Skin Wars (2014–…): Season 1, Episode 2 - Episode #1.2 - full transcript
[electronic music]
- BODY PAINTING IS EVERYWHERE,
FROM HIGH FASHION MAGAZINES
TO CHART-TOPPING MUSIC VIDEOS.
EACH WEEK,
THE MOST TALENTED BODY PAINTERS
FROM ACROSS THE COUNTRY
WILL PUSH THE BOUNDARIES
OF THE NAKED CANVAS.
- MY BIGGEST COMPETITION HERE
IS, UM, EVERYONE.
- SOME WILL HIT
NEW CREATIVE HEIGHTS...
- MIND BLOWN.
- [laughs]
- WHILE OTHERS WILL WATCH
THEIR DREAMS GO DOWN THE DRAIN.
IT'S TIME
TO WASH OFF YOUR CANVAS.
ULTIMATELY, ONLY ONE WILL WIN
THE GRAND PRIZE OF $100,000
AND TITLE
OF SKIN WARS CHAMPION.
LET YOUR IMAGINATION RUN WILD.
WELCOME TO SKIN WARS.
- AFTER ALAN GOING HOME,
EVERYTHING IS REAL.
EVERYTHING'S A COMPETITION.
YOU NEVER KNOW
WHO IS GOING HOME.
- I SEE A PLATTER,
AND I'M THINKING MAYBE
WE'LL HAVE TO PAINT SOMETHING
ON SOME FOOD OR SOMETHING,
OR MAYBE IT'S LUNCHTIME AGAIN.
- HELLO, PAINTERS.
all: HI.
- SAY HI TO RU AND ROBIN.
THEY WILL BE JUDGING
THE FIRST CHALLENGE TODAY.
- NICE.
- HELLO.
- NOW YOU'RE PROBABLY ALL
LOOKING AT THESE TABLES,
AND THINKING WE'RE ALL GONNA
HAVE A NICE, COZY MEAL TOGETHER.
DON'T GET TOO COMFORTABLE.
YOU'RE NOT HERE TO DINE.
THERE ARE NINE TABLES HERE
THAT REPRESENT
DIFFERENT COUNTRIES,
AND WILL BE YOUR INSPIRATION.
THERE'S ONLY
ONE THING MISSING...
A CENTERPIECE, TO MAKE
THESE TABLES STAND OUT.
YOU WILL CREATE A CENTERPIECE
THAT WILL BE INSPIRED
BY THE COUNTRY
REPRESENTED ON THE TABLES.
YOU HAVE TWO HOURS
TO COMPLETE THIS CHALLENGE.
THE COUNTRIES HAVE BEEN
RANDOMLY ASSIGNED TO YOU.
YOU CAN GO
TO YOUR WORK STATIONS.
NOW, LET'S TAKE A LOOK
AT YOUR CANVAS.
PAINTERS, LIFT UP YOUR DOMES.
- HELLO.
- [screams] JESUS!
[laughter]
- AAH!
- AAH!
- OH, MY GOD.
- AH!
THERE IS A FREAKING BALD HEAD
IN THE MIDDLE
OF MY WORK STATION.
[laughter]
- WHAT THE HELL?
- SAY HELLO TO YOUR MODELS!
[laughter]
- WHAT'S UP, DUDE?
[laughs]
- YOUR TIME STARTS
RIGHT...
NOW.
- TODAY'S CHALLENGE IS TO
COME UP WITH A CENTERPIECE
THAT WOULD EXIST
ON A TABLE SETTING
IN A SPECIFIC COUNTRY.
- WHAT AM I GOING
TO PAINT ON YOU?
- I REALLY LUCKED OUT
WITH FRANCE.
- I JUST GOT BACK FROM MEXICO.
I THINK I HAVE A LITTLE BIT
OF AN ADVANTAGE.
- MY GRANDMOTHER
MET MY GRANDFATHER.
HE WAS STATIONED IN SOUTH KOREA.
- I LOVE COLOR, AND WHAT ELSE
DOES JAMAICA HAVE, BUT COLOR?
I'M GOING TO DO A LITTLE MUSICAL
REGGAE PLAYER RIGHT ON HER NOSE,
SO WHEN SHE MOVES HER NOSE
AND HER MOUTH,
IT ANIMATES.
NOBODY'S EVEN THOUGHT
OF SOMETHING ON THIS LEVEL.
[chuckles]
- YOU KNOW, A SIMPLE WINE,
FOOD BISTRO.
I REALLY LUCKED OUT
GETTING FRANCE,
BECAUSE I KNOW ABOUT FRANCE.
I MEAN, EVERYBODY KNOWS
ABOUT FRANCE.
I WANT TO USE THE BACK FOR,
LIKE, THE SCENE.
I'M GONNA MAKE THIS
A ROMANTIC VIEW FROM THE TABLE
AT THE EIFFEL TOWER
WITH TWO WINE GLASSES
CLINKING IN THE BACK.
LOVE IS IN THE FRENCH AIR.
- I GOT TO GET GOING.
I HAVE MEXICO.
WHEN I THINK
OF A CENTERPIECE FOR A TABLE,
I'M THINKING SUGAR SKULL,
DIA DE LOS MUERTOS.
IN ORDER TO WIN THIS CHALLENGE,
I'M GONNA HAVE TO DO SOMETHING
UNIQUE TO SET MYSELF APART.
BEDAZZLED HEAD
IS ABOUT TO HAPPEN.
- LADIES AND GENTLEMEN,
AT THE SOUND OF THE BEEP,
WE WILL HAVE ONE HOUR.
BEEP.
- TODAY IS THE DAY
TO WIN THE ADVANTAGE.
THESE MINI-CHALLENGES
ARE SUPER IMPORTANT TO ME.
IF YOU'RE GIVEN AN ADVANTAGE
AS A PRIZE,
YOU USE IT IN
THE NEXT ELIMINATION CHALLENGE.
LOVE IT. LOVE IT,
LOVE IT, LOVE IT, LOVE IT.
- ALL RIGHT, HERE WE GO.
I HAVE SOUTH KOREA.
MY GRANDFATHER HAD
THESE KOREAN WEDDING DOLLS.
THEY'RE VERY, VERY PLAIN.
FOR BEING THE CENTERPIECE,
YOUR EYES WILL BE CLOSED.
- OKAY.
- I'M TAKING A HUGE RISK
BY GOING VERY SIMPLE.
- THE COUNTRY THAT I HAVE
IS BRAZIL.
WHAT I'M DOING IS USING
A COMBINATION OF THE PAINT
AND THE FOAM
TO CREATE THIS LIVE IGUANA,
LIKE IT'S ON
THE SIDE OF HIS FACE,
AND THE REST OF HIS HEAD
HAS GOT THIS, LIKE,
DENSE JUNGLE SCENERY
IN THE BACKGROUND.
- THERE'S NOT A WHOLE LOT
THAT JUST SCREAMS SWITZERLAND
THAT WOULD BE ON A TABLE.
I'M MULLING IT OVER,
AND THEN I'M THINKING
SNOW GLOBE.
I THINK IT'S BRILLIANT,
AND I GOT THIS IN THE BAG.
- UH, TEN MORE MINUTES, GUYS.
HURRY, HURRY, HURRY, HURRY.
- FIVE MINUTES.
- WHAT?
OKAY.
I'M RUNNING OUT OF TIME,
AND I REALIZE I CAN STRUGGLE
WITH THIS FLAG,
OR I CAN BUST OUT THE REST.
- DON'T OPEN YOUR EYES.
DON'T OPEN YOUR EYES.
[sighs]
THAT IS...OH.
EVERY TIME YOU OPEN YOUR EYES,
YOU'LL CRACK THE PAINT
ON YOUR EYES.
I WAS DONE, AND NOW
I HAVE TO REPAINT HIS EYELIDS
QUICKLY AND WELL.
TRY NOT TO BLINK WHEN I DO THAT.
YOU JUST KEEP THOSE EYES SHUT.
- ALL RIGHT, GET ON IT.
GET ON IT.
- OH, MY GOD.
- TIME IS UP, PAINTERS.
PLEASE PUT YOUR TOOLS DOWN.
- HOLY MACKEREL,
THAT WAS INSANE!
- JUDGES,
LET'S TAKE A CLOSER LOOK.
- OKAY.
- HELLO.
- WOW, JAMAICA.
- JAMAICA.
[reggae music]
♪ ♪
- IT TOOK ME A MINUTE TO GET IT.
IT'S A REALLY CLEVER IDEA.
- THANK YOU.
- I AM MISSING A LITTLE BIT
OF THE DETAIL ON THE BACK.
- DID YOU HAVE ENOUGH TIME?
- I SHOULD'VE HAD ENOUGH TIME.
I-I'M STARTING TO THINK
I'M NOT PAINTING FAST ENOUGH.
I WAS ALMOST THERE.
- THANKS, SEAN.
I LOVE THE SKI LIFT HERE.
- I SEE DUTCH USED SOME
GLITTER IN HIS CENTERPIECE,
SO MAYBE HE'S LEARNING
A THING OR TWO FROM ME.
- THE TRAIN ON THE FRONT...
- YEAH!
- YOU REALLY PUSHED US
BACK IN SPACE AS WE LOOK AT IT.
- HERE WE ARE,
DEEP IN THE JUNGLE OF BRAZIL.
- THAT IS AMAZING.
- OH, WOW.
OKAY, WE GOT THE WOLF
FROM, LIKE, RUSSIAN FAIRY TALES.
- I KNOW SOME--MM-HMM.
- THERE'S MORE ON THE BACK.
THE USE OF PROPS IS SO FUNNY.
- UH-HUH.
- BONJOUR.
- [laughs]
- OH, THAT'S THE PYRAMID
AT THE LOUVRE.
- SO, MOTOWN DOES INDIA.
- [laughs]
- I'M MORE CAPTIVATED
BY THIS IMAGE
THAN I AM BY THE FRONT IMAGE.
DAY OF THE DEAD, RIGHT?
- YES, UH-HUH.
- SEE, I KNOW.
- [laughs]
- SO WHAT IS ORIGINAL
ABOUT YOUR SUGAR SKULL?
- WE'VE GOT SOME PIZZAZZ.
WE'VE GOT GLITTER.
WE'VE GOT JEWELS.
I REALLY WANTED
AN EYE-CATCHING CENTERPIECE.
- IT MAKES SO MUCH SENSE
THAT YOU WOULD DO A SUGAR SKULL.
IT'S FOOD. IT'S A TABLE.
VERY SMART!
- HI, MYTHICA.
- HELLO.
- I'M STARING AT THIS,
BUT I'M ALSO STARING AT THIS.
- I GOT AN ASS-WHUPPING EARLIER,
SO I FIGURED
IF I'M GOING TO BATTLE,
I'M GONNA DRESS FOR IT.
- OKAY.
- DID YOU USE THESE FANS
AS YOUR STENCIL, MYTHICA?
- I DID.
- THAT'S VERY CLEVER,
AND...CREATIVE.
- THANK YOU.
- WHAT DO YOU GUYS THINK?
- WELL, LET'S START WITH DUTCH.
- HE NAILED THAT PERSPECTIVE...
- YEAH.
- ON THE TRAIN
AND THE SKI LIFT.
- DUTCH WAS EXQUISITE.
I'M JUST NOT SO SURE
ABOUT A SNOW GLOBE
AS THE CENTERPIECE.
- I THINK FELLE,
ON THE BACK OF THE HEAD,
KNOCKED IT OUT OF THE PARK.
YOU KNOW, I WASN'T
SO CONVINCED BY THE FRONT.
I-I DON'T THINK THAT ELEPHANT
WAS VERY STRONG.
- AND WHAT DID YOU THINK
ABOUT NICOLE'S?
- FABULOUS,
THE SUGAR SKULL IS PERFECT
FOR A DINNER TABLE SITUATION.
- THE MINUTE I WALKED IN,
MY EYE WENT,
BOOM, STRAIGHT TO HERS.
- MYTHICA SURPRISED ME
THIS TIME.
SHE HAS REALLY REDEEMED HERSELF.
- SHE USED THE FANS
AS A STENCIL.
I MEAN, THAT WAS REALLY THINKING
OUT OF THE BOX.
- SO DO YOU THINK
YOU'VE MADE YOUR DECISION?
- YEAH, I THINK SO.
- YEAH.
- PAINTERS,
THE JUDGES HAVE PICKED
THE TOP THREE CENTERPIECES:
DUTCH...
NICOLE...
MYTHICA.
- AH!
I AM IN SHOCK.
I DIDN'T THINK THAT I WAS
GONNA BE IN THE TOP THREE,
AND HERE I AM.
I'M LIKE...[gasps]
- DUTCH,
YOUR ATTENTION TO DETAIL,
IT'S NOTHING SHORT OF AMAZING.
- SAY IT AGAIN.
- [laughs]
- NICOLE, YOUR PIECE
WAS SO YUMMY
THAT I WANTED TO EAT IT.
- YES!
- MYTHICA.
MAMA, YOU CAME THROUGH.
SO PROUD OF YOU.
- THANK YOU.
- PAINTERS, IT'S TIME
FOR THE JUDGES TO PICK OUT
THE CENTERPIECE
THAT STANDS OUT THE MOST.
- I'VE GOT A VERY STRONG FEELING
THAT I'M A CANDIDATE
TO WIN THIS PARTICULAR
MINI-CHALLENGE.
- DUTCH HAS DONE
THIS AMAZING TRAIN
COMING ACROSS THE FACE,
BUT MY CENTERPIECE
BELONGS ON A TABLE
MORE THAN DUTCH'S CENTERPIECE.
- THE WINNER OF THIS CHALLENGE
IS...
- PAINTERS, IT'S TIME
FOR THE JUDGES TO PICK OUT
THE CENTERPIECE
THAT STANDS OUT THE MOST.
THE WINNER
OF THIS CHALLENGE IS...
NICOLE.
[applause]
CONGRATULATIONS.
- CONGRATULATIONS.
- WHEN I HAVE MY MEXICAN FIESTA,
IT'S YOUR PIECE THAT I WANT.
- THANK YOU GUYS SO MUCH.
I'M SO EXCITED.
- NICOLE, YOU JUST WON
A HUGE ADVANTAGE
FOR THE NEXT CHALLENGE.
- [laughing] YES!
THANK YOU GUYS SO MUCH.
WINNING OVER DUTCH,
I CAN'T BELIEVE IT.
TO BEAT SOMEONE THAT AMAZING
JUST FELT SO GOOD.
- WELL, I'M SURE YOU'RE ALL
CURIOUS TO KNOW
ABOUT THE NEXT CHALLENGE.
- YES.
- YES, DEFINITELY.
- WELL...YOU'LL HAVE TO WAIT
UNTIL TOMORROW TO FIND OUT
THE DETAILS,
BUT I CAN TELL YOU THIS.
all: AWW. BOO!
- MEAN!
- WE HAVE SOMETHING AMAZING
IN STORE FOR YOU.
- OH, COME ON.
- BYE.
THAT'S IT.
- WHAT A TEASE.
- YEAH, I KNOW.
[indistinct chatter]
- OH, MY GOD.
- I DON'T THINK THAT NICOLE
HAD THE STRONGEST PIECE
IN THAT CHALLENGE.
I THINK I SHOULD'VE
GOTTEN THE WIN ON THIS ONE.
- OH, MY GOSH, I'M SO EXCITED.
- LET'S GO GET COFFEE.
- SO THAT WAS A FUN CHALLENGE,
RIGHT, GUYS?
- YEAH.
- THAT WAS CRAZY.
- REALLY?
- THAT'S JUST THE WAY I FEEL.
- YOUR PIECE WAS,
LIKE, A-PLUS ONE SIDE,
AND C-MINUS OTHER SIDE.
- DUTCH DOES A LOT OF TALKING,
AND HE SPEAKS WITH CONFIDENCE,
AND SOMETIMES IT MAKES
OTHER PEOPLE FEEL STUPID.
- PEOPLE WERE DOING STUFF
THAT DID NOT LOOK LIKE
IT BELONGED ON A TABLE.
- THERE'S A DIFFERENCE
BETWEEN HAVING AN OPINION,
AND BEING, LIKE,
A JUST, STRAIGHT-UP [bleep].
- WOW.
- HELLO, PAINTERS.
all: HELLO.
- WE HAVE A VERY SPECIAL
GUEST JUDGE FOR THIS CHALLENGE.
SHE IS INTERNATIONALLY
RENOWNED ARTIST EMMA CAMMACK.
[all cheering]
- YAY, EMMA!
EMMA HAS BEEN AN IDOL OF MINE
SINCE I GOT INTO
BODY PAINTING,
AND I'M KIND OF STAR-STRUCK,
AND I PROBABLY HAVE A REALLY
STUPID LOOK ON MY FACE
LIKE THIS.
- REMEMBER WHEN I TOLD YOU
WE HAD SOMETHING AMAZING
IN STORE FOR YOU?
WELL, HERE WE ARE.
- [laughs] OH, THERE--
THERE YOU GO.
- THAT'S RIGHT.
SEE WHAT I DID THERE?
MM-HM.
- HUH.
- FOR YOUR FIRST CHALLENGE,
WE PUT YOU TO THE TEST
AND ASKED YOU TO MAKE
YOUR MODELS STAND OUT
AS THE CENTERPIECE
OF YOUR TABLE.
NOW IT'S TIME FOR YOU
TO DO THE COMPLETE OPPOSITE.
IN THIS CONCEPT CHALLENGE,
YOU MUST CREATE A BODY PAINTING
THAT WILL MAKE YOUR MODELS
DISAPPEAR INTO THE VERY AISLES
OF THIS SUPERMARKET.
YOU WILL HAVE FIVE HOURS
TO COMPLETE THIS CHALLENGE.
- CAMOUFLAGE AT A GROCERY STORE?
ARE YOU KIDDING ME?
IT'S GONNA BE CRAZY.
- EMMA IS THE MASTER
OF THIS BLENDING TECHNIQUE,
AND HER WORK
HAS BEEN COMMISSIONED BY
THE BRITISH ROYAL FAMILY,
ELTON JOHN, STING,
AND CIRQUE DU SOLEIL.
- I FREAK OUT,
BECAUSE EMMA'S KNOWN FOR
HER AMAZING CAMOUFLAGE PIECES.
- I'M REALLY LOOKING FORWARD
TO WHAT YOU GUYS DO TODAY,
BECAUSE IT'S GONNA BE HARD.
- THERE'S A LOT OF PRESSURE
ON ME TO WIN THIS CHALLENGE,
BECAUSE CAMO'S MY THING.
I THINK THE JUDGES EXPECT
MORE FROM ME THAN PEOPLE
WHO HAVE NEVER
CAMOUFLAGED BEFORE.
- EMMA, WHAT IS THE KEY
TO CREATING THAT ILLUSION
IN WHICH THE MODEL IS LOST
WITHIN THE IMAGE BEHIND THEM?
- IT'S REALLY ABOUT
FINDING THE FOCAL POINT
THAT THE IMAGE IS TAKEN FROM,
SO WE'LL HAVE CAMERAS
THAT WILL GIVE
THAT POINT OF VIEW,
AND THEN THE PAINTERS
WILL HAVE TO KEEP REFERRING
BACK IN CAMERA,
SO THAT THEY CAN ACTUALLY
SEE WHAT THE IMAGE ITSELF
WILL LOOK LIKE.
OTHERWISE, THEY'RE JUST NOT
GONNA VANISH.
- NICOLE, SINCE YOU
WON THE FIRST CHALLENGE,
YOU WILL HAVE FIRST CHOICE
OF YOUR BACKGROUND IN THE STORE.
- YES. YES!
- AWW!
- THIS IS MY FIRST TIME EVER
DOING A CAMOUFLAGE
BODY PAINT PIECE.
THANK GOD
THAT I GET AN ADVANTAGE.
- THE REST OF YOU
WILL CHOOSE YOUR BACKGROUNDS
WHEN I START THE CHALLENGE.
BEST OF LUCK TO ALL OF YOU.
NICOLE, YOU CAN GO IN
AND CHOOSE YOUR BACKGROUND NOW.
- YES!
I SEE THE CANDY SHELF.
DON'T SHOW ME THAT SHELF
AND NOT EXPECT ME TO PICK IT.
- THE REST OF YOU,
YOUR TIME STARTS...NOW!
GO, GO, GO, FIND YOUR SPOT!
- LORD, I DON'T WANT THAT.
- WOO-HOO!
- I'M USED TO PAINTING
AFRICAN-AMERICAN PEOPLE,
SO I'M LOOKING FOR A SPACE WHERE
I CAN USE THOSE BROWN TONES.
- HEY, FELLE,
THERE'S ONE OVER HERE.
- WHERE?
- RIGHT HERE.
- THAT'S WHERE I WANT IT.
- GET IT, GET IT!
- IT'S MONOCHROMATIC,
AND I'M TAKING A GAMBLE.
- AH!
I DON'T KNOW WHERE I'M GOING!
- I SEE THE SUPER COLORFUL
SODA BOTTLES.
THIS COULD BE FUN.
WHOO!
- ANGELA COMES OUT OF NOWHERE.
- WHOO!
- SHE NEARLY KNOCKS ME FLYING
INTO THE CHEESE.
WHERE IS ANYTHING?
I START TO PANIC,
AND I SEE CEREAL.
DA!
- EVERYONE, I THINK,
IS AT THEIR SPOTS...
- OH, YEAH.
- BUT ANGELA'S WALKING
UP AND DOWN THE AISLES.
THERE'S ONE RIGHT THERE, ANGELA,
THE WINE SECTION.
- OH, HELL, NO.
[laughter]
ARE YOU SERIOUS,
THE WINE BOTTLES?
THAT'S THE HARDEST BACKGROUND.
I FAILED.
- I'M LOOKING AT ANGELA,
SHE'S FREAKING OUT.
ANGELA, YOU WANT TO DO THIS ONE?
I'LL DO IT. I'LL DO IT.
- BUT...
- I DON'T MIND.
- AHH! [laughs]
NATALIE IS A DOLL.
AW, I LOVE YOU.
- SURE.
I LOOK AT THE WINE,
AND I'M FREAKING OUT,
BECAUSE OF ALL OF THOSE DARK,
DARK COLORS,
AND THE WHITE, WHITE HIGHLIGHTS.
I DIDN'T DO IT TO LOOK LIKE
A FREAKING HERO.
I DID IT BECAUSE I WAS LIKE,
THAT'S GONNA BE
THE HARDEST THING
I EVER HAVE TO DO.
LIZZIE!
both: HEY.
- LET'S GO DO THIS.
[laughter]
BAM, GOOD?
- LET ME SEE YOU SIT UP HERE.
NOPE, GO AHEAD AND STAND.
NOPE, STAND RIGHT IN THERE.
NOPE, OH, MY GOD.
- PUT YOUR RIGHT LEG DOWN.
LEAN FORWARD A LITTLE BIT.
OKAY, LET'S SEE.
I AM TAKING EVERY OUNCE
OF ADRENALINE THAT I GOT
OUT OF "OH, MY GOODNESS,
I ALMOST WENT HOME,"
AND I'M GONNA CONVERT THAT
INTO GO-GO JUICE,
AND I'M JUST GOING
TO RIP IT APART.
ACTUALLY, THAT WAS PRETTY COOL.
- I WANT ONE LEG HERE.
- THAT'S GONNA
BE REALLY DIFFICULT. [laughs]
- ONE OF THE CRITERIAS
WE'RE GETTING JUDGED ON
IS CREATIVITY,
AND WHEN YOU'RE CAMOUFLAGING,
THERE'S NOT A LOT OF CREATIVITY,
EXCEPT FOR YOUR POSE.
- I LOOK OVER AT NATALIE.
HER POSE IS REALLY RISKY,
BECAUSE REALIGNING HER
IS GONNA
BE REALLY, REALLY TOUGH.
HERE, AND I'M GONNA
HAVE YOU JUST LEAN.
- PERFECT, SO THAT WE DON'T
LOSE THE SPOT.
- IT'LL--IT'LL TAKE
THE LOAD OFF YOU.
AND, YEAH.
- ABSOLUTELY.
- I DECIDE NOT TO GO
WITH A GIMMICKY POSE,
SO I STAND HER VERTICAL.
- WE GOT A PAINT SPILL
ON AISLE FOUR.
CAN WE GET A CLEANUP
ON AISLE FOUR? THANK YOU.
- SO I'M THINKING, LIKE,
THE VIEWING RATIO IS GONNA
BE RIGHT ABOUT HERE.
- STRAIGHT AHEAD.
- IF YOU'RE THE OWNER
OF A BEIGE MINIVAN,
YOUR LIGHTS ARE ON.
- TURN YOUR HEAD TO THE RIGHT,
PLEASE.
WHAT WE SEE IN THIS MONITOR
IS WHERE THE CAMERA'S EYE IS.
THAT'S WHERE THE FINAL PHOTO
WILL BE TAKEN
THAT WE'RE GOING
TO BE JUDGED ON.
- GET BACK
INTO A STRAIGHTER POSE.
- THAT'S THE ONLY PERSPECTIVE
THAT REALLY MATTERS.
- TIMES LIKE THIS, I WISH
MY MODEL WERE TRANSLUCENT.
- [laughing] YEAH.
THE SPOT THAT I PICKED, IT'S
IN THE FRUITS AND VEGETABLES.
- THAT IS SO COOL.
- RIGHT? [laughs]
DO I PLAY IT SAFE?
UH, YES AND NO.
I DON'T GO BALLS-OUT CRAZY,
BECAUSE I HAVE NEVER
DONE CAMO BEFORE.
BUT I'M NOT GONNA LET ANYBODY
SEE MY FULL DECK OF CARDS.
- I REALLY WANT TO WOW SOME
PEOPLE TODAY,
'CAUSE I CAN PAINT.
WITH THE TIME BEING SUCH
A FACTOR IN THESE CHALLENGES,
I GOT TO MANAGE MY TIME.
- RIGHT THERE, OKAY.
I AM PANICKING, BECAUSE MY MODEL
IS NOT BLENDING INTO MY SHELF.
AS I LOOK OVER AT DUTCH,
I NOTICE HE'S BRINGING
HIS LINES ALL THE WAY ACROSS.
SO, I WILL TRY THE SAME THING.
AND MY MODEL
BEGINS TO BLEND IN.
THANK YOU, DUTCH.
- I'M PAINTING,
AND THEN ALL OF A SUDDEN,
MY MODEL STARTS GETTING SICK.
- NOT FEELING WELL? LET ME
GET THE MEDIC OVER HERE, OKAY?
- SHE SAYS SHE FEELS
LIKE SHE'S GONNA THROW UP.
- GUYS, I NEED A MEDIC
ON SET, PLEASE.
MEDIC, MEDIC? YOU GUYS, RUN.
SOMEONE, RUN.
- WELL, I'M STANDING.
I'M NOT SITTING.
- OH, YOU ARE?
- YEAH.
- FELLE'S MODEL
IS NOT FEELING WELL
HALFWAY THROUGH THE CHALLENGE.
I'M STARTING TO GET
REALLY WORRIED FOR HER.
- WHEN MY MODEL
STARTS GETTING SICK,
I HAVE TO LAY HER DOWN,
AND IT'S FRUSTRATING.
I WANT TO MAKE SURE SHE'S OKAY,
AND AT THE SAME TIME,
I NEED HER FOR THE CHALLENGE,
OR THIS MIGHT BE THE ONE
WHERE I'M GOING HOME.
- WE LOOK OVER AT FELLE'S MODEL,
AND HIS MODEL'S
LAYING ON THE FLOOR.
IT'S SUPER IMPORTANT TO
TAKE CARE OF YOUR MODEL DURING
A CAMOUFLAGE PAINTING,
BECAUSE THEY HAVE TO STAY
IN THE SAME POSE, AND THEY HAVE
TO STAY RELATIVELY STILL.
- YOU WANT TO MAKE
SURE THAT SHE'S OKAY,
BUT IT IS FRUSTRATING
WHILE THE CLOCK IS TICKING.
- I'D RATHER RECREATE
THE--THE SISTINE CHAPEL CEILING.
- [laughs]
- THAT'S HOW BAD--
THAT'S HOW MUCH
I DON'T LIKE THIS.
I JUST FEEL LIKE I'M ON
AUTO-PILOT RIGHT NOW.
- MY MODEL IS AMAZING.
SHE CONTINUES TO MOTIVATE ME.
I THINK THAT'S FINE.
- HOW YOU FEELING?
YOU SURE?
OKAY, YEAH.
HONESTLY, I LOST SOME TIME
FROM MY MODEL GETTING SICK.
IT'S EXTREMELY FRUSTRATING,
BUT I'M GLAD
THAT SHE'S OKAY.
YOU SURE?
YOU'RE POSITIVE?
- MM-HM.
- THE CONCEPT FOR TODAY'S
CHALLENGE IS CAMOUFLAGE.
- EMMA CAMMACK,
HOW WOULD YOU DO THIS?
- THE BIGGEST CHALLENGE
WITH DOING CAMO IS MAKING SURE
THAT LINING THINGS UP
FROM THE PERSPECTIVE
OF THE CAMERA IS SEAMLESS.
- HELLO, NATALIE.
- HI, GUYS.
all: HI.
- HOW'S YOUR MODEL FEELING
WITH THIS WHOLE,
LIKE,
SHE'S GETTING ARRESTED POSE?
- SO I DIDN'T WANT TO JUST DO...
- INDEED.
- YOU KNOW, JUST STANDING THERE.
I WANTED HER TO, LIKE--
GRABBING A BOTTLE OF WINE.
- SHE'S STILL SMILING.
- SO YOU GOT THE ADVANTAGE
OF CHOOSING WHICH SPACE.
- I DID.
- WHAT DREW YOU TO THIS?
- THE CANDY, THE COLORS.
I LOVE PINK.
AND THIS IS PROBABLY
THE ONLY ONE THAT I COULD USE
A LITTLE BIT OF GLITTER ON.
[laughs]
- WELL, TELL US ABOUT
YOUR CHOICE OF LOCATION.
- I LOVE FLOWERS, BUT I ALSO
LIKE PUSHING AND PULLING DEPTH.
- NICE.
- AND SO I WANTED THAT SENSE
OF BEING ABLE TO STICK
YOUR HAND INTO IT.
- ANGELA, HOW ARE YOU DOING?
- HI.
- SCARED [bleep].
- WHAT ARE YOU SCARED OF?
- THIS IS MY FIRST TIME
BLENDING A MODEL INTO
A THREE-DIMENSIONAL BACKGROUND,
SO I'M REALLY NERVOUS.
- DO YOU HAVE A TACTIC
YOU'RE GONNA USE
FOR PAINTING THE LETTERING?
- I'M NOT SURE.
I'M REALLY SCARED RIGHT NOW,
BECAUSE I FEEL LIKE
I'M SO BEHIND.
- HOW ARE YOU FEELING ON TIME?
- I'M REALLY,
REALLY OVERWHELMED.
- OKAY.
- I AM FREAKING OUT.
- THIS ANGLE THAT YOU'RE ON...
- YES.
- YOU'RE GONNA BE ABLE
TO MAINTAIN THIS
THROUGHOUT THE, UH, CHALLENGE?
- OH, GREAT.
GREAT. GREAT.
- YEAH. I'M ALSO USING
THE FACING RATIO OF THE CAMERA
RIGHT NOW...
- YEAH.
- TO ACTUALLY STILL GUIDE ME,
SO INSTEAD OF GETTING LOST
NOODLING IN WHAT I THINK
LOOKS GOOD FROM HERE...
- YEAH, YEAH, YEAH.
- I'M KEEPING MINDFUL OF
WHAT'S GOING ON IN THE MONITOR,
YOU KNOW WHAT I MEAN? SO...
- THAT'S--THAT'S THE KEY.
- BEAUTIFUL.
- SO, WHEN YOU POSED HER,
HAVE YOU THOUGHT ABOUT
THE CHALLENGE THAT
THE LETTERING MIGHT POSE?
- I'M NOT ACTUALLY
PAINTING THE LETTERS.
- RIGHT.
- I'M PAINTING WHAT I SEE HERE.
- OH, THAT--THAT'S GOOD.
- TELL ME HOW YOU'RE FEELING
ABOUT THE AMOUNT OF TIME
YOU HAVE LEFT.
- I AM PANICKING.
- OH, MAN.
- ARE YOU REALLY?
- YEAH, I KNOW
THAT I CAN DO THIS,
I'M JUST USED TO HAVING
AS MUCH TIME AS I NEED,
SO I'M HOPING I GET THERE.
- WELL, CARRY ON, SIR.
- THANK YOU VERY MUCH, GUYS.
- THANK YOU, SEAN.
- THANK YOU.
- THAT'S ALMOST RIGHT.
- HAS ANYBODY SEEN MY MODEL?
- [laughs] NOPE.
- SHE DISAPPEARED.
- I DON'T HAVE ANY COLORS
THAT ARE DEAD-ON.
- AH.
- I'M HAVING A HARD TIME
WITH COLORS MATCHING.
- 80%, AND THEN 20.
- OH, CRAP.
- NO, NO, A LITTLE MORE.
OKAY, STOP, GO.
- ALL RIGHT. THANK YOU.
- ALL RIGHT, YOU'RE GOOD.
YOU'RE GOOD.
YEAH, YEAH.
- THE ONE COLOR THAT I KNOW
THAT DOES MATCH ARE THOSE
YELLOW FLOWERS, SO I'M GONNA
CONNECT THESE FLOWERS HERE
TO THESE FLOWERS DOWN HERE.
OKAY, I SPENT TOO LONG THERE,
AND NOW I NEED TO HURRY UP.
- THIS IS SO HARD.
I POSE MY MODEL
IN A SUPER AMBITIOUS POSE,
BECAUSE I JUST WON
THE LAST CONCEPT CHALLENGE.
THIS ONE NEEDS TO BE
A LITTLE CLOSER TO ME.
I KNOW THAT ALL THE OTHER
ARTISTS ARE NOW LOOKING AT ME
AS A THREAT.
I'LL MAKE IT LOOK GOOD.
- ATTENTION, YOU HAVE
15 MINUTES LEFT.
- WHAT?
- [laughing] WHAT?
- I'M MOST WORRIED ABOUT
THE--THE LITTLE,
TINY DETAILS ON THE LABELS.
WINE HAS THE SMALLEST,
LIKE, "2011,"
YOU KNOW, THAT YOU'VE EVER SEEN,
SO IT CAN BE WICKED HARD, BUT...
- I LOOK OVER AT NATALIE,
AND I'M FAIRLY IMPRESSED.
SHE ACTUALLY REALLY
KNOWS HOW TO PAINT.
SHE'S DEFINITELY ON MY RADAR.
- FIVE MINUTES, EVERYBODY.
- WHAT?
- OH, MY GOD. [groans]
- LIFT YOUR WHOLE BODY
JUST A HAIR,
LIKE--YEAH.
DON'T MOVE.
- THAT LOOKS BETTER.
OKAY.
- AH, NICE, NICE, NICE, OKAY.
- ALL RIGHT, SWEET.
FOR MY FIRST TIME
DOING CAMO ON A BODY,
I THINK I DID
PRETTY GOOD ON THIS ONE.
- KNEES DOWN A BIT.
OH, MY GOD, WHY DID THAT HAPPEN?
- WHAT HAPPENED?
- ALL OF A SUDDEN, I SEE THAT
"SQUEEZE" IS SPELLED WRONG.
- PAINTERS, TIME IS UP!
PUT YOUR TOOLS DOWN.
- [exhales]
- [bleep].
- YOU CAN'T SEE ANYTHING.
- YOU CAN'T SEE ANYTHING.
I SEE EVERYTHING.
ALL I COULD DO
WAS JUST STARE AT IT.
- PAINTERS, YOU CAN
LEAVE THE SUPERMARKET,
AND WE WILL SEE YOU
AT THE ELIMINATION STAGE.
- CAN'T BELIEVE THIS HAPPENED.
I AM SO GOING HOME.
- HELLO, PAINTERS.
- HELLO.
- WHAT'S GOING ON?
- FOR THIS CONCEPT CHALLENGE,
YOU TRAVELED
TO THE SUPERMARKET
TO TEST YOUR ABILITY
TO CAMOUFLAGE YOUR MODEL.
FOR THIS CHALLENGE,
YOU'RE BEING JUDGED
ON THE FOLLOWING CRITERIA:
CAMOUFLAGE AND BLENDING ABILITY,
CREATIVITY AND DESIGN CONCEPT,
TECHNIQUE, AND EXECUTION
OF THE CHALLENGE.
NOW, LET'S WELCOME BACK
OUR ESTEEMED JUDGES:
CRAIG TRACY, ROBIN SLONINA,
AND RUPAUL CHARLES.
- WORD UP!
- HEY, RU.
- WHAT UP, RU?
- AND OUR VERY SPECIAL
GUEST JUDGE,
THE FABULOUS EMMA CAMMACK.
- HI, EVERYONE.
NICE TO MEET YOU.
[all cheering]
- WE'RE GONNA LOOK AT
ALL OF YOUR FINAL PICTURES.
PAINTERS, WILL YOU PLEASE
STEP TO THE SIDE?
OKAY, NICOLE.
- I FEEL LIKE YOU REALLY
CHALLENGED YOURSELF.
THIS WAS A TECHNICAL MONSTER.
SO MUCH DETAIL IN THOSE JARS,
AND I WAS PLEASANTLY SURPRISED.
- NICOLE, I WAS REALLY STUNNED.
I MEAN, YOU AMAZED ME.
YOU'VE GOT
SORT OF LITTLE BLURS THERE,
WHICH IS A CLEVER CONCEIT
TO USE,
BUT DOESN'T QUITE WORK WHEN
YOU BLOW IT UP AS A HUGE IMAGE.
OVERALL, I MEAN, I THINK
THIS IS A REALLY VALIANT EFFORT.
- THANK YOU SO MUCH.
- GEAR?
- [laughs]
- OKAY, GEAR, I THINK
YOU'VE DONE AN EXCELLENT JOB,
BUT YOU UNDOUBTEDLY HAVE
THE EASIEST BACKGROUND
OF ALL OF THEM.
IT'S THE SAFE CHOICE FOR ME,
AND IF YOU LOOK,
YOU'VE GOT THIS SHADOW LINE
THAT YOU CANNOT LOSE.
IF YOU'D BURIED HER
IN THE FRUIT,
THE SHADOW LINE WOULD BE LOST,
AND THE CONCEIT OF HER VANISHING
INTO THE BACKGROUND
WOULD BE SO MUCH MORE EFFECTIVE.
- GOT YOU. OKAY.
- BUT OVERALL,
I MEAN, YOU KICKED IT.
- I THINK THIS IS
ABSOLUTELY GORGEOUS.
YOU CLEARLY UTILIZED THE MONITOR
TO MATCH THOSE COLORS UP.
- I WAS ALMOST PAINTING
LIKE THIS THE ENTIRE TIME,
LOOKING AT THE MONITOR.
- IT SHOWS.
IT REALLY SHOWS.
I WANTED TO SQUEEZE HER LEMONS.
[laughter]
- THANK YOU, GEAR.
- THANK YOU.
- NATALIE.
- I MEAN, YOU CAN SEE
THE CHALLENGE
THAT WENT INTO THI--I MEAN,
YOU REALLY PICKED A TOUGH SPOT.
I MEAN, IT'S NOT PERFECT.
IT'S A LITTLE BIT WONKY,
BUT IT IS A VERY GOOD ATTEMPT.
- YOU KNOW, WHEN YOU LOOK
AT THIS AS AN IMAGE,
I CAN'T ACTUALLY SEE WHETHER
SHE HAS HER LEG UP OR NOT...
- RIGHT.
- AND THAT IS REALLY WHAT
THIS KIND OF PAINTING
IS ALL ABOUT.
IT'S A TRICK OF THE EYE.
- THIS IS NOT
A REALLY GOOD PAINTING.
THIS IS A GREAT PAINTING.
THIS IS EVERYTHING
THAT I WANT TO SEE.
- THANK YOU SO MUCH.
- ANGELA?
- HAVE YOU EVER
DONE THIS BEFORE?
SO THIS IS YOUR FIRST TIME.
WERE YOU NERVOUS?
- VERY, I'M--MY HEART'S
STILL RACING RIGHT NOW.
I'M SO NERVOUS, YES.
EVERYTHING THAT COULD'VE
WENT WRONG, WENT WRONG.
- WHAT WENT WRONG?
- WELL, AS YOU CAN SEE,
"SQUEEZE" IS SPELLED WRONG.
YOU KNOW, I'VE BEEN
IN SPECIAL ED ALL MY LIFE.
LITERALLY--I'M SORRY,
I'M NOT TRYING TO CRY,
BUT I FEEL LIKE I'M BACK
IN SPECIAL ED,
STARING AT A WORD,
JUST THINKING,
"HOW DO YOU SPELL THIS,
HOW DO YOU SPELL THIS?"
AND I STARE AT THAT,
I'M LIKE, DARN.
I WAS MOSTLY NERVOUS,
BECAUSE I'M LIKE,
I DON'T WANT TO GET MADE FUN OF.
- WELL, I GOT TO TELL YA,
YOU SQUEEZED THE "U"
RIGHT OUT OF THAT SODA.
[laughter]
- I KNOW, RIGHT?
- WELL, I CAN TELL YOU, ANGELA,
THAT NOBODY
WAS MAKING FUN OF YOU...
- OKAY.
- BECAUSE WE WERE VERY IMPRESSED
WITH YOUR TECHNIQUE.
YOU REALLY HAD
JUST THE RIGHT AMOUNT
OF--OF AIRBRUSH,
AND HIGHLIGHTS.
- I DO THINK THAT THERE
WAS AN ISSUE WITH THE WHITE.
YOU'VE GOT TO FIGURE OUT
HOW TO GET YOUR WHITES WHITE,
AND THAT'S GONNA REALLY
HELP YOU IN THE FUTURE.
- MY SPELLING'S ATROCIOUS...
- OKAY, OKAY. OKAY.
- ABSOLUTELY TERRIBLE.
BUT THE--THE ONE THING THAT IS
REALLY VITAL IS THE LOGO.
IF WE DID THIS
FOR A COMMERCIAL SHOOT,
IT WOULD BE UNUSABLE.
WHEN I'M DOING STUFF LIKE LOGOS,
I'M NOT THINKING OF IT
AS A WORD.
I'M LOOKING AT IT AS AN IMAGE,
AND I'M COPYING THE IMAGE.
THINK ABOUT IT THAT WAY,
AND THAT MIGHT REALLY HELP YOU.
- OKAY.
- THANK YOU, ANGELA.
- THANK YOU GUYS SO MUCH.
I CAN'T BE ANY MORE OPEN
THAN I AM NOW,
AND FOR ONCE,
I DIDN'T GET, LIKE,
SOMEONE POINTING FINGERS AT ME
AND LAUGHING, FOR ONCE.
THANK YOU.
- FELLE, YOU'RE UP.
- YES, THANKS.
- I'VE GOT TO SAY,
I--I DO LOVE THIS PIECE.
IN FACT, I WANT A LITTLE PIECE
OF JAM AND SOME BUTTER.
SHE LOOKS REAL GOOD.
I'M JUST CURIOUS THAT
YOU DIDN'T PUT ANY OTHER COLOR
IN THERE, BECAUSE I CAN SEE
THERE ARE DONUTS TO THE SIDE
OVER THERE, BUT UM, LOVELY.
- I THINK YOU'VE
PULLED IT TOGETHER,
BUT YOU CHOSE
TO FRAME YOUR MODEL LIKE
SHE'S CUT OFF AT THE KNEE.
THIS WAS
A HEAD-TO-TOE CHALLENGE,
AND I WAS WONDERING WHY
YOU'D CHOSEN TO DO THAT.
- THE CAMERA ANGLE
IN THE MONITOR WAS CUT OFF
AT HER KNEES, SO I'M THINKING,
THIS IS MY FRAME.
- BUT SURELY IF YOU KNOW THAT
IT'S A HEAD-TO-TOE CHALLENGE,
YOU NEED TO MAKE SURE
YOUR MODEL IS POSED,
FROM HEAD-TO-TOE,
WITHIN THAT FRAME.
- SEAN.
- THIS MAKES ME SMILE.
SHE HAS JUST HER THUMB PAINTED,
WRAPPED AROUND THE CEREAL BOWL.
THOSE ARE SOME NICE,
CREATIVE DETAILS.
- AW, THANK YOU.
- WHY WEREN'T YOU MORE
CONSCIOUS OF HER HAIR?
LIKE, TUCKING HER HAIR IN?
- I HAD PLANNED ON THAT.
[laughs]
- AND YOU RAN OUT OF TIME?
- THAT WAS ON MY--MY TASK LIST.
- I FEEL LIKE YOU'VE
POSSIBLY HAD A KIND OF
CRISIS OF CONFIDENCE,
AND TIME MANAGEMENT ISSUES,
AND STUFF LIKE THAT.
THE BEEHIVE, WE LOSE
THE BITS OF DETAIL WHEN IT COMES
AROUND HER THIGHS,
AND IT'S JUST NOT QUITE THERE.
- THIS IS NOT
MY KIND OF PAINTING,
ESPECIALLY IN THIS TIME FRAME.
THAT'S THE BEST I COULD DO
UNDER THESE CIRCUMSTANCES.
- IF YOU CAN'T WORK
WITHIN THE TIME FRAME
THAT YOU WERE GIVEN, IT DOESN'T
WORK IN THE COMPETITION.
- IT'S JUST NOT QUITE THERE.
- THIS IS NOT
MY KIND OF PAINTING.
THAT'S THE BEST I COULD DO
IN THIS TIME FRAME.
- IF YOU CAN'T WORK
WITHIN THE TIME FRAME
THAT YOU WERE GIVEN, IT DOESN'T
WORK IN THE COMPETITION.
- DUTCH.
- DUTCH, YOU HIT THE NAIL
ON THE HEAD
AS FAR AS THE CHALLENGE GOES.
I MEAN, YOU DID DISAPPEAR YOUR
MODEL INTO THAT BACKGROUND,
BUT YOU ALSO HAD
ONE OF THE MOST STATIC,
YOU KNOW, "BORING" POSES.
- I GET THE FEELING THAT
SOMETIMES PEOPLE SORT OF,
YOU KNOW, "OH, IT'S DUTCH, SO
YOU KNOW HE'S GONNA, YOU KNOW."
- WHY DO YOU THINK PEOPLE ASSUME
THAT YOU'RE GONNA ACE STUFF?
- UH, IT JUST--
I GUESS BY REPUTATION.
- I'M SUPER FRUSTRATED
WITH DUTCH'S ARROGANCE.
I AM SO OVER IT.
- DUTCH, THE THINGS THAT
YOU'RE DOING ARE EXCEPTIONAL,
BUT I WOULD LOVE IT
IF SHE WERE HOLDING A CAN.
APPLYING CREATIVITY
GOES A LONG WAY.
- OKAY, THANK YOU VERY MUCH.
- SHANNON?
- SHANNON, DARLING, YOUR FRUITS
AND VEGETABLES LOOK DELICIOUS.
- THANK YOU.
- THE DETAIL ON THAT LETTUCE?
IT'S--IT'S GOOD ENOUGH TO EAT.
- THE TROUBLE IS, FOR ME,
IS THAT I SEE YOUR MODEL.
BUT I LOVE, I LOVE HOW
YOU'VE PAINTED THE DETAIL
OF THE FRUITS
AND THE VEGETABLES.
- THANK YOU.
- MYTHICA.
- I THINK YOU DID A--
ACTUALLY A REALLY GOOD JOB
IN THE COLOR MATCHING.
IT WAS A VERY PLEASANT PIECE.
- THERE'S GREAT STRENGTHS
TO YOUR IMAGE,
AND THERE'S SOME WEAKNESSES
TO YOUR IMAGE,
BUT IF YOU MIXED UP
SOME OF THE YELLOW BUNCHES
FOR ANOTHER BRIGHT COLOR,
WE WOULDN'T HAVE
THIS YELLOW LINE
GOING UP THE BODY,
WHICH LOSES THE CONCEIT
FOR ME, SLIGHTLY.
- I MOVED AROUND A LOT OF
THE FLOWERS TO TRY AND--AND DO
EXACTLY WHAT YOU'RE TALKING
ABOUT, AND BY THAT TIME,
I WAS 45 MINUTES
INTO THE CHALLENGE,
AND I WAS LIKE,
I CAN'T DO THIS ANYMORE.
- I DON'T WANT TO HEAR THAT.
- YEAH.
- I FEEL YOU CAN DO BETTER.
DON'T GET CAUGHT UP
IN YOUR HEAD
IN ANY KIND OF EXCUSE.
- THANK YOU, MYTHICA.
PAINTERS, THE JUDGES
HAVE A DIFFICULT DECISION
ON THEIR HANDS,
AND A LOT TO DISCUSS.
PLEASE HEAD BACK
TO THE PAINTERS' LOUNGE.
- THAT WAS
AN INCREDIBLE CHALLENGE.
- THAT WAS REALLY HARD.
MY CURRENT LIVING SITUATION IS
I'M SLEEPING ON A DAYBED
IN A LAUNDRY ROOM.
I DON'T WANT TO GO HOME.
- WHO DO YOU THINK WERE
THE TOP PAINTERS TODAY?
- FOR ME, IT WAS NATALIE.
- SHE GAVE HERSELF THIS POSE
THAT WAS JUST AMAZING.
- THERE WAS THIS
SORT OF WARPED FEELING
IN THE MID-BACK AREA
OF THE MODEL.
IT FELT REALLY OFF.
- DUTCH IS AN AMAZING PAINTER,
AND HE KNOWS IT.
HE'S COCKY FOR A REASON.
- SHE DISAPPEARED
INTO THOSE CANS.
- YEAH.
- I WOULD BE FOOLED,
AND I THINK IT'S BEAUTIFUL.
- TO ME, HIM PICKING THAT
STATIC POSE WAS KIND OF LAZY.
HE'S GOT TO PUMP UP
HIS CREATIVITY.
- AND THEN GEAR?
- GEAR WAS AMAZING.
- I WAS EXPECTING VERTICAL,
AND HE GAVE ME HORIZONTAL.
- HE DID HORIZONTAL.
HE WAS THE ONLY ONE
THAT DID HORIZONTAL.
- BUT I DO SLIGHTLY FEEL LIKE
HE PLAYED IT SAFE.
- IT IS THE EASIEST CHOICE.
- IT IS.
- BUT I KIND OF FEEL LIKE
IT'S THE SMARTEST CHOICE.
- AND WHO WHERE THE PAINTERS
WHO DIDN'T DO SO WELL TODAY?
- SEAN DIDN'T
DO VERY WELL TODAY.
- HE LEFT ALL THAT BLACK HAIR.
- THE HAIR!
- IT WAS LIKE THE HEAD
HAD A BIG BLACK OUTLINE.
- THAT'S SO IMPORTANT!
- MM-HM.
- YOU CAN'T MISS IT.
- NOW, ANGELA'S PIECE...
IF WE WERE BEING
ANGELA'S CLIENT,
I WOULD HAVING TO BE FIRING HER,
BECAUSE OF THE FACT THAT
SHE MISSPELLED THE WORD.
- YOU'RE RIGHT, IF SHE KNOWS
THAT SHE HAS A PROBLEM
WITH SPELLING, MAKE UP FOR IT
BEFORE YOU START THE PROJECT.
- YES.
- MYTHICA'S PAINTING WAS MESSY.
- I WAS LOOKING
AT A LACK OF SHARPNESS
IN HER WORK.
- IT WAS--IT WAS "MESS-ICA."
- [laughs]
- GUYS, HAVE YOU MADE
YOUR DECISION?
- YEP.
- I THINK SO.
- LET'S BRING THEM OUT.
WELCOME BACK, PAINTERS.
EVEN THOUGH ALL OF YOU
DID GREAT WORK,
ONLY ONE OF YOU
CAN BE THE WINNER,
AND ONE OF YOU
WILL BE GOING HOME TONIGHT.
FELLE, SHANNON, AND NICOLE...
CONGRATULATIONS,
YOU ARE SAFE.
YOU CAN HEAD BACK
TO THE PAINTERS' LOUNGE.
GEAR, NATALIE,
DUTCH...
CONGRATULATIONS.
YOU ARE THE TOP THREE.
ONE OF YOU WILL BE THE WINNER.
NATALIE...
YOU ARE THE WINNER
OF THIS CHALLENGE.
- YEAH!
[applause]
- [sighs]
- WHOO!
- YOU MASTERED BOTH THE CREATIVE
AND THE TECHNICAL ASPECT
OF THE CHALLENGE.
THE JUDGES WERE SO IMPRESSED
WITH YOU.
- THANK YOU SO MUCH.
- YEAH.
- YOU CAN ALL HEAD BACK
TO THE LOUNGE.
- THANK YOU!
[applause]
- IT FEELS SO GOOD
TO BEAT THE BOYS,
SO GOOD, 'CAUSE CAMO'S HARD,
AND THEY KNOW IT.
- YEAH, GET IT, GIRL,
GET IT, GIRL. GET IT, GIRL.
- [laughing] YEAH.
- I CAN SEE THE VEINS
POPPING OUT OF HIS BIG ARMS.
- MYTHICA, ANGELA,
SEAN...
ONE OF YOU
WILL BE GOING HOME TONIGHT.
- I JUST SERIOUSLY DON'T WANT
TO GO HOME RIGHT NOW.
- MYTHICA, ANGELA,
SEAN...
ONE OF YOU
WILL BE GOING HOME TONIGHT.
MYTHICA...
WHILE THE JUDGES
SAW SOME GLIMMERS OF HOPE
THIS WEEK, OVERALL,
WE STILL FEEL
YOUR PAINTING FELL FLAT.
NO MORE EXCUSES.
MYTHICA...
YOU ARE SAFE.
- THANK YOU.
- YOU CAN JOIN THE OTHERS
IN THE LOUNGE.
- THANK YOU.
I AM NOT GONNA WIN $100,000
IF I KEEP DOING WHAT I'M DOING.
- CONGRATULATIONS.
- I'VE GOT TO STAY ON TOP NOW,
OR...I'M--I'M GOING HOME.
[exhales]
- SEAN...
IT'S OBVIOUS
THAT TIME MANAGEMENT
BECAME AN ISSUE FOR YOU.
EVERYONE HAS
THE SAME AMOUNT OF TIME,
AND THERE'S NO EXCUSE
FOR THE LACK OF DETAILS
ON YOUR PAINTING.
AND ANGELA...
IF YOU TURNED IN THIS WORK
TO A CLIENT, YOU WOULD BE FIRED.
SEAN...
YOUR JOURNEY ENDS HERE.
- IT'S OKAY.
- IT'S NOT
A GOOD PERSON CONTEST.
[laughs]
- ANGELA...
YOU CAN GO BACK TO THE LOUNGE.
- [laughs]
[exhales]
- I HONESTLY THOUGHT
THAT I WAS GOING HOME,
BUT WHEN IT GETS TOUGH,
YOU JUST HAVE TO TOUGH IT UP
AND JUST KEEP GOING.
[exhales]
- ANGELA.
- YOU'RE STILL WITH US.
- I AM SO GRATEFUL
FOR THIS OPPORTUNITY.
THANK YOU FOR BRINGING ME HERE.
- SEAN, WE KNOW THAT
THERE'S A LOT MORE GREAT WORK
AHEAD OF YOU.
- SEAN...
IT'S TIME
TO WASH OFF YOUR CANVAS.
- AW.
- GOOD-BYE, AND GOOD LUCK.
- THANK YOU, EVERYBODY,
ONCE AGAIN.
THANK YOU SO MUCH.
- THANK YOU.
- I AM PRETTY DISAPPOINTED.
IN THE INDUSTRY,
I'M CONSIDERED
ONE OF THE BIG PLAYERS.
I DON'T THINK ANYBODY THOUGHT
THAT I'D BE THE SECOND ONE OFF.
YOU KNOW, SOMETIMES
I'M A SELF-SABOTAGER,
AND I THINK I'VE BEEN AFRAID
TO VALUE WHAT I DO.
ARTISTS NEED TO BE ABLE TO
CHECK THAT AT THE DOOR.
I JUST REALLY WANTED
TO DO A GOOD JOB,
JUST WANTED TO BE ABLE TO...
SHOW THE WORLD WHAT I GOT.
- NEXT TIME, ON SKIN WARS...
TODAY, IT'S ALL ABOUT TEAMWORK.
- THERE'S A LITTLE BIT
OF A POWER STRUGGLE
BETWEEN FELLE AND I.
- NOW IS NOT THE TIME TO LEARN.
- NOW IS THE TIME TO LEARN.
- NOT IN A $100,000 CHALLENGE.
- OKAY, FELLE, OKAY.
- YOU NEED TO REALLY
GO TO SLEEP,
AND THINK ABOUT YOUR CONCEPT.
- I'VE HAD ENOUGH.
- DON'T LET YOUR EMOTIONS GET
YOU SENT HOME.
- FASHION DESIGNER
CARSON KRESSLEY.
- I FEEL SO OVERDRESSED.
- THIS JUST DIDN'T CUT IT.
- YOU WERE A BIT
OUT OF YOUR ELEMENT.
- THE BOTTOM DOWN
LOOKS REALLY MESSY TO ME.
- IT'S TIME
TO WASH OFF YOUR CANVAS.
- BODY PAINTING IS EVERYWHERE,
FROM HIGH FASHION MAGAZINES
TO CHART-TOPPING MUSIC VIDEOS.
EACH WEEK,
THE MOST TALENTED BODY PAINTERS
FROM ACROSS THE COUNTRY
WILL PUSH THE BOUNDARIES
OF THE NAKED CANVAS.
- MY BIGGEST COMPETITION HERE
IS, UM, EVERYONE.
- SOME WILL HIT
NEW CREATIVE HEIGHTS...
- MIND BLOWN.
- [laughs]
- WHILE OTHERS WILL WATCH
THEIR DREAMS GO DOWN THE DRAIN.
IT'S TIME
TO WASH OFF YOUR CANVAS.
ULTIMATELY, ONLY ONE WILL WIN
THE GRAND PRIZE OF $100,000
AND TITLE
OF SKIN WARS CHAMPION.
LET YOUR IMAGINATION RUN WILD.
WELCOME TO SKIN WARS.
- AFTER ALAN GOING HOME,
EVERYTHING IS REAL.
EVERYTHING'S A COMPETITION.
YOU NEVER KNOW
WHO IS GOING HOME.
- I SEE A PLATTER,
AND I'M THINKING MAYBE
WE'LL HAVE TO PAINT SOMETHING
ON SOME FOOD OR SOMETHING,
OR MAYBE IT'S LUNCHTIME AGAIN.
- HELLO, PAINTERS.
all: HI.
- SAY HI TO RU AND ROBIN.
THEY WILL BE JUDGING
THE FIRST CHALLENGE TODAY.
- NICE.
- HELLO.
- NOW YOU'RE PROBABLY ALL
LOOKING AT THESE TABLES,
AND THINKING WE'RE ALL GONNA
HAVE A NICE, COZY MEAL TOGETHER.
DON'T GET TOO COMFORTABLE.
YOU'RE NOT HERE TO DINE.
THERE ARE NINE TABLES HERE
THAT REPRESENT
DIFFERENT COUNTRIES,
AND WILL BE YOUR INSPIRATION.
THERE'S ONLY
ONE THING MISSING...
A CENTERPIECE, TO MAKE
THESE TABLES STAND OUT.
YOU WILL CREATE A CENTERPIECE
THAT WILL BE INSPIRED
BY THE COUNTRY
REPRESENTED ON THE TABLES.
YOU HAVE TWO HOURS
TO COMPLETE THIS CHALLENGE.
THE COUNTRIES HAVE BEEN
RANDOMLY ASSIGNED TO YOU.
YOU CAN GO
TO YOUR WORK STATIONS.
NOW, LET'S TAKE A LOOK
AT YOUR CANVAS.
PAINTERS, LIFT UP YOUR DOMES.
- HELLO.
- [screams] JESUS!
[laughter]
- AAH!
- AAH!
- OH, MY GOD.
- AH!
THERE IS A FREAKING BALD HEAD
IN THE MIDDLE
OF MY WORK STATION.
[laughter]
- WHAT THE HELL?
- SAY HELLO TO YOUR MODELS!
[laughter]
- WHAT'S UP, DUDE?
[laughs]
- YOUR TIME STARTS
RIGHT...
NOW.
- TODAY'S CHALLENGE IS TO
COME UP WITH A CENTERPIECE
THAT WOULD EXIST
ON A TABLE SETTING
IN A SPECIFIC COUNTRY.
- WHAT AM I GOING
TO PAINT ON YOU?
- I REALLY LUCKED OUT
WITH FRANCE.
- I JUST GOT BACK FROM MEXICO.
I THINK I HAVE A LITTLE BIT
OF AN ADVANTAGE.
- MY GRANDMOTHER
MET MY GRANDFATHER.
HE WAS STATIONED IN SOUTH KOREA.
- I LOVE COLOR, AND WHAT ELSE
DOES JAMAICA HAVE, BUT COLOR?
I'M GOING TO DO A LITTLE MUSICAL
REGGAE PLAYER RIGHT ON HER NOSE,
SO WHEN SHE MOVES HER NOSE
AND HER MOUTH,
IT ANIMATES.
NOBODY'S EVEN THOUGHT
OF SOMETHING ON THIS LEVEL.
[chuckles]
- YOU KNOW, A SIMPLE WINE,
FOOD BISTRO.
I REALLY LUCKED OUT
GETTING FRANCE,
BECAUSE I KNOW ABOUT FRANCE.
I MEAN, EVERYBODY KNOWS
ABOUT FRANCE.
I WANT TO USE THE BACK FOR,
LIKE, THE SCENE.
I'M GONNA MAKE THIS
A ROMANTIC VIEW FROM THE TABLE
AT THE EIFFEL TOWER
WITH TWO WINE GLASSES
CLINKING IN THE BACK.
LOVE IS IN THE FRENCH AIR.
- I GOT TO GET GOING.
I HAVE MEXICO.
WHEN I THINK
OF A CENTERPIECE FOR A TABLE,
I'M THINKING SUGAR SKULL,
DIA DE LOS MUERTOS.
IN ORDER TO WIN THIS CHALLENGE,
I'M GONNA HAVE TO DO SOMETHING
UNIQUE TO SET MYSELF APART.
BEDAZZLED HEAD
IS ABOUT TO HAPPEN.
- LADIES AND GENTLEMEN,
AT THE SOUND OF THE BEEP,
WE WILL HAVE ONE HOUR.
BEEP.
- TODAY IS THE DAY
TO WIN THE ADVANTAGE.
THESE MINI-CHALLENGES
ARE SUPER IMPORTANT TO ME.
IF YOU'RE GIVEN AN ADVANTAGE
AS A PRIZE,
YOU USE IT IN
THE NEXT ELIMINATION CHALLENGE.
LOVE IT. LOVE IT,
LOVE IT, LOVE IT, LOVE IT.
- ALL RIGHT, HERE WE GO.
I HAVE SOUTH KOREA.
MY GRANDFATHER HAD
THESE KOREAN WEDDING DOLLS.
THEY'RE VERY, VERY PLAIN.
FOR BEING THE CENTERPIECE,
YOUR EYES WILL BE CLOSED.
- OKAY.
- I'M TAKING A HUGE RISK
BY GOING VERY SIMPLE.
- THE COUNTRY THAT I HAVE
IS BRAZIL.
WHAT I'M DOING IS USING
A COMBINATION OF THE PAINT
AND THE FOAM
TO CREATE THIS LIVE IGUANA,
LIKE IT'S ON
THE SIDE OF HIS FACE,
AND THE REST OF HIS HEAD
HAS GOT THIS, LIKE,
DENSE JUNGLE SCENERY
IN THE BACKGROUND.
- THERE'S NOT A WHOLE LOT
THAT JUST SCREAMS SWITZERLAND
THAT WOULD BE ON A TABLE.
I'M MULLING IT OVER,
AND THEN I'M THINKING
SNOW GLOBE.
I THINK IT'S BRILLIANT,
AND I GOT THIS IN THE BAG.
- UH, TEN MORE MINUTES, GUYS.
HURRY, HURRY, HURRY, HURRY.
- FIVE MINUTES.
- WHAT?
OKAY.
I'M RUNNING OUT OF TIME,
AND I REALIZE I CAN STRUGGLE
WITH THIS FLAG,
OR I CAN BUST OUT THE REST.
- DON'T OPEN YOUR EYES.
DON'T OPEN YOUR EYES.
[sighs]
THAT IS...OH.
EVERY TIME YOU OPEN YOUR EYES,
YOU'LL CRACK THE PAINT
ON YOUR EYES.
I WAS DONE, AND NOW
I HAVE TO REPAINT HIS EYELIDS
QUICKLY AND WELL.
TRY NOT TO BLINK WHEN I DO THAT.
YOU JUST KEEP THOSE EYES SHUT.
- ALL RIGHT, GET ON IT.
GET ON IT.
- OH, MY GOD.
- TIME IS UP, PAINTERS.
PLEASE PUT YOUR TOOLS DOWN.
- HOLY MACKEREL,
THAT WAS INSANE!
- JUDGES,
LET'S TAKE A CLOSER LOOK.
- OKAY.
- HELLO.
- WOW, JAMAICA.
- JAMAICA.
[reggae music]
♪ ♪
- IT TOOK ME A MINUTE TO GET IT.
IT'S A REALLY CLEVER IDEA.
- THANK YOU.
- I AM MISSING A LITTLE BIT
OF THE DETAIL ON THE BACK.
- DID YOU HAVE ENOUGH TIME?
- I SHOULD'VE HAD ENOUGH TIME.
I-I'M STARTING TO THINK
I'M NOT PAINTING FAST ENOUGH.
I WAS ALMOST THERE.
- THANKS, SEAN.
I LOVE THE SKI LIFT HERE.
- I SEE DUTCH USED SOME
GLITTER IN HIS CENTERPIECE,
SO MAYBE HE'S LEARNING
A THING OR TWO FROM ME.
- THE TRAIN ON THE FRONT...
- YEAH!
- YOU REALLY PUSHED US
BACK IN SPACE AS WE LOOK AT IT.
- HERE WE ARE,
DEEP IN THE JUNGLE OF BRAZIL.
- THAT IS AMAZING.
- OH, WOW.
OKAY, WE GOT THE WOLF
FROM, LIKE, RUSSIAN FAIRY TALES.
- I KNOW SOME--MM-HMM.
- THERE'S MORE ON THE BACK.
THE USE OF PROPS IS SO FUNNY.
- UH-HUH.
- BONJOUR.
- [laughs]
- OH, THAT'S THE PYRAMID
AT THE LOUVRE.
- SO, MOTOWN DOES INDIA.
- [laughs]
- I'M MORE CAPTIVATED
BY THIS IMAGE
THAN I AM BY THE FRONT IMAGE.
DAY OF THE DEAD, RIGHT?
- YES, UH-HUH.
- SEE, I KNOW.
- [laughs]
- SO WHAT IS ORIGINAL
ABOUT YOUR SUGAR SKULL?
- WE'VE GOT SOME PIZZAZZ.
WE'VE GOT GLITTER.
WE'VE GOT JEWELS.
I REALLY WANTED
AN EYE-CATCHING CENTERPIECE.
- IT MAKES SO MUCH SENSE
THAT YOU WOULD DO A SUGAR SKULL.
IT'S FOOD. IT'S A TABLE.
VERY SMART!
- HI, MYTHICA.
- HELLO.
- I'M STARING AT THIS,
BUT I'M ALSO STARING AT THIS.
- I GOT AN ASS-WHUPPING EARLIER,
SO I FIGURED
IF I'M GOING TO BATTLE,
I'M GONNA DRESS FOR IT.
- OKAY.
- DID YOU USE THESE FANS
AS YOUR STENCIL, MYTHICA?
- I DID.
- THAT'S VERY CLEVER,
AND...CREATIVE.
- THANK YOU.
- WHAT DO YOU GUYS THINK?
- WELL, LET'S START WITH DUTCH.
- HE NAILED THAT PERSPECTIVE...
- YEAH.
- ON THE TRAIN
AND THE SKI LIFT.
- DUTCH WAS EXQUISITE.
I'M JUST NOT SO SURE
ABOUT A SNOW GLOBE
AS THE CENTERPIECE.
- I THINK FELLE,
ON THE BACK OF THE HEAD,
KNOCKED IT OUT OF THE PARK.
YOU KNOW, I WASN'T
SO CONVINCED BY THE FRONT.
I-I DON'T THINK THAT ELEPHANT
WAS VERY STRONG.
- AND WHAT DID YOU THINK
ABOUT NICOLE'S?
- FABULOUS,
THE SUGAR SKULL IS PERFECT
FOR A DINNER TABLE SITUATION.
- THE MINUTE I WALKED IN,
MY EYE WENT,
BOOM, STRAIGHT TO HERS.
- MYTHICA SURPRISED ME
THIS TIME.
SHE HAS REALLY REDEEMED HERSELF.
- SHE USED THE FANS
AS A STENCIL.
I MEAN, THAT WAS REALLY THINKING
OUT OF THE BOX.
- SO DO YOU THINK
YOU'VE MADE YOUR DECISION?
- YEAH, I THINK SO.
- YEAH.
- PAINTERS,
THE JUDGES HAVE PICKED
THE TOP THREE CENTERPIECES:
DUTCH...
NICOLE...
MYTHICA.
- AH!
I AM IN SHOCK.
I DIDN'T THINK THAT I WAS
GONNA BE IN THE TOP THREE,
AND HERE I AM.
I'M LIKE...[gasps]
- DUTCH,
YOUR ATTENTION TO DETAIL,
IT'S NOTHING SHORT OF AMAZING.
- SAY IT AGAIN.
- [laughs]
- NICOLE, YOUR PIECE
WAS SO YUMMY
THAT I WANTED TO EAT IT.
- YES!
- MYTHICA.
MAMA, YOU CAME THROUGH.
SO PROUD OF YOU.
- THANK YOU.
- PAINTERS, IT'S TIME
FOR THE JUDGES TO PICK OUT
THE CENTERPIECE
THAT STANDS OUT THE MOST.
- I'VE GOT A VERY STRONG FEELING
THAT I'M A CANDIDATE
TO WIN THIS PARTICULAR
MINI-CHALLENGE.
- DUTCH HAS DONE
THIS AMAZING TRAIN
COMING ACROSS THE FACE,
BUT MY CENTERPIECE
BELONGS ON A TABLE
MORE THAN DUTCH'S CENTERPIECE.
- THE WINNER OF THIS CHALLENGE
IS...
- PAINTERS, IT'S TIME
FOR THE JUDGES TO PICK OUT
THE CENTERPIECE
THAT STANDS OUT THE MOST.
THE WINNER
OF THIS CHALLENGE IS...
NICOLE.
[applause]
CONGRATULATIONS.
- CONGRATULATIONS.
- WHEN I HAVE MY MEXICAN FIESTA,
IT'S YOUR PIECE THAT I WANT.
- THANK YOU GUYS SO MUCH.
I'M SO EXCITED.
- NICOLE, YOU JUST WON
A HUGE ADVANTAGE
FOR THE NEXT CHALLENGE.
- [laughing] YES!
THANK YOU GUYS SO MUCH.
WINNING OVER DUTCH,
I CAN'T BELIEVE IT.
TO BEAT SOMEONE THAT AMAZING
JUST FELT SO GOOD.
- WELL, I'M SURE YOU'RE ALL
CURIOUS TO KNOW
ABOUT THE NEXT CHALLENGE.
- YES.
- YES, DEFINITELY.
- WELL...YOU'LL HAVE TO WAIT
UNTIL TOMORROW TO FIND OUT
THE DETAILS,
BUT I CAN TELL YOU THIS.
all: AWW. BOO!
- MEAN!
- WE HAVE SOMETHING AMAZING
IN STORE FOR YOU.
- OH, COME ON.
- BYE.
THAT'S IT.
- WHAT A TEASE.
- YEAH, I KNOW.
[indistinct chatter]
- OH, MY GOD.
- I DON'T THINK THAT NICOLE
HAD THE STRONGEST PIECE
IN THAT CHALLENGE.
I THINK I SHOULD'VE
GOTTEN THE WIN ON THIS ONE.
- OH, MY GOSH, I'M SO EXCITED.
- LET'S GO GET COFFEE.
- SO THAT WAS A FUN CHALLENGE,
RIGHT, GUYS?
- YEAH.
- THAT WAS CRAZY.
- REALLY?
- THAT'S JUST THE WAY I FEEL.
- YOUR PIECE WAS,
LIKE, A-PLUS ONE SIDE,
AND C-MINUS OTHER SIDE.
- DUTCH DOES A LOT OF TALKING,
AND HE SPEAKS WITH CONFIDENCE,
AND SOMETIMES IT MAKES
OTHER PEOPLE FEEL STUPID.
- PEOPLE WERE DOING STUFF
THAT DID NOT LOOK LIKE
IT BELONGED ON A TABLE.
- THERE'S A DIFFERENCE
BETWEEN HAVING AN OPINION,
AND BEING, LIKE,
A JUST, STRAIGHT-UP [bleep].
- WOW.
- HELLO, PAINTERS.
all: HELLO.
- WE HAVE A VERY SPECIAL
GUEST JUDGE FOR THIS CHALLENGE.
SHE IS INTERNATIONALLY
RENOWNED ARTIST EMMA CAMMACK.
[all cheering]
- YAY, EMMA!
EMMA HAS BEEN AN IDOL OF MINE
SINCE I GOT INTO
BODY PAINTING,
AND I'M KIND OF STAR-STRUCK,
AND I PROBABLY HAVE A REALLY
STUPID LOOK ON MY FACE
LIKE THIS.
- REMEMBER WHEN I TOLD YOU
WE HAD SOMETHING AMAZING
IN STORE FOR YOU?
WELL, HERE WE ARE.
- [laughs] OH, THERE--
THERE YOU GO.
- THAT'S RIGHT.
SEE WHAT I DID THERE?
MM-HM.
- HUH.
- FOR YOUR FIRST CHALLENGE,
WE PUT YOU TO THE TEST
AND ASKED YOU TO MAKE
YOUR MODELS STAND OUT
AS THE CENTERPIECE
OF YOUR TABLE.
NOW IT'S TIME FOR YOU
TO DO THE COMPLETE OPPOSITE.
IN THIS CONCEPT CHALLENGE,
YOU MUST CREATE A BODY PAINTING
THAT WILL MAKE YOUR MODELS
DISAPPEAR INTO THE VERY AISLES
OF THIS SUPERMARKET.
YOU WILL HAVE FIVE HOURS
TO COMPLETE THIS CHALLENGE.
- CAMOUFLAGE AT A GROCERY STORE?
ARE YOU KIDDING ME?
IT'S GONNA BE CRAZY.
- EMMA IS THE MASTER
OF THIS BLENDING TECHNIQUE,
AND HER WORK
HAS BEEN COMMISSIONED BY
THE BRITISH ROYAL FAMILY,
ELTON JOHN, STING,
AND CIRQUE DU SOLEIL.
- I FREAK OUT,
BECAUSE EMMA'S KNOWN FOR
HER AMAZING CAMOUFLAGE PIECES.
- I'M REALLY LOOKING FORWARD
TO WHAT YOU GUYS DO TODAY,
BECAUSE IT'S GONNA BE HARD.
- THERE'S A LOT OF PRESSURE
ON ME TO WIN THIS CHALLENGE,
BECAUSE CAMO'S MY THING.
I THINK THE JUDGES EXPECT
MORE FROM ME THAN PEOPLE
WHO HAVE NEVER
CAMOUFLAGED BEFORE.
- EMMA, WHAT IS THE KEY
TO CREATING THAT ILLUSION
IN WHICH THE MODEL IS LOST
WITHIN THE IMAGE BEHIND THEM?
- IT'S REALLY ABOUT
FINDING THE FOCAL POINT
THAT THE IMAGE IS TAKEN FROM,
SO WE'LL HAVE CAMERAS
THAT WILL GIVE
THAT POINT OF VIEW,
AND THEN THE PAINTERS
WILL HAVE TO KEEP REFERRING
BACK IN CAMERA,
SO THAT THEY CAN ACTUALLY
SEE WHAT THE IMAGE ITSELF
WILL LOOK LIKE.
OTHERWISE, THEY'RE JUST NOT
GONNA VANISH.
- NICOLE, SINCE YOU
WON THE FIRST CHALLENGE,
YOU WILL HAVE FIRST CHOICE
OF YOUR BACKGROUND IN THE STORE.
- YES. YES!
- AWW!
- THIS IS MY FIRST TIME EVER
DOING A CAMOUFLAGE
BODY PAINT PIECE.
THANK GOD
THAT I GET AN ADVANTAGE.
- THE REST OF YOU
WILL CHOOSE YOUR BACKGROUNDS
WHEN I START THE CHALLENGE.
BEST OF LUCK TO ALL OF YOU.
NICOLE, YOU CAN GO IN
AND CHOOSE YOUR BACKGROUND NOW.
- YES!
I SEE THE CANDY SHELF.
DON'T SHOW ME THAT SHELF
AND NOT EXPECT ME TO PICK IT.
- THE REST OF YOU,
YOUR TIME STARTS...NOW!
GO, GO, GO, FIND YOUR SPOT!
- LORD, I DON'T WANT THAT.
- WOO-HOO!
- I'M USED TO PAINTING
AFRICAN-AMERICAN PEOPLE,
SO I'M LOOKING FOR A SPACE WHERE
I CAN USE THOSE BROWN TONES.
- HEY, FELLE,
THERE'S ONE OVER HERE.
- WHERE?
- RIGHT HERE.
- THAT'S WHERE I WANT IT.
- GET IT, GET IT!
- IT'S MONOCHROMATIC,
AND I'M TAKING A GAMBLE.
- AH!
I DON'T KNOW WHERE I'M GOING!
- I SEE THE SUPER COLORFUL
SODA BOTTLES.
THIS COULD BE FUN.
WHOO!
- ANGELA COMES OUT OF NOWHERE.
- WHOO!
- SHE NEARLY KNOCKS ME FLYING
INTO THE CHEESE.
WHERE IS ANYTHING?
I START TO PANIC,
AND I SEE CEREAL.
DA!
- EVERYONE, I THINK,
IS AT THEIR SPOTS...
- OH, YEAH.
- BUT ANGELA'S WALKING
UP AND DOWN THE AISLES.
THERE'S ONE RIGHT THERE, ANGELA,
THE WINE SECTION.
- OH, HELL, NO.
[laughter]
ARE YOU SERIOUS,
THE WINE BOTTLES?
THAT'S THE HARDEST BACKGROUND.
I FAILED.
- I'M LOOKING AT ANGELA,
SHE'S FREAKING OUT.
ANGELA, YOU WANT TO DO THIS ONE?
I'LL DO IT. I'LL DO IT.
- BUT...
- I DON'T MIND.
- AHH! [laughs]
NATALIE IS A DOLL.
AW, I LOVE YOU.
- SURE.
I LOOK AT THE WINE,
AND I'M FREAKING OUT,
BECAUSE OF ALL OF THOSE DARK,
DARK COLORS,
AND THE WHITE, WHITE HIGHLIGHTS.
I DIDN'T DO IT TO LOOK LIKE
A FREAKING HERO.
I DID IT BECAUSE I WAS LIKE,
THAT'S GONNA BE
THE HARDEST THING
I EVER HAVE TO DO.
LIZZIE!
both: HEY.
- LET'S GO DO THIS.
[laughter]
BAM, GOOD?
- LET ME SEE YOU SIT UP HERE.
NOPE, GO AHEAD AND STAND.
NOPE, STAND RIGHT IN THERE.
NOPE, OH, MY GOD.
- PUT YOUR RIGHT LEG DOWN.
LEAN FORWARD A LITTLE BIT.
OKAY, LET'S SEE.
I AM TAKING EVERY OUNCE
OF ADRENALINE THAT I GOT
OUT OF "OH, MY GOODNESS,
I ALMOST WENT HOME,"
AND I'M GONNA CONVERT THAT
INTO GO-GO JUICE,
AND I'M JUST GOING
TO RIP IT APART.
ACTUALLY, THAT WAS PRETTY COOL.
- I WANT ONE LEG HERE.
- THAT'S GONNA
BE REALLY DIFFICULT. [laughs]
- ONE OF THE CRITERIAS
WE'RE GETTING JUDGED ON
IS CREATIVITY,
AND WHEN YOU'RE CAMOUFLAGING,
THERE'S NOT A LOT OF CREATIVITY,
EXCEPT FOR YOUR POSE.
- I LOOK OVER AT NATALIE.
HER POSE IS REALLY RISKY,
BECAUSE REALIGNING HER
IS GONNA
BE REALLY, REALLY TOUGH.
HERE, AND I'M GONNA
HAVE YOU JUST LEAN.
- PERFECT, SO THAT WE DON'T
LOSE THE SPOT.
- IT'LL--IT'LL TAKE
THE LOAD OFF YOU.
AND, YEAH.
- ABSOLUTELY.
- I DECIDE NOT TO GO
WITH A GIMMICKY POSE,
SO I STAND HER VERTICAL.
- WE GOT A PAINT SPILL
ON AISLE FOUR.
CAN WE GET A CLEANUP
ON AISLE FOUR? THANK YOU.
- SO I'M THINKING, LIKE,
THE VIEWING RATIO IS GONNA
BE RIGHT ABOUT HERE.
- STRAIGHT AHEAD.
- IF YOU'RE THE OWNER
OF A BEIGE MINIVAN,
YOUR LIGHTS ARE ON.
- TURN YOUR HEAD TO THE RIGHT,
PLEASE.
WHAT WE SEE IN THIS MONITOR
IS WHERE THE CAMERA'S EYE IS.
THAT'S WHERE THE FINAL PHOTO
WILL BE TAKEN
THAT WE'RE GOING
TO BE JUDGED ON.
- GET BACK
INTO A STRAIGHTER POSE.
- THAT'S THE ONLY PERSPECTIVE
THAT REALLY MATTERS.
- TIMES LIKE THIS, I WISH
MY MODEL WERE TRANSLUCENT.
- [laughing] YEAH.
THE SPOT THAT I PICKED, IT'S
IN THE FRUITS AND VEGETABLES.
- THAT IS SO COOL.
- RIGHT? [laughs]
DO I PLAY IT SAFE?
UH, YES AND NO.
I DON'T GO BALLS-OUT CRAZY,
BECAUSE I HAVE NEVER
DONE CAMO BEFORE.
BUT I'M NOT GONNA LET ANYBODY
SEE MY FULL DECK OF CARDS.
- I REALLY WANT TO WOW SOME
PEOPLE TODAY,
'CAUSE I CAN PAINT.
WITH THE TIME BEING SUCH
A FACTOR IN THESE CHALLENGES,
I GOT TO MANAGE MY TIME.
- RIGHT THERE, OKAY.
I AM PANICKING, BECAUSE MY MODEL
IS NOT BLENDING INTO MY SHELF.
AS I LOOK OVER AT DUTCH,
I NOTICE HE'S BRINGING
HIS LINES ALL THE WAY ACROSS.
SO, I WILL TRY THE SAME THING.
AND MY MODEL
BEGINS TO BLEND IN.
THANK YOU, DUTCH.
- I'M PAINTING,
AND THEN ALL OF A SUDDEN,
MY MODEL STARTS GETTING SICK.
- NOT FEELING WELL? LET ME
GET THE MEDIC OVER HERE, OKAY?
- SHE SAYS SHE FEELS
LIKE SHE'S GONNA THROW UP.
- GUYS, I NEED A MEDIC
ON SET, PLEASE.
MEDIC, MEDIC? YOU GUYS, RUN.
SOMEONE, RUN.
- WELL, I'M STANDING.
I'M NOT SITTING.
- OH, YOU ARE?
- YEAH.
- FELLE'S MODEL
IS NOT FEELING WELL
HALFWAY THROUGH THE CHALLENGE.
I'M STARTING TO GET
REALLY WORRIED FOR HER.
- WHEN MY MODEL
STARTS GETTING SICK,
I HAVE TO LAY HER DOWN,
AND IT'S FRUSTRATING.
I WANT TO MAKE SURE SHE'S OKAY,
AND AT THE SAME TIME,
I NEED HER FOR THE CHALLENGE,
OR THIS MIGHT BE THE ONE
WHERE I'M GOING HOME.
- WE LOOK OVER AT FELLE'S MODEL,
AND HIS MODEL'S
LAYING ON THE FLOOR.
IT'S SUPER IMPORTANT TO
TAKE CARE OF YOUR MODEL DURING
A CAMOUFLAGE PAINTING,
BECAUSE THEY HAVE TO STAY
IN THE SAME POSE, AND THEY HAVE
TO STAY RELATIVELY STILL.
- YOU WANT TO MAKE
SURE THAT SHE'S OKAY,
BUT IT IS FRUSTRATING
WHILE THE CLOCK IS TICKING.
- I'D RATHER RECREATE
THE--THE SISTINE CHAPEL CEILING.
- [laughs]
- THAT'S HOW BAD--
THAT'S HOW MUCH
I DON'T LIKE THIS.
I JUST FEEL LIKE I'M ON
AUTO-PILOT RIGHT NOW.
- MY MODEL IS AMAZING.
SHE CONTINUES TO MOTIVATE ME.
I THINK THAT'S FINE.
- HOW YOU FEELING?
YOU SURE?
OKAY, YEAH.
HONESTLY, I LOST SOME TIME
FROM MY MODEL GETTING SICK.
IT'S EXTREMELY FRUSTRATING,
BUT I'M GLAD
THAT SHE'S OKAY.
YOU SURE?
YOU'RE POSITIVE?
- MM-HM.
- THE CONCEPT FOR TODAY'S
CHALLENGE IS CAMOUFLAGE.
- EMMA CAMMACK,
HOW WOULD YOU DO THIS?
- THE BIGGEST CHALLENGE
WITH DOING CAMO IS MAKING SURE
THAT LINING THINGS UP
FROM THE PERSPECTIVE
OF THE CAMERA IS SEAMLESS.
- HELLO, NATALIE.
- HI, GUYS.
all: HI.
- HOW'S YOUR MODEL FEELING
WITH THIS WHOLE,
LIKE,
SHE'S GETTING ARRESTED POSE?
- SO I DIDN'T WANT TO JUST DO...
- INDEED.
- YOU KNOW, JUST STANDING THERE.
I WANTED HER TO, LIKE--
GRABBING A BOTTLE OF WINE.
- SHE'S STILL SMILING.
- SO YOU GOT THE ADVANTAGE
OF CHOOSING WHICH SPACE.
- I DID.
- WHAT DREW YOU TO THIS?
- THE CANDY, THE COLORS.
I LOVE PINK.
AND THIS IS PROBABLY
THE ONLY ONE THAT I COULD USE
A LITTLE BIT OF GLITTER ON.
[laughs]
- WELL, TELL US ABOUT
YOUR CHOICE OF LOCATION.
- I LOVE FLOWERS, BUT I ALSO
LIKE PUSHING AND PULLING DEPTH.
- NICE.
- AND SO I WANTED THAT SENSE
OF BEING ABLE TO STICK
YOUR HAND INTO IT.
- ANGELA, HOW ARE YOU DOING?
- HI.
- SCARED [bleep].
- WHAT ARE YOU SCARED OF?
- THIS IS MY FIRST TIME
BLENDING A MODEL INTO
A THREE-DIMENSIONAL BACKGROUND,
SO I'M REALLY NERVOUS.
- DO YOU HAVE A TACTIC
YOU'RE GONNA USE
FOR PAINTING THE LETTERING?
- I'M NOT SURE.
I'M REALLY SCARED RIGHT NOW,
BECAUSE I FEEL LIKE
I'M SO BEHIND.
- HOW ARE YOU FEELING ON TIME?
- I'M REALLY,
REALLY OVERWHELMED.
- OKAY.
- I AM FREAKING OUT.
- THIS ANGLE THAT YOU'RE ON...
- YES.
- YOU'RE GONNA BE ABLE
TO MAINTAIN THIS
THROUGHOUT THE, UH, CHALLENGE?
- OH, GREAT.
GREAT. GREAT.
- YEAH. I'M ALSO USING
THE FACING RATIO OF THE CAMERA
RIGHT NOW...
- YEAH.
- TO ACTUALLY STILL GUIDE ME,
SO INSTEAD OF GETTING LOST
NOODLING IN WHAT I THINK
LOOKS GOOD FROM HERE...
- YEAH, YEAH, YEAH.
- I'M KEEPING MINDFUL OF
WHAT'S GOING ON IN THE MONITOR,
YOU KNOW WHAT I MEAN? SO...
- THAT'S--THAT'S THE KEY.
- BEAUTIFUL.
- SO, WHEN YOU POSED HER,
HAVE YOU THOUGHT ABOUT
THE CHALLENGE THAT
THE LETTERING MIGHT POSE?
- I'M NOT ACTUALLY
PAINTING THE LETTERS.
- RIGHT.
- I'M PAINTING WHAT I SEE HERE.
- OH, THAT--THAT'S GOOD.
- TELL ME HOW YOU'RE FEELING
ABOUT THE AMOUNT OF TIME
YOU HAVE LEFT.
- I AM PANICKING.
- OH, MAN.
- ARE YOU REALLY?
- YEAH, I KNOW
THAT I CAN DO THIS,
I'M JUST USED TO HAVING
AS MUCH TIME AS I NEED,
SO I'M HOPING I GET THERE.
- WELL, CARRY ON, SIR.
- THANK YOU VERY MUCH, GUYS.
- THANK YOU, SEAN.
- THANK YOU.
- THAT'S ALMOST RIGHT.
- HAS ANYBODY SEEN MY MODEL?
- [laughs] NOPE.
- SHE DISAPPEARED.
- I DON'T HAVE ANY COLORS
THAT ARE DEAD-ON.
- AH.
- I'M HAVING A HARD TIME
WITH COLORS MATCHING.
- 80%, AND THEN 20.
- OH, CRAP.
- NO, NO, A LITTLE MORE.
OKAY, STOP, GO.
- ALL RIGHT. THANK YOU.
- ALL RIGHT, YOU'RE GOOD.
YOU'RE GOOD.
YEAH, YEAH.
- THE ONE COLOR THAT I KNOW
THAT DOES MATCH ARE THOSE
YELLOW FLOWERS, SO I'M GONNA
CONNECT THESE FLOWERS HERE
TO THESE FLOWERS DOWN HERE.
OKAY, I SPENT TOO LONG THERE,
AND NOW I NEED TO HURRY UP.
- THIS IS SO HARD.
I POSE MY MODEL
IN A SUPER AMBITIOUS POSE,
BECAUSE I JUST WON
THE LAST CONCEPT CHALLENGE.
THIS ONE NEEDS TO BE
A LITTLE CLOSER TO ME.
I KNOW THAT ALL THE OTHER
ARTISTS ARE NOW LOOKING AT ME
AS A THREAT.
I'LL MAKE IT LOOK GOOD.
- ATTENTION, YOU HAVE
15 MINUTES LEFT.
- WHAT?
- [laughing] WHAT?
- I'M MOST WORRIED ABOUT
THE--THE LITTLE,
TINY DETAILS ON THE LABELS.
WINE HAS THE SMALLEST,
LIKE, "2011,"
YOU KNOW, THAT YOU'VE EVER SEEN,
SO IT CAN BE WICKED HARD, BUT...
- I LOOK OVER AT NATALIE,
AND I'M FAIRLY IMPRESSED.
SHE ACTUALLY REALLY
KNOWS HOW TO PAINT.
SHE'S DEFINITELY ON MY RADAR.
- FIVE MINUTES, EVERYBODY.
- WHAT?
- OH, MY GOD. [groans]
- LIFT YOUR WHOLE BODY
JUST A HAIR,
LIKE--YEAH.
DON'T MOVE.
- THAT LOOKS BETTER.
OKAY.
- AH, NICE, NICE, NICE, OKAY.
- ALL RIGHT, SWEET.
FOR MY FIRST TIME
DOING CAMO ON A BODY,
I THINK I DID
PRETTY GOOD ON THIS ONE.
- KNEES DOWN A BIT.
OH, MY GOD, WHY DID THAT HAPPEN?
- WHAT HAPPENED?
- ALL OF A SUDDEN, I SEE THAT
"SQUEEZE" IS SPELLED WRONG.
- PAINTERS, TIME IS UP!
PUT YOUR TOOLS DOWN.
- [exhales]
- [bleep].
- YOU CAN'T SEE ANYTHING.
- YOU CAN'T SEE ANYTHING.
I SEE EVERYTHING.
ALL I COULD DO
WAS JUST STARE AT IT.
- PAINTERS, YOU CAN
LEAVE THE SUPERMARKET,
AND WE WILL SEE YOU
AT THE ELIMINATION STAGE.
- CAN'T BELIEVE THIS HAPPENED.
I AM SO GOING HOME.
- HELLO, PAINTERS.
- HELLO.
- WHAT'S GOING ON?
- FOR THIS CONCEPT CHALLENGE,
YOU TRAVELED
TO THE SUPERMARKET
TO TEST YOUR ABILITY
TO CAMOUFLAGE YOUR MODEL.
FOR THIS CHALLENGE,
YOU'RE BEING JUDGED
ON THE FOLLOWING CRITERIA:
CAMOUFLAGE AND BLENDING ABILITY,
CREATIVITY AND DESIGN CONCEPT,
TECHNIQUE, AND EXECUTION
OF THE CHALLENGE.
NOW, LET'S WELCOME BACK
OUR ESTEEMED JUDGES:
CRAIG TRACY, ROBIN SLONINA,
AND RUPAUL CHARLES.
- WORD UP!
- HEY, RU.
- WHAT UP, RU?
- AND OUR VERY SPECIAL
GUEST JUDGE,
THE FABULOUS EMMA CAMMACK.
- HI, EVERYONE.
NICE TO MEET YOU.
[all cheering]
- WE'RE GONNA LOOK AT
ALL OF YOUR FINAL PICTURES.
PAINTERS, WILL YOU PLEASE
STEP TO THE SIDE?
OKAY, NICOLE.
- I FEEL LIKE YOU REALLY
CHALLENGED YOURSELF.
THIS WAS A TECHNICAL MONSTER.
SO MUCH DETAIL IN THOSE JARS,
AND I WAS PLEASANTLY SURPRISED.
- NICOLE, I WAS REALLY STUNNED.
I MEAN, YOU AMAZED ME.
YOU'VE GOT
SORT OF LITTLE BLURS THERE,
WHICH IS A CLEVER CONCEIT
TO USE,
BUT DOESN'T QUITE WORK WHEN
YOU BLOW IT UP AS A HUGE IMAGE.
OVERALL, I MEAN, I THINK
THIS IS A REALLY VALIANT EFFORT.
- THANK YOU SO MUCH.
- GEAR?
- [laughs]
- OKAY, GEAR, I THINK
YOU'VE DONE AN EXCELLENT JOB,
BUT YOU UNDOUBTEDLY HAVE
THE EASIEST BACKGROUND
OF ALL OF THEM.
IT'S THE SAFE CHOICE FOR ME,
AND IF YOU LOOK,
YOU'VE GOT THIS SHADOW LINE
THAT YOU CANNOT LOSE.
IF YOU'D BURIED HER
IN THE FRUIT,
THE SHADOW LINE WOULD BE LOST,
AND THE CONCEIT OF HER VANISHING
INTO THE BACKGROUND
WOULD BE SO MUCH MORE EFFECTIVE.
- GOT YOU. OKAY.
- BUT OVERALL,
I MEAN, YOU KICKED IT.
- I THINK THIS IS
ABSOLUTELY GORGEOUS.
YOU CLEARLY UTILIZED THE MONITOR
TO MATCH THOSE COLORS UP.
- I WAS ALMOST PAINTING
LIKE THIS THE ENTIRE TIME,
LOOKING AT THE MONITOR.
- IT SHOWS.
IT REALLY SHOWS.
I WANTED TO SQUEEZE HER LEMONS.
[laughter]
- THANK YOU, GEAR.
- THANK YOU.
- NATALIE.
- I MEAN, YOU CAN SEE
THE CHALLENGE
THAT WENT INTO THI--I MEAN,
YOU REALLY PICKED A TOUGH SPOT.
I MEAN, IT'S NOT PERFECT.
IT'S A LITTLE BIT WONKY,
BUT IT IS A VERY GOOD ATTEMPT.
- YOU KNOW, WHEN YOU LOOK
AT THIS AS AN IMAGE,
I CAN'T ACTUALLY SEE WHETHER
SHE HAS HER LEG UP OR NOT...
- RIGHT.
- AND THAT IS REALLY WHAT
THIS KIND OF PAINTING
IS ALL ABOUT.
IT'S A TRICK OF THE EYE.
- THIS IS NOT
A REALLY GOOD PAINTING.
THIS IS A GREAT PAINTING.
THIS IS EVERYTHING
THAT I WANT TO SEE.
- THANK YOU SO MUCH.
- ANGELA?
- HAVE YOU EVER
DONE THIS BEFORE?
SO THIS IS YOUR FIRST TIME.
WERE YOU NERVOUS?
- VERY, I'M--MY HEART'S
STILL RACING RIGHT NOW.
I'M SO NERVOUS, YES.
EVERYTHING THAT COULD'VE
WENT WRONG, WENT WRONG.
- WHAT WENT WRONG?
- WELL, AS YOU CAN SEE,
"SQUEEZE" IS SPELLED WRONG.
YOU KNOW, I'VE BEEN
IN SPECIAL ED ALL MY LIFE.
LITERALLY--I'M SORRY,
I'M NOT TRYING TO CRY,
BUT I FEEL LIKE I'M BACK
IN SPECIAL ED,
STARING AT A WORD,
JUST THINKING,
"HOW DO YOU SPELL THIS,
HOW DO YOU SPELL THIS?"
AND I STARE AT THAT,
I'M LIKE, DARN.
I WAS MOSTLY NERVOUS,
BECAUSE I'M LIKE,
I DON'T WANT TO GET MADE FUN OF.
- WELL, I GOT TO TELL YA,
YOU SQUEEZED THE "U"
RIGHT OUT OF THAT SODA.
[laughter]
- I KNOW, RIGHT?
- WELL, I CAN TELL YOU, ANGELA,
THAT NOBODY
WAS MAKING FUN OF YOU...
- OKAY.
- BECAUSE WE WERE VERY IMPRESSED
WITH YOUR TECHNIQUE.
YOU REALLY HAD
JUST THE RIGHT AMOUNT
OF--OF AIRBRUSH,
AND HIGHLIGHTS.
- I DO THINK THAT THERE
WAS AN ISSUE WITH THE WHITE.
YOU'VE GOT TO FIGURE OUT
HOW TO GET YOUR WHITES WHITE,
AND THAT'S GONNA REALLY
HELP YOU IN THE FUTURE.
- MY SPELLING'S ATROCIOUS...
- OKAY, OKAY. OKAY.
- ABSOLUTELY TERRIBLE.
BUT THE--THE ONE THING THAT IS
REALLY VITAL IS THE LOGO.
IF WE DID THIS
FOR A COMMERCIAL SHOOT,
IT WOULD BE UNUSABLE.
WHEN I'M DOING STUFF LIKE LOGOS,
I'M NOT THINKING OF IT
AS A WORD.
I'M LOOKING AT IT AS AN IMAGE,
AND I'M COPYING THE IMAGE.
THINK ABOUT IT THAT WAY,
AND THAT MIGHT REALLY HELP YOU.
- OKAY.
- THANK YOU, ANGELA.
- THANK YOU GUYS SO MUCH.
I CAN'T BE ANY MORE OPEN
THAN I AM NOW,
AND FOR ONCE,
I DIDN'T GET, LIKE,
SOMEONE POINTING FINGERS AT ME
AND LAUGHING, FOR ONCE.
THANK YOU.
- FELLE, YOU'RE UP.
- YES, THANKS.
- I'VE GOT TO SAY,
I--I DO LOVE THIS PIECE.
IN FACT, I WANT A LITTLE PIECE
OF JAM AND SOME BUTTER.
SHE LOOKS REAL GOOD.
I'M JUST CURIOUS THAT
YOU DIDN'T PUT ANY OTHER COLOR
IN THERE, BECAUSE I CAN SEE
THERE ARE DONUTS TO THE SIDE
OVER THERE, BUT UM, LOVELY.
- I THINK YOU'VE
PULLED IT TOGETHER,
BUT YOU CHOSE
TO FRAME YOUR MODEL LIKE
SHE'S CUT OFF AT THE KNEE.
THIS WAS
A HEAD-TO-TOE CHALLENGE,
AND I WAS WONDERING WHY
YOU'D CHOSEN TO DO THAT.
- THE CAMERA ANGLE
IN THE MONITOR WAS CUT OFF
AT HER KNEES, SO I'M THINKING,
THIS IS MY FRAME.
- BUT SURELY IF YOU KNOW THAT
IT'S A HEAD-TO-TOE CHALLENGE,
YOU NEED TO MAKE SURE
YOUR MODEL IS POSED,
FROM HEAD-TO-TOE,
WITHIN THAT FRAME.
- SEAN.
- THIS MAKES ME SMILE.
SHE HAS JUST HER THUMB PAINTED,
WRAPPED AROUND THE CEREAL BOWL.
THOSE ARE SOME NICE,
CREATIVE DETAILS.
- AW, THANK YOU.
- WHY WEREN'T YOU MORE
CONSCIOUS OF HER HAIR?
LIKE, TUCKING HER HAIR IN?
- I HAD PLANNED ON THAT.
[laughs]
- AND YOU RAN OUT OF TIME?
- THAT WAS ON MY--MY TASK LIST.
- I FEEL LIKE YOU'VE
POSSIBLY HAD A KIND OF
CRISIS OF CONFIDENCE,
AND TIME MANAGEMENT ISSUES,
AND STUFF LIKE THAT.
THE BEEHIVE, WE LOSE
THE BITS OF DETAIL WHEN IT COMES
AROUND HER THIGHS,
AND IT'S JUST NOT QUITE THERE.
- THIS IS NOT
MY KIND OF PAINTING,
ESPECIALLY IN THIS TIME FRAME.
THAT'S THE BEST I COULD DO
UNDER THESE CIRCUMSTANCES.
- IF YOU CAN'T WORK
WITHIN THE TIME FRAME
THAT YOU WERE GIVEN, IT DOESN'T
WORK IN THE COMPETITION.
- IT'S JUST NOT QUITE THERE.
- THIS IS NOT
MY KIND OF PAINTING.
THAT'S THE BEST I COULD DO
IN THIS TIME FRAME.
- IF YOU CAN'T WORK
WITHIN THE TIME FRAME
THAT YOU WERE GIVEN, IT DOESN'T
WORK IN THE COMPETITION.
- DUTCH.
- DUTCH, YOU HIT THE NAIL
ON THE HEAD
AS FAR AS THE CHALLENGE GOES.
I MEAN, YOU DID DISAPPEAR YOUR
MODEL INTO THAT BACKGROUND,
BUT YOU ALSO HAD
ONE OF THE MOST STATIC,
YOU KNOW, "BORING" POSES.
- I GET THE FEELING THAT
SOMETIMES PEOPLE SORT OF,
YOU KNOW, "OH, IT'S DUTCH, SO
YOU KNOW HE'S GONNA, YOU KNOW."
- WHY DO YOU THINK PEOPLE ASSUME
THAT YOU'RE GONNA ACE STUFF?
- UH, IT JUST--
I GUESS BY REPUTATION.
- I'M SUPER FRUSTRATED
WITH DUTCH'S ARROGANCE.
I AM SO OVER IT.
- DUTCH, THE THINGS THAT
YOU'RE DOING ARE EXCEPTIONAL,
BUT I WOULD LOVE IT
IF SHE WERE HOLDING A CAN.
APPLYING CREATIVITY
GOES A LONG WAY.
- OKAY, THANK YOU VERY MUCH.
- SHANNON?
- SHANNON, DARLING, YOUR FRUITS
AND VEGETABLES LOOK DELICIOUS.
- THANK YOU.
- THE DETAIL ON THAT LETTUCE?
IT'S--IT'S GOOD ENOUGH TO EAT.
- THE TROUBLE IS, FOR ME,
IS THAT I SEE YOUR MODEL.
BUT I LOVE, I LOVE HOW
YOU'VE PAINTED THE DETAIL
OF THE FRUITS
AND THE VEGETABLES.
- THANK YOU.
- MYTHICA.
- I THINK YOU DID A--
ACTUALLY A REALLY GOOD JOB
IN THE COLOR MATCHING.
IT WAS A VERY PLEASANT PIECE.
- THERE'S GREAT STRENGTHS
TO YOUR IMAGE,
AND THERE'S SOME WEAKNESSES
TO YOUR IMAGE,
BUT IF YOU MIXED UP
SOME OF THE YELLOW BUNCHES
FOR ANOTHER BRIGHT COLOR,
WE WOULDN'T HAVE
THIS YELLOW LINE
GOING UP THE BODY,
WHICH LOSES THE CONCEIT
FOR ME, SLIGHTLY.
- I MOVED AROUND A LOT OF
THE FLOWERS TO TRY AND--AND DO
EXACTLY WHAT YOU'RE TALKING
ABOUT, AND BY THAT TIME,
I WAS 45 MINUTES
INTO THE CHALLENGE,
AND I WAS LIKE,
I CAN'T DO THIS ANYMORE.
- I DON'T WANT TO HEAR THAT.
- YEAH.
- I FEEL YOU CAN DO BETTER.
DON'T GET CAUGHT UP
IN YOUR HEAD
IN ANY KIND OF EXCUSE.
- THANK YOU, MYTHICA.
PAINTERS, THE JUDGES
HAVE A DIFFICULT DECISION
ON THEIR HANDS,
AND A LOT TO DISCUSS.
PLEASE HEAD BACK
TO THE PAINTERS' LOUNGE.
- THAT WAS
AN INCREDIBLE CHALLENGE.
- THAT WAS REALLY HARD.
MY CURRENT LIVING SITUATION IS
I'M SLEEPING ON A DAYBED
IN A LAUNDRY ROOM.
I DON'T WANT TO GO HOME.
- WHO DO YOU THINK WERE
THE TOP PAINTERS TODAY?
- FOR ME, IT WAS NATALIE.
- SHE GAVE HERSELF THIS POSE
THAT WAS JUST AMAZING.
- THERE WAS THIS
SORT OF WARPED FEELING
IN THE MID-BACK AREA
OF THE MODEL.
IT FELT REALLY OFF.
- DUTCH IS AN AMAZING PAINTER,
AND HE KNOWS IT.
HE'S COCKY FOR A REASON.
- SHE DISAPPEARED
INTO THOSE CANS.
- YEAH.
- I WOULD BE FOOLED,
AND I THINK IT'S BEAUTIFUL.
- TO ME, HIM PICKING THAT
STATIC POSE WAS KIND OF LAZY.
HE'S GOT TO PUMP UP
HIS CREATIVITY.
- AND THEN GEAR?
- GEAR WAS AMAZING.
- I WAS EXPECTING VERTICAL,
AND HE GAVE ME HORIZONTAL.
- HE DID HORIZONTAL.
HE WAS THE ONLY ONE
THAT DID HORIZONTAL.
- BUT I DO SLIGHTLY FEEL LIKE
HE PLAYED IT SAFE.
- IT IS THE EASIEST CHOICE.
- IT IS.
- BUT I KIND OF FEEL LIKE
IT'S THE SMARTEST CHOICE.
- AND WHO WHERE THE PAINTERS
WHO DIDN'T DO SO WELL TODAY?
- SEAN DIDN'T
DO VERY WELL TODAY.
- HE LEFT ALL THAT BLACK HAIR.
- THE HAIR!
- IT WAS LIKE THE HEAD
HAD A BIG BLACK OUTLINE.
- THAT'S SO IMPORTANT!
- MM-HM.
- YOU CAN'T MISS IT.
- NOW, ANGELA'S PIECE...
IF WE WERE BEING
ANGELA'S CLIENT,
I WOULD HAVING TO BE FIRING HER,
BECAUSE OF THE FACT THAT
SHE MISSPELLED THE WORD.
- YOU'RE RIGHT, IF SHE KNOWS
THAT SHE HAS A PROBLEM
WITH SPELLING, MAKE UP FOR IT
BEFORE YOU START THE PROJECT.
- YES.
- MYTHICA'S PAINTING WAS MESSY.
- I WAS LOOKING
AT A LACK OF SHARPNESS
IN HER WORK.
- IT WAS--IT WAS "MESS-ICA."
- [laughs]
- GUYS, HAVE YOU MADE
YOUR DECISION?
- YEP.
- I THINK SO.
- LET'S BRING THEM OUT.
WELCOME BACK, PAINTERS.
EVEN THOUGH ALL OF YOU
DID GREAT WORK,
ONLY ONE OF YOU
CAN BE THE WINNER,
AND ONE OF YOU
WILL BE GOING HOME TONIGHT.
FELLE, SHANNON, AND NICOLE...
CONGRATULATIONS,
YOU ARE SAFE.
YOU CAN HEAD BACK
TO THE PAINTERS' LOUNGE.
GEAR, NATALIE,
DUTCH...
CONGRATULATIONS.
YOU ARE THE TOP THREE.
ONE OF YOU WILL BE THE WINNER.
NATALIE...
YOU ARE THE WINNER
OF THIS CHALLENGE.
- YEAH!
[applause]
- [sighs]
- WHOO!
- YOU MASTERED BOTH THE CREATIVE
AND THE TECHNICAL ASPECT
OF THE CHALLENGE.
THE JUDGES WERE SO IMPRESSED
WITH YOU.
- THANK YOU SO MUCH.
- YEAH.
- YOU CAN ALL HEAD BACK
TO THE LOUNGE.
- THANK YOU!
[applause]
- IT FEELS SO GOOD
TO BEAT THE BOYS,
SO GOOD, 'CAUSE CAMO'S HARD,
AND THEY KNOW IT.
- YEAH, GET IT, GIRL,
GET IT, GIRL. GET IT, GIRL.
- [laughing] YEAH.
- I CAN SEE THE VEINS
POPPING OUT OF HIS BIG ARMS.
- MYTHICA, ANGELA,
SEAN...
ONE OF YOU
WILL BE GOING HOME TONIGHT.
- I JUST SERIOUSLY DON'T WANT
TO GO HOME RIGHT NOW.
- MYTHICA, ANGELA,
SEAN...
ONE OF YOU
WILL BE GOING HOME TONIGHT.
MYTHICA...
WHILE THE JUDGES
SAW SOME GLIMMERS OF HOPE
THIS WEEK, OVERALL,
WE STILL FEEL
YOUR PAINTING FELL FLAT.
NO MORE EXCUSES.
MYTHICA...
YOU ARE SAFE.
- THANK YOU.
- YOU CAN JOIN THE OTHERS
IN THE LOUNGE.
- THANK YOU.
I AM NOT GONNA WIN $100,000
IF I KEEP DOING WHAT I'M DOING.
- CONGRATULATIONS.
- I'VE GOT TO STAY ON TOP NOW,
OR...I'M--I'M GOING HOME.
[exhales]
- SEAN...
IT'S OBVIOUS
THAT TIME MANAGEMENT
BECAME AN ISSUE FOR YOU.
EVERYONE HAS
THE SAME AMOUNT OF TIME,
AND THERE'S NO EXCUSE
FOR THE LACK OF DETAILS
ON YOUR PAINTING.
AND ANGELA...
IF YOU TURNED IN THIS WORK
TO A CLIENT, YOU WOULD BE FIRED.
SEAN...
YOUR JOURNEY ENDS HERE.
- IT'S OKAY.
- IT'S NOT
A GOOD PERSON CONTEST.
[laughs]
- ANGELA...
YOU CAN GO BACK TO THE LOUNGE.
- [laughs]
[exhales]
- I HONESTLY THOUGHT
THAT I WAS GOING HOME,
BUT WHEN IT GETS TOUGH,
YOU JUST HAVE TO TOUGH IT UP
AND JUST KEEP GOING.
[exhales]
- ANGELA.
- YOU'RE STILL WITH US.
- I AM SO GRATEFUL
FOR THIS OPPORTUNITY.
THANK YOU FOR BRINGING ME HERE.
- SEAN, WE KNOW THAT
THERE'S A LOT MORE GREAT WORK
AHEAD OF YOU.
- SEAN...
IT'S TIME
TO WASH OFF YOUR CANVAS.
- AW.
- GOOD-BYE, AND GOOD LUCK.
- THANK YOU, EVERYBODY,
ONCE AGAIN.
THANK YOU SO MUCH.
- THANK YOU.
- I AM PRETTY DISAPPOINTED.
IN THE INDUSTRY,
I'M CONSIDERED
ONE OF THE BIG PLAYERS.
I DON'T THINK ANYBODY THOUGHT
THAT I'D BE THE SECOND ONE OFF.
YOU KNOW, SOMETIMES
I'M A SELF-SABOTAGER,
AND I THINK I'VE BEEN AFRAID
TO VALUE WHAT I DO.
ARTISTS NEED TO BE ABLE TO
CHECK THAT AT THE DOOR.
I JUST REALLY WANTED
TO DO A GOOD JOB,
JUST WANTED TO BE ABLE TO...
SHOW THE WORLD WHAT I GOT.
- NEXT TIME, ON SKIN WARS...
TODAY, IT'S ALL ABOUT TEAMWORK.
- THERE'S A LITTLE BIT
OF A POWER STRUGGLE
BETWEEN FELLE AND I.
- NOW IS NOT THE TIME TO LEARN.
- NOW IS THE TIME TO LEARN.
- NOT IN A $100,000 CHALLENGE.
- OKAY, FELLE, OKAY.
- YOU NEED TO REALLY
GO TO SLEEP,
AND THINK ABOUT YOUR CONCEPT.
- I'VE HAD ENOUGH.
- DON'T LET YOUR EMOTIONS GET
YOU SENT HOME.
- FASHION DESIGNER
CARSON KRESSLEY.
- I FEEL SO OVERDRESSED.
- THIS JUST DIDN'T CUT IT.
- YOU WERE A BIT
OUT OF YOUR ELEMENT.
- THE BOTTOM DOWN
LOOKS REALLY MESSY TO ME.
- IT'S TIME
TO WASH OFF YOUR CANVAS.