Snowpiercer (2020–…): Season 3, Episode 3 - Episode #3.3 - full transcript
- Move it! Move it!
- Move!
- I was born for battle.
Built for it.
Sometimes in battle,
a perfectly crafted plan
gets compromised.
A true general comes up
with a better one
right there on the spot,
working without a net
and sticking the landing
to thunderous applause.
- Hurry up, you dogs!
Let's go! Let's go!
♪ ♪
- Where are they?
- They were coming
straight at us
and then veered away
on a sidetrack.
This line bends Southwest.
At that speed, they could be
20 kilometers away by now.
- Or coming about
to nip at our heels.
- I'm sorry, sir.
There was no warning.
- No, they saw to that,
didn't they?
No satellite coverage.
A moonless night.
An ambush from the shadows!
- As cowardly as the day
they left, sir.
- No, they didn't drive by
for nothing.
Forward lamps to full.
Brake!
There's a moment in a fight
when that first blow lands
and everything stops.
And in that flash of clarity,
you know who you are.
I'll push as hard as it takes
to get my engine back.
Snowpiercer, 1,023 cars long.
♪ ♪
Full thrust. Push through it.
- Sir, if that axel--
- Full power, Engineer. Now!
- Well done, sir.
Round one to you.
- No, no, that trap
wasn't meant to stop us.
It was meant to slow us down.
We can't have
any setbacks today, Kevin.
Ruth's people
will be energized.
Find them.
- I know just where to start.
- Take the gloves off.
Make an example.
- I thought you'd never ask.
- And Kevin?
- Yes, sir.
- Send Zarah to me.
What's our speed?
- 14 kilometers an hour.
- All right, Mr. Layton,
you got us at a crawl.
What's the play?
♪ ♪
Layton knows better
than to connect end to end.
My Jackboots would just
sweep in and crush him.
So he's going to peck at us
from the side.
- He needs parallel track.
- And this rail yard
is an entire maze of it.
♪ ♪
♪ ♪
He broke free of the snare
but slowed down.
- We can get
right up alongside him
in these sidings.
They'll be in position
in 2 kilometers.
- Bring us around, Ben.
- Copy that.
- How long we got?
- Three, four minutes.
- All right, stay sharp.
Let's get this done.
I'll make sure Josie's ready.
- Bess.
♪ Bess Till ♪
♪ Bess! ♪
- Audrey, shut it.
- What's happening? Is it him?
- You'll know it's him
when his head is on a pike.
Oh.
♪ ♪
- You ready for this?
- Ben takes us close.
I jump over,
breach the Big Alice engine,
and you reconnect.
- We only get one shot at it.
- Well, then,
better not miss it.
♪ ♪
- Zarah, just in time.
Thought you should
be here for this.
- As a hostage or a spectator?
- As my confidante,
nothing less.
Come. Come on.
Have a look.
See, that's your old life
creeping up our flank.
- Are they attacking?
- Maybe they're here
to surrender.
You see any white flags?
- No.
- No.
No, and if I had to guess,
I'd say they're trying
to cut the head off the snake.
But I have a surprise for them.
- Heave.
Heave.
- Well, whatever these tin cans
are for can't be good.
- Pike, man, what's the plan?
- Keep your eyes on your work.
- Heave.
- And quit standing around!
Let's go.
- Come on. What are you doing?
- All right, time to move.
I'll distract them.
You guys get to Ruth.
- No. Whoa, whoa.
That's not how it works, man.
You're in charge now.
You don't get caught.
- Hei, húndàn.
Catch.
♪ ♪
♪ ♪
- We're in position.
- Josie, it's time.
Be careful out there.
- I'll breach the bastard,
don't worry.
Now! Harpoon!
- Deploy.
♪ ♪
- Opening cold-lock.
♪ ♪
Wilford has a cannon
or something.
Pull back!
- Switch track.
Josie, hold on.
♪ ♪
- We're derailing!
- Try to stabilize.
- Well done.
Never fails to amaze me.
You take so much in
and give so little back.
I just hobbled your man, Zarah,
and you didn't even flinch.
At this rate, the war will be
over by daybreak.
♪ ♪
- Come on. The car is damaged.
We gotta go.
Let's go.
- We have to cut it loose.
It's gonna derail us.
- Cut here? That's four cars.
- It's the closest J-link.
It's the only option.
- Asha's back there.
- We don't have time.
- Go.
- You okay? Thank you.
- She waited
eight years outside.
Can't very well kill her
on day two.
- Safety's off.
- Disconnecting now
And we're clear.
- Here.
You'll be safer up here.
Hey...
You gonna be okay?
- Turn out the lights.
- Sure.
Hold fast, okay?
♪ ♪
♪ ♪
- We have a problem.
Wilford's gone.
His train went dark.
He could be anywhere now.
- Switch off comms
and transmitters tip to tail.
Not a peep.
Zarah, what are you doing
still on your feet?
You must be exhausted.
Come.
- So what are you planning?
Bit of a lull.
It'll do us good.
Catch our breath.
I've invested a lot in you.
And the child.
I just want to keep you
near me,
for your protection.
- And because they won't attack
the engine if I'm in it.
- Right.
♪ ♪
- How do you lose
a 10-mile train?
- We were the ones
that led him into this maze.
- He could be running.
These six routes head
out of the valley.
If he gets to linear track,
we'll lose our advantage.
- Yeah, or he's around
the next corner,
laying in wait.
- He's gonna pick us off
piece by piece.
I looked into the muzzle
of that thing.
- We need to get eyes on him.
Can we get to higher ground?
- Here, track follows
the ridgeline.
Should give us a view
of the whole basin.
- Okay, let's do it.
Lights out.
If he's gonna go dark,
so do we.
♪ ♪
- Up and at 'em, lovebirds.
- Kevin!
Get out. How dare you?
- Commandeering the Nightcar.
- Ugh, Kevin.
- On whose authority?
- Call it a wartime measure.
Oh, you didn't hear?
Layton's back.
Up. There's work to do.
♪ ♪
- Why don't you, um,
go put some coffee on?
- Who--who's there?
- Here to see the prisoner.
I'm her lawyer.
- I don't think
that's a thing anymore.
- Lose your helmet, Jackboot?
- Hey, come on, man. Hey.
- Do you know me?
- You're--you're a Tailie.
Forgive me,
I-I don't know your name.
- I know you.
Whiggins.
- Yes.
- Well, there's two things
you should know about Tailies.
We have long memories
and we win wars.
- Oh, yeah?
- Mm-hmm.
We won the last one.
And we'll win this one.
And do you wanna be the guy
who stands in the way?
Hmm, Whiggins?
- You have ten minutes,
Counselor.
Let me just get
the door for you.
- Pike?
- You're looking good, girl,
with those arms dangling down.
- You shouldn't be here.
It's too dangerous.
- I'm gonna get you
out of here.
- Wait, wait, wait.
Tell me what happened.
- Wilford drove Layton off
with cannon fire.
Now we're rolling around
in the dark.
- Well, if Wilford is hiding,
then we need to signal Layton.
- I'm gonna get you
out of here first.
- You can't.
You'd have to kill Whiggins,
and then you'd have
to find Clifford
and kill him too,
'cause he's got the keys.
- Go on.
- Pike, Mr. Pike,
you're a dear man
and a brave one,
but this war is bigger than us.
- How do I signal Layton?
- I've got an idea,
but you'll have to get uptrain
to hospitality.
♪ ♪
Asha.
Hey, you good in there?
I'm sorry, I dropped you
right in the thick of it.
Here.
Hey, hey, hey, hey, hey, hey.
- What's going on?
Did Mr. Wilford
cripple the train?
- No, look, it's just some
cat and mouse, all right?
It's fine.
- And you're supposed
to be the cat?
Eight of you against
the great Mr. Wilford.
- The great Mr. Wilford
is not who you think he is.
- Isn't he the one
that saved all of you?
- We saved our own damn selves.
He built all of this
just so he could be king.
- So now it's your turn?
- No.
This is personal for us, okay?
I have a partner
that I boarded with.
I have a child on the way.
- Oh, if you're doing this
for a child,
you will do things
that you will regret.
- I just came in to warn you.
We are not giving up.
This is gonna get worse
before it gets better, okay?
- Okay.
- Hold on.
♪ ♪
- ♪ You are my sunshine ♪
♪ My only sunshine ♪
♪ You make me happy ♪
♪ When skies are gray ♪
♪ You'll never know, dear ♪
♪ How much I love you ♪
♪ Please don't take ♪
♪ My sunshine away ♪
- You know, when you sing,
I can almost convince myself
you're not a horrible person.
- Thank you.
- And then I remember
you only sing covers,
so the words aren't
actually yours.
- Lyrics are just dressing.
I sing for him.
- Oh, God.
- You scoff,
but at the end of the day,
that's all there is.
A person you sing for.
Who's that to you, Bess?
How do you get all the way
to the end of the world
and have no one?
- I have people.
- Who?
- Layton, Zarah, Roche.
- Roche?
- Yeah, Roche.
He was like a mentor to me
and--
and a friend.
Even though I fought him, he--
he had my back.
No, I don't--
I don't sing for him.
But not a day goes by
when I don't think about
getting him
out of those Drawers.
- I'm sorry.
I hope he survived.
- Yeah.
♪ ♪
- We're at the ridge. Eyes up.
If he is in the valley,
this is the best vantage point.
♪ ♪
- Anything?
- Till?
- Negative. There's nothing.
- But they can't just vanish.
♪ ♪
- Time to put on a show.
♪ ♪
♪ ♪
To the south,
far end of the valley.
Are you guys seeing this?
- Oh, my God.
Wait, wait, wait.
Is that--
- Ha.
They're still with us.
- We see you, Joseph.
- Ha.
- He's making a break for it.
East over the ridge
to the trunk line.
He wants to sneak out
of the rail yard
because it's where we have
tactical advantage.
- If he gets out of the valley,
he's looking
at days of linear track.
- Can we beat him to it?
- Alex?
- No.
I don't know, maybe.
It's all assumptions.
- What are we waiting for?
Pedal down.
- Let's cut 'em off
at the pass.
- Full throttle, Engineer.
- Sir, with respect,
we're draining really fast.
A few ticks slower
would be more efficient.
- They've seen us.
They're coming!
Tap every last reserve
and get us
over that bloody ridge!
♪ ♪
- Come on! What are you doing?
- So you have a choice,
Strong Boy.
I can take two fingers
next time
or I can take your thumb.
Or you could be smart
like when
you bravely volunteered
to step up to my table here.
Wilford just needs you
to start talking
and name your collaborators.
No.
- No?
- Come on. Leave him alone!
- Hold him.
- Ah, no!
No!
♪ ♪
Stop!
- I didn't sign up for this.
Just wanted to serve some
drinks and play some tunes.
- Would you relax?
War is not pretty.
But Wilford will reward us.
- If he wins.
- Of course he'll win.
- If he doesn't?
- And Layton rolls in here,
finds this?
Finds us?
Wilford's little
wedding puppets.
- We're not the torturers,
all right?
We're just providing a venue.
- I'm sure the mutilated guy
will be quick to sort that out.
- Hmm?
Look, if you're not gonna talk,
I guess you don't need
that tongue anymore.
Hold him, please.
♪ ♪
Hold him, hold him.
Ahh. Open up.
- Ahh!
♪ ♪
- Look, even if we catch up
with him,
we still have
the harpoon issue,
and we can't connect
end to end.
We'll never overpower
his Jackboots.
- No.
- No.
So we need a plan
to get into his engine.
We need a distraction.
- Audrey.
♪ ♪
- What's this?
- Hands behind your back.
- Ooh, handcuffs.
I knew you had a kink.
- Move.
- Mmm.
- Good luck.
♪ ♪
- It's moody in here.
- Sit.
- How much further?
- We're almost at the ridge,
but we're basically
running on fumes.
- Keep pushing. She'll make it.
Then we're home free.
- Nice and easy, Ben.
♪ ♪
- Joseph.
♪ ♪
- Big Alice,
this is Snowpiercer.
Come in.
Snowpiercer to Big Alice,
come in.
- Sir, should--should I answer?
- No, no.
- Come in, Big Alice.
♪ ♪
- This is Big Alice.
To whom am I speaking?
- I'm the guy standing between
you and open track, Wilford.
- I see that.
So it's a game of chicken,
is it?
- At the rate you're going,
I don't think
you'll make it this far.
- Oh, Big Alice has more fight
than you know.
You called this meeting,
Layton.
So go on,
or are we just gonna stand here
pissing off our prows?
- When we left, we made a deal.
I keep Audrey safe--
- I remember,
and I don't murder everyone.
Yes, I remember the deal.
It was made under duress,
I'll remind you.
But I stuck to it.
- Where's Zarah?
- She's right here.
Positively glowing.
- I'm here, Andre. I'm okay.
- And Audrey?
I want to hear her.
I need to know she's all right.
- Surrender the train
and you can tell her yourself.
- Surrender?
- We'll give you a car
in First, food, drink.
You two can live out
your years together.
- So I--
I give you
absolutely everything,
and you give me
a little piece back in return?
That's quite some offer,
Layton.
- The offer is,
we end this without violence,
or you could roll back down
into that rail yard
and we'll pick you apart.
- That's it, sir. We're tapped.
- No deal.
♪ ♪
I...I want to hear her voice.
- Joseph.
♪ ♪
- All right, Ben,
I'm at the cold-Lock.
♪ ♪
- Soon, soon.
♪ ♪
- Auto-engaging hot reverse.
We should switch helms and get
Big Alice pushing again.
- Full stop, Engineer.
Let her power down.
- What?
- Joseph.
- That can't be good, can it?
- No.
- Snowpiercer, we are dead
on the tracks.
If you don't reconnect,
everyone will freeze to death.
♪ ♪
- You're desperate.
- And you have no choice.
- Prepare to connect.
Javi,abre una cerveza, amigo.
- Commander,
move your boarding party
to the connection point.
- Generation deficit.
Train-wide temperature
is dropping right now.
- Better get your woolies on.
- All right, boys, you ready?
- Move out.
Remember where to aim.
- They're preparing to dock.
- They've got no choice.
Let's go, let's go.
Move, move, move.
- Cap okay?
- Hey, watch your back.
Move it, move it!
- This is crazy, Ben.
- Yeah, pirate's life.
- Shit.
- You're all right.
Just reverse her in
as fast as you dare.
- Shit.
- And don't reconnect
until we're in position.
♪ ♪
- Hey, remember, people,
we're gonna clear it first.
- Weapons ready? Move!
♪ ♪
- Christ.
Josephine. She's back.
The bloody balls.
Did you climb aboard,
you little hobo?
Uh-uh, baby on board.
No, you won't.
She won't.
Damn. Good one.
- Ahh!
♪ ♪
♪ ♪
- Tell your men to stand down
or I will throw you
off this train.
♪ ♪
- This is
Head Engineer Wilford.
Boarding party, stand down.
We will not be taking...
Snowpiercer by force.
Stand down. Weapons down.
- Oh, my God.
♪ ♪
- Happy now?
- Say it!
- Andre Layton has the train.
- Citizens of Snowpiercer...
♪ ♪
We're back.
♪ ♪
50 meters, 40 meters,
25 meters...
- It can't be just over.
- Well, I think it's about time
we get on
the right side of history.
- ♪ The Eastern world,
it is explodin' ♪
♪ Violence flarin',
bullets loadin' ♪
♪ You're old enough to kill ♪
- Here you go.
- ♪ You don't believe in war ♪
♪ But what's that gun
you're totin'?
Oz, I love you so much.
- ♪ Over and over
and over again, my friend ♪
- Whoa, whoa, whoa!
- ♪ Oh, no,
you don't believe ♪
♪ We're on the eve
of destruction ♪
♪ ♪
- Long live the Resistance!
♪ ♪
♪ ♪
♪ ♪
- Bottom's up.
♪ ♪
- Ah, found it.
- Ruth?
- Andre.
- I never would have found you.
You're in civvies.
I remembered that Wilford had
a secret tipple up here.
- Oh, could use some of that.
- Wanna celebrate?
- Yes.
- Oh, welcome home.
It's good to have you back.
- I knew you'd hold
everyone together.
Well done.
- Let's do it.
- Take them out.
- He's stable.
Carly's stable.
And Anne--
♪ ♪
♪ ♪
♪ ♪
- Javi.
Hey.
♪ ♪
- Oh, man.
- This warm spot,
the Horn of Africa,
you really believe
it can support life?
- Yeah, our future
is there, Ruth.
I believe it with all my heart.
- You know, the Horn of Africa,
the approach is maybe
the worst stretch of track
on the entire network.
And there was a war there
when the climate crashed.
- Yeah, yeah, I remember.
- The people are tired, Andre.
It's been a long six months,
and your first order
is gonna be to steer them
right back into more hardship?
- Mm-mmm,
there won't be an order.
We'll put it to a vote.
- A vote?
- Yeah.
We'll show them
that democracy has won.
We'll choose
our path forward together.
- And you're prepared
for the outcome of this vote?
- I am going to convince them
that it is worth the risk.
Snowpiercer's running
on duct tape and prayers.
This is a real opportunity
to get off.
- It's also a vote
on you, Andre.
Much of the train doesn't
support your leadership.
- This isn't just about me.
It's what Melanie
would have wanted.
- All right.
I'll, uh, inform the notary.
I know that everyone aboard
will take their vote to heart,
but are you prepared
to accept it if they vote no?
You better think long and hard
about exactly what it is
you're gonna tell them.
♪ ♪
- You're confined to Third
and barred from the Nightcar.
- Where's Joseph?
- You picked the wrong side,
Audrey.
- Traitor. Walk away.
- Has there ever been
a right side
on this goddamn train?
It's all gonna go to shit.
You'll see.
♪ ♪
- It went
straight through my hand.
- Something to remember us by.
- Look at you.
A monster come for its creator.
- It's poetic, isn't it?
- Layton can't hold it
together, you know.
They'll reject him again.
I am the train.
♪ ♪
- A vote?
- That's right.
You'll get a vote today too.
Politics.
You forget about them
when you're
the last person on Earth.
Thank you.
- Don't thank me just yet.
There's something
I need to ask of you.
- You brought me
back to life, Andre.
What is it?
♪ ♪
- Shh. Shh.
- My fellow passengers...
Today,
for the first time
since our departure...
you will have a say
in our destination,
and your choice
will determine our future.
By now, you know
that Melanie's sacrifice
gave us a map.
Proof that there are places
on the Earth that are warming.
Traveling fast and light,
we tested each of them.
Sulawesi, Gujarat,
Managua, the Atacama.
And each one of these
let us down.
I know that you have
suffered badly
because of our decision
to break the train.
But there is one more location
on which I ask you
to stake your hope:
the Horn of Africa.
The journey to return there
will be fraught with risk
and the hardships
will continue,
but we have someone here
who can renew our faith.
Someone we had given up
on believing in.
♪ ♪
- What's he doing?
- But I'll let her tell you.
- He's bullshitting.
♪ ♪
- My name is Asha.
I am a survivor.
Layton found me out there,
outside.
Along with trees,
green grass...
and life.
I come from New Eden.
- ♪ One ♪
♪ Grain of sand ♪
♪ ♪
♪ Ah ♪
♪ Water in the sea ♪
- I'm not asking you to choose
between me and Wilford.
I am asking you to choose
between the train we know
and the dream we don't.
♪ ♪
Thank you all so much
for your sacrifices.
♪ ♪
The story needed a hero,
and we brought one back.
- Well, in the wake
of that performance,
the yeas have it.
Almost two to one.
- What's one more lie?
- The difference is,
this is the last one
we will have to tell.
- Well, I doubt that.
I've come to think
this train demands a lie.
- Yeah,
like an imaginary genius
in the engine.
- Or Melanie saving us
with perfect science.
- Or a survivor
to show us the way.
- So...we press on.
- Agreed.
- What else are we gonna do?
- Josie?
- Well, we better be right.
♪ ♪
- Fellow passengers,
our great endeavor continues.
You have spoken,
and by majority rule,
we are heading for New Eden.
♪ ♪
♪ ♪
- Move!
- I was born for battle.
Built for it.
Sometimes in battle,
a perfectly crafted plan
gets compromised.
A true general comes up
with a better one
right there on the spot,
working without a net
and sticking the landing
to thunderous applause.
- Hurry up, you dogs!
Let's go! Let's go!
♪ ♪
- Where are they?
- They were coming
straight at us
and then veered away
on a sidetrack.
This line bends Southwest.
At that speed, they could be
20 kilometers away by now.
- Or coming about
to nip at our heels.
- I'm sorry, sir.
There was no warning.
- No, they saw to that,
didn't they?
No satellite coverage.
A moonless night.
An ambush from the shadows!
- As cowardly as the day
they left, sir.
- No, they didn't drive by
for nothing.
Forward lamps to full.
Brake!
There's a moment in a fight
when that first blow lands
and everything stops.
And in that flash of clarity,
you know who you are.
I'll push as hard as it takes
to get my engine back.
Snowpiercer, 1,023 cars long.
♪ ♪
Full thrust. Push through it.
- Sir, if that axel--
- Full power, Engineer. Now!
- Well done, sir.
Round one to you.
- No, no, that trap
wasn't meant to stop us.
It was meant to slow us down.
We can't have
any setbacks today, Kevin.
Ruth's people
will be energized.
Find them.
- I know just where to start.
- Take the gloves off.
Make an example.
- I thought you'd never ask.
- And Kevin?
- Yes, sir.
- Send Zarah to me.
What's our speed?
- 14 kilometers an hour.
- All right, Mr. Layton,
you got us at a crawl.
What's the play?
♪ ♪
Layton knows better
than to connect end to end.
My Jackboots would just
sweep in and crush him.
So he's going to peck at us
from the side.
- He needs parallel track.
- And this rail yard
is an entire maze of it.
♪ ♪
♪ ♪
He broke free of the snare
but slowed down.
- We can get
right up alongside him
in these sidings.
They'll be in position
in 2 kilometers.
- Bring us around, Ben.
- Copy that.
- How long we got?
- Three, four minutes.
- All right, stay sharp.
Let's get this done.
I'll make sure Josie's ready.
- Bess.
♪ Bess Till ♪
♪ Bess! ♪
- Audrey, shut it.
- What's happening? Is it him?
- You'll know it's him
when his head is on a pike.
Oh.
♪ ♪
- You ready for this?
- Ben takes us close.
I jump over,
breach the Big Alice engine,
and you reconnect.
- We only get one shot at it.
- Well, then,
better not miss it.
♪ ♪
- Zarah, just in time.
Thought you should
be here for this.
- As a hostage or a spectator?
- As my confidante,
nothing less.
Come. Come on.
Have a look.
See, that's your old life
creeping up our flank.
- Are they attacking?
- Maybe they're here
to surrender.
You see any white flags?
- No.
- No.
No, and if I had to guess,
I'd say they're trying
to cut the head off the snake.
But I have a surprise for them.
- Heave.
Heave.
- Well, whatever these tin cans
are for can't be good.
- Pike, man, what's the plan?
- Keep your eyes on your work.
- Heave.
- And quit standing around!
Let's go.
- Come on. What are you doing?
- All right, time to move.
I'll distract them.
You guys get to Ruth.
- No. Whoa, whoa.
That's not how it works, man.
You're in charge now.
You don't get caught.
- Hei, húndàn.
Catch.
♪ ♪
♪ ♪
- We're in position.
- Josie, it's time.
Be careful out there.
- I'll breach the bastard,
don't worry.
Now! Harpoon!
- Deploy.
♪ ♪
- Opening cold-lock.
♪ ♪
Wilford has a cannon
or something.
Pull back!
- Switch track.
Josie, hold on.
♪ ♪
- We're derailing!
- Try to stabilize.
- Well done.
Never fails to amaze me.
You take so much in
and give so little back.
I just hobbled your man, Zarah,
and you didn't even flinch.
At this rate, the war will be
over by daybreak.
♪ ♪
- Come on. The car is damaged.
We gotta go.
Let's go.
- We have to cut it loose.
It's gonna derail us.
- Cut here? That's four cars.
- It's the closest J-link.
It's the only option.
- Asha's back there.
- We don't have time.
- Go.
- You okay? Thank you.
- She waited
eight years outside.
Can't very well kill her
on day two.
- Safety's off.
- Disconnecting now
And we're clear.
- Here.
You'll be safer up here.
Hey...
You gonna be okay?
- Turn out the lights.
- Sure.
Hold fast, okay?
♪ ♪
♪ ♪
- We have a problem.
Wilford's gone.
His train went dark.
He could be anywhere now.
- Switch off comms
and transmitters tip to tail.
Not a peep.
Zarah, what are you doing
still on your feet?
You must be exhausted.
Come.
- So what are you planning?
Bit of a lull.
It'll do us good.
Catch our breath.
I've invested a lot in you.
And the child.
I just want to keep you
near me,
for your protection.
- And because they won't attack
the engine if I'm in it.
- Right.
♪ ♪
- How do you lose
a 10-mile train?
- We were the ones
that led him into this maze.
- He could be running.
These six routes head
out of the valley.
If he gets to linear track,
we'll lose our advantage.
- Yeah, or he's around
the next corner,
laying in wait.
- He's gonna pick us off
piece by piece.
I looked into the muzzle
of that thing.
- We need to get eyes on him.
Can we get to higher ground?
- Here, track follows
the ridgeline.
Should give us a view
of the whole basin.
- Okay, let's do it.
Lights out.
If he's gonna go dark,
so do we.
♪ ♪
- Up and at 'em, lovebirds.
- Kevin!
Get out. How dare you?
- Commandeering the Nightcar.
- Ugh, Kevin.
- On whose authority?
- Call it a wartime measure.
Oh, you didn't hear?
Layton's back.
Up. There's work to do.
♪ ♪
- Why don't you, um,
go put some coffee on?
- Who--who's there?
- Here to see the prisoner.
I'm her lawyer.
- I don't think
that's a thing anymore.
- Lose your helmet, Jackboot?
- Hey, come on, man. Hey.
- Do you know me?
- You're--you're a Tailie.
Forgive me,
I-I don't know your name.
- I know you.
Whiggins.
- Yes.
- Well, there's two things
you should know about Tailies.
We have long memories
and we win wars.
- Oh, yeah?
- Mm-hmm.
We won the last one.
And we'll win this one.
And do you wanna be the guy
who stands in the way?
Hmm, Whiggins?
- You have ten minutes,
Counselor.
Let me just get
the door for you.
- Pike?
- You're looking good, girl,
with those arms dangling down.
- You shouldn't be here.
It's too dangerous.
- I'm gonna get you
out of here.
- Wait, wait, wait.
Tell me what happened.
- Wilford drove Layton off
with cannon fire.
Now we're rolling around
in the dark.
- Well, if Wilford is hiding,
then we need to signal Layton.
- I'm gonna get you
out of here first.
- You can't.
You'd have to kill Whiggins,
and then you'd have
to find Clifford
and kill him too,
'cause he's got the keys.
- Go on.
- Pike, Mr. Pike,
you're a dear man
and a brave one,
but this war is bigger than us.
- How do I signal Layton?
- I've got an idea,
but you'll have to get uptrain
to hospitality.
♪ ♪
Asha.
Hey, you good in there?
I'm sorry, I dropped you
right in the thick of it.
Here.
Hey, hey, hey, hey, hey, hey.
- What's going on?
Did Mr. Wilford
cripple the train?
- No, look, it's just some
cat and mouse, all right?
It's fine.
- And you're supposed
to be the cat?
Eight of you against
the great Mr. Wilford.
- The great Mr. Wilford
is not who you think he is.
- Isn't he the one
that saved all of you?
- We saved our own damn selves.
He built all of this
just so he could be king.
- So now it's your turn?
- No.
This is personal for us, okay?
I have a partner
that I boarded with.
I have a child on the way.
- Oh, if you're doing this
for a child,
you will do things
that you will regret.
- I just came in to warn you.
We are not giving up.
This is gonna get worse
before it gets better, okay?
- Okay.
- Hold on.
♪ ♪
- ♪ You are my sunshine ♪
♪ My only sunshine ♪
♪ You make me happy ♪
♪ When skies are gray ♪
♪ You'll never know, dear ♪
♪ How much I love you ♪
♪ Please don't take ♪
♪ My sunshine away ♪
- You know, when you sing,
I can almost convince myself
you're not a horrible person.
- Thank you.
- And then I remember
you only sing covers,
so the words aren't
actually yours.
- Lyrics are just dressing.
I sing for him.
- Oh, God.
- You scoff,
but at the end of the day,
that's all there is.
A person you sing for.
Who's that to you, Bess?
How do you get all the way
to the end of the world
and have no one?
- I have people.
- Who?
- Layton, Zarah, Roche.
- Roche?
- Yeah, Roche.
He was like a mentor to me
and--
and a friend.
Even though I fought him, he--
he had my back.
No, I don't--
I don't sing for him.
But not a day goes by
when I don't think about
getting him
out of those Drawers.
- I'm sorry.
I hope he survived.
- Yeah.
♪ ♪
- We're at the ridge. Eyes up.
If he is in the valley,
this is the best vantage point.
♪ ♪
- Anything?
- Till?
- Negative. There's nothing.
- But they can't just vanish.
♪ ♪
- Time to put on a show.
♪ ♪
♪ ♪
To the south,
far end of the valley.
Are you guys seeing this?
- Oh, my God.
Wait, wait, wait.
Is that--
- Ha.
They're still with us.
- We see you, Joseph.
- Ha.
- He's making a break for it.
East over the ridge
to the trunk line.
He wants to sneak out
of the rail yard
because it's where we have
tactical advantage.
- If he gets out of the valley,
he's looking
at days of linear track.
- Can we beat him to it?
- Alex?
- No.
I don't know, maybe.
It's all assumptions.
- What are we waiting for?
Pedal down.
- Let's cut 'em off
at the pass.
- Full throttle, Engineer.
- Sir, with respect,
we're draining really fast.
A few ticks slower
would be more efficient.
- They've seen us.
They're coming!
Tap every last reserve
and get us
over that bloody ridge!
♪ ♪
- Come on! What are you doing?
- So you have a choice,
Strong Boy.
I can take two fingers
next time
or I can take your thumb.
Or you could be smart
like when
you bravely volunteered
to step up to my table here.
Wilford just needs you
to start talking
and name your collaborators.
No.
- No?
- Come on. Leave him alone!
- Hold him.
- Ah, no!
No!
♪ ♪
Stop!
- I didn't sign up for this.
Just wanted to serve some
drinks and play some tunes.
- Would you relax?
War is not pretty.
But Wilford will reward us.
- If he wins.
- Of course he'll win.
- If he doesn't?
- And Layton rolls in here,
finds this?
Finds us?
Wilford's little
wedding puppets.
- We're not the torturers,
all right?
We're just providing a venue.
- I'm sure the mutilated guy
will be quick to sort that out.
- Hmm?
Look, if you're not gonna talk,
I guess you don't need
that tongue anymore.
Hold him, please.
♪ ♪
Hold him, hold him.
Ahh. Open up.
- Ahh!
♪ ♪
- Look, even if we catch up
with him,
we still have
the harpoon issue,
and we can't connect
end to end.
We'll never overpower
his Jackboots.
- No.
- No.
So we need a plan
to get into his engine.
We need a distraction.
- Audrey.
♪ ♪
- What's this?
- Hands behind your back.
- Ooh, handcuffs.
I knew you had a kink.
- Move.
- Mmm.
- Good luck.
♪ ♪
- It's moody in here.
- Sit.
- How much further?
- We're almost at the ridge,
but we're basically
running on fumes.
- Keep pushing. She'll make it.
Then we're home free.
- Nice and easy, Ben.
♪ ♪
- Joseph.
♪ ♪
- Big Alice,
this is Snowpiercer.
Come in.
Snowpiercer to Big Alice,
come in.
- Sir, should--should I answer?
- No, no.
- Come in, Big Alice.
♪ ♪
- This is Big Alice.
To whom am I speaking?
- I'm the guy standing between
you and open track, Wilford.
- I see that.
So it's a game of chicken,
is it?
- At the rate you're going,
I don't think
you'll make it this far.
- Oh, Big Alice has more fight
than you know.
You called this meeting,
Layton.
So go on,
or are we just gonna stand here
pissing off our prows?
- When we left, we made a deal.
I keep Audrey safe--
- I remember,
and I don't murder everyone.
Yes, I remember the deal.
It was made under duress,
I'll remind you.
But I stuck to it.
- Where's Zarah?
- She's right here.
Positively glowing.
- I'm here, Andre. I'm okay.
- And Audrey?
I want to hear her.
I need to know she's all right.
- Surrender the train
and you can tell her yourself.
- Surrender?
- We'll give you a car
in First, food, drink.
You two can live out
your years together.
- So I--
I give you
absolutely everything,
and you give me
a little piece back in return?
That's quite some offer,
Layton.
- The offer is,
we end this without violence,
or you could roll back down
into that rail yard
and we'll pick you apart.
- That's it, sir. We're tapped.
- No deal.
♪ ♪
I...I want to hear her voice.
- Joseph.
♪ ♪
- All right, Ben,
I'm at the cold-Lock.
♪ ♪
- Soon, soon.
♪ ♪
- Auto-engaging hot reverse.
We should switch helms and get
Big Alice pushing again.
- Full stop, Engineer.
Let her power down.
- What?
- Joseph.
- That can't be good, can it?
- No.
- Snowpiercer, we are dead
on the tracks.
If you don't reconnect,
everyone will freeze to death.
♪ ♪
- You're desperate.
- And you have no choice.
- Prepare to connect.
Javi,abre una cerveza, amigo.
- Commander,
move your boarding party
to the connection point.
- Generation deficit.
Train-wide temperature
is dropping right now.
- Better get your woolies on.
- All right, boys, you ready?
- Move out.
Remember where to aim.
- They're preparing to dock.
- They've got no choice.
Let's go, let's go.
Move, move, move.
- Cap okay?
- Hey, watch your back.
Move it, move it!
- This is crazy, Ben.
- Yeah, pirate's life.
- Shit.
- You're all right.
Just reverse her in
as fast as you dare.
- Shit.
- And don't reconnect
until we're in position.
♪ ♪
- Hey, remember, people,
we're gonna clear it first.
- Weapons ready? Move!
♪ ♪
- Christ.
Josephine. She's back.
The bloody balls.
Did you climb aboard,
you little hobo?
Uh-uh, baby on board.
No, you won't.
She won't.
Damn. Good one.
- Ahh!
♪ ♪
♪ ♪
- Tell your men to stand down
or I will throw you
off this train.
♪ ♪
- This is
Head Engineer Wilford.
Boarding party, stand down.
We will not be taking...
Snowpiercer by force.
Stand down. Weapons down.
- Oh, my God.
♪ ♪
- Happy now?
- Say it!
- Andre Layton has the train.
- Citizens of Snowpiercer...
♪ ♪
We're back.
♪ ♪
50 meters, 40 meters,
25 meters...
- It can't be just over.
- Well, I think it's about time
we get on
the right side of history.
- ♪ The Eastern world,
it is explodin' ♪
♪ Violence flarin',
bullets loadin' ♪
♪ You're old enough to kill ♪
- Here you go.
- ♪ You don't believe in war ♪
♪ But what's that gun
you're totin'?
Oz, I love you so much.
- ♪ Over and over
and over again, my friend ♪
- Whoa, whoa, whoa!
- ♪ Oh, no,
you don't believe ♪
♪ We're on the eve
of destruction ♪
♪ ♪
- Long live the Resistance!
♪ ♪
♪ ♪
♪ ♪
- Bottom's up.
♪ ♪
- Ah, found it.
- Ruth?
- Andre.
- I never would have found you.
You're in civvies.
I remembered that Wilford had
a secret tipple up here.
- Oh, could use some of that.
- Wanna celebrate?
- Yes.
- Oh, welcome home.
It's good to have you back.
- I knew you'd hold
everyone together.
Well done.
- Let's do it.
- Take them out.
- He's stable.
Carly's stable.
And Anne--
♪ ♪
♪ ♪
♪ ♪
- Javi.
Hey.
♪ ♪
- Oh, man.
- This warm spot,
the Horn of Africa,
you really believe
it can support life?
- Yeah, our future
is there, Ruth.
I believe it with all my heart.
- You know, the Horn of Africa,
the approach is maybe
the worst stretch of track
on the entire network.
And there was a war there
when the climate crashed.
- Yeah, yeah, I remember.
- The people are tired, Andre.
It's been a long six months,
and your first order
is gonna be to steer them
right back into more hardship?
- Mm-mmm,
there won't be an order.
We'll put it to a vote.
- A vote?
- Yeah.
We'll show them
that democracy has won.
We'll choose
our path forward together.
- And you're prepared
for the outcome of this vote?
- I am going to convince them
that it is worth the risk.
Snowpiercer's running
on duct tape and prayers.
This is a real opportunity
to get off.
- It's also a vote
on you, Andre.
Much of the train doesn't
support your leadership.
- This isn't just about me.
It's what Melanie
would have wanted.
- All right.
I'll, uh, inform the notary.
I know that everyone aboard
will take their vote to heart,
but are you prepared
to accept it if they vote no?
You better think long and hard
about exactly what it is
you're gonna tell them.
♪ ♪
- You're confined to Third
and barred from the Nightcar.
- Where's Joseph?
- You picked the wrong side,
Audrey.
- Traitor. Walk away.
- Has there ever been
a right side
on this goddamn train?
It's all gonna go to shit.
You'll see.
♪ ♪
- It went
straight through my hand.
- Something to remember us by.
- Look at you.
A monster come for its creator.
- It's poetic, isn't it?
- Layton can't hold it
together, you know.
They'll reject him again.
I am the train.
♪ ♪
- A vote?
- That's right.
You'll get a vote today too.
Politics.
You forget about them
when you're
the last person on Earth.
Thank you.
- Don't thank me just yet.
There's something
I need to ask of you.
- You brought me
back to life, Andre.
What is it?
♪ ♪
- Shh. Shh.
- My fellow passengers...
Today,
for the first time
since our departure...
you will have a say
in our destination,
and your choice
will determine our future.
By now, you know
that Melanie's sacrifice
gave us a map.
Proof that there are places
on the Earth that are warming.
Traveling fast and light,
we tested each of them.
Sulawesi, Gujarat,
Managua, the Atacama.
And each one of these
let us down.
I know that you have
suffered badly
because of our decision
to break the train.
But there is one more location
on which I ask you
to stake your hope:
the Horn of Africa.
The journey to return there
will be fraught with risk
and the hardships
will continue,
but we have someone here
who can renew our faith.
Someone we had given up
on believing in.
♪ ♪
- What's he doing?
- But I'll let her tell you.
- He's bullshitting.
♪ ♪
- My name is Asha.
I am a survivor.
Layton found me out there,
outside.
Along with trees,
green grass...
and life.
I come from New Eden.
- ♪ One ♪
♪ Grain of sand ♪
♪ ♪
♪ Ah ♪
♪ Water in the sea ♪
- I'm not asking you to choose
between me and Wilford.
I am asking you to choose
between the train we know
and the dream we don't.
♪ ♪
Thank you all so much
for your sacrifices.
♪ ♪
The story needed a hero,
and we brought one back.
- Well, in the wake
of that performance,
the yeas have it.
Almost two to one.
- What's one more lie?
- The difference is,
this is the last one
we will have to tell.
- Well, I doubt that.
I've come to think
this train demands a lie.
- Yeah,
like an imaginary genius
in the engine.
- Or Melanie saving us
with perfect science.
- Or a survivor
to show us the way.
- So...we press on.
- Agreed.
- What else are we gonna do?
- Josie?
- Well, we better be right.
♪ ♪
- Fellow passengers,
our great endeavor continues.
You have spoken,
and by majority rule,
we are heading for New Eden.
♪ ♪
♪ ♪