom closet.
- Where is it now?
- Northwest.
It's a two-day detour
on the Ottoman Spur.
- You guys should know
that the only reason
we looked into this
is because Wilford told me.
- What?
- Yeah.
- Oh, no, no.
He's gotta be messing with us.
- Right, but if it's true--
- If it's true,
he's still messing with us.
I'll go find out.
♪ ♪
- Here he is, the man himself
back on the beat.
I trust the information I gave
Alex is paying off then.
- We're studying it.
- Wonderful.
So while the Engineers
crunch the numbers,
you're here to probe
my motives, is that it?
- Why would you want
Melanie back?
- Well, for self-preservation.
Another Engineer on board
is good for us all.
- You left her trackside
to die.
- And then I lost
and the people decided
to throw
in their lot with you.
Yes, I know.
Now, I just happen to think
New Eden is a terrible idea
and if that's where
we're headed,
our odds of survival
are better with Melanie.
- Unless she's dead.
Is that it?
Try to knock us off course,
crush our spirit?
- I wouldn't do that to Alex.
[tense music]
♪ ♪
You're not quite yourself,
are you?
[coughs]
I don't get much news in here,
but I did hear
about the showdown
between you
and your old friend, Mr. Pike.
Must have been hard
on Zarah there,
seeing you at death's door,
little Liana in her arms.
[coughs]
- I'm the one
who's still standing.
- Oh, barely.
Brush with death
will shake a man up.
Believe me, I know.
And by the look of it, you need
Melanie's help more than ever.
Why are you pretending
there's a choice?
If there's any chance
she's out there,
you know what you have to do.
[laughs]
[intercom dings]
- Fellow passengers,
now with days to New Eden,
we are detouring.
Detouring in the hopes
that Engineer Cavill
is indeed out there.
It's our collective duty
to bring her back to the fold
and to continue the quest
that she inspired.
Thank you.
[intercom dings]
- About 10 hours
until satellite confirmation.
- Uh, no, I'm gonna say longer.
The single-track vehicles
are very small,
and there's seismic risk
all along the Ottoman Spur.
- What do you think
I've been doing over here?
- Exactly the same thing
I'm doing over here, Alex.
I wanna believe
she's alive too,
but there's a big chance we
find that track scaler empty.
♪ ♪
- I know that, Ben.
[monitor beeps]
There's also a chance
that we just find
her body in there.
♪ ♪
It's kind of my go-to.
But my friend Carly
just lost her mom,
and she said that no matter
what, we have to try.
So no matter what,
we have to try.
- Then Carly is a good friend.
- She better be, because I
haven't had very many of them.
♪ ♪
- [breathing deeply]
♪ ♪
[electronic chirping]
[baby babbles]
- You don't have to hide
your doubts in here, you know.
- Just tired of talking
about it.
[somber music]
♪ ♪
Are we okay?
- Yeah, of course we're okay.
- I think I went backwards.
When I was away, I was chasing
an old version of us.
- Yeah, I wanted that too.
We were just trying our best.
There's no shame in that.
You and I, we just share
one responsibility now,
and she's right there
in your arms.
[knocking on door]
[knocking intensifies]
- Let's go see.
Let's go see.
[knocking continues]
[electronic chirping]
What is it?
- It's not good.
It's an Atmospheric CCA,
and I'm reading increasing
sulfur dioxide.
- Our instruments aren't
picking up
any airborne anomalies.
- What's with the suit?
- Your compound analyzers
aren't as sensitive as mine.
- Well,
if we need finer analysis,
we can send
a sample to the lab.
- There's no time for that.
May I?
- She knows what she's doing.
- I did maintain air quality
at a nuclear plant.
All right.
The parts are increasing too.
- Hey, uh, I know y'all are
busy back there doing science,
but is this
what you're looking for?
- Shit.
[monitor beeping]
- Bingo.
- It's just coming up
as ground fog on the Sat.
- Yeah, well, it isn't.
Look, sulfur dioxide,
hydrogen sulfide,
carbon dioxide.
Burn your lungs right out.
- I'm slowing us down.
- Damn, it goes forever, Ben.
A couple hundred kilometers.
Shit.
[tense music]
♪ ♪
- You thinking what
I'm thinking?
- That Wilford put us
onto this track?
♪ ♪
[up-tempo electronic music]
♪ ♪
- So!
Os!
[music stops]
- Ooh.
- Did you hear
the announcement?
We're going to
pick up Melanie.
- If it's true,
that's--that's great news.
- Oz,
she's my arch-enemy, right?
What do you think
she's gonna do when
she finds us
running the night car?
- Look, but she won't
because we won't be.
We're getting off,
you just don't
seem to believe it, do you?
- Yeah, because it's insane.
I mean, it's a million degrees
below zero
and you think
we're gonna survive on pickles.
- No, we're preserving food
for a year,
while we set up greenhouses
and crop rotation.
- You've lost it.
I mean,
where are Wilford's people?
We used to trade
in information,
and now I don't even know.
- Where are you going?
- To find out what
this shit's really about.
[people chattering]
- Bess, is it true?
Wait there.
- Could be her.
But is it likely
she's still alive? I mean--
- I just realized
I hate noodles.
So much for eating my feelings.
- So spit 'em out, Audrey.
[emotional music]
♪ ♪
- Shame.
- All right, shame.
- You told me
I had to hit rock bottom.
My problem is
I'm comfortable here.
This is me without him.
The shame is
Melanie seeing me like this.
Just the train pariah
licking his floors.
♪ ♪
- That's not who you are.
Whatever.
♪ ♪
- Open up.
- Let's go.
- Back so soon?
What's wrong?
[tense music]
Oh, that's more like it.
He's a man of action
all of a sudden.
Either you've recovered
your mojo
or you are overcompensating
for having none left.
♪ ♪
- Wait here.
- Snowpiercer, old girl.
[monitors beeping]
Not very well cared for,
though, is she?
- Nobody told me he was coming.
- Lovely to see you too.
And who is this?
Ah, you must be
our little survivor.
- And you must be
the great Engineer.
- Okay, okay.
- [chuckles]
- Any idea what that is?
- Oh, no wonder you slowed,
Ben--
- That's close enough.
- What?
I didn't know about this.
- No?
- No.
- You didn't use the idea
of Melanie to get us here?
- To what end?
And-and why--why--why should I?
That's obviously volcanic.
Alex, we traveled this far
18 months ago, it was clear.
- All right.
Let's talk about air scrubbers.
- Well, what's
the chemical composition?
- Here, sit.
Listen to the Engineers.
- It is volcanic.
It's mostly hydrogen sulfide.
- Now, whatever it is,
it's settled into the valley
and there's only one way
through it.
- All right, calm down, Ben.
The HVAC system can handle
these concentrations.
- Well, yeah.
We can scrub away the toxic--
- But hydrogen sulfide
is corrosive.
- Also accounted for
in the design.
You know, the shadows
on my cave wall
haven't said much about you.
What were you doing
in the horn of Africa?
- I couldn't get on your train.
- Okay, Ruth, can you help
Asha to her room?
Ben, hold steady.
[intercom dings]
- Snowpiercer,
this is the engine.
We are heading into
a hazardous environment.
Code yellow.
Code yellow.
All non-essential workers,
please return to your quarters
and shelter in place.
[intercom dings]
[intense, ominous music]
♪ ♪
- Let's go, people.
You heard the Engineer.
If you're not essential...
- Great.
- Move back to quarters.
- Sorry to break up
your lunch date,
but we're clearing the market.
- Oh, it's not a date.
Where do you need me?
- No, we're good. We just
need bodies in rooms, please.
Doggie bag,
if that's still a thing.
- Uh, let's go.
You can shelter with me.
- At your place?
- Yeah, you know,
until I figure something out.
- Oh.
- Let's go.
♪ ♪
[knocking on door]
- Hello? Hi.
Hi.
- What do you want?
- Would you let me in, please?
- No, no, no.
- Please.
- No. I said no.
[door rattles]
I said no!
- I wanna talk
about Mr. Wilford.
♪ ♪
- Now, why would I share
anything with you?
The opportunist.
Stabbed Kevin in the throat.
- Because I'm still here,
in the heart of the train
where I could be useful.
- To Wilford?
- Or his supporters.
Doesn't it bother you
a little bit
that Melanie's gonna
reboard the train?
- Don't touch those.
- Okay.
[tense music]
♪ ♪
- What's your blood type?
It's a test.
- Did I pass?
- Not yet.
Local anesthetic.
There we go.
I need starter tissue.
If you want in...
this is the price.
♪ ♪
Mm, okay.
You might want to look away.
- No way.
- Okay.
- [grunts, breathes heavily]
[breathing quickens]
[grunts]
- Okay.
Ooh.
- [breath shaking]
Ahh.
- [panting]
[laughs]
[machinery whirring]
[tense music]
♪ ♪
[dog sniffing, growling]
- [sighs]
- You ready?
[dog growls]
- [muttering in Spanish]
- All right, Halfway there.
You're closer
than you were yesterday.
- [mutters in Spanish]
[breath shaking]
- Jupiter, no.
You can tell her.
- Jupiter, no.
[dog barks]
[gasps]
- It's okay. It's okay.
[barking]
Here. Here.
[panel chimes]
[melancholy music]
♪ ♪
- Homey.
- Thanks.
- Oh, wow, you can't see
a thing out there.
- Engine.
- Hey, it's me.
What do you need?
- It's Till.
What should I tell her?
- We got it;
she can sit tight.
- We're covered.
You can shelter.
- Are you sure?
I, uh--I'm ready to help
wherever.
- Don't sweat it.
- O-okay.
Well, um, you know where I am.
♪ ♪
I, uh--I guess we're, uh,
riding this out together.
- Great.
Got any board games?
- I hate board games.
Uh, but I got, uh,
a grapefruit, three oranges.
- Oh.
[glasses clink]
- This.
- Oh, uh, I'm on the wagon.
But I can make you something.
♪ ♪
- HV 348 is good.
- So far so good.
Scrubbers are doing their job.
[device beeping]
- HV 347's good.
- Okay.
[zipper slides]
Come on, let's talk about it.
- I'm supposed to help
lead us off train.
How am I supposed to do that
if I shit my pants
at a dog barking?
- Well, there's only two
or three dogs left
so change your pants.
Come on, I'm kidding.
- Right.
Gin martini,
just a whisper of vermouth,
and a single olive.
[atmospheric music]
- [chuckles] Cheers.
- Cheers.
♪ ♪
You know, I hear that you've
got quite the green thumb.
- It's, uh--
it's coming back to me.
Mmm.
A lot is, actually.
Memories from
before the freeze.
Travel jobs all around
the world.
The UK, reactors in Romania,
Canada,
finally South Korea.
- I'd never really traveled
till I boarded the train.
- Yeah, well, I was--
[chuckles]
I was running away
from my mother.
I took it for granted that
family would always be there,
and then the reactor
felt like karma.
My life would end alone
at the bottom of a dark hole.
♪ ♪
- But it didn't, did it?
You're part
of this magnificent train.
♪ ♪
- HVAC's handling the load.
Intake is normal.
Heat, air quality
is within standard range.
- Much ado about nothing.
- Then we don't need him.
- Oh, come on, Alex,
I never get out.
[chuckles]
- Goodbye.
- Okay, Willie.
Field trip's over.
- Fine.
[monitors beeping]
- Hey, just passing through the
neighborhood, you all right?
- Is it really super poisonous
out there?
[passerby chatting]
- It's never easy, is it,
sweetheart?
- I keep imagining Mum
out there with Alex's mom.
I-I know she isn't,
but I can't help it.
- Hey, you can think about it
any way you want.
You wanna know what I do?
It's crazy.
- What?
- I get up in the morning
and I tell myself
Anne is in the closet.
I know she's not.
And I know I'll be
disappointed,
but I go to the closet anyway.
Start moving clothes around.
"Hello?
Anne?"
I look high and I look low.
"Anne?"
- Shitty, Dad.
She's not there.
- Right.
But then what happens?
Something interrupts.
You farting or snoring
or sleeping late.
- Ew, what?
- I know.
I'm just saying
this is what happens.
But I know
if you're still here...
then she is too.
So I make her a fake coffee
and I go about my day.
- It's quiet around here
without her.
- It's too quiet?
- Dad.
- No, we do not like quiet.
Do you know what this is?
- Extinct technology?
- Yes,
this is extinct technology
that is going to
smooth rock your world.
- Dad, please.
Don't.
- No, no. Please.
- Dad, please.
- Please turn it up?
- Don't.
- Sure, no, I'll do that
[Roxy Music's
"More Than This"]
♪ ♪
Pretty good song.
♪ I could feel at the time ♪
♪ There was no way of knowing ♪
♪ Fallen leaves in the night ♪
♪ Who can say
where they're blowing ♪
♪ As free as the wind ♪
- ♪ Hopefully learning ♪
- [laughs]
- Whoa!
- ♪ Why the sea on the tide ♪
♪ Has no way of turning ♪
- Shake it.
Here we go, here we go.
- ♪ More than this ♪
[dust blowing]
- This is spooky as hell.
- Engineers say
we should be fine.
Just take a couple hours
to get through.
- Something's not right.
- Wilford couldn't have known
we'd encounter this,
I believe that.
- Yeah, but I still don't get
why he would
steer us to Melanie though.
- He's bored,
trying to stay relevant.
- Yeah, I guess.
- That's why I put him back
under house arrest.
[intense music]
At least I'm outta
my own head now.
- Putting off your own crisis
for a collective one.
- Don't worry,
I'll get back to it.
♪ ♪
[dust blowing]
[train rumbling]
- Thank you for
letting me in, Bess.
- In? Uh-uh.
You're not in.
Make me another.
[tense music]
♪ ♪
- Just breathe.
- [sighs]
♪ ♪
I don't--I don't wanna
do this.
- I know.
Look, I'm not one to talk,
but you've been leaning
pretty heavily on alcohol.
- You're right,
you're not one to talk.
- Everybody gets by
in their own way.
It's perfectly acceptable
to build
a fortress around yourself.
- Yeah.
Sure, sure.
- [chuckles]
- Okay.
- Okay?
- [exhales]
It's okay. It's okay.
- [sighs]
Okay, what happens next?
- Okay, close your eyes.
♪ ♪
[glass clatters]
♪ ♪
- [breathes deeply]
[breathes deeply]
- Just breathe.
You're safe now.
You're safe under the orange
sky and the angry eye.
- [breaths shakily]
- Safe to tilt your face
to the sun...
and let it melt
the ice that encases you.
Come back to the core
of who you are.
[eerie music]
♪ ♪
- I'm rotten.
♪ ♪
- Go there.
[metal thudding]
- I'm cruel.
I'm bigoted.
I'm violent.
[unsettling tone]
♪ ♪
[breathing heavily]
- Step back into it.
- I'm just good at my job.
- Does that make you proud?
[baby crying]
You removed the uniform.
You left what you knew to fight
for what is right.
You've changed.
- Have I?
Have I?
- You've changed.
- The things we've done,
Audrey.
- What we've done
cannot be changed.
- [sobs]
- Your past may be rotten,
but your core is not.
I see you, Bess.
Feel the sun.
Let the warmth in
to the real you.
Open your eyes
and look to something new.
[somber music]
♪ ♪
[inhales deeply]
- You sure about this?
- We'll be fine. Thank you.
[baby babbles]
[knocking on door]
- Oh, well.
It's a busy day.
- I brought someone
over to meet you.
- Yes. Hello.
[tense ambient music]
Oh, she glows.
You both do.
- Thank you.
- May I hold her?
- Last time I let someone hold
my baby, it didn't go so well.
- Well, surely I've earned
your trust now, Zarah.
Invested as I am.
- Okay.
- Yes? Aww, thank you.
♪ ♪
Aww.
Oh, you sweet thing.
[chuckles]
I've missed our little chats.
- I'm sure you have.
- I'm curious, has the widow
Headwood run any tests on her?
- You mean have we put her
in a cold lock?
She's only a week old, Joseph.
- Anecdotally then,
has Mum seen any evidence
of our intervention?
- Like what?
Fondness for ice cubes?
- Well, she'll surprise us all,
won't you?
Hidden talents.
Just like your mother.
Here.
- The only real talent I seem
to have
is reading tea leaves
to survive.
- Have you got her?
- Yeah.
♪ ♪
So I think
I've figured it out.
- Oh?
- Melanie.
- Uh-huh.
- Everyone's expecting
a savior.
But she's a wild card
and you think
she'll be divisive.
- Oh, well, that's a very dim
view to take of my benevolence.
All I did was provide
some facts.
[baby whines]
Not even proof of life.
♪ ♪
[door rattles]
[devices beeping]
- Smell that?
[device beeping]
[beeping quickens]
- Elevated particulate.
[clears throat]
[tense music]
Javi.
- Oh, shit.
[coughs]
Hey, Ben,
I'm reading elevated
particulates here.
- Yeah, I got it, Javi.
It's gotta be a scrubber.
- All right.
Gotta check the scrubbers.
♪ ♪
- [grunts]
- Got it?
- [grunts]
- Okay, remove filter.
Let's go.
- Oh, that's not good.
- Hey, Ben, scrubbers are
completely corroded;
we need to seal the envelope.
- Alex, I need eyes on vents.
It's spreading.
What's going on down there?
- Checking intakes.
Javi, you're still drawing air.
It won't seal.
- If we don't stop this,
it will spread
throughout the train.
- Layton, get a breach suit
on and head down there.
- Yeah, Asha's with Ruth.
Tell her I need her.
- I'm on it.
- Javi,
check the exterior intake.
- It's okay.
[dog barks]
- [coughing]
[dog barking]
[gasping for breath]
- Hey, hey!
I got you.
I got you.
- [groans]
- [grunts]
[panel chimes]
I got you.
Hey, Sykes.
Sykes, breathe.
Wake up.
Come on, wake up.
Uno, dos, tres,
quatro, cinco, seis.
Uno, dos, tres, quatro--
- [gasps]
- Okay.
You're okay.
Breath, breathe.
Breathe.
- [sighs]
[alarm blaring]
[monitor beeping]
- It's spreading to poultry
and aquaculture.
- Ben,
if we don't contain this,
we're looking at
a wholesale resource collapse.
[tense music]
♪ ♪
- It's spreading to AG-SEC.
We gotta stop it
before it cascades.
[coughs]
[alarm blaring]
Is she okay?
- I'm good.
[coughs]
- Hey, intake won't close!
You have to do it manually.
Go!
[alarm blaring]
- Okay, Ben, we're in.
- All right.
The access hatch
is in the filter rack
near the end of the unit.
[monitors beeping]
- That's this?
We just pull these here?
- [grunts]
- [grunts]
Grab that one.
Shit, that's a lot of smoke.
[grunts]
All right.
- Great.
The intake
is in the unit below.
- Copy.
Yeah, I see it.
You got a crowbar?
- I'm looking, one minute,
one minute.
Here.
Here.
- Okay.
Thank you.
[grunting]
[tense music]
♪ ♪
Nah, it's--it's too small.
Asha and I can't fit in
with our suits.
Ben, is there another way in?
- Negative, Layton, that's it.
- I gotta--
I gotta come out of this suit.
- Layton,
that is not an option.
You take your breach suit off,
you'll be dead in minutes.
- Ben, we don't have a choice.
- Layton, do not take
your breach suit off!
- Andre.
- Huh?
[grunts]
- Layton?
- Asha--Asha, don't.
- I'm going.
- Asha.
- [coughs]
- Asha, don't!
- Andre, Andre,
there's no time, okay?
- Asha. Asha, don't!
- [coughs violently]
Asha, don't!
Asha!
- [grunts]
- Ben!
Ben, she's in.
Asha's in.
[monitors beeping]
- Okay, just ahead you'll see
the intake on the left.
The louvers are controlled
by electric servos.
- Servo up ahead,
intake on the left!
- [grunts]
[metal squeaking]
- Come on.
[rumbling]
- [grunting]
Crowbar!
- Gotcha.
- [coughs]
- Here!
- [coughs]
- Come on.
- [grunts]
Asha.
- [coughs]
- Come on.
- Come on, Asha.
♪ ♪
- [grunts]
[mechanical whirring]
- Intake's closed.
- Reverse flush with
internal air.
- Asha, you did it. Come back.
Come back!
- [coughing]
- Hey, no, no, no.
Asha.
Asha, look at me.
Asha, look at me.
Come back.
Here, here, here.
No, no!
Come here!
Come on!
- [strained breathing]
- Asha!
Look at me.
Get back here.
- [groans]
- Asha, come on.
Get up.
- [breathing heavily]
Go--
go and help
those people fight.
Like you did with the Tail.
Like you did with me.
- No, no, no.
Asha! Hey.
- [coughs]
- Hey, look at me.
- Tell me about New Eden.
Tell me about New Eden.
- I can't.
I made it up.
Come on.
- No, describe it to me.
- Come on, please.
Please, Asha, come on.
- [coughs]
- No, come on.
- Tell me what it looks like,
please.
- Uh, uh...
Rolling hills
down to the shoreline.
Um, there--there were shrubs,
low, like sage,
you know, green and prickly.
Uh, trees--trees
just spotting the beach.
Uh, and, uh, I could smell it.
Yeah, I could smell it.
Vanilla and, uh--and pepper,
yeah.
You could hear the, uh--
the breeze
and there were bugs humming.
And the sun...
ooh, Asha, the sun, huh?
Close your eyes
and turn towards the sun.
And it heats your whole body
all the way deep down inside.
[emotional atmospheric music]
♪ ♪
Asha, you did it.
♪ ♪
[breathing heavily]
♪ ♪
- Your contribution
is appreciated.
- [distant groaning]
- We'll call you
when we're ready.
- What was that?
- Yes, none of your business.
Now, off you go.
Mm-hmm.
[dark, ominous music]
♪ ♪
[monitors beeping]
[gasps]
Oh.
Patience.
Yeah, your time will come.
Mm-hmm.
Oh, yeah.
[train rumbling]
- Uh, can you, uh, just give us
a minute, please?
[somber atmospheric music]
♪ ♪
You all right?
She made a decision
in the moment, Andre.
A brave one.
- She said we have
to keep going.
- Well, she's right.
We do.
♪ ♪
- New Eden, Ruth.
We're gonna get there.
- Come on.
♪ ♪
- How do you feel?
- Better.
Thank you.
[intercom dings]
- All passengers,
shelter in place
has been lifted.
All clear. All clear.
[intercom dings]
- I just wanna sleep.
- Me too.
[emotional atmospheric music]
♪ ♪
[monitors beeping]
- We should be close enough
to see it.
There!
[monitor beeping]
- Holy shit.
It's her.
[dramatic music]
♪ ♪
♪ ♪
Get a feel for it.
If you don't like it,
we'll find you something else.
[gentle music]
- Thanks.
- Having a purpose here
on Snowpiercer will help.
I promise.
♪ ♪
- Green was the first color
to disappear outside.
Our crops withered by drought.
Our forests set ablaze.
And then the whole charred
ruin locked away in ice.
♪ ♪
- [inhales]
[knocking at door]
- Asha.
I know you're in there.
Can you let me in?
♪ ♪
- I-I'd rather you didn't.
- Asha, I know you've been
pinching things
from the market.
So you can let me in,
or I can come back
with Brakemen--it's up to you.
♪ ♪
Layton told me about your time
in the reactor
and I can't even imagine.
But all of that,
it's behind you now, Asha.
- You think you're safe here,
don't you, Ruth?
But you're not.
Andre,
he didn't know the whole story.
You know, after--after
the marauders died off,
we turned on each other.
I was desperate
to keep my nephew safe,
so I poisoned all the others.
And then cancer took
my nephew away
and I was left all by myself.
Once you choose
survival at any cost,
there's no going back.
[tense music]
- Except there is.
I've seen it.
We all find our place here
working together as one train.
- Um, I'm just doing
some pickling,
and I was wondering
if you had anything
with a bit of heat to it.
- [chuckles]
Yeah.
- Oh, thank you so much.
Ooh.
I'm gonna call it "Ms. Asha's
New Eden Hot Batch."
- [laughs]
- Yeah? Yeah? Huh?
- Here among the plants,
I'm six again.
Running through the forest
of my grandparent's farm
in the Western gardens.
Peppercorn, cardamom,
and ginger,
boiled together
by the humidity
like a cup of chai.
When anyone would get upset,
my grandmother would say,
"Jab sab galat ho raha ho,
tab sab sahi ho raha hai."
When everything goes wrong,
perhaps it's setting itself
right.
For the longest time,
I couldn't find truth
in her words,
how out of so much loss
she could find hope.
Enjoy.
But now, I think I see it here
with them pulling together
for something more than
just survival,
on Snowpiercer,
1,029 cars long.
[dramatic music]
♪ ♪
- You were there in the reactor
at the beginning.
- When you had this vision
of a New Eden.
- Yeah, and that vision
is what has been keeping me
going this whole time.
That's why we're here.
Just days away.
- It's keeping us all going.
It's hope.
So what happened?
- I went back there, Asha.
Somewhere in some dark corner
of my mind.
And we were there
in the reactor together, and...
now my faith
in all of this is gone.
[tense music]
♪ ♪
Have you seen this?
- That's your vision?
- You recognize it?
- Yeah.
There was one of these trees
in a calendar on my wall.
Reminded me
how special the world is.
♪ ♪
- I made it all up.
- Don't say that.
I'm right out
on that limb with you.
Finally feeling like
I'm part of the train.
- Oh, there you are, Andre.
Is everything all right?
- Yeah, fine.
- I'm sorry to interrupt,
but Ben and Alex
would like to see us
in the engine.
- Don't worry about it, Asha,
we're good.
[clears throat]
♪ ♪
- You think Melanie is alive?
- Well, we can't leap to that.
Something's moving out there.
But first, you need to
understand how switches work.
- Track switches
operate on battery power.
When Ben and I
took a look at the data,
we saw that some of them
have lost juice.
- It's because something is
moving from switch to switch,
drawing down power.
When we follow the breadcrumbs,
they lead us to
the Rocky Mountain Test Track.
- Where we last saw Melanie.
- It's gotta be her then.
- There's a facility
on that track.
In theory, she could have
reached the hanger
and gotten
a maintenance vehicle going
or a track scaler or a plow.
- But these are bare-bones,
autonomous machines.
They're not designed
to support life.
- But it's moving.
You said so yourself.
- Yeah, the vehicle's moving.
It could go on for years.
It's just about the person
inside of it.
- With no support or water.
And they're barely
the size of a broom closet.
- Where is it now?
- Northwest.
It's a two-day detour
on the Ottoman Spur.
- You guys should know
that the only reason
we looked into this
is because Wilford told me.
- What?
- Yeah.
- Oh, no, no.
He's gotta be messing with us.
- Right, but if it's true--
- If it's true,
he's still messing with us.
I'll go find out.
♪ ♪
- Here he is, the man himself
back on the beat.
I trust the information I gave
Alex is paying off then.
- We're studying it.
- Wonderful.
So while the Engineers
crunch the numbers,
you're here to probe
my motives, is that it?
- Why would you want
Melanie back?
- Well, for self-preservation.
Another Engineer on board
is good for us all.
- You left her trackside
to die.
- And then I lost
and the people decided
to throw
in their lot with you.
Yes, I know.
Now, I just happen to think
New Eden is a terrible idea
and if that's where
we're headed,
our odds of survival
are better with Melanie.
- Unless she's dead.
Is that it?
Try to knock us off course,
crush our spirit?
- I wouldn't do that to Alex.
[tense music]
♪ ♪
You're not quite yourself,
are you?
[coughs]
I don't get much news in here,
but I did hear
about the showdown
between you
and your old friend, Mr. Pike.
Must have been hard
on Zarah there,
seeing you at death's door,
little Liana in her arms.
[coughs]
- I'm the one
who's still standing.
- Oh, barely.
Brush with death
will shake a man up.
Believe me, I know.
And by the look of it, you need
Melanie's help more than ever.
Why are you pretending
there's a choice?
If there's any chance
she's out there,
you know what you have to do.
[laughs]
[intercom dings]
- Fellow passengers,
now with days to New Eden,
we are detouring.
Detouring in the hopes
that Engineer Cavill
is indeed out there.
It's our collective duty
to bring her back to the fold
and to continue the quest
that she inspired.
Thank you.
[intercom dings]
- About 10 hours
until satellite confirmation.
- Uh, no, I'm gonna say longer.
The single-track vehicles
are very small,
and there's seismic risk
all along the Ottoman Spur.
- What do you think
I've been doing over here?
- Exactly the same thing
I'm doing over here, Alex.
I wanna believe
she's alive too,
but there's a big chance we
find that track scaler empty.
♪ ♪
- I know that, Ben.
[monitor beeps]
There's also a chance
that we just find
her body in there.
♪ ♪
It's kind of my go-to.
But my friend Carly
just lost her mom,
and she said that no matter
what, we have to try.
So no matter what,
we have to try.
- Then Carly is a good friend.
- She better be, because I
haven't had very many of them.
♪ ♪
- [breathing deeply]
♪ ♪
[electronic chirping]
[baby babbles]
- You don't have to hide
your doubts in here, you know.
- Just tired of talking
about it.
[somber music]
♪ ♪
Are we okay?
- Yeah, of course we're okay.
- I think I went backwards.
When I was away, I was chasing
an old version of us.
- Yeah, I wanted that too.
We were just trying our best.
There's no shame in that.
You and I, we just share
one responsibility now,
and she's right there
in your arms.
[knocking on door]
[knocking intensifies]
- Let's go see.
Let's go see.
[knocking continues]
[electronic chirping]
What is it?
- It's not good.
It's an Atmospheric CCA,
and I'm reading increasing
sulfur dioxide.
- Our instruments aren't
picking up
any airborne anomalies.
- What's with the suit?
- Your compound analyzers
aren't as sensitive as mine.
- Well,
if we need finer analysis,
we can send
a sample to the lab.
- There's no time for that.
May I?
- She knows what she's doing.
- I did maintain air quality
at a nuclear plant.
All right.
The parts are increasing too.
- Hey, uh, I know y'all are
busy back there doing science,
but is this
what you're looking for?
- Shit.
[monitor beeping]
- Bingo.
- It's just coming up
as ground fog on the Sat.
- Yeah, well, it isn't.
Look, sulfur dioxide,
hydrogen sulfide,
carbon dioxide.
Burn your lungs right out.
- I'm slowing us down.
- Damn, it goes forever, Ben.
A couple hundred kilometers.
Shit.
[tense music]
♪ ♪
- You thinking what
I'm thinking?
- That Wilford put us
onto this track?
♪ ♪
[up-tempo electronic music]
♪ ♪
- So!
Os!
[music stops]
- Ooh.
- Did you hear
the announcement?
We're going to
pick up Melanie.
- If it's true,
that's--that's great news.
- Oz,
she's my arch-enemy, right?
What do you think
she's gonna do when
she finds us
running the night car?
- Look, but she won't
because we won't be.
We're getting off,
you just don't
seem to believe it, do you?
- Yeah, because it's insane.
I mean, it's a million degrees
below zero
and you think
we're gonna survive on pickles.
- No, we're preserving food
for a year,
while we set up greenhouses
and crop rotation.
- You've lost it.
I mean,
where are Wilford's people?
We used to trade
in information,
and now I don't even know.
- Where are you going?
- To find out what
this shit's really about.
[people chattering]
- Bess, is it true?
Wait there.
- Could be her.
But is it likely
she's still alive? I mean--
- I just realized
I hate noodles.
So much for eating my feelings.
- So spit 'em out, Audrey.
[emotional music]
♪ ♪
- Shame.
- All right, shame.
- You told me
I had to hit rock bottom.
My problem is
I'm comfortable here.
This is me without him.
The shame is
Melanie seeing me like this.
Just the train pariah
licking his floors.
♪ ♪
- That's not who you are.
Whatever.
♪ ♪
- Open up.
- Let's go.
- Back so soon?
What's wrong?
[tense music]
Oh, that's more like it.
He's a man of action
all of a sudden.
Either you've recovered
your mojo
or you are overcompensating
for having none left.
♪ ♪
- Wait here.
- Snowpiercer, old girl.
[monitors beeping]
Not very well cared for,
though, is she?
- Nobody told me he was coming.
- Lovely to see you too.
And who is this?
Ah, you must be
our little survivor.
- And you must be
the great Engineer.
- Okay, okay.
- [chuckles]
- Any idea what that is?
- Oh, no wonder you slowed,
Ben--
- That's close enough.
- What?
I didn't know about this.
- No?
- No.
- You didn't use the idea
of Melanie to get us here?
- To what end?
And-and why--why--why should I?
That's obviously volcanic.
Alex, we traveled this far
18 months ago, it was clear.
- All right.
Let's talk about air scrubbers.
- Well, what's
the chemical composition?
- Here, sit.
Listen to the Engineers.
- It is volcanic.
It's mostly hydrogen sulfide.
- Now, whatever it is,
it's settled into the valley
and there's only one way
through it.
- All right, calm down, Ben.
The HVAC system can handle
these concentrations.
- Well, yeah.
We can scrub away the toxic--
- But hydrogen sulfide
is corrosive.
- Also accounted for
in the design.
You know, the shadows
on my cave wall
haven't said much about you.
What were you doing
in the horn of Africa?
- I couldn't get on your train.
- Okay, Ruth, can you help
Asha to her room?
Ben, hold steady.
[intercom dings]
- Snowpiercer,
this is the engine.
We are heading into
a hazardous environment.
Code yellow.
Code yellow.
All non-essential workers,
please return to your quarters
and shelter in place.
[intercom dings]
[intense, ominous music]
♪ ♪
- Let's go, people.
You heard the Engineer.
If you're not essential...
- Great.
- Move back to quarters.
- Sorry to break up
your lunch date,
but we're clearing the market.
- Oh, it's not a date.
Where do you need me?
- No, we're good. We just
need bodies in rooms, please.
Doggie bag,
if that's still a thing.
- Uh, let's go.
You can shelter with me.
- At your place?
- Yeah, you know,
until I figure something out.
- Oh.
- Let's go.
♪ ♪
[knocking on door]
- Hello? Hi.
Hi.
- What do you want?
- Would you let me in, please?
- No, no, no.
- Please.
- No. I said no.
[door rattles]
I said no!
- I wanna talk
about Mr. Wilford.
♪ ♪
- Now, why would I share
anything with you?
The opportunist.
Stabbed Kevin in the throat.
- Because I'm still here,
in the heart of the train
where I could be useful.
- To Wilford?
- Or his supporters.
Doesn't it bother you
a little bit
that Melanie's gonna
reboard the train?
- Don't touch those.
- Okay.
[tense music]
♪ ♪
- What's your blood type?
It's a test.
- Did I pass?
- Not yet.
Local anesthetic.
There we go.
I need starter tissue.
If you want in...
this is the price.
♪ ♪
Mm, okay.
You might want to look away.
- No way.
- Okay.
- [grunts, breathes heavily]
[breathing quickens]
[grunts]
- Okay.
Ooh.
- [breath shaking]
Ahh.
- [panting]
[laughs]
[machinery whirring]
[tense music]
♪ ♪
[dog sniffing, growling]
- [sighs]
- You ready?
[dog growls]
- [muttering in Spanish]
- All right, Halfway there.
You're closer
than you were yesterday.
- [mutters in Spanish]
[breath shaking]
- Jupiter, no.
You can tell her.
- Jupiter, no.
[dog barks]
[gasps]
- It's okay. It's okay.
[barking]
Here. Here.
[panel chimes]
[melancholy music]
♪ ♪
- Homey.
- Thanks.
- Oh, wow, you can't see
a thing out there.
- Engine.
- Hey, it's me.
What do you need?
- It's Till.
What should I tell her?
- We got it;
she can sit tight.
- We're covered.
You can shelter.
- Are you sure?
I, uh--I'm ready to help
wherever.
- Don't sweat it.
- O-okay.
Well, um, you know where I am.
♪ ♪
I, uh--I guess we're, uh,
riding this out together.
- Great.
Got any board games?
- I hate board games.
Uh, but I got, uh,
a grapefruit, three oranges.
- Oh.
[glasses clink]
- This.
- Oh, uh, I'm on the wagon.
But I can make you something.
♪ ♪
- HV 348 is good.
- So far so good.
Scrubbers are doing their job.
[device beeping]
- HV 347's good.
- Okay.
[zipper slides]
Come on, let's talk about it.
- I'm supposed to help
lead us off train.
How am I supposed to do that
if I shit my pants
at a dog barking?
- Well, there's only two
or three dogs left
so change your pants.
Come on, I'm kidding.
- Right.
Gin martini,
just a whisper of vermouth,
and a single olive.
[atmospheric music]
- [chuckles] Cheers.
- Cheers.
♪ ♪
You know, I hear that you've
got quite the green thumb.
- It's, uh--
it's coming back to me.
Mmm.
A lot is, actually.
Memories from
before the freeze.
Travel jobs all around
the world.
The UK, reactors in Romania,
Canada,
finally South Korea.
- I'd never really traveled
till I boarded the train.
- Yeah, well, I was--
[chuckles]
I was running away
from my mother.
I took it for granted that
family would always be there,
and then the reactor
felt like karma.
My life would end alone
at the bottom of a dark hole.
♪ ♪
- But it didn't, did it?
You're part
of this magnificent train.
♪ ♪
- HVAC's handling the load.
Intake is normal.
Heat, air quality
is within standard range.
- Much ado about nothing.
- Then we don't need him.
- Oh, come on, Alex,
I never get out.
[chuckles]
- Goodbye.
- Okay, Willie.
Field trip's over.
- Fine.
[monitors beeping]
- Hey, just passing through the
neighborhood, you all right?
- Is it really super poisonous
out there?
[passerby chatting]
- It's never easy, is it,
sweetheart?
- I keep imagining Mum
out there with Alex's mom.
I-I know she isn't,
but I can't help it.
- Hey, you can think about it
any way you want.
You wanna know what I do?
It's crazy.
- What?
- I get up in the morning
and I tell myself
Anne is in the closet.
I know she's not.
And I know I'll be
disappointed,
but I go to the closet anyway.
Start moving clothes around.
"Hello?
Anne?"
I look high and I look low.
"Anne?"
- Shitty, Dad.
She's not there.
- Right.
But then what happens?
Something interrupts.
You farting or snoring
or sleeping late.
- Ew, what?
- I know.
I'm just saying
this is what happens.
But I know
if you're still here...
then she is too.
So I make her a fake coffee
and I go about my day.
- It's quiet around here
without her.
- It's too quiet?
- Dad.
- No, we do not like quiet.
Do you know what this is?
- Extinct technology?
- Yes,
this is extinct technology
that is going to
smooth rock your world.
- Dad, please.
Don't.
- No, no. Please.
- Dad, please.
- Please turn it up?
- Don't.
- Sure, no, I'll do that
[Roxy Music's
"More Than This"]
♪ ♪
Pretty good song.
♪ I could feel at the time ♪
♪ There was no way of knowing ♪
♪ Fallen leaves in the night ♪
♪ Who can say
where they're blowing ♪
♪ As free as the wind ♪
- ♪ Hopefully learning ♪
- [laughs]
- Whoa!
- ♪ Why the sea on the tide ♪
♪ Has no way of turning ♪
- Shake it.
Here we go, here we go.
- ♪ More than this ♪
[dust blowing]
- This is spooky as hell.
- Engineers say
we should be fine.
Just take a couple hours
to get through.
- Something's not right.
- Wilford couldn't have known
we'd encounter this,
I believe that.
- Yeah, but I still don't get
why he would
steer us to Melanie though.
- He's bored,
trying to stay relevant.
- Yeah, I guess.
- That's why I put him back
under house arrest.
[intense music]
At least I'm outta
my own head now.
- Putting off your own crisis
for a collective one.
- Don't worry,
I'll get back to it.
♪ ♪
[dust blowing]
[train rumbling]
- Thank you for
letting me in, Bess.
- In? Uh-uh.
You're not in.
Make me another.
[tense music]
♪ ♪
- Just breathe.
- [sighs]
♪ ♪
I don't--I don't wanna
do this.
- I know.
Look, I'm not one to talk,
but you've been leaning
pretty heavily on alcohol.
- You're right,
you're not one to talk.
- Everybody gets by
in their own way.
It's perfectly acceptable
to build
a fortress around yourself.
- Yeah.
Sure, sure.
- [chuckles]
- Okay.
- Okay?
- [exhales]
It's okay. It's okay.
- [sighs]
Okay, what happens next?
- Okay, close your eyes.
♪ ♪
[glass clatters]
♪ ♪
- [breathes deeply]
[breathes deeply]
- Just breathe.
You're safe now.
You're safe under the orange
sky and the angry eye.
- [breaths shakily]
- Safe to tilt your face
to the sun...
and let it melt
the ice that encases you.
Come back to the core
of who you are.
[eerie music]
♪ ♪
- I'm rotten.
♪ ♪
- Go there.
[metal thudding]
- I'm cruel.
I'm bigoted.
I'm violent.
[unsettling tone]
♪ ♪
[breathing heavily]
- Step back into it.
- I'm just good at my job.
- Does that make you proud?
[baby crying]
You removed the uniform.
You left what you knew to fight
for what is right.
You've changed.
- Have I?
Have I?
- You've changed.
- The things we've done,
Audrey.
- What we've done
cannot be changed.
- [sobs]
- Your past may be rotten,
but your core is not.
I see you, Bess.
Feel the sun.
Let the warmth in
to the real you.
Open your eyes
and look to something new.
[somber music]
♪ ♪
[inhales deeply]
- You sure about this?
- We'll be fine. Thank you.
[baby babbles]
[knocking on door]
- Oh, well.
It's a busy day.
- I brought someone
over to meet you.
- Yes. Hello.
[tense ambient music]
Oh, she glows.
You both do.
- Thank you.
- May I hold her?
- Last time I let someone hold
my baby, it didn't go so well.
- Well, surely I've earned
your trust now, Zarah.
Invested as I am.
- Okay.
- Yes? Aww, thank you.
♪ ♪
Aww.
Oh, you sweet thing.
[chuckles]
I've missed our little chats.
- I'm sure you have.
- I'm curious, has the widow
Headwood run any tests on her?
- You mean have we put her
in a cold lock?
She's only a week old, Joseph.
- Anecdotally then,
has Mum seen any evidence
of our intervention?
- Like what?
Fondness for ice cubes?
- Well, she'll surprise us all,
won't you?
Hidden talents.
Just like your mother.
Here.
- The only real talent I seem
to have
is reading tea leaves
to survive.
- Have you got her?
- Yeah.
♪ ♪
So I think
I've figured it out.
- Oh?
- Melanie.
- Uh-huh.
- Everyone's expecting
a savior.
But she's a wild card
and you think
she'll be divisive.
- Oh, well, that's a very dim
view to take of my benevolence.
All I did was provide
some facts.
[baby whines]
Not even proof of life.
♪ ♪
[door rattles]
[devices beeping]
- Smell that?
[device beeping]
[beeping quickens]
- Elevated particulate.
[clears throat]
[tense music]
Javi.
- Oh, shit.
[coughs]
Hey, Ben,
I'm reading elevated
particulates here.
- Yeah, I got it, Javi.
It's gotta be a scrubber.
- All right.
Gotta check the scrubbers.
♪ ♪
- [grunts]
- Got it?
- [grunts]
- Okay, remove filter.
Let's go.
- Oh, that's not good.
- Hey, Ben, scrubbers are
completely corroded;
we need to seal the envelope.
- Alex, I need eyes on vents.
It's spreading.
What's going on down there?
- Checking intakes.
Javi, you're still drawing air.
It won't seal.
- If we don't stop this,
it will spread
throughout the train.
- Layton, get a breach suit
on and head down there.
- Yeah, Asha's with Ruth.
Tell her I need her.
- I'm on it.
- Javi,
check the exterior intake.
- It's okay.
[dog barks]
- [coughing]
[dog barking]
[gasping for breath]
- Hey, hey!
I got you.
I got you.
- [groans]
- [grunts]
[panel chimes]
I got you.
Hey, Sykes.
Sykes, breathe.
Wake up.
Come on, wake up.
Uno, dos, tres,
quatro, cinco, seis.
Uno, dos, tres, quatro--
- [gasps]
- Okay.
You're okay.
Breath, breathe.
Breathe.
- [sighs]
[alarm blaring]
[monitor beeping]
- It's spreading to poultry
and aquaculture.
- Ben,
if we don't contain this,
we're looking at
a wholesale resource collapse.
[tense music]
♪ ♪
- It's spreading to AG-SEC.
We gotta stop it
before it cascades.
[coughs]
[alarm blaring]
Is she okay?
- I'm good.
[coughs]
- Hey, intake won't close!
You have to do it manually.
Go!
[alarm blaring]
- Okay, Ben, we're in.
- All right.
The access hatch
is in the filter rack
near the end of the unit.
[monitors beeping]
- That's this?
We just pull these here?
- [grunts]
- [grunts]
Grab that one.
Shit, that's a lot of smoke.
[grunts]
All right.
- Great.
The intake
is in the unit below.
- Copy.
Yeah, I see it.
You got a crowbar?
- I'm looking, one minute,
one minute.
Here.
Here.
- Okay.
Thank you.
[grunting]
[tense music]
♪ ♪
Nah, it's--it's too small.
Asha and I can't fit in
with our suits.
Ben, is there another way in?
- Negative, Layton, that's it.
- I gotta--
I gotta come out of this suit.
- Layton,
that is not an option.
You take your breach suit off,
you'll be dead in minutes.
- Ben, we don't have a choice.
- Layton, do not take
your breach suit off!
- Andre.
- Huh?
[grunts]
- Layton?
- Asha--Asha, don't.
- I'm going.
- Asha.
- [coughs]
- Asha, don't!
- Andre, Andre,
there's no time, okay?
- Asha. Asha, don't!
- [coughs violently]
Asha, don't!
Asha!
- [grunts]
- Ben!
Ben, she's in.
Asha's in.
[monitors beeping]
- Okay, just ahead you'll see
the intake on the left.
The louvers are controlled
by electric servos.
- Servo up ahead,
intake on the left!
- [grunts]
[metal squeaking]
- Come on.
[rumbling]
- [grunting]
Crowbar!
- Gotcha.
- [coughs]
- Here!
- [coughs]
- Come on.
- [grunts]
Asha.
- [coughs]
- Come on.
- Come on, Asha.
♪ ♪
- [grunts]
[mechanical whirring]
- Intake's closed.
- Reverse flush with
internal air.
- Asha, you did it. Come back.
Come back!
- [coughing]
- Hey, no, no, no.
Asha.
Asha, look at me.
Asha, look at me.
Come back.
Here, here, here.
No, no!
Come here!
Come on!
- [strained breathing]
- Asha!
Look at me.
Get back here.
- [groans]
- Asha, come on.
Get up.
- [breathing heavily]
Go--
go and help
those people fight.
Like you did with the Tail.
Like you did with me.
- No, no, no.
Asha! Hey.
- [coughs]
- Hey, look at me.
- Tell me about New Eden.
Tell me about New Eden.
- I can't.
I made it up.
Come on.
- No, describe it to me.
- Come on, please.
Please, Asha, come on.
- [coughs]
- No, come on.
- Tell me what it looks like,
please.
- Uh, uh...
Rolling hills
down to the shoreline.
Um, there--there were shrubs,
low, like sage,
you know, green and prickly.
Uh, trees--trees
just spotting the beach.
Uh, and, uh, I could smell it.
Yeah, I could smell it.
Vanilla and, uh--and pepper,
yeah.
You could hear the, uh--
the breeze
and there were bugs humming.
And the sun...
ooh, Asha, the sun, huh?
Close your eyes
and turn towards the sun.
And it heats your whole body
all the way deep down inside.
[emotional atmospheric music]
♪ ♪
Asha, you did it.
♪ ♪
[breathing heavily]
♪ ♪
- Your contribution
is appreciated.
- [distant groaning]
- We'll call you
when we're ready.
- What was that?
- Yes, none of your business.
Now, off you go.
Mm-hmm.
[dark, ominous music]
♪ ♪
[monitors beeping]
[gasps]
Oh.
Patience.
Yeah, your time will come.
Mm-hmm.
Oh, yeah.
[train rumbling]
- Uh, can you, uh, just give us
a minute, please?
[somber atmospheric music]
♪ ♪
You all right?
She made a decision
in the moment, Andre.
A brave one.
- She said we have
to keep going.
- Well, she's right.
We do.
♪ ♪
- New Eden, Ruth.
We're gonna get there.
- Come on.
♪ ♪
- How do you feel?
- Better.
Thank you.
[intercom dings]
- All passengers,
shelter in place
has been lifted.
All clear. All clear.
[intercom dings]
- I just wanna sleep.
- Me too.
[emotional atmospheric music]
♪ ♪
[monitors beeping]
- We should be close enough
to see it.
There!
[monitor beeping]
- Holy shit.
It's her.
[dramatic music]
♪ ♪
♪ ♪