Skin Wars (2014–…): Season 2, Episode 1 - Episode #2.1 - full transcript

♪ Don't hold back,

just give me more ♪

♪ I want to explore you ♪

- (Rebecca)
- In the wild world

of competitive body painting,

there's nothing more fierce than

the power of transformation.

It's an all-new season

of Skin Wars hosted by me,

Rebecca Romijn.

♪ Watch me go ♪



♪ I'm fast and low, yeah ♪

- (Rebecca)
- You won't believe your eyes,

as 12 of America's

most talented artists

compete and push the boundaries.

Absolutely breathtaking.

[laughing]

- (Rebecca)
- Some will rise to the top...

[squeals]

- (Rebecca)
- While others will watch

their dreams go down the drain.

It fell pretty flat.

(Rebecca) It's the challenge

of a lifetime for $100,000



and the ultimate title

of Skin Wars champion.

♪ Watch me go ♪

I'm Rudy.

- I'm 30.
- I'm from Houston, Texas,

where I'm known

as the Mayor of Makeup.

I've been body-painting

for ten years.

The style that I lean more

towards is sci-fi and horror.

There are lot of artists

that are fantastic

here in the U.S.,

but not all of them are blessed

like I've been blessed

to be able to make a living

out of this.

[sighs]

- Hi, I'm Sammie.
- Nice to meet you.

- Nice to meet you too.
- Where are you from?

Oh, I'm from Houston.

- Oh, awesome.
- I'm from Utah.

- Hi.
- I'm Cheryl Ann.

Hi, Cheryl Ann.

Oh, someone else is here.

I'm Dawn Marie.

- Hi.

- Hey!

I'm Kyle.

How are you guys?

My name is Lana.

I live in San Diego right now,

but I'm originally from Russia.

- [gasps]
- Wow.

Oh, my God, I'm so excited.

I'm really happy body paints

in fantasy and ornaments,

and I really love

bright colors.

- Hi, I'm Cheryl Ann.

- Hi.

- [claps hands]
- I have arrived.

(all)

Oh!

- I'm Rio Sirah.
- Nice to meet you.

Nice to meet you.

I want to rub the unicorn horn

for luck.

- Nice to meet you.
- I'm Dawn Marie.

Coming in the work room,

you know,

- and seeing the blondes
- and the brunettes.

- Marcio.
- Welcome. I'm Lana.

Nice meeting you.

- And I'm definitely noticing
- Lana, for sure.

- (Kyle) So tell us
- about yourself, Marcio.

- Oh, I've been surfing
- since I was seven years old.

- Come to San Diego.
- Ahh.

We have cool waves too.

I'll definitely check

that out.

In Miami, I do music videos.

I do a lot of nightclubs, and

the girls are all body-painted.

- You know,
- it's a tropical place,

so why not, you know, shed

your clothes and get painted?

Hi, everybody!

Hi, I'm Aryn.

- Nice to meet you, Aryn.
- Kyle.

- (Aryn)
- Nice to meet you.

- I'm about to turn up!

- Someone else, hello.

Fernello's in the house.

The Fernello style

is sexy, curvy, and exotic,

and that's what I'm known for.

I am a virgin to the body-paint

competition world,

but I set out to conquer.

I set out to win.

- Listen, I want to take out
- my golden shovel,

- 'cause I'm about to bury
- some people right now.

- Oh.

- Okay.

Fernello with that swag

and all that talk, you know,

that pimp walk.

Who does this?

- What's up?

- Oh, hey!

- How are you? I'm Avi.
- How are you?

- Nice meeting you.
- Well, where are you from, Avi?

I'm originally from Israel.

- Oh, wow.
- Yes.

- Hi, I'm Rachel.

- Nice to meet you.

- Oh, ooh.
- Ooh.

Hi.

I'm from Hawaii, Maui.

- Aloha.

- Oh, Maui is nice.

When Rachel

says Ha-vai-ee, it's stupid.

It's--it's Hawaii.

I pronounce it Ha-vai-ee,

'cause that is

the actual pronunciation.

So much of Hawaii

is inside of me

and comes through my brush.

I'm here to do my best work,

and I'm going to kick ass.

I'm really excited.

- Whoo!

- Oh.

Oh, my God. I can't believe

that's Rebecca Romijn.

[cheers and applause]

- Wow.

Hello, painters.

Hello, hello, hello!

This is real life,

and I'm standing, like,

10 feet away from Mystique.

Welcome to season two

of Skin Wars.

- Whoo!

- Yeah!

Butterfly fluttering

in my body.

- It's starting.
- There's no turning back.

Season one introduced

the incredible world

of body painting.

We expect the 12 of you

to raise the bar even higher.

That's right.

- As elite artists,
- you've shown

- that you have the talent
- to be here.

But to win, you're going to have

to impress our revered judges.

You've seen his work

in national magazines,

commercials, films, and more.

Please welcome the guru

of body paint, Craig Tracy!

[cheers and applause]

[man whistles]

What a great-looking group.

Whoo!

Craig, I've seen his pictures

ever since I wanted

to start body-painting.

When I look at him, I look

at someone that I aspire to be.

I wish you luck and creativity,

because you're gonna

need 'em both to win here.

- She's a pioneer in the world
- of body painting

and the owner

of the world-famous

Skin City Body Painting

in Las Vegas.

She's an artist

and the ultimate entrepreneur--

Robin Slonina.

[cheers and applause]

- Hi, everybody.

- Hi!

(Rio) Robin--she's, like,

a phenomenal body painter.

I am ecstatic.

I cannot wait to see

what all of you create.

And finally, please welcome

one of the most

iconic artists on Earth.

He's the host

of RuPaul's Drag Race

and the reigning king--

rewind--

queen of transformation--

RuPaul Charles!

[cheers and applause]

Hi!

Wow.

Never in my wildest dreams

would I ever imagine

I would get to be

in the same room with RuPaul.

I'm so excited

for each of you,

to witness your journey

in this competition.

It's gonna be a blast.

Painters, the winner

of Skin Wars

gets an all-expense-paid trip

for two

to the World Bodypainting

Festival in Austria...

[cheers and applause]

Where you will compete

side by side

with the greatest professional

body painters on the planet.

Oh, I want to go.

- (Rebecca)
- That's not all.

Royal & Langnickel will create

a custom brush collection

with your name on it.

[cheers and applause]

[whistles]

The winner

will also receive $100,000.

[cheers and applause]

You have all the prizes

that any artist would want.

And I want that money,

and I want the travel.

- I want everything
- that comes with it,

because that's

what I'm all about.

- It's time
- for your first challenge.

- God!

- Oh!

To start off, we want to learn

a little bit about you.

On this wheel are some defining

moments of our lives.

- I will spin the wheel
- for each of you,

- and where it lands
- will be the inspiration

for your first

body-paint challenge.

I'm hoping I get the passion,

- 'cause I'm passionate
- about everything.

I'm passionate about right now.

(Rebecca)

Okay, Fernello...

Biggest passion.

- Fernello seems happy
- with that one.

I got this in the bag.

(Rebecca)

Okay, Lana, you're up.

- Favorite song.

- I'm good with that.

(Rebecca)

Marcio.

Greatest achievement.

- Avi.
- Yes.

- Favorite childhood memory.

- [laughs]

I am so exciting.

- (Rebecca)
- Cheryl Ann.

- Ooh.
- Biggest passion.

(Rebecca)

Kyle. Greatest achievement.

- [claps hands]

[laughter]

(Rebecca) Painters, you will be

judged on your creativity

and design concept,

technique,

and execution of the challenge.

Trust me, you want to do well

in this challenge.

You will have just three hours

to complete your work.

That's the bad news.

Good news is you only

need to paint your model

from the waist up,

but it must be front and back.

Painters, are you ready?

- (all)
- Yes!

Good, 'cause your time

starts now.

[electronic music]

♪ ♪

I'm looking around,

and I'm like, "This is amazing.

I feel so lucky

to be here right now."

[laughter]

(Avi)

I see all the paint

and the airbrush section

and all the wigs

and the colors and I was like,

"I feel in Heaven right now."

It's like, whoo.

[laughing]

Let's start.

- We're gonna hook up
- the back real nice.

You're gonna look so sexy

and so awesome.

Fernello--it's hilarious,

because when you

have a big head,

when you have ego,

you will tumble and fall.

- (Fernello)
- About to turn up.

He will eventually wipe

himself out.

- Hey, you ready for this?
- I'm Kyle.

I've been body-painting

since I've been 18.

I am a jack of all trades.

I am an aerial ice skater,

and I'm also a performer.

As an artist, I am definitely

somebody that stands out.

My name is Cheryl Ann.

I am a classically trained

professional artist

and a very poised

elegant Southern lady

- from Winston-Salem,
- North Carolina.

- Can you move your arm a little
- bit out of the way?

Thank you.

I've had so many successes,

but I can see

that the other painters

are technically not as strong.

I'm going to knock them

off the board one by one.

- (Aryn) I'll have to start
- busting ass in a minute here.

I peak around a little bit

- just to kind
- of see what everybody's doing,

and they're all very colorful

and pretty.

I do tend to lean

a little bit more

towards slightly scary things,

but I'm definitely not afraid to

put my style up against theirs.

I came

to the United States, 1986.

I went from surfing in Brazil

to body painting

because I like

making people look sexy.

I love painting naked women

every day of my life.

- All my favorite songs
- were in Russian.

- I'm like, "What I was singing
- just yesterday?"

And I was singing Let It Go,

- 'cause I was thinking
- about my daughter.

She is six years old.

She is my sunshine.

Actually, turn

and face me, sweetheart.

- I'm Sammie.
- I'm a stay-at-home mom.

My husband is a worship pastor

at a church in Park City.

Body painting does give me

my own individual identity,

but I love being a mom,

and I love being a wife.

I want to win for my family.

Down to 45 minutes!

I got to hurry this up.

(woman) Hey, Lana?

How you doing over there?

I wish I will have more time,

and just 40 minutes left,

I started in the back.

- Time to speed up.
- [laughs]

- (Marcio) Lana's struggling
- with time management.

- I see she's taking forever
- in the body.

She has a lot of detail work,

but very, very little time.

Okay, my brain working fast,

fast, fast, fast, fast.

I need to think.

- Oh, my God.
- I know.

Lana is getting ready

to crash and burn hard.

- Close your eyes, hon.
- Thank you.

First challenge

is based on life experience,

and I got a song.

Just 40 minutes left,

I started on the back,

and I start to freak out

about it.

Oh, see that?

- [chuckles]

- Fernello is annoying.

Turn around, baby.

There you go.

(Kyle)

Ugh, his cockiness kills me.

Turn around.

So I glance over to my shoulder,

and I see Kyle's piece.

And I'm thinking,

"This needs to go straight

in the garbage bag."

Guys, we have 15 minutes.

- Hey.

- Whoo-hoo!

- (Fernello) I like pressure.
- I don't know why.

- I think I'm a sick man.

- [laughs]

Oh, no.

I'm looking over at Lana,

- and she was almost
- completely done.

I didn't see that coming.

I have to watch out for her.

We have one minute left!

- Oh, Lord, no.
- Aah!

(Kyle and Rio)

3, 2, 1.

- Ding, ding, ding, ding, ding!
- Brushes down!

- Whoo!
- Okay, painters.

That's it. Time's up.

Put your tools down.

Wow.

Okay, so the judges

are gonna come around

- and talk to you
- about your work.

I have a passion for art,

and that's why I'm here.

That's my existence.

- (Craig) Tell us a little bit
- about the face.

Well, I wanted the face

to look subtle.

- This is subtle for Fernello.
- [laughs]

Yeah, this is subtle.

Wow.

- ♪ Ahhh ♪

- It's amazing.

So I got the favorite song.

- Is it from Frozen?

- Yeah.

[laughter]

I did back maybe,

like, in 40 minutes,

and I see a lot of illustrations

my daughter do,

'cause this is her favorite.

- (Robin) Is this your first time
- away from your daughter?

Yes.

My favorite song is Super Freak

by Rick James.

The super freakness comes a lot

from what I say and speak.

- I love how crazy
- the front is

and how the back

has a sort of tie-dyed effect.

It's masquerade

from Phantom of the Opera.

- (Robin)
- Oh.

- (Craig)
- It has a nice contrast,

but it's all tied together

with color.

- And I am
- classically trained.

One of the things that I'm also

passionate about is horses.

- (Robin) What's your connection
- to horses?

I grew up on a horse farm.

- Oh, really?
- Yeah.

When I was 14 years old,

my dad pass away,

and I create an angel

that is the guardian angel

to protect me.

- I think your dad
- would be very proud of you.

- Thank you, Avi.
- Thank you very much.

These eyes are

freaking me out.

- It took me a minute
- to realize

that they were painted

on her eyelids.

- (Kyle) Now, when you think
- of haunted houses,

every character needs a mask.

- Oh.
- Nice.

- (RuPaul)
- Scary.

- I'm having trouble seeing
- the face in the mask.

- (Rebecca)
- Okay, so those are the eyes.

- Okay, those are the eyes.
- Oh, yeah.

- Thank you, Kyle.

- Thank you guys.

- (Rebecca) Tell us
- about your greatest achievement.

Well, coming from, you know,

Rio de Janeiro, Brazil,

to South Florida,

- you know, in a way,
- it was a freedom for me also

- to express this type of art.

- The American dream.

All right, painters, the judges

have a lot to talk about,

so we'll be back shortly.

- All right, guys, what do you
- think of the paintings?

(RuPaul)

Fernello's really sold me.

I love what he did

because it was very fashion,

and it looked

like a gorgeous bodysuit.

What'd you think

of Marcio?

(Craig) I love

the immigrant story, but I felt

- that the painting
- was a bit muddy.

Rudy?

I enjoyed the way

he used his color.

- I love the layering he did.

- How about Rachel?

Freaky deaky to the max.

And she's freaky deaky

to the max,

and I thought it was

a perfect choice for her.

What about Lana?

(Craig) She sold it well.

She felt it.

There was some abstract things

going on in the face,

and it works.

I thought that the design

that Kyle did

just was weak technically.

- (Robin)
- Mm-hmm.

- That really showed
- in the face part of the piece.

- (Craig) Things weren't tying
- together for me.

- Right.
- Mm-hmm.

Yeah, yeah.

Let's talk about Avi's.

(Craig) I loved his story.

I loved his heart.

And he put a lot of work

into that piece.

How about Cheryl Ann?

I guess the fact

that she was touting

being classically trained

sort of made me

more skeptical.

I don't know why that is.

- She was talking
- a big game.

Yeah, yeah. But, listen,

I think she delivered.

I thought it was

a beautiful piece of art.

- (Robin) There's some
- real competitors in this group.

Yeah.

- I think it's gonna
- get a bit fierce.

Okay, everybody.

It's time

to pick the best painting.

When I call your name,

please step forward.

Rudy...

Yeah.

- [imitates gunshots]
- [laughter]

- (Rebecca)
- Rachel...

Lana...

Fernello...

Cheryl Ann...

Avi.

You're the top six painters.

We are like, "Oh, my God.

- "We cannot believe
- we are standing here

in front of the judges

and we are the best for today."

- [laughing]
- Oh, crap.

The judges have made

their decision,

and the winner is...

Fernello!

[laughter]

- Fireworks are going off
- in my head.

Fourth of July.

Let's party like it's 1999.

Fernello,

you blew me away.

Your fantastic technique

and gorgeous aesthetic--

I loved it.

Congratulations, Fernello.

- Thank you.
- Okay, guys.

- Are you ready to hear
- about your next challenge?

- (all)
- Yeah!

You will draw your inspiration

from the ultimate game

of skill and strategy--chess.

- (all)
- Oh.

You'll have five hours

tomorrow to create a colorful,

360-degree,

head-to-toe design.

The top six painters

in the first challenge

will chose their chess piece

and their opponent.

You are going head-to-head.

In each team,

one will be safe,

and one will be up

for elimination.

- Fernello,
- you won the first challenge...

Yes.

which means you get to pick

your piece

and your opponent first.

Well, every king

needs a kingdom,

and this is my kingdom.

- My opponent will be Kyle.

- Nice.

Kyle did have one

of the weakest body paints

in the first challenge,

so I'm doing the right thing

by picking Kyle.

Rachel?

It's going to be the rook

and Rio.

- All right.
- Hey.

- [laughter]
- Rudy?

I pick the bishop,

and it's gonna be Sammie.

- Cheryl Ann?

- The knight and Aryn.

- Okay.
- Whoo.

I choose the knight,

because, of course,

it's my love of horses,

and I choose Aryn specifically

because I thought,

- "I can draw horses
- better than her."

Avi?

I choose the queen,

and my opponent is Dawn Marie.

Oh!

It's kind of freaking me out.

Okay, Lana, so that leaves you

with the pawn,

and Marcio is your opponent.

Oh, my God.

Unbelievable.

Lana's definitely gonna be

a tough opponent,

and it makes it harder, too,

going against somebody you like.

You have your chess pieces,

so go home

and get ready for tomorrow.

- Yeah!

- Whoo-hoo!

- I am a king
- above the competition,

and I think the other painters

are feeling it right now.

I want them all gone,

starting with Kyle.

Hee, hee, we're back.

- We're back.
- Time to get the magic working.

(Sammie)

Someone's going home today.

The concept challenge

this week is the game of chess.

We are also going head-to-head.

Helping a neighbor.

- Listen, Lana.

- Let's shake hands.

I have to go head-to-head

with Lana.

We have the same piece,

the pawn,

and now I know Lana

can just pull stuff

out of nowhere all of a sudden,

but I'll still be able

to win this challenge, though.

That's not a problem at all.

- Oh, my God.
- I need this.

I know, right?

It's great.

I think Marcio wasn't worried

to have me as a competitor

with him

'cause he doesn't know yet

what I can develop.

- (Rachel)
- Get it together, people!

- (woman)
- What piece are you doing, again?

I'm doing the king.

- For reals, I want to take
- Fernello down,

and I'm kind of excited

about the king

but I'm honestly thinking,

"Why did you choose

the weakest piece in the game?"

There's only one king--

Fernello, baby.

- (Kyle) Hey, was that beginner's
- luck yesterday?

Beginner's luck?

Listen. Listen, listen...

My peasants.

My royal peasants.

I'm gonna paint my butt off,

- and I'm gonna walk around
- like I own the place,

'cause I am the king.

King 'Nello.

That's right.

You heard it first.

- (Marcio) Hey, guys, we got
- some models coming in.

- Whoo!

- Oh, hey!

I'm just getting warmed up.

- Okay, my hands are cold.
- Yeah. Aah.

[laughs]

- (Rudy) We're painting you
- as chess pieces.

Oh, okay, cool.

So this is gonna be

a full-body 360.

We are competing

against Cheryl Ann

down there at the end.

- It's all right, 'cause
- we're gonna totally kick ass.

I can beat Aryn.

I am a stronger painter

than her.

I got this. I can do it.

[giggles]

You're gonna be

so pretty.

Good morning, good morning,

good morning, painters.

- Good morning.

- And models.

Well, I'm here with Ru

and Robin and Craig,

who are very excited to see what

we have in store this morning,

- so we're gonna walk around
- and take a look.

- Hello, Marcio.
- Hi.

- You're going head-to-head
- against Lana.

How do you feel about that?

- Yeah, I'm watching her
- the whole time.

- Are you?
- Uh-huh, for sure.

- So what kind of color palette
- are you planning on using?

- (Marcio) I'm going really
- earth tones on the front and--

you know, in gold and yellows.

- Lana.
- Hi, guys.

- Hi.
- Hello.

- (Craig) Tell us a little bit
- about your design.

- Oh.
- Thank you.

- We can't wait to see
- the end result.

- (Craig)
- Yeah.

- So you're working
- on the bishop?

- (Rudy)
- Yes, I am.

- Can we see the back at all, or
- is there nothing happening yet?

- Right now it's just plain.
- Okay.

- (Rudy) The back is gonna be
- a cross, and I haven't really

figured out what's gonna

be inside the cross.

Are you serious?

So you're gonna

do all of this work

- and then figure out
- your design?

I had to leave a little bit

to flow with at the very end.

- Manage your time well.

- I will.

- All right.
- Fernello.

- King 'Nello.
- King 'Nello.

- King 'Nello, okay.
- That's right.

- As far as what the back
- is going to be,

I wanted to use

a modern-day story

of crime bosses

versus police department,

because they, to me,

are two different kingdoms.

- All right.
- Great.

- Hi, Kyle. You're up
- against Fernello, right?

I am.

- So I definitely wanted to bring
- the king as the main character.

I don't know.

That look like a queen to me.

- Maybe you don't know my twist.

[laughter]

Cheryl Ann.

Now, you got to pick

your opponent, Aryn.

Yes, I did.

If there's one person here

that maybe I can out-paint

a horse, it would be--

maybe I can out-paint her,

outsmart her, you know.

- So I picked her
- strategically.

- Looks like you've got
- a great start,

- and we'll see where you
- take it from here.

- Thank you.
- Thank you, Cheryl Ann.

Okay, everyone,

so just a reminder--

the challenge is to create

something very colorful

and very elaborate.

- See you soon.
- [painters cheer]

- Two hours left!
- Whoo!

- Yeah!

- You ain't happy about that?

- (Rudy)
- No.

Marcio, that's looking

a little monochromatic.

- Sometimes you got to play it.

- In a color competition?

I wanted to go

with earth tones

- because that pawn
- was representing a peasant,

and it was coming

from the ground up.

- I have a lot
- of confidence in my artwork.

- I've been doing it
- for a long time.

I can definitely bring it.

Okay, and hold here.

I'm using more color,

but I remember when judges

give us directions,

they expected something

really colorful and vibrant.

It's why I'm going

really vibrant concept.

- Let me finish
- the leg quick.

I'm a little bit worried

about my concept.

I'm not taking

the actually chess pieces,

'cause I'm totally changing

the game.

Avi, you're going down.

I don't think so.

My dragon's gonna kill you.

Nah.

Not quite sure

exactly what he's doing,

'cause I have not seen dragons

on a chessboard before.

Fernello's looking around.

- Now you're getting nervous?

- Hey.

I think your talk is starting

to come back at you, man.

- Don't be all talk today
- for us.

I am a human being.

- No, you're not.
- I'm not a machine.

You can't turn back

now, bro.

- I'm loving
- what I see in the front,

but at the back, it's tough,

because my ideas

are so intense that I don't know

if the clock will allow me

the time to finish up.

Lana, you need help?

[laughs]

Me and Lana definitely have

a chemistry there.

- You can have some
- of my water.

Thank you.

15 minutes, guys.

- All right.

- Aah!

Turn around

for me, hon.

All right.

- As soon as I see Rachel's piece,
- I don't see a story.

I do see the rook,

but it's a lot.

- Fernello.
- Yeah?

You almost done?

- Fernello's ready to be
- overthrown.

- No.

- One minute left!

♪ Ahh ♪

- Crazy, man.
- [sighs]

Time's up.

Put your tools down!

- Whoo!

- Wow.

The judges are very excited

to see your work.

- (Marcio)
- I think I have a strong piece.

- Some of the artists
- are really, really nervous

because no one wants to hear,

"Go wash your canvas."

Painters, models,

follow me.

All right.

I'm a big threat.

I am a classically

trained painter.

I don't have to worry

about any other competitors.

I know my talent

speaks for itself.

Welcome, painters.

- Hello.
- Whoo!

Tonight you are going

head-to-head.

In each team,

one will be safe,

and one will be up

for elimination.

But before we start,

I want to welcome back

our esteemed judges--

Craig Tracy,

Robin Slonina,

and RuPaul Charles.

So excited to see

how you play the game.

So let's see who put

their opponent in check.

- (Cheryl Ann) My grandfather
- taught me how to play chess.

So I did a little girl and then

a father figure playing chess.

- I chose specifically
- the knight

because I am so strong

in my horses.

(Aryn) I definitely think

my design is much more dynamic.

My design ends up

being my vision

of the embodiment

of what a dark knight is.

The front is all armor,

and on the back,

there's a scene of, like,

a triumphant dark knight.

(Marcio) Seeing my model

and Lana's walking out together

definitely makes me want

to beat Lana.

The pawn is a piece that is

mostly sacrificed at first,

but it grows,

changing to the knight.

On the back, I have the pawns

as a group taking over

and becoming the queen.

[Lana laughs]

So cool.

- (Rio) As soon as both of 'em
- walk down the stage,

I was like, "I won."

I decided that what I would do

on the front is have my castle

and my wall with a cannon

shooting a cannonball

towards her rook and her castle,

and then on the back,

it would by my cannonball

busting through her wall.

"Ha ha."

(Rachel) My concept is,

"What's it like to be behind

the castle walls

in a defensive position?"

- I expressed the emotion
- and passion

that I wanted to express,

using the wall

as a literal representation

of what it's like to be at war.

- (Sammie)
- I think it's kind of cool

- that I do have
- the bishop piece,

considering I do have

a religious background.

I think that my knowledge

of religion helps me

in putting key points

into the piece.

- (Rudy)
- My concept for the bishop

is God having

this warrior's back

through faith

on the battlefield.

I'm pretty confident

that my piece, conceptually,

is better than Sammie's.

(Avi)

I create a dragon queen.

I didn't use

an actually chess pieces.

I created the face

to be the queen.

All the creativity

and the story,

I just hope I pulled it off

for the judges.

(Dawn Marie) With my piece,

I have made a surreal chessboard

that goes 360 around the body.

My queen will be

striking down her enemy,

knocking her opponents

into a field

of desolation and blood.

[laughter]

- (Fernello)
- So I'm looking at my model,

and I wanted to illustrate

two kings fighting over power,

fighting over territory.

On the back, to illustrate

the two different powers,

I painted crime bosses,

representing red.

The cops represent the blue.

(Kyle) I'm not gonna lie.

I'm looking at Fernello's.

I'm actually feeling not so much

like the underdog.

I love that my piece is fun.

It has character.

- (Fernello)
- Seeing Kyle's model onstage,

it definitely does look good,

and his technique

and his colors are on point,

and I'm like, "Uh-oh."

- (Rebecca) Okay, guys,
- the judges want to hear

more about your work.

Avi and Dawn Marie,

please step forward.

So, Avi, everything

about this thing is exquisite.

I just would like to see

a little bit more

of a chess game going on there,

but that's just me, Avi.

Dawn Marie, you've created

a magnificent killer queen.

I love

this bloody bitch, okay?

[laughter]

- Okay.
- Thank you so much.

- Thank you very much.

- Thank you.

- (Rebecca)
- Cheryl Ann and Aryn.

So, Cheryl Ann, your piece

is absolutely breathtaking.

Thank you.

I was just taken aback

by the consistency

of the saturation.

Thank you.

The composition is very similar

to the first challenge.

Make sure that you mix up

your composition.

Got it.

- Aryn, will you please
- tell us about your piece?

The face is essentially the

facemask on a knight's helmet.

This, for me,

was love at first sight.

I absolutely adore

what you've done.

- Thank you.

- You both did an amazing job.

Thank you so much.

- Lana, Marcio.

- Well, Lana...

I love the sort of aerial shots

that you achieved

where I feel like I'm sort of

flying over a landscape,

and the depth

is really wonderful.

Thank you.

There is some negative spaces

that feel empty to me.

Marcio,

I wanted more from you.

I wanted more color,

and I found there to be a little

bit of technical problems.

On the back--

like, a hole,

like, a negative space.

I just got lost a little bit

on the front

with some of the details.

(Rebecca) Thanks, guys.

Rudy and Sammie.

Rudy.

Can you turn around, please?

- Did you have something
- else designed for the back?

No.

I was running out of time.

That's an issue.

If you have a tomorrow

in this competition...

make a full painting.

Oh, ****.

This sucks.

- Rudy.
- Yes?

If you have a tomorrow

in this competition,

make a full painting.

Mm-hmm.

- (Craig)
- Can I have both of the models

turn around for me for a second?

Is it completely coincidence

that there are big, bold crosses

on the back of each?

I think it is.

I want you to think

more creatively

so that that

doesn't ever happen again.

Okay, thank you so much.

Not to sound like a dick,

but whatever.

- That's here or there.
- It's done.

It's over.

It's whatever.

I'll flow with it.

Rachel, will you tell us

about your decision

to make a mossy G-string?

- Oh.

[laughter]

There was no alter-agenda.

That was just what came

to me in the moment.

I almost find the figures

of the king

and the queen

even a little goofy.

Definitely wasn't

the intention of that.

Rio, will you please

tell us about your work?

- Since we were competing
- with each other,

me and Rachel, I have here

on my side the castle

- with the cannonball
- shooting over to her rook

- and her castle and then,
- on the back,

the cannonball going

through her castle wall,

- with her kind of jumping
- out the window.

- So wait a minute.
- That's Rachel on your painting?

- Yes, this is Rachel
- right here.

You are not visiting

me in Maui.

[laughter]

- I love the humor
- in this piece.

I also love the fact

that you bring in your graffiti.

- Okay, guys.
- Thank you so much.

Aloha.

Fernello and Kyle.

Fernello, the mafio

or the organized crime

and the police--

it's just not strong enough.

We know that you

have the Fernello style,

and you showed it to us,

but for me,

- I feel like it's not pushing
- it enough.

It's not creative enough.

I was looking so forward

to this piece.

I expected more and it probably

has to do with the fact

- that you talk
- a real good game.

Kyle, let's hear

about your piece, please.

- Don't turn your back,
- 'cause you don't know

what the pieces will do.

You release the pawns

for the final checkmate.

Break 'em down, I win.

I'm a little confused.

Wait, so this is the king,

and this is the king?

This is my king.

This is the their king.

Opponent's king.

And then the face

is a queen?

- Of the opponent?

- Of the opponent?

Tell me about the nose

of that queen.

- I don't know.
- I just thought of him

- and how he was always lifting
- his nose up at me,

so I thought I would bring it

into the painting.

Oh, is that Fernello

right there?

- He's kind of
- a queen sometimes.

Oh.

- Like, come on.
- Really?

I was really impressed

by your technique.

I think the detail

on the lower arms is beautiful.

- Okay, thank you.

- Thank you guys.

Okay, painters, please go back

to the lounge,

- and we'll bring you
- out shortly.

Thank you.

- That was intense.

- [laughs]

The pawns.

- The pawns.

- Lana's piece.

- (Robin) She turned
- that model's shoulder blades

into buildings

receding into the distance.

- (Craig)
- Love it.

- And I that
- was really effective.

Yeah, that was a fun ride.

Marcio, his aesthetic

isn't shining through

the way I would want it to.

He was trying

to keep the front muted.

- I don't think the risk
- paid off for him.

Let's talk about the rooks.

How about Rachel?

It was too chaotic.

- I got lost in her work.
- Mm-hmm.

- (Craig) I felt like her piece
- was overdone

and underdone

at the same time.

Cheryl Ann and Aryn,

our knights.

- What do we think?
- Man, that's a hard one.

Cheryl Ann blew me away.

- And the only thing that makes me
- a little bit nervous

about Cheryl Ann

is that this piece,

while amazing,

looked very similar to her piece

from the first challenge.

Aryn's work--

I really did fall in love it.

- Yeah.
- I love the color.

And they both painted

really, really well.

But so different.

- Avi.

- He's a very talented artist.

Not so much

a chess story.

To be honest, I liked it better

than his opponent's piece.

- Fernello surprised me
- in a bad way.

I just think he bit off

way more than he could chew.

Kyle's piece--

it was crazy.

There was kings and queens.

- And my three sons, yeah.

- Another king and queen.

- And a pig.

- Yeah.

- It was weird
- in a good way.

- We're gonna have to say good-bye
- to someone tonight.

- Unfortunately.
- Ay, yi, yi.

- Yeah.
- Glad I'm not you.

Uh-huh.

Welcome back, painters.

Chess is not an easy game,

and this challenge

wasn't easy either.

You all did

a masterful job.

Rio...

Kyle...

Sammie...

Lana...

Cheryl Ann...

Avi...

congratulations.

Each of you won

in your head-to-head match.

Believe it or not,

I lost to Lana,

and I'm just amazed.

So Kyle wins,

and I'm thinking to myself,

"I done went from a king

to a damn pawn."

I can't go home

on the first challenge.

- Ain't nobody got time
- for that.

Man, I really dropped the ball

on this one.

Cheryl Ann, Kyle, Lana,

you're the top three.

- Congratulations.

- Thank you.

How do you feel?

- I deserve to be
- on the top three.

I'm a better painter than both

of the painters

in the top with me.

That's a fact.

Fernello...

Rachel...

Marcio...

You are the bottom three.

The rest of you standing here,

you may go back to the lounge.

- [sighs] Thank God.

- Oh, my gosh.

That was insane.

The top three,

please step forward.

Tonight there will be

only one winner.

My heart is about to pound

out of my chest.

[laughs]

And the winner is...

Lana, you're the winner.

[laughs]

- Oh, my God.

- Yay.

- (Rebecca)
- All right!

(Robin) Lana, we loved

your color and your composition.

Thank you guys

for appreciating my art.

- You may head back
- to the lounge.

[cheers and applause]

- Thank you guys.

- Oh!

- I'm shining.

So I'm really happy.

- It was amazing.
- Thank you.

- Like, seriously.
- Oh, I'm so proud of you.

- Bring it, bring it.
- bring it, bring it.

I really wasn't expecting her

to be such a contender.

I said, "Oh, Lana's bringing

something to the table."

Fernello, Rachel, Marcio...

you are the bottom three.

And one of you

will be going home tonight.

Fernello, you had

a really strong concept,

but it fell pretty flat.

Rachel, we felt the piece

was a bit muddy,

and it was filled

with chaos.

Marcio, the color

was muted butterscotch,

and your aesthetic

just didn't shine through.

Fernello...

you are safe, but the judges

expect you to step up your game.

I got to turn up.

I know.

I'll definitely do that,

and I'm definitely

gonna take charge.

Thank you.

I'm not a fraud.

I need to get up

off this depressing loss

and get my ass back into gear.

Marcio, Rachel...

for one of you,

this is checkmate,

and you will be going home.

The player

who is going home is...

Marcio.

[sighs]

Rachel,

that means you survived.

- You may head
- back to the lounge.

Thank you very much.

(Craig)

Marcio, you're a class act.

You're an excellent painter.

This competition

was insanely difficult tonight.

You represent Brazil

and America

with beautiful pride.

I really appreciate it.

Thank you.

Marcio, I'm sorry to say,

it's game over.

Please go wash off

your canvas.

- Thank you guys.

- Good-bye.

I'm not ready to go home.

I let myself down.

If I had the chance again,

I would've put every color

of the rainbow in the piece,

and maybe, you know, it

would've been a better outcome.

I definitely gonna miss

being in Skin Wars.

- I think it
- was an awesome experience,

and I wouldn't change it

for the world.

I made it here, and I'm going

home with my head high.

I have a full, running shop

and a lot of naked women

in Miami to be painted.

- (Rebecca)
- This season on Skin Wars...

- We're bringing out
- the big guns.

- Queens!

- Yes!

Your job is to transform

their bodies.

It's going to be hot.

Say hello to platinum-selling

artist Zendaya.

- Hey.
- This is so cool.

It's Carson Kressley.

- Welcome back, Carson.
- Hi, everybody.

World-renowned chef

Cat Cora.

Star of the Saw movies

Tobin Bell.

- Hello.
- Whoo-hoo-hoo!

- (Tobin)
- Thank you.

- (RuPaul)
- This is a battle royale.

- (Rebecca)
- One of you will be going home.

This is not "Excuses Wars."

Is someone paying her

to throw me under the bus?

I think it's really childish.

- It's time
- to wash off your canvas.

I loved this.

Congratulations.

- You have that "it" factor.
- Yes!

You just won the title

of Skin Wars Champion!