Saturday Night Live (1975–…): Season 3, Episode 5 - Ray Charles - full transcript
The host and musical guest for the episode is Ray Charles. The skits for this episode are as follows: The Godfather discusses with Tom Hagen the effects of letting NBC do a series about their life, and whether they should allow th...
THE ENTIRE THING ON
CASSETTE IN THE PHILIPPINES.
THEY DID A LOT OF WORK ON THEM.
CASSETTE IN THE PHILIPPINES.
THEY DID A LOT OF WORK ON THEM.
THEY SPENT A COUPLE MILLION
THEY DID A LOT OF WORK ON THEM.
THEY SPENT A COUPLE MILLION
DOLLARS.
THEY SPENT A COUPLE MILLION
DOLLARS.
NOW, IT'S TRUE, THEY SHOWED THE
DOLLARS.
NOW, IT'S TRUE, THEY SHOWED THE
BAD SIDE OF THE FAMILY.
NOW, IT'S TRUE, THEY SHOWED THE
BAD SIDE OF THE FAMILY.
BUT YOU CAME OFF LOOKING REALLY
BAD SIDE OF THE FAMILY.
BUT YOU CAME OFF LOOKING REALLY
WELL TONIGHT.
BUT YOU CAME OFF LOOKING REALLY
WELL TONIGHT.
I DON'T KNOW.
WELL TONIGHT.
I DON'T KNOW.
YOU KNOW, IF WHAT THEY SAY IS
I DON'T KNOW.
YOU KNOW, IF WHAT THEY SAY IS
TRUE, THE CAMERA REALLY DOES PUT
YOU KNOW, IF WHAT THEY SAY IS
TRUE, THE CAMERA REALLY DOES PUT
ON 10 POUNDS, YOU KNOW?
TRUE, THE CAMERA REALLY DOES PUT
ON 10 POUNDS, YOU KNOW?
I DON'T LIKE THE WAY WE WERE
ON 10 POUNDS, YOU KNOW?
I DON'T LIKE THE WAY WE WERE
PORTRAYED, YOU KNOW?
I DON'T LIKE THE WAY WE WERE
PORTRAYED, YOU KNOW?
MOVIES ARE ONE THING, BUT...
PORTRAYED, YOU KNOW?
MOVIES ARE ONE THING, BUT...
THERE'S TOO MUCH VIOLENCE ON
MOVIES ARE ONE THING, BUT...
THERE'S TOO MUCH VIOLENCE ON
TELEVISION.
THERE'S TOO MUCH VIOLENCE ON
TELEVISION.
OH, IT'S A DIRTY BUSINESS.
TELEVISION.
OH, IT'S A DIRTY BUSINESS.
I WANT NO PART OF IT.
OH, IT'S A DIRTY BUSINESS.
I WANT NO PART OF IT.
NO MORE "GODFATHER" ON
I WANT NO PART OF IT.
NO MORE "GODFATHER" ON
TELEVISION!
NO MORE "GODFATHER" ON
TELEVISION!
THAT'S GONNA BE VERY HARD TO
TELEVISION!
THAT'S GONNA BE VERY HARD TO
DO.
THAT'S GONNA BE VERY HARD TO
DO.
THE NIELSEN RATINGS WERE AWFULLY
DO.
THE NIELSEN RATINGS WERE AWFULLY
HIGH.
THE NIELSEN RATINGS WERE AWFULLY
HIGH.
IT'S GONNA BE DIFFICULT TO GET
HIGH.
IT'S GONNA BE DIFFICULT TO GET
THEM TO CANCEL PARTS TWO, THREE,
IT'S GONNA BE DIFFICULT TO GET
THEM TO CANCEL PARTS TWO, THREE,
AND FOUR.
THEM TO CANCEL PARTS TWO, THREE,
AND FOUR.
IN FACT, THEY HAVE PLANS TO DO
AND FOUR.
IN FACT, THEY HAVE PLANS TO DO
EVEN MORE.
IN FACT, THEY HAVE PLANS TO DO
EVEN MORE.
WHAT PLANS?
EVEN MORE.
WHAT PLANS?
WELL, THEY'VE ALREADY STARTED
WHAT PLANS?
WELL, THEY'VE ALREADY STARTED
DEVELOPING TWO NEW SHOWS...
WELL, THEY'VE ALREADY STARTED
DEVELOPING TWO NEW SHOWS...
"GODFATHER KNOWS BEST" AND
DEVELOPING TWO NEW SHOWS...
"GODFATHER KNOWS BEST" AND
ANOTHER THING CALLED "THE
"GODFATHER KNOWS BEST" AND
ANOTHER THING CALLED "THE
COURTSHIP OF EDDIE'S GODFATHER."
ANOTHER THING CALLED "THE
COURTSHIP OF EDDIE'S GODFATHER."
HOW CAN NBC TREAT ME WITH
COURTSHIP OF EDDIE'S GODFATHER."
HOW CAN NBC TREAT ME WITH
SUCH DISRESPECT?
HOW CAN NBC TREAT ME WITH
SUCH DISRESPECT?
["THE GODFATHER" THEME PLAYS]
SUCH DISRESPECT?
["THE GODFATHER" THEME PLAYS]
AFTER ALL I'VE DONE FOR THEM.
["THE GODFATHER" THEME PLAYS]
AFTER ALL I'VE DONE FOR THEM.
WHEN THEY WANTED DEAN MARTIN TO
AFTER ALL I'VE DONE FOR THEM.
WHEN THEY WANTED DEAN MARTIN TO
STAR IN A SERIES, WHO GOT HIM
WHEN THEY WANTED DEAN MARTIN TO
STAR IN A SERIES, WHO GOT HIM
FOR THEM?
STAR IN A SERIES, WHO GOT HIM
FOR THEM?
I DID.
FOR THEM?
I DID.
AH, BUT LET'S FACE IT.
I DID.
AH, BUT LET'S FACE IT.
THEY NEVER WANTED MY FRIENDSHIP.
AH, BUT LET'S FACE IT.
THEY NEVER WANTED MY FRIENDSHIP.
IT'S OKAY. I UNDERSTAND.
THEY NEVER WANTED MY FRIENDSHIP.
IT'S OKAY. I UNDERSTAND.
BUT NOW THIS?
IT'S OKAY. I UNDERSTAND.
BUT NOW THIS?
HOW CAN THEY DO THIS TO ME?
BUT NOW THIS?
HOW CAN THEY DO THIS TO ME?
WE MADE NO CONTRACT.
HOW CAN THEY DO THIS TO ME?
WE MADE NO CONTRACT.
THEY DIDN'T HAVE TO HAVE A
WE MADE NO CONTRACT.
THEY DIDN'T HAVE TO HAVE A
CONTRACT.
THEY DIDN'T HAVE TO HAVE A
CONTRACT.
WE HAVE NO LEGAL RECOURSE.
CONTRACT.
WE HAVE NO LEGAL RECOURSE.
AH, LEGAL RECOURSE.
WE HAVE NO LEGAL RECOURSE.
AH, LEGAL RECOURSE.
LEGAL RECOURSE.
AH, LEGAL RECOURSE.
LEGAL RECOURSE.
WE'LL GO TO THE MATTRESSES!
LEGAL RECOURSE.
WE'LL GO TO THE MATTRESSES!
WHAT DO YOU SUGGEST WE DO,
WE'LL GO TO THE MATTRESSES!
WHAT DO YOU SUGGEST WE DO,
GODFATHER, MAKE THEM AN OFFER
WHAT DO YOU SUGGEST WE DO,
GODFATHER, MAKE THEM AN OFFER
THEY CAN'T PASS BY?
GODFATHER, MAKE THEM AN OFFER
THEY CAN'T PASS BY?
MM. SOMETHING LIKE THAT.
THEY CAN'T PASS BY?
MM. SOMETHING LIKE THAT.
LET'S SEE.
MM. SOMETHING LIKE THAT.
LET'S SEE.
WE MOVE HARD AND FAST.
LET'S SEE.
WE MOVE HARD AND FAST.
TOM, YOU GO TO NBC IN HOLLYWOOD.
WE MOVE HARD AND FAST.
TOM, YOU GO TO NBC IN HOLLYWOOD.
TAKE CLEMENZA WITH YOU.
TOM, YOU GO TO NBC IN HOLLYWOOD.
TAKE CLEMENZA WITH YOU.
I WANT GRIZZLY ADAMS TO WAKE UP
TAKE CLEMENZA WITH YOU.
I WANT GRIZZLY ADAMS TO WAKE UP
WITH A BEAR'S HEAD ON HIS
I WANT GRIZZLY ADAMS TO WAKE UP
WITH A BEAR'S HEAD ON HIS
PILLOW.
WITH A BEAR'S HEAD ON HIS
PILLOW.
THAT'LL TAKE CARE OF IT.
PILLOW.
THAT'LL TAKE CARE OF IT.
OKAY.
THAT'LL TAKE CARE OF IT.
OKAY.
HOW ABOUT HITTING
OKAY.
HOW ABOUT HITTING
"SATURDAY NIGHT LIVE"?
HOW ABOUT HITTING
"SATURDAY NIGHT LIVE"?
NO.
"SATURDAY NIGHT LIVE"?
NO.
MY GRANDCHILDREN LOVE THE SHOW.
NO.
MY GRANDCHILDREN LOVE THE SHOW.
IT MAKES THEM LAUGH.
MY GRANDCHILDREN LOVE THE SHOW.
IT MAKES THEM LAUGH.
AND THERE'S NOT ENOUGH GOOD
IT MAKES THEM LAUGH.
AND THERE'S NOT ENOUGH GOOD
SATIRE ON TV THESE DAYS.
AND THERE'S NOT ENOUGH GOOD
SATIRE ON TV THESE DAYS.
BESIDES, I LOVE IT WHEN THEY
SATIRE ON TV THESE DAYS.
BESIDES, I LOVE IT WHEN THEY
SAY, "LIVE FROM NEW YORK, IT'S
BESIDES, I LOVE IT WHEN THEY
SAY, "LIVE FROM NEW YORK, IT'S
SATURDAY NIGHT!"
SAY, "LIVE FROM NEW YORK, IT'S
SATURDAY NIGHT!"
[BAND PLAYS]
SATURDAY NIGHT!"
[BAND PLAYS]
Announcer: IT'S "SATURDAY
[BAND PLAYS]
Announcer: IT'S "SATURDAY
NIGHT LIVE."
Announcer: IT'S "SATURDAY
NIGHT LIVE."
STARRING RAY CHARLES...
WITH A SPECIAL GUEST...
LADIES AND GENTLEMEN,
RAY CHARLES.
[CHEERS AND APPLAUSE]
RAY CHARLES.
[CHEERS AND APPLAUSE]
OH, THANK YOU.
[CHEERS AND APPLAUSE]
OH, THANK YOU.
THANK YOU VERY MUCH.
OH, THANK YOU.
THANK YOU VERY MUCH.
THANK YOU VERY MUCH, LADIES AND
THANK YOU VERY MUCH.
THANK YOU VERY MUCH, LADIES AND
GENTLEMEN.
THANK YOU VERY MUCH, LADIES AND
GENTLEMEN.
I WANT TO SAY THAT WHEN THE
GENTLEMEN.
I WANT TO SAY THAT WHEN THE
PEOPLE FROM "SATURDAY NIGHT"
I WANT TO SAY THAT WHEN THE
PEOPLE FROM "SATURDAY NIGHT"
FIRST ASKED ME TO HOST THIS
PEOPLE FROM "SATURDAY NIGHT"
FIRST ASKED ME TO HOST THIS
SHOW, OF COURSE I SAID
FIRST ASKED ME TO HOST THIS
SHOW, OF COURSE I SAID
"ABSOLUTELY NOT."
SHOW, OF COURSE I SAID
"ABSOLUTELY NOT."
I KNEW THE SHOW WAS TASTELESS
"ABSOLUTELY NOT."
I KNEW THE SHOW WAS TASTELESS
AND OFFENSIVE, AND THERE WAS NO
I KNEW THE SHOW WAS TASTELESS
AND OFFENSIVE, AND THERE WAS NO
WAY I WAS GONNA LET 30 YEARS OF
AND OFFENSIVE, AND THERE WAS NO
WAY I WAS GONNA LET 30 YEARS OF
A CAREER GO DOWN THE DRAIN.
WAY I WAS GONNA LET 30 YEARS OF
A CAREER GO DOWN THE DRAIN.
I MIGHT BE BLIND, BUT I'M
A CAREER GO DOWN THE DRAIN.
I MIGHT BE BLIND, BUT I'M
CERTAINLY NOT STUPID.
I MIGHT BE BLIND, BUT I'M
CERTAINLY NOT STUPID.
BUT THEY KEPT ON ASKING ME.
CERTAINLY NOT STUPID.
BUT THEY KEPT ON ASKING ME.
AND THE PRODUCER WAS SAYING,
BUT THEY KEPT ON ASKING ME.
AND THE PRODUCER WAS SAYING,
"HEY, RAY, WE GONNA MAKE YOU
AND THE PRODUCER WAS SAYING,
"HEY, RAY, WE GONNA MAKE YOU
LOOK GOOD."
"HEY, RAY, WE GONNA MAKE YOU
LOOK GOOD."
BUT, YOU SEE, I WAS WORRIED MORE
LOOK GOOD."
BUT, YOU SEE, I WAS WORRIED MORE
ABOUT THE SOUND.
BUT, YOU SEE, I WAS WORRIED MORE
ABOUT THE SOUND.
SO, EVENTUALLY, I SAID, "LISTEN,
ABOUT THE SOUND.
SO, EVENTUALLY, I SAID, "LISTEN,
I'LL TELL YOU WHAT.
SO, EVENTUALLY, I SAID, "LISTEN,
I'LL TELL YOU WHAT.
I'LL DO THE SHOW, BUT THERE MUST
I'LL TELL YOU WHAT.
I'LL DO THE SHOW, BUT THERE MUST
BE SOME PARTICULAR CONDITIONS IN
I'LL DO THE SHOW, BUT THERE MUST
BE SOME PARTICULAR CONDITIONS IN
ORDER FOR ME TO DO IT.
BE SOME PARTICULAR CONDITIONS IN
ORDER FOR ME TO DO IT.
FOR INSTANCE I'VE GOT TO HAVE MY
ORDER FOR ME TO DO IT.
FOR INSTANCE I'VE GOT TO HAVE MY
OWN MUSICIANS.
FOR INSTANCE I'VE GOT TO HAVE MY
OWN MUSICIANS.
I WANT THE RAYLETTES."
OWN MUSICIANS.
I WANT THE RAYLETTES."
AND THEY SAID OKAY.
I WANT THE RAYLETTES."
AND THEY SAID OKAY.
BUT THE LAST THING I ASKED THEM
AND THEY SAID OKAY.
BUT THE LAST THING I ASKED THEM
ABOUT, IT TOOK THEM A LITTLE
BUT THE LAST THING I ASKED THEM
ABOUT, IT TOOK THEM A LITTLE
WHILE TO COME UP WITH IT, BUT
ABOUT, IT TOOK THEM A LITTLE
WHILE TO COME UP WITH IT, BUT
THEY WERE EVEN ABLE TO DO THAT,
WHILE TO COME UP WITH IT, BUT
THEY WERE EVEN ABLE TO DO THAT,
TOO.
THEY WERE EVEN ABLE TO DO THAT,
TOO.
SO, THEREFORE, LADIES AND
TOO.
SO, THEREFORE, LADIES AND
GENTLEMEN, LET ME SAY THAT
SO, THEREFORE, LADIES AND
GENTLEMEN, LET ME SAY THAT
TONIGHT WE ARE PROUD TO BE
GENTLEMEN, LET ME SAY THAT
TONIGHT WE ARE PROUD TO BE
COMING TO YOU LIVE FROM
TONIGHT WE ARE PROUD TO BE
COMING TO YOU LIVE FROM
CARNEGIE HALL.
COMING TO YOU LIVE FROM
CARNEGIE HALL.
NOW, LISTEN, I GOT TO TELL YOU
CARNEGIE HALL.
NOW, LISTEN, I GOT TO TELL YOU
SOMETHING.
NOW, LISTEN, I GOT TO TELL YOU
SOMETHING.
YOU SEE, NOW, THEY THINK THAT I
SOMETHING.
YOU SEE, NOW, THEY THINK THAT I
THINK THAT THIS IS
YOU SEE, NOW, THEY THINK THAT I
THINK THAT THIS IS
CARNEGIE HALL.
THINK THAT THIS IS
CARNEGIE HALL.
[APPLAUSE]
CARNEGIE HALL.
[APPLAUSE]
THE JOKE IS REALLY ON THEM
[APPLAUSE]
THE JOKE IS REALLY ON THEM
BECAUSE, YOU SEE, I'M NOT THE
THE JOKE IS REALLY ON THEM
BECAUSE, YOU SEE, I'M NOT THE
REAL RAY CHARLES.
BECAUSE, YOU SEE, I'M NOT THE
REAL RAY CHARLES.
[LAUGHTER]
REAL RAY CHARLES.
[LAUGHTER]
THE REAL RAY CHARLES IS AT
[LAUGHTER]
THE REAL RAY CHARLES IS AT
CARNEGIE HALL.
THE REAL RAY CHARLES IS AT
CARNEGIE HALL.
BUT IF HE WERE HERE TONIGHT, I
CARNEGIE HALL.
BUT IF HE WERE HERE TONIGHT, I
AM SURE THAT HE WOULD LEAD OFF
BUT IF HE WERE HERE TONIGHT, I
AM SURE THAT HE WOULD LEAD OFF
THIS SHOW WITH SOMETHING LIKE
AM SURE THAT HE WOULD LEAD OFF
THIS SHOW WITH SOMETHING LIKE
THIS.
THIS SHOW WITH SOMETHING LIKE
THIS.
ONE, TWO.
THIS.
ONE, TWO.
[INTRO TO "I CAN SEE CLEARLY
ONE, TWO.
[INTRO TO "I CAN SEE CLEARLY
NOW" PLAYS]
[INTRO TO "I CAN SEE CLEARLY
NOW" PLAYS]
♪ I CAN SEE CLEARLY NOW THAT THE
[NOW" PLAYS]
♪ I CAN SEE CLEARLY NOW THAT THE
RAIN IS GONE ♪
♪ I CAN SEE CLEARLY NOW THAT THE
RAIN IS GONE ♪
♪ I CAN SEE ALL OBSTACLES IN MY
RAIN IS GONE ♪
♪ I CAN SEE ALL OBSTACLES IN MY
WAY ♪
♪ I CAN SEE ALL OBSTACLES IN MY
WAY ♪
♪ GONE ARE THE DARK CLOUDS THAT
WAY ♪
♪ GONE ARE THE DARK CLOUDS THAT
USED TO MAKE ME BLIND ♪
♪ GONE ARE THE DARK CLOUDS THAT
USED TO MAKE ME BLIND ♪
♪ I SEE A BRIGHT, BRIGHT ♪
USED TO MAKE ME BLIND ♪
♪ I SEE A BRIGHT, BRIGHT ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT, BRIGHT ♪
♪ BRIGHT ♪
♪ OH, BRIGHT SUNSHINY DAY ♪
♪ BRIGHT ♪
♪ OH, BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ OH, BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ WELL, I SEE ♪
♪ YES, I DO ♪
♪ WELL, I SEE ♪
♪ BRIGHT ♪
♪ WELL, I SEE ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
LOOKEE HERE.
♪ YES, I DO ♪
LOOKEE HERE.
♪ I THINK I CAN MAKE IT NOW THAT
LOOKEE HERE.
♪ I THINK I CAN MAKE IT NOW THAT
THE RAIN IS GONE ♪
♪ I THINK I CAN MAKE IT NOW THAT
THE RAIN IS GONE ♪
♪ ALL OF THE BAD FEELINGS HAVE
THE RAIN IS GONE ♪
♪ ALL OF THE BAD FEELINGS HAVE
DISAPPEARED ♪
♪ ALL OF THE BAD FEELINGS HAVE
DISAPPEARED ♪
♪ HERE IS THE RAINBOW THAT I'VE
DISAPPEARED ♪
♪ HERE IS THE RAINBOW THAT I'VE
BEEN PRAYING FOR ♪
♪ HERE IS THE RAINBOW THAT I'VE
BEEN PRAYING FOR ♪
♪ I SEE A BRIGHT, BRIGHT ♪
BEEN PRAYING FOR ♪
♪ I SEE A BRIGHT, BRIGHT ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT, BRIGHT ♪
♪ BRIGHT ♪
♪ WHOA, AND ANOTHER SUNSHINY
♪ BRIGHT ♪
♪ WHOA, AND ANOTHER SUNSHINY
DAY ♪
♪ WHOA, AND ANOTHER SUNSHINY
DAY ♪
♪ YES, I DO ♪
DAY ♪
♪ YES, I DO ♪
♪ WELL, I SEE ♪
♪ YES, I DO ♪
♪ WELL, I SEE ♪
♪ BRIGHT ♪
♪ WELL, I SEE ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT SUNSHINY
♪ BRIGHT ♪
♪ I SEE A BRIGHT SUNSHINY
DAY ♪
♪ I SEE A BRIGHT SUNSHINY
DAY ♪
♪ YEAH ♪
DAY ♪
♪ YEAH ♪
♪ WELL, LOOK ALL AROUND YOU,
♪ YEAH ♪
♪ WELL, LOOK ALL AROUND YOU,
THERE'S NOTHING BUT BLUE SKIES ♪
♪ WELL, LOOK ALL AROUND YOU,
THERE'S NOTHING BUT BLUE SKIES ♪
♪ WHY DON'T YOU LOOK STRAIGHT
THERE'S NOTHING BUT BLUE SKIES ♪
♪ WHY DON'T YOU LOOK STRAIGHT
AHEAD ♪
♪ WHY DON'T YOU LOOK STRAIGHT
AHEAD ♪
♪ THERE'S NOTHING BUT BLUE
AHEAD ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
[GUITAR PLAYS]
SKIES ♪
[GUITAR PLAYS]
♪ OOH-OOH ♪
[GUITAR PLAYS]
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOOOH ♪
♪ OOH ♪
♪ OOOOH ♪
♪ OOH, OOH, OOH, OOH ♪
♪ OOOOH ♪
♪ OOH, OOH, OOH, OOH ♪
♪ LOOK ALL AROUND YOU ♪
♪ OOH, OOH, OOH, OOH ♪
♪ LOOK ALL AROUND YOU ♪
♪ THERE'S NOTHING BUT BLUE
♪ LOOK ALL AROUND YOU ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ WHY DON'T YOU LOOK STRAIGHT
SKIES ♪
♪ WHY DON'T YOU LOOK STRAIGHT
AHEAD ♪
♪ WHY DON'T YOU LOOK STRAIGHT
AHEAD ♪
♪ THERE'S NOTHING BUT BLUE
AHEAD ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ WELL, ALL RIGHT ♪
SKIES ♪
♪ WELL, ALL RIGHT ♪
♪ I CAN SEE CLEARLY NOW THAT THE
♪ WELL, ALL RIGHT ♪
♪ I CAN SEE CLEARLY NOW THAT THE
RAIN IS GONE ♪
♪ I CAN SEE CLEARLY NOW THAT THE
RAIN IS GONE ♪
♪ I CAN SEE ALL OBSTACLES IN MY
RAIN IS GONE ♪
♪ I CAN SEE ALL OBSTACLES IN MY
WAY, Y'ALL ♪
♪ I CAN SEE ALL OBSTACLES IN MY
WAY, Y'ALL ♪
♪ OHHHHH ♪
WAY, Y'ALL ♪
♪ OHHHHH ♪
♪ GONE ARE THE DARK CLOUDS USED
♪ OHHHHH ♪
♪ GONE ARE THE DARK CLOUDS USED
TO MAKE ME BLIND ♪
♪ GONE ARE THE DARK CLOUDS USED
TO MAKE ME BLIND ♪
♪ I SEE A BRIGHT ♪
TO MAKE ME BLIND ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ WELL, BRIGHT ♪
♪ BRIGHT ♪
♪ WELL, BRIGHT ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ WELL, BRIGHT ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ GIRLS, I SEE A BRIGHT ♪
♪ YES, I DO ♪
♪ GIRLS, I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ GIRLS, I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ OH, LITTLE BRIGHT NOW ♪
♪ BRIGHT ♪
♪ OH, LITTLE BRIGHT NOW ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ OH, LITTLE BRIGHT NOW ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YEAH ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YEAH ♪
♪ ALL YOU'VE GOT TO DO IS LOOK
♪ YEAH ♪
♪ ALL YOU'VE GOT TO DO IS LOOK
AROUND YOU ♪
♪ ALL YOU'VE GOT TO DO IS LOOK
AROUND YOU ♪
♪ AND I KNOW YOU'LL SEE A
AROUND YOU ♪
♪ AND I KNOW YOU'LL SEE A
SUNSHINY DAY ♪
♪ AND I KNOW YOU'LL SEE A
SUNSHINY DAY ♪
♪ YES, YOU WILL ♪
SUNSHINY DAY ♪
♪ YES, YOU WILL ♪
♪ WHOA ♪
♪ YES, YOU WILL ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ AND, OH, A SUNSHINY DAY ♪
♪ BRIGHT ♪
♪ AND, OH, A SUNSHINY DAY ♪
♪ YEAH ♪
♪ AND, OH, A SUNSHINY DAY ♪
♪ YEAH ♪
♪ WHOA ♪
♪ YEAH ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ WHOA ♪
♪ BRIGHT, SUNSHINY DAY ♪
[HIGH-PITCHED VOCALIZING]
♪ BRIGHT, SUNSHINY DAY ♪
[HIGH-PITCHED VOCALIZING]
♪ WHOA, OH ♪
[HIGH-PITCHED VOCALIZING]
♪ WHOA, OH ♪
♪ BRIGHT ♪
♪ WHOA, OH ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ WHOA ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ HAVE MERCY ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ HAVE MERCY ♪
♪ PEOPLE, LISTEN HERE ♪
♪ HAVE MERCY ♪
♪ PEOPLE, LISTEN HERE ♪
♪ BRIGHT ♪
♪ PEOPLE, LISTEN HERE ♪
♪ BRIGHT ♪
♪ IF YOU LOOK AROUND YOU ♪
♪ BRIGHT ♪
♪ IF YOU LOOK AROUND YOU ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ IF YOU LOOK AROUND YOU ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ ALL YOU'VE GOT TO DO IS
♪ BRIGHT, SUNSHINY DAY ♪
♪ ALL YOU'VE GOT TO DO IS
KEEP THE FAITH ♪
♪ ALL YOU'VE GOT TO DO IS
KEEP THE FAITH ♪
♪ I KNOW YOU'LL SEE ♪
KEEP THE FAITH ♪
♪ I KNOW YOU'LL SEE ♪
♪ BRIGHT ♪
♪ I KNOW YOU'LL SEE ♪
♪ BRIGHT ♪
♪ WELL, YOU'LL SEE A SUNSHINY
♪ BRIGHT ♪
♪ WELL, YOU'LL SEE A SUNSHINY
DAY ♪
♪ WELL, YOU'LL SEE A SUNSHINY
DAY ♪
♪ SUNSHINY DAY ♪
DAY ♪
♪ SUNSHINY DAY ♪
[CHEERS AND APPLAUSE]
♪ SUNSHINY DAY ♪
[CHEERS AND APPLAUSE]
[LAUGHS]
[CHEERS AND APPLAUSE]
[LAUGHS]
THANK YOU.
[LAUGHS]
THANK YOU.
OH, BLESS YOUR HEART.
THANK YOU.
OH, BLESS YOUR HEART.
BROTHER RAY APPRECIATE IT.
OH, BLESS YOUR HEART.
BROTHER RAY APPRECIATE IT.
THANK YOU.
BROTHER RAY APPRECIATE IT.
THANK YOU.
THANK YOU.
THANK YOU.
THANK YOU.
THANK YOU.
THANK YOU.
THANK YOU.
HA. IT'S ALL RIGHT.
THANK YOU.
HA. IT'S ALL RIGHT.
YOU KNOW, I'M FROM A LITTLE,
HA. IT'S ALL RIGHT.
YOU KNOW, I'M FROM A LITTLE,
SMALL PLACE THAT'S CALLED
YOU KNOW, I'M FROM A LITTLE,
SMALL PLACE THAT'S CALLED
ALBANY, GEORGIA, AND RIGHT NEXT
SMALL PLACE THAT'S CALLED
ALBANY, GEORGIA, AND RIGHT NEXT
DOOR TO THAT IS PLAINS, GEORGIA.
ALBANY, GEORGIA, AND RIGHT NEXT
DOOR TO THAT IS PLAINS, GEORGIA.
SO, YOU CAN SEE THAT I HAVE A
DOOR TO THAT IS PLAINS, GEORGIA.
SO, YOU CAN SEE THAT I HAVE A
SPECIAL, WARM FEELING FOR OUR
SO, YOU CAN SEE THAT I HAVE A
SPECIAL, WARM FEELING FOR OUR
PRESIDENT.
SPECIAL, WARM FEELING FOR OUR
PRESIDENT.
NOW, IT'S NOT BECAUSE WE'RE
PRESIDENT.
NOW, IT'S NOT BECAUSE WE'RE
NEIGHBORS.
NOW, IT'S NOT BECAUSE WE'RE
NEIGHBORS.
BUT, YOU SEE, AT ONE TIME, HIS
NEIGHBORS.
BUT, YOU SEE, AT ONE TIME, HIS
FAMILY OWNED MY GRANDFATHER.
BUT, YOU SEE, AT ONE TIME, HIS
FAMILY OWNED MY GRANDFATHER.
AND SO THEREFORE, JIMMY, THIS IS
FAMILY OWNED MY GRANDFATHER.
AND SO THEREFORE, JIMMY, THIS IS
FOR YOU.
AND SO THEREFORE, JIMMY, THIS IS
FOR YOU.
♪ GEORGIA ♪
FOR YOU.
♪ GEORGIA ♪
♪ AH, GEORGIA ♪
♪ GEORGIA ♪
♪ AH, GEORGIA ♪
[APPLAUSE]
♪ AH, GEORGIA ♪
[APPLAUSE]
♪ THE WHOLE DAY THROUGH ♪
[APPLAUSE]
♪ THE WHOLE DAY THROUGH ♪
GOOD EVENING.
♪ THE WHOLE DAY THROUGH ♪
GOOD EVENING.
THROUGHOUT MY CAMPAIGN FOR
GOOD EVENING.
THROUGHOUT MY CAMPAIGN FOR
PRESIDENT, I SPOKE OF THE
THROUGHOUT MY CAMPAIGN FOR
PRESIDENT, I SPOKE OF THE
INTELLIGENCE OF THE AMERICAN
PRESIDENT, I SPOKE OF THE
INTELLIGENCE OF THE AMERICAN
PEOPLE.
INTELLIGENCE OF THE AMERICAN
PEOPLE.
IT WAS WITH THIS OPTIMISM THAT I
PEOPLE.
IT WAS WITH THIS OPTIMISM THAT I
INTRODUCED MY ENERGY PROGRAM.
IT WAS WITH THIS OPTIMISM THAT I
INTRODUCED MY ENERGY PROGRAM.
BUT NOW MY ENERGY PROGRAM IS IN
INTRODUCED MY ENERGY PROGRAM.
BUT NOW MY ENERGY PROGRAM IS IN
SEVERE TROUBLE, MAINLY BECAUSE
BUT NOW MY ENERGY PROGRAM IS IN
SEVERE TROUBLE, MAINLY BECAUSE
YOU THE AMERICAN PUBLIC HAVE
SEVERE TROUBLE, MAINLY BECAUSE
YOU THE AMERICAN PUBLIC HAVE
FAILED TO UNDERSTAND THE URGENCY
YOU THE AMERICAN PUBLIC HAVE
FAILED TO UNDERSTAND THE URGENCY
OF THE ENERGY CRISIS, EVEN
FAILED TO UNDERSTAND THE URGENCY
OF THE ENERGY CRISIS, EVEN
THOUGH I HAVE EXPLAINED IT TO
OF THE ENERGY CRISIS, EVEN
THOUGH I HAVE EXPLAINED IT TO
YOU MANY TIMES...
THOUGH I HAVE EXPLAINED IT TO
YOU MANY TIMES...
SLOWLY, CLEARLY, AND USING
YOU MANY TIMES...
SLOWLY, CLEARLY, AND USING
ONE-SYLLABLE WORDS...
SLOWLY, CLEARLY, AND USING
ONE-SYLLABLE WORDS...
WORDS LIKE "OIL," "GAS," "OIL,"
ONE-SYLLABLE WORDS...
WORDS LIKE "OIL," "GAS," "OIL,"
"GAS."
WORDS LIKE "OIL," "GAS," "OIL,"
"GAS."
I SAID OUR ECONOMY AND NATIONAL
"GAS."
I SAID OUR ECONOMY AND NATIONAL
SECURITY DEPENDED UPON A
I SAID OUR ECONOMY AND NATIONAL
SECURITY DEPENDED UPON A
COMPREHENSIVE ENERGY PROGRAM.
SECURITY DEPENDED UPON A
COMPREHENSIVE ENERGY PROGRAM.
BUT DID YOU RESPOND?
COMPREHENSIVE ENERGY PROGRAM.
BUT DID YOU RESPOND?
NO.
BUT DID YOU RESPOND?
NO.
BECAUSE YOU DID NOT, THE SENATE
NO.
BECAUSE YOU DID NOT, THE SENATE
HAS BLOCKED MY PROGRAM, AND I
BECAUSE YOU DID NOT, THE SENATE
HAS BLOCKED MY PROGRAM, AND I
HAD TO CANCEL MY TRIP TO PARIS.
HAS BLOCKED MY PROGRAM, AND I
HAD TO CANCEL MY TRIP TO PARIS.
ROSALYNN AND I WERE LOOKING
HAD TO CANCEL MY TRIP TO PARIS.
ROSALYNN AND I WERE LOOKING
FORWARD TO THAT TRIP.
ROSALYNN AND I WERE LOOKING
FORWARD TO THAT TRIP.
THAT'S OKAY.
FORWARD TO THAT TRIP.
THAT'S OKAY.
WITHOUT MY PROGRAM, WE'RE GONNA
THAT'S OKAY.
WITHOUT MY PROGRAM, WE'RE GONNA
HAVE HIGH INFLATION AND
WITHOUT MY PROGRAM, WE'RE GONNA
HAVE HIGH INFLATION AND
UNEMPLOYMENT.
HAVE HIGH INFLATION AND
UNEMPLOYMENT.
I PROBABLY WON'T BE ABLE TO
UNEMPLOYMENT.
I PROBABLY WON'T BE ABLE TO
BALANCE THE BUDGET LIKE I
I PROBABLY WON'T BE ABLE TO
BALANCE THE BUDGET LIKE I
PROMISED.
BALANCE THE BUDGET LIKE I
PROMISED.
I PROBABLY WON'T GET RE-ELECTED.
PROMISED.
I PROBABLY WON'T GET RE-ELECTED.
EVERYTHING'S JUST GOING DOWN THE
I PROBABLY WON'T GET RE-ELECTED.
EVERYTHING'S JUST GOING DOWN THE
TOILET.
EVERYTHING'S JUST GOING DOWN THE
TOILET.
AND THEN IN 1981 OR 1982 OR
TOILET.
AND THEN IN 1981 OR 1982 OR
1983, WHEN SOMEBODY ELSE IS
AND THEN IN 1981 OR 1982 OR
1983, WHEN SOMEBODY ELSE IS
PRESIDENT AND, SUDDENLY, OUR
1983, WHEN SOMEBODY ELSE IS
PRESIDENT AND, SUDDENLY, OUR
ENERGY RUNS OUT, Y'ALL ARE GONNA
PRESIDENT AND, SUDDENLY, OUR
ENERGY RUNS OUT, Y'ALL ARE GONNA
COME UP TO ME AND SAY, "JIMMY,
ENERGY RUNS OUT, Y'ALL ARE GONNA
COME UP TO ME AND SAY, "JIMMY,
YOU WERE RIGHT.
COME UP TO ME AND SAY, "JIMMY,
YOU WERE RIGHT.
WE SHOULD HAVE LISTENED TO YOU.
YOU WERE RIGHT.
WE SHOULD HAVE LISTENED TO YOU.
WE SHOULD HAVE STOPPED GUZZLING
WE SHOULD HAVE LISTENED TO YOU.
WE SHOULD HAVE STOPPED GUZZLING
GAS.
WE SHOULD HAVE STOPPED GUZZLING
GAS.
WE SHOULD HAVE MADE A TRANSITION
GAS.
WE SHOULD HAVE MADE A TRANSITION
TO COAL.
WE SHOULD HAVE MADE A TRANSITION
TO COAL.
WON'T YOU HELP US NOW, JIMMY,
TO COAL.
WON'T YOU HELP US NOW, JIMMY,
AND TELL US WHAT TO DO?"
WON'T YOU HELP US NOW, JIMMY,
AND TELL US WHAT TO DO?"
AND YOU KNOW WHAT I'M GONNA SAY?
AND TELL US WHAT TO DO?"
AND YOU KNOW WHAT I'M GONNA SAY?
"HONK OFF, BOZOS.
AND YOU KNOW WHAT I'M GONNA SAY?
"HONK OFF, BOZOS.
YOU HAD YOUR CHANCE IN 1977, AND
"HONK OFF, BOZOS.
YOU HAD YOUR CHANCE IN 1977, AND
YOU BLEW IT."
YOU HAD YOUR CHANCE IN 1977, AND
YOU BLEW IT."
THANK YOU AND GOOD NIGHT.
YOU BLEW IT."
THANK YOU AND GOOD NIGHT.
♪ OH, SWEET SONG ♪
THANK YOU AND GOOD NIGHT.
♪ OH, SWEET SONG ♪
♪ YEAH ♪
♪ OH, SWEET SONG ♪
♪ YEAH ♪
♪ KEEPS GEORGIA ON MY MIND ♪
♪ YEAH ♪
♪ KEEPS GEORGIA ON MY MIND ♪
YOU KNOW, I WANT TO SAY THAT
♪ KEEPS GEORGIA ON MY MIND ♪
YOU KNOW, I WANT TO SAY THAT
I'VE BEEN A MUSIC LOVER ALL MY
YOU KNOW, I WANT TO SAY THAT
I'VE BEEN A MUSIC LOVER ALL MY
LIFE, SO I CAN APPRECIATE THE
I'VE BEEN A MUSIC LOVER ALL MY
LIFE, SO I CAN APPRECIATE THE
SOUND OF GREAT AND UNIQUE
LIFE, SO I CAN APPRECIATE THE
SOUND OF GREAT AND UNIQUE
TALENT, LIKE THE VOICE OF MY
SOUND OF GREAT AND UNIQUE
TALENT, LIKE THE VOICE OF MY
LADY, MISS ELLA FITZGERALD.
TALENT, LIKE THE VOICE OF MY
LADY, MISS ELLA FITZGERALD.
HI.
LADY, MISS ELLA FITZGERALD.
HI.
ALL RIGHT.
HI.
ALL RIGHT.
HOW ARE YOU TODAY, ELLA?
ALL RIGHT.
HOW ARE YOU TODAY, ELLA?
I'M FINE, RAY.
HOW ARE YOU TODAY, ELLA?
I'M FINE, RAY.
WELL, NOW, WOULD YOU LIKE TO
I'M FINE, RAY.
WELL, NOW, WOULD YOU LIKE TO
SING FOR US, BABY?
WELL, NOW, WOULD YOU LIKE TO
SING FOR US, BABY?
OF COURSE.
SING FOR US, BABY?
OF COURSE.
[SCATTING]
[GLASS SHATTERS]
[LAUGHS]
OH, THAT'S GREAT, ELLA.
[LAUGHS]
OH, THAT'S GREAT, ELLA.
YOU KNOW, HAVING BEEN IN THE
OH, THAT'S GREAT, ELLA.
YOU KNOW, HAVING BEEN IN THE
RECORDING INDUSTRY MOST OF MY
YOU KNOW, HAVING BEEN IN THE
RECORDING INDUSTRY MOST OF MY
LIFE, I ALSO APPRECIATE THE
RECORDING INDUSTRY MOST OF MY
LIFE, I ALSO APPRECIATE THE
REPRODUCTION OF SOUND THAT IS SO
LIFE, I ALSO APPRECIATE THE
REPRODUCTION OF SOUND THAT IS SO
PRECISE THAT YOU CAN'T TELL THE
REPRODUCTION OF SOUND THAT IS SO
PRECISE THAT YOU CAN'T TELL THE
DIFFERENCE BETWEEN THE RECORDING
PRECISE THAT YOU CAN'T TELL THE
DIFFERENCE BETWEEN THE RECORDING
AND THE SINGER'S VOICE, THE KIND
DIFFERENCE BETWEEN THE RECORDING
AND THE SINGER'S VOICE, THE KIND
OF PRECISION THAT'S CAPTURED ON
AND THE SINGER'S VOICE, THE KIND
OF PRECISION THAT'S CAPTURED ON
MAMOREX TAPE.
OF PRECISION THAT'S CAPTURED ON
MAMOREX TAPE.
NOW, ELLA IS GONNA DO THIS THING
MAMOREX TAPE.
NOW, ELLA IS GONNA DO THIS THING
ONCE AGAIN.
NOW, ELLA IS GONNA DO THIS THING
ONCE AGAIN.
AND, THIS TIME, I'M NOT GONNA
ONCE AGAIN.
AND, THIS TIME, I'M NOT GONNA
LOOK TO SEE IF SHE'S SINGING OR
AND, THIS TIME, I'M NOT GONNA
LOOK TO SEE IF SHE'S SINGING OR
IF IT'S THE TAPE OF HER VOICE.
LOOK TO SEE IF SHE'S SINGING OR
IF IT'S THE TAPE OF HER VOICE.
ALL RIGHT?
IF IT'S THE TAPE OF HER VOICE.
ALL RIGHT?
ELLA, GO AHEAD.
ALL RIGHT?
ELLA, GO AHEAD.
IT'LL BE ALONG SOON.
ELLA, GO AHEAD.
IT'LL BE ALONG SOON.
[SCATTING]
IT'LL BE ALONG SOON.
[SCATTING]
[GLASS SHATTERS]
[SCATTING]
[GLASS SHATTERS]
WELL, NOW, WAIT A MINUTE,
[GLASS SHATTERS]
WELL, NOW, WAIT A MINUTE,
ELLA.
WELL, NOW, WAIT A MINUTE,
ELLA.
I GOT TO SAY.
ELLA.
I GOT TO SAY.
I GOT TO SAY.
I GOT TO SAY.
I GOT TO SAY.
I GOT TO SAY SOMETHING.
I GOT TO SAY.
I GOT TO SAY SOMETHING.
YOU KNOW, I REALLY THINK THAT...
I GOT TO SAY SOMETHING.
YOU KNOW, I REALLY THINK THAT...
I REALLY THINK THAT'S
YOU KNOW, I REALLY THINK THAT...
I REALLY THINK THAT'S
REMARKABLE.
I REALLY THINK THAT'S
REMARKABLE.
I COULD SEE YOU.
REMARKABLE.
I COULD SEE YOU.
YOU BROKE IT AGAIN.
I COULD SEE YOU.
YOU BROKE IT AGAIN.
NOW, JUST BETWEEN ME AND YOU,
YOU BROKE IT AGAIN.
NOW, JUST BETWEEN ME AND YOU,
TELL ME, WAS THAT YOU OR THE
NOW, JUST BETWEEN ME AND YOU,
TELL ME, WAS THAT YOU OR THE
TAPE?
TELL ME, WAS THAT YOU OR THE
TAPE?
UH, THE TAPE, RAY.
TAPE?
UH, THE TAPE, RAY.
WELL, YOU SURE COULD HAVE
UH, THE TAPE, RAY.
WELL, YOU SURE COULD HAVE
FOOLED ME.
WELL, YOU SURE COULD HAVE
FOOLED ME.
I HAVEN'T EVER BEEN SUSPECTING
FOOLED ME.
I HAVEN'T EVER BEEN SUSPECTING
OF YOU WITH THAT, MY DEAR.
I HAVEN'T EVER BEEN SUSPECTING
OF YOU WITH THAT, MY DEAR.
I'LL TELL YOU SOMETHING.
OF YOU WITH THAT, MY DEAR.
I'LL TELL YOU SOMETHING.
I'M WONDERING NOW IS WHETHER OR
I'LL TELL YOU SOMETHING.
I'M WONDERING NOW IS WHETHER OR
NOT MAMOREX IS GOING TO PAY FOR
I'M WONDERING NOW IS WHETHER OR
NOT MAMOREX IS GOING TO PAY FOR
MY GLASSES.
NOT MAMOREX IS GOING TO PAY FOR
MY GLASSES.
[APPLAUSE]
Announcer: AND NOW ANOTHER
EPISODE OF "THE DOODY GIRLS,"
STARRING DEBBIE AND DOTTY DOODY.
EPISODE OF "THE DOODY GIRLS,"
STARRING DEBBIE AND DOTTY DOODY.
WELL, DOTTY, I'M ALL READY TO
STARRING DEBBIE AND DOTTY DOODY.
WELL, DOTTY, I'M ALL READY TO
GO.
WELL, DOTTY, I'M ALL READY TO
GO.
OH, DEBBIE, I KNOW TONIGHT
GO.
OH, DEBBIE, I KNOW TONIGHT
WILL BE THE BEST THING FOR YOU.
OH, DEBBIE, I KNOW TONIGHT
WILL BE THE BEST THING FOR YOU.
WELL, I JUST DON'T FEEL RIGHT
WILL BE THE BEST THING FOR YOU.
WELL, I JUST DON'T FEEL RIGHT
ABOUT GOING OUT ON THIS DATE.
WELL, I JUST DON'T FEEL RIGHT
ABOUT GOING OUT ON THIS DATE.
I MEAN, I'M STILL IN MOURNING.
ABOUT GOING OUT ON THIS DATE.
I MEAN, I'M STILL IN MOURNING.
OH, DEBBIE, IT'S BEEN A YEAR
I MEAN, I'M STILL IN MOURNING.
OH, DEBBIE, IT'S BEEN A YEAR
SINCE HOWDY DIED.
OH, DEBBIE, IT'S BEEN A YEAR
SINCE HOWDY DIED.
YOU'VE GOT TO GO ON.
SINCE HOWDY DIED.
YOU'VE GOT TO GO ON.
I MEAN, HOWDY WOULD HAVE WANTED
YOU'VE GOT TO GO ON.
I MEAN, HOWDY WOULD HAVE WANTED
YOU TO.
I MEAN, HOWDY WOULD HAVE WANTED
YOU TO.
YOU KNOW, YOU REMEMBER HIS LAST
YOU TO.
YOU KNOW, YOU REMEMBER HIS LAST
WORDS, DON'T YOU?
YOU KNOW, YOU REMEMBER HIS LAST
WORDS, DON'T YOU?
OH, I'LL NEVER FORGET.
WORDS, DON'T YOU?
OH, I'LL NEVER FORGET.
HE WAS ON HIS DEATHBED.
OH, I'LL NEVER FORGET.
HE WAS ON HIS DEATHBED.
AND HE LOOKED UP AT ME WITH
HE WAS ON HIS DEATHBED.
AND HE LOOKED UP AT ME WITH
TEARS IN HIS EYES.
AND HE LOOKED UP AT ME WITH
TEARS IN HIS EYES.
AND HE SAID, "HEY, DEBBIE, WHAT
TEARS IN HIS EYES.
AND HE SAID, "HEY, DEBBIE, WHAT
TIME IS IT?"
AND HE SAID, "HEY, DEBBIE, WHAT
TIME IS IT?"
AND I SAID, "IT'S HOWDY DOODY
TIME IS IT?"
AND I SAID, "IT'S HOWDY DOODY
TIME!"
AND I SAID, "IT'S HOWDY DOODY
TIME!"
AND HE SAID, "NOT ANYMORE."
TIME!"
AND HE SAID, "NOT ANYMORE."
[CRIES]
AND HE SAID, "NOT ANYMORE."
[CRIES]
SIT DOWN, DEBBIE.
[CRIES]
SIT DOWN, DEBBIE.
I WANT TO TALK TO YOU.
NOW... NOW, LOOK.
YOU'VE LOST A HUSBAND.
I'VE LOST A BROTHER.
YOU'VE LOST A HUSBAND.
I'VE LOST A BROTHER.
BUT WE CAN'T MOURN FOREVER.
I'VE LOST A BROTHER.
BUT WE CAN'T MOURN FOREVER.
OH, MAYBE IT'S JUST THE WAY
BUT WE CAN'T MOURN FOREVER.
OH, MAYBE IT'S JUST THE WAY
HE DIED... OF STRING CANCER.
OH, MAYBE IT'S JUST THE WAY
HE DIED... OF STRING CANCER.
LOOK, YOU'VE GOT TO FORGET.
HE DIED... OF STRING CANCER.
LOOK, YOU'VE GOT TO FORGET.
AND DATING WILL BE THE BEST
LOOK, YOU'VE GOT TO FORGET.
AND DATING WILL BE THE BEST
THING FOR YOU.
AND DATING WILL BE THE BEST
THING FOR YOU.
YOU'LL MEET PEOPLE.
THING FOR YOU.
YOU'LL MEET PEOPLE.
YOU'LL GO OUT.
YOU'LL MEET PEOPLE.
YOU'LL GO OUT.
YOU'LL HAVE A GOOD TIME, GET
YOU'LL GO OUT.
YOU'LL HAVE A GOOD TIME, GET
YOUR MIND OFF THINGS.
YOU'LL HAVE A GOOD TIME, GET
YOUR MIND OFF THINGS.
OH, MAYBE YOU'RE RIGHT.
YOUR MIND OFF THINGS.
OH, MAYBE YOU'RE RIGHT.
BUT I MISS HIM SO!
OH, MAYBE YOU'RE RIGHT.
BUT I MISS HIM SO!
[CRYING]
BUT I MISS HIM SO!
[CRYING]
OH.
[CRYING]
OH.
HOWDY.
OH.
HOWDY.
I KISS YOUR ASHES.
HOWDY.
I KISS YOUR ASHES.
DEBBIE, I THINK I SHOULD FIX
I KISS YOUR ASHES.
DEBBIE, I THINK I SHOULD FIX
US A DRINK TO CELEBRATE THE NEW
DEBBIE, I THINK I SHOULD FIX
US A DRINK TO CELEBRATE THE NEW
BEGINNING OF YOUR LIFE.
US A DRINK TO CELEBRATE THE NEW
BEGINNING OF YOUR LIFE.
OH, YES, BUT YOU'LL HAVE TO
BEGINNING OF YOUR LIFE.
OH, YES, BUT YOU'LL HAVE TO
DO IT QUICKLY 'CAUSE MY DATE
OH, YES, BUT YOU'LL HAVE TO
DO IT QUICKLY 'CAUSE MY DATE
WILL BE HERE ANY MINUTE.
DO IT QUICKLY 'CAUSE MY DATE
WILL BE HERE ANY MINUTE.
OH, REALLY? ALREADY?
WILL BE HERE ANY MINUTE.
OH, REALLY? ALREADY?
WHAT TIME IS IT?
OH, REALLY? ALREADY?
WHAT TIME IS IT?
IT'S...
WHAT TIME IS IT?
IT'S...
[BOTH CRYING]
IT'S...
[BOTH CRYING]
THERE, THERE.
[BOTH CRYING]
THERE, THERE.
THIS WILL MAKE US FEEL BETTER.
THERE, THERE.
THIS WILL MAKE US FEEL BETTER.
OH, MAYBE YOU'RE RIGHT.
THIS WILL MAKE US FEEL BETTER.
OH, MAYBE YOU'RE RIGHT.
THANKS.
OH, MAYBE YOU'RE RIGHT.
THANKS.
CHEERS!
THANKS.
CHEERS!
[DOORBELL RINGS]
CHEERS!
[DOORBELL RINGS]
OH.
[DOORBELL RINGS]
OH.
COME IN.
OH.
COME IN.
HI, DEBBIE.
COME IN.
HI, DEBBIE.
HI, SKIP.
HI, DEBBIE.
HI, SKIP.
THIS IS, UH, DOTTY.
HI, SKIP.
THIS IS, UH, DOTTY.
HELLO.
THIS IS, UH, DOTTY.
HELLO.
HELLO.
HELLO.
HELLO.
THIS IS FOR YOU.
HELLO.
THIS IS FOR YOU.
OH, IT'S LOVELY.
THIS IS FOR YOU.
OH, IT'S LOVELY.
THIS SHOULD GO IN A VASE.
OH, IT'S LOVELY.
THIS SHOULD GO IN A VASE.
HEY, YOU KIDS, YOU SHOULD HURRY
THIS SHOULD GO IN A VASE.
HEY, YOU KIDS, YOU SHOULD HURRY
UP IF YOU DON'T WANT TO MISS
HEY, YOU KIDS, YOU SHOULD HURRY
UP IF YOU DON'T WANT TO MISS
THAT MOVIE.
UP IF YOU DON'T WANT TO MISS
THAT MOVIE.
IT'S GETTING LATE.
THAT MOVIE.
IT'S GETTING LATE.
REALLY?
IT'S GETTING LATE.
REALLY?
WHAT TIME IS IT?
REALLY?
WHAT TIME IS IT?
IT'S...
WHAT TIME IS IT?
IT'S...
[BOTH CRYING]
IT'S...
[BOTH CRYING]
TUNE IN NEXT WEEK FOR ANOTHER
[BOTH CRYING]
TUNE IN NEXT WEEK FOR ANOTHER
EPISODE OF "THE DOODY GIRLS."
♪ ...DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
NO MORE ♪
NO MORE, NO MORE, NO MORE,
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
HELLO, EVERYBODY.
NO MORE ♪
HELLO, EVERYBODY.
WELCOME TO "TOMORROW."
HELLO, EVERYBODY.
WELCOME TO "TOMORROW."
AS MANY OF YOU KNOW, WE'RE DOING
WELCOME TO "TOMORROW."
AS MANY OF YOU KNOW, WE'RE DOING
THE SHOW FROM NEW YORK CITY.
AS MANY OF YOU KNOW, WE'RE DOING
THE SHOW FROM NEW YORK CITY.
IT'S GREAT TO BE BACK IN THE
THE SHOW FROM NEW YORK CITY.
IT'S GREAT TO BE BACK IN THE
CITY OF NEW YORK... NOT NBC
IT'S GREAT TO BE BACK IN THE
CITY OF NEW YORK... NOT NBC
NEW YORK BECAUSE WE REALLY GOT
CITY OF NEW YORK... NOT NBC
NEW YORK BECAUSE WE REALLY GOT
SHORTCHANGED ON OFFICE SPACE,
NEW YORK BECAUSE WE REALLY GOT
SHORTCHANGED ON OFFICE SPACE,
BUT I WON'T SAY ANYTHING ABOUT
SHORTCHANGED ON OFFICE SPACE,
BUT I WON'T SAY ANYTHING ABOUT
THAT RIGHT NOW.
BUT I WON'T SAY ANYTHING ABOUT
THAT RIGHT NOW.
I DID SOMETHING TODAY, THOUGH,
THAT RIGHT NOW.
I DID SOMETHING TODAY, THOUGH,
THAT I COULD NEVER HAVE DONE IN
I DID SOMETHING TODAY, THOUGH,
THAT I COULD NEVER HAVE DONE IN
LOS ANGELES.
THAT I COULD NEVER HAVE DONE IN
LOS ANGELES.
I BOUGHT A PRETZEL FROM A GUY
LOS ANGELES.
I BOUGHT A PRETZEL FROM A GUY
RIGHT OUT ON THE STREET.
I BOUGHT A PRETZEL FROM A GUY
RIGHT OUT ON THE STREET.
WHEN I SAY "PRETZEL," MOST OF
RIGHT OUT ON THE STREET.
WHEN I SAY "PRETZEL," MOST OF
YOU THINK I MEAN THE THIN
WHEN I SAY "PRETZEL," MOST OF
YOU THINK I MEAN THE THIN
PRETZELS THAT YOU GET IN THE
YOU THINK I MEAN THE THIN
PRETZELS THAT YOU GET IN THE
SUPERMARKET.
PRETZELS THAT YOU GET IN THE
SUPERMARKET.
HOWEVER, ANYBODY WHO'S BEEN TO
SUPERMARKET.
HOWEVER, ANYBODY WHO'S BEEN TO
NEW YORK KNOWS THE PRETZELS I
HOWEVER, ANYBODY WHO'S BEEN TO
NEW YORK KNOWS THE PRETZELS I
MEAN... THE BIG, FAT, DELICIOUS
NEW YORK KNOWS THE PRETZELS I
MEAN... THE BIG, FAT, DELICIOUS
NEW YORK STREET PRETZELS.
MEAN... THE BIG, FAT, DELICIOUS
NEW YORK STREET PRETZELS.
AND NOW MY STAGE MANAGER,
NEW YORK STREET PRETZELS.
AND NOW MY STAGE MANAGER,
SHELLY SCHWARTZ, IS MAD AT ME
AND NOW MY STAGE MANAGER,
SHELLY SCHWARTZ, IS MAD AT ME
BECAUSE I DIDN'T BRING HIM ONE.
SHELLY SCHWARTZ, IS MAD AT ME
BECAUSE I DIDN'T BRING HIM ONE.
AND, AS EVERYBODY KNOWS, WELL,
BECAUSE I DIDN'T BRING HIM ONE.
AND, AS EVERYBODY KNOWS, WELL,
HE'S A BIG FELLA, AND HE LOVES A
AND, AS EVERYBODY KNOWS, WELL,
HE'S A BIG FELLA, AND HE LOVES A
GOOD PRETZEL NOW AND AGAIN.
HE'S A BIG FELLA, AND HE LOVES A
GOOD PRETZEL NOW AND AGAIN.
THAT'S NEITHER HERE NOR THERE.
GOOD PRETZEL NOW AND AGAIN.
THAT'S NEITHER HERE NOR THERE.
NEXT TIME, SHELLY, I PROMISE.
THAT'S NEITHER HERE NOR THERE.
NEXT TIME, SHELLY, I PROMISE.
THE MUSIC WE HEARD AT THE TOP OF
NEXT TIME, SHELLY, I PROMISE.
THE MUSIC WE HEARD AT THE TOP OF
THE SHOW WAS, OF COURSE,
THE MUSIC WE HEARD AT THE TOP OF
THE SHOW WAS, OF COURSE,
"HIT THE ROAD JACK" AS SUNG BY
THE SHOW WAS, OF COURSE,
"HIT THE ROAD JACK" AS SUNG BY
THE MAN WHO MADE IT A BIG HIT,
"HIT THE ROAD JACK" AS SUNG BY
THE MAN WHO MADE IT A BIG HIT,
MY GUEST TONIGHT ON "TOMORROW,"
THE MAN WHO MADE IT A BIG HIT,
MY GUEST TONIGHT ON "TOMORROW,"
MR. RAY CHARLES.
MY GUEST TONIGHT ON "TOMORROW,"
MR. RAY CHARLES.
RAY, YOU'RE PROBABLY THE MOST
MR. RAY CHARLES.
RAY, YOU'RE PROBABLY THE MOST
POPULAR RHYTHM-AND-BLUES ARTIST
RAY, YOU'RE PROBABLY THE MOST
POPULAR RHYTHM-AND-BLUES ARTIST
IN AMERICAN HISTORY.
POPULAR RHYTHM-AND-BLUES ARTIST
IN AMERICAN HISTORY.
I GUESS MY FIRST QUESTION TO
IN AMERICAN HISTORY.
I GUESS MY FIRST QUESTION TO
YOU, SIR, WOULD BE, WHY SINGING?
I GUESS MY FIRST QUESTION TO
YOU, SIR, WOULD BE, WHY SINGING?
WHY NOT RAY CHARLES THE
YOU, SIR, WOULD BE, WHY SINGING?
WHY NOT RAY CHARLES THE
WATCHMAKER OR RAY CHARLES THE
WHY NOT RAY CHARLES THE
WATCHMAKER OR RAY CHARLES THE
LAWYER?
WATCHMAKER OR RAY CHARLES THE
LAWYER?
WHY RAY CHARLES THE SINGER?
LAWYER?
WHY RAY CHARLES THE SINGER?
TOM, YOU'RE THE FIRST PERSON
WHY RAY CHARLES THE SINGER?
TOM, YOU'RE THE FIRST PERSON
TO ASK ME THAT QUESTION EVER.
TOM, YOU'RE THE FIRST PERSON
TO ASK ME THAT QUESTION EVER.
I SUPPOSE I STARTED SINGING
TO ASK ME THAT QUESTION EVER.
I SUPPOSE I STARTED SINGING
BECAUSE I WANTED TO EXPRESS WHAT
I SUPPOSE I STARTED SINGING
BECAUSE I WANTED TO EXPRESS WHAT
I WAS FEELING IN MY SOUL.
BECAUSE I WANTED TO EXPRESS WHAT
I WAS FEELING IN MY SOUL.
AND I FELT THE BLUES, SO I
I WAS FEELING IN MY SOUL.
AND I FELT THE BLUES, SO I
NEEDED TO SING THE BLUES.
AND I FELT THE BLUES, SO I
NEEDED TO SING THE BLUES.
ALL RIGHT, SIR, FAIR ENOUGH.
NEEDED TO SING THE BLUES.
ALL RIGHT, SIR, FAIR ENOUGH.
MY NEXT QUESTION TO YOU, SIR,
ALL RIGHT, SIR, FAIR ENOUGH.
MY NEXT QUESTION TO YOU, SIR,
WOULD BE, WHAT THE HECK ARE THE
MY NEXT QUESTION TO YOU, SIR,
WOULD BE, WHAT THE HECK ARE THE
BLUES AND WHO GETS THEM?
WOULD BE, WHAT THE HECK ARE THE
BLUES AND WHO GETS THEM?
WELL, UH, YOU SEE, THE BLUES
BLUES AND WHO GETS THEM?
WELL, UH, YOU SEE, THE BLUES
IS A PART OF LIFE, YOU KNOW.
WELL, UH, YOU SEE, THE BLUES
IS A PART OF LIFE, YOU KNOW.
YOU LOSE YOUR JOB, YOUR WOMAN
IS A PART OF LIFE, YOU KNOW.
YOU LOSE YOUR JOB, YOUR WOMAN
MESSES AROUND WITH ANOTHER MAN,
YOU LOSE YOUR JOB, YOUR WOMAN
MESSES AROUND WITH ANOTHER MAN,
OR A WOMAN LOSES HER MAN 'CAUSE
MESSES AROUND WITH ANOTHER MAN,
OR A WOMAN LOSES HER MAN 'CAUSE
HE'S DOING TIME IN SOME PRISON.
OR A WOMAN LOSES HER MAN 'CAUSE
HE'S DOING TIME IN SOME PRISON.
YOU KNOW, ALL OF THESE KINDS OF
HE'S DOING TIME IN SOME PRISON.
YOU KNOW, ALL OF THESE KINDS OF
THINGS COULD GIVE YOU THE BLUES.
YOU KNOW, ALL OF THESE KINDS OF
THINGS COULD GIVE YOU THE BLUES.
FINE, SIR, OKAY.
THINGS COULD GIVE YOU THE BLUES.
FINE, SIR, OKAY.
GIVEN THAT, LET'S SAY I GO DOWN
FINE, SIR, OKAY.
GIVEN THAT, LET'S SAY I GO DOWN
TO THE RED-DIRT COUNTRY IN
GIVEN THAT, LET'S SAY I GO DOWN
TO THE RED-DIRT COUNTRY IN
MISSISSIPPI AND I BECOME A BLACK
TO THE RED-DIRT COUNTRY IN
MISSISSIPPI AND I BECOME A BLACK
SHARECROPPER.
MISSISSIPPI AND I BECOME A BLACK
SHARECROPPER.
I GET ROMANTICALLY INVOLVED
SHARECROPPER.
I GET ROMANTICALLY INVOLVED
WITH, SAY, LIZA, AND SHE STARTS
I GET ROMANTICALLY INVOLVED
WITH, SAY, LIZA, AND SHE STARTS
TAKING UP WITH BIG SAM, THE
WITH, SAY, LIZA, AND SHE STARTS
TAKING UP WITH BIG SAM, THE
PLANTATION FOREMAN.
TAKING UP WITH BIG SAM, THE
PLANTATION FOREMAN.
NOW, I GO TO A BAR WHERE THEY'RE
PLANTATION FOREMAN.
NOW, I GO TO A BAR WHERE THEY'RE
DRINKING, AND I SHOOT THEM BOTH
NOW, I GO TO A BAR WHERE THEY'RE
DRINKING, AND I SHOOT THEM BOTH
DEAD.
DRINKING, AND I SHOOT THEM BOTH
DEAD.
THERE ARE WITNESSES AND I GO TO
DEAD.
THERE ARE WITNESSES AND I GO TO
PRISON.
THERE ARE WITNESSES AND I GO TO
PRISON.
MY QUESTION IS, SIR, WOULD I GET
PRISON.
MY QUESTION IS, SIR, WOULD I GET
THE BLUES?
MY QUESTION IS, SIR, WOULD I GET
THE BLUES?
I DON'T KNOW.
THE BLUES?
I DON'T KNOW.
BUT UNDER THOSE CIRCUMSTANCES,
I DON'T KNOW.
BUT UNDER THOSE CIRCUMSTANCES,
MOST PEOPLE WOULD.
BUT UNDER THOSE CIRCUMSTANCES,
MOST PEOPLE WOULD.
HOWEVER, YOU MIGHT BE THE
MOST PEOPLE WOULD.
HOWEVER, YOU MIGHT BE THE
EXCEPTION.
HOWEVER, YOU MIGHT BE THE
EXCEPTION.
THAT'S A FAIR ANSWER TO MY
EXCEPTION.
THAT'S A FAIR ANSWER TO MY
QUESTION, THANK YOU.
THAT'S A FAIR ANSWER TO MY
QUESTION, THANK YOU.
RAY, YOU STARTED YOUR CAREER AT
QUESTION, THANK YOU.
RAY, YOU STARTED YOUR CAREER AT
A DIFFICULT TIME.
RAY, YOU STARTED YOUR CAREER AT
A DIFFICULT TIME.
IN THE LATE '40s, THE MUSIC
A DIFFICULT TIME.
IN THE LATE '40s, THE MUSIC
INDUSTRY WAS DOMINATED BY
IN THE LATE '40s, THE MUSIC
INDUSTRY WAS DOMINATED BY
WHITES.
INDUSTRY WAS DOMINATED BY
WHITES.
MOST OF IT WAS OWNED BY THAT
WHITES.
MOST OF IT WAS OWNED BY THAT
KU KLUX KLAN, AND I DON'T THINK
MOST OF IT WAS OWNED BY THAT
KU KLUX KLAN, AND I DON'T THINK
THERE SHOULD BE ANY SECRET ABOUT
KU KLUX KLAN, AND I DON'T THINK
THERE SHOULD BE ANY SECRET ABOUT
THAT IN 1977.
THERE SHOULD BE ANY SECRET ABOUT
THAT IN 1977.
SIR, MY QUESTION IS, WHAT ABOUT
THAT IN 1977.
SIR, MY QUESTION IS, WHAT ABOUT
GROUPIES?
SIR, MY QUESTION IS, WHAT ABOUT
GROUPIES?
COME ON, NOW, TOM.
GROUPIES?
COME ON, NOW, TOM.
YOU'RE A BIG TELEVISION STAR AND
COME ON, NOW, TOM.
YOU'RE A BIG TELEVISION STAR AND
YOU KNOW WHAT IT'S LIKE TO BE A
YOU'RE A BIG TELEVISION STAR AND
YOU KNOW WHAT IT'S LIKE TO BE A
CELEBRITY.
YOU KNOW WHAT IT'S LIKE TO BE A
CELEBRITY.
YOU KNOW, WOMEN, YOU KNOW, JUST
CELEBRITY.
YOU KNOW, WOMEN, YOU KNOW, JUST
COMING AROUND YOU ALL THE TIME,
YOU KNOW, WOMEN, YOU KNOW, JUST
COMING AROUND YOU ALL THE TIME,
YOU KNOW, AND THEN YOU GOT THOSE
COMING AROUND YOU ALL THE TIME,
YOU KNOW, AND THEN YOU GOT THOSE
SEXY NOTES AND LETTERS FROM
YOU KNOW, AND THEN YOU GOT THOSE
SEXY NOTES AND LETTERS FROM
YOUNG GIRLS.
SEXY NOTES AND LETTERS FROM
YOUNG GIRLS.
I GOT TO TELL YOU.
YOUNG GIRLS.
I GOT TO TELL YOU.
EVERYBODY IN THIS BUSINESS HAS
I GOT TO TELL YOU.
EVERYBODY IN THIS BUSINESS HAS
THEIR GROUPIES.
EVERYBODY IN THIS BUSINESS HAS
THEIR GROUPIES.
I HAVE MY GROUPIES, AND I'M SURE
THEIR GROUPIES.
I HAVE MY GROUPIES, AND I'M SURE
YOU'VE GOT YOURS.
I HAVE MY GROUPIES, AND I'M SURE
YOU'VE GOT YOURS.
[LAUGHS]
YOU'VE GOT YOURS.
[LAUGHS]
RAY, WOULD YOU BELIEVE IT IF I
[LAUGHS]
RAY, WOULD YOU BELIEVE IT IF I
TOLD YOU I DON'T HAVE ANY
RAY, WOULD YOU BELIEVE IT IF I
TOLD YOU I DON'T HAVE ANY
GROUPIES?
TOLD YOU I DON'T HAVE ANY
GROUPIES?
[LAUGHS]
GROUPIES?
[LAUGHS]
OR AT LEAST NONE THAT I KNOW OF,
[LAUGHS]
OR AT LEAST NONE THAT I KNOW OF,
ANYWAY.
OR AT LEAST NONE THAT I KNOW OF,
ANYWAY.
NOW, THERE'S SOMETHING HERE
ANYWAY.
NOW, THERE'S SOMETHING HERE
WHICH WE HAVEN'T DISCUSSED, AND,
NOW, THERE'S SOMETHING HERE
WHICH WE HAVEN'T DISCUSSED, AND,
QUITE FRANKLY, SIR, I THINK WE
WHICH WE HAVEN'T DISCUSSED, AND,
QUITE FRANKLY, SIR, I THINK WE
SHOULD TOUCH ON IT.
QUITE FRANKLY, SIR, I THINK WE
SHOULD TOUCH ON IT.
THE FACT IS, SIR, YOU'RE
SHOULD TOUCH ON IT.
THE FACT IS, SIR, YOU'RE
BLIND... OR LET'S SAY YOU'RE A
THE FACT IS, SIR, YOU'RE
BLIND... OR LET'S SAY YOU'RE A
SIGHTLESS PERSON.
BLIND... OR LET'S SAY YOU'RE A
SIGHTLESS PERSON.
I REMEMBER A MOVIE WITH
SIGHTLESS PERSON.
I REMEMBER A MOVIE WITH
PATTY DUKE AND ANNE BANCROFT.
I REMEMBER A MOVIE WITH
PATTY DUKE AND ANNE BANCROFT.
IT WAS CALLED "THE MIRACLE
PATTY DUKE AND ANNE BANCROFT.
IT WAS CALLED "THE MIRACLE
WORKER."
IT WAS CALLED "THE MIRACLE
WORKER."
IT WAS THE STORY OF A BLIND,
WORKER."
IT WAS THE STORY OF A BLIND,
DEAF, AND MUTE GIRL.
IT WAS THE STORY OF A BLIND,
DEAF, AND MUTE GIRL.
I CAN'T RECALL HER NAME RIGHT
DEAF, AND MUTE GIRL.
I CAN'T RECALL HER NAME RIGHT
NOW, BUT IT'LL COME TO ME.
I CAN'T RECALL HER NAME RIGHT
NOW, BUT IT'LL COME TO ME.
ANYWAY, THEY TAUGHT HER TO READ
NOW, BUT IT'LL COME TO ME.
ANYWAY, THEY TAUGHT HER TO READ
AND COMMUNICATE IN THAT MOVIE.
ANYWAY, THEY TAUGHT HER TO READ
AND COMMUNICATE IN THAT MOVIE.
IT WAS A TOUCHING STORY, AND,
AND COMMUNICATE IN THAT MOVIE.
IT WAS A TOUCHING STORY, AND,
FOR MY MONEY, IT WAS ONE OF THE
IT WAS A TOUCHING STORY, AND,
FOR MY MONEY, IT WAS ONE OF THE
BEST MOVIES I EVER SAW.
FOR MY MONEY, IT WAS ONE OF THE
BEST MOVIES I EVER SAW.
I NEVER CRY AT THE MOVIES, BUT
BEST MOVIES I EVER SAW.
I NEVER CRY AT THE MOVIES, BUT
THIS ONE HAD ME CRYING.
I NEVER CRY AT THE MOVIES, BUT
THIS ONE HAD ME CRYING.
IT WAS GREAT.
THIS ONE HAD ME CRYING.
IT WAS GREAT.
WHAT DID YOU THINK OF THAT
IT WAS GREAT.
WHAT DID YOU THINK OF THAT
MOVIE, SIR?
WHAT DID YOU THINK OF THAT
MOVIE, SIR?
I DIDN'T SEE IT.
MOVIE, SIR?
I DIDN'T SEE IT.
ALL RIGHT.
I DIDN'T SEE IT.
ALL RIGHT.
ALL RIGHT, SIR.
ALL RIGHT.
ALL RIGHT, SIR.
FAIR ENOUGH. I'LL BUY THAT.
ALL RIGHT, SIR.
FAIR ENOUGH. I'LL BUY THAT.
BUT I'LL TELL YOU SOMETHING,
FAIR ENOUGH. I'LL BUY THAT.
BUT I'LL TELL YOU SOMETHING,
TOM.
BUT I'LL TELL YOU SOMETHING,
TOM.
MY BLINDNESS HAS MADE ME MUCH
TOM.
MY BLINDNESS HAS MADE ME MUCH
MORE AWARE.
MY BLINDNESS HAS MADE ME MUCH
MORE AWARE.
MY SENSES OF TASTE, TOUCH, SMELL
MORE AWARE.
MY SENSES OF TASTE, TOUCH, SMELL
ARE HIGHLY DEVELOPED, MORE THAN
MY SENSES OF TASTE, TOUCH, SMELL
ARE HIGHLY DEVELOPED, MORE THAN
MOST PEOPLE WHO CAN SEE.
ARE HIGHLY DEVELOPED, MORE THAN
MOST PEOPLE WHO CAN SEE.
WELL, COULD YOU DEMONSTRATE?
MOST PEOPLE WHO CAN SEE.
WELL, COULD YOU DEMONSTRATE?
ALL RIGHT, WELL, FROM WHERE
WELL, COULD YOU DEMONSTRATE?
ALL RIGHT, WELL, FROM WHERE
I'M SITTING NOW, I CAN TELL
ALL RIGHT, WELL, FROM WHERE
I'M SITTING NOW, I CAN TELL
THAT WITHIN THE PAST HOUR, YOU
I'M SITTING NOW, I CAN TELL
THAT WITHIN THE PAST HOUR, YOU
PUT ON SOME 007 AFTER-SHAVING
THAT WITHIN THE PAST HOUR, YOU
PUT ON SOME 007 AFTER-SHAVING
LOTION, VINTAGE 1968.
PUT ON SOME 007 AFTER-SHAVING
LOTION, VINTAGE 1968.
AND YOU'RE STILL WEARING THE
LOTION, VINTAGE 1968.
AND YOU'RE STILL WEARING THE
SAME SOCKS FOR TWO DAYS IN A
AND YOU'RE STILL WEARING THE
SAME SOCKS FOR TWO DAYS IN A
ROW.
SAME SOCKS FOR TWO DAYS IN A
ROW.
RAY, RAY, I WISH WE COULD
ROW.
RAY, RAY, I WISH WE COULD
CONTINUE.
RAY, RAY, I WISH WE COULD
CONTINUE.
UNFORTUNATELY, WE'RE RUNNING
CONTINUE.
UNFORTUNATELY, WE'RE RUNNING
RIGHT OUT OF TIME.
UNFORTUNATELY, WE'RE RUNNING
RIGHT OUT OF TIME.
YES, YOUR TIE FEELS LIKE
RIGHT OUT OF TIME.
YES, YOUR TIE FEELS LIKE
SILK, TOO, BUT IT'S REALLY
YES, YOUR TIE FEELS LIKE
SILK, TOO, BUT IT'S REALLY
POLYESTER.
SILK, TOO, BUT IT'S REALLY
POLYESTER.
AND YOU STILL TUCK YOUR T-SHIRT
POLYESTER.
AND YOU STILL TUCK YOUR T-SHIRT
INSIDE YOUR BOXER SHORTS.
AND YOU STILL TUCK YOUR T-SHIRT
INSIDE YOUR BOXER SHORTS.
THAT'S SIMPLY UNCANNY, SIR.
INSIDE YOUR BOXER SHORTS.
THAT'S SIMPLY UNCANNY, SIR.
YOU KNOW, YOU'RE ABSOLUTELY
THAT'S SIMPLY UNCANNY, SIR.
YOU KNOW, YOU'RE ABSOLUTELY
RIGHT.
YOU KNOW, YOU'RE ABSOLUTELY
RIGHT.
PLEASE JOIN US ON "TOMORROW."
RIGHT.
PLEASE JOIN US ON "TOMORROW."
WE'LL BE TALKING WITH A MAN WHO
PLEASE JOIN US ON "TOMORROW."
WE'LL BE TALKING WITH A MAN WHO
HAS WRITTEN A BOOK, AND HE
WE'LL BE TALKING WITH A MAN WHO
HAS WRITTEN A BOOK, AND HE
CLAIMS THAT HE RAN A GAY BAR
HAS WRITTEN A BOOK, AND HE
CLAIMS THAT HE RAN A GAY BAR
IN MOSCOW IN THE EARLY '50s AND
CLAIMS THAT HE RAN A GAY BAR
IN MOSCOW IN THE EARLY '50s AND
THAT IT WAS FREQUENTED BY NONE
IN MOSCOW IN THE EARLY '50s AND
THAT IT WAS FREQUENTED BY NONE
OTHER THAN NIKITA KHRUSHCHEV.
THAT IT WAS FREQUENTED BY NONE
OTHER THAN NIKITA KHRUSHCHEV.
I STILL THINK YOUR HAIR'S AT
OTHER THAN NIKITA KHRUSHCHEV.
I STILL THINK YOUR HAIR'S AT
LEAST 12 DIFFERENT COLORS, TOO.
I STILL THINK YOUR HAIR'S AT
LEAST 12 DIFFERENT COLORS, TOO.
GOOD NIGHT, EVERYBODY.
LEAST 12 DIFFERENT COLORS, TOO.
GOOD NIGHT, EVERYBODY.
♪ HIT THE ROAD, JACK ♪
GOOD NIGHT, EVERYBODY.
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK NO
MORE ♪
♪ WHAT YOU SAID ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK... ♪
[SPEAKING INDISTINCTLY]
HEY, LOOK, MAN.
GET HAPPY, OKAY?
HEY, LOOK, MAN.
GET HAPPY, OKAY?
THIS IS A GOLDEN OPPORTUNITY.
GET HAPPY, OKAY?
THIS IS A GOLDEN OPPORTUNITY.
THE HOTTEST WHITE GROUP IN THE
THIS IS A GOLDEN OPPORTUNITY.
THE HOTTEST WHITE GROUP IN THE
COUNTRY IS GONNA RECORD YOUR
THE HOTTEST WHITE GROUP IN THE
COUNTRY IS GONNA RECORD YOUR
SONG.
COUNTRY IS GONNA RECORD YOUR
SONG.
YEAH, BUT I WANT TO RECORD MY
SONG.
YEAH, BUT I WANT TO RECORD MY
OWN SONG.
YEAH, BUT I WANT TO RECORD MY
OWN SONG.
HEY, MAN, YOU WILL, BABY.
OWN SONG.
HEY, MAN, YOU WILL, BABY.
YOU WILL.
HEY, MAN, YOU WILL, BABY.
YOU WILL.
BUT YOU'RE GONNA RECORD THE
YOU WILL.
BUT YOU'RE GONNA RECORD THE
RHYTHM AND BLUES VERSION, THE
BUT YOU'RE GONNA RECORD THE
RHYTHM AND BLUES VERSION, THE
ONES THAT'S GONNA BE PLAYED ON
RHYTHM AND BLUES VERSION, THE
ONES THAT'S GONNA BE PLAYED ON
THE SOUTH ON THOSE NEGRO RADIO
ONES THAT'S GONNA BE PLAYED ON
THE SOUTH ON THOSE NEGRO RADIO
STATIONS.
THE SOUTH ON THOSE NEGRO RADIO
STATIONS.
YEAH, YEAH. SO?
STATIONS.
YEAH, YEAH. SO?
WELL, THIS IS ONE THAT'S
YEAH, YEAH. SO?
WELL, THIS IS ONE THAT'S
COMING UP.
WELL, THIS IS ONE THAT'S
COMING UP.
THEN WE'RE GONNA RECORD THE ONE
COMING UP.
THEN WE'RE GONNA RECORD THE ONE
THAT'S GONNA BE PLAYED, YOU
THEN WE'RE GONNA RECORD THE ONE
THAT'S GONNA BE PLAYED, YOU
KNOW, THE POP VERSION, THE ONE
THAT'S GONNA BE PLAYED, YOU
KNOW, THE POP VERSION, THE ONE
THAT'LL BE PLAYED ON RADIO
KNOW, THE POP VERSION, THE ONE
THAT'LL BE PLAYED ON RADIO
STATIONS ALL OVER THE COUNTRY.
THAT'LL BE PLAYED ON RADIO
STATIONS ALL OVER THE COUNTRY.
AND THEY'RE ALSO GONNA PERFORM
STATIONS ALL OVER THE COUNTRY.
AND THEY'RE ALSO GONNA PERFORM
IT ON THE "ED SULLIVAN SHOW."
AND THEY'RE ALSO GONNA PERFORM
IT ON THE "ED SULLIVAN SHOW."
AND THE GROUP IS GONNA DO IT IN
IT ON THE "ED SULLIVAN SHOW."
AND THE GROUP IS GONNA DO IT IN
THE MOVIE THAT THEY GOT COMING
AND THE GROUP IS GONNA DO IT IN
THE MOVIE THAT THEY GOT COMING
UP CALLED "THE WEEKEND AT THE
THE MOVIE THAT THEY GOT COMING
UP CALLED "THE WEEKEND AT THE
WORLD'S FAIR."
UP CALLED "THE WEEKEND AT THE
WORLD'S FAIR."
MAN, THEY GONNA SELL THEM
WORLD'S FAIR."
MAN, THEY GONNA SELL THEM
MILLIONS OF COPIES.
MAN, THEY GONNA SELL THEM
MILLIONS OF COPIES.
AND THEY'RE GONNA GIVE YOU...
MILLIONS OF COPIES.
AND THEY'RE GONNA GIVE YOU...
THIS IS THE BEST THING... THEY
AND THEY'RE GONNA GIVE YOU...
THIS IS THE BEST THING... THEY
GONNA GIVE YOU ALL OF $400.
THIS IS THE BEST THING... THEY
GONNA GIVE YOU ALL OF $400.
OH, WELL, AT LEAST I CAN
GONNA GIVE YOU ALL OF $400.
OH, WELL, AT LEAST I CAN
UNDERSTAND THAT.
OH, WELL, AT LEAST I CAN
UNDERSTAND THAT.
SO, JUST CHEER UP AND ENJOY.
UNDERSTAND THAT.
SO, JUST CHEER UP AND ENJOY.
KNOCK, KNOCK.
SO, JUST CHEER UP AND ENJOY.
KNOCK, KNOCK.
ANYBODY HOME?
KNOCK, KNOCK.
ANYBODY HOME?
COME ON. COME ON.
ANYBODY HOME?
COME ON. COME ON.
ALL RIGHT, EVERYBODY, COME ON
COME ON. COME ON.
ALL RIGHT, EVERYBODY, COME ON
DOWN HERE.
ALL RIGHT, EVERYBODY, COME ON
DOWN HERE.
HI, MR. DeWITT.
DOWN HERE.
HI, MR. DeWITT.
HI, THERE.
HI, MR. DeWITT.
HI, THERE.
EVERYBODY, THIS IS
HI, THERE.
EVERYBODY, THIS IS
MR. RAY CHARLES.
EVERYBODY, THIS IS
MR. RAY CHARLES.
HOW YOU DOING?
MR. RAY CHARLES.
HOW YOU DOING?
HOW YOU DOING?
HOW YOU DOING?
HOW YOU DOING?
I'M GROUP LEADER JODY JOBO.
HOW YOU DOING?
I'M GROUP LEADER JODY JOBO.
AND THIS IS TODD, VIC, CHIP,
I'M GROUP LEADER JODY JOBO.
AND THIS IS TODD, VIC, CHIP,
TAMMY, AND PAMMY.
AND THIS IS TODD, VIC, CHIP,
TAMMY, AND PAMMY.
HI.
TAMMY, AND PAMMY.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
OR, AS WE'RE KNOWN
HI.
OR, AS WE'RE KNOWN
PROFESSIONALLY, THE YOUNG
OR, AS WE'RE KNOWN
PROFESSIONALLY, THE YOUNG
CAUCASIANS.
PROFESSIONALLY, THE YOUNG
CAUCASIANS.
I'D JUST LIKE TO SAY,
CAUCASIANS.
I'D JUST LIKE TO SAY,
MR. CHARLES, WE'RE SO EXCITED
I'D JUST LIKE TO SAY,
MR. CHARLES, WE'RE SO EXCITED
ABOUT DOING THIS SONG.
MR. CHARLES, WE'RE SO EXCITED
ABOUT DOING THIS SONG.
OH, BEAUTIFUL. THANK YOU.
ABOUT DOING THIS SONG.
OH, BEAUTIFUL. THANK YOU.
OH, WOW.
OH, BEAUTIFUL. THANK YOU.
OH, WOW.
I MEAN, WE REALLY LOVE
OH, WOW.
I MEAN, WE REALLY LOVE
"WHAT DID I SAY."
I MEAN, WE REALLY LOVE
"WHAT DID I SAY."
WHY, WE SING "WHAT DID I SAY" SO
"WHAT DID I SAY."
WHY, WE SING "WHAT DID I SAY" SO
WELL WE'RE GONNA MAKE IT PART OF
WHY, WE SING "WHAT DID I SAY" SO
WELL WE'RE GONNA MAKE IT PART OF
OUR ACT... "YOUNG CAUCASIANS'
WELL WE'RE GONNA MAKE IT PART OF
OUR ACT... "YOUNG CAUCASIANS'
SALUTE TO NEGROES."
OUR ACT... "YOUNG CAUCASIANS'
SALUTE TO NEGROES."
I SEE.
SALUTE TO NEGROES."
I SEE.
IT'S ALSO GONNA BE ON OUR NEW
I SEE.
IT'S ALSO GONNA BE ON OUR NEW
"SHADES OF WHITE" ALBUM, SIR.
IT'S ALSO GONNA BE ON OUR NEW
"SHADES OF WHITE" ALBUM, SIR.
SAY, WOULD YOU LIKE TO SEE OUR
"SHADES OF WHITE" ALBUM, SIR.
SAY, WOULD YOU LIKE TO SEE OUR
NEW ALBUM COVER, MR. DeWITT?
SAY, WOULD YOU LIKE TO SEE OUR
NEW ALBUM COVER, MR. DeWITT?
SURE.
NEW ALBUM COVER, MR. DeWITT?
SURE.
COME ON. LET'S DO IT.
SURE.
COME ON. LET'S DO IT.
ALBUM COVER.
COME ON. LET'S DO IT.
ALBUM COVER.
ALBUM COVER.
ALBUM COVER.
ALBUM COVER.
WHOA!
ALBUM COVER.
WHOA!
TA-DA!
WHOA!
TA-DA!
IT'S FUNNY, ISN'T IT?
TA-DA!
IT'S FUNNY, ISN'T IT?
IT'S AN ALBUM COVER, BUT IT'S
IT'S FUNNY, ISN'T IT?
IT'S AN ALBUM COVER, BUT IT'S
FUNNY!
IT'S AN ALBUM COVER, BUT IT'S
FUNNY!
IT'S A FUNNY ALBUM COVER!
FUNNY!
IT'S A FUNNY ALBUM COVER!
[LAUGHS]
IT'S A FUNNY ALBUM COVER!
[LAUGHS]
WELL, HEY, MAN, WE HAVEN'T
[LAUGHS]
WELL, HEY, MAN, WE HAVEN'T
GOT MUCH TIME, YOU KNOW.
WELL, HEY, MAN, WE HAVEN'T
GOT MUCH TIME, YOU KNOW.
WHY DON'T YOU GET STARTED?
GOT MUCH TIME, YOU KNOW.
WHY DON'T YOU GET STARTED?
SURE, OKAY.
WHY DON'T YOU GET STARTED?
SURE, OKAY.
OKAY. OKAY.
SURE, OKAY.
OKAY. OKAY.
MR. CHARLES, HERE'S THE
OKAY. OKAY.
MR. CHARLES, HERE'S THE
YOUNG CAUCASIANS' VERSION OF
MR. CHARLES, HERE'S THE
YOUNG CAUCASIANS' VERSION OF
"WHAT DID I SAY."
YOUNG CAUCASIANS' VERSION OF
"WHAT DID I SAY."
[CHEERFUL INTRO PLAYS]
"WHAT DID I SAY."
[CHEERFUL INTRO PLAYS]
♪ HEY, MAMA, DON'T YOU TREAT
[CHEERFUL INTRO PLAYS]
♪ HEY, MAMA, DON'T YOU TREAT
ME WRONG ♪
♪ HEY, MAMA, DON'T YOU TREAT
ME WRONG ♪
♪ COME AND LOVE YOUR DADDY ALL
ME WRONG ♪
♪ COME AND LOVE YOUR DADDY ALL
NIGHT LONG ♪
♪ COME AND LOVE YOUR DADDY ALL
NIGHT LONG ♪
♪ HE-E-E-E-Y ♪
NIGHT LONG ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ WHAT DID I SAY? ♪
♪ HE-E-E-E-Y ♪
♪ WHAT DID I SAY? ♪
YEAH!
♪ WHAT DID I SAY? ♪
YEAH!
HIT IT, CUTIE!
YEAH!
HIT IT, CUTIE!
♪ SEE THE GIRL WITH THE
HIT IT, CUTIE!
♪ SEE THE GIRL WITH THE
DIAMOND RING ♪
♪ SEE THE GIRL WITH THE
DIAMOND RING ♪
♪ SHE KNOWS HOW TO SHAKE THAT
DIAMOND RING ♪
♪ SHE KNOWS HOW TO SHAKE THAT
THING ♪
♪ SHE KNOWS HOW TO SHAKE THAT
THING ♪
♪ HE-E-E-E-Y ♪
THING ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ WHAT DID I SAY? ♪
♪ HE-E-E-E-Y ♪
♪ WHAT DID I SAY? ♪
OH, THIS IS REALLY FUN!
♪ WHAT DID I SAY? ♪
OH, THIS IS REALLY FUN!
YES, IT IS!
OH, THIS IS REALLY FUN!
YES, IT IS!
♪ A MULE IS AN ANIMAL WITH
YES, IT IS!
♪ A MULE IS AN ANIMAL WITH
LONG, FUNNY EARS ♪
♪ A MULE IS AN ANIMAL WITH
LONG, FUNNY EARS ♪
♪ AND I CAN TELL YOU THAT HE
LONG, FUNNY EARS ♪
♪ AND I CAN TELL YOU THAT HE
NEVER HEARS WHAT I SAY ♪
♪ AND I CAN TELL YOU THAT HE
NEVER HEARS WHAT I SAY ♪
♪ HE-E-E-E-Y ♪
NEVER HEARS WHAT I SAY ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
WHAT DID I SAY?
♪ HE-E-E-E-Y ♪
WHAT DID I SAY?
I'LL TELL YOU WHAT I SAY.
WHAT DID I SAY?
I'LL TELL YOU WHAT I SAY.
WHAT?
I'LL TELL YOU WHAT I SAY.
WHAT?
♪ HE-E-Y ♪
WHAT?
♪ HE-E-Y ♪
♪ HE-E-Y ♪
♪ HE-E-Y ♪
♪ HE-E-Y ♪
♪ HO-O-O ♪
♪ HE-E-Y ♪
♪ HO-O-O ♪
♪ HO-O-O ♪
♪ HO-O-O ♪
♪ HO-O-O ♪
♪ HEY ♪
♪ HO-O-O ♪
♪ HEY ♪
♪ HEY ♪
♪ HEY ♪
♪ HEY ♪
♪ HO ♪
♪ HEY ♪
♪ HO ♪
♪ HO ♪
♪ HO ♪
♪ HO ♪
♪ HEY, HEY, HO, HO ♪
♪ HO ♪
♪ HEY, HEY, HO, HO ♪
♪ HEY, BABY, DON'T YOU RIDE ♪
♪ HEY, HEY, HO, HO ♪
♪ HEY, BABY, DON'T YOU RIDE ♪
♪ BABY, DON'T YOU RIDE ♪
♪ HEY, BABY, DON'T YOU RIDE ♪
♪ BABY, DON'T YOU RIDE ♪
♪ NO, YOU DON'T ♪
♪ BABY, DON'T YOU RIDE ♪
♪ NO, YOU DON'T ♪
♪ WHOA ♪
♪ NO, YOU DON'T ♪
♪ WHOA ♪
♪ THAT'S... WHAT... WE... SA-A-Y ♪
♪ WHOA ♪
♪ THAT'S... WHAT... WE... SA-A-Y ♪
♪ SO NOW YOU KNOW JUST WHAT WE
♪ THAT'S... WHAT... WE... SA-A-Y ♪
♪ SO NOW YOU KNOW JUST WHAT WE
SAY ♪
♪ SO NOW YOU KNOW JUST WHAT WE
SAY ♪
OLé!
SAY ♪
OLé!
THANK YOU.
OLé!
THANK YOU.
I GUESS THAT WAS PERFECT, AS
THANK YOU.
I GUESS THAT WAS PERFECT, AS
USUAL.
I GUESS THAT WAS PERFECT, AS
USUAL.
OH, WHAT DID YOU THINK,
USUAL.
OH, WHAT DID YOU THINK,
MR. DeWITT?
OH, WHAT DID YOU THINK,
MR. DeWITT?
FINE. FINE.
MR. DeWITT?
FINE. FINE.
WHAT DID YOU THINK,
FINE. FINE.
WHAT DID YOU THINK,
MR. CHARLES?
WHAT DID YOU THINK,
MR. CHARLES?
WELL, HONEY, I'LL TELL YOU
MR. CHARLES?
WELL, HONEY, I'LL TELL YOU
THE REAL TRUTH.
WELL, HONEY, I'LL TELL YOU
THE REAL TRUTH.
YOU SEE, I...
THE REAL TRUTH.
YOU SEE, I...
HE CAN'T BE OBJECTIVE BECAUSE
YOU SEE, I...
HE CAN'T BE OBJECTIVE BECAUSE
HE WROTE THE SONG.
HE CAN'T BE OBJECTIVE BECAUSE
HE WROTE THE SONG.
WHICH REMINDS ME.
HE WROTE THE SONG.
WHICH REMINDS ME.
RAY, I'VE BEEN MEANING TO ASK
WHICH REMINDS ME.
RAY, I'VE BEEN MEANING TO ASK
YOU.
RAY, I'VE BEEN MEANING TO ASK
YOU.
THE VERSE WE DIDN'T DO, "TELL
YOU.
THE VERSE WE DIDN'T DO, "TELL
YOUR MA, TELL YOUR PA, I'M
THE VERSE WE DIDN'T DO, "TELL
YOUR MA, TELL YOUR PA, I'M
GONNA SEND YOU BACK TO
YOUR MA, TELL YOUR PA, I'M
GONNA SEND YOU BACK TO
ARKANSAS."
GONNA SEND YOU BACK TO
ARKANSAS."
YES.
ARKANSAS."
YES.
LIKE, WHERE FROM ARKANSAS?
YES.
LIKE, WHERE FROM ARKANSAS?
I'M FROM ARKANSAS, AND I MIGHT
LIKE, WHERE FROM ARKANSAS?
I'M FROM ARKANSAS, AND I MIGHT
KNOW YOUR MA AND PA.
I'M FROM ARKANSAS, AND I MIGHT
KNOW YOUR MA AND PA.
WELL, IF I DON'T KNOW THEM, MY
KNOW YOUR MA AND PA.
WELL, IF I DON'T KNOW THEM, MY
PARENTS DO 'CAUSE THEY KNOW
WELL, IF I DON'T KNOW THEM, MY
PARENTS DO 'CAUSE THEY KNOW
PRACTICALLY EVERYONE IN THE
PARENTS DO 'CAUSE THEY KNOW
PRACTICALLY EVERYONE IN THE
STATE.
PRACTICALLY EVERYONE IN THE
STATE.
EVEN PEOPLE I DON'T KNOW, THEY
STATE.
EVEN PEOPLE I DON'T KNOW, THEY
KNOW.
EVEN PEOPLE I DON'T KNOW, THEY
KNOW.
COME ON, GUYS.
KNOW.
COME ON, GUYS.
WE GOT TO GET BACK IF WE'RE
COME ON, GUYS.
WE GOT TO GET BACK IF WE'RE
GONNA GET THAT DIP BEFORE
WE GOT TO GET BACK IF WE'RE
GONNA GET THAT DIP BEFORE
DINNER.
GONNA GET THAT DIP BEFORE
DINNER.
[ALL SPEAKING OVER EACH OTHER]
DINNER.
[ALL SPEAKING OVER EACH OTHER]
HEY, RAY, LOOK.
[ALL SPEAKING OVER EACH OTHER]
HEY, RAY, LOOK.
I THINK WE GOT OUR HIT, MAN.
HEY, RAY, LOOK.
I THINK WE GOT OUR HIT, MAN.
NOW, GET THIS OTHER THING OUT OF
I THINK WE GOT OUR HIT, MAN.
NOW, GET THIS OTHER THING OUT OF
THE WAY SO WE CAN GET OUT OF
NOW, GET THIS OTHER THING OUT OF
THE WAY SO WE CAN GET OUT OF
HERE, BABY.
THE WAY SO WE CAN GET OUT OF
HERE, BABY.
OKAY, MAN.
HERE, BABY.
OKAY, MAN.
BUT I STILL KIND OF LIKE MY OWN
OKAY, MAN.
BUT I STILL KIND OF LIKE MY OWN
VERSION.
BUT I STILL KIND OF LIKE MY OWN
VERSION.
[TRADITIONAL INTRO TO
VERSION.
[TRADITIONAL INTRO TO
"WHAT'D I SAY" PLAYS]
♪ OH, MAMA, DON'T TREAT ME
WRONG ♪
♪ COME AND LOVE ME ALL NIGHT
WRONG ♪
♪ COME AND LOVE ME ALL NIGHT
LONG ♪
♪ COME AND LOVE ME ALL NIGHT
LONG ♪
♪ ALL NIGHT LONG ♪
LONG ♪
♪ ALL NIGHT LONG ♪
♪ OH, BABY ♪
♪ ALL NIGHT LONG ♪
♪ OH, BABY ♪
♪ ALL NIGHT LONG ♪
♪ OH, BABY ♪
♪ ALL NIGHT LONG ♪
♪ TELL MA, TELL PA ♪
♪ ALL NIGHT LONG ♪
♪ TELL MA, TELL PA ♪
♪ GONNA SEND YOU TO ARKANSAS ♪
♪ TELL MA, TELL PA ♪
♪ GONNA SEND YOU TO ARKANSAS ♪
♪ BABY, OH, YOU WON'T DO RIGHT ♪
♪ GONNA SEND YOU TO ARKANSAS ♪
♪ BABY, OH, YOU WON'T DO RIGHT ♪
♪ GIRL, YOU KNOW YOU WON'T DO
♪ BABY, OH, YOU WON'T DO RIGHT ♪
♪ GIRL, YOU KNOW YOU WON'T DO
RIGHT ♪
♪ GIRL, YOU KNOW YOU WON'T DO
RIGHT ♪
♪ OH, WHAT'D I SAY? ♪
RIGHT ♪
♪ OH, WHAT'D I SAY? ♪
♪ TELL ME ♪
♪ OH, WHAT'D I SAY? ♪
♪ TELL ME ♪
♪ WHAT'D I SAY? ♪
♪ TELL ME ♪
♪ WHAT'D I SAY? ♪
♪ WHAT'D I SAY? ♪
♪ WHAT'D I SAY? ♪
♪ WHAT'D I SAY? ♪
♪ TELL ME WHAT'D I SAY, BABY ♪
♪ WHAT'D I SAY? ♪
♪ TELL ME WHAT'D I SAY, BABY ♪
♪ WHAT'D I SAY? ♪
♪ TELL ME WHAT'D I SAY, BABY ♪
♪ WHAT'D I SAY? ♪
♪ I WANT TO KNOW ♪
♪ WHAT'D I SAY? ♪
♪ I WANT TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I WANT TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I NEED TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I NEED TO KNOW ♪
♪ I'VE GOT TO KNOW ♪
♪ I NEED TO KNOW ♪
♪ I'VE GOT TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I'VE GOT TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I WANNA KNOW ♪
♪ I WANNA KNOW ♪
♪ I WANNA KNOW ♪
♪ OOH ♪
♪ I WANNA KNOW ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OOH, OHH ♪
♪ OHH ♪
♪ OOH, OHH ♪
♪ OH, IT'S ALL RIGHT ♪
♪ OOH, OHH ♪
♪ OH, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ OH, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ OH, IT'S ALL ♪
♪ IT'S ALL RIGHT ♪
♪ OH, IT'S ALL ♪
♪ IT'S ALL RIGHT ♪
♪ OH, IT'S ALL ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT, BABY ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT, BABY ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT, BABY ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ SAY IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ SAY IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ SAY IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ OOH ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OOH, OOH, SING IT ♪
♪ OHH ♪
♪ OOH, OOH, SING IT ♪
♪ SHAKE THAT THING ♪
♪ OOH, OOH, SING IT ♪
♪ SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ SHAKE THAT THING ♪
♪ OH, BABY ♪
♪ SHAKE THAT THING ♪
♪ OH, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ AW, FAN IT, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ AW, FAN IT, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ AW, FAN IT, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OW ♪
♪ BABY, SHAKE THAT THING ♪
♪ OW ♪
♪ OW ♪
♪ OW ♪
♪ OW ♪
♪ OH-H ♪
♪ OW ♪
♪ OH-H ♪
♪ OH-H ♪
♪ OH-H ♪
♪ OH-H ♪
♪ HUH ♪
♪ OH-H ♪
♪ HUH ♪
♪ HUH ♪
♪ HUH ♪
♪ HUH ♪
♪ HO ♪
♪ HUH ♪
♪ HO ♪
♪ HO ♪
♪ HO ♪
♪ HO ♪
♪ HUH, HO, BABY, I FEEL ♪
♪ HO ♪
♪ HUH, HO, BABY, I FEEL ♪
♪ MAKE ME SO GOOD ♪
♪ HUH, HO, BABY, I FEEL ♪
♪ MAKE ME SO GOOD ♪
♪ OH, I FEEL ♪
♪ MAKE ME SO GOOD ♪
♪ OH, I FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ OH, I FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ EVERY MORNING ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ EVERY MORNING ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ EVERY MORNING ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ BABY ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ BABY ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ BABY ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ YOU MAKE ME FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ YOU MAKE ME FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ YOU MAKE ME FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ JUST FEELING GOOD ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ JUST FEELING GOOD ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ JUST FEELING GOOD ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ OH, ONE MORE TIME ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ OH, ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ OH, ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ AH, DO IT AGAIN, BABY ♪
♪ BABY, ONE MORE TIME ♪
♪ AH, DO IT AGAIN, BABY ♪
♪ BABY, ONE MORE TIME ♪
♪ AH, DO IT AGAIN, BABY ♪
♪ BABY, ONE MORE TIME ♪
♪ SAY ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ SAY ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ SAY ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ JUST ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ JUST ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ JUST ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ DO IT ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ DO IT ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ DO IT ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, ONE MORE TIME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ TAKE ME HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ TAKE ME HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ TAKE ME HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME, BABY ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME, BABY ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME, BABY ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME WITH YOU ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME WITH YOU ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME WITH YOU ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
[MUSIC STOPS]
♪ BABY, LET'S GO HOME ♪
[MUSIC STOPS]
NOW, ALL RIGHT.
[MUSIC STOPS]
NOW, ALL RIGHT.
NOW, I TELL YOU WHAT, MAN.
NOW, ALL RIGHT.
NOW, I TELL YOU WHAT, MAN.
NOW, YOU BE HONEST NOW.
NOW, I TELL YOU WHAT, MAN.
NOW, YOU BE HONEST NOW.
YOU TELL ME THE TRUTH.
NOW, YOU BE HONEST NOW.
YOU TELL ME THE TRUTH.
HOW'D YOU LIKE THAT?
YOU TELL ME THE TRUTH.
HOW'D YOU LIKE THAT?
RAY, YOU LIKE IT, I LIKE IT,
HOW'D YOU LIKE THAT?
RAY, YOU LIKE IT, I LIKE IT,
BUT THESE WHITE PEOPLE AIN'T
RAY, YOU LIKE IT, I LIKE IT,
BUT THESE WHITE PEOPLE AIN'T
READY FOR THIS KIND OF STUFF,
BUT THESE WHITE PEOPLE AIN'T
READY FOR THIS KIND OF STUFF,
MAN.
READY FOR THIS KIND OF STUFF,
MAN.
NOW, LET'S GO AND EAT.
MAN.
NOW, LET'S GO AND EAT.
ALL RIGHT, MAN. OKAY.
Announcer: AND NOW
"WEEKEND UPDATE" WITH
CHEVY CHASE.
"WEEKEND UPDATE" WITH
CHEVY CHASE.
WHO?
CHEVY CHASE.
WHO?
SORRY. OLD SCRIPT.
WHO?
SORRY. OLD SCRIPT.
HEY, NO PROBLEM.
SORRY. OLD SCRIPT.
HEY, NO PROBLEM.
OUR TOP STORY TONIGHT... AFTER
HEY, NO PROBLEM.
OUR TOP STORY TONIGHT... AFTER
10 MONTHS IN OFFICE, WASHINGTON
OUR TOP STORY TONIGHT... AFTER
10 MONTHS IN OFFICE, WASHINGTON
SOURCES SPECULATE THAT
10 MONTHS IN OFFICE, WASHINGTON
SOURCES SPECULATE THAT
JIMMY CARTER'S DECLINING
SOURCES SPECULATE THAT
JIMMY CARTER'S DECLINING
POPULARITY MAY RESULT IN HIS
JIMMY CARTER'S DECLINING
POPULARITY MAY RESULT IN HIS
BEING A ONE-TERM PRESIDENT.
POPULARITY MAY RESULT IN HIS
BEING A ONE-TERM PRESIDENT.
ONE PERSON WHO SEEMS UNDAUNTED
BEING A ONE-TERM PRESIDENT.
ONE PERSON WHO SEEMS UNDAUNTED
BY THESE REPORTS IS
ONE PERSON WHO SEEMS UNDAUNTED
BY THESE REPORTS IS
LILLIAN CARTER, WHO, PICTURED
BY THESE REPORTS IS
LILLIAN CARTER, WHO, PICTURED
HERE, SAYS THAT SHE CAN FEEL
LILLIAN CARTER, WHO, PICTURED
HERE, SAYS THAT SHE CAN FEEL
THAT HER SON IS STILL GROWING IN
HERE, SAYS THAT SHE CAN FEEL
THAT HER SON IS STILL GROWING IN
THE JOB.
THAT HER SON IS STILL GROWING IN
THE JOB.
O.J. SIMPSON, THE STAR RUNNING
THE JOB.
O.J. SIMPSON, THE STAR RUNNING
BACK OF THE BUFFALO BILLS WHO
O.J. SIMPSON, THE STAR RUNNING
BACK OF THE BUFFALO BILLS WHO
WILL BE OUT FOR THE REST OF THIS
BACK OF THE BUFFALO BILLS WHO
WILL BE OUT FOR THE REST OF THIS
SEASON, UNDERWENT SURGERY THIS
WILL BE OUT FOR THE REST OF THIS
SEASON, UNDERWENT SURGERY THIS
WEEK IN BUFFALO.
SEASON, UNDERWENT SURGERY THIS
WEEK IN BUFFALO.
SHOWN HERE AFTER THE OPERATION,
WEEK IN BUFFALO.
SHOWN HERE AFTER THE OPERATION,
O.J. SAID HE'S LOOKING FORWARD
SHOWN HERE AFTER THE OPERATION,
O.J. SAID HE'S LOOKING FORWARD
TO NEXT SEASON WHEN HE'LL COOK
O.J. SAID HE'S LOOKING FORWARD
TO NEXT SEASON WHEN HE'LL COOK
FOR HIS FORMER TEAMMATES.
TO NEXT SEASON WHEN HE'LL COOK
FOR HIS FORMER TEAMMATES.
WELL, THERE WAS MORE TROUBLE
FOR HIS FORMER TEAMMATES.
WELL, THERE WAS MORE TROUBLE
AT KENT STATE THIS WEEK WHEN A
WELL, THERE WAS MORE TROUBLE
AT KENT STATE THIS WEEK WHEN A
GROUP OF RADICAL INFANTS FROM A
AT KENT STATE THIS WEEK WHEN A
GROUP OF RADICAL INFANTS FROM A
LOCAL NURSERY SCHOOL CLASHED
GROUP OF RADICAL INFANTS FROM A
LOCAL NURSERY SCHOOL CLASHED
WITH NATIONAL GUARDSMEN.
LOCAL NURSERY SCHOOL CLASHED
WITH NATIONAL GUARDSMEN.
REPORTS SAY THAT THE UNRULY
WITH NATIONAL GUARDSMEN.
REPORTS SAY THAT THE UNRULY
TODDLERS WERE PROTESTING THE
REPORTS SAY THAT THE UNRULY
TODDLERS WERE PROTESTING THE
CONSTRUCTION OF A JUNGLE GYM AT
TODDLERS WERE PROTESTING THE
CONSTRUCTION OF A JUNGLE GYM AT
THE SITE WHERE FOUR OF THEIR
CONSTRUCTION OF A JUNGLE GYM AT
THE SITE WHERE FOUR OF THEIR
PLAYMATES WERE UNJUSTLY SPANKED
THE SITE WHERE FOUR OF THEIR
PLAYMATES WERE UNJUSTLY SPANKED
SEVEN MONTHS AGO.
PLAYMATES WERE UNJUSTLY SPANKED
SEVEN MONTHS AGO.
THE NATIONAL HEALTH SERVICE
SEVEN MONTHS AGO.
THE NATIONAL HEALTH SERVICE
HAS CALLED A NATIONWIDE RABIES
THE NATIONAL HEALTH SERVICE
HAS CALLED A NATIONWIDE RABIES
ALERT.
HAS CALLED A NATIONWIDE RABIES
ALERT.
RABIES IS CARRIED BY RODENTS AND
ALERT.
RABIES IS CARRIED BY RODENTS AND
PASSED ON TO STRAY ANIMALS AND
RABIES IS CARRIED BY RODENTS AND
PASSED ON TO STRAY ANIMALS AND
HOUSE PETS.
PASSED ON TO STRAY ANIMALS AND
HOUSE PETS.
IT IS CHARACTERIZED BY A FOAMING
HOUSE PETS.
IT IS CHARACTERIZED BY A FOAMING
AT THE MOUTH AND A CRAZED
IT IS CHARACTERIZED BY A FOAMING
AT THE MOUTH AND A CRAZED
VICIOUSNESS.
AT THE MOUTH AND A CRAZED
VICIOUSNESS.
RABIES IS UNDETECTABLE IN ITS
VICIOUSNESS.
RABIES IS UNDETECTABLE IN ITS
EARLY STAGES, AND, ONCE IT DOES
RABIES IS UNDETECTABLE IN ITS
EARLY STAGES, AND, ONCE IT DOES
BECOME DETECTABLE, IT IS ALSO
EARLY STAGES, AND, ONCE IT DOES
BECOME DETECTABLE, IT IS ALSO
IRREVERSIBLE AND FATAL.
BECOME DETECTABLE, IT IS ALSO
IRREVERSIBLE AND FATAL.
SO, IF YOU ARE BITTEN BY AN
IRREVERSIBLE AND FATAL.
SO, IF YOU ARE BITTEN BY AN
ANIMAL THAT MAY BE RABID,
SO, IF YOU ARE BITTEN BY AN
ANIMAL THAT MAY BE RABID,
CAPTURE IT AND BRING IT TO A
ANIMAL THAT MAY BE RABID,
CAPTURE IT AND BRING IT TO A
DOCTOR.
CAPTURE IT AND BRING IT TO A
DOCTOR.
OTHERWISE, YOU WILL HAVE TO
DOCTOR.
OTHERWISE, YOU WILL HAVE TO
UNDERGO A PAINFUL SERIES OF
OTHERWISE, YOU WILL HAVE TO
UNDERGO A PAINFUL SERIES OF
RABIES SHOTS.
UNDERGO A PAINFUL SERIES OF
RABIES SHOTS.
SO, IF YOUR HUSBAND LOOKS LIKE
RABIES SHOTS.
SO, IF YOUR HUSBAND LOOKS LIKE
THIS AND BITES YOU, TAKE HIM,
SO, IF YOUR HUSBAND LOOKS LIKE
THIS AND BITES YOU, TAKE HIM,
ALIVE, TO A DOCTOR.
THIS AND BITES YOU, TAKE HIM,
ALIVE, TO A DOCTOR.
[HISSING]
ALIVE, TO A DOCTOR.
[HISSING]
THE SOCIETY OF SOCRATIC
[HISSING]
THE SOCIETY OF SOCRATIC
SCHOLARS REVEALED THIS WEEK NEW
THE SOCIETY OF SOCRATIC
SCHOLARS REVEALED THIS WEEK NEW
INFORMATION ABOUT THE DEATH OF
SCHOLARS REVEALED THIS WEEK NEW
INFORMATION ABOUT THE DEATH OF
SOCRATES.
INFORMATION ABOUT THE DEATH OF
SOCRATES.
IT SEEMS THAT THE PHILOSOPHER
SOCRATES.
IT SEEMS THAT THE PHILOSOPHER
WAS GROSSLY OVERWEIGHT, TRYING
IT SEEMS THAT THE PHILOSOPHER
WAS GROSSLY OVERWEIGHT, TRYING
TO DIET, AND THE HEMLOCK THAT
WAS GROSSLY OVERWEIGHT, TRYING
TO DIET, AND THE HEMLOCK THAT
KILLED HIM WAS ACTUALLY LIQUID
TO DIET, AND THE HEMLOCK THAT
KILLED HIM WAS ACTUALLY LIQUID
PROTEIN.
KILLED HIM WAS ACTUALLY LIQUID
PROTEIN.
I DIDN'T KNOW THAT SOCRATES
PROTEIN.
I DIDN'T KNOW THAT SOCRATES
WAS THAT HEAVY, JANE.
I DIDN'T KNOW THAT SOCRATES
WAS THAT HEAVY, JANE.
OH, YES.
WAS THAT HEAVY, JANE.
OH, YES.
HE WAS VERY HEAVY.
OH, YES.
HE WAS VERY HEAVY.
THE NAME ITSELF... SOCRATES...
HE WAS VERY HEAVY.
THE NAME ITSELF... SOCRATES...
COMES FROM THE GREEK ROOT
THE NAME ITSELF... SOCRATES...
COMES FROM THE GREEK ROOT
"SOCRAT," WHICH MEANS TUB OF
COMES FROM THE GREEK ROOT
"SOCRAT," WHICH MEANS TUB OF
LARD.
"SOCRAT," WHICH MEANS TUB OF
LARD.
WELL, THAT'S VERY
LARD.
WELL, THAT'S VERY
INTERESTING.
WELL, THAT'S VERY
INTERESTING.
YES.
INTERESTING.
YES.
WELL, LONGTIME RADIO AND
YES.
WELL, LONGTIME RADIO AND
COMEDIANS BOB AND RAY... LET'S
WELL, LONGTIME RADIO AND
COMEDIANS BOB AND RAY... LET'S
SEE... LONGTIME RADIO AND
COMEDIANS BOB AND RAY... LET'S
SEE... LONGTIME RADIO AND
TELEVISION COMEDIANS BOB AND RAY
SEE... LONGTIME RADIO AND
TELEVISION COMEDIANS BOB AND RAY
FINALLY HAVE ADMITTED THEY'VE
TELEVISION COMEDIANS BOB AND RAY
FINALLY HAVE ADMITTED THEY'VE
BEEN MARRIED FOR OVER 30 YEARS.
FINALLY HAVE ADMITTED THEY'VE
BEEN MARRIED FOR OVER 30 YEARS.
SHOWN HERE AT A PRESS
BEEN MARRIED FOR OVER 30 YEARS.
SHOWN HERE AT A PRESS
CONFERENCE, BOB ON THE RIGHT
SHOWN HERE AT A PRESS
CONFERENCE, BOB ON THE RIGHT
SAID IT WAS A RELIEF TO BE ABLE
CONFERENCE, BOB ON THE RIGHT
SAID IT WAS A RELIEF TO BE ABLE
TO WEAR HIS OWN CLOTHES AGAIN IN
SAID IT WAS A RELIEF TO BE ABLE
TO WEAR HIS OWN CLOTHES AGAIN IN
PUBLIC.
TO WEAR HIS OWN CLOTHES AGAIN IN
PUBLIC.
I'M TAKING THIS ONE HOME WITH
PUBLIC.
I'M TAKING THIS ONE HOME WITH
ME.
I'M TAKING THIS ONE HOME WITH
ME.
I THINK YOU SHOULD, DAN.
ME.
I THINK YOU SHOULD, DAN.
STICK IT TO YOUR PILLOW.
I THINK YOU SHOULD, DAN.
STICK IT TO YOUR PILLOW.
OKAY.
STICK IT TO YOUR PILLOW.
OKAY.
IN PHILADELPHIA, A STATUE OF
OKAY.
IN PHILADELPHIA, A STATUE OF
BENJAMIN FRANKLIN WAS RUSHED TO
IN PHILADELPHIA, A STATUE OF
BENJAMIN FRANKLIN WAS RUSHED TO
A HOSPITAL AFTER IT COLLAPSED
BENJAMIN FRANKLIN WAS RUSHED TO
A HOSPITAL AFTER IT COLLAPSED
WITH WHAT APPEARED TO BE A CASE
A HOSPITAL AFTER IT COLLAPSED
WITH WHAT APPEARED TO BE A CASE
OF LEGIONNAIRES' DISEASE.
WITH WHAT APPEARED TO BE A CASE
OF LEGIONNAIRES' DISEASE.
A LATER DIAGNOSIS REVEALED IT
OF LEGIONNAIRES' DISEASE.
A LATER DIAGNOSIS REVEALED IT
WAS JUST STONED.
A LATER DIAGNOSIS REVEALED IT
WAS JUST STONED.
JUST STONED.
WAS JUST STONED.
JUST STONED.
I GOT IT, DAN.
JUST STONED.
I GOT IT, DAN.
THE STATUE.
I GOT IT, DAN.
THE STATUE.
WELL, HERE'S BILL MURRAY WITH
THE STATUE.
WELL, HERE'S BILL MURRAY WITH
THESE WEEK'S REVIEW.
WELL, HERE'S BILL MURRAY WITH
THESE WEEK'S REVIEW.
BILL.
THESE WEEK'S REVIEW.
BILL.
THANK YOU, JANE.
BILL.
THANK YOU, JANE.
HELLO, YOU KNUCKLEHEADS.
THANK YOU, JANE.
HELLO, YOU KNUCKLEHEADS.
SAY, TONIGHT I WAS GONNA REVIEW
HELLO, YOU KNUCKLEHEADS.
SAY, TONIGHT I WAS GONNA REVIEW
THE NEW SCIENCE-FICTION MOVIE
SAY, TONIGHT I WAS GONNA REVIEW
THE NEW SCIENCE-FICTION MOVIE
"CLOSE ENCOUNTERS OF THE THIRD
THE NEW SCIENCE-FICTION MOVIE
"CLOSE ENCOUNTERS OF THE THIRD
KIND," BUT, UNFORTUNATELY, TIME
"CLOSE ENCOUNTERS OF THE THIRD
KIND," BUT, UNFORTUNATELY, TIME
MAGAZINE CAME OUT WITH A REVIEW
KIND," BUT, UNFORTUNATELY, TIME
MAGAZINE CAME OUT WITH A REVIEW
OF THE MOVIE AND TOLD THE ENTIRE
MAGAZINE CAME OUT WITH A REVIEW
OF THE MOVIE AND TOLD THE ENTIRE
STORY.
OF THE MOVIE AND TOLD THE ENTIRE
STORY.
IT RUINED IT FOR ME.
STORY.
IT RUINED IT FOR ME.
NOW, I AM NOT GONNA GO PAY 4
IT RUINED IT FOR ME.
NOW, I AM NOT GONNA GO PAY 4
BUCKS TO SEE A FILM WHEN I
NOW, I AM NOT GONNA GO PAY 4
BUCKS TO SEE A FILM WHEN I
ALREADY KNOW WHAT HAPPENS.
BUCKS TO SEE A FILM WHEN I
ALREADY KNOW WHAT HAPPENS.
THAT'S THE WAY I FEEL.
ALREADY KNOW WHAT HAPPENS.
THAT'S THE WAY I FEEL.
GET OUT HERE. I MEAN IT.
THAT'S THE WAY I FEEL.
GET OUT HERE. I MEAN IT.
THE FILM IS DIRECTED BY
GET OUT HERE. I MEAN IT.
THE FILM IS DIRECTED BY
STEVEN SPIELBERG, THE GUY WHO
THE FILM IS DIRECTED BY
STEVEN SPIELBERG, THE GUY WHO
DIRECTED "JAWS."
STEVEN SPIELBERG, THE GUY WHO
DIRECTED "JAWS."
AND HE DESERVED AN OSCAR FOR
DIRECTED "JAWS."
AND HE DESERVED AN OSCAR FOR
"JAWS," AND HE DIDN'T GET IT.
AND HE DESERVED AN OSCAR FOR
"JAWS," AND HE DIDN'T GET IT.
IT WAS A RIP-OFF.
"JAWS," AND HE DIDN'T GET IT.
IT WAS A RIP-OFF.
AND I WAS HOPING HE'D GET ONE
IT WAS A RIP-OFF.
AND I WAS HOPING HE'D GET ONE
FOR "CLOSE ENCOUNTERS."
AND I WAS HOPING HE'D GET ONE
FOR "CLOSE ENCOUNTERS."
THEY SAY THE SPECIAL EFFECTS ARE
FOR "CLOSE ENCOUNTERS."
THEY SAY THE SPECIAL EFFECTS ARE
BETTER THAN "STAR WARS."
THEY SAY THE SPECIAL EFFECTS ARE
BETTER THAN "STAR WARS."
THEY SAY IT'S THE GREATEST MOVIE
BETTER THAN "STAR WARS."
THEY SAY IT'S THE GREATEST MOVIE
OF THE YEAR.
THEY SAY IT'S THE GREATEST MOVIE
OF THE YEAR.
COLUMBIA PICTURES SPENT $18
OF THE YEAR.
COLUMBIA PICTURES SPENT $18
MILLION ON THE PROJECT.
COLUMBIA PICTURES SPENT $18
MILLION ON THE PROJECT.
NOW, HOW CAN THEY MAKE THAT KIND
MILLION ON THE PROJECT.
NOW, HOW CAN THEY MAKE THAT KIND
OF MONEY BACK IF EVERYBODY
NOW, HOW CAN THEY MAKE THAT KIND
OF MONEY BACK IF EVERYBODY
ALREADY KNOWS WHAT'S GOING TO
OF MONEY BACK IF EVERYBODY
ALREADY KNOWS WHAT'S GOING TO
HAPPEN?
ALREADY KNOWS WHAT'S GOING TO
HAPPEN?
NOW, FRANK RIDGE WHO WROTE THE
HAPPEN?
NOW, FRANK RIDGE WHO WROTE THE
REVIEW OUGHT TO BE SLAPPED IN
NOW, FRANK RIDGE WHO WROTE THE
REVIEW OUGHT TO BE SLAPPED IN
THE FACE.
REVIEW OUGHT TO BE SLAPPED IN
THE FACE.
GET OUT OF HERE, FRANK.
THE FACE.
GET OUT OF HERE, FRANK.
I MEAN IT, YOU KNUCKLEHEAD.
GET OUT OF HERE, FRANK.
I MEAN IT, YOU KNUCKLEHEAD.
NOW EVERYBODY KNOWS THAT THE
I MEAN IT, YOU KNUCKLEHEAD.
NOW EVERYBODY KNOWS THAT THE
ALIENS ARE ATTACKING DREYFUSS'
NOW EVERYBODY KNOWS THAT THE
ALIENS ARE ATTACKING DREYFUSS'
CAR AND THE SPEEDOMETER SPINS
ALIENS ARE ATTACKING DREYFUSS'
CAR AND THE SPEEDOMETER SPINS
AROUND AND SO FORTH.
CAR AND THE SPEEDOMETER SPINS
AROUND AND SO FORTH.
DREYFUSS TRIES TO MAKE CONTACT
AROUND AND SO FORTH.
DREYFUSS TRIES TO MAKE CONTACT
WITH THE ALIENS.
DREYFUSS TRIES TO MAKE CONTACT
WITH THE ALIENS.
THEY COME BACK.
WITH THE ALIENS.
THEY COME BACK.
THEY KIDNAP A CHILD.
THEY COME BACK.
THEY KIDNAP A CHILD.
WHEN THE EARTHLINGS AND THE
THEY KIDNAP A CHILD.
WHEN THE EARTHLINGS AND THE
ALIENS FINALLY MEET, THEY SHOUT
WHEN THE EARTHLINGS AND THE
ALIENS FINALLY MEET, THEY SHOUT
"HELLO" TO EACH OTHER WITH
ALIENS FINALLY MEET, THEY SHOUT
"HELLO" TO EACH OTHER WITH
LIGHTS FLASHING AND MUSIC AND
"HELLO" TO EACH OTHER WITH
LIGHTS FLASHING AND MUSIC AND
STUFF.
LIGHTS FLASHING AND MUSIC AND
STUFF.
AND EVERYONE'S WAITING TO SEE
STUFF.
AND EVERYONE'S WAITING TO SEE
THE ALIENS, OF COURSE, BUT NOW
AND EVERYONE'S WAITING TO SEE
THE ALIENS, OF COURSE, BUT NOW
FROM THE TIME REVIEW, WE ALREADY
THE ALIENS, OF COURSE, BUT NOW
FROM THE TIME REVIEW, WE ALREADY
KNOW THEY HAVE SMALL ARMS, LARGE
FROM THE TIME REVIEW, WE ALREADY
KNOW THEY HAVE SMALL ARMS, LARGE
HEADS, AND TINY EARS.
KNOW THEY HAVE SMALL ARMS, LARGE
HEADS, AND TINY EARS.
SO, WHY SEE IT?
HEADS, AND TINY EARS.
SO, WHY SEE IT?
THERE'S THE WHOLE MOVIE RIGHT
SO, WHY SEE IT?
THERE'S THE WHOLE MOVIE RIGHT
THERE.
THERE'S THE WHOLE MOVIE RIGHT
THERE.
COLUMBIA PICTURES' STOCK WENT
THERE.
COLUMBIA PICTURES' STOCK WENT
WAY DOWN AFTER NEW YORK MAGAZINE
COLUMBIA PICTURES' STOCK WENT
WAY DOWN AFTER NEW YORK MAGAZINE
PANNED "CLOSE ENCOUNTERS."
WAY DOWN AFTER NEW YORK MAGAZINE
PANNED "CLOSE ENCOUNTERS."
AND THEN THEY HAD A SUCCESSFUL
PANNED "CLOSE ENCOUNTERS."
AND THEN THEY HAD A SUCCESSFUL
SCREENING HERE IN NEW YORK AND
AND THEN THEY HAD A SUCCESSFUL
SCREENING HERE IN NEW YORK AND
THE STOCK WENT WAY BACK UP.
SCREENING HERE IN NEW YORK AND
THE STOCK WENT WAY BACK UP.
AFTER THIS TIME REVIEW, WHAT'S
THE STOCK WENT WAY BACK UP.
AFTER THIS TIME REVIEW, WHAT'S
GONNA HAPPEN TO THE STOCK?
AFTER THIS TIME REVIEW, WHAT'S
GONNA HAPPEN TO THE STOCK?
THEY TOLD YOU EVERYTHING ABOUT
GONNA HAPPEN TO THE STOCK?
THEY TOLD YOU EVERYTHING ABOUT
"CLOSE ENCOUNTERS."
THEY TOLD YOU EVERYTHING ABOUT
"CLOSE ENCOUNTERS."
THEY MAY AS WELL HAVE TOLD YOU
"CLOSE ENCOUNTERS."
THEY MAY AS WELL HAVE TOLD YOU
THAT DREYFUSS GOES ABOARD THE
THEY MAY AS WELL HAVE TOLD YOU
THAT DREYFUSS GOES ABOARD THE
SHIP WITH THEM AT THE END, WHICH
THAT DREYFUSS GOES ABOARD THE
SHIP WITH THEM AT THE END, WHICH
HE DOES, WHICH I PROBABLY
SHIP WITH THEM AT THE END, WHICH
HE DOES, WHICH I PROBABLY
SHOULDN'T HAVE TOLD YOU.
HE DOES, WHICH I PROBABLY
SHOULDN'T HAVE TOLD YOU.
WHOA, EXCUSE ME.
SHOULDN'T HAVE TOLD YOU.
WHOA, EXCUSE ME.
WONDER WHAT THAT'S GONNA DO TO
WHOA, EXCUSE ME.
WONDER WHAT THAT'S GONNA DO TO
THE STOCK.
WONDER WHAT THAT'S GONNA DO TO
THE STOCK.
GEE.
THE STOCK.
GEE.
WOWEE.
GEE.
WOWEE.
WELL, WHERE IS THIS,
WOWEE.
WELL, WHERE IS THIS,
HOLLYWOOD BOULEVARD OR
WELL, WHERE IS THIS,
HOLLYWOOD BOULEVARD OR
WALL STREET, ANYWAY?
HOLLYWOOD BOULEVARD OR
WALL STREET, ANYWAY?
WELL, GEE.
WALL STREET, ANYWAY?
WELL, GEE.
THAT'S THE REVIEW, I GUESS.
WELL, GEE.
THAT'S THE REVIEW, I GUESS.
I'M SORRY.
THAT'S THE REVIEW, I GUESS.
I'M SORRY.
GO SEE THE MOVIE.
I'M SORRY.
GO SEE THE MOVIE.
IT'S PROBABLY TERRIFIC.
GO SEE THE MOVIE.
IT'S PROBABLY TERRIFIC.
NOW, GET OUT OF HERE.
IT'S PROBABLY TERRIFIC.
NOW, GET OUT OF HERE.
I MEAN IT.
NOW, GET OUT OF HERE.
I MEAN IT.
I'M SORRY, JANE. BIG MISTAKE.
I MEAN IT.
I'M SORRY, JANE. BIG MISTAKE.
[LAUGHS]
I'M SORRY, JANE. BIG MISTAKE.
[LAUGHS]
DAN.
[LAUGHS]
DAN.
THANKS A LOT, BILL.
DAN.
THANKS A LOT, BILL.
WELL, ANIMALS ARE IN THE NEWS
THANKS A LOT, BILL.
WELL, ANIMALS ARE IN THE NEWS
AGAIN THIS WEEK.
WELL, ANIMALS ARE IN THE NEWS
AGAIN THIS WEEK.
BURT REYNOLDS, TO PUBLICIZE AN
AGAIN THIS WEEK.
BURT REYNOLDS, TO PUBLICIZE AN
UPCOMING MOVIE IN HOLLYWOOD,
BURT REYNOLDS, TO PUBLICIZE AN
UPCOMING MOVIE IN HOLLYWOOD,
RIPPED THE LEG OFF A DOG TO THE
UPCOMING MOVIE IN HOLLYWOOD,
RIPPED THE LEG OFF A DOG TO THE
DELIGHT OF SURROUNDING CROWDS.
RIPPED THE LEG OFF A DOG TO THE
DELIGHT OF SURROUNDING CROWDS.
AND IN A RELATED STORY, WILDLIFE
DELIGHT OF SURROUNDING CROWDS.
AND IN A RELATED STORY, WILDLIFE
OFFICIALS IN LITTLE ROCK,
AND IN A RELATED STORY, WILDLIFE
OFFICIALS IN LITTLE ROCK,
ARKANSAS, THIS WEEK ARE
OFFICIALS IN LITTLE ROCK,
ARKANSAS, THIS WEEK ARE
SEARCHING FOR A MAN WHO PUNCHED
ARKANSAS, THIS WEEK ARE
SEARCHING FOR A MAN WHO PUNCHED
AN AMERICAN EAGLE IN THE
SEARCHING FOR A MAN WHO PUNCHED
AN AMERICAN EAGLE IN THE
STOMACH.
AN AMERICAN EAGLE IN THE
STOMACH.
WE HAVE A LATE-BREAKING BULLETIN
STOMACH.
WE HAVE A LATE-BREAKING BULLETIN
FROM THE NBC DANCING "N"... AN
WE HAVE A LATE-BREAKING BULLETIN
FROM THE NBC DANCING "N"... AN
IMPORTANT BULLETIN HERE.
FROM THE NBC DANCING "N"... AN
IMPORTANT BULLETIN HERE.
BACK IT UP, "N."
IMPORTANT BULLETIN HERE.
BACK IT UP, "N."
BACK IT UP. BACK IT UP.
BACK IT UP, "N."
BACK IT UP. BACK IT UP.
OKAY. THANK YOU.
BACK IT UP. BACK IT UP.
OKAY. THANK YOU.
THE NBC DANCING "N."
OKAY. THANK YOU.
THE NBC DANCING "N."
THIS LATE-BREAKING STORY...
THE NBC DANCING "N."
THIS LATE-BREAKING STORY...
"TO HELL WITH THE BULLETIN.
THIS LATE-BREAKING STORY...
"TO HELL WITH THE BULLETIN.
WILL YOU DANCE WITH ME?"
"TO HELL WITH THE BULLETIN.
WILL YOU DANCE WITH ME?"
I HAVEN'T GONE DANCING IN
WILL YOU DANCE WITH ME?"
I HAVEN'T GONE DANCING IN
MONTHS.
I HAVEN'T GONE DANCING IN
MONTHS.
WELL, JANE, WE'RE NEWSMEN.
MONTHS.
WELL, JANE, WE'RE NEWSMEN.
WE'RE JOURNALISTS.
WELL, JANE, WE'RE NEWSMEN.
WE'RE JOURNALISTS.
WE'RE NOT ENTERTAINERS.
WE'RE JOURNALISTS.
WE'RE NOT ENTERTAINERS.
OH, COME ON, YOU OLD FOGY.
WE'RE NOT ENTERTAINERS.
OH, COME ON, YOU OLD FOGY.
WHAT ABOUT OUR CREDIBILITY?
OH, COME ON, YOU OLD FOGY.
WHAT ABOUT OUR CREDIBILITY?
WHAT ABOUT OUR RATINGS?
WHAT ABOUT OUR CREDIBILITY?
WHAT ABOUT OUR RATINGS?
PEOPLE WANT TO BE ENTERTAINED.
WHAT ABOUT OUR RATINGS?
PEOPLE WANT TO BE ENTERTAINED.
WELL, THAT'S TRUE.
PEOPLE WANT TO BE ENTERTAINED.
WELL, THAT'S TRUE.
IF PEOPLE DON'T WATCH US, WE'RE
WELL, THAT'S TRUE.
IF PEOPLE DON'T WATCH US, WE'RE
OUT OF WORK.
IF PEOPLE DON'T WATCH US, WE'RE
OUT OF WORK.
WHAT DO YOU SAY?
OUT OF WORK.
WHAT DO YOU SAY?
OKAY, LET'S DANCE.
WHAT DO YOU SAY?
OKAY, LET'S DANCE.
GOOD NIGHT AND HAVE A
OKAY, LET'S DANCE.
GOOD NIGHT AND HAVE A
PLEASANT TOMORROW.
GOOD NIGHT AND HAVE A
PLEASANT TOMORROW.
[RAGTIME MUSIC PLAYS]
Announcer: WEEKEND UPDATE IS
A PRESENTATION OF
"SATURDAY NIGHT" NEWS, KEEPING
A PRESENTATION OF
"SATURDAY NIGHT" NEWS, KEEPING
AMERICA INFORMED FOR OVER A 50th
"SATURDAY NIGHT" NEWS, KEEPING
AMERICA INFORMED FOR OVER A 50th
OF A CENTURY.
SINCE ABOUT 1960, I'VE BEEN
WORKING WITH A BIG BAND.
BUT BEFORE THAT, IN THE '50s, I
WORKING WITH A BIG BAND.
BUT BEFORE THAT, IN THE '50s, I
HAD A SMALL GROUP.
BUT BEFORE THAT, IN THE '50s, I
HAD A SMALL GROUP.
IT WAS JUST EIGHT OF US, BUT WE
HAD A SMALL GROUP.
IT WAS JUST EIGHT OF US, BUT WE
MUST HAVE PLAYED EVERY LITTLE
IT WAS JUST EIGHT OF US, BUT WE
MUST HAVE PLAYED EVERY LITTLE
SMALL DANCE HALL AND NIGHTCLUB
MUST HAVE PLAYED EVERY LITTLE
SMALL DANCE HALL AND NIGHTCLUB
FROM GEORGIA TO CALIFORNIA.
SMALL DANCE HALL AND NIGHTCLUB
FROM GEORGIA TO CALIFORNIA.
SO, I HAVE THIS... I GUESS IT'S
FROM GEORGIA TO CALIFORNIA.
SO, I HAVE THIS... I GUESS IT'S
BEEN ABOUT 18 YEARS SINCE I'VE
SO, I HAVE THIS... I GUESS IT'S
BEEN ABOUT 18 YEARS SINCE I'VE
SEEN THESE GUYS, SO I THOUGHT
BEEN ABOUT 18 YEARS SINCE I'VE
SEEN THESE GUYS, SO I THOUGHT
TONIGHT WOULD BE A MARVELOUS
SEEN THESE GUYS, SO I THOUGHT
TONIGHT WOULD BE A MARVELOUS
TIME TO BRING THEM ALL BACK
TONIGHT WOULD BE A MARVELOUS
TIME TO BRING THEM ALL BACK
TOGETHER WITH ME, YOU KNOW, FOR
TIME TO BRING THEM ALL BACK
TOGETHER WITH ME, YOU KNOW, FOR
A LITTLE NOSTALGIA.
TOGETHER WITH ME, YOU KNOW, FOR
A LITTLE NOSTALGIA.
AND BESIDES THAT, THEY OWE ME
A LITTLE NOSTALGIA.
AND BESIDES THAT, THEY OWE ME
SOME BREAD.
AND BESIDES THAT, THEY OWE ME
SOME BREAD.
SO, LADIES AND GENTLEMEN, LET ME
SOME BREAD.
SO, LADIES AND GENTLEMEN, LET ME
FIRST INTRODUCE TO YOU
SO, LADIES AND GENTLEMEN, LET ME
FIRST INTRODUCE TO YOU
MR. PHILIP GUILBEAU.
FIRST INTRODUCE TO YOU
MR. PHILIP GUILBEAU.
[APPLAUSE]
MR. PHILIP GUILBEAU.
[APPLAUSE]
MR. MARCUS BELGRAVE.
[APPLAUSE]
MR. MARCUS BELGRAVE.
[APPLAUSE]
MR. MARCUS BELGRAVE.
[APPLAUSE]
MR. HANK CRAWFORD.
[APPLAUSE]
MR. HANK CRAWFORD.
[APPLAUSE]
MR. HANK CRAWFORD.
[APPLAUSE]
AND I BELIEVE THAT IS OLD
[APPLAUSE]
AND I BELIEVE THAT IS OLD
DAVID "FATHEAD" NEWMAN.
AND I BELIEVE THAT IS OLD
DAVID "FATHEAD" NEWMAN.
[APPLAUSE]
DAVID "FATHEAD" NEWMAN.
[APPLAUSE]
AND I THINK ALL Y'ALL KNOW THE
[APPLAUSE]
AND I THINK ALL Y'ALL KNOW THE
HOG HIMSELF, MR. LEROY COOPER.
AND I THINK ALL Y'ALL KNOW THE
HOG HIMSELF, MR. LEROY COOPER.
[APPLAUSE]
HOG HIMSELF, MR. LEROY COOPER.
[APPLAUSE]
THANK YOU, LADIES AND GENTLEMEN.
[APPLAUSE]
THANK YOU, LADIES AND GENTLEMEN.
NOW WE'RE GONNA FIND OUT IF
THANK YOU, LADIES AND GENTLEMEN.
NOW WE'RE GONNA FIND OUT IF
THESE OLD FOGIES CAN STILL CUT
NOW WE'RE GONNA FIND OUT IF
THESE OLD FOGIES CAN STILL CUT
THE MUSTARD.
THESE OLD FOGIES CAN STILL CUT
THE MUSTARD.
[INTRO TO "I GOT A WOMAN"
THE MUSTARD.
[INTRO TO "I GOT A WOMAN"
PLAYS]
[INTRO TO "I GOT A WOMAN"
PLAYS]
♪ WELL ♪
[PLAYS]
♪ WELL ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ WELL ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ OH, YEAH ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ SHE GIVE ME MONEY WHEN I'M IN
♪ OH, YEAH ♪
♪ SHE GIVE ME MONEY WHEN I'M IN
NEED ♪
♪ SHE GIVE ME MONEY WHEN I'M IN
NEED ♪
♪ YEAH, SHE'S A KIND OF FRIEND
NEED ♪
♪ YEAH, SHE'S A KIND OF FRIEND
INDEED ♪
♪ YEAH, SHE'S A KIND OF FRIEND
INDEED ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
INDEED ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
[INTRO TO "I BELIEVE TO MY
♪ OH, YEAH ♪
[INTRO TO "I BELIEVE TO MY
SOUL" PLAYS]
[INTRO TO "I BELIEVE TO MY
SOUL" PLAYS]
♪ ONE OF THESE DAYS ♪
[SOUL" PLAYS]
♪ ONE OF THESE DAYS ♪
♪ AND IT WON'T BE LONG ♪
♪ ONE OF THESE DAYS ♪
♪ AND IT WON'T BE LONG ♪
♪ YOU GONNA LOOK FOR ME ♪
♪ AND IT WON'T BE LONG ♪
♪ YOU GONNA LOOK FOR ME ♪
♪ AND I'LL BE GONE ♪
♪ YOU GONNA LOOK FOR ME ♪
♪ AND I'LL BE GONE ♪
♪ NOW, YOU KNOW I BELIEVE,
♪ AND I'LL BE GONE ♪
♪ NOW, YOU KNOW I BELIEVE,
BABY ♪
♪ NOW, YOU KNOW I BELIEVE,
BABY ♪
♪ I BELIEVE ♪
BABY ♪
♪ I BELIEVE ♪
♪ YEAH ♪
♪ I BELIEVE ♪
♪ YEAH ♪
♪ YES, I BELIEVE ♪
♪ YEAH ♪
♪ YES, I BELIEVE ♪
♪ WHOA, I BELIEVE, BABY ♪
♪ YES, I BELIEVE ♪
♪ WHOA, I BELIEVE, BABY ♪
♪ I BELIEVE ♪
♪ WHOA, I BELIEVE, BABY ♪
♪ I BELIEVE ♪
♪ YES, I BELIEVE ♪
♪ I BELIEVE ♪
♪ YES, I BELIEVE ♪
♪ I TELL YOU ♪
♪ YES, I BELIEVE ♪
♪ I TELL YOU ♪
♪ I BELIEVE TO MY SOUL, BABY ♪
♪ I TELL YOU ♪
♪ I BELIEVE TO MY SOUL, BABY ♪
♪ OH, YOU'RE TRYIN' TO MAKE A
♪ I BELIEVE TO MY SOUL, BABY ♪
♪ OH, YOU'RE TRYIN' TO MAKE A
FOOL OF ME ♪
♪ OH, YOU'RE TRYIN' TO MAKE A
FOOL OF ME ♪
♪ I BELIEVE IT ♪
FOOL OF ME ♪
♪ I BELIEVE IT ♪
♪ AHH ♪
♪ I BELIEVE IT ♪
♪ AHH ♪
♪ I BELIEVE IT ♪
♪ AHH ♪
♪ I BELIEVE IT ♪
♪ LAST NIGHT YOU WERE
♪ I BELIEVE IT ♪
♪ LAST NIGHT YOU WERE
DREAMIN' ♪
♪ LAST NIGHT YOU WERE
DREAMIN' ♪
♪ AND I HEARD YOU SAY ♪
DREAMIN' ♪
♪ AND I HEARD YOU SAY ♪
OH, JOHNNY.
♪ AND I HEARD YOU SAY ♪
OH, JOHNNY.
♪ WHEN YOU KNOW MY NAME IS
OH, JOHNNY.
♪ WHEN YOU KNOW MY NAME IS
RAY ♪
♪ WHEN YOU KNOW MY NAME IS
RAY ♪
♪ THAT'S WHY I BELIEVE, WOMAN ♪
RAY ♪
♪ THAT'S WHY I BELIEVE, WOMAN ♪
♪ I BELIEVE ♪
♪ THAT'S WHY I BELIEVE, WOMAN ♪
♪ I BELIEVE ♪
♪ YEAH ♪
♪ I BELIEVE ♪
♪ YEAH ♪
♪ YES I BELIEVE ♪
♪ YEAH ♪
♪ YES I BELIEVE ♪
♪ I TELL YOU I BELIEVE,
♪ YES I BELIEVE ♪
♪ I TELL YOU I BELIEVE,
BELIEVE ♪
♪ I TELL YOU I BELIEVE,
BELIEVE ♪
♪ I BELIEVE ♪
BELIEVE ♪
♪ I BELIEVE ♪
♪ YEAH, I DO, BABY ♪
♪ I BELIEVE ♪
♪ YEAH, I DO, BABY ♪
♪ YES, I BELIEVE ♪
♪ YEAH, I DO, BABY ♪
♪ YES, I BELIEVE ♪
♪ WHOA ♪
♪ YES, I BELIEVE ♪
♪ WHOA ♪
♪ WHOA ♪
♪ WHOA ♪
♪ WHOA ♪
♪ I BELIEVE TO MY SOUL,
♪ WHOA ♪
♪ I BELIEVE TO MY SOUL,
YEAH ♪
♪ I BELIEVE TO MY SOUL,
YEAH ♪
♪ WELL, YOU'RE TRYIN' TO MAKE A
YEAH ♪
♪ WELL, YOU'RE TRYIN' TO MAKE A
FOOL OF ME ♪
♪ WELL, YOU'RE TRYIN' TO MAKE A
FOOL OF ME ♪
♪ I BELIEVE IT ♪
FOOL OF ME ♪
♪ I BELIEVE IT ♪
ONE, TWO.
♪ I BELIEVE IT ♪
ONE, TWO.
[INTRO TO "THEM THAT GOT"
ONE, TWO.
[INTRO TO "THEM THAT GOT"
PLAYS]
[INTRO TO "THEM THAT GOT"
PLAYS]
ALL RIGHT.
♪ I'VE GOTTEN DOWN TO MY LAST
PAIR OF SHOES ♪
♪ CAN'T EVEN WIN A NICKEL BET ♪
PAIR OF SHOES ♪
♪ CAN'T EVEN WIN A NICKEL BET ♪
♪ BECAUSE, AH, THEM THAT'S GOT
♪ CAN'T EVEN WIN A NICKEL BET ♪
♪ BECAUSE, AH, THEM THAT'S GOT
ARE THEM THAT GETS ♪
♪ BECAUSE, AH, THEM THAT'S GOT
ARE THEM THAT GETS ♪
♪ AND I AIN'T GOT NOTHIN' YET ♪
ARE THEM THAT GETS ♪
♪ AND I AIN'T GOT NOTHIN' YET ♪
♪ THAT OLD SAYIN' "THEM THAT'S
♪ AND I AIN'T GOT NOTHIN' YET ♪
♪ THAT OLD SAYIN' "THEM THAT'S
GOT ARE THEM THAT GETS" ♪
♪ THAT OLD SAYIN' "THEM THAT'S
GOT ARE THEM THAT GETS" ♪
♪ IS SOMETHIN' I CAN'T SEE ♪
GOT ARE THEM THAT GETS" ♪
♪ IS SOMETHIN' I CAN'T SEE ♪
♪ IF YOU GOTTA HAVE SOMETHIN'
♪ IS SOMETHIN' I CAN'T SEE ♪
♪ IF YOU GOTTA HAVE SOMETHIN'
BEFORE YOU GET SOMETHIN' ♪
♪ IF YOU GOTTA HAVE SOMETHIN'
BEFORE YOU GET SOMETHIN' ♪
♪ HOW YOU GET THE FIRST IS STILL
BEFORE YOU GET SOMETHIN' ♪
♪ HOW YOU GET THE FIRST IS STILL
A MYSTERY TO ME ♪
♪ HOW YOU GET THE FIRST IS STILL
A MYSTERY TO ME ♪
♪ I SEE FOLKS WITH LONG CARS AND
A MYSTERY TO ME ♪
♪ I SEE FOLKS WITH LONG CARS AND
FINE CLOTHES ♪
♪ I SEE FOLKS WITH LONG CARS AND
FINE CLOTHES ♪
♪ THAT'S WHY THEY'RE CALLED THE
FINE CLOTHES ♪
♪ THAT'S WHY THEY'RE CALLED THE
SMARTER SET ♪
♪ THAT'S WHY THEY'RE CALLED THE
SMARTER SET ♪
♪ BECAUSE THEY MANAGE TO GET ♪
SMARTER SET ♪
♪ BECAUSE THEY MANAGE TO GET ♪
♪ WHEN ONLY THEM THAT'S GOT
♪ BECAUSE THEY MANAGE TO GET ♪
♪ WHEN ONLY THEM THAT'S GOT
SUPPOSED TO GET ♪
♪ WHEN ONLY THEM THAT'S GOT
SUPPOSED TO GET ♪
♪ AND I AIN'T GOT NOTHIN' YET ♪
SUPPOSED TO GET ♪
♪ AND I AIN'T GOT NOTHIN' YET ♪
[INTRO TO "HIT THE ROAD JACK"
♪ AND I AIN'T GOT NOTHIN' YET ♪
[INTRO TO "HIT THE ROAD JACK"
PLAYS]
[INTRO TO "HIT THE ROAD JACK"
PLAYS]
YOU KNOW, I GOT TO TELL YOU.
[PLAYS]
YOU KNOW, I GOT TO TELL YOU.
WHEN I GOT HOME THE OTHER DAY, I
YOU KNOW, I GOT TO TELL YOU.
WHEN I GOT HOME THE OTHER DAY, I
DIDN'T FIND A NOTE.
WHEN I GOT HOME THE OTHER DAY, I
DIDN'T FIND A NOTE.
BUT WHAT I FOUND WAS ONE OF
DIDN'T FIND A NOTE.
BUT WHAT I FOUND WAS ONE OF
THOSE LITTLE CASSETTES WITH MY
BUT WHAT I FOUND WAS ONE OF
THOSE LITTLE CASSETTES WITH MY
OLD LADY'S VOICE ON IT.
THOSE LITTLE CASSETTES WITH MY
OLD LADY'S VOICE ON IT.
I GOT TO TELL THE TRUTH.
OLD LADY'S VOICE ON IT.
I GOT TO TELL THE TRUTH.
I COULDN'T BELIEVE WHAT THE
I GOT TO TELL THE TRUTH.
I COULDN'T BELIEVE WHAT THE
WORDS WERE SAYING TO ME.
I COULDN'T BELIEVE WHAT THE
WORDS WERE SAYING TO ME.
THEY SAID...
WORDS WERE SAYING TO ME.
THEY SAID...
♪ HIT THE ROAD, JACK ♪
THEY SAID...
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
NO MORE ♪
NO MORE, NO MORE, NO MORE,
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
♪ OH, WOMAN, OH, WOMAN ♪
NO MORE ♪
♪ OH, WOMAN, OH, WOMAN ♪
♪ DON'T TREAT ME SO MEAN ♪
♪ OH, WOMAN, OH, WOMAN ♪
♪ DON'T TREAT ME SO MEAN ♪
♪ YOU'RE THE MEANEST OLD WOMAN ♪
♪ DON'T TREAT ME SO MEAN ♪
♪ YOU'RE THE MEANEST OLD WOMAN ♪
♪ THAT I'VE EVER SEEN ♪
♪ YOU'RE THE MEANEST OLD WOMAN ♪
♪ THAT I'VE EVER SEEN ♪
♪ BUT I GUESS IF YOU SAY SO ♪
♪ THAT I'VE EVER SEEN ♪
♪ BUT I GUESS IF YOU SAY SO ♪
♪ I'M GONNA HAVE TO PACK MY
♪ BUT I GUESS IF YOU SAY SO ♪
♪ I'M GONNA HAVE TO PACK MY
THINGS AND GO ♪
♪ I'M GONNA HAVE TO PACK MY
THINGS AND GO ♪
♪ THAT'S RIGHT ♪
THINGS AND GO ♪
♪ THAT'S RIGHT ♪
♪ HIT THE ROAD, JACK ♪
♪ THAT'S RIGHT ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
NO MORE ♪
NO MORE, NO MORE, NO MORE,
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
COME ON, BABY.
NO MORE ♪
COME ON, BABY.
♪ DON'T YOU COME BACK ♪
COME ON, BABY.
♪ DON'T YOU COME BACK ♪
YOU DON'T MEAN THAT, DO YOU,
♪ DON'T YOU COME BACK ♪
YOU DON'T MEAN THAT, DO YOU,
HONEY?
YOU DON'T MEAN THAT, DO YOU,
HONEY?
♪ DON'T YOU COME BACK ♪
HONEY?
♪ DON'T YOU COME BACK ♪
I THOUGHT WE HAD A BETTER
♪ DON'T YOU COME BACK ♪
I THOUGHT WE HAD A BETTER
UNDERSTANDING.
I THOUGHT WE HAD A BETTER
UNDERSTANDING.
CAN'T WE TALK THIS THING OVER?
UNDERSTANDING.
CAN'T WE TALK THIS THING OVER?
♪ DON'T YOU COME BACK ♪
CAN'T WE TALK THIS THING OVER?
♪ DON'T YOU COME BACK ♪
I DON'T THINK YOU KNOW WHO
♪ DON'T YOU COME BACK ♪
I DON'T THINK YOU KNOW WHO
YOU'RE TALKING TO.
I DON'T THINK YOU KNOW WHO
YOU'RE TALKING TO.
♪ DON'T YOU COME BACK ♪
YOU'RE TALKING TO.
♪ DON'T YOU COME BACK ♪
DON'T KEEP SAYING THAT.
♪ DON'T YOU COME BACK ♪
DON'T KEEP SAYING THAT.
YOU'RE MAKING ME MAD.
DON'T KEEP SAYING THAT.
YOU'RE MAKING ME MAD.
♪ DON'T YOU COME BACK ♪
YOU'RE MAKING ME MAD.
♪ DON'T YOU COME BACK ♪
I DON'T HAVE TO TAKE THIS KIND
♪ DON'T YOU COME BACK ♪
I DON'T HAVE TO TAKE THIS KIND
OF TALK FROM NOBODY.
I DON'T HAVE TO TAKE THIS KIND
OF TALK FROM NOBODY.
♪ DON'T YOU COME BACK ♪
OF TALK FROM NOBODY.
♪ DON'T YOU COME BACK ♪
I DARE YOU TO SAY IT AGAIN.
♪ DON'T YOU COME BACK ♪
I DARE YOU TO SAY IT AGAIN.
♪ DON'T YOU COME BACK ♪
I DARE YOU TO SAY IT AGAIN.
♪ DON'T YOU COME BACK ♪
YOU JIVE.
♪ DON'T YOU COME BACK ♪
YOU JIVE.
♪ DON'T YOU COME BACK
YOU JIVE.
♪ DON'T YOU COME BACK
NO MORE ♪
♪ DON'T YOU COME BACK
NO MORE ♪
♪ YEAH ♪
NO MORE ♪
♪ YEAH ♪
ONE, TWO, THREE, FOUR!
♪ YEAH ♪
ONE, TWO, THREE, FOUR!
[UPBEAT JAZZ MUSIC PLAYS]
[TRUMPET SOLO]
[BARITONE SAXOPHONE SOLO]
[TRUMPET SOLO]
[ALTO SAXOPHONE SOLO]
[TENOR SAXOPHONE SOLO]
[ALTO SAXOPHONE SOLO]
[BAND PLAYS IN UNISON]
[CHEERS AND APPLAUSE]
[MUSIC STOPS]
NOW, LADIES AND GENTLEMEN,
HERE'S MR. FRANKLYN AJAYE.
[CHEERS AND APPLAUSE]
HERE'S MR. FRANKLYN AJAYE.
[CHEERS AND APPLAUSE]
THANK YOU.
[CHEERS AND APPLAUSE]
THANK YOU.
I KNOW A LOT OF YOU DON'T KNOW
THANK YOU.
I KNOW A LOT OF YOU DON'T KNOW
WHO I AM.
I KNOW A LOT OF YOU DON'T KNOW
WHO I AM.
THAT'S FINE. THAT'S GOOD.
WHO I AM.
THAT'S FINE. THAT'S GOOD.
I HAVE BEEN ON THE ROAD A LOT.
THAT'S FINE. THAT'S GOOD.
I HAVE BEEN ON THE ROAD A LOT.
RECENTLY, I'VE BEEN DOING
I HAVE BEEN ON THE ROAD A LOT.
RECENTLY, I'VE BEEN DOING
COLLEGE TOURS, HAD A LOT OF TIME
RECENTLY, I'VE BEEN DOING
COLLEGE TOURS, HAD A LOT OF TIME
IN HOTELS, OKAY?
COLLEGE TOURS, HAD A LOT OF TIME
IN HOTELS, OKAY?
SO, LIKE, A LOT TIMES BEFORE THE
IN HOTELS, OKAY?
SO, LIKE, A LOT TIMES BEFORE THE
SHOW, I JUST SPEND SOME TIME
SO, LIKE, A LOT TIMES BEFORE THE
SHOW, I JUST SPEND SOME TIME
WATCHING TV.
SHOW, I JUST SPEND SOME TIME
WATCHING TV.
AND THE THING I NOTICE, IN EVERY
WATCHING TV.
AND THE THING I NOTICE, IN EVERY
CITY THAT I GO TO, THEY SHOW
AND THE THING I NOTICE, IN EVERY
CITY THAT I GO TO, THEY SHOW
"STAR TREK," RIGHT?
CITY THAT I GO TO, THEY SHOW
"STAR TREK," RIGHT?
IT'S RIGHT THERE.
"STAR TREK," RIGHT?
IT'S RIGHT THERE.
IT'S ON 7:00, GENERALLY, IN
IT'S RIGHT THERE.
IT'S ON 7:00, GENERALLY, IN
EVERY CITY.
IT'S ON 7:00, GENERALLY, IN
EVERY CITY.
FOR YOU WHO DIDN'T KNOW IT,
EVERY CITY.
FOR YOU WHO DIDN'T KNOW IT,
LIKE, "STAR TREK" IS GONNA HAVE
FOR YOU WHO DIDN'T KNOW IT,
LIKE, "STAR TREK" IS GONNA HAVE
A NEW SERIES NEXT YEAR, AND I'M
LIKE, "STAR TREK" IS GONNA HAVE
A NEW SERIES NEXT YEAR, AND I'M
REALLY GLAD 'CAUSE I'M REALLY
A NEW SERIES NEXT YEAR, AND I'M
REALLY GLAD 'CAUSE I'M REALLY
TIRED OF TRYING TO PICK NEW
REALLY GLAD 'CAUSE I'M REALLY
TIRED OF TRYING TO PICK NEW
STUFF OUT OF OLD EPISODES.
TIRED OF TRYING TO PICK NEW
STUFF OUT OF OLD EPISODES.
YOU KNOW WHAT I MEAN?
STUFF OUT OF OLD EPISODES.
YOU KNOW WHAT I MEAN?
TRYING TO FIND SOMETHING THAT
YOU KNOW WHAT I MEAN?
TRYING TO FIND SOMETHING THAT
WILL KEEP ME INTERESTED.
TRYING TO FIND SOMETHING THAT
WILL KEEP ME INTERESTED.
LIKE, YOU'LL BE WATCHING, RIGHT?
WILL KEEP ME INTERESTED.
LIKE, YOU'LL BE WATCHING, RIGHT?
WOW.
LIKE, YOU'LL BE WATCHING, RIGHT?
WOW.
UHURA HAS A RUN IN HER STOCKING.
WOW.
UHURA HAS A RUN IN HER STOCKING.
I DIDN'T NOTICE THAT THE FIRST
UHURA HAS A RUN IN HER STOCKING.
I DIDN'T NOTICE THAT THE FIRST
98 TIMES I SAW THIS EPISODE.
I DIDN'T NOTICE THAT THE FIRST
98 TIMES I SAW THIS EPISODE.
RIGHT?
98 TIMES I SAW THIS EPISODE.
RIGHT?
"STAR TREK" CENTERS AROUND THREE
RIGHT?
"STAR TREK" CENTERS AROUND THREE
MAJOR CHARACTERS... FOUR IF YOU
"STAR TREK" CENTERS AROUND THREE
MAJOR CHARACTERS... FOUR IF YOU
COUNT SCOTTY, BUT THE HELL WITH
MAJOR CHARACTERS... FOUR IF YOU
COUNT SCOTTY, BUT THE HELL WITH
SCOTTY, YOU KNOW WHAT I MEAN?
COUNT SCOTTY, BUT THE HELL WITH
SCOTTY, YOU KNOW WHAT I MEAN?
HE'S ALWAYS IN THE ENGINE ROOM
SCOTTY, YOU KNOW WHAT I MEAN?
HE'S ALWAYS IN THE ENGINE ROOM
DOING GOD KNOWS WHAT.
HE'S ALWAYS IN THE ENGINE ROOM
DOING GOD KNOWS WHAT.
YOU GOT CAPTAIN KIRK, RIGHT,
DOING GOD KNOWS WHAT.
YOU GOT CAPTAIN KIRK, RIGHT,
VERY MACHO, DECISIVE.
YOU GOT CAPTAIN KIRK, RIGHT,
VERY MACHO, DECISIVE.
HIS VOICE STARTS OFF EVERY
VERY MACHO, DECISIVE.
HIS VOICE STARTS OFF EVERY
EPISODE, RIGHT?
HIS VOICE STARTS OFF EVERY
EPISODE, RIGHT?
"SPACE"... AS THOUGH YOU DIDN'T
EPISODE, RIGHT?
"SPACE"... AS THOUGH YOU DIDN'T
KNOW.
"SPACE"... AS THOUGH YOU DIDN'T
KNOW.
"THE FINAL FRONTIER.
KNOW.
"THE FINAL FRONTIER.
THESE ARE THE VOYAGES OF THE
"THE FINAL FRONTIER.
THESE ARE THE VOYAGES OF THE
STARSHIP ENTERPRISE.
THESE ARE THE VOYAGES OF THE
STARSHIP ENTERPRISE.
ITS FIVE-YEAR MISSION... TO
STARSHIP ENTERPRISE.
ITS FIVE-YEAR MISSION... TO
EXPLORE NEW WORLDS, TO SEEK OUT
ITS FIVE-YEAR MISSION... TO
EXPLORE NEW WORLDS, TO SEEK OUT
NEW LIFE AND CIVILIZATIONS, TO
EXPLORE NEW WORLDS, TO SEEK OUT
NEW LIFE AND CIVILIZATIONS, TO
BOLDLY" KICK BEHIND WHERE NO
NEW LIFE AND CIVILIZATIONS, TO
BOLDLY" KICK BEHIND WHERE NO
BEHIND HAS BEEN KICKED BEFORE.
BOLDLY" KICK BEHIND WHERE NO
BEHIND HAS BEEN KICKED BEFORE.
IN THE NAME OF PEACE, RIGHT?
BEHIND HAS BEEN KICKED BEFORE.
IN THE NAME OF PEACE, RIGHT?
[HUMS THEME SONG]
IN THE NAME OF PEACE, RIGHT?
[HUMS THEME SONG]
RIGHT?
[HUMS THEME SONG]
RIGHT?
YOU GOT DR. McCOY, RIGHT, KNOWN
RIGHT?
YOU GOT DR. McCOY, RIGHT, KNOWN
AS "BONES"... VERY EMOTIONAL,
YOU GOT DR. McCOY, RIGHT, KNOWN
AS "BONES"... VERY EMOTIONAL,
VERY IRRATIONAL, NEVER WANTS TO
AS "BONES"... VERY EMOTIONAL,
VERY IRRATIONAL, NEVER WANTS TO
DO ANYTHING CAPTAIN KIRK SAYS,
VERY IRRATIONAL, NEVER WANTS TO
DO ANYTHING CAPTAIN KIRK SAYS,
NO MATTER HOW SIMPLE.
DO ANYTHING CAPTAIN KIRK SAYS,
NO MATTER HOW SIMPLE.
"I DARE NOT, JIM."
NO MATTER HOW SIMPLE.
"I DARE NOT, JIM."
THAT'S WHAT HE'S ALWAYS SAYING.
"I DARE NOT, JIM."
THAT'S WHAT HE'S ALWAYS SAYING.
"PULL UP YOUR ZIPPER, BONES."
THAT'S WHAT HE'S ALWAYS SAYING.
"PULL UP YOUR ZIPPER, BONES."
"I DARE NOT, JIM."
"PULL UP YOUR ZIPPER, BONES."
"I DARE NOT, JIM."
YET HE'S ALWAYS PICKING ON
"I DARE NOT, JIM."
YET HE'S ALWAYS PICKING ON
SPOCK, RIGHT?
YET HE'S ALWAYS PICKING ON
SPOCK, RIGHT?
"YOU POINTY-EARED FREAK.
SPOCK, RIGHT?
"YOU POINTY-EARED FREAK.
YOU HAVE NO EMOTIONS."
"YOU POINTY-EARED FREAK.
YOU HAVE NO EMOTIONS."
SPOCK IS COOL.
YOU HAVE NO EMOTIONS."
SPOCK IS COOL.
"YES, BUT MY ZIPPER'S UP."
SPOCK IS COOL.
"YES, BUT MY ZIPPER'S UP."
RIGHT?
"YES, BUT MY ZIPPER'S UP."
RIGHT?
'CAUSE SPOCK IS A VULCAN WHO
RIGHT?
'CAUSE SPOCK IS A VULCAN WHO
MATES ONCE EVERY SEVEN YEARS,
'CAUSE SPOCK IS A VULCAN WHO
MATES ONCE EVERY SEVEN YEARS,
WHICH IS WHY HE HAS AN ATTITUDE,
MATES ONCE EVERY SEVEN YEARS,
WHICH IS WHY HE HAS AN ATTITUDE,
OKAY?
WHICH IS WHY HE HAS AN ATTITUDE,
OKAY?
SPOCK IS THE COOLEST CHARACTER.
OKAY?
SPOCK IS THE COOLEST CHARACTER.
ALL THE WOMEN WANT SPOCK BECAUSE
SPOCK IS THE COOLEST CHARACTER.
ALL THE WOMEN WANT SPOCK BECAUSE
THEY CAN'T HAVE HIM.
ALL THE WOMEN WANT SPOCK BECAUSE
THEY CAN'T HAVE HIM.
SEE, THEY'RE ALWAYS HITTING ON
THEY CAN'T HAVE HIM.
SEE, THEY'RE ALWAYS HITTING ON
HIM.
SEE, THEY'RE ALWAYS HITTING ON
HIM.
"HEY, MR. SPOCK.
HIM.
"HEY, MR. SPOCK.
I SURE WOULD LIKE TO GIVE YOU
"HEY, MR. SPOCK.
I SURE WOULD LIKE TO GIVE YOU
SOME," RIGHT?
I SURE WOULD LIKE TO GIVE YOU
SOME," RIGHT?
"THAT DOES NOT COMPUTE."
SOME," RIGHT?
"THAT DOES NOT COMPUTE."
AND HE JUST GOES ABOUT HIS
"THAT DOES NOT COMPUTE."
AND HE JUST GOES ABOUT HIS
BUSINESS.
AND HE JUST GOES ABOUT HIS
BUSINESS.
THE THING ABOUT CAPTAIN KIRK IS
BUSINESS.
THE THING ABOUT CAPTAIN KIRK IS
THAT HE'S EITHER THE BRAVEST MAN
THE THING ABOUT CAPTAIN KIRK IS
THAT HE'S EITHER THE BRAVEST MAN
IN THE UNIVERSE OR THE MOST
THAT HE'S EITHER THE BRAVEST MAN
IN THE UNIVERSE OR THE MOST
FOOLISH.
IN THE UNIVERSE OR THE MOST
FOOLISH.
HE'S ALWAYS TALKING ROUGH, SEE?
FOOLISH.
HE'S ALWAYS TALKING ROUGH, SEE?
HE'S ALWAYS THREATENING PEOPLE.
HE'S ALWAYS TALKING ROUGH, SEE?
HE'S ALWAYS THREATENING PEOPLE.
HE'LL LAND ON A PLANET, START
HE'S ALWAYS THREATENING PEOPLE.
HE'LL LAND ON A PLANET, START
TALKING ROUGH, BEFORE HE EVEN
HE'LL LAND ON A PLANET, START
TALKING ROUGH, BEFORE HE EVEN
LEARNS IF HE CAN BREATHE IN THE
TALKING ROUGH, BEFORE HE EVEN
LEARNS IF HE CAN BREATHE IN THE
STUFF, CAPTAIN KIRK IS RUNNING
LEARNS IF HE CAN BREATHE IN THE
STUFF, CAPTAIN KIRK IS RUNNING
OFF AT THE MOUTH.
STUFF, CAPTAIN KIRK IS RUNNING
OFF AT THE MOUTH.
"GIVE US THE ZENITE.
OFF AT THE MOUTH.
"GIVE US THE ZENITE.
WE'RE FROM THE FEDERATION, DAMN
"GIVE US THE ZENITE.
WE'RE FROM THE FEDERATION, DAMN
IT.
WE'RE FROM THE FEDERATION, DAMN
IT.
I'M CAPTAIN KIRK.
IT.
I'M CAPTAIN KIRK.
THIS IS MY SHIP'S IDIOT,
I'M CAPTAIN KIRK.
THIS IS MY SHIP'S IDIOT,
MR. SPOCK," YOU KNOW.
THIS IS MY SHIP'S IDIOT,
MR. SPOCK," YOU KNOW.
AND THE THING IS, HE'S ALWAYS
MR. SPOCK," YOU KNOW.
AND THE THING IS, HE'S ALWAYS
TELLING HE'S FROM THE
AND THE THING IS, HE'S ALWAYS
TELLING HE'S FROM THE
FEDERATION.
TELLING HE'S FROM THE
FEDERATION.
MAN, THEY DON'T CARE.
FEDERATION.
MAN, THEY DON'T CARE.
YOU KNOW, THESE PEOPLE ARE
MAN, THEY DON'T CARE.
YOU KNOW, THESE PEOPLE ARE
GROTESQUE, MAN.
YOU KNOW, THESE PEOPLE ARE
GROTESQUE, MAN.
THEY DON'T CARE.
GROTESQUE, MAN.
THEY DON'T CARE.
YOU KNOW WHAT I MEAN?
THEY DON'T CARE.
YOU KNOW WHAT I MEAN?
THEY GO, "WE DON'T CARE WHERE
YOU KNOW WHAT I MEAN?
THEY GO, "WE DON'T CARE WHERE
YOU'RE FROM.
THEY GO, "WE DON'T CARE WHERE
YOU'RE FROM.
MAN, LOOK AT US.
YOU'RE FROM.
MAN, LOOK AT US.
WE HAVE TO LIVE LIKE THIS.
MAN, LOOK AT US.
WE HAVE TO LIVE LIKE THIS.
THINK WE CARE WHERE YOU'RE FROM?
WE HAVE TO LIVE LIKE THIS.
THINK WE CARE WHERE YOU'RE FROM?
WE'RE JUST HAPPY YOU'RE HERE,
THINK WE CARE WHERE YOU'RE FROM?
WE'RE JUST HAPPY YOU'RE HERE,
MAN, 'CAUSE WE'RE BORED.
WE'RE JUST HAPPY YOU'RE HERE,
MAN, 'CAUSE WE'RE BORED.
WE'RE TOO SMART TO HAVE FUN.
MAN, 'CAUSE WE'RE BORED.
WE'RE TOO SMART TO HAVE FUN.
SO, I'M GONNA TURN YOUR BLACK
WE'RE TOO SMART TO HAVE FUN.
SO, I'M GONNA TURN YOUR BLACK
SECURITY MAN INTO A CUBE."
SO, I'M GONNA TURN YOUR BLACK
SECURITY MAN INTO A CUBE."
BROTHERS GOING, "HEY...
SECURITY MAN INTO A CUBE."
BROTHERS GOING, "HEY...
BEAM ME UP, SCOTTY!
BROTHERS GOING, "HEY...
BEAM ME UP, SCOTTY!
BEAM ME UP, MAN!"
BEAM ME UP, SCOTTY!
BEAM ME UP, MAN!"
[SQUEAKING]
BEAM ME UP, MAN!"
[SQUEAKING]
"ANALYZE, MR. SPOCK."
[SQUEAKING]
"ANALYZE, MR. SPOCK."
[BEEPING]
"ANALYZE, MR. SPOCK."
[BEEPING]
"THE NIGGER'S A CUBE, CAPTAIN."
[BEEPING]
"THE NIGGER'S A CUBE, CAPTAIN."
[LAUGHTER]
"THE NIGGER'S A CUBE, CAPTAIN."
[LAUGHTER]
"JIM, I DON'T THINK WE SHOULD
[LAUGHTER]
"JIM, I DON'T THINK WE SHOULD
MESS WITH THEM.
"JIM, I DON'T THINK WE SHOULD
MESS WITH THEM.
THEY HIT WATSON.
MESS WITH THEM.
THEY HIT WATSON.
HE WAS THE FASTEST ONE WE HAD."
THEY HIT WATSON.
HE WAS THE FASTEST ONE WE HAD."
YOU KNOW?
HE WAS THE FASTEST ONE WE HAD."
YOU KNOW?
IT'S LIKE, SPOCK IS VERY
YOU KNOW?
IT'S LIKE, SPOCK IS VERY
LOGICAL, SEE.
IT'S LIKE, SPOCK IS VERY
LOGICAL, SEE.
HE'S VERY LOGICAL FOR ABOUT SIX
LOGICAL, SEE.
HE'S VERY LOGICAL FOR ABOUT SIX
YEARS.
HE'S VERY LOGICAL FOR ABOUT SIX
YEARS.
THEN, HIS SEVENTH YEAR, HIS
YEARS.
THEN, HIS SEVENTH YEAR, HIS
JONES COMES DOWN, AND HE GOES
THEN, HIS SEVENTH YEAR, HIS
JONES COMES DOWN, AND HE GOES
MAD.
JONES COMES DOWN, AND HE GOES
MAD.
DID YOU EVER SEE THE EPISODE
MAD.
DID YOU EVER SEE THE EPISODE
WHERE SPOCK HAD TO GET DOWN?
DID YOU EVER SEE THE EPISODE
WHERE SPOCK HAD TO GET DOWN?
HE WENT CRAZY, MAN.
WHERE SPOCK HAD TO GET DOWN?
HE WENT CRAZY, MAN.
HE WAS CRYING.
HE WENT CRAZY, MAN.
HE WAS CRYING.
HE WAS LAUGHING.
HE WAS CRYING.
HE WAS LAUGHING.
HE WAS HITTING ON CAPTAIN KIRK.
HE WAS LAUGHING.
HE WAS HITTING ON CAPTAIN KIRK.
JIM SAID, "WHAT'S WRONG WITH
HE WAS HITTING ON CAPTAIN KIRK.
JIM SAID, "WHAT'S WRONG WITH
HIM, BONES?"
JIM SAID, "WHAT'S WRONG WITH
HIM, BONES?"
"HE'S SEXUALLY FRUSTRATED, JIM.
HIM, BONES?"
"HE'S SEXUALLY FRUSTRATED, JIM.
THAT'S WHY HIS EARS ARE POINTED.
"HE'S SEXUALLY FRUSTRATED, JIM.
THAT'S WHY HIS EARS ARE POINTED.
THAT STUFF IS BACKED UP."
THAT'S WHY HIS EARS ARE POINTED.
THAT STUFF IS BACKED UP."
[LAUGHTER]
THAT STUFF IS BACKED UP."
[LAUGHTER]
ALL RIGHT. THANK YOU.
[LAUGHTER]
ALL RIGHT. THANK YOU.
[CHEERS AND APPLAUSE]
ALL RIGHT. THANK YOU.
[CHEERS AND APPLAUSE]
THANK YOU.
[CHEERS AND APPLAUSE]
THANK YOU.
HEY, MAN, YOU KNOW.
THANK YOU.
HEY, MAN, YOU KNOW.
TV, YOU KNOW.
HEY, MAN, YOU KNOW.
TV, YOU KNOW.
HEY, ARE WE OFF? YEAH?
TV, YOU KNOW.
HEY, ARE WE OFF? YEAH?
[APPLAUSE]
SURE, I WAS SKEPTICAL.
I THINK EVERYBODY IS.
BUT, BELIEVE ME, I CAN NOW READ
I THINK EVERYBODY IS.
BUT, BELIEVE ME, I CAN NOW READ
10, MAYBE 12 TIMES SLOWER THAN
BUT, BELIEVE ME, I CAN NOW READ
10, MAYBE 12 TIMES SLOWER THAN
BEFORE.
[LAUGHS]
I USED TO BE A HEAVY
SPEED-READER, AND I NEVER
I USED TO BE A HEAVY
SPEED-READER, AND I NEVER
LAUGHED WHEN I READ MARK TWAIN.
SPEED-READER, AND I NEVER
LAUGHED WHEN I READ MARK TWAIN.
BUT NOW THAT I TAKE MY TIME, I
LAUGHED WHEN I READ MARK TWAIN.
BUT NOW THAT I TAKE MY TIME, I
FIND HIM VERY FUNNY.
BUT NOW THAT I TAKE MY TIME, I
FIND HIM VERY FUNNY.
DID YOU KNOW THAT READING ALL
FIND HIM VERY FUNNY.
DID YOU KNOW THAT READING ALL
THE WORDS IN A STORY CAN HELP
DID YOU KNOW THAT READING ALL
THE WORDS IN A STORY CAN HELP
YOU UNDERSTAND THE HUMOR?
THE WORDS IN A STORY CAN HELP
YOU UNDERSTAND THE HUMOR?
I'M A BRAIN SURGEON, AND, UH,
YOU UNDERSTAND THE HUMOR?
I'M A BRAIN SURGEON, AND, UH,
I USED TO JUST FLY THROUGH THESE
I'M A BRAIN SURGEON, AND, UH,
I USED TO JUST FLY THROUGH THESE
TECHNICAL MEDICAL JOURNALS, YOU
I USED TO JUST FLY THROUGH THESE
TECHNICAL MEDICAL JOURNALS, YOU
KNOW?
TECHNICAL MEDICAL JOURNALS, YOU
KNOW?
AND I FOUND I WAS MAKING A LOT
KNOW?
AND I FOUND I WAS MAKING A LOT
OF MISTAKES IN THE OPERATING
AND I FOUND I WAS MAKING A LOT
OF MISTAKES IN THE OPERATING
ROOM.
OF MISTAKES IN THE OPERATING
ROOM.
AND NOW, WITH THE EVELYN WOODSKI
ROOM.
AND NOW, WITH THE EVELYN WOODSKI
SLOW READING COURSE, I CATCH
AND NOW, WITH THE EVELYN WOODSKI
SLOW READING COURSE, I CATCH
MORE OF THE IMPORTANT PROCEDURAL
SLOW READING COURSE, I CATCH
MORE OF THE IMPORTANT PROCEDURAL
STUFF, AND I FIND I'M A BETTER
MORE OF THE IMPORTANT PROCEDURAL
STUFF, AND I FIND I'M A BETTER
SURGEON FOR IT.
STUFF, AND I FIND I'M A BETTER
SURGEON FOR IT.
Announcer: YES,
SURGEON FOR IT.
Announcer: YES,
EVELYN WOODSKI CAN HELP YOU
Announcer: YES,
EVELYN WOODSKI CAN HELP YOU
ENJOY READING AGAIN.
AND THERE'S...
EVELYN... WOODSKI'S...
SLOW... READING... COURSE...
EVELYN... WOODSKI'S...
SLOW... READING... COURSE...
FOR BRAILLE.
SLOW... READING... COURSE...
FOR BRAILLE.
I... USED TO... GET... BLISTERS...
FOR BRAILLE.
I... USED TO... GET... BLISTERS...
ON MY FINGERS.
I... USED TO... GET... BLISTERS...
ON MY FINGERS.
NOW... I JUST... SIT... BACK...
ON MY FINGERS.
NOW... I JUST... SIT... BACK...
AND ENJOY.
Announcer: CALL NOW ON THIS
TOLL-FREE NUMBER FOR YOUR FIRST
FREE LESSON.
OH, I LOVE NEW YORK...
EVERYTHING ABOUT IT, EVEN
CON EDISON, THE ELECTRIC
EVERYTHING ABOUT IT, EVEN
CON EDISON, THE ELECTRIC
COMPANY.
CON EDISON, THE ELECTRIC
COMPANY.
AS A MATTER OF FACT, WHEN I WAS
COMPANY.
AS A MATTER OF FACT, WHEN I WAS
IN NEW YORK LAST SUMMER, IT WAS
AS A MATTER OF FACT, WHEN I WAS
IN NEW YORK LAST SUMMER, IT WAS
CON ED. WHO CAME TO MY RESCUE.
IN NEW YORK LAST SUMMER, IT WAS
CON ED. WHO CAME TO MY RESCUE.
OH, YES.
CON ED. WHO CAME TO MY RESCUE.
OH, YES.
I'M HAVING A MARVELOUS TIME.
OH, YES.
I'M HAVING A MARVELOUS TIME.
JUST YESTERDAY I WAS ON THE
I'M HAVING A MARVELOUS TIME.
JUST YESTERDAY I WAS ON THE
OBSERVATION DECK OF THE
JUST YESTERDAY I WAS ON THE
OBSERVATION DECK OF THE
WORLD TRADE CENTER.
OBSERVATION DECK OF THE
WORLD TRADE CENTER.
YOU KNOW, I COULD SMELL ALL THE
WORLD TRADE CENTER.
YOU KNOW, I COULD SMELL ALL THE
WAY TO NEW JERSEY.
YOU KNOW, I COULD SMELL ALL THE
WAY TO NEW JERSEY.
[KNOCK ON DOOR]
WAY TO NEW JERSEY.
[KNOCK ON DOOR]
MM-HMM.
[KNOCK ON DOOR]
MM-HMM.
WAIT A MINUTE. HOLD ON.
MM-HMM.
WAIT A MINUTE. HOLD ON.
SOMEBODY'S AT THE DOOR.
WAIT A MINUTE. HOLD ON.
SOMEBODY'S AT THE DOOR.
YES, WHO IS IT?
SOMEBODY'S AT THE DOOR.
YES, WHO IS IT?
ROOM SERVICE!
YES, WHO IS IT?
ROOM SERVICE!
JUST A MINUTE.
ROOM SERVICE!
JUST A MINUTE.
LISTEN, I GOT TO GO NOW, BUT
JUST A MINUTE.
LISTEN, I GOT TO GO NOW, BUT
I'LL CALL YOU BACK LATER.
LISTEN, I GOT TO GO NOW, BUT
I'LL CALL YOU BACK LATER.
BE COOL.
I'LL CALL YOU BACK LATER.
BE COOL.
ROOM SERVICE?
BE COOL.
ROOM SERVICE?
I DON'T REMEMBER ANYTHING ABOUT
ROOM SERVICE?
I DON'T REMEMBER ANYTHING ABOUT
ROOM SERVICE.
I DON'T REMEMBER ANYTHING ABOUT
ROOM SERVICE.
ROOM SERVICE.
ROOM SERVICE.
ROOM SERVICE.
LET'S SEE HERE.
ROOM SERVICE.
LET'S SEE HERE.
YES?
LET'S SEE HERE.
YES?
PUT YOUR HANDS UP IN THE AIR.
YES?
PUT YOUR HANDS UP IN THE AIR.
COOPERATE, AND YOU WON'T GET
PUT YOUR HANDS UP IN THE AIR.
COOPERATE, AND YOU WON'T GET
HURT.
COOPERATE, AND YOU WON'T GET
HURT.
YES, SIR.
HURT.
YES, SIR.
ANYTHING YOU SAY, MISTER.
YES, SIR.
ANYTHING YOU SAY, MISTER.
HEY, HEY, HEY, BOSS.
ANYTHING YOU SAY, MISTER.
HEY, HEY, HEY, BOSS.
THIS HERE IS RAY CHARLES.
HEY, HEY, HEY, BOSS.
THIS HERE IS RAY CHARLES.
WHO?
THIS HERE IS RAY CHARLES.
WHO?
RAY CHARLES, THE KING OF
WHO?
RAY CHARLES, THE KING OF
SOUL, MAN.
RAY CHARLES, THE KING OF
SOUL, MAN.
WE CAN'T ROB HIM.
SOUL, MAN.
WE CAN'T ROB HIM.
ARE YOU KIDDING?
WE CAN'T ROB HIM.
ARE YOU KIDDING?
THIS WILL BE A CINCH.
ARE YOU KIDDING?
THIS WILL BE A CINCH.
TIE HIM UP.
THIS WILL BE A CINCH.
TIE HIM UP.
OH, MAN, I CAN'T DO THAT.
TIE HIM UP.
OH, MAN, I CAN'T DO THAT.
I SAID TIE HIM UP, MAN.
OH, MAN, I CAN'T DO THAT.
I SAID TIE HIM UP, MAN.
WHICH ONE OF Y'ALL GOT THE
I SAID TIE HIM UP, MAN.
WHICH ONE OF Y'ALL GOT THE
GUN?
WHICH ONE OF Y'ALL GOT THE
GUN?
I DO.
GUN?
I DO.
I THINK YOU BETTER LISTEN TO
I DO.
I THINK YOU BETTER LISTEN TO
HIM.
I THINK YOU BETTER LISTEN TO
HIM.
O-O-OKAY. OKAY.
HIM.
O-O-OKAY. OKAY.
TAKE THE ROPE OUT OF THE BAG
O-O-OKAY. OKAY.
TAKE THE ROPE OUT OF THE BAG
AND TIE HIM UP.
TAKE THE ROPE OUT OF THE BAG
AND TIE HIM UP.
I'M SORRY, MR. CHARLES, BUT I
AND TIE HIM UP.
I'M SORRY, MR. CHARLES, BUT I
GUESS I GOTTA.
I'M SORRY, MR. CHARLES, BUT I
GUESS I GOTTA.
HEY, THE LIGHTS ARE GOING OFF.
GUESS I GOTTA.
HEY, THE LIGHTS ARE GOING OFF.
WHAT'S GOING ON HERE?
HEY, THE LIGHTS ARE GOING OFF.
WHAT'S GOING ON HERE?
HEY! HEY!
WHAT'S GOING ON HERE?
HEY! HEY!
IT'S A BLACKOUT!
HEY! HEY!
IT'S A BLACKOUT!
IT IS?
IT'S A BLACKOUT!
IT IS?
YEAH! I CAN'T SEE ANYTHING!
IT IS?
YEAH! I CAN'T SEE ANYTHING!
YOU CAN'T?
YEAH! I CAN'T SEE ANYTHING!
YOU CAN'T?
NO!
YOU CAN'T?
NO!
OW! OOH!
NO!
OW! OOH!
OOH! OW!
OW! OOH!
OOH! OW!
[CRASH, GLASS BREAKING]
OOH! OW!
[CRASH, GLASS BREAKING]
[GRUNTING]
[CRASH, GLASS BREAKING]
[GRUNTING]
LET'S SEE HERE.
[GRUNTING]
LET'S SEE HERE.
HELLO?
LET'S SEE HERE.
HELLO?
YOU SAID THE LIGHTS JUST CAME
HELLO?
YOU SAID THE LIGHTS JUST CAME
BACK ON?
YOU SAID THE LIGHTS JUST CAME
BACK ON?
WHAT ARE YOU TELLING ME THAT
BACK ON?
WHAT ARE YOU TELLING ME THAT
FOR?
WHAT ARE YOU TELLING ME THAT
FOR?
IS THIS ROOM SERVICE?
FOR?
IS THIS ROOM SERVICE?
OH, WELL, LISTEN.
IS THIS ROOM SERVICE?
OH, WELL, LISTEN.
THIS IS RAY CHARLES IN 1722.
OH, WELL, LISTEN.
THIS IS RAY CHARLES IN 1722.
AND I'D LIKE TO ORDER SOME NECK
THIS IS RAY CHARLES IN 1722.
AND I'D LIKE TO ORDER SOME NECK
BONES AND COLLARD GREENS AND
AND I'D LIKE TO ORDER SOME NECK
BONES AND COLLARD GREENS AND
POTATO SALAD AND TWO TALL
BONES AND COLLARD GREENS AND
POTATO SALAD AND TWO TALL
GLASSES OF ICE TEA.
POTATO SALAD AND TWO TALL
GLASSES OF ICE TEA.
YOU GOT IT? OKAY.
GLASSES OF ICE TEA.
YOU GOT IT? OKAY.
NOW, WHEN YOU GET THAT FINISHED,
YOU GOT IT? OKAY.
NOW, WHEN YOU GET THAT FINISHED,
WOULD YOU PLEASE SEND UP THE
NOW, WHEN YOU GET THAT FINISHED,
WOULD YOU PLEASE SEND UP THE
POLICE?
WOULD YOU PLEASE SEND UP THE
POLICE?
GOOD NIGHT.
HOW ARE YOU?
I MAY OR MAY NOT BE BUCK HENRY,
BUT I AM HOSTING NEXT WEEK'S
I MAY OR MAY NOT BE BUCK HENRY,
BUT I AM HOSTING NEXT WEEK'S
SHOW WITH LEON REDBONE AS MY
BUT I AM HOSTING NEXT WEEK'S
SHOW WITH LEON REDBONE AS MY
GUEST AND THE FIVE... COUNT
SHOW WITH LEON REDBONE AS MY
GUEST AND THE FIVE... COUNT
THEM, FIVE... FINALISTS IN THE
GUEST AND THE FIVE... COUNT
THEM, FIVE... FINALISTS IN THE
"ANYONE CAN HOST"
THEM, FIVE... FINALISTS IN THE
"ANYONE CAN HOST"
"SATURDAY NIGHT" SHOW CONTEST.
"ANYONE CAN HOST"
"SATURDAY NIGHT" SHOW CONTEST.
WE'VE READ 150,000 POSTCARDS
"SATURDAY NIGHT" SHOW CONTEST.
WE'VE READ 150,000 POSTCARDS
FROM YOU AND, BELIEVE ME,
WE'VE READ 150,000 POSTCARDS
FROM YOU AND, BELIEVE ME,
AMERICA'S IN A LOT OF TROUBLE.
FROM YOU AND, BELIEVE ME,
AMERICA'S IN A LOT OF TROUBLE.
[APPLAUSE]
♪ THERE'S A BRIGHT GOLDEN
HAZE IN THE MEADOW ♪
♪ AH, PEOPLE ♪
HAZE IN THE MEADOW ♪
♪ AH, PEOPLE ♪
♪ THERE'S A BRIGHT GOLDEN HAZE
♪ AH, PEOPLE ♪
♪ THERE'S A BRIGHT GOLDEN HAZE
IN THE MEADOW ♪
♪ THERE'S A BRIGHT GOLDEN HAZE
IN THE MEADOW ♪
♪ THE CORN IS AS HIGH
IN THE MEADOW ♪
♪ THE CORN IS AS HIGH
AS AN ELEPHANT'S EYE ♪
♪ THE CORN IS AS HIGH
AS AN ELEPHANT'S EYE ♪
♪ AND IT LOOKS LIKE IT'S
AS AN ELEPHANT'S EYE ♪
♪ AND IT LOOKS LIKE IT'S
CLIMBING ♪
♪ AND IT LOOKS LIKE IT'S
CLIMBING ♪
♪ CLEAR UP TO THE SKY ♪
CLIMBING ♪
♪ CLEAR UP TO THE SKY ♪
♪ WELL ♪
♪ CLEAR UP TO THE SKY ♪
♪ WELL ♪
♪ I SAY, OH, WHAT A BEAUTIFUL
♪ WELL ♪
♪ I SAY, OH, WHAT A BEAUTIFUL
MORNING ♪
♪ I SAY, OH, WHAT A BEAUTIFUL
MORNING ♪
♪ YEAH ♪
MORNING ♪
♪ YEAH ♪
♪ YES, WHAT A WONDERFUL DAY ♪
♪ YEAH ♪
♪ YES, WHAT A WONDERFUL DAY ♪
Y'ALL, LOOK OUT THERE.
♪ YES, WHAT A WONDERFUL DAY ♪
Y'ALL, LOOK OUT THERE.
♪ I'VE GOT A BEAUTIFUL FEELING ♪
Y'ALL, LOOK OUT THERE.
♪ I'VE GOT A BEAUTIFUL FEELING ♪
♪ EVERYTHING ♪
♪ I'VE GOT A BEAUTIFUL FEELING ♪
♪ EVERYTHING ♪
♪ EVERYTHING GOING MY WAY ♪
♪ EVERYTHING ♪
♪ EVERYTHING GOING MY WAY ♪
Y'ALL COME ON NOW.
♪ EVERYTHING GOING MY WAY ♪
Y'ALL COME ON NOW.
♪ WHOA, THE CATTLE ARE STANDING
Y'ALL COME ON NOW.
♪ WHOA, THE CATTLE ARE STANDING
LIKE STATUES ♪
♪ WHOA, THE CATTLE ARE STANDING
LIKE STATUES ♪
♪ HMMM ♪
LIKE STATUES ♪
♪ HMMM ♪
♪ THE CATTLE ARE STANDING LIKE
♪ HMMM ♪
♪ THE CATTLE ARE STANDING LIKE
STATUES ♪
♪ THE CATTLE ARE STANDING LIKE
STATUES ♪
♪ THEY DON'T TURN THEIR HEADS
STATUES ♪
♪ THEY DON'T TURN THEIR HEADS
AS THEY SEE ME RIDE BY ♪
♪ THEY DON'T TURN THEIR HEADS
AS THEY SEE ME RIDE BY ♪
♪ BUT A LITTLE BROWN MAVERICK
AS THEY SEE ME RIDE BY ♪
♪ BUT A LITTLE BROWN MAVERICK
IS WINKIN' HER EYE ♪
♪ BUT A LITTLE BROWN MAVERICK
IS WINKIN' HER EYE ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
IS WINKIN' HER EYE ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
MORNING, YEAH ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
MORNING, YEAH ♪
YEAH!
MORNING, YEAH ♪
YEAH!
♪ WELL, WHAT A WONDERFUL DAY ♪
YEAH!
♪ WELL, WHAT A WONDERFUL DAY ♪
♪ I WANT Y'ALL TO KNOW,
♪ WELL, WHAT A WONDERFUL DAY ♪
♪ I WANT Y'ALL TO KNOW,
KNOW, KNOW ♪
♪ I WANT Y'ALL TO KNOW,
KNOW, KNOW ♪
♪ I'VE GOT A BEAUTIFUL FEELIN' ♪
KNOW, KNOW ♪
♪ I'VE GOT A BEAUTIFUL FEELIN' ♪
♪ I GOT EVERYTHING ♪
♪ I'VE GOT A BEAUTIFUL FEELIN' ♪
♪ I GOT EVERYTHING ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ I GOT EVERYTHING ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ MY WAY ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ MY WAY ♪
ALL RIGHT, Y'ALL, DO IT TO ME
♪ MY WAY ♪
ALL RIGHT, Y'ALL, DO IT TO ME
NOW.
ALL RIGHT, Y'ALL, DO IT TO ME
NOW.
[MUSICAL INTERLUDE]
NOW.
[MUSICAL INTERLUDE]
OH!
[MUSICAL INTERLUDE]
OH!
ALL RIGHT NOW!
OH!
ALL RIGHT NOW!
UH-HUH.
♪ WHOA, THE SOUNDS OF THE EARTH
ARE LIKE MUSIC ♪
♪ THE SOUNDS OF THE EARTH ARE
ARE LIKE MUSIC ♪
♪ THE SOUNDS OF THE EARTH ARE
LIKE MUSIC ♪
♪ THE SOUNDS OF THE EARTH ARE
LIKE MUSIC ♪
♪ THE BREEZE IS AS BUSY ♪
LIKE MUSIC ♪
♪ THE BREEZE IS AS BUSY ♪
♪ IT DON'T MISS A TREE ♪
♪ THE BREEZE IS AS BUSY ♪
♪ IT DON'T MISS A TREE ♪
♪ AND A LITTLE OL' WEEPIN'
♪ IT DON'T MISS A TREE ♪
♪ AND A LITTLE OL' WEEPIN'
WILLOW ♪
♪ AND A LITTLE OL' WEEPIN'
WILLOW ♪
♪ IS LAUGHIN' AT ME ♪
WILLOW ♪
♪ IS LAUGHIN' AT ME ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
♪ IS LAUGHIN' AT ME ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
MORNING ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
MORNING ♪
♪ YES, WHAT A WONDERFUL DAY ♪
MORNING ♪
♪ YES, WHAT A WONDERFUL DAY ♪
♪ YEAH, I GOT A BEAUTIFUL
♪ YES, WHAT A WONDERFUL DAY ♪
♪ YEAH, I GOT A BEAUTIFUL
FEELIN' ♪
♪ YEAH, I GOT A BEAUTIFUL
FEELIN' ♪
♪ I GOT EVERYTHING ♪
FEELIN' ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ WHOO ♪
♪ I GOT EVERYTHING ♪
♪ WHOO ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ WHOO ♪
♪ EVERYTHING GOIN' MY WAY ♪
[CHUCKLES]
♪ EVERYTHING GOIN' MY WAY ♪
[CHUCKLES]
I'M SORRY.
[CHUCKLES]
I'M SORRY.
♪ BUT I GOT EVERYTHING GOIN'
I'M SORRY.
♪ BUT I GOT EVERYTHING GOIN'
MY WAY ♪
♪ BUT I GOT EVERYTHING GOIN'
MY WAY ♪
♪ MY WAY ♪
MY WAY ♪
♪ MY WAY ♪
♪ WHOA, BABY ♪
♪ MY WAY ♪
♪ WHOA, BABY ♪
♪ OHH ♪
♪ WHOA, BABY ♪
♪ OHH ♪
♪ OH, BABY ♪
♪ OHH ♪
♪ OH, BABY ♪
♪ I WANNA THANK YOU, LITTLE
♪ OH, BABY ♪
♪ I WANNA THANK YOU, LITTLE
GIRL ♪
♪ I WANNA THANK YOU, LITTLE
GIRL ♪
♪ FOR SUCH A WONDERFUL DAY ♪
GIRL ♪
♪ FOR SUCH A WONDERFUL DAY ♪
♪ I GOT A BEAUTIFUL FEELIN' ♪
♪ FOR SUCH A WONDERFUL DAY ♪
♪ I GOT A BEAUTIFUL FEELIN' ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ I GOT A BEAUTIFUL FEELIN' ♪
♪ EVERYTHING GOIN' MY WAY ♪
[CHEERS AND APPLAUSE]
♪ EVERYTHING GOIN' MY WAY ♪
[CHEERS AND APPLAUSE]
[MUSIC ENDS]
[CHEERS AND APPLAUSE]
[MUSIC ENDS]
ALL RIGHT.
[MUSIC ENDS]
ALL RIGHT.
HEY, HEY, HEY.
ALL RIGHT.
HEY, HEY, HEY.
[INTRO TO "I CAN'T STOP LOVING
HEY, HEY, HEY.
[INTRO TO "I CAN'T STOP LOVING
YOU" PLAYS]
[INTRO TO "I CAN'T STOP LOVING
YOU" PLAYS]
♪ I CAN'T STOP LOVING YOU ♪
[YOU" PLAYS]
♪ I CAN'T STOP LOVING YOU ♪
[Imitating Ray Charles]
♪ I CAN'T STOP LOVING YOU ♪
[Imitating Ray Charles]
♪ IT'S USELESS TO SAY ♪
[Imitating Ray Charles]
♪ IT'S USELESS TO SAY ♪
♪ TO LIVE IN MEMORY
♪ IT'S USELESS TO SAY ♪
♪ TO LIVE IN MEMORY
OF THE LONESOME TIMES ♪
♪ TO LIVE IN MEMORY
OF THE LONESOME TIMES ♪
[LAUGHTER]
OF THE LONESOME TIMES ♪
[LAUGHTER]
SING THE SONG.
[LAUGHTER]
SING THE SONG.
♪ I CAN'T STOP WANTING YOU ♪
SING THE SONG.
♪ I CAN'T STOP WANTING YOU ♪
♪ I'VE MADE UP MY MIND ♪
♪ I CAN'T STOP WANTING YOU ♪
♪ I'VE MADE UP MY MIND ♪
[CHEERS AND APPLAUSE]
♪ I'VE MADE UP MY MIND ♪
[CHEERS AND APPLAUSE]
♪ SO I'LL JUST LIVE MY LIFE ♪
[CHEERS AND APPLAUSE]
♪ SO I'LL JUST LIVE MY LIFE ♪
[LAUGHTER]
♪ SO I'LL JUST LIVE MY LIFE ♪
[LAUGHTER]
♪ IN DREAMS OF YESTERDAY ♪
[LAUGHTER]
♪ IN DREAMS OF YESTERDAY ♪
[Normal voice] ALL RIGHT.
♪ IN DREAMS OF YESTERDAY ♪
[Normal voice] ALL RIGHT.
YOU PICKED UP ON IT.
[Normal voice] ALL RIGHT.
YOU PICKED UP ON IT.
I PICKED UP ON IT.
YOU PICKED UP ON IT.
I PICKED UP ON IT.
I TAKE IT YOU DIDN'T KNOW YOUR
I PICKED UP ON IT.
I TAKE IT YOU DIDN'T KNOW YOUR
LINE.
I TAKE IT YOU DIDN'T KNOW YOUR
LINE.
I FORGOT.
LINE.
I FORGOT.
BUT YOU SOUND LIKE RAY CHARLES,
I FORGOT.
BUT YOU SOUND LIKE RAY CHARLES,
BUT I LOOK LIKE HIM.
BUT YOU SOUND LIKE RAY CHARLES,
BUT I LOOK LIKE HIM.
HI, KIDS.
BUT I LOOK LIKE HIM.
HI, KIDS.
OH, HI, MR. MIKE.
HI, KIDS.
OH, HI, MR. MIKE.
HI, MR. MIKE.
OH, HI, MR. MIKE.
HI, MR. MIKE.
HEY, I DON'T MEAN TO BREAK UP
HI, MR. MIKE.
HEY, I DON'T MEAN TO BREAK UP
THE FUN HERE, BUT WE HAVE A
HEY, I DON'T MEAN TO BREAK UP
THE FUN HERE, BUT WE HAVE A
LITTLE SURPRISE FOR RAY.
THE FUN HERE, BUT WE HAVE A
LITTLE SURPRISE FOR RAY.
OH, A SURPRISE. OKAY.
LITTLE SURPRISE FOR RAY.
OH, A SURPRISE. OKAY.
OOH, A SURPRISE.
OH, A SURPRISE. OKAY.
OOH, A SURPRISE.
YOU KNOW, WE KIDDED RAY A LOT
OOH, A SURPRISE.
YOU KNOW, WE KIDDED RAY A LOT
TONIGHT, BUT BLINDNESS IS
YOU KNOW, WE KIDDED RAY A LOT
TONIGHT, BUT BLINDNESS IS
NOTHING TO KID ABOUT.
TONIGHT, BUT BLINDNESS IS
NOTHING TO KID ABOUT.
SO, WE AT "SATURDAY NIGHT," WITH
NOTHING TO KID ABOUT.
SO, WE AT "SATURDAY NIGHT," WITH
THE NETWORK, SET UP SORT OF A
SO, WE AT "SATURDAY NIGHT," WITH
THE NETWORK, SET UP SORT OF A
MATCHING FUND.
THE NETWORK, SET UP SORT OF A
MATCHING FUND.
AND WE WERE ABLE TO PURCHASE
MATCHING FUND.
AND WE WERE ABLE TO PURCHASE
THIS LOVELY PAINTING IN
AND WE WERE ABLE TO PURCHASE
THIS LOVELY PAINTING IN
APPRECIATION OF RAY CHARLES AND
THIS LOVELY PAINTING IN
APPRECIATION OF RAY CHARLES AND
THE COURAGEOUS EXAMPLE HE SETS
APPRECIATION OF RAY CHARLES AND
THE COURAGEOUS EXAMPLE HE SETS
FOR ALL OF US, BESIDES BEING ON
THE COURAGEOUS EXAMPLE HE SETS
FOR ALL OF US, BESIDES BEING ON
HECK OF A GOOD SPORT.
FOR ALL OF US, BESIDES BEING ON
HECK OF A GOOD SPORT.
AND SO, IN RAY'S NAME, WE'RE
HECK OF A GOOD SPORT.
AND SO, IN RAY'S NAME, WE'RE
DONATING THIS PAINTING TO THE
AND SO, IN RAY'S NAME, WE'RE
DONATING THIS PAINTING TO THE
LIGHTHOUSE OF THE BLIND IN THE
DONATING THIS PAINTING TO THE
LIGHTHOUSE OF THE BLIND IN THE
HOPE THAT, SOMEDAY, ALL WILL BE
LIGHTHOUSE OF THE BLIND IN THE
HOPE THAT, SOMEDAY, ALL WILL BE
ABLE TO SEE IT.
HOPE THAT, SOMEDAY, ALL WILL BE
ABLE TO SEE IT.
LET ME JUST PULL THE STRING HERE
ABLE TO SEE IT.
LET ME JUST PULL THE STRING HERE
AND GIVE YOU A LOOK AT WHAT I'M
LET ME JUST PULL THE STRING HERE
AND GIVE YOU A LOOK AT WHAT I'M
TALKING ABOUT.
AND GIVE YOU A LOOK AT WHAT I'M
TALKING ABOUT.
IT WAS PAINTED IN 1909 BY THE
TALKING ABOUT.
IT WAS PAINTED IN 1909 BY THE
FRENCH IMPRESSIONIST
IT WAS PAINTED IN 1909 BY THE
FRENCH IMPRESSIONIST
CLAUDE MONET, AND IT'S ENTITLED,
FRENCH IMPRESSIONIST
CLAUDE MONET, AND IT'S ENTITLED,
AS YOU MAY HAVE ALREADY GUESSED,
CLAUDE MONET, AND IT'S ENTITLED,
AS YOU MAY HAVE ALREADY GUESSED,
"THE OLD WINDMILL."
AS YOU MAY HAVE ALREADY GUESSED,
"THE OLD WINDMILL."
THERE'S THAT SHIMMERING
"THE OLD WINDMILL."
THERE'S THAT SHIMMERING
IRIDESCENCE, THE SUBTLE
THERE'S THAT SHIMMERING
IRIDESCENCE, THE SUBTLE
INTERPLAY BETWEEN LIGHT AND
IRIDESCENCE, THE SUBTLE
INTERPLAY BETWEEN LIGHT AND
SHADOW THAT MONET WAS FAMOUS
INTERPLAY BETWEEN LIGHT AND
SHADOW THAT MONET WAS FAMOUS
FOR.
SHADOW THAT MONET WAS FAMOUS
FOR.
HARD TO DESCRIBE, REALLY.
FOR.
HARD TO DESCRIBE, REALLY.
YOU SORT OF HAVE TO SEE IT.
HARD TO DESCRIBE, REALLY.
YOU SORT OF HAVE TO SEE IT.
RAY, I'M SURE THERE'S SOMETHING
YOU SORT OF HAVE TO SEE IT.
RAY, I'M SURE THERE'S SOMETHING
YOU WANT TO SAY.
RAY, I'M SURE THERE'S SOMETHING
YOU WANT TO SAY.
WELL, I WOULD LIKE TO SAY
YOU WANT TO SAY.
WELL, I WOULD LIKE TO SAY
THAT OUT OF ALL THE AWARDS THAT
WELL, I WOULD LIKE TO SAY
THAT OUT OF ALL THE AWARDS THAT
I RECEIVED, I GOT TO TELL YOU.
THAT OUT OF ALL THE AWARDS THAT
I RECEIVED, I GOT TO TELL YOU.
THIS ONE, WITHOUT DOUBT, MAKES
I RECEIVED, I GOT TO TELL YOU.
THIS ONE, WITHOUT DOUBT, MAKES
ME THAT HAPPIEST.
THIS ONE, WITHOUT DOUBT, MAKES
ME THAT HAPPIEST.
SO, LET ME THANK YOU, MR. MIKE,
ME THAT HAPPIEST.
SO, LET ME THANK YOU, MR. MIKE,
AND I ALSO WOULD LIKE TO THANK
SO, LET ME THANK YOU, MR. MIKE,
AND I ALSO WOULD LIKE TO THANK
ALL THE WONDERFUL PEOPLE ON
AND I ALSO WOULD LIKE TO THANK
ALL THE WONDERFUL PEOPLE ON
"SATURDAY NIGHT LIVE" WHO'VE
ALL THE WONDERFUL PEOPLE ON
"SATURDAY NIGHT LIVE" WHO'VE
MADE THIS WEEK SO MUCH FUN.
"SATURDAY NIGHT LIVE" WHO'VE
MADE THIS WEEK SO MUCH FUN.
THANK YOU.
MADE THIS WEEK SO MUCH FUN.
THANK YOU.
HEY, WELL SAID.
THANK YOU.
HEY, WELL SAID.
[APPLAUSE]
HEY, WELL SAID.
[APPLAUSE]
SO, RAY, I'M SORRY.
[APPLAUSE]
SO, RAY, I'M SORRY.
I GOT TO RUN.
SO, RAY, I'M SORRY.
I GOT TO RUN.
I'LL SEE YOU LATER AT THE PARTY,
I GOT TO RUN.
I'LL SEE YOU LATER AT THE PARTY,
PAL.
I'LL SEE YOU LATER AT THE PARTY,
PAL.
OKAY, SEE YOU, MR. MIKE.
PAL.
OKAY, SEE YOU, MR. MIKE.
BYE, MR. MIKE.
OKAY, SEE YOU, MR. MIKE.
BYE, MR. MIKE.
BYE-BYE.
BYE, MR. MIKE.
BYE-BYE.
NOW, WHAT MR. MIKE DOESN'T
BYE-BYE.
NOW, WHAT MR. MIKE DOESN'T
KNOW IS AT THE PARTY ARE GOING
NOW, WHAT MR. MIKE DOESN'T
KNOW IS AT THE PARTY ARE GOING
TO BE 10 OR 12 OF THE BIGGEST
KNOW IS AT THE PARTY ARE GOING
TO BE 10 OR 12 OF THE BIGGEST
BLACK DUDES HE'S EVER SEEN IN
TO BE 10 OR 12 OF THE BIGGEST
BLACK DUDES HE'S EVER SEEN IN
HIS LIFE.
BLACK DUDES HE'S EVER SEEN IN
HIS LIFE.
AND THEY'RE GONNA WHUP HIM
HIS LIFE.
AND THEY'RE GONNA WHUP HIM
UPSIDE HIS HEAD AND BREAK EVERY
AND THEY'RE GONNA WHUP HIM
UPSIDE HIS HEAD AND BREAK EVERY
BONE IN HIS BODY.
UPSIDE HIS HEAD AND BREAK EVERY
BONE IN HIS BODY.
SO, PLEASE DON'T TELL HIM.
BONE IN HIS BODY.
SO, PLEASE DON'T TELL HIM.
WE'LL BE RIGHT BACK AFTER THIS
SO, PLEASE DON'T TELL HIM.
WE'LL BE RIGHT BACK AFTER THIS
NEXT FILMED MESSAGE.
I'M SO GLAD.
THEY JUST TOLD ME THAT WE'VE GOT
A WHOLE MINUTE LEFT, YOU KNOW?
THEY JUST TOLD ME THAT WE'VE GOT
A WHOLE MINUTE LEFT, YOU KNOW?
THAT'S HIGHLY UNUSUAL FOR THIS
A WHOLE MINUTE LEFT, YOU KNOW?
THAT'S HIGHLY UNUSUAL FOR THIS
SHOW.
THAT'S HIGHLY UNUSUAL FOR THIS
SHOW.
BUT THIS IS STRAIGHT AHEAD.
SHOW.
BUT THIS IS STRAIGHT AHEAD.
BEFORE WE GET TOO LOST HERE,
BUT THIS IS STRAIGHT AHEAD.
BEFORE WE GET TOO LOST HERE,
EVERYBODY THAT'S AROUND ME, I
BEFORE WE GET TOO LOST HERE,
EVERYBODY THAT'S AROUND ME, I
REALLY WANT TO SAY, TRULY,
EVERYBODY THAT'S AROUND ME, I
REALLY WANT TO SAY, TRULY,
THANKS TO ALL OF YOU PEOPLE.
REALLY WANT TO SAY, TRULY,
THANKS TO ALL OF YOU PEOPLE.
AND WOULD YOU ALL JUST SAY A
THANKS TO ALL OF YOU PEOPLE.
AND WOULD YOU ALL JUST SAY A
NICE "THANK YOU AND GOOD NIGHT"?
AND WOULD YOU ALL JUST SAY A
NICE "THANK YOU AND GOOD NIGHT"?
AND THEN WHAT I WANT TO DO IS
NICE "THANK YOU AND GOOD NIGHT"?
AND THEN WHAT I WANT TO DO IS
JUST SORT OF GET INTO... CAN WE
AND THEN WHAT I WANT TO DO IS
JUST SORT OF GET INTO... CAN WE
JUST CLOSE WITH A LITTLE
JUST SORT OF GET INTO... CAN WE
JUST CLOSE WITH A LITTLE
SOMETHING A LITTLE MORE LIVELY
JUST CLOSE WITH A LITTLE
SOMETHING A LITTLE MORE LIVELY
THAN THE BAND AND JUST LET THEM
SOMETHING A LITTLE MORE LIVELY
THAN THE BAND AND JUST LET THEM
SORT OF FOLLOW US, LIKE...
THAN THE BAND AND JUST LET THEM
SORT OF FOLLOW US, LIKE...
[PIANO PLAYS UPBEAT MUSIC]
SORT OF FOLLOW US, LIKE...
[PIANO PLAYS UPBEAT MUSIC]
[SCATTING]
♪ HERE ON "SATURDAY NIGHT" ♪
♪ ON "SATURDAY NIGHT" ♪
[SCATTING]
♪ ON "SATURDAY NIGHT" ♪
♪ YEAH, WE GONNA KEEP ON
SWINGIN', YEAH... ♪
Announcer: MR. MIKE IS PLAYED
BY MICHAEL O'DONOGHUE.
NEXT "SATURDAY NIGHT," OUR HOST
WILL BE BUCK HENRY WITH MUSICAL
GUEST LEON REDBONE AND THE FIVE
FINALISTS IN THE
"ANYONE CAN HOST" CONTEST.
BOY, I HOPE THEY DON'T HAVE AN
"ANYONE CAN ANNOUNCE" CONTEST.
NAH, THEY WOULDN'T DO THAT TO
ME.
THIS IS DON PARDO SAYING GOOD
NIGHT... ANYONE.
♪ ...WANNA HAVE A LITTLE FUN,
Y'ALL ♪
♪ ON SATURDAY NIGHT ♪
♪ THAT'S WHERE IT ALL BEGUN,
Y'ALL ♪
♪ ON SATURDAY NIGHT ♪
TELL ME!
♪ WANNA HAVE A LITTLE FUN,
Y'ALL ♪
♪ ON SATURDAY NIGHT ♪
♪ THAT'S WHERE IT ALL BEGUN,
Y'ALL... ♪
CASSETTE IN THE PHILIPPINES.
THEY DID A LOT OF WORK ON THEM.
CASSETTE IN THE PHILIPPINES.
THEY DID A LOT OF WORK ON THEM.
THEY SPENT A COUPLE MILLION
THEY DID A LOT OF WORK ON THEM.
THEY SPENT A COUPLE MILLION
DOLLARS.
THEY SPENT A COUPLE MILLION
DOLLARS.
NOW, IT'S TRUE, THEY SHOWED THE
DOLLARS.
NOW, IT'S TRUE, THEY SHOWED THE
BAD SIDE OF THE FAMILY.
NOW, IT'S TRUE, THEY SHOWED THE
BAD SIDE OF THE FAMILY.
BUT YOU CAME OFF LOOKING REALLY
BAD SIDE OF THE FAMILY.
BUT YOU CAME OFF LOOKING REALLY
WELL TONIGHT.
BUT YOU CAME OFF LOOKING REALLY
WELL TONIGHT.
I DON'T KNOW.
WELL TONIGHT.
I DON'T KNOW.
YOU KNOW, IF WHAT THEY SAY IS
I DON'T KNOW.
YOU KNOW, IF WHAT THEY SAY IS
TRUE, THE CAMERA REALLY DOES PUT
YOU KNOW, IF WHAT THEY SAY IS
TRUE, THE CAMERA REALLY DOES PUT
ON 10 POUNDS, YOU KNOW?
TRUE, THE CAMERA REALLY DOES PUT
ON 10 POUNDS, YOU KNOW?
I DON'T LIKE THE WAY WE WERE
ON 10 POUNDS, YOU KNOW?
I DON'T LIKE THE WAY WE WERE
PORTRAYED, YOU KNOW?
I DON'T LIKE THE WAY WE WERE
PORTRAYED, YOU KNOW?
MOVIES ARE ONE THING, BUT...
PORTRAYED, YOU KNOW?
MOVIES ARE ONE THING, BUT...
THERE'S TOO MUCH VIOLENCE ON
MOVIES ARE ONE THING, BUT...
THERE'S TOO MUCH VIOLENCE ON
TELEVISION.
THERE'S TOO MUCH VIOLENCE ON
TELEVISION.
OH, IT'S A DIRTY BUSINESS.
TELEVISION.
OH, IT'S A DIRTY BUSINESS.
I WANT NO PART OF IT.
OH, IT'S A DIRTY BUSINESS.
I WANT NO PART OF IT.
NO MORE "GODFATHER" ON
I WANT NO PART OF IT.
NO MORE "GODFATHER" ON
TELEVISION!
NO MORE "GODFATHER" ON
TELEVISION!
THAT'S GONNA BE VERY HARD TO
TELEVISION!
THAT'S GONNA BE VERY HARD TO
DO.
THAT'S GONNA BE VERY HARD TO
DO.
THE NIELSEN RATINGS WERE AWFULLY
DO.
THE NIELSEN RATINGS WERE AWFULLY
HIGH.
THE NIELSEN RATINGS WERE AWFULLY
HIGH.
IT'S GONNA BE DIFFICULT TO GET
HIGH.
IT'S GONNA BE DIFFICULT TO GET
THEM TO CANCEL PARTS TWO, THREE,
IT'S GONNA BE DIFFICULT TO GET
THEM TO CANCEL PARTS TWO, THREE,
AND FOUR.
THEM TO CANCEL PARTS TWO, THREE,
AND FOUR.
IN FACT, THEY HAVE PLANS TO DO
AND FOUR.
IN FACT, THEY HAVE PLANS TO DO
EVEN MORE.
IN FACT, THEY HAVE PLANS TO DO
EVEN MORE.
WHAT PLANS?
EVEN MORE.
WHAT PLANS?
WELL, THEY'VE ALREADY STARTED
WHAT PLANS?
WELL, THEY'VE ALREADY STARTED
DEVELOPING TWO NEW SHOWS...
WELL, THEY'VE ALREADY STARTED
DEVELOPING TWO NEW SHOWS...
"GODFATHER KNOWS BEST" AND
DEVELOPING TWO NEW SHOWS...
"GODFATHER KNOWS BEST" AND
ANOTHER THING CALLED "THE
"GODFATHER KNOWS BEST" AND
ANOTHER THING CALLED "THE
COURTSHIP OF EDDIE'S GODFATHER."
ANOTHER THING CALLED "THE
COURTSHIP OF EDDIE'S GODFATHER."
HOW CAN NBC TREAT ME WITH
COURTSHIP OF EDDIE'S GODFATHER."
HOW CAN NBC TREAT ME WITH
SUCH DISRESPECT?
HOW CAN NBC TREAT ME WITH
SUCH DISRESPECT?
["THE GODFATHER" THEME PLAYS]
SUCH DISRESPECT?
["THE GODFATHER" THEME PLAYS]
AFTER ALL I'VE DONE FOR THEM.
["THE GODFATHER" THEME PLAYS]
AFTER ALL I'VE DONE FOR THEM.
WHEN THEY WANTED DEAN MARTIN TO
AFTER ALL I'VE DONE FOR THEM.
WHEN THEY WANTED DEAN MARTIN TO
STAR IN A SERIES, WHO GOT HIM
WHEN THEY WANTED DEAN MARTIN TO
STAR IN A SERIES, WHO GOT HIM
FOR THEM?
STAR IN A SERIES, WHO GOT HIM
FOR THEM?
I DID.
FOR THEM?
I DID.
AH, BUT LET'S FACE IT.
I DID.
AH, BUT LET'S FACE IT.
THEY NEVER WANTED MY FRIENDSHIP.
AH, BUT LET'S FACE IT.
THEY NEVER WANTED MY FRIENDSHIP.
IT'S OKAY. I UNDERSTAND.
THEY NEVER WANTED MY FRIENDSHIP.
IT'S OKAY. I UNDERSTAND.
BUT NOW THIS?
IT'S OKAY. I UNDERSTAND.
BUT NOW THIS?
HOW CAN THEY DO THIS TO ME?
BUT NOW THIS?
HOW CAN THEY DO THIS TO ME?
WE MADE NO CONTRACT.
HOW CAN THEY DO THIS TO ME?
WE MADE NO CONTRACT.
THEY DIDN'T HAVE TO HAVE A
WE MADE NO CONTRACT.
THEY DIDN'T HAVE TO HAVE A
CONTRACT.
THEY DIDN'T HAVE TO HAVE A
CONTRACT.
WE HAVE NO LEGAL RECOURSE.
CONTRACT.
WE HAVE NO LEGAL RECOURSE.
AH, LEGAL RECOURSE.
WE HAVE NO LEGAL RECOURSE.
AH, LEGAL RECOURSE.
LEGAL RECOURSE.
AH, LEGAL RECOURSE.
LEGAL RECOURSE.
WE'LL GO TO THE MATTRESSES!
LEGAL RECOURSE.
WE'LL GO TO THE MATTRESSES!
WHAT DO YOU SUGGEST WE DO,
WE'LL GO TO THE MATTRESSES!
WHAT DO YOU SUGGEST WE DO,
GODFATHER, MAKE THEM AN OFFER
WHAT DO YOU SUGGEST WE DO,
GODFATHER, MAKE THEM AN OFFER
THEY CAN'T PASS BY?
GODFATHER, MAKE THEM AN OFFER
THEY CAN'T PASS BY?
MM. SOMETHING LIKE THAT.
THEY CAN'T PASS BY?
MM. SOMETHING LIKE THAT.
LET'S SEE.
MM. SOMETHING LIKE THAT.
LET'S SEE.
WE MOVE HARD AND FAST.
LET'S SEE.
WE MOVE HARD AND FAST.
TOM, YOU GO TO NBC IN HOLLYWOOD.
WE MOVE HARD AND FAST.
TOM, YOU GO TO NBC IN HOLLYWOOD.
TAKE CLEMENZA WITH YOU.
TOM, YOU GO TO NBC IN HOLLYWOOD.
TAKE CLEMENZA WITH YOU.
I WANT GRIZZLY ADAMS TO WAKE UP
TAKE CLEMENZA WITH YOU.
I WANT GRIZZLY ADAMS TO WAKE UP
WITH A BEAR'S HEAD ON HIS
I WANT GRIZZLY ADAMS TO WAKE UP
WITH A BEAR'S HEAD ON HIS
PILLOW.
WITH A BEAR'S HEAD ON HIS
PILLOW.
THAT'LL TAKE CARE OF IT.
PILLOW.
THAT'LL TAKE CARE OF IT.
OKAY.
THAT'LL TAKE CARE OF IT.
OKAY.
HOW ABOUT HITTING
OKAY.
HOW ABOUT HITTING
"SATURDAY NIGHT LIVE"?
HOW ABOUT HITTING
"SATURDAY NIGHT LIVE"?
NO.
"SATURDAY NIGHT LIVE"?
NO.
MY GRANDCHILDREN LOVE THE SHOW.
NO.
MY GRANDCHILDREN LOVE THE SHOW.
IT MAKES THEM LAUGH.
MY GRANDCHILDREN LOVE THE SHOW.
IT MAKES THEM LAUGH.
AND THERE'S NOT ENOUGH GOOD
IT MAKES THEM LAUGH.
AND THERE'S NOT ENOUGH GOOD
SATIRE ON TV THESE DAYS.
AND THERE'S NOT ENOUGH GOOD
SATIRE ON TV THESE DAYS.
BESIDES, I LOVE IT WHEN THEY
SATIRE ON TV THESE DAYS.
BESIDES, I LOVE IT WHEN THEY
SAY, "LIVE FROM NEW YORK, IT'S
BESIDES, I LOVE IT WHEN THEY
SAY, "LIVE FROM NEW YORK, IT'S
SATURDAY NIGHT!"
SAY, "LIVE FROM NEW YORK, IT'S
SATURDAY NIGHT!"
[BAND PLAYS]
SATURDAY NIGHT!"
[BAND PLAYS]
Announcer: IT'S "SATURDAY
[BAND PLAYS]
Announcer: IT'S "SATURDAY
NIGHT LIVE."
Announcer: IT'S "SATURDAY
NIGHT LIVE."
STARRING RAY CHARLES...
WITH A SPECIAL GUEST...
LADIES AND GENTLEMEN,
RAY CHARLES.
[CHEERS AND APPLAUSE]
RAY CHARLES.
[CHEERS AND APPLAUSE]
OH, THANK YOU.
[CHEERS AND APPLAUSE]
OH, THANK YOU.
THANK YOU VERY MUCH.
OH, THANK YOU.
THANK YOU VERY MUCH.
THANK YOU VERY MUCH, LADIES AND
THANK YOU VERY MUCH.
THANK YOU VERY MUCH, LADIES AND
GENTLEMEN.
THANK YOU VERY MUCH, LADIES AND
GENTLEMEN.
I WANT TO SAY THAT WHEN THE
GENTLEMEN.
I WANT TO SAY THAT WHEN THE
PEOPLE FROM "SATURDAY NIGHT"
I WANT TO SAY THAT WHEN THE
PEOPLE FROM "SATURDAY NIGHT"
FIRST ASKED ME TO HOST THIS
PEOPLE FROM "SATURDAY NIGHT"
FIRST ASKED ME TO HOST THIS
SHOW, OF COURSE I SAID
FIRST ASKED ME TO HOST THIS
SHOW, OF COURSE I SAID
"ABSOLUTELY NOT."
SHOW, OF COURSE I SAID
"ABSOLUTELY NOT."
I KNEW THE SHOW WAS TASTELESS
"ABSOLUTELY NOT."
I KNEW THE SHOW WAS TASTELESS
AND OFFENSIVE, AND THERE WAS NO
I KNEW THE SHOW WAS TASTELESS
AND OFFENSIVE, AND THERE WAS NO
WAY I WAS GONNA LET 30 YEARS OF
AND OFFENSIVE, AND THERE WAS NO
WAY I WAS GONNA LET 30 YEARS OF
A CAREER GO DOWN THE DRAIN.
WAY I WAS GONNA LET 30 YEARS OF
A CAREER GO DOWN THE DRAIN.
I MIGHT BE BLIND, BUT I'M
A CAREER GO DOWN THE DRAIN.
I MIGHT BE BLIND, BUT I'M
CERTAINLY NOT STUPID.
I MIGHT BE BLIND, BUT I'M
CERTAINLY NOT STUPID.
BUT THEY KEPT ON ASKING ME.
CERTAINLY NOT STUPID.
BUT THEY KEPT ON ASKING ME.
AND THE PRODUCER WAS SAYING,
BUT THEY KEPT ON ASKING ME.
AND THE PRODUCER WAS SAYING,
"HEY, RAY, WE GONNA MAKE YOU
AND THE PRODUCER WAS SAYING,
"HEY, RAY, WE GONNA MAKE YOU
LOOK GOOD."
"HEY, RAY, WE GONNA MAKE YOU
LOOK GOOD."
BUT, YOU SEE, I WAS WORRIED MORE
LOOK GOOD."
BUT, YOU SEE, I WAS WORRIED MORE
ABOUT THE SOUND.
BUT, YOU SEE, I WAS WORRIED MORE
ABOUT THE SOUND.
SO, EVENTUALLY, I SAID, "LISTEN,
ABOUT THE SOUND.
SO, EVENTUALLY, I SAID, "LISTEN,
I'LL TELL YOU WHAT.
SO, EVENTUALLY, I SAID, "LISTEN,
I'LL TELL YOU WHAT.
I'LL DO THE SHOW, BUT THERE MUST
I'LL TELL YOU WHAT.
I'LL DO THE SHOW, BUT THERE MUST
BE SOME PARTICULAR CONDITIONS IN
I'LL DO THE SHOW, BUT THERE MUST
BE SOME PARTICULAR CONDITIONS IN
ORDER FOR ME TO DO IT.
BE SOME PARTICULAR CONDITIONS IN
ORDER FOR ME TO DO IT.
FOR INSTANCE I'VE GOT TO HAVE MY
ORDER FOR ME TO DO IT.
FOR INSTANCE I'VE GOT TO HAVE MY
OWN MUSICIANS.
FOR INSTANCE I'VE GOT TO HAVE MY
OWN MUSICIANS.
I WANT THE RAYLETTES."
OWN MUSICIANS.
I WANT THE RAYLETTES."
AND THEY SAID OKAY.
I WANT THE RAYLETTES."
AND THEY SAID OKAY.
BUT THE LAST THING I ASKED THEM
AND THEY SAID OKAY.
BUT THE LAST THING I ASKED THEM
ABOUT, IT TOOK THEM A LITTLE
BUT THE LAST THING I ASKED THEM
ABOUT, IT TOOK THEM A LITTLE
WHILE TO COME UP WITH IT, BUT
ABOUT, IT TOOK THEM A LITTLE
WHILE TO COME UP WITH IT, BUT
THEY WERE EVEN ABLE TO DO THAT,
WHILE TO COME UP WITH IT, BUT
THEY WERE EVEN ABLE TO DO THAT,
TOO.
THEY WERE EVEN ABLE TO DO THAT,
TOO.
SO, THEREFORE, LADIES AND
TOO.
SO, THEREFORE, LADIES AND
GENTLEMEN, LET ME SAY THAT
SO, THEREFORE, LADIES AND
GENTLEMEN, LET ME SAY THAT
TONIGHT WE ARE PROUD TO BE
GENTLEMEN, LET ME SAY THAT
TONIGHT WE ARE PROUD TO BE
COMING TO YOU LIVE FROM
TONIGHT WE ARE PROUD TO BE
COMING TO YOU LIVE FROM
CARNEGIE HALL.
COMING TO YOU LIVE FROM
CARNEGIE HALL.
NOW, LISTEN, I GOT TO TELL YOU
CARNEGIE HALL.
NOW, LISTEN, I GOT TO TELL YOU
SOMETHING.
NOW, LISTEN, I GOT TO TELL YOU
SOMETHING.
YOU SEE, NOW, THEY THINK THAT I
SOMETHING.
YOU SEE, NOW, THEY THINK THAT I
THINK THAT THIS IS
YOU SEE, NOW, THEY THINK THAT I
THINK THAT THIS IS
CARNEGIE HALL.
THINK THAT THIS IS
CARNEGIE HALL.
[APPLAUSE]
CARNEGIE HALL.
[APPLAUSE]
THE JOKE IS REALLY ON THEM
[APPLAUSE]
THE JOKE IS REALLY ON THEM
BECAUSE, YOU SEE, I'M NOT THE
THE JOKE IS REALLY ON THEM
BECAUSE, YOU SEE, I'M NOT THE
REAL RAY CHARLES.
BECAUSE, YOU SEE, I'M NOT THE
REAL RAY CHARLES.
[LAUGHTER]
REAL RAY CHARLES.
[LAUGHTER]
THE REAL RAY CHARLES IS AT
[LAUGHTER]
THE REAL RAY CHARLES IS AT
CARNEGIE HALL.
THE REAL RAY CHARLES IS AT
CARNEGIE HALL.
BUT IF HE WERE HERE TONIGHT, I
CARNEGIE HALL.
BUT IF HE WERE HERE TONIGHT, I
AM SURE THAT HE WOULD LEAD OFF
BUT IF HE WERE HERE TONIGHT, I
AM SURE THAT HE WOULD LEAD OFF
THIS SHOW WITH SOMETHING LIKE
AM SURE THAT HE WOULD LEAD OFF
THIS SHOW WITH SOMETHING LIKE
THIS.
THIS SHOW WITH SOMETHING LIKE
THIS.
ONE, TWO.
THIS.
ONE, TWO.
[INTRO TO "I CAN SEE CLEARLY
ONE, TWO.
[INTRO TO "I CAN SEE CLEARLY
NOW" PLAYS]
[INTRO TO "I CAN SEE CLEARLY
NOW" PLAYS]
♪ I CAN SEE CLEARLY NOW THAT THE
[NOW" PLAYS]
♪ I CAN SEE CLEARLY NOW THAT THE
RAIN IS GONE ♪
♪ I CAN SEE CLEARLY NOW THAT THE
RAIN IS GONE ♪
♪ I CAN SEE ALL OBSTACLES IN MY
RAIN IS GONE ♪
♪ I CAN SEE ALL OBSTACLES IN MY
WAY ♪
♪ I CAN SEE ALL OBSTACLES IN MY
WAY ♪
♪ GONE ARE THE DARK CLOUDS THAT
WAY ♪
♪ GONE ARE THE DARK CLOUDS THAT
USED TO MAKE ME BLIND ♪
♪ GONE ARE THE DARK CLOUDS THAT
USED TO MAKE ME BLIND ♪
♪ I SEE A BRIGHT, BRIGHT ♪
USED TO MAKE ME BLIND ♪
♪ I SEE A BRIGHT, BRIGHT ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT, BRIGHT ♪
♪ BRIGHT ♪
♪ OH, BRIGHT SUNSHINY DAY ♪
♪ BRIGHT ♪
♪ OH, BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ OH, BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ WELL, I SEE ♪
♪ YES, I DO ♪
♪ WELL, I SEE ♪
♪ BRIGHT ♪
♪ WELL, I SEE ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
LOOKEE HERE.
♪ YES, I DO ♪
LOOKEE HERE.
♪ I THINK I CAN MAKE IT NOW THAT
LOOKEE HERE.
♪ I THINK I CAN MAKE IT NOW THAT
THE RAIN IS GONE ♪
♪ I THINK I CAN MAKE IT NOW THAT
THE RAIN IS GONE ♪
♪ ALL OF THE BAD FEELINGS HAVE
THE RAIN IS GONE ♪
♪ ALL OF THE BAD FEELINGS HAVE
DISAPPEARED ♪
♪ ALL OF THE BAD FEELINGS HAVE
DISAPPEARED ♪
♪ HERE IS THE RAINBOW THAT I'VE
DISAPPEARED ♪
♪ HERE IS THE RAINBOW THAT I'VE
BEEN PRAYING FOR ♪
♪ HERE IS THE RAINBOW THAT I'VE
BEEN PRAYING FOR ♪
♪ I SEE A BRIGHT, BRIGHT ♪
BEEN PRAYING FOR ♪
♪ I SEE A BRIGHT, BRIGHT ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT, BRIGHT ♪
♪ BRIGHT ♪
♪ WHOA, AND ANOTHER SUNSHINY
♪ BRIGHT ♪
♪ WHOA, AND ANOTHER SUNSHINY
DAY ♪
♪ WHOA, AND ANOTHER SUNSHINY
DAY ♪
♪ YES, I DO ♪
DAY ♪
♪ YES, I DO ♪
♪ WELL, I SEE ♪
♪ YES, I DO ♪
♪ WELL, I SEE ♪
♪ BRIGHT ♪
♪ WELL, I SEE ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT SUNSHINY
♪ BRIGHT ♪
♪ I SEE A BRIGHT SUNSHINY
DAY ♪
♪ I SEE A BRIGHT SUNSHINY
DAY ♪
♪ YEAH ♪
DAY ♪
♪ YEAH ♪
♪ WELL, LOOK ALL AROUND YOU,
♪ YEAH ♪
♪ WELL, LOOK ALL AROUND YOU,
THERE'S NOTHING BUT BLUE SKIES ♪
♪ WELL, LOOK ALL AROUND YOU,
THERE'S NOTHING BUT BLUE SKIES ♪
♪ WHY DON'T YOU LOOK STRAIGHT
THERE'S NOTHING BUT BLUE SKIES ♪
♪ WHY DON'T YOU LOOK STRAIGHT
AHEAD ♪
♪ WHY DON'T YOU LOOK STRAIGHT
AHEAD ♪
♪ THERE'S NOTHING BUT BLUE
AHEAD ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
[GUITAR PLAYS]
SKIES ♪
[GUITAR PLAYS]
♪ OOH-OOH ♪
[GUITAR PLAYS]
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOH-OOH ♪
♪ OOH ♪
♪ OOOOH ♪
♪ OOH ♪
♪ OOOOH ♪
♪ OOH, OOH, OOH, OOH ♪
♪ OOOOH ♪
♪ OOH, OOH, OOH, OOH ♪
♪ LOOK ALL AROUND YOU ♪
♪ OOH, OOH, OOH, OOH ♪
♪ LOOK ALL AROUND YOU ♪
♪ THERE'S NOTHING BUT BLUE
♪ LOOK ALL AROUND YOU ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ WHY DON'T YOU LOOK STRAIGHT
SKIES ♪
♪ WHY DON'T YOU LOOK STRAIGHT
AHEAD ♪
♪ WHY DON'T YOU LOOK STRAIGHT
AHEAD ♪
♪ THERE'S NOTHING BUT BLUE
AHEAD ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ THERE'S NOTHING BUT BLUE
SKIES ♪
♪ WELL, ALL RIGHT ♪
SKIES ♪
♪ WELL, ALL RIGHT ♪
♪ I CAN SEE CLEARLY NOW THAT THE
♪ WELL, ALL RIGHT ♪
♪ I CAN SEE CLEARLY NOW THAT THE
RAIN IS GONE ♪
♪ I CAN SEE CLEARLY NOW THAT THE
RAIN IS GONE ♪
♪ I CAN SEE ALL OBSTACLES IN MY
RAIN IS GONE ♪
♪ I CAN SEE ALL OBSTACLES IN MY
WAY, Y'ALL ♪
♪ I CAN SEE ALL OBSTACLES IN MY
WAY, Y'ALL ♪
♪ OHHHHH ♪
WAY, Y'ALL ♪
♪ OHHHHH ♪
♪ GONE ARE THE DARK CLOUDS USED
♪ OHHHHH ♪
♪ GONE ARE THE DARK CLOUDS USED
TO MAKE ME BLIND ♪
♪ GONE ARE THE DARK CLOUDS USED
TO MAKE ME BLIND ♪
♪ I SEE A BRIGHT ♪
TO MAKE ME BLIND ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ WELL, BRIGHT ♪
♪ BRIGHT ♪
♪ WELL, BRIGHT ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ WELL, BRIGHT ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YES, I DO ♪
♪ GIRLS, I SEE A BRIGHT ♪
♪ YES, I DO ♪
♪ GIRLS, I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ GIRLS, I SEE A BRIGHT ♪
♪ BRIGHT ♪
♪ OH, LITTLE BRIGHT NOW ♪
♪ BRIGHT ♪
♪ OH, LITTLE BRIGHT NOW ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ OH, LITTLE BRIGHT NOW ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YEAH ♪
♪ BRIGHT SUNSHINY DAY ♪
♪ YEAH ♪
♪ ALL YOU'VE GOT TO DO IS LOOK
♪ YEAH ♪
♪ ALL YOU'VE GOT TO DO IS LOOK
AROUND YOU ♪
♪ ALL YOU'VE GOT TO DO IS LOOK
AROUND YOU ♪
♪ AND I KNOW YOU'LL SEE A
AROUND YOU ♪
♪ AND I KNOW YOU'LL SEE A
SUNSHINY DAY ♪
♪ AND I KNOW YOU'LL SEE A
SUNSHINY DAY ♪
♪ YES, YOU WILL ♪
SUNSHINY DAY ♪
♪ YES, YOU WILL ♪
♪ WHOA ♪
♪ YES, YOU WILL ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ AND, OH, A SUNSHINY DAY ♪
♪ BRIGHT ♪
♪ AND, OH, A SUNSHINY DAY ♪
♪ YEAH ♪
♪ AND, OH, A SUNSHINY DAY ♪
♪ YEAH ♪
♪ WHOA ♪
♪ YEAH ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ WHOA ♪
♪ BRIGHT, SUNSHINY DAY ♪
[HIGH-PITCHED VOCALIZING]
♪ BRIGHT, SUNSHINY DAY ♪
[HIGH-PITCHED VOCALIZING]
♪ WHOA, OH ♪
[HIGH-PITCHED VOCALIZING]
♪ WHOA, OH ♪
♪ BRIGHT ♪
♪ WHOA, OH ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT ♪
♪ WHOA ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ WHOA ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ HAVE MERCY ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ HAVE MERCY ♪
♪ PEOPLE, LISTEN HERE ♪
♪ HAVE MERCY ♪
♪ PEOPLE, LISTEN HERE ♪
♪ BRIGHT ♪
♪ PEOPLE, LISTEN HERE ♪
♪ BRIGHT ♪
♪ IF YOU LOOK AROUND YOU ♪
♪ BRIGHT ♪
♪ IF YOU LOOK AROUND YOU ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ IF YOU LOOK AROUND YOU ♪
♪ BRIGHT, SUNSHINY DAY ♪
♪ ALL YOU'VE GOT TO DO IS
♪ BRIGHT, SUNSHINY DAY ♪
♪ ALL YOU'VE GOT TO DO IS
KEEP THE FAITH ♪
♪ ALL YOU'VE GOT TO DO IS
KEEP THE FAITH ♪
♪ I KNOW YOU'LL SEE ♪
KEEP THE FAITH ♪
♪ I KNOW YOU'LL SEE ♪
♪ BRIGHT ♪
♪ I KNOW YOU'LL SEE ♪
♪ BRIGHT ♪
♪ WELL, YOU'LL SEE A SUNSHINY
♪ BRIGHT ♪
♪ WELL, YOU'LL SEE A SUNSHINY
DAY ♪
♪ WELL, YOU'LL SEE A SUNSHINY
DAY ♪
♪ SUNSHINY DAY ♪
DAY ♪
♪ SUNSHINY DAY ♪
[CHEERS AND APPLAUSE]
♪ SUNSHINY DAY ♪
[CHEERS AND APPLAUSE]
[LAUGHS]
[CHEERS AND APPLAUSE]
[LAUGHS]
THANK YOU.
[LAUGHS]
THANK YOU.
OH, BLESS YOUR HEART.
THANK YOU.
OH, BLESS YOUR HEART.
BROTHER RAY APPRECIATE IT.
OH, BLESS YOUR HEART.
BROTHER RAY APPRECIATE IT.
THANK YOU.
BROTHER RAY APPRECIATE IT.
THANK YOU.
THANK YOU.
THANK YOU.
THANK YOU.
THANK YOU.
THANK YOU.
THANK YOU.
HA. IT'S ALL RIGHT.
THANK YOU.
HA. IT'S ALL RIGHT.
YOU KNOW, I'M FROM A LITTLE,
HA. IT'S ALL RIGHT.
YOU KNOW, I'M FROM A LITTLE,
SMALL PLACE THAT'S CALLED
YOU KNOW, I'M FROM A LITTLE,
SMALL PLACE THAT'S CALLED
ALBANY, GEORGIA, AND RIGHT NEXT
SMALL PLACE THAT'S CALLED
ALBANY, GEORGIA, AND RIGHT NEXT
DOOR TO THAT IS PLAINS, GEORGIA.
ALBANY, GEORGIA, AND RIGHT NEXT
DOOR TO THAT IS PLAINS, GEORGIA.
SO, YOU CAN SEE THAT I HAVE A
DOOR TO THAT IS PLAINS, GEORGIA.
SO, YOU CAN SEE THAT I HAVE A
SPECIAL, WARM FEELING FOR OUR
SO, YOU CAN SEE THAT I HAVE A
SPECIAL, WARM FEELING FOR OUR
PRESIDENT.
SPECIAL, WARM FEELING FOR OUR
PRESIDENT.
NOW, IT'S NOT BECAUSE WE'RE
PRESIDENT.
NOW, IT'S NOT BECAUSE WE'RE
NEIGHBORS.
NOW, IT'S NOT BECAUSE WE'RE
NEIGHBORS.
BUT, YOU SEE, AT ONE TIME, HIS
NEIGHBORS.
BUT, YOU SEE, AT ONE TIME, HIS
FAMILY OWNED MY GRANDFATHER.
BUT, YOU SEE, AT ONE TIME, HIS
FAMILY OWNED MY GRANDFATHER.
AND SO THEREFORE, JIMMY, THIS IS
FAMILY OWNED MY GRANDFATHER.
AND SO THEREFORE, JIMMY, THIS IS
FOR YOU.
AND SO THEREFORE, JIMMY, THIS IS
FOR YOU.
♪ GEORGIA ♪
FOR YOU.
♪ GEORGIA ♪
♪ AH, GEORGIA ♪
♪ GEORGIA ♪
♪ AH, GEORGIA ♪
[APPLAUSE]
♪ AH, GEORGIA ♪
[APPLAUSE]
♪ THE WHOLE DAY THROUGH ♪
[APPLAUSE]
♪ THE WHOLE DAY THROUGH ♪
GOOD EVENING.
♪ THE WHOLE DAY THROUGH ♪
GOOD EVENING.
THROUGHOUT MY CAMPAIGN FOR
GOOD EVENING.
THROUGHOUT MY CAMPAIGN FOR
PRESIDENT, I SPOKE OF THE
THROUGHOUT MY CAMPAIGN FOR
PRESIDENT, I SPOKE OF THE
INTELLIGENCE OF THE AMERICAN
PRESIDENT, I SPOKE OF THE
INTELLIGENCE OF THE AMERICAN
PEOPLE.
INTELLIGENCE OF THE AMERICAN
PEOPLE.
IT WAS WITH THIS OPTIMISM THAT I
PEOPLE.
IT WAS WITH THIS OPTIMISM THAT I
INTRODUCED MY ENERGY PROGRAM.
IT WAS WITH THIS OPTIMISM THAT I
INTRODUCED MY ENERGY PROGRAM.
BUT NOW MY ENERGY PROGRAM IS IN
INTRODUCED MY ENERGY PROGRAM.
BUT NOW MY ENERGY PROGRAM IS IN
SEVERE TROUBLE, MAINLY BECAUSE
BUT NOW MY ENERGY PROGRAM IS IN
SEVERE TROUBLE, MAINLY BECAUSE
YOU THE AMERICAN PUBLIC HAVE
SEVERE TROUBLE, MAINLY BECAUSE
YOU THE AMERICAN PUBLIC HAVE
FAILED TO UNDERSTAND THE URGENCY
YOU THE AMERICAN PUBLIC HAVE
FAILED TO UNDERSTAND THE URGENCY
OF THE ENERGY CRISIS, EVEN
FAILED TO UNDERSTAND THE URGENCY
OF THE ENERGY CRISIS, EVEN
THOUGH I HAVE EXPLAINED IT TO
OF THE ENERGY CRISIS, EVEN
THOUGH I HAVE EXPLAINED IT TO
YOU MANY TIMES...
THOUGH I HAVE EXPLAINED IT TO
YOU MANY TIMES...
SLOWLY, CLEARLY, AND USING
YOU MANY TIMES...
SLOWLY, CLEARLY, AND USING
ONE-SYLLABLE WORDS...
SLOWLY, CLEARLY, AND USING
ONE-SYLLABLE WORDS...
WORDS LIKE "OIL," "GAS," "OIL,"
ONE-SYLLABLE WORDS...
WORDS LIKE "OIL," "GAS," "OIL,"
"GAS."
WORDS LIKE "OIL," "GAS," "OIL,"
"GAS."
I SAID OUR ECONOMY AND NATIONAL
"GAS."
I SAID OUR ECONOMY AND NATIONAL
SECURITY DEPENDED UPON A
I SAID OUR ECONOMY AND NATIONAL
SECURITY DEPENDED UPON A
COMPREHENSIVE ENERGY PROGRAM.
SECURITY DEPENDED UPON A
COMPREHENSIVE ENERGY PROGRAM.
BUT DID YOU RESPOND?
COMPREHENSIVE ENERGY PROGRAM.
BUT DID YOU RESPOND?
NO.
BUT DID YOU RESPOND?
NO.
BECAUSE YOU DID NOT, THE SENATE
NO.
BECAUSE YOU DID NOT, THE SENATE
HAS BLOCKED MY PROGRAM, AND I
BECAUSE YOU DID NOT, THE SENATE
HAS BLOCKED MY PROGRAM, AND I
HAD TO CANCEL MY TRIP TO PARIS.
HAS BLOCKED MY PROGRAM, AND I
HAD TO CANCEL MY TRIP TO PARIS.
ROSALYNN AND I WERE LOOKING
HAD TO CANCEL MY TRIP TO PARIS.
ROSALYNN AND I WERE LOOKING
FORWARD TO THAT TRIP.
ROSALYNN AND I WERE LOOKING
FORWARD TO THAT TRIP.
THAT'S OKAY.
FORWARD TO THAT TRIP.
THAT'S OKAY.
WITHOUT MY PROGRAM, WE'RE GONNA
THAT'S OKAY.
WITHOUT MY PROGRAM, WE'RE GONNA
HAVE HIGH INFLATION AND
WITHOUT MY PROGRAM, WE'RE GONNA
HAVE HIGH INFLATION AND
UNEMPLOYMENT.
HAVE HIGH INFLATION AND
UNEMPLOYMENT.
I PROBABLY WON'T BE ABLE TO
UNEMPLOYMENT.
I PROBABLY WON'T BE ABLE TO
BALANCE THE BUDGET LIKE I
I PROBABLY WON'T BE ABLE TO
BALANCE THE BUDGET LIKE I
PROMISED.
BALANCE THE BUDGET LIKE I
PROMISED.
I PROBABLY WON'T GET RE-ELECTED.
PROMISED.
I PROBABLY WON'T GET RE-ELECTED.
EVERYTHING'S JUST GOING DOWN THE
I PROBABLY WON'T GET RE-ELECTED.
EVERYTHING'S JUST GOING DOWN THE
TOILET.
EVERYTHING'S JUST GOING DOWN THE
TOILET.
AND THEN IN 1981 OR 1982 OR
TOILET.
AND THEN IN 1981 OR 1982 OR
1983, WHEN SOMEBODY ELSE IS
AND THEN IN 1981 OR 1982 OR
1983, WHEN SOMEBODY ELSE IS
PRESIDENT AND, SUDDENLY, OUR
1983, WHEN SOMEBODY ELSE IS
PRESIDENT AND, SUDDENLY, OUR
ENERGY RUNS OUT, Y'ALL ARE GONNA
PRESIDENT AND, SUDDENLY, OUR
ENERGY RUNS OUT, Y'ALL ARE GONNA
COME UP TO ME AND SAY, "JIMMY,
ENERGY RUNS OUT, Y'ALL ARE GONNA
COME UP TO ME AND SAY, "JIMMY,
YOU WERE RIGHT.
COME UP TO ME AND SAY, "JIMMY,
YOU WERE RIGHT.
WE SHOULD HAVE LISTENED TO YOU.
YOU WERE RIGHT.
WE SHOULD HAVE LISTENED TO YOU.
WE SHOULD HAVE STOPPED GUZZLING
WE SHOULD HAVE LISTENED TO YOU.
WE SHOULD HAVE STOPPED GUZZLING
GAS.
WE SHOULD HAVE STOPPED GUZZLING
GAS.
WE SHOULD HAVE MADE A TRANSITION
GAS.
WE SHOULD HAVE MADE A TRANSITION
TO COAL.
WE SHOULD HAVE MADE A TRANSITION
TO COAL.
WON'T YOU HELP US NOW, JIMMY,
TO COAL.
WON'T YOU HELP US NOW, JIMMY,
AND TELL US WHAT TO DO?"
WON'T YOU HELP US NOW, JIMMY,
AND TELL US WHAT TO DO?"
AND YOU KNOW WHAT I'M GONNA SAY?
AND TELL US WHAT TO DO?"
AND YOU KNOW WHAT I'M GONNA SAY?
"HONK OFF, BOZOS.
AND YOU KNOW WHAT I'M GONNA SAY?
"HONK OFF, BOZOS.
YOU HAD YOUR CHANCE IN 1977, AND
"HONK OFF, BOZOS.
YOU HAD YOUR CHANCE IN 1977, AND
YOU BLEW IT."
YOU HAD YOUR CHANCE IN 1977, AND
YOU BLEW IT."
THANK YOU AND GOOD NIGHT.
YOU BLEW IT."
THANK YOU AND GOOD NIGHT.
♪ OH, SWEET SONG ♪
THANK YOU AND GOOD NIGHT.
♪ OH, SWEET SONG ♪
♪ YEAH ♪
♪ OH, SWEET SONG ♪
♪ YEAH ♪
♪ KEEPS GEORGIA ON MY MIND ♪
♪ YEAH ♪
♪ KEEPS GEORGIA ON MY MIND ♪
YOU KNOW, I WANT TO SAY THAT
♪ KEEPS GEORGIA ON MY MIND ♪
YOU KNOW, I WANT TO SAY THAT
I'VE BEEN A MUSIC LOVER ALL MY
YOU KNOW, I WANT TO SAY THAT
I'VE BEEN A MUSIC LOVER ALL MY
LIFE, SO I CAN APPRECIATE THE
I'VE BEEN A MUSIC LOVER ALL MY
LIFE, SO I CAN APPRECIATE THE
SOUND OF GREAT AND UNIQUE
LIFE, SO I CAN APPRECIATE THE
SOUND OF GREAT AND UNIQUE
TALENT, LIKE THE VOICE OF MY
SOUND OF GREAT AND UNIQUE
TALENT, LIKE THE VOICE OF MY
LADY, MISS ELLA FITZGERALD.
TALENT, LIKE THE VOICE OF MY
LADY, MISS ELLA FITZGERALD.
HI.
LADY, MISS ELLA FITZGERALD.
HI.
ALL RIGHT.
HI.
ALL RIGHT.
HOW ARE YOU TODAY, ELLA?
ALL RIGHT.
HOW ARE YOU TODAY, ELLA?
I'M FINE, RAY.
HOW ARE YOU TODAY, ELLA?
I'M FINE, RAY.
WELL, NOW, WOULD YOU LIKE TO
I'M FINE, RAY.
WELL, NOW, WOULD YOU LIKE TO
SING FOR US, BABY?
WELL, NOW, WOULD YOU LIKE TO
SING FOR US, BABY?
OF COURSE.
SING FOR US, BABY?
OF COURSE.
[SCATTING]
[GLASS SHATTERS]
[LAUGHS]
OH, THAT'S GREAT, ELLA.
[LAUGHS]
OH, THAT'S GREAT, ELLA.
YOU KNOW, HAVING BEEN IN THE
OH, THAT'S GREAT, ELLA.
YOU KNOW, HAVING BEEN IN THE
RECORDING INDUSTRY MOST OF MY
YOU KNOW, HAVING BEEN IN THE
RECORDING INDUSTRY MOST OF MY
LIFE, I ALSO APPRECIATE THE
RECORDING INDUSTRY MOST OF MY
LIFE, I ALSO APPRECIATE THE
REPRODUCTION OF SOUND THAT IS SO
LIFE, I ALSO APPRECIATE THE
REPRODUCTION OF SOUND THAT IS SO
PRECISE THAT YOU CAN'T TELL THE
REPRODUCTION OF SOUND THAT IS SO
PRECISE THAT YOU CAN'T TELL THE
DIFFERENCE BETWEEN THE RECORDING
PRECISE THAT YOU CAN'T TELL THE
DIFFERENCE BETWEEN THE RECORDING
AND THE SINGER'S VOICE, THE KIND
DIFFERENCE BETWEEN THE RECORDING
AND THE SINGER'S VOICE, THE KIND
OF PRECISION THAT'S CAPTURED ON
AND THE SINGER'S VOICE, THE KIND
OF PRECISION THAT'S CAPTURED ON
MAMOREX TAPE.
OF PRECISION THAT'S CAPTURED ON
MAMOREX TAPE.
NOW, ELLA IS GONNA DO THIS THING
MAMOREX TAPE.
NOW, ELLA IS GONNA DO THIS THING
ONCE AGAIN.
NOW, ELLA IS GONNA DO THIS THING
ONCE AGAIN.
AND, THIS TIME, I'M NOT GONNA
ONCE AGAIN.
AND, THIS TIME, I'M NOT GONNA
LOOK TO SEE IF SHE'S SINGING OR
AND, THIS TIME, I'M NOT GONNA
LOOK TO SEE IF SHE'S SINGING OR
IF IT'S THE TAPE OF HER VOICE.
LOOK TO SEE IF SHE'S SINGING OR
IF IT'S THE TAPE OF HER VOICE.
ALL RIGHT?
IF IT'S THE TAPE OF HER VOICE.
ALL RIGHT?
ELLA, GO AHEAD.
ALL RIGHT?
ELLA, GO AHEAD.
IT'LL BE ALONG SOON.
ELLA, GO AHEAD.
IT'LL BE ALONG SOON.
[SCATTING]
IT'LL BE ALONG SOON.
[SCATTING]
[GLASS SHATTERS]
[SCATTING]
[GLASS SHATTERS]
WELL, NOW, WAIT A MINUTE,
[GLASS SHATTERS]
WELL, NOW, WAIT A MINUTE,
ELLA.
WELL, NOW, WAIT A MINUTE,
ELLA.
I GOT TO SAY.
ELLA.
I GOT TO SAY.
I GOT TO SAY.
I GOT TO SAY.
I GOT TO SAY.
I GOT TO SAY SOMETHING.
I GOT TO SAY.
I GOT TO SAY SOMETHING.
YOU KNOW, I REALLY THINK THAT...
I GOT TO SAY SOMETHING.
YOU KNOW, I REALLY THINK THAT...
I REALLY THINK THAT'S
YOU KNOW, I REALLY THINK THAT...
I REALLY THINK THAT'S
REMARKABLE.
I REALLY THINK THAT'S
REMARKABLE.
I COULD SEE YOU.
REMARKABLE.
I COULD SEE YOU.
YOU BROKE IT AGAIN.
I COULD SEE YOU.
YOU BROKE IT AGAIN.
NOW, JUST BETWEEN ME AND YOU,
YOU BROKE IT AGAIN.
NOW, JUST BETWEEN ME AND YOU,
TELL ME, WAS THAT YOU OR THE
NOW, JUST BETWEEN ME AND YOU,
TELL ME, WAS THAT YOU OR THE
TAPE?
TELL ME, WAS THAT YOU OR THE
TAPE?
UH, THE TAPE, RAY.
TAPE?
UH, THE TAPE, RAY.
WELL, YOU SURE COULD HAVE
UH, THE TAPE, RAY.
WELL, YOU SURE COULD HAVE
FOOLED ME.
WELL, YOU SURE COULD HAVE
FOOLED ME.
I HAVEN'T EVER BEEN SUSPECTING
FOOLED ME.
I HAVEN'T EVER BEEN SUSPECTING
OF YOU WITH THAT, MY DEAR.
I HAVEN'T EVER BEEN SUSPECTING
OF YOU WITH THAT, MY DEAR.
I'LL TELL YOU SOMETHING.
OF YOU WITH THAT, MY DEAR.
I'LL TELL YOU SOMETHING.
I'M WONDERING NOW IS WHETHER OR
I'LL TELL YOU SOMETHING.
I'M WONDERING NOW IS WHETHER OR
NOT MAMOREX IS GOING TO PAY FOR
I'M WONDERING NOW IS WHETHER OR
NOT MAMOREX IS GOING TO PAY FOR
MY GLASSES.
NOT MAMOREX IS GOING TO PAY FOR
MY GLASSES.
[APPLAUSE]
Announcer: AND NOW ANOTHER
EPISODE OF "THE DOODY GIRLS,"
STARRING DEBBIE AND DOTTY DOODY.
EPISODE OF "THE DOODY GIRLS,"
STARRING DEBBIE AND DOTTY DOODY.
WELL, DOTTY, I'M ALL READY TO
STARRING DEBBIE AND DOTTY DOODY.
WELL, DOTTY, I'M ALL READY TO
GO.
WELL, DOTTY, I'M ALL READY TO
GO.
OH, DEBBIE, I KNOW TONIGHT
GO.
OH, DEBBIE, I KNOW TONIGHT
WILL BE THE BEST THING FOR YOU.
OH, DEBBIE, I KNOW TONIGHT
WILL BE THE BEST THING FOR YOU.
WELL, I JUST DON'T FEEL RIGHT
WILL BE THE BEST THING FOR YOU.
WELL, I JUST DON'T FEEL RIGHT
ABOUT GOING OUT ON THIS DATE.
WELL, I JUST DON'T FEEL RIGHT
ABOUT GOING OUT ON THIS DATE.
I MEAN, I'M STILL IN MOURNING.
ABOUT GOING OUT ON THIS DATE.
I MEAN, I'M STILL IN MOURNING.
OH, DEBBIE, IT'S BEEN A YEAR
I MEAN, I'M STILL IN MOURNING.
OH, DEBBIE, IT'S BEEN A YEAR
SINCE HOWDY DIED.
OH, DEBBIE, IT'S BEEN A YEAR
SINCE HOWDY DIED.
YOU'VE GOT TO GO ON.
SINCE HOWDY DIED.
YOU'VE GOT TO GO ON.
I MEAN, HOWDY WOULD HAVE WANTED
YOU'VE GOT TO GO ON.
I MEAN, HOWDY WOULD HAVE WANTED
YOU TO.
I MEAN, HOWDY WOULD HAVE WANTED
YOU TO.
YOU KNOW, YOU REMEMBER HIS LAST
YOU TO.
YOU KNOW, YOU REMEMBER HIS LAST
WORDS, DON'T YOU?
YOU KNOW, YOU REMEMBER HIS LAST
WORDS, DON'T YOU?
OH, I'LL NEVER FORGET.
WORDS, DON'T YOU?
OH, I'LL NEVER FORGET.
HE WAS ON HIS DEATHBED.
OH, I'LL NEVER FORGET.
HE WAS ON HIS DEATHBED.
AND HE LOOKED UP AT ME WITH
HE WAS ON HIS DEATHBED.
AND HE LOOKED UP AT ME WITH
TEARS IN HIS EYES.
AND HE LOOKED UP AT ME WITH
TEARS IN HIS EYES.
AND HE SAID, "HEY, DEBBIE, WHAT
TEARS IN HIS EYES.
AND HE SAID, "HEY, DEBBIE, WHAT
TIME IS IT?"
AND HE SAID, "HEY, DEBBIE, WHAT
TIME IS IT?"
AND I SAID, "IT'S HOWDY DOODY
TIME IS IT?"
AND I SAID, "IT'S HOWDY DOODY
TIME!"
AND I SAID, "IT'S HOWDY DOODY
TIME!"
AND HE SAID, "NOT ANYMORE."
TIME!"
AND HE SAID, "NOT ANYMORE."
[CRIES]
AND HE SAID, "NOT ANYMORE."
[CRIES]
SIT DOWN, DEBBIE.
[CRIES]
SIT DOWN, DEBBIE.
I WANT TO TALK TO YOU.
NOW... NOW, LOOK.
YOU'VE LOST A HUSBAND.
I'VE LOST A BROTHER.
YOU'VE LOST A HUSBAND.
I'VE LOST A BROTHER.
BUT WE CAN'T MOURN FOREVER.
I'VE LOST A BROTHER.
BUT WE CAN'T MOURN FOREVER.
OH, MAYBE IT'S JUST THE WAY
BUT WE CAN'T MOURN FOREVER.
OH, MAYBE IT'S JUST THE WAY
HE DIED... OF STRING CANCER.
OH, MAYBE IT'S JUST THE WAY
HE DIED... OF STRING CANCER.
LOOK, YOU'VE GOT TO FORGET.
HE DIED... OF STRING CANCER.
LOOK, YOU'VE GOT TO FORGET.
AND DATING WILL BE THE BEST
LOOK, YOU'VE GOT TO FORGET.
AND DATING WILL BE THE BEST
THING FOR YOU.
AND DATING WILL BE THE BEST
THING FOR YOU.
YOU'LL MEET PEOPLE.
THING FOR YOU.
YOU'LL MEET PEOPLE.
YOU'LL GO OUT.
YOU'LL MEET PEOPLE.
YOU'LL GO OUT.
YOU'LL HAVE A GOOD TIME, GET
YOU'LL GO OUT.
YOU'LL HAVE A GOOD TIME, GET
YOUR MIND OFF THINGS.
YOU'LL HAVE A GOOD TIME, GET
YOUR MIND OFF THINGS.
OH, MAYBE YOU'RE RIGHT.
YOUR MIND OFF THINGS.
OH, MAYBE YOU'RE RIGHT.
BUT I MISS HIM SO!
OH, MAYBE YOU'RE RIGHT.
BUT I MISS HIM SO!
[CRYING]
BUT I MISS HIM SO!
[CRYING]
OH.
[CRYING]
OH.
HOWDY.
OH.
HOWDY.
I KISS YOUR ASHES.
HOWDY.
I KISS YOUR ASHES.
DEBBIE, I THINK I SHOULD FIX
I KISS YOUR ASHES.
DEBBIE, I THINK I SHOULD FIX
US A DRINK TO CELEBRATE THE NEW
DEBBIE, I THINK I SHOULD FIX
US A DRINK TO CELEBRATE THE NEW
BEGINNING OF YOUR LIFE.
US A DRINK TO CELEBRATE THE NEW
BEGINNING OF YOUR LIFE.
OH, YES, BUT YOU'LL HAVE TO
BEGINNING OF YOUR LIFE.
OH, YES, BUT YOU'LL HAVE TO
DO IT QUICKLY 'CAUSE MY DATE
OH, YES, BUT YOU'LL HAVE TO
DO IT QUICKLY 'CAUSE MY DATE
WILL BE HERE ANY MINUTE.
DO IT QUICKLY 'CAUSE MY DATE
WILL BE HERE ANY MINUTE.
OH, REALLY? ALREADY?
WILL BE HERE ANY MINUTE.
OH, REALLY? ALREADY?
WHAT TIME IS IT?
OH, REALLY? ALREADY?
WHAT TIME IS IT?
IT'S...
WHAT TIME IS IT?
IT'S...
[BOTH CRYING]
IT'S...
[BOTH CRYING]
THERE, THERE.
[BOTH CRYING]
THERE, THERE.
THIS WILL MAKE US FEEL BETTER.
THERE, THERE.
THIS WILL MAKE US FEEL BETTER.
OH, MAYBE YOU'RE RIGHT.
THIS WILL MAKE US FEEL BETTER.
OH, MAYBE YOU'RE RIGHT.
THANKS.
OH, MAYBE YOU'RE RIGHT.
THANKS.
CHEERS!
THANKS.
CHEERS!
[DOORBELL RINGS]
CHEERS!
[DOORBELL RINGS]
OH.
[DOORBELL RINGS]
OH.
COME IN.
OH.
COME IN.
HI, DEBBIE.
COME IN.
HI, DEBBIE.
HI, SKIP.
HI, DEBBIE.
HI, SKIP.
THIS IS, UH, DOTTY.
HI, SKIP.
THIS IS, UH, DOTTY.
HELLO.
THIS IS, UH, DOTTY.
HELLO.
HELLO.
HELLO.
HELLO.
THIS IS FOR YOU.
HELLO.
THIS IS FOR YOU.
OH, IT'S LOVELY.
THIS IS FOR YOU.
OH, IT'S LOVELY.
THIS SHOULD GO IN A VASE.
OH, IT'S LOVELY.
THIS SHOULD GO IN A VASE.
HEY, YOU KIDS, YOU SHOULD HURRY
THIS SHOULD GO IN A VASE.
HEY, YOU KIDS, YOU SHOULD HURRY
UP IF YOU DON'T WANT TO MISS
HEY, YOU KIDS, YOU SHOULD HURRY
UP IF YOU DON'T WANT TO MISS
THAT MOVIE.
UP IF YOU DON'T WANT TO MISS
THAT MOVIE.
IT'S GETTING LATE.
THAT MOVIE.
IT'S GETTING LATE.
REALLY?
IT'S GETTING LATE.
REALLY?
WHAT TIME IS IT?
REALLY?
WHAT TIME IS IT?
IT'S...
WHAT TIME IS IT?
IT'S...
[BOTH CRYING]
IT'S...
[BOTH CRYING]
TUNE IN NEXT WEEK FOR ANOTHER
[BOTH CRYING]
TUNE IN NEXT WEEK FOR ANOTHER
EPISODE OF "THE DOODY GIRLS."
♪ ...DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
NO MORE ♪
NO MORE, NO MORE, NO MORE,
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
HELLO, EVERYBODY.
NO MORE ♪
HELLO, EVERYBODY.
WELCOME TO "TOMORROW."
HELLO, EVERYBODY.
WELCOME TO "TOMORROW."
AS MANY OF YOU KNOW, WE'RE DOING
WELCOME TO "TOMORROW."
AS MANY OF YOU KNOW, WE'RE DOING
THE SHOW FROM NEW YORK CITY.
AS MANY OF YOU KNOW, WE'RE DOING
THE SHOW FROM NEW YORK CITY.
IT'S GREAT TO BE BACK IN THE
THE SHOW FROM NEW YORK CITY.
IT'S GREAT TO BE BACK IN THE
CITY OF NEW YORK... NOT NBC
IT'S GREAT TO BE BACK IN THE
CITY OF NEW YORK... NOT NBC
NEW YORK BECAUSE WE REALLY GOT
CITY OF NEW YORK... NOT NBC
NEW YORK BECAUSE WE REALLY GOT
SHORTCHANGED ON OFFICE SPACE,
NEW YORK BECAUSE WE REALLY GOT
SHORTCHANGED ON OFFICE SPACE,
BUT I WON'T SAY ANYTHING ABOUT
SHORTCHANGED ON OFFICE SPACE,
BUT I WON'T SAY ANYTHING ABOUT
THAT RIGHT NOW.
BUT I WON'T SAY ANYTHING ABOUT
THAT RIGHT NOW.
I DID SOMETHING TODAY, THOUGH,
THAT RIGHT NOW.
I DID SOMETHING TODAY, THOUGH,
THAT I COULD NEVER HAVE DONE IN
I DID SOMETHING TODAY, THOUGH,
THAT I COULD NEVER HAVE DONE IN
LOS ANGELES.
THAT I COULD NEVER HAVE DONE IN
LOS ANGELES.
I BOUGHT A PRETZEL FROM A GUY
LOS ANGELES.
I BOUGHT A PRETZEL FROM A GUY
RIGHT OUT ON THE STREET.
I BOUGHT A PRETZEL FROM A GUY
RIGHT OUT ON THE STREET.
WHEN I SAY "PRETZEL," MOST OF
RIGHT OUT ON THE STREET.
WHEN I SAY "PRETZEL," MOST OF
YOU THINK I MEAN THE THIN
WHEN I SAY "PRETZEL," MOST OF
YOU THINK I MEAN THE THIN
PRETZELS THAT YOU GET IN THE
YOU THINK I MEAN THE THIN
PRETZELS THAT YOU GET IN THE
SUPERMARKET.
PRETZELS THAT YOU GET IN THE
SUPERMARKET.
HOWEVER, ANYBODY WHO'S BEEN TO
SUPERMARKET.
HOWEVER, ANYBODY WHO'S BEEN TO
NEW YORK KNOWS THE PRETZELS I
HOWEVER, ANYBODY WHO'S BEEN TO
NEW YORK KNOWS THE PRETZELS I
MEAN... THE BIG, FAT, DELICIOUS
NEW YORK KNOWS THE PRETZELS I
MEAN... THE BIG, FAT, DELICIOUS
NEW YORK STREET PRETZELS.
MEAN... THE BIG, FAT, DELICIOUS
NEW YORK STREET PRETZELS.
AND NOW MY STAGE MANAGER,
NEW YORK STREET PRETZELS.
AND NOW MY STAGE MANAGER,
SHELLY SCHWARTZ, IS MAD AT ME
AND NOW MY STAGE MANAGER,
SHELLY SCHWARTZ, IS MAD AT ME
BECAUSE I DIDN'T BRING HIM ONE.
SHELLY SCHWARTZ, IS MAD AT ME
BECAUSE I DIDN'T BRING HIM ONE.
AND, AS EVERYBODY KNOWS, WELL,
BECAUSE I DIDN'T BRING HIM ONE.
AND, AS EVERYBODY KNOWS, WELL,
HE'S A BIG FELLA, AND HE LOVES A
AND, AS EVERYBODY KNOWS, WELL,
HE'S A BIG FELLA, AND HE LOVES A
GOOD PRETZEL NOW AND AGAIN.
HE'S A BIG FELLA, AND HE LOVES A
GOOD PRETZEL NOW AND AGAIN.
THAT'S NEITHER HERE NOR THERE.
GOOD PRETZEL NOW AND AGAIN.
THAT'S NEITHER HERE NOR THERE.
NEXT TIME, SHELLY, I PROMISE.
THAT'S NEITHER HERE NOR THERE.
NEXT TIME, SHELLY, I PROMISE.
THE MUSIC WE HEARD AT THE TOP OF
NEXT TIME, SHELLY, I PROMISE.
THE MUSIC WE HEARD AT THE TOP OF
THE SHOW WAS, OF COURSE,
THE MUSIC WE HEARD AT THE TOP OF
THE SHOW WAS, OF COURSE,
"HIT THE ROAD JACK" AS SUNG BY
THE SHOW WAS, OF COURSE,
"HIT THE ROAD JACK" AS SUNG BY
THE MAN WHO MADE IT A BIG HIT,
"HIT THE ROAD JACK" AS SUNG BY
THE MAN WHO MADE IT A BIG HIT,
MY GUEST TONIGHT ON "TOMORROW,"
THE MAN WHO MADE IT A BIG HIT,
MY GUEST TONIGHT ON "TOMORROW,"
MR. RAY CHARLES.
MY GUEST TONIGHT ON "TOMORROW,"
MR. RAY CHARLES.
RAY, YOU'RE PROBABLY THE MOST
MR. RAY CHARLES.
RAY, YOU'RE PROBABLY THE MOST
POPULAR RHYTHM-AND-BLUES ARTIST
RAY, YOU'RE PROBABLY THE MOST
POPULAR RHYTHM-AND-BLUES ARTIST
IN AMERICAN HISTORY.
POPULAR RHYTHM-AND-BLUES ARTIST
IN AMERICAN HISTORY.
I GUESS MY FIRST QUESTION TO
IN AMERICAN HISTORY.
I GUESS MY FIRST QUESTION TO
YOU, SIR, WOULD BE, WHY SINGING?
I GUESS MY FIRST QUESTION TO
YOU, SIR, WOULD BE, WHY SINGING?
WHY NOT RAY CHARLES THE
YOU, SIR, WOULD BE, WHY SINGING?
WHY NOT RAY CHARLES THE
WATCHMAKER OR RAY CHARLES THE
WHY NOT RAY CHARLES THE
WATCHMAKER OR RAY CHARLES THE
LAWYER?
WATCHMAKER OR RAY CHARLES THE
LAWYER?
WHY RAY CHARLES THE SINGER?
LAWYER?
WHY RAY CHARLES THE SINGER?
TOM, YOU'RE THE FIRST PERSON
WHY RAY CHARLES THE SINGER?
TOM, YOU'RE THE FIRST PERSON
TO ASK ME THAT QUESTION EVER.
TOM, YOU'RE THE FIRST PERSON
TO ASK ME THAT QUESTION EVER.
I SUPPOSE I STARTED SINGING
TO ASK ME THAT QUESTION EVER.
I SUPPOSE I STARTED SINGING
BECAUSE I WANTED TO EXPRESS WHAT
I SUPPOSE I STARTED SINGING
BECAUSE I WANTED TO EXPRESS WHAT
I WAS FEELING IN MY SOUL.
BECAUSE I WANTED TO EXPRESS WHAT
I WAS FEELING IN MY SOUL.
AND I FELT THE BLUES, SO I
I WAS FEELING IN MY SOUL.
AND I FELT THE BLUES, SO I
NEEDED TO SING THE BLUES.
AND I FELT THE BLUES, SO I
NEEDED TO SING THE BLUES.
ALL RIGHT, SIR, FAIR ENOUGH.
NEEDED TO SING THE BLUES.
ALL RIGHT, SIR, FAIR ENOUGH.
MY NEXT QUESTION TO YOU, SIR,
ALL RIGHT, SIR, FAIR ENOUGH.
MY NEXT QUESTION TO YOU, SIR,
WOULD BE, WHAT THE HECK ARE THE
MY NEXT QUESTION TO YOU, SIR,
WOULD BE, WHAT THE HECK ARE THE
BLUES AND WHO GETS THEM?
WOULD BE, WHAT THE HECK ARE THE
BLUES AND WHO GETS THEM?
WELL, UH, YOU SEE, THE BLUES
BLUES AND WHO GETS THEM?
WELL, UH, YOU SEE, THE BLUES
IS A PART OF LIFE, YOU KNOW.
WELL, UH, YOU SEE, THE BLUES
IS A PART OF LIFE, YOU KNOW.
YOU LOSE YOUR JOB, YOUR WOMAN
IS A PART OF LIFE, YOU KNOW.
YOU LOSE YOUR JOB, YOUR WOMAN
MESSES AROUND WITH ANOTHER MAN,
YOU LOSE YOUR JOB, YOUR WOMAN
MESSES AROUND WITH ANOTHER MAN,
OR A WOMAN LOSES HER MAN 'CAUSE
MESSES AROUND WITH ANOTHER MAN,
OR A WOMAN LOSES HER MAN 'CAUSE
HE'S DOING TIME IN SOME PRISON.
OR A WOMAN LOSES HER MAN 'CAUSE
HE'S DOING TIME IN SOME PRISON.
YOU KNOW, ALL OF THESE KINDS OF
HE'S DOING TIME IN SOME PRISON.
YOU KNOW, ALL OF THESE KINDS OF
THINGS COULD GIVE YOU THE BLUES.
YOU KNOW, ALL OF THESE KINDS OF
THINGS COULD GIVE YOU THE BLUES.
FINE, SIR, OKAY.
THINGS COULD GIVE YOU THE BLUES.
FINE, SIR, OKAY.
GIVEN THAT, LET'S SAY I GO DOWN
FINE, SIR, OKAY.
GIVEN THAT, LET'S SAY I GO DOWN
TO THE RED-DIRT COUNTRY IN
GIVEN THAT, LET'S SAY I GO DOWN
TO THE RED-DIRT COUNTRY IN
MISSISSIPPI AND I BECOME A BLACK
TO THE RED-DIRT COUNTRY IN
MISSISSIPPI AND I BECOME A BLACK
SHARECROPPER.
MISSISSIPPI AND I BECOME A BLACK
SHARECROPPER.
I GET ROMANTICALLY INVOLVED
SHARECROPPER.
I GET ROMANTICALLY INVOLVED
WITH, SAY, LIZA, AND SHE STARTS
I GET ROMANTICALLY INVOLVED
WITH, SAY, LIZA, AND SHE STARTS
TAKING UP WITH BIG SAM, THE
WITH, SAY, LIZA, AND SHE STARTS
TAKING UP WITH BIG SAM, THE
PLANTATION FOREMAN.
TAKING UP WITH BIG SAM, THE
PLANTATION FOREMAN.
NOW, I GO TO A BAR WHERE THEY'RE
PLANTATION FOREMAN.
NOW, I GO TO A BAR WHERE THEY'RE
DRINKING, AND I SHOOT THEM BOTH
NOW, I GO TO A BAR WHERE THEY'RE
DRINKING, AND I SHOOT THEM BOTH
DEAD.
DRINKING, AND I SHOOT THEM BOTH
DEAD.
THERE ARE WITNESSES AND I GO TO
DEAD.
THERE ARE WITNESSES AND I GO TO
PRISON.
THERE ARE WITNESSES AND I GO TO
PRISON.
MY QUESTION IS, SIR, WOULD I GET
PRISON.
MY QUESTION IS, SIR, WOULD I GET
THE BLUES?
MY QUESTION IS, SIR, WOULD I GET
THE BLUES?
I DON'T KNOW.
THE BLUES?
I DON'T KNOW.
BUT UNDER THOSE CIRCUMSTANCES,
I DON'T KNOW.
BUT UNDER THOSE CIRCUMSTANCES,
MOST PEOPLE WOULD.
BUT UNDER THOSE CIRCUMSTANCES,
MOST PEOPLE WOULD.
HOWEVER, YOU MIGHT BE THE
MOST PEOPLE WOULD.
HOWEVER, YOU MIGHT BE THE
EXCEPTION.
HOWEVER, YOU MIGHT BE THE
EXCEPTION.
THAT'S A FAIR ANSWER TO MY
EXCEPTION.
THAT'S A FAIR ANSWER TO MY
QUESTION, THANK YOU.
THAT'S A FAIR ANSWER TO MY
QUESTION, THANK YOU.
RAY, YOU STARTED YOUR CAREER AT
QUESTION, THANK YOU.
RAY, YOU STARTED YOUR CAREER AT
A DIFFICULT TIME.
RAY, YOU STARTED YOUR CAREER AT
A DIFFICULT TIME.
IN THE LATE '40s, THE MUSIC
A DIFFICULT TIME.
IN THE LATE '40s, THE MUSIC
INDUSTRY WAS DOMINATED BY
IN THE LATE '40s, THE MUSIC
INDUSTRY WAS DOMINATED BY
WHITES.
INDUSTRY WAS DOMINATED BY
WHITES.
MOST OF IT WAS OWNED BY THAT
WHITES.
MOST OF IT WAS OWNED BY THAT
KU KLUX KLAN, AND I DON'T THINK
MOST OF IT WAS OWNED BY THAT
KU KLUX KLAN, AND I DON'T THINK
THERE SHOULD BE ANY SECRET ABOUT
KU KLUX KLAN, AND I DON'T THINK
THERE SHOULD BE ANY SECRET ABOUT
THAT IN 1977.
THERE SHOULD BE ANY SECRET ABOUT
THAT IN 1977.
SIR, MY QUESTION IS, WHAT ABOUT
THAT IN 1977.
SIR, MY QUESTION IS, WHAT ABOUT
GROUPIES?
SIR, MY QUESTION IS, WHAT ABOUT
GROUPIES?
COME ON, NOW, TOM.
GROUPIES?
COME ON, NOW, TOM.
YOU'RE A BIG TELEVISION STAR AND
COME ON, NOW, TOM.
YOU'RE A BIG TELEVISION STAR AND
YOU KNOW WHAT IT'S LIKE TO BE A
YOU'RE A BIG TELEVISION STAR AND
YOU KNOW WHAT IT'S LIKE TO BE A
CELEBRITY.
YOU KNOW WHAT IT'S LIKE TO BE A
CELEBRITY.
YOU KNOW, WOMEN, YOU KNOW, JUST
CELEBRITY.
YOU KNOW, WOMEN, YOU KNOW, JUST
COMING AROUND YOU ALL THE TIME,
YOU KNOW, WOMEN, YOU KNOW, JUST
COMING AROUND YOU ALL THE TIME,
YOU KNOW, AND THEN YOU GOT THOSE
COMING AROUND YOU ALL THE TIME,
YOU KNOW, AND THEN YOU GOT THOSE
SEXY NOTES AND LETTERS FROM
YOU KNOW, AND THEN YOU GOT THOSE
SEXY NOTES AND LETTERS FROM
YOUNG GIRLS.
SEXY NOTES AND LETTERS FROM
YOUNG GIRLS.
I GOT TO TELL YOU.
YOUNG GIRLS.
I GOT TO TELL YOU.
EVERYBODY IN THIS BUSINESS HAS
I GOT TO TELL YOU.
EVERYBODY IN THIS BUSINESS HAS
THEIR GROUPIES.
EVERYBODY IN THIS BUSINESS HAS
THEIR GROUPIES.
I HAVE MY GROUPIES, AND I'M SURE
THEIR GROUPIES.
I HAVE MY GROUPIES, AND I'M SURE
YOU'VE GOT YOURS.
I HAVE MY GROUPIES, AND I'M SURE
YOU'VE GOT YOURS.
[LAUGHS]
YOU'VE GOT YOURS.
[LAUGHS]
RAY, WOULD YOU BELIEVE IT IF I
[LAUGHS]
RAY, WOULD YOU BELIEVE IT IF I
TOLD YOU I DON'T HAVE ANY
RAY, WOULD YOU BELIEVE IT IF I
TOLD YOU I DON'T HAVE ANY
GROUPIES?
TOLD YOU I DON'T HAVE ANY
GROUPIES?
[LAUGHS]
GROUPIES?
[LAUGHS]
OR AT LEAST NONE THAT I KNOW OF,
[LAUGHS]
OR AT LEAST NONE THAT I KNOW OF,
ANYWAY.
OR AT LEAST NONE THAT I KNOW OF,
ANYWAY.
NOW, THERE'S SOMETHING HERE
ANYWAY.
NOW, THERE'S SOMETHING HERE
WHICH WE HAVEN'T DISCUSSED, AND,
NOW, THERE'S SOMETHING HERE
WHICH WE HAVEN'T DISCUSSED, AND,
QUITE FRANKLY, SIR, I THINK WE
WHICH WE HAVEN'T DISCUSSED, AND,
QUITE FRANKLY, SIR, I THINK WE
SHOULD TOUCH ON IT.
QUITE FRANKLY, SIR, I THINK WE
SHOULD TOUCH ON IT.
THE FACT IS, SIR, YOU'RE
SHOULD TOUCH ON IT.
THE FACT IS, SIR, YOU'RE
BLIND... OR LET'S SAY YOU'RE A
THE FACT IS, SIR, YOU'RE
BLIND... OR LET'S SAY YOU'RE A
SIGHTLESS PERSON.
BLIND... OR LET'S SAY YOU'RE A
SIGHTLESS PERSON.
I REMEMBER A MOVIE WITH
SIGHTLESS PERSON.
I REMEMBER A MOVIE WITH
PATTY DUKE AND ANNE BANCROFT.
I REMEMBER A MOVIE WITH
PATTY DUKE AND ANNE BANCROFT.
IT WAS CALLED "THE MIRACLE
PATTY DUKE AND ANNE BANCROFT.
IT WAS CALLED "THE MIRACLE
WORKER."
IT WAS CALLED "THE MIRACLE
WORKER."
IT WAS THE STORY OF A BLIND,
WORKER."
IT WAS THE STORY OF A BLIND,
DEAF, AND MUTE GIRL.
IT WAS THE STORY OF A BLIND,
DEAF, AND MUTE GIRL.
I CAN'T RECALL HER NAME RIGHT
DEAF, AND MUTE GIRL.
I CAN'T RECALL HER NAME RIGHT
NOW, BUT IT'LL COME TO ME.
I CAN'T RECALL HER NAME RIGHT
NOW, BUT IT'LL COME TO ME.
ANYWAY, THEY TAUGHT HER TO READ
NOW, BUT IT'LL COME TO ME.
ANYWAY, THEY TAUGHT HER TO READ
AND COMMUNICATE IN THAT MOVIE.
ANYWAY, THEY TAUGHT HER TO READ
AND COMMUNICATE IN THAT MOVIE.
IT WAS A TOUCHING STORY, AND,
AND COMMUNICATE IN THAT MOVIE.
IT WAS A TOUCHING STORY, AND,
FOR MY MONEY, IT WAS ONE OF THE
IT WAS A TOUCHING STORY, AND,
FOR MY MONEY, IT WAS ONE OF THE
BEST MOVIES I EVER SAW.
FOR MY MONEY, IT WAS ONE OF THE
BEST MOVIES I EVER SAW.
I NEVER CRY AT THE MOVIES, BUT
BEST MOVIES I EVER SAW.
I NEVER CRY AT THE MOVIES, BUT
THIS ONE HAD ME CRYING.
I NEVER CRY AT THE MOVIES, BUT
THIS ONE HAD ME CRYING.
IT WAS GREAT.
THIS ONE HAD ME CRYING.
IT WAS GREAT.
WHAT DID YOU THINK OF THAT
IT WAS GREAT.
WHAT DID YOU THINK OF THAT
MOVIE, SIR?
WHAT DID YOU THINK OF THAT
MOVIE, SIR?
I DIDN'T SEE IT.
MOVIE, SIR?
I DIDN'T SEE IT.
ALL RIGHT.
I DIDN'T SEE IT.
ALL RIGHT.
ALL RIGHT, SIR.
ALL RIGHT.
ALL RIGHT, SIR.
FAIR ENOUGH. I'LL BUY THAT.
ALL RIGHT, SIR.
FAIR ENOUGH. I'LL BUY THAT.
BUT I'LL TELL YOU SOMETHING,
FAIR ENOUGH. I'LL BUY THAT.
BUT I'LL TELL YOU SOMETHING,
TOM.
BUT I'LL TELL YOU SOMETHING,
TOM.
MY BLINDNESS HAS MADE ME MUCH
TOM.
MY BLINDNESS HAS MADE ME MUCH
MORE AWARE.
MY BLINDNESS HAS MADE ME MUCH
MORE AWARE.
MY SENSES OF TASTE, TOUCH, SMELL
MORE AWARE.
MY SENSES OF TASTE, TOUCH, SMELL
ARE HIGHLY DEVELOPED, MORE THAN
MY SENSES OF TASTE, TOUCH, SMELL
ARE HIGHLY DEVELOPED, MORE THAN
MOST PEOPLE WHO CAN SEE.
ARE HIGHLY DEVELOPED, MORE THAN
MOST PEOPLE WHO CAN SEE.
WELL, COULD YOU DEMONSTRATE?
MOST PEOPLE WHO CAN SEE.
WELL, COULD YOU DEMONSTRATE?
ALL RIGHT, WELL, FROM WHERE
WELL, COULD YOU DEMONSTRATE?
ALL RIGHT, WELL, FROM WHERE
I'M SITTING NOW, I CAN TELL
ALL RIGHT, WELL, FROM WHERE
I'M SITTING NOW, I CAN TELL
THAT WITHIN THE PAST HOUR, YOU
I'M SITTING NOW, I CAN TELL
THAT WITHIN THE PAST HOUR, YOU
PUT ON SOME 007 AFTER-SHAVING
THAT WITHIN THE PAST HOUR, YOU
PUT ON SOME 007 AFTER-SHAVING
LOTION, VINTAGE 1968.
PUT ON SOME 007 AFTER-SHAVING
LOTION, VINTAGE 1968.
AND YOU'RE STILL WEARING THE
LOTION, VINTAGE 1968.
AND YOU'RE STILL WEARING THE
SAME SOCKS FOR TWO DAYS IN A
AND YOU'RE STILL WEARING THE
SAME SOCKS FOR TWO DAYS IN A
ROW.
SAME SOCKS FOR TWO DAYS IN A
ROW.
RAY, RAY, I WISH WE COULD
ROW.
RAY, RAY, I WISH WE COULD
CONTINUE.
RAY, RAY, I WISH WE COULD
CONTINUE.
UNFORTUNATELY, WE'RE RUNNING
CONTINUE.
UNFORTUNATELY, WE'RE RUNNING
RIGHT OUT OF TIME.
UNFORTUNATELY, WE'RE RUNNING
RIGHT OUT OF TIME.
YES, YOUR TIE FEELS LIKE
RIGHT OUT OF TIME.
YES, YOUR TIE FEELS LIKE
SILK, TOO, BUT IT'S REALLY
YES, YOUR TIE FEELS LIKE
SILK, TOO, BUT IT'S REALLY
POLYESTER.
SILK, TOO, BUT IT'S REALLY
POLYESTER.
AND YOU STILL TUCK YOUR T-SHIRT
POLYESTER.
AND YOU STILL TUCK YOUR T-SHIRT
INSIDE YOUR BOXER SHORTS.
AND YOU STILL TUCK YOUR T-SHIRT
INSIDE YOUR BOXER SHORTS.
THAT'S SIMPLY UNCANNY, SIR.
INSIDE YOUR BOXER SHORTS.
THAT'S SIMPLY UNCANNY, SIR.
YOU KNOW, YOU'RE ABSOLUTELY
THAT'S SIMPLY UNCANNY, SIR.
YOU KNOW, YOU'RE ABSOLUTELY
RIGHT.
YOU KNOW, YOU'RE ABSOLUTELY
RIGHT.
PLEASE JOIN US ON "TOMORROW."
RIGHT.
PLEASE JOIN US ON "TOMORROW."
WE'LL BE TALKING WITH A MAN WHO
PLEASE JOIN US ON "TOMORROW."
WE'LL BE TALKING WITH A MAN WHO
HAS WRITTEN A BOOK, AND HE
WE'LL BE TALKING WITH A MAN WHO
HAS WRITTEN A BOOK, AND HE
CLAIMS THAT HE RAN A GAY BAR
HAS WRITTEN A BOOK, AND HE
CLAIMS THAT HE RAN A GAY BAR
IN MOSCOW IN THE EARLY '50s AND
CLAIMS THAT HE RAN A GAY BAR
IN MOSCOW IN THE EARLY '50s AND
THAT IT WAS FREQUENTED BY NONE
IN MOSCOW IN THE EARLY '50s AND
THAT IT WAS FREQUENTED BY NONE
OTHER THAN NIKITA KHRUSHCHEV.
THAT IT WAS FREQUENTED BY NONE
OTHER THAN NIKITA KHRUSHCHEV.
I STILL THINK YOUR HAIR'S AT
OTHER THAN NIKITA KHRUSHCHEV.
I STILL THINK YOUR HAIR'S AT
LEAST 12 DIFFERENT COLORS, TOO.
I STILL THINK YOUR HAIR'S AT
LEAST 12 DIFFERENT COLORS, TOO.
GOOD NIGHT, EVERYBODY.
LEAST 12 DIFFERENT COLORS, TOO.
GOOD NIGHT, EVERYBODY.
♪ HIT THE ROAD, JACK ♪
GOOD NIGHT, EVERYBODY.
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK NO
MORE ♪
♪ WHAT YOU SAID ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK... ♪
[SPEAKING INDISTINCTLY]
HEY, LOOK, MAN.
GET HAPPY, OKAY?
HEY, LOOK, MAN.
GET HAPPY, OKAY?
THIS IS A GOLDEN OPPORTUNITY.
GET HAPPY, OKAY?
THIS IS A GOLDEN OPPORTUNITY.
THE HOTTEST WHITE GROUP IN THE
THIS IS A GOLDEN OPPORTUNITY.
THE HOTTEST WHITE GROUP IN THE
COUNTRY IS GONNA RECORD YOUR
THE HOTTEST WHITE GROUP IN THE
COUNTRY IS GONNA RECORD YOUR
SONG.
COUNTRY IS GONNA RECORD YOUR
SONG.
YEAH, BUT I WANT TO RECORD MY
SONG.
YEAH, BUT I WANT TO RECORD MY
OWN SONG.
YEAH, BUT I WANT TO RECORD MY
OWN SONG.
HEY, MAN, YOU WILL, BABY.
OWN SONG.
HEY, MAN, YOU WILL, BABY.
YOU WILL.
HEY, MAN, YOU WILL, BABY.
YOU WILL.
BUT YOU'RE GONNA RECORD THE
YOU WILL.
BUT YOU'RE GONNA RECORD THE
RHYTHM AND BLUES VERSION, THE
BUT YOU'RE GONNA RECORD THE
RHYTHM AND BLUES VERSION, THE
ONES THAT'S GONNA BE PLAYED ON
RHYTHM AND BLUES VERSION, THE
ONES THAT'S GONNA BE PLAYED ON
THE SOUTH ON THOSE NEGRO RADIO
ONES THAT'S GONNA BE PLAYED ON
THE SOUTH ON THOSE NEGRO RADIO
STATIONS.
THE SOUTH ON THOSE NEGRO RADIO
STATIONS.
YEAH, YEAH. SO?
STATIONS.
YEAH, YEAH. SO?
WELL, THIS IS ONE THAT'S
YEAH, YEAH. SO?
WELL, THIS IS ONE THAT'S
COMING UP.
WELL, THIS IS ONE THAT'S
COMING UP.
THEN WE'RE GONNA RECORD THE ONE
COMING UP.
THEN WE'RE GONNA RECORD THE ONE
THAT'S GONNA BE PLAYED, YOU
THEN WE'RE GONNA RECORD THE ONE
THAT'S GONNA BE PLAYED, YOU
KNOW, THE POP VERSION, THE ONE
THAT'S GONNA BE PLAYED, YOU
KNOW, THE POP VERSION, THE ONE
THAT'LL BE PLAYED ON RADIO
KNOW, THE POP VERSION, THE ONE
THAT'LL BE PLAYED ON RADIO
STATIONS ALL OVER THE COUNTRY.
THAT'LL BE PLAYED ON RADIO
STATIONS ALL OVER THE COUNTRY.
AND THEY'RE ALSO GONNA PERFORM
STATIONS ALL OVER THE COUNTRY.
AND THEY'RE ALSO GONNA PERFORM
IT ON THE "ED SULLIVAN SHOW."
AND THEY'RE ALSO GONNA PERFORM
IT ON THE "ED SULLIVAN SHOW."
AND THE GROUP IS GONNA DO IT IN
IT ON THE "ED SULLIVAN SHOW."
AND THE GROUP IS GONNA DO IT IN
THE MOVIE THAT THEY GOT COMING
AND THE GROUP IS GONNA DO IT IN
THE MOVIE THAT THEY GOT COMING
UP CALLED "THE WEEKEND AT THE
THE MOVIE THAT THEY GOT COMING
UP CALLED "THE WEEKEND AT THE
WORLD'S FAIR."
UP CALLED "THE WEEKEND AT THE
WORLD'S FAIR."
MAN, THEY GONNA SELL THEM
WORLD'S FAIR."
MAN, THEY GONNA SELL THEM
MILLIONS OF COPIES.
MAN, THEY GONNA SELL THEM
MILLIONS OF COPIES.
AND THEY'RE GONNA GIVE YOU...
MILLIONS OF COPIES.
AND THEY'RE GONNA GIVE YOU...
THIS IS THE BEST THING... THEY
AND THEY'RE GONNA GIVE YOU...
THIS IS THE BEST THING... THEY
GONNA GIVE YOU ALL OF $400.
THIS IS THE BEST THING... THEY
GONNA GIVE YOU ALL OF $400.
OH, WELL, AT LEAST I CAN
GONNA GIVE YOU ALL OF $400.
OH, WELL, AT LEAST I CAN
UNDERSTAND THAT.
OH, WELL, AT LEAST I CAN
UNDERSTAND THAT.
SO, JUST CHEER UP AND ENJOY.
UNDERSTAND THAT.
SO, JUST CHEER UP AND ENJOY.
KNOCK, KNOCK.
SO, JUST CHEER UP AND ENJOY.
KNOCK, KNOCK.
ANYBODY HOME?
KNOCK, KNOCK.
ANYBODY HOME?
COME ON. COME ON.
ANYBODY HOME?
COME ON. COME ON.
ALL RIGHT, EVERYBODY, COME ON
COME ON. COME ON.
ALL RIGHT, EVERYBODY, COME ON
DOWN HERE.
ALL RIGHT, EVERYBODY, COME ON
DOWN HERE.
HI, MR. DeWITT.
DOWN HERE.
HI, MR. DeWITT.
HI, THERE.
HI, MR. DeWITT.
HI, THERE.
EVERYBODY, THIS IS
HI, THERE.
EVERYBODY, THIS IS
MR. RAY CHARLES.
EVERYBODY, THIS IS
MR. RAY CHARLES.
HOW YOU DOING?
MR. RAY CHARLES.
HOW YOU DOING?
HOW YOU DOING?
HOW YOU DOING?
HOW YOU DOING?
I'M GROUP LEADER JODY JOBO.
HOW YOU DOING?
I'M GROUP LEADER JODY JOBO.
AND THIS IS TODD, VIC, CHIP,
I'M GROUP LEADER JODY JOBO.
AND THIS IS TODD, VIC, CHIP,
TAMMY, AND PAMMY.
AND THIS IS TODD, VIC, CHIP,
TAMMY, AND PAMMY.
HI.
TAMMY, AND PAMMY.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
HI.
OR, AS WE'RE KNOWN
HI.
OR, AS WE'RE KNOWN
PROFESSIONALLY, THE YOUNG
OR, AS WE'RE KNOWN
PROFESSIONALLY, THE YOUNG
CAUCASIANS.
PROFESSIONALLY, THE YOUNG
CAUCASIANS.
I'D JUST LIKE TO SAY,
CAUCASIANS.
I'D JUST LIKE TO SAY,
MR. CHARLES, WE'RE SO EXCITED
I'D JUST LIKE TO SAY,
MR. CHARLES, WE'RE SO EXCITED
ABOUT DOING THIS SONG.
MR. CHARLES, WE'RE SO EXCITED
ABOUT DOING THIS SONG.
OH, BEAUTIFUL. THANK YOU.
ABOUT DOING THIS SONG.
OH, BEAUTIFUL. THANK YOU.
OH, WOW.
OH, BEAUTIFUL. THANK YOU.
OH, WOW.
I MEAN, WE REALLY LOVE
OH, WOW.
I MEAN, WE REALLY LOVE
"WHAT DID I SAY."
I MEAN, WE REALLY LOVE
"WHAT DID I SAY."
WHY, WE SING "WHAT DID I SAY" SO
"WHAT DID I SAY."
WHY, WE SING "WHAT DID I SAY" SO
WELL WE'RE GONNA MAKE IT PART OF
WHY, WE SING "WHAT DID I SAY" SO
WELL WE'RE GONNA MAKE IT PART OF
OUR ACT... "YOUNG CAUCASIANS'
WELL WE'RE GONNA MAKE IT PART OF
OUR ACT... "YOUNG CAUCASIANS'
SALUTE TO NEGROES."
OUR ACT... "YOUNG CAUCASIANS'
SALUTE TO NEGROES."
I SEE.
SALUTE TO NEGROES."
I SEE.
IT'S ALSO GONNA BE ON OUR NEW
I SEE.
IT'S ALSO GONNA BE ON OUR NEW
"SHADES OF WHITE" ALBUM, SIR.
IT'S ALSO GONNA BE ON OUR NEW
"SHADES OF WHITE" ALBUM, SIR.
SAY, WOULD YOU LIKE TO SEE OUR
"SHADES OF WHITE" ALBUM, SIR.
SAY, WOULD YOU LIKE TO SEE OUR
NEW ALBUM COVER, MR. DeWITT?
SAY, WOULD YOU LIKE TO SEE OUR
NEW ALBUM COVER, MR. DeWITT?
SURE.
NEW ALBUM COVER, MR. DeWITT?
SURE.
COME ON. LET'S DO IT.
SURE.
COME ON. LET'S DO IT.
ALBUM COVER.
COME ON. LET'S DO IT.
ALBUM COVER.
ALBUM COVER.
ALBUM COVER.
ALBUM COVER.
WHOA!
ALBUM COVER.
WHOA!
TA-DA!
WHOA!
TA-DA!
IT'S FUNNY, ISN'T IT?
TA-DA!
IT'S FUNNY, ISN'T IT?
IT'S AN ALBUM COVER, BUT IT'S
IT'S FUNNY, ISN'T IT?
IT'S AN ALBUM COVER, BUT IT'S
FUNNY!
IT'S AN ALBUM COVER, BUT IT'S
FUNNY!
IT'S A FUNNY ALBUM COVER!
FUNNY!
IT'S A FUNNY ALBUM COVER!
[LAUGHS]
IT'S A FUNNY ALBUM COVER!
[LAUGHS]
WELL, HEY, MAN, WE HAVEN'T
[LAUGHS]
WELL, HEY, MAN, WE HAVEN'T
GOT MUCH TIME, YOU KNOW.
WELL, HEY, MAN, WE HAVEN'T
GOT MUCH TIME, YOU KNOW.
WHY DON'T YOU GET STARTED?
GOT MUCH TIME, YOU KNOW.
WHY DON'T YOU GET STARTED?
SURE, OKAY.
WHY DON'T YOU GET STARTED?
SURE, OKAY.
OKAY. OKAY.
SURE, OKAY.
OKAY. OKAY.
MR. CHARLES, HERE'S THE
OKAY. OKAY.
MR. CHARLES, HERE'S THE
YOUNG CAUCASIANS' VERSION OF
MR. CHARLES, HERE'S THE
YOUNG CAUCASIANS' VERSION OF
"WHAT DID I SAY."
YOUNG CAUCASIANS' VERSION OF
"WHAT DID I SAY."
[CHEERFUL INTRO PLAYS]
"WHAT DID I SAY."
[CHEERFUL INTRO PLAYS]
♪ HEY, MAMA, DON'T YOU TREAT
[CHEERFUL INTRO PLAYS]
♪ HEY, MAMA, DON'T YOU TREAT
ME WRONG ♪
♪ HEY, MAMA, DON'T YOU TREAT
ME WRONG ♪
♪ COME AND LOVE YOUR DADDY ALL
ME WRONG ♪
♪ COME AND LOVE YOUR DADDY ALL
NIGHT LONG ♪
♪ COME AND LOVE YOUR DADDY ALL
NIGHT LONG ♪
♪ HE-E-E-E-Y ♪
NIGHT LONG ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ WHAT DID I SAY? ♪
♪ HE-E-E-E-Y ♪
♪ WHAT DID I SAY? ♪
YEAH!
♪ WHAT DID I SAY? ♪
YEAH!
HIT IT, CUTIE!
YEAH!
HIT IT, CUTIE!
♪ SEE THE GIRL WITH THE
HIT IT, CUTIE!
♪ SEE THE GIRL WITH THE
DIAMOND RING ♪
♪ SEE THE GIRL WITH THE
DIAMOND RING ♪
♪ SHE KNOWS HOW TO SHAKE THAT
DIAMOND RING ♪
♪ SHE KNOWS HOW TO SHAKE THAT
THING ♪
♪ SHE KNOWS HOW TO SHAKE THAT
THING ♪
♪ HE-E-E-E-Y ♪
THING ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ WHAT DID I SAY? ♪
♪ HE-E-E-E-Y ♪
♪ WHAT DID I SAY? ♪
OH, THIS IS REALLY FUN!
♪ WHAT DID I SAY? ♪
OH, THIS IS REALLY FUN!
YES, IT IS!
OH, THIS IS REALLY FUN!
YES, IT IS!
♪ A MULE IS AN ANIMAL WITH
YES, IT IS!
♪ A MULE IS AN ANIMAL WITH
LONG, FUNNY EARS ♪
♪ A MULE IS AN ANIMAL WITH
LONG, FUNNY EARS ♪
♪ AND I CAN TELL YOU THAT HE
LONG, FUNNY EARS ♪
♪ AND I CAN TELL YOU THAT HE
NEVER HEARS WHAT I SAY ♪
♪ AND I CAN TELL YOU THAT HE
NEVER HEARS WHAT I SAY ♪
♪ HE-E-E-E-Y ♪
NEVER HEARS WHAT I SAY ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
♪ HE-E-E-E-Y ♪
WHAT DID I SAY?
♪ HE-E-E-E-Y ♪
WHAT DID I SAY?
I'LL TELL YOU WHAT I SAY.
WHAT DID I SAY?
I'LL TELL YOU WHAT I SAY.
WHAT?
I'LL TELL YOU WHAT I SAY.
WHAT?
♪ HE-E-Y ♪
WHAT?
♪ HE-E-Y ♪
♪ HE-E-Y ♪
♪ HE-E-Y ♪
♪ HE-E-Y ♪
♪ HO-O-O ♪
♪ HE-E-Y ♪
♪ HO-O-O ♪
♪ HO-O-O ♪
♪ HO-O-O ♪
♪ HO-O-O ♪
♪ HEY ♪
♪ HO-O-O ♪
♪ HEY ♪
♪ HEY ♪
♪ HEY ♪
♪ HEY ♪
♪ HO ♪
♪ HEY ♪
♪ HO ♪
♪ HO ♪
♪ HO ♪
♪ HO ♪
♪ HEY, HEY, HO, HO ♪
♪ HO ♪
♪ HEY, HEY, HO, HO ♪
♪ HEY, BABY, DON'T YOU RIDE ♪
♪ HEY, HEY, HO, HO ♪
♪ HEY, BABY, DON'T YOU RIDE ♪
♪ BABY, DON'T YOU RIDE ♪
♪ HEY, BABY, DON'T YOU RIDE ♪
♪ BABY, DON'T YOU RIDE ♪
♪ NO, YOU DON'T ♪
♪ BABY, DON'T YOU RIDE ♪
♪ NO, YOU DON'T ♪
♪ WHOA ♪
♪ NO, YOU DON'T ♪
♪ WHOA ♪
♪ THAT'S... WHAT... WE... SA-A-Y ♪
♪ WHOA ♪
♪ THAT'S... WHAT... WE... SA-A-Y ♪
♪ SO NOW YOU KNOW JUST WHAT WE
♪ THAT'S... WHAT... WE... SA-A-Y ♪
♪ SO NOW YOU KNOW JUST WHAT WE
SAY ♪
♪ SO NOW YOU KNOW JUST WHAT WE
SAY ♪
OLé!
SAY ♪
OLé!
THANK YOU.
OLé!
THANK YOU.
I GUESS THAT WAS PERFECT, AS
THANK YOU.
I GUESS THAT WAS PERFECT, AS
USUAL.
I GUESS THAT WAS PERFECT, AS
USUAL.
OH, WHAT DID YOU THINK,
USUAL.
OH, WHAT DID YOU THINK,
MR. DeWITT?
OH, WHAT DID YOU THINK,
MR. DeWITT?
FINE. FINE.
MR. DeWITT?
FINE. FINE.
WHAT DID YOU THINK,
FINE. FINE.
WHAT DID YOU THINK,
MR. CHARLES?
WHAT DID YOU THINK,
MR. CHARLES?
WELL, HONEY, I'LL TELL YOU
MR. CHARLES?
WELL, HONEY, I'LL TELL YOU
THE REAL TRUTH.
WELL, HONEY, I'LL TELL YOU
THE REAL TRUTH.
YOU SEE, I...
THE REAL TRUTH.
YOU SEE, I...
HE CAN'T BE OBJECTIVE BECAUSE
YOU SEE, I...
HE CAN'T BE OBJECTIVE BECAUSE
HE WROTE THE SONG.
HE CAN'T BE OBJECTIVE BECAUSE
HE WROTE THE SONG.
WHICH REMINDS ME.
HE WROTE THE SONG.
WHICH REMINDS ME.
RAY, I'VE BEEN MEANING TO ASK
WHICH REMINDS ME.
RAY, I'VE BEEN MEANING TO ASK
YOU.
RAY, I'VE BEEN MEANING TO ASK
YOU.
THE VERSE WE DIDN'T DO, "TELL
YOU.
THE VERSE WE DIDN'T DO, "TELL
YOUR MA, TELL YOUR PA, I'M
THE VERSE WE DIDN'T DO, "TELL
YOUR MA, TELL YOUR PA, I'M
GONNA SEND YOU BACK TO
YOUR MA, TELL YOUR PA, I'M
GONNA SEND YOU BACK TO
ARKANSAS."
GONNA SEND YOU BACK TO
ARKANSAS."
YES.
ARKANSAS."
YES.
LIKE, WHERE FROM ARKANSAS?
YES.
LIKE, WHERE FROM ARKANSAS?
I'M FROM ARKANSAS, AND I MIGHT
LIKE, WHERE FROM ARKANSAS?
I'M FROM ARKANSAS, AND I MIGHT
KNOW YOUR MA AND PA.
I'M FROM ARKANSAS, AND I MIGHT
KNOW YOUR MA AND PA.
WELL, IF I DON'T KNOW THEM, MY
KNOW YOUR MA AND PA.
WELL, IF I DON'T KNOW THEM, MY
PARENTS DO 'CAUSE THEY KNOW
WELL, IF I DON'T KNOW THEM, MY
PARENTS DO 'CAUSE THEY KNOW
PRACTICALLY EVERYONE IN THE
PARENTS DO 'CAUSE THEY KNOW
PRACTICALLY EVERYONE IN THE
STATE.
PRACTICALLY EVERYONE IN THE
STATE.
EVEN PEOPLE I DON'T KNOW, THEY
STATE.
EVEN PEOPLE I DON'T KNOW, THEY
KNOW.
EVEN PEOPLE I DON'T KNOW, THEY
KNOW.
COME ON, GUYS.
KNOW.
COME ON, GUYS.
WE GOT TO GET BACK IF WE'RE
COME ON, GUYS.
WE GOT TO GET BACK IF WE'RE
GONNA GET THAT DIP BEFORE
WE GOT TO GET BACK IF WE'RE
GONNA GET THAT DIP BEFORE
DINNER.
GONNA GET THAT DIP BEFORE
DINNER.
[ALL SPEAKING OVER EACH OTHER]
DINNER.
[ALL SPEAKING OVER EACH OTHER]
HEY, RAY, LOOK.
[ALL SPEAKING OVER EACH OTHER]
HEY, RAY, LOOK.
I THINK WE GOT OUR HIT, MAN.
HEY, RAY, LOOK.
I THINK WE GOT OUR HIT, MAN.
NOW, GET THIS OTHER THING OUT OF
I THINK WE GOT OUR HIT, MAN.
NOW, GET THIS OTHER THING OUT OF
THE WAY SO WE CAN GET OUT OF
NOW, GET THIS OTHER THING OUT OF
THE WAY SO WE CAN GET OUT OF
HERE, BABY.
THE WAY SO WE CAN GET OUT OF
HERE, BABY.
OKAY, MAN.
HERE, BABY.
OKAY, MAN.
BUT I STILL KIND OF LIKE MY OWN
OKAY, MAN.
BUT I STILL KIND OF LIKE MY OWN
VERSION.
BUT I STILL KIND OF LIKE MY OWN
VERSION.
[TRADITIONAL INTRO TO
VERSION.
[TRADITIONAL INTRO TO
"WHAT'D I SAY" PLAYS]
♪ OH, MAMA, DON'T TREAT ME
WRONG ♪
♪ COME AND LOVE ME ALL NIGHT
WRONG ♪
♪ COME AND LOVE ME ALL NIGHT
LONG ♪
♪ COME AND LOVE ME ALL NIGHT
LONG ♪
♪ ALL NIGHT LONG ♪
LONG ♪
♪ ALL NIGHT LONG ♪
♪ OH, BABY ♪
♪ ALL NIGHT LONG ♪
♪ OH, BABY ♪
♪ ALL NIGHT LONG ♪
♪ OH, BABY ♪
♪ ALL NIGHT LONG ♪
♪ TELL MA, TELL PA ♪
♪ ALL NIGHT LONG ♪
♪ TELL MA, TELL PA ♪
♪ GONNA SEND YOU TO ARKANSAS ♪
♪ TELL MA, TELL PA ♪
♪ GONNA SEND YOU TO ARKANSAS ♪
♪ BABY, OH, YOU WON'T DO RIGHT ♪
♪ GONNA SEND YOU TO ARKANSAS ♪
♪ BABY, OH, YOU WON'T DO RIGHT ♪
♪ GIRL, YOU KNOW YOU WON'T DO
♪ BABY, OH, YOU WON'T DO RIGHT ♪
♪ GIRL, YOU KNOW YOU WON'T DO
RIGHT ♪
♪ GIRL, YOU KNOW YOU WON'T DO
RIGHT ♪
♪ OH, WHAT'D I SAY? ♪
RIGHT ♪
♪ OH, WHAT'D I SAY? ♪
♪ TELL ME ♪
♪ OH, WHAT'D I SAY? ♪
♪ TELL ME ♪
♪ WHAT'D I SAY? ♪
♪ TELL ME ♪
♪ WHAT'D I SAY? ♪
♪ WHAT'D I SAY? ♪
♪ WHAT'D I SAY? ♪
♪ WHAT'D I SAY? ♪
♪ TELL ME WHAT'D I SAY, BABY ♪
♪ WHAT'D I SAY? ♪
♪ TELL ME WHAT'D I SAY, BABY ♪
♪ WHAT'D I SAY? ♪
♪ TELL ME WHAT'D I SAY, BABY ♪
♪ WHAT'D I SAY? ♪
♪ I WANT TO KNOW ♪
♪ WHAT'D I SAY? ♪
♪ I WANT TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I WANT TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I NEED TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I NEED TO KNOW ♪
♪ I'VE GOT TO KNOW ♪
♪ I NEED TO KNOW ♪
♪ I'VE GOT TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I'VE GOT TO KNOW ♪
♪ I WANNA KNOW ♪
♪ I WANNA KNOW ♪
♪ I WANNA KNOW ♪
♪ I WANNA KNOW ♪
♪ OOH ♪
♪ I WANNA KNOW ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OOH, OHH ♪
♪ OHH ♪
♪ OOH, OHH ♪
♪ OH, IT'S ALL RIGHT ♪
♪ OOH, OHH ♪
♪ OH, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ OH, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ OH, IT'S ALL ♪
♪ IT'S ALL RIGHT ♪
♪ OH, IT'S ALL ♪
♪ IT'S ALL RIGHT ♪
♪ OH, IT'S ALL ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT, BABY ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT, BABY ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ IT'S ALL RIGHT, BABY ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ SAY IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ SAY IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ SAY IT'S ALL RIGHT ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ OOH ♪
♪ BABY, IT'S ALL RIGHT ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OOH ♪
♪ OHH ♪
♪ OOH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OHH ♪
♪ OOH, OOH, SING IT ♪
♪ OHH ♪
♪ OOH, OOH, SING IT ♪
♪ SHAKE THAT THING ♪
♪ OOH, OOH, SING IT ♪
♪ SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ SHAKE THAT THING ♪
♪ OH, BABY ♪
♪ SHAKE THAT THING ♪
♪ OH, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ AW, FAN IT, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ AW, FAN IT, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ AW, FAN IT, BABY ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OH, SHAKE IT UP ♪
♪ BABY, SHAKE THAT THING ♪
♪ OW ♪
♪ BABY, SHAKE THAT THING ♪
♪ OW ♪
♪ OW ♪
♪ OW ♪
♪ OW ♪
♪ OH-H ♪
♪ OW ♪
♪ OH-H ♪
♪ OH-H ♪
♪ OH-H ♪
♪ OH-H ♪
♪ HUH ♪
♪ OH-H ♪
♪ HUH ♪
♪ HUH ♪
♪ HUH ♪
♪ HUH ♪
♪ HO ♪
♪ HUH ♪
♪ HO ♪
♪ HO ♪
♪ HO ♪
♪ HO ♪
♪ HUH, HO, BABY, I FEEL ♪
♪ HO ♪
♪ HUH, HO, BABY, I FEEL ♪
♪ MAKE ME SO GOOD ♪
♪ HUH, HO, BABY, I FEEL ♪
♪ MAKE ME SO GOOD ♪
♪ OH, I FEEL ♪
♪ MAKE ME SO GOOD ♪
♪ OH, I FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ OH, I FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ EVERY MORNING ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ EVERY MORNING ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ EVERY MORNING ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ BABY ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ BABY ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ BABY ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ YOU MAKE ME FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ YOU MAKE ME FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ YOU MAKE ME FEEL ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ JUST FEELING GOOD ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ JUST FEELING GOOD ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ JUST FEELING GOOD ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ OH, ONE MORE TIME ♪
♪ MAKE ME FEEL SO GOOD ♪
♪ OH, ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ OH, ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ AH, DO IT AGAIN, BABY ♪
♪ BABY, ONE MORE TIME ♪
♪ AH, DO IT AGAIN, BABY ♪
♪ BABY, ONE MORE TIME ♪
♪ AH, DO IT AGAIN, BABY ♪
♪ BABY, ONE MORE TIME ♪
♪ SAY ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ SAY ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ SAY ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ JUST ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ JUST ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ JUST ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ DO IT ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ DO IT ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ DO IT ONE MORE TIME ♪
♪ BABY, ONE MORE TIME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, ONE MORE TIME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ TAKE ME HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ TAKE ME HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ TAKE ME HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME, BABY ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME, BABY ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME, BABY ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME WITH YOU ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME WITH YOU ♪
♪ BABY, LET'S GO HOME ♪
♪ I WANNA GO HOME WITH YOU ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
♪ OH, LET'S GO HOME ♪
♪ BABY, LET'S GO HOME ♪
[MUSIC STOPS]
♪ BABY, LET'S GO HOME ♪
[MUSIC STOPS]
NOW, ALL RIGHT.
[MUSIC STOPS]
NOW, ALL RIGHT.
NOW, I TELL YOU WHAT, MAN.
NOW, ALL RIGHT.
NOW, I TELL YOU WHAT, MAN.
NOW, YOU BE HONEST NOW.
NOW, I TELL YOU WHAT, MAN.
NOW, YOU BE HONEST NOW.
YOU TELL ME THE TRUTH.
NOW, YOU BE HONEST NOW.
YOU TELL ME THE TRUTH.
HOW'D YOU LIKE THAT?
YOU TELL ME THE TRUTH.
HOW'D YOU LIKE THAT?
RAY, YOU LIKE IT, I LIKE IT,
HOW'D YOU LIKE THAT?
RAY, YOU LIKE IT, I LIKE IT,
BUT THESE WHITE PEOPLE AIN'T
RAY, YOU LIKE IT, I LIKE IT,
BUT THESE WHITE PEOPLE AIN'T
READY FOR THIS KIND OF STUFF,
BUT THESE WHITE PEOPLE AIN'T
READY FOR THIS KIND OF STUFF,
MAN.
READY FOR THIS KIND OF STUFF,
MAN.
NOW, LET'S GO AND EAT.
MAN.
NOW, LET'S GO AND EAT.
ALL RIGHT, MAN. OKAY.
Announcer: AND NOW
"WEEKEND UPDATE" WITH
CHEVY CHASE.
"WEEKEND UPDATE" WITH
CHEVY CHASE.
WHO?
CHEVY CHASE.
WHO?
SORRY. OLD SCRIPT.
WHO?
SORRY. OLD SCRIPT.
HEY, NO PROBLEM.
SORRY. OLD SCRIPT.
HEY, NO PROBLEM.
OUR TOP STORY TONIGHT... AFTER
HEY, NO PROBLEM.
OUR TOP STORY TONIGHT... AFTER
10 MONTHS IN OFFICE, WASHINGTON
OUR TOP STORY TONIGHT... AFTER
10 MONTHS IN OFFICE, WASHINGTON
SOURCES SPECULATE THAT
10 MONTHS IN OFFICE, WASHINGTON
SOURCES SPECULATE THAT
JIMMY CARTER'S DECLINING
SOURCES SPECULATE THAT
JIMMY CARTER'S DECLINING
POPULARITY MAY RESULT IN HIS
JIMMY CARTER'S DECLINING
POPULARITY MAY RESULT IN HIS
BEING A ONE-TERM PRESIDENT.
POPULARITY MAY RESULT IN HIS
BEING A ONE-TERM PRESIDENT.
ONE PERSON WHO SEEMS UNDAUNTED
BEING A ONE-TERM PRESIDENT.
ONE PERSON WHO SEEMS UNDAUNTED
BY THESE REPORTS IS
ONE PERSON WHO SEEMS UNDAUNTED
BY THESE REPORTS IS
LILLIAN CARTER, WHO, PICTURED
BY THESE REPORTS IS
LILLIAN CARTER, WHO, PICTURED
HERE, SAYS THAT SHE CAN FEEL
LILLIAN CARTER, WHO, PICTURED
HERE, SAYS THAT SHE CAN FEEL
THAT HER SON IS STILL GROWING IN
HERE, SAYS THAT SHE CAN FEEL
THAT HER SON IS STILL GROWING IN
THE JOB.
THAT HER SON IS STILL GROWING IN
THE JOB.
O.J. SIMPSON, THE STAR RUNNING
THE JOB.
O.J. SIMPSON, THE STAR RUNNING
BACK OF THE BUFFALO BILLS WHO
O.J. SIMPSON, THE STAR RUNNING
BACK OF THE BUFFALO BILLS WHO
WILL BE OUT FOR THE REST OF THIS
BACK OF THE BUFFALO BILLS WHO
WILL BE OUT FOR THE REST OF THIS
SEASON, UNDERWENT SURGERY THIS
WILL BE OUT FOR THE REST OF THIS
SEASON, UNDERWENT SURGERY THIS
WEEK IN BUFFALO.
SEASON, UNDERWENT SURGERY THIS
WEEK IN BUFFALO.
SHOWN HERE AFTER THE OPERATION,
WEEK IN BUFFALO.
SHOWN HERE AFTER THE OPERATION,
O.J. SAID HE'S LOOKING FORWARD
SHOWN HERE AFTER THE OPERATION,
O.J. SAID HE'S LOOKING FORWARD
TO NEXT SEASON WHEN HE'LL COOK
O.J. SAID HE'S LOOKING FORWARD
TO NEXT SEASON WHEN HE'LL COOK
FOR HIS FORMER TEAMMATES.
TO NEXT SEASON WHEN HE'LL COOK
FOR HIS FORMER TEAMMATES.
WELL, THERE WAS MORE TROUBLE
FOR HIS FORMER TEAMMATES.
WELL, THERE WAS MORE TROUBLE
AT KENT STATE THIS WEEK WHEN A
WELL, THERE WAS MORE TROUBLE
AT KENT STATE THIS WEEK WHEN A
GROUP OF RADICAL INFANTS FROM A
AT KENT STATE THIS WEEK WHEN A
GROUP OF RADICAL INFANTS FROM A
LOCAL NURSERY SCHOOL CLASHED
GROUP OF RADICAL INFANTS FROM A
LOCAL NURSERY SCHOOL CLASHED
WITH NATIONAL GUARDSMEN.
LOCAL NURSERY SCHOOL CLASHED
WITH NATIONAL GUARDSMEN.
REPORTS SAY THAT THE UNRULY
WITH NATIONAL GUARDSMEN.
REPORTS SAY THAT THE UNRULY
TODDLERS WERE PROTESTING THE
REPORTS SAY THAT THE UNRULY
TODDLERS WERE PROTESTING THE
CONSTRUCTION OF A JUNGLE GYM AT
TODDLERS WERE PROTESTING THE
CONSTRUCTION OF A JUNGLE GYM AT
THE SITE WHERE FOUR OF THEIR
CONSTRUCTION OF A JUNGLE GYM AT
THE SITE WHERE FOUR OF THEIR
PLAYMATES WERE UNJUSTLY SPANKED
THE SITE WHERE FOUR OF THEIR
PLAYMATES WERE UNJUSTLY SPANKED
SEVEN MONTHS AGO.
PLAYMATES WERE UNJUSTLY SPANKED
SEVEN MONTHS AGO.
THE NATIONAL HEALTH SERVICE
SEVEN MONTHS AGO.
THE NATIONAL HEALTH SERVICE
HAS CALLED A NATIONWIDE RABIES
THE NATIONAL HEALTH SERVICE
HAS CALLED A NATIONWIDE RABIES
ALERT.
HAS CALLED A NATIONWIDE RABIES
ALERT.
RABIES IS CARRIED BY RODENTS AND
ALERT.
RABIES IS CARRIED BY RODENTS AND
PASSED ON TO STRAY ANIMALS AND
RABIES IS CARRIED BY RODENTS AND
PASSED ON TO STRAY ANIMALS AND
HOUSE PETS.
PASSED ON TO STRAY ANIMALS AND
HOUSE PETS.
IT IS CHARACTERIZED BY A FOAMING
HOUSE PETS.
IT IS CHARACTERIZED BY A FOAMING
AT THE MOUTH AND A CRAZED
IT IS CHARACTERIZED BY A FOAMING
AT THE MOUTH AND A CRAZED
VICIOUSNESS.
AT THE MOUTH AND A CRAZED
VICIOUSNESS.
RABIES IS UNDETECTABLE IN ITS
VICIOUSNESS.
RABIES IS UNDETECTABLE IN ITS
EARLY STAGES, AND, ONCE IT DOES
RABIES IS UNDETECTABLE IN ITS
EARLY STAGES, AND, ONCE IT DOES
BECOME DETECTABLE, IT IS ALSO
EARLY STAGES, AND, ONCE IT DOES
BECOME DETECTABLE, IT IS ALSO
IRREVERSIBLE AND FATAL.
BECOME DETECTABLE, IT IS ALSO
IRREVERSIBLE AND FATAL.
SO, IF YOU ARE BITTEN BY AN
IRREVERSIBLE AND FATAL.
SO, IF YOU ARE BITTEN BY AN
ANIMAL THAT MAY BE RABID,
SO, IF YOU ARE BITTEN BY AN
ANIMAL THAT MAY BE RABID,
CAPTURE IT AND BRING IT TO A
ANIMAL THAT MAY BE RABID,
CAPTURE IT AND BRING IT TO A
DOCTOR.
CAPTURE IT AND BRING IT TO A
DOCTOR.
OTHERWISE, YOU WILL HAVE TO
DOCTOR.
OTHERWISE, YOU WILL HAVE TO
UNDERGO A PAINFUL SERIES OF
OTHERWISE, YOU WILL HAVE TO
UNDERGO A PAINFUL SERIES OF
RABIES SHOTS.
UNDERGO A PAINFUL SERIES OF
RABIES SHOTS.
SO, IF YOUR HUSBAND LOOKS LIKE
RABIES SHOTS.
SO, IF YOUR HUSBAND LOOKS LIKE
THIS AND BITES YOU, TAKE HIM,
SO, IF YOUR HUSBAND LOOKS LIKE
THIS AND BITES YOU, TAKE HIM,
ALIVE, TO A DOCTOR.
THIS AND BITES YOU, TAKE HIM,
ALIVE, TO A DOCTOR.
[HISSING]
ALIVE, TO A DOCTOR.
[HISSING]
THE SOCIETY OF SOCRATIC
[HISSING]
THE SOCIETY OF SOCRATIC
SCHOLARS REVEALED THIS WEEK NEW
THE SOCIETY OF SOCRATIC
SCHOLARS REVEALED THIS WEEK NEW
INFORMATION ABOUT THE DEATH OF
SCHOLARS REVEALED THIS WEEK NEW
INFORMATION ABOUT THE DEATH OF
SOCRATES.
INFORMATION ABOUT THE DEATH OF
SOCRATES.
IT SEEMS THAT THE PHILOSOPHER
SOCRATES.
IT SEEMS THAT THE PHILOSOPHER
WAS GROSSLY OVERWEIGHT, TRYING
IT SEEMS THAT THE PHILOSOPHER
WAS GROSSLY OVERWEIGHT, TRYING
TO DIET, AND THE HEMLOCK THAT
WAS GROSSLY OVERWEIGHT, TRYING
TO DIET, AND THE HEMLOCK THAT
KILLED HIM WAS ACTUALLY LIQUID
TO DIET, AND THE HEMLOCK THAT
KILLED HIM WAS ACTUALLY LIQUID
PROTEIN.
KILLED HIM WAS ACTUALLY LIQUID
PROTEIN.
I DIDN'T KNOW THAT SOCRATES
PROTEIN.
I DIDN'T KNOW THAT SOCRATES
WAS THAT HEAVY, JANE.
I DIDN'T KNOW THAT SOCRATES
WAS THAT HEAVY, JANE.
OH, YES.
WAS THAT HEAVY, JANE.
OH, YES.
HE WAS VERY HEAVY.
OH, YES.
HE WAS VERY HEAVY.
THE NAME ITSELF... SOCRATES...
HE WAS VERY HEAVY.
THE NAME ITSELF... SOCRATES...
COMES FROM THE GREEK ROOT
THE NAME ITSELF... SOCRATES...
COMES FROM THE GREEK ROOT
"SOCRAT," WHICH MEANS TUB OF
COMES FROM THE GREEK ROOT
"SOCRAT," WHICH MEANS TUB OF
LARD.
"SOCRAT," WHICH MEANS TUB OF
LARD.
WELL, THAT'S VERY
LARD.
WELL, THAT'S VERY
INTERESTING.
WELL, THAT'S VERY
INTERESTING.
YES.
INTERESTING.
YES.
WELL, LONGTIME RADIO AND
YES.
WELL, LONGTIME RADIO AND
COMEDIANS BOB AND RAY... LET'S
WELL, LONGTIME RADIO AND
COMEDIANS BOB AND RAY... LET'S
SEE... LONGTIME RADIO AND
COMEDIANS BOB AND RAY... LET'S
SEE... LONGTIME RADIO AND
TELEVISION COMEDIANS BOB AND RAY
SEE... LONGTIME RADIO AND
TELEVISION COMEDIANS BOB AND RAY
FINALLY HAVE ADMITTED THEY'VE
TELEVISION COMEDIANS BOB AND RAY
FINALLY HAVE ADMITTED THEY'VE
BEEN MARRIED FOR OVER 30 YEARS.
FINALLY HAVE ADMITTED THEY'VE
BEEN MARRIED FOR OVER 30 YEARS.
SHOWN HERE AT A PRESS
BEEN MARRIED FOR OVER 30 YEARS.
SHOWN HERE AT A PRESS
CONFERENCE, BOB ON THE RIGHT
SHOWN HERE AT A PRESS
CONFERENCE, BOB ON THE RIGHT
SAID IT WAS A RELIEF TO BE ABLE
CONFERENCE, BOB ON THE RIGHT
SAID IT WAS A RELIEF TO BE ABLE
TO WEAR HIS OWN CLOTHES AGAIN IN
SAID IT WAS A RELIEF TO BE ABLE
TO WEAR HIS OWN CLOTHES AGAIN IN
PUBLIC.
TO WEAR HIS OWN CLOTHES AGAIN IN
PUBLIC.
I'M TAKING THIS ONE HOME WITH
PUBLIC.
I'M TAKING THIS ONE HOME WITH
ME.
I'M TAKING THIS ONE HOME WITH
ME.
I THINK YOU SHOULD, DAN.
ME.
I THINK YOU SHOULD, DAN.
STICK IT TO YOUR PILLOW.
I THINK YOU SHOULD, DAN.
STICK IT TO YOUR PILLOW.
OKAY.
STICK IT TO YOUR PILLOW.
OKAY.
IN PHILADELPHIA, A STATUE OF
OKAY.
IN PHILADELPHIA, A STATUE OF
BENJAMIN FRANKLIN WAS RUSHED TO
IN PHILADELPHIA, A STATUE OF
BENJAMIN FRANKLIN WAS RUSHED TO
A HOSPITAL AFTER IT COLLAPSED
BENJAMIN FRANKLIN WAS RUSHED TO
A HOSPITAL AFTER IT COLLAPSED
WITH WHAT APPEARED TO BE A CASE
A HOSPITAL AFTER IT COLLAPSED
WITH WHAT APPEARED TO BE A CASE
OF LEGIONNAIRES' DISEASE.
WITH WHAT APPEARED TO BE A CASE
OF LEGIONNAIRES' DISEASE.
A LATER DIAGNOSIS REVEALED IT
OF LEGIONNAIRES' DISEASE.
A LATER DIAGNOSIS REVEALED IT
WAS JUST STONED.
A LATER DIAGNOSIS REVEALED IT
WAS JUST STONED.
JUST STONED.
WAS JUST STONED.
JUST STONED.
I GOT IT, DAN.
JUST STONED.
I GOT IT, DAN.
THE STATUE.
I GOT IT, DAN.
THE STATUE.
WELL, HERE'S BILL MURRAY WITH
THE STATUE.
WELL, HERE'S BILL MURRAY WITH
THESE WEEK'S REVIEW.
WELL, HERE'S BILL MURRAY WITH
THESE WEEK'S REVIEW.
BILL.
THESE WEEK'S REVIEW.
BILL.
THANK YOU, JANE.
BILL.
THANK YOU, JANE.
HELLO, YOU KNUCKLEHEADS.
THANK YOU, JANE.
HELLO, YOU KNUCKLEHEADS.
SAY, TONIGHT I WAS GONNA REVIEW
HELLO, YOU KNUCKLEHEADS.
SAY, TONIGHT I WAS GONNA REVIEW
THE NEW SCIENCE-FICTION MOVIE
SAY, TONIGHT I WAS GONNA REVIEW
THE NEW SCIENCE-FICTION MOVIE
"CLOSE ENCOUNTERS OF THE THIRD
THE NEW SCIENCE-FICTION MOVIE
"CLOSE ENCOUNTERS OF THE THIRD
KIND," BUT, UNFORTUNATELY, TIME
"CLOSE ENCOUNTERS OF THE THIRD
KIND," BUT, UNFORTUNATELY, TIME
MAGAZINE CAME OUT WITH A REVIEW
KIND," BUT, UNFORTUNATELY, TIME
MAGAZINE CAME OUT WITH A REVIEW
OF THE MOVIE AND TOLD THE ENTIRE
MAGAZINE CAME OUT WITH A REVIEW
OF THE MOVIE AND TOLD THE ENTIRE
STORY.
OF THE MOVIE AND TOLD THE ENTIRE
STORY.
IT RUINED IT FOR ME.
STORY.
IT RUINED IT FOR ME.
NOW, I AM NOT GONNA GO PAY 4
IT RUINED IT FOR ME.
NOW, I AM NOT GONNA GO PAY 4
BUCKS TO SEE A FILM WHEN I
NOW, I AM NOT GONNA GO PAY 4
BUCKS TO SEE A FILM WHEN I
ALREADY KNOW WHAT HAPPENS.
BUCKS TO SEE A FILM WHEN I
ALREADY KNOW WHAT HAPPENS.
THAT'S THE WAY I FEEL.
ALREADY KNOW WHAT HAPPENS.
THAT'S THE WAY I FEEL.
GET OUT HERE. I MEAN IT.
THAT'S THE WAY I FEEL.
GET OUT HERE. I MEAN IT.
THE FILM IS DIRECTED BY
GET OUT HERE. I MEAN IT.
THE FILM IS DIRECTED BY
STEVEN SPIELBERG, THE GUY WHO
THE FILM IS DIRECTED BY
STEVEN SPIELBERG, THE GUY WHO
DIRECTED "JAWS."
STEVEN SPIELBERG, THE GUY WHO
DIRECTED "JAWS."
AND HE DESERVED AN OSCAR FOR
DIRECTED "JAWS."
AND HE DESERVED AN OSCAR FOR
"JAWS," AND HE DIDN'T GET IT.
AND HE DESERVED AN OSCAR FOR
"JAWS," AND HE DIDN'T GET IT.
IT WAS A RIP-OFF.
"JAWS," AND HE DIDN'T GET IT.
IT WAS A RIP-OFF.
AND I WAS HOPING HE'D GET ONE
IT WAS A RIP-OFF.
AND I WAS HOPING HE'D GET ONE
FOR "CLOSE ENCOUNTERS."
AND I WAS HOPING HE'D GET ONE
FOR "CLOSE ENCOUNTERS."
THEY SAY THE SPECIAL EFFECTS ARE
FOR "CLOSE ENCOUNTERS."
THEY SAY THE SPECIAL EFFECTS ARE
BETTER THAN "STAR WARS."
THEY SAY THE SPECIAL EFFECTS ARE
BETTER THAN "STAR WARS."
THEY SAY IT'S THE GREATEST MOVIE
BETTER THAN "STAR WARS."
THEY SAY IT'S THE GREATEST MOVIE
OF THE YEAR.
THEY SAY IT'S THE GREATEST MOVIE
OF THE YEAR.
COLUMBIA PICTURES SPENT $18
OF THE YEAR.
COLUMBIA PICTURES SPENT $18
MILLION ON THE PROJECT.
COLUMBIA PICTURES SPENT $18
MILLION ON THE PROJECT.
NOW, HOW CAN THEY MAKE THAT KIND
MILLION ON THE PROJECT.
NOW, HOW CAN THEY MAKE THAT KIND
OF MONEY BACK IF EVERYBODY
NOW, HOW CAN THEY MAKE THAT KIND
OF MONEY BACK IF EVERYBODY
ALREADY KNOWS WHAT'S GOING TO
OF MONEY BACK IF EVERYBODY
ALREADY KNOWS WHAT'S GOING TO
HAPPEN?
ALREADY KNOWS WHAT'S GOING TO
HAPPEN?
NOW, FRANK RIDGE WHO WROTE THE
HAPPEN?
NOW, FRANK RIDGE WHO WROTE THE
REVIEW OUGHT TO BE SLAPPED IN
NOW, FRANK RIDGE WHO WROTE THE
REVIEW OUGHT TO BE SLAPPED IN
THE FACE.
REVIEW OUGHT TO BE SLAPPED IN
THE FACE.
GET OUT OF HERE, FRANK.
THE FACE.
GET OUT OF HERE, FRANK.
I MEAN IT, YOU KNUCKLEHEAD.
GET OUT OF HERE, FRANK.
I MEAN IT, YOU KNUCKLEHEAD.
NOW EVERYBODY KNOWS THAT THE
I MEAN IT, YOU KNUCKLEHEAD.
NOW EVERYBODY KNOWS THAT THE
ALIENS ARE ATTACKING DREYFUSS'
NOW EVERYBODY KNOWS THAT THE
ALIENS ARE ATTACKING DREYFUSS'
CAR AND THE SPEEDOMETER SPINS
ALIENS ARE ATTACKING DREYFUSS'
CAR AND THE SPEEDOMETER SPINS
AROUND AND SO FORTH.
CAR AND THE SPEEDOMETER SPINS
AROUND AND SO FORTH.
DREYFUSS TRIES TO MAKE CONTACT
AROUND AND SO FORTH.
DREYFUSS TRIES TO MAKE CONTACT
WITH THE ALIENS.
DREYFUSS TRIES TO MAKE CONTACT
WITH THE ALIENS.
THEY COME BACK.
WITH THE ALIENS.
THEY COME BACK.
THEY KIDNAP A CHILD.
THEY COME BACK.
THEY KIDNAP A CHILD.
WHEN THE EARTHLINGS AND THE
THEY KIDNAP A CHILD.
WHEN THE EARTHLINGS AND THE
ALIENS FINALLY MEET, THEY SHOUT
WHEN THE EARTHLINGS AND THE
ALIENS FINALLY MEET, THEY SHOUT
"HELLO" TO EACH OTHER WITH
ALIENS FINALLY MEET, THEY SHOUT
"HELLO" TO EACH OTHER WITH
LIGHTS FLASHING AND MUSIC AND
"HELLO" TO EACH OTHER WITH
LIGHTS FLASHING AND MUSIC AND
STUFF.
LIGHTS FLASHING AND MUSIC AND
STUFF.
AND EVERYONE'S WAITING TO SEE
STUFF.
AND EVERYONE'S WAITING TO SEE
THE ALIENS, OF COURSE, BUT NOW
AND EVERYONE'S WAITING TO SEE
THE ALIENS, OF COURSE, BUT NOW
FROM THE TIME REVIEW, WE ALREADY
THE ALIENS, OF COURSE, BUT NOW
FROM THE TIME REVIEW, WE ALREADY
KNOW THEY HAVE SMALL ARMS, LARGE
FROM THE TIME REVIEW, WE ALREADY
KNOW THEY HAVE SMALL ARMS, LARGE
HEADS, AND TINY EARS.
KNOW THEY HAVE SMALL ARMS, LARGE
HEADS, AND TINY EARS.
SO, WHY SEE IT?
HEADS, AND TINY EARS.
SO, WHY SEE IT?
THERE'S THE WHOLE MOVIE RIGHT
SO, WHY SEE IT?
THERE'S THE WHOLE MOVIE RIGHT
THERE.
THERE'S THE WHOLE MOVIE RIGHT
THERE.
COLUMBIA PICTURES' STOCK WENT
THERE.
COLUMBIA PICTURES' STOCK WENT
WAY DOWN AFTER NEW YORK MAGAZINE
COLUMBIA PICTURES' STOCK WENT
WAY DOWN AFTER NEW YORK MAGAZINE
PANNED "CLOSE ENCOUNTERS."
WAY DOWN AFTER NEW YORK MAGAZINE
PANNED "CLOSE ENCOUNTERS."
AND THEN THEY HAD A SUCCESSFUL
PANNED "CLOSE ENCOUNTERS."
AND THEN THEY HAD A SUCCESSFUL
SCREENING HERE IN NEW YORK AND
AND THEN THEY HAD A SUCCESSFUL
SCREENING HERE IN NEW YORK AND
THE STOCK WENT WAY BACK UP.
SCREENING HERE IN NEW YORK AND
THE STOCK WENT WAY BACK UP.
AFTER THIS TIME REVIEW, WHAT'S
THE STOCK WENT WAY BACK UP.
AFTER THIS TIME REVIEW, WHAT'S
GONNA HAPPEN TO THE STOCK?
AFTER THIS TIME REVIEW, WHAT'S
GONNA HAPPEN TO THE STOCK?
THEY TOLD YOU EVERYTHING ABOUT
GONNA HAPPEN TO THE STOCK?
THEY TOLD YOU EVERYTHING ABOUT
"CLOSE ENCOUNTERS."
THEY TOLD YOU EVERYTHING ABOUT
"CLOSE ENCOUNTERS."
THEY MAY AS WELL HAVE TOLD YOU
"CLOSE ENCOUNTERS."
THEY MAY AS WELL HAVE TOLD YOU
THAT DREYFUSS GOES ABOARD THE
THEY MAY AS WELL HAVE TOLD YOU
THAT DREYFUSS GOES ABOARD THE
SHIP WITH THEM AT THE END, WHICH
THAT DREYFUSS GOES ABOARD THE
SHIP WITH THEM AT THE END, WHICH
HE DOES, WHICH I PROBABLY
SHIP WITH THEM AT THE END, WHICH
HE DOES, WHICH I PROBABLY
SHOULDN'T HAVE TOLD YOU.
HE DOES, WHICH I PROBABLY
SHOULDN'T HAVE TOLD YOU.
WHOA, EXCUSE ME.
SHOULDN'T HAVE TOLD YOU.
WHOA, EXCUSE ME.
WONDER WHAT THAT'S GONNA DO TO
WHOA, EXCUSE ME.
WONDER WHAT THAT'S GONNA DO TO
THE STOCK.
WONDER WHAT THAT'S GONNA DO TO
THE STOCK.
GEE.
THE STOCK.
GEE.
WOWEE.
GEE.
WOWEE.
WELL, WHERE IS THIS,
WOWEE.
WELL, WHERE IS THIS,
HOLLYWOOD BOULEVARD OR
WELL, WHERE IS THIS,
HOLLYWOOD BOULEVARD OR
WALL STREET, ANYWAY?
HOLLYWOOD BOULEVARD OR
WALL STREET, ANYWAY?
WELL, GEE.
WALL STREET, ANYWAY?
WELL, GEE.
THAT'S THE REVIEW, I GUESS.
WELL, GEE.
THAT'S THE REVIEW, I GUESS.
I'M SORRY.
THAT'S THE REVIEW, I GUESS.
I'M SORRY.
GO SEE THE MOVIE.
I'M SORRY.
GO SEE THE MOVIE.
IT'S PROBABLY TERRIFIC.
GO SEE THE MOVIE.
IT'S PROBABLY TERRIFIC.
NOW, GET OUT OF HERE.
IT'S PROBABLY TERRIFIC.
NOW, GET OUT OF HERE.
I MEAN IT.
NOW, GET OUT OF HERE.
I MEAN IT.
I'M SORRY, JANE. BIG MISTAKE.
I MEAN IT.
I'M SORRY, JANE. BIG MISTAKE.
[LAUGHS]
I'M SORRY, JANE. BIG MISTAKE.
[LAUGHS]
DAN.
[LAUGHS]
DAN.
THANKS A LOT, BILL.
DAN.
THANKS A LOT, BILL.
WELL, ANIMALS ARE IN THE NEWS
THANKS A LOT, BILL.
WELL, ANIMALS ARE IN THE NEWS
AGAIN THIS WEEK.
WELL, ANIMALS ARE IN THE NEWS
AGAIN THIS WEEK.
BURT REYNOLDS, TO PUBLICIZE AN
AGAIN THIS WEEK.
BURT REYNOLDS, TO PUBLICIZE AN
UPCOMING MOVIE IN HOLLYWOOD,
BURT REYNOLDS, TO PUBLICIZE AN
UPCOMING MOVIE IN HOLLYWOOD,
RIPPED THE LEG OFF A DOG TO THE
UPCOMING MOVIE IN HOLLYWOOD,
RIPPED THE LEG OFF A DOG TO THE
DELIGHT OF SURROUNDING CROWDS.
RIPPED THE LEG OFF A DOG TO THE
DELIGHT OF SURROUNDING CROWDS.
AND IN A RELATED STORY, WILDLIFE
DELIGHT OF SURROUNDING CROWDS.
AND IN A RELATED STORY, WILDLIFE
OFFICIALS IN LITTLE ROCK,
AND IN A RELATED STORY, WILDLIFE
OFFICIALS IN LITTLE ROCK,
ARKANSAS, THIS WEEK ARE
OFFICIALS IN LITTLE ROCK,
ARKANSAS, THIS WEEK ARE
SEARCHING FOR A MAN WHO PUNCHED
ARKANSAS, THIS WEEK ARE
SEARCHING FOR A MAN WHO PUNCHED
AN AMERICAN EAGLE IN THE
SEARCHING FOR A MAN WHO PUNCHED
AN AMERICAN EAGLE IN THE
STOMACH.
AN AMERICAN EAGLE IN THE
STOMACH.
WE HAVE A LATE-BREAKING BULLETIN
STOMACH.
WE HAVE A LATE-BREAKING BULLETIN
FROM THE NBC DANCING "N"... AN
WE HAVE A LATE-BREAKING BULLETIN
FROM THE NBC DANCING "N"... AN
IMPORTANT BULLETIN HERE.
FROM THE NBC DANCING "N"... AN
IMPORTANT BULLETIN HERE.
BACK IT UP, "N."
IMPORTANT BULLETIN HERE.
BACK IT UP, "N."
BACK IT UP. BACK IT UP.
BACK IT UP, "N."
BACK IT UP. BACK IT UP.
OKAY. THANK YOU.
BACK IT UP. BACK IT UP.
OKAY. THANK YOU.
THE NBC DANCING "N."
OKAY. THANK YOU.
THE NBC DANCING "N."
THIS LATE-BREAKING STORY...
THE NBC DANCING "N."
THIS LATE-BREAKING STORY...
"TO HELL WITH THE BULLETIN.
THIS LATE-BREAKING STORY...
"TO HELL WITH THE BULLETIN.
WILL YOU DANCE WITH ME?"
"TO HELL WITH THE BULLETIN.
WILL YOU DANCE WITH ME?"
I HAVEN'T GONE DANCING IN
WILL YOU DANCE WITH ME?"
I HAVEN'T GONE DANCING IN
MONTHS.
I HAVEN'T GONE DANCING IN
MONTHS.
WELL, JANE, WE'RE NEWSMEN.
MONTHS.
WELL, JANE, WE'RE NEWSMEN.
WE'RE JOURNALISTS.
WELL, JANE, WE'RE NEWSMEN.
WE'RE JOURNALISTS.
WE'RE NOT ENTERTAINERS.
WE'RE JOURNALISTS.
WE'RE NOT ENTERTAINERS.
OH, COME ON, YOU OLD FOGY.
WE'RE NOT ENTERTAINERS.
OH, COME ON, YOU OLD FOGY.
WHAT ABOUT OUR CREDIBILITY?
OH, COME ON, YOU OLD FOGY.
WHAT ABOUT OUR CREDIBILITY?
WHAT ABOUT OUR RATINGS?
WHAT ABOUT OUR CREDIBILITY?
WHAT ABOUT OUR RATINGS?
PEOPLE WANT TO BE ENTERTAINED.
WHAT ABOUT OUR RATINGS?
PEOPLE WANT TO BE ENTERTAINED.
WELL, THAT'S TRUE.
PEOPLE WANT TO BE ENTERTAINED.
WELL, THAT'S TRUE.
IF PEOPLE DON'T WATCH US, WE'RE
WELL, THAT'S TRUE.
IF PEOPLE DON'T WATCH US, WE'RE
OUT OF WORK.
IF PEOPLE DON'T WATCH US, WE'RE
OUT OF WORK.
WHAT DO YOU SAY?
OUT OF WORK.
WHAT DO YOU SAY?
OKAY, LET'S DANCE.
WHAT DO YOU SAY?
OKAY, LET'S DANCE.
GOOD NIGHT AND HAVE A
OKAY, LET'S DANCE.
GOOD NIGHT AND HAVE A
PLEASANT TOMORROW.
GOOD NIGHT AND HAVE A
PLEASANT TOMORROW.
[RAGTIME MUSIC PLAYS]
Announcer: WEEKEND UPDATE IS
A PRESENTATION OF
"SATURDAY NIGHT" NEWS, KEEPING
A PRESENTATION OF
"SATURDAY NIGHT" NEWS, KEEPING
AMERICA INFORMED FOR OVER A 50th
"SATURDAY NIGHT" NEWS, KEEPING
AMERICA INFORMED FOR OVER A 50th
OF A CENTURY.
SINCE ABOUT 1960, I'VE BEEN
WORKING WITH A BIG BAND.
BUT BEFORE THAT, IN THE '50s, I
WORKING WITH A BIG BAND.
BUT BEFORE THAT, IN THE '50s, I
HAD A SMALL GROUP.
BUT BEFORE THAT, IN THE '50s, I
HAD A SMALL GROUP.
IT WAS JUST EIGHT OF US, BUT WE
HAD A SMALL GROUP.
IT WAS JUST EIGHT OF US, BUT WE
MUST HAVE PLAYED EVERY LITTLE
IT WAS JUST EIGHT OF US, BUT WE
MUST HAVE PLAYED EVERY LITTLE
SMALL DANCE HALL AND NIGHTCLUB
MUST HAVE PLAYED EVERY LITTLE
SMALL DANCE HALL AND NIGHTCLUB
FROM GEORGIA TO CALIFORNIA.
SMALL DANCE HALL AND NIGHTCLUB
FROM GEORGIA TO CALIFORNIA.
SO, I HAVE THIS... I GUESS IT'S
FROM GEORGIA TO CALIFORNIA.
SO, I HAVE THIS... I GUESS IT'S
BEEN ABOUT 18 YEARS SINCE I'VE
SO, I HAVE THIS... I GUESS IT'S
BEEN ABOUT 18 YEARS SINCE I'VE
SEEN THESE GUYS, SO I THOUGHT
BEEN ABOUT 18 YEARS SINCE I'VE
SEEN THESE GUYS, SO I THOUGHT
TONIGHT WOULD BE A MARVELOUS
SEEN THESE GUYS, SO I THOUGHT
TONIGHT WOULD BE A MARVELOUS
TIME TO BRING THEM ALL BACK
TONIGHT WOULD BE A MARVELOUS
TIME TO BRING THEM ALL BACK
TOGETHER WITH ME, YOU KNOW, FOR
TIME TO BRING THEM ALL BACK
TOGETHER WITH ME, YOU KNOW, FOR
A LITTLE NOSTALGIA.
TOGETHER WITH ME, YOU KNOW, FOR
A LITTLE NOSTALGIA.
AND BESIDES THAT, THEY OWE ME
A LITTLE NOSTALGIA.
AND BESIDES THAT, THEY OWE ME
SOME BREAD.
AND BESIDES THAT, THEY OWE ME
SOME BREAD.
SO, LADIES AND GENTLEMEN, LET ME
SOME BREAD.
SO, LADIES AND GENTLEMEN, LET ME
FIRST INTRODUCE TO YOU
SO, LADIES AND GENTLEMEN, LET ME
FIRST INTRODUCE TO YOU
MR. PHILIP GUILBEAU.
FIRST INTRODUCE TO YOU
MR. PHILIP GUILBEAU.
[APPLAUSE]
MR. PHILIP GUILBEAU.
[APPLAUSE]
MR. MARCUS BELGRAVE.
[APPLAUSE]
MR. MARCUS BELGRAVE.
[APPLAUSE]
MR. MARCUS BELGRAVE.
[APPLAUSE]
MR. HANK CRAWFORD.
[APPLAUSE]
MR. HANK CRAWFORD.
[APPLAUSE]
MR. HANK CRAWFORD.
[APPLAUSE]
AND I BELIEVE THAT IS OLD
[APPLAUSE]
AND I BELIEVE THAT IS OLD
DAVID "FATHEAD" NEWMAN.
AND I BELIEVE THAT IS OLD
DAVID "FATHEAD" NEWMAN.
[APPLAUSE]
DAVID "FATHEAD" NEWMAN.
[APPLAUSE]
AND I THINK ALL Y'ALL KNOW THE
[APPLAUSE]
AND I THINK ALL Y'ALL KNOW THE
HOG HIMSELF, MR. LEROY COOPER.
AND I THINK ALL Y'ALL KNOW THE
HOG HIMSELF, MR. LEROY COOPER.
[APPLAUSE]
HOG HIMSELF, MR. LEROY COOPER.
[APPLAUSE]
THANK YOU, LADIES AND GENTLEMEN.
[APPLAUSE]
THANK YOU, LADIES AND GENTLEMEN.
NOW WE'RE GONNA FIND OUT IF
THANK YOU, LADIES AND GENTLEMEN.
NOW WE'RE GONNA FIND OUT IF
THESE OLD FOGIES CAN STILL CUT
NOW WE'RE GONNA FIND OUT IF
THESE OLD FOGIES CAN STILL CUT
THE MUSTARD.
THESE OLD FOGIES CAN STILL CUT
THE MUSTARD.
[INTRO TO "I GOT A WOMAN"
THE MUSTARD.
[INTRO TO "I GOT A WOMAN"
PLAYS]
[INTRO TO "I GOT A WOMAN"
PLAYS]
♪ WELL ♪
[PLAYS]
♪ WELL ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ WELL ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ OH, YEAH ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ SHE GIVE ME MONEY WHEN I'M IN
♪ OH, YEAH ♪
♪ SHE GIVE ME MONEY WHEN I'M IN
NEED ♪
♪ SHE GIVE ME MONEY WHEN I'M IN
NEED ♪
♪ YEAH, SHE'S A KIND OF FRIEND
NEED ♪
♪ YEAH, SHE'S A KIND OF FRIEND
INDEED ♪
♪ YEAH, SHE'S A KIND OF FRIEND
INDEED ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
INDEED ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ I GOT A WOMAN WAY OVER TOWN ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
♪ THAT'S GOOD TO ME ♪
♪ OH, YEAH ♪
[INTRO TO "I BELIEVE TO MY
♪ OH, YEAH ♪
[INTRO TO "I BELIEVE TO MY
SOUL" PLAYS]
[INTRO TO "I BELIEVE TO MY
SOUL" PLAYS]
♪ ONE OF THESE DAYS ♪
[SOUL" PLAYS]
♪ ONE OF THESE DAYS ♪
♪ AND IT WON'T BE LONG ♪
♪ ONE OF THESE DAYS ♪
♪ AND IT WON'T BE LONG ♪
♪ YOU GONNA LOOK FOR ME ♪
♪ AND IT WON'T BE LONG ♪
♪ YOU GONNA LOOK FOR ME ♪
♪ AND I'LL BE GONE ♪
♪ YOU GONNA LOOK FOR ME ♪
♪ AND I'LL BE GONE ♪
♪ NOW, YOU KNOW I BELIEVE,
♪ AND I'LL BE GONE ♪
♪ NOW, YOU KNOW I BELIEVE,
BABY ♪
♪ NOW, YOU KNOW I BELIEVE,
BABY ♪
♪ I BELIEVE ♪
BABY ♪
♪ I BELIEVE ♪
♪ YEAH ♪
♪ I BELIEVE ♪
♪ YEAH ♪
♪ YES, I BELIEVE ♪
♪ YEAH ♪
♪ YES, I BELIEVE ♪
♪ WHOA, I BELIEVE, BABY ♪
♪ YES, I BELIEVE ♪
♪ WHOA, I BELIEVE, BABY ♪
♪ I BELIEVE ♪
♪ WHOA, I BELIEVE, BABY ♪
♪ I BELIEVE ♪
♪ YES, I BELIEVE ♪
♪ I BELIEVE ♪
♪ YES, I BELIEVE ♪
♪ I TELL YOU ♪
♪ YES, I BELIEVE ♪
♪ I TELL YOU ♪
♪ I BELIEVE TO MY SOUL, BABY ♪
♪ I TELL YOU ♪
♪ I BELIEVE TO MY SOUL, BABY ♪
♪ OH, YOU'RE TRYIN' TO MAKE A
♪ I BELIEVE TO MY SOUL, BABY ♪
♪ OH, YOU'RE TRYIN' TO MAKE A
FOOL OF ME ♪
♪ OH, YOU'RE TRYIN' TO MAKE A
FOOL OF ME ♪
♪ I BELIEVE IT ♪
FOOL OF ME ♪
♪ I BELIEVE IT ♪
♪ AHH ♪
♪ I BELIEVE IT ♪
♪ AHH ♪
♪ I BELIEVE IT ♪
♪ AHH ♪
♪ I BELIEVE IT ♪
♪ LAST NIGHT YOU WERE
♪ I BELIEVE IT ♪
♪ LAST NIGHT YOU WERE
DREAMIN' ♪
♪ LAST NIGHT YOU WERE
DREAMIN' ♪
♪ AND I HEARD YOU SAY ♪
DREAMIN' ♪
♪ AND I HEARD YOU SAY ♪
OH, JOHNNY.
♪ AND I HEARD YOU SAY ♪
OH, JOHNNY.
♪ WHEN YOU KNOW MY NAME IS
OH, JOHNNY.
♪ WHEN YOU KNOW MY NAME IS
RAY ♪
♪ WHEN YOU KNOW MY NAME IS
RAY ♪
♪ THAT'S WHY I BELIEVE, WOMAN ♪
RAY ♪
♪ THAT'S WHY I BELIEVE, WOMAN ♪
♪ I BELIEVE ♪
♪ THAT'S WHY I BELIEVE, WOMAN ♪
♪ I BELIEVE ♪
♪ YEAH ♪
♪ I BELIEVE ♪
♪ YEAH ♪
♪ YES I BELIEVE ♪
♪ YEAH ♪
♪ YES I BELIEVE ♪
♪ I TELL YOU I BELIEVE,
♪ YES I BELIEVE ♪
♪ I TELL YOU I BELIEVE,
BELIEVE ♪
♪ I TELL YOU I BELIEVE,
BELIEVE ♪
♪ I BELIEVE ♪
BELIEVE ♪
♪ I BELIEVE ♪
♪ YEAH, I DO, BABY ♪
♪ I BELIEVE ♪
♪ YEAH, I DO, BABY ♪
♪ YES, I BELIEVE ♪
♪ YEAH, I DO, BABY ♪
♪ YES, I BELIEVE ♪
♪ WHOA ♪
♪ YES, I BELIEVE ♪
♪ WHOA ♪
♪ WHOA ♪
♪ WHOA ♪
♪ WHOA ♪
♪ I BELIEVE TO MY SOUL,
♪ WHOA ♪
♪ I BELIEVE TO MY SOUL,
YEAH ♪
♪ I BELIEVE TO MY SOUL,
YEAH ♪
♪ WELL, YOU'RE TRYIN' TO MAKE A
YEAH ♪
♪ WELL, YOU'RE TRYIN' TO MAKE A
FOOL OF ME ♪
♪ WELL, YOU'RE TRYIN' TO MAKE A
FOOL OF ME ♪
♪ I BELIEVE IT ♪
FOOL OF ME ♪
♪ I BELIEVE IT ♪
ONE, TWO.
♪ I BELIEVE IT ♪
ONE, TWO.
[INTRO TO "THEM THAT GOT"
ONE, TWO.
[INTRO TO "THEM THAT GOT"
PLAYS]
[INTRO TO "THEM THAT GOT"
PLAYS]
ALL RIGHT.
♪ I'VE GOTTEN DOWN TO MY LAST
PAIR OF SHOES ♪
♪ CAN'T EVEN WIN A NICKEL BET ♪
PAIR OF SHOES ♪
♪ CAN'T EVEN WIN A NICKEL BET ♪
♪ BECAUSE, AH, THEM THAT'S GOT
♪ CAN'T EVEN WIN A NICKEL BET ♪
♪ BECAUSE, AH, THEM THAT'S GOT
ARE THEM THAT GETS ♪
♪ BECAUSE, AH, THEM THAT'S GOT
ARE THEM THAT GETS ♪
♪ AND I AIN'T GOT NOTHIN' YET ♪
ARE THEM THAT GETS ♪
♪ AND I AIN'T GOT NOTHIN' YET ♪
♪ THAT OLD SAYIN' "THEM THAT'S
♪ AND I AIN'T GOT NOTHIN' YET ♪
♪ THAT OLD SAYIN' "THEM THAT'S
GOT ARE THEM THAT GETS" ♪
♪ THAT OLD SAYIN' "THEM THAT'S
GOT ARE THEM THAT GETS" ♪
♪ IS SOMETHIN' I CAN'T SEE ♪
GOT ARE THEM THAT GETS" ♪
♪ IS SOMETHIN' I CAN'T SEE ♪
♪ IF YOU GOTTA HAVE SOMETHIN'
♪ IS SOMETHIN' I CAN'T SEE ♪
♪ IF YOU GOTTA HAVE SOMETHIN'
BEFORE YOU GET SOMETHIN' ♪
♪ IF YOU GOTTA HAVE SOMETHIN'
BEFORE YOU GET SOMETHIN' ♪
♪ HOW YOU GET THE FIRST IS STILL
BEFORE YOU GET SOMETHIN' ♪
♪ HOW YOU GET THE FIRST IS STILL
A MYSTERY TO ME ♪
♪ HOW YOU GET THE FIRST IS STILL
A MYSTERY TO ME ♪
♪ I SEE FOLKS WITH LONG CARS AND
A MYSTERY TO ME ♪
♪ I SEE FOLKS WITH LONG CARS AND
FINE CLOTHES ♪
♪ I SEE FOLKS WITH LONG CARS AND
FINE CLOTHES ♪
♪ THAT'S WHY THEY'RE CALLED THE
FINE CLOTHES ♪
♪ THAT'S WHY THEY'RE CALLED THE
SMARTER SET ♪
♪ THAT'S WHY THEY'RE CALLED THE
SMARTER SET ♪
♪ BECAUSE THEY MANAGE TO GET ♪
SMARTER SET ♪
♪ BECAUSE THEY MANAGE TO GET ♪
♪ WHEN ONLY THEM THAT'S GOT
♪ BECAUSE THEY MANAGE TO GET ♪
♪ WHEN ONLY THEM THAT'S GOT
SUPPOSED TO GET ♪
♪ WHEN ONLY THEM THAT'S GOT
SUPPOSED TO GET ♪
♪ AND I AIN'T GOT NOTHIN' YET ♪
SUPPOSED TO GET ♪
♪ AND I AIN'T GOT NOTHIN' YET ♪
[INTRO TO "HIT THE ROAD JACK"
♪ AND I AIN'T GOT NOTHIN' YET ♪
[INTRO TO "HIT THE ROAD JACK"
PLAYS]
[INTRO TO "HIT THE ROAD JACK"
PLAYS]
YOU KNOW, I GOT TO TELL YOU.
[PLAYS]
YOU KNOW, I GOT TO TELL YOU.
WHEN I GOT HOME THE OTHER DAY, I
YOU KNOW, I GOT TO TELL YOU.
WHEN I GOT HOME THE OTHER DAY, I
DIDN'T FIND A NOTE.
WHEN I GOT HOME THE OTHER DAY, I
DIDN'T FIND A NOTE.
BUT WHAT I FOUND WAS ONE OF
DIDN'T FIND A NOTE.
BUT WHAT I FOUND WAS ONE OF
THOSE LITTLE CASSETTES WITH MY
BUT WHAT I FOUND WAS ONE OF
THOSE LITTLE CASSETTES WITH MY
OLD LADY'S VOICE ON IT.
THOSE LITTLE CASSETTES WITH MY
OLD LADY'S VOICE ON IT.
I GOT TO TELL THE TRUTH.
OLD LADY'S VOICE ON IT.
I GOT TO TELL THE TRUTH.
I COULDN'T BELIEVE WHAT THE
I GOT TO TELL THE TRUTH.
I COULDN'T BELIEVE WHAT THE
WORDS WERE SAYING TO ME.
I COULDN'T BELIEVE WHAT THE
WORDS WERE SAYING TO ME.
THEY SAID...
WORDS WERE SAYING TO ME.
THEY SAID...
♪ HIT THE ROAD, JACK ♪
THEY SAID...
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
NO MORE ♪
NO MORE, NO MORE, NO MORE,
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
♪ OH, WOMAN, OH, WOMAN ♪
NO MORE ♪
♪ OH, WOMAN, OH, WOMAN ♪
♪ DON'T TREAT ME SO MEAN ♪
♪ OH, WOMAN, OH, WOMAN ♪
♪ DON'T TREAT ME SO MEAN ♪
♪ YOU'RE THE MEANEST OLD WOMAN ♪
♪ DON'T TREAT ME SO MEAN ♪
♪ YOU'RE THE MEANEST OLD WOMAN ♪
♪ THAT I'VE EVER SEEN ♪
♪ YOU'RE THE MEANEST OLD WOMAN ♪
♪ THAT I'VE EVER SEEN ♪
♪ BUT I GUESS IF YOU SAY SO ♪
♪ THAT I'VE EVER SEEN ♪
♪ BUT I GUESS IF YOU SAY SO ♪
♪ I'M GONNA HAVE TO PACK MY
♪ BUT I GUESS IF YOU SAY SO ♪
♪ I'M GONNA HAVE TO PACK MY
THINGS AND GO ♪
♪ I'M GONNA HAVE TO PACK MY
THINGS AND GO ♪
♪ THAT'S RIGHT ♪
THINGS AND GO ♪
♪ THAT'S RIGHT ♪
♪ HIT THE ROAD, JACK ♪
♪ THAT'S RIGHT ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
♪ AND DON'T YOU COME BACK
NO MORE, NO MORE, NO MORE,
NO MORE ♪
NO MORE, NO MORE, NO MORE,
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
NO MORE ♪
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
♪ HIT THE ROAD, JACK ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
♪ AND DON'T YOU COME BACK
NO MORE ♪
COME ON, BABY.
NO MORE ♪
COME ON, BABY.
♪ DON'T YOU COME BACK ♪
COME ON, BABY.
♪ DON'T YOU COME BACK ♪
YOU DON'T MEAN THAT, DO YOU,
♪ DON'T YOU COME BACK ♪
YOU DON'T MEAN THAT, DO YOU,
HONEY?
YOU DON'T MEAN THAT, DO YOU,
HONEY?
♪ DON'T YOU COME BACK ♪
HONEY?
♪ DON'T YOU COME BACK ♪
I THOUGHT WE HAD A BETTER
♪ DON'T YOU COME BACK ♪
I THOUGHT WE HAD A BETTER
UNDERSTANDING.
I THOUGHT WE HAD A BETTER
UNDERSTANDING.
CAN'T WE TALK THIS THING OVER?
UNDERSTANDING.
CAN'T WE TALK THIS THING OVER?
♪ DON'T YOU COME BACK ♪
CAN'T WE TALK THIS THING OVER?
♪ DON'T YOU COME BACK ♪
I DON'T THINK YOU KNOW WHO
♪ DON'T YOU COME BACK ♪
I DON'T THINK YOU KNOW WHO
YOU'RE TALKING TO.
I DON'T THINK YOU KNOW WHO
YOU'RE TALKING TO.
♪ DON'T YOU COME BACK ♪
YOU'RE TALKING TO.
♪ DON'T YOU COME BACK ♪
DON'T KEEP SAYING THAT.
♪ DON'T YOU COME BACK ♪
DON'T KEEP SAYING THAT.
YOU'RE MAKING ME MAD.
DON'T KEEP SAYING THAT.
YOU'RE MAKING ME MAD.
♪ DON'T YOU COME BACK ♪
YOU'RE MAKING ME MAD.
♪ DON'T YOU COME BACK ♪
I DON'T HAVE TO TAKE THIS KIND
♪ DON'T YOU COME BACK ♪
I DON'T HAVE TO TAKE THIS KIND
OF TALK FROM NOBODY.
I DON'T HAVE TO TAKE THIS KIND
OF TALK FROM NOBODY.
♪ DON'T YOU COME BACK ♪
OF TALK FROM NOBODY.
♪ DON'T YOU COME BACK ♪
I DARE YOU TO SAY IT AGAIN.
♪ DON'T YOU COME BACK ♪
I DARE YOU TO SAY IT AGAIN.
♪ DON'T YOU COME BACK ♪
I DARE YOU TO SAY IT AGAIN.
♪ DON'T YOU COME BACK ♪
YOU JIVE.
♪ DON'T YOU COME BACK ♪
YOU JIVE.
♪ DON'T YOU COME BACK
YOU JIVE.
♪ DON'T YOU COME BACK
NO MORE ♪
♪ DON'T YOU COME BACK
NO MORE ♪
♪ YEAH ♪
NO MORE ♪
♪ YEAH ♪
ONE, TWO, THREE, FOUR!
♪ YEAH ♪
ONE, TWO, THREE, FOUR!
[UPBEAT JAZZ MUSIC PLAYS]
[TRUMPET SOLO]
[BARITONE SAXOPHONE SOLO]
[TRUMPET SOLO]
[ALTO SAXOPHONE SOLO]
[TENOR SAXOPHONE SOLO]
[ALTO SAXOPHONE SOLO]
[BAND PLAYS IN UNISON]
[CHEERS AND APPLAUSE]
[MUSIC STOPS]
NOW, LADIES AND GENTLEMEN,
HERE'S MR. FRANKLYN AJAYE.
[CHEERS AND APPLAUSE]
HERE'S MR. FRANKLYN AJAYE.
[CHEERS AND APPLAUSE]
THANK YOU.
[CHEERS AND APPLAUSE]
THANK YOU.
I KNOW A LOT OF YOU DON'T KNOW
THANK YOU.
I KNOW A LOT OF YOU DON'T KNOW
WHO I AM.
I KNOW A LOT OF YOU DON'T KNOW
WHO I AM.
THAT'S FINE. THAT'S GOOD.
WHO I AM.
THAT'S FINE. THAT'S GOOD.
I HAVE BEEN ON THE ROAD A LOT.
THAT'S FINE. THAT'S GOOD.
I HAVE BEEN ON THE ROAD A LOT.
RECENTLY, I'VE BEEN DOING
I HAVE BEEN ON THE ROAD A LOT.
RECENTLY, I'VE BEEN DOING
COLLEGE TOURS, HAD A LOT OF TIME
RECENTLY, I'VE BEEN DOING
COLLEGE TOURS, HAD A LOT OF TIME
IN HOTELS, OKAY?
COLLEGE TOURS, HAD A LOT OF TIME
IN HOTELS, OKAY?
SO, LIKE, A LOT TIMES BEFORE THE
IN HOTELS, OKAY?
SO, LIKE, A LOT TIMES BEFORE THE
SHOW, I JUST SPEND SOME TIME
SO, LIKE, A LOT TIMES BEFORE THE
SHOW, I JUST SPEND SOME TIME
WATCHING TV.
SHOW, I JUST SPEND SOME TIME
WATCHING TV.
AND THE THING I NOTICE, IN EVERY
WATCHING TV.
AND THE THING I NOTICE, IN EVERY
CITY THAT I GO TO, THEY SHOW
AND THE THING I NOTICE, IN EVERY
CITY THAT I GO TO, THEY SHOW
"STAR TREK," RIGHT?
CITY THAT I GO TO, THEY SHOW
"STAR TREK," RIGHT?
IT'S RIGHT THERE.
"STAR TREK," RIGHT?
IT'S RIGHT THERE.
IT'S ON 7:00, GENERALLY, IN
IT'S RIGHT THERE.
IT'S ON 7:00, GENERALLY, IN
EVERY CITY.
IT'S ON 7:00, GENERALLY, IN
EVERY CITY.
FOR YOU WHO DIDN'T KNOW IT,
EVERY CITY.
FOR YOU WHO DIDN'T KNOW IT,
LIKE, "STAR TREK" IS GONNA HAVE
FOR YOU WHO DIDN'T KNOW IT,
LIKE, "STAR TREK" IS GONNA HAVE
A NEW SERIES NEXT YEAR, AND I'M
LIKE, "STAR TREK" IS GONNA HAVE
A NEW SERIES NEXT YEAR, AND I'M
REALLY GLAD 'CAUSE I'M REALLY
A NEW SERIES NEXT YEAR, AND I'M
REALLY GLAD 'CAUSE I'M REALLY
TIRED OF TRYING TO PICK NEW
REALLY GLAD 'CAUSE I'M REALLY
TIRED OF TRYING TO PICK NEW
STUFF OUT OF OLD EPISODES.
TIRED OF TRYING TO PICK NEW
STUFF OUT OF OLD EPISODES.
YOU KNOW WHAT I MEAN?
STUFF OUT OF OLD EPISODES.
YOU KNOW WHAT I MEAN?
TRYING TO FIND SOMETHING THAT
YOU KNOW WHAT I MEAN?
TRYING TO FIND SOMETHING THAT
WILL KEEP ME INTERESTED.
TRYING TO FIND SOMETHING THAT
WILL KEEP ME INTERESTED.
LIKE, YOU'LL BE WATCHING, RIGHT?
WILL KEEP ME INTERESTED.
LIKE, YOU'LL BE WATCHING, RIGHT?
WOW.
LIKE, YOU'LL BE WATCHING, RIGHT?
WOW.
UHURA HAS A RUN IN HER STOCKING.
WOW.
UHURA HAS A RUN IN HER STOCKING.
I DIDN'T NOTICE THAT THE FIRST
UHURA HAS A RUN IN HER STOCKING.
I DIDN'T NOTICE THAT THE FIRST
98 TIMES I SAW THIS EPISODE.
I DIDN'T NOTICE THAT THE FIRST
98 TIMES I SAW THIS EPISODE.
RIGHT?
98 TIMES I SAW THIS EPISODE.
RIGHT?
"STAR TREK" CENTERS AROUND THREE
RIGHT?
"STAR TREK" CENTERS AROUND THREE
MAJOR CHARACTERS... FOUR IF YOU
"STAR TREK" CENTERS AROUND THREE
MAJOR CHARACTERS... FOUR IF YOU
COUNT SCOTTY, BUT THE HELL WITH
MAJOR CHARACTERS... FOUR IF YOU
COUNT SCOTTY, BUT THE HELL WITH
SCOTTY, YOU KNOW WHAT I MEAN?
COUNT SCOTTY, BUT THE HELL WITH
SCOTTY, YOU KNOW WHAT I MEAN?
HE'S ALWAYS IN THE ENGINE ROOM
SCOTTY, YOU KNOW WHAT I MEAN?
HE'S ALWAYS IN THE ENGINE ROOM
DOING GOD KNOWS WHAT.
HE'S ALWAYS IN THE ENGINE ROOM
DOING GOD KNOWS WHAT.
YOU GOT CAPTAIN KIRK, RIGHT,
DOING GOD KNOWS WHAT.
YOU GOT CAPTAIN KIRK, RIGHT,
VERY MACHO, DECISIVE.
YOU GOT CAPTAIN KIRK, RIGHT,
VERY MACHO, DECISIVE.
HIS VOICE STARTS OFF EVERY
VERY MACHO, DECISIVE.
HIS VOICE STARTS OFF EVERY
EPISODE, RIGHT?
HIS VOICE STARTS OFF EVERY
EPISODE, RIGHT?
"SPACE"... AS THOUGH YOU DIDN'T
EPISODE, RIGHT?
"SPACE"... AS THOUGH YOU DIDN'T
KNOW.
"SPACE"... AS THOUGH YOU DIDN'T
KNOW.
"THE FINAL FRONTIER.
KNOW.
"THE FINAL FRONTIER.
THESE ARE THE VOYAGES OF THE
"THE FINAL FRONTIER.
THESE ARE THE VOYAGES OF THE
STARSHIP ENTERPRISE.
THESE ARE THE VOYAGES OF THE
STARSHIP ENTERPRISE.
ITS FIVE-YEAR MISSION... TO
STARSHIP ENTERPRISE.
ITS FIVE-YEAR MISSION... TO
EXPLORE NEW WORLDS, TO SEEK OUT
ITS FIVE-YEAR MISSION... TO
EXPLORE NEW WORLDS, TO SEEK OUT
NEW LIFE AND CIVILIZATIONS, TO
EXPLORE NEW WORLDS, TO SEEK OUT
NEW LIFE AND CIVILIZATIONS, TO
BOLDLY" KICK BEHIND WHERE NO
NEW LIFE AND CIVILIZATIONS, TO
BOLDLY" KICK BEHIND WHERE NO
BEHIND HAS BEEN KICKED BEFORE.
BOLDLY" KICK BEHIND WHERE NO
BEHIND HAS BEEN KICKED BEFORE.
IN THE NAME OF PEACE, RIGHT?
BEHIND HAS BEEN KICKED BEFORE.
IN THE NAME OF PEACE, RIGHT?
[HUMS THEME SONG]
IN THE NAME OF PEACE, RIGHT?
[HUMS THEME SONG]
RIGHT?
[HUMS THEME SONG]
RIGHT?
YOU GOT DR. McCOY, RIGHT, KNOWN
RIGHT?
YOU GOT DR. McCOY, RIGHT, KNOWN
AS "BONES"... VERY EMOTIONAL,
YOU GOT DR. McCOY, RIGHT, KNOWN
AS "BONES"... VERY EMOTIONAL,
VERY IRRATIONAL, NEVER WANTS TO
AS "BONES"... VERY EMOTIONAL,
VERY IRRATIONAL, NEVER WANTS TO
DO ANYTHING CAPTAIN KIRK SAYS,
VERY IRRATIONAL, NEVER WANTS TO
DO ANYTHING CAPTAIN KIRK SAYS,
NO MATTER HOW SIMPLE.
DO ANYTHING CAPTAIN KIRK SAYS,
NO MATTER HOW SIMPLE.
"I DARE NOT, JIM."
NO MATTER HOW SIMPLE.
"I DARE NOT, JIM."
THAT'S WHAT HE'S ALWAYS SAYING.
"I DARE NOT, JIM."
THAT'S WHAT HE'S ALWAYS SAYING.
"PULL UP YOUR ZIPPER, BONES."
THAT'S WHAT HE'S ALWAYS SAYING.
"PULL UP YOUR ZIPPER, BONES."
"I DARE NOT, JIM."
"PULL UP YOUR ZIPPER, BONES."
"I DARE NOT, JIM."
YET HE'S ALWAYS PICKING ON
"I DARE NOT, JIM."
YET HE'S ALWAYS PICKING ON
SPOCK, RIGHT?
YET HE'S ALWAYS PICKING ON
SPOCK, RIGHT?
"YOU POINTY-EARED FREAK.
SPOCK, RIGHT?
"YOU POINTY-EARED FREAK.
YOU HAVE NO EMOTIONS."
"YOU POINTY-EARED FREAK.
YOU HAVE NO EMOTIONS."
SPOCK IS COOL.
YOU HAVE NO EMOTIONS."
SPOCK IS COOL.
"YES, BUT MY ZIPPER'S UP."
SPOCK IS COOL.
"YES, BUT MY ZIPPER'S UP."
RIGHT?
"YES, BUT MY ZIPPER'S UP."
RIGHT?
'CAUSE SPOCK IS A VULCAN WHO
RIGHT?
'CAUSE SPOCK IS A VULCAN WHO
MATES ONCE EVERY SEVEN YEARS,
'CAUSE SPOCK IS A VULCAN WHO
MATES ONCE EVERY SEVEN YEARS,
WHICH IS WHY HE HAS AN ATTITUDE,
MATES ONCE EVERY SEVEN YEARS,
WHICH IS WHY HE HAS AN ATTITUDE,
OKAY?
WHICH IS WHY HE HAS AN ATTITUDE,
OKAY?
SPOCK IS THE COOLEST CHARACTER.
OKAY?
SPOCK IS THE COOLEST CHARACTER.
ALL THE WOMEN WANT SPOCK BECAUSE
SPOCK IS THE COOLEST CHARACTER.
ALL THE WOMEN WANT SPOCK BECAUSE
THEY CAN'T HAVE HIM.
ALL THE WOMEN WANT SPOCK BECAUSE
THEY CAN'T HAVE HIM.
SEE, THEY'RE ALWAYS HITTING ON
THEY CAN'T HAVE HIM.
SEE, THEY'RE ALWAYS HITTING ON
HIM.
SEE, THEY'RE ALWAYS HITTING ON
HIM.
"HEY, MR. SPOCK.
HIM.
"HEY, MR. SPOCK.
I SURE WOULD LIKE TO GIVE YOU
"HEY, MR. SPOCK.
I SURE WOULD LIKE TO GIVE YOU
SOME," RIGHT?
I SURE WOULD LIKE TO GIVE YOU
SOME," RIGHT?
"THAT DOES NOT COMPUTE."
SOME," RIGHT?
"THAT DOES NOT COMPUTE."
AND HE JUST GOES ABOUT HIS
"THAT DOES NOT COMPUTE."
AND HE JUST GOES ABOUT HIS
BUSINESS.
AND HE JUST GOES ABOUT HIS
BUSINESS.
THE THING ABOUT CAPTAIN KIRK IS
BUSINESS.
THE THING ABOUT CAPTAIN KIRK IS
THAT HE'S EITHER THE BRAVEST MAN
THE THING ABOUT CAPTAIN KIRK IS
THAT HE'S EITHER THE BRAVEST MAN
IN THE UNIVERSE OR THE MOST
THAT HE'S EITHER THE BRAVEST MAN
IN THE UNIVERSE OR THE MOST
FOOLISH.
IN THE UNIVERSE OR THE MOST
FOOLISH.
HE'S ALWAYS TALKING ROUGH, SEE?
FOOLISH.
HE'S ALWAYS TALKING ROUGH, SEE?
HE'S ALWAYS THREATENING PEOPLE.
HE'S ALWAYS TALKING ROUGH, SEE?
HE'S ALWAYS THREATENING PEOPLE.
HE'LL LAND ON A PLANET, START
HE'S ALWAYS THREATENING PEOPLE.
HE'LL LAND ON A PLANET, START
TALKING ROUGH, BEFORE HE EVEN
HE'LL LAND ON A PLANET, START
TALKING ROUGH, BEFORE HE EVEN
LEARNS IF HE CAN BREATHE IN THE
TALKING ROUGH, BEFORE HE EVEN
LEARNS IF HE CAN BREATHE IN THE
STUFF, CAPTAIN KIRK IS RUNNING
LEARNS IF HE CAN BREATHE IN THE
STUFF, CAPTAIN KIRK IS RUNNING
OFF AT THE MOUTH.
STUFF, CAPTAIN KIRK IS RUNNING
OFF AT THE MOUTH.
"GIVE US THE ZENITE.
OFF AT THE MOUTH.
"GIVE US THE ZENITE.
WE'RE FROM THE FEDERATION, DAMN
"GIVE US THE ZENITE.
WE'RE FROM THE FEDERATION, DAMN
IT.
WE'RE FROM THE FEDERATION, DAMN
IT.
I'M CAPTAIN KIRK.
IT.
I'M CAPTAIN KIRK.
THIS IS MY SHIP'S IDIOT,
I'M CAPTAIN KIRK.
THIS IS MY SHIP'S IDIOT,
MR. SPOCK," YOU KNOW.
THIS IS MY SHIP'S IDIOT,
MR. SPOCK," YOU KNOW.
AND THE THING IS, HE'S ALWAYS
MR. SPOCK," YOU KNOW.
AND THE THING IS, HE'S ALWAYS
TELLING HE'S FROM THE
AND THE THING IS, HE'S ALWAYS
TELLING HE'S FROM THE
FEDERATION.
TELLING HE'S FROM THE
FEDERATION.
MAN, THEY DON'T CARE.
FEDERATION.
MAN, THEY DON'T CARE.
YOU KNOW, THESE PEOPLE ARE
MAN, THEY DON'T CARE.
YOU KNOW, THESE PEOPLE ARE
GROTESQUE, MAN.
YOU KNOW, THESE PEOPLE ARE
GROTESQUE, MAN.
THEY DON'T CARE.
GROTESQUE, MAN.
THEY DON'T CARE.
YOU KNOW WHAT I MEAN?
THEY DON'T CARE.
YOU KNOW WHAT I MEAN?
THEY GO, "WE DON'T CARE WHERE
YOU KNOW WHAT I MEAN?
THEY GO, "WE DON'T CARE WHERE
YOU'RE FROM.
THEY GO, "WE DON'T CARE WHERE
YOU'RE FROM.
MAN, LOOK AT US.
YOU'RE FROM.
MAN, LOOK AT US.
WE HAVE TO LIVE LIKE THIS.
MAN, LOOK AT US.
WE HAVE TO LIVE LIKE THIS.
THINK WE CARE WHERE YOU'RE FROM?
WE HAVE TO LIVE LIKE THIS.
THINK WE CARE WHERE YOU'RE FROM?
WE'RE JUST HAPPY YOU'RE HERE,
THINK WE CARE WHERE YOU'RE FROM?
WE'RE JUST HAPPY YOU'RE HERE,
MAN, 'CAUSE WE'RE BORED.
WE'RE JUST HAPPY YOU'RE HERE,
MAN, 'CAUSE WE'RE BORED.
WE'RE TOO SMART TO HAVE FUN.
MAN, 'CAUSE WE'RE BORED.
WE'RE TOO SMART TO HAVE FUN.
SO, I'M GONNA TURN YOUR BLACK
WE'RE TOO SMART TO HAVE FUN.
SO, I'M GONNA TURN YOUR BLACK
SECURITY MAN INTO A CUBE."
SO, I'M GONNA TURN YOUR BLACK
SECURITY MAN INTO A CUBE."
BROTHERS GOING, "HEY...
SECURITY MAN INTO A CUBE."
BROTHERS GOING, "HEY...
BEAM ME UP, SCOTTY!
BROTHERS GOING, "HEY...
BEAM ME UP, SCOTTY!
BEAM ME UP, MAN!"
BEAM ME UP, SCOTTY!
BEAM ME UP, MAN!"
[SQUEAKING]
BEAM ME UP, MAN!"
[SQUEAKING]
"ANALYZE, MR. SPOCK."
[SQUEAKING]
"ANALYZE, MR. SPOCK."
[BEEPING]
"ANALYZE, MR. SPOCK."
[BEEPING]
"THE NIGGER'S A CUBE, CAPTAIN."
[BEEPING]
"THE NIGGER'S A CUBE, CAPTAIN."
[LAUGHTER]
"THE NIGGER'S A CUBE, CAPTAIN."
[LAUGHTER]
"JIM, I DON'T THINK WE SHOULD
[LAUGHTER]
"JIM, I DON'T THINK WE SHOULD
MESS WITH THEM.
"JIM, I DON'T THINK WE SHOULD
MESS WITH THEM.
THEY HIT WATSON.
MESS WITH THEM.
THEY HIT WATSON.
HE WAS THE FASTEST ONE WE HAD."
THEY HIT WATSON.
HE WAS THE FASTEST ONE WE HAD."
YOU KNOW?
HE WAS THE FASTEST ONE WE HAD."
YOU KNOW?
IT'S LIKE, SPOCK IS VERY
YOU KNOW?
IT'S LIKE, SPOCK IS VERY
LOGICAL, SEE.
IT'S LIKE, SPOCK IS VERY
LOGICAL, SEE.
HE'S VERY LOGICAL FOR ABOUT SIX
LOGICAL, SEE.
HE'S VERY LOGICAL FOR ABOUT SIX
YEARS.
HE'S VERY LOGICAL FOR ABOUT SIX
YEARS.
THEN, HIS SEVENTH YEAR, HIS
YEARS.
THEN, HIS SEVENTH YEAR, HIS
JONES COMES DOWN, AND HE GOES
THEN, HIS SEVENTH YEAR, HIS
JONES COMES DOWN, AND HE GOES
MAD.
JONES COMES DOWN, AND HE GOES
MAD.
DID YOU EVER SEE THE EPISODE
MAD.
DID YOU EVER SEE THE EPISODE
WHERE SPOCK HAD TO GET DOWN?
DID YOU EVER SEE THE EPISODE
WHERE SPOCK HAD TO GET DOWN?
HE WENT CRAZY, MAN.
WHERE SPOCK HAD TO GET DOWN?
HE WENT CRAZY, MAN.
HE WAS CRYING.
HE WENT CRAZY, MAN.
HE WAS CRYING.
HE WAS LAUGHING.
HE WAS CRYING.
HE WAS LAUGHING.
HE WAS HITTING ON CAPTAIN KIRK.
HE WAS LAUGHING.
HE WAS HITTING ON CAPTAIN KIRK.
JIM SAID, "WHAT'S WRONG WITH
HE WAS HITTING ON CAPTAIN KIRK.
JIM SAID, "WHAT'S WRONG WITH
HIM, BONES?"
JIM SAID, "WHAT'S WRONG WITH
HIM, BONES?"
"HE'S SEXUALLY FRUSTRATED, JIM.
HIM, BONES?"
"HE'S SEXUALLY FRUSTRATED, JIM.
THAT'S WHY HIS EARS ARE POINTED.
"HE'S SEXUALLY FRUSTRATED, JIM.
THAT'S WHY HIS EARS ARE POINTED.
THAT STUFF IS BACKED UP."
THAT'S WHY HIS EARS ARE POINTED.
THAT STUFF IS BACKED UP."
[LAUGHTER]
THAT STUFF IS BACKED UP."
[LAUGHTER]
ALL RIGHT. THANK YOU.
[LAUGHTER]
ALL RIGHT. THANK YOU.
[CHEERS AND APPLAUSE]
ALL RIGHT. THANK YOU.
[CHEERS AND APPLAUSE]
THANK YOU.
[CHEERS AND APPLAUSE]
THANK YOU.
HEY, MAN, YOU KNOW.
THANK YOU.
HEY, MAN, YOU KNOW.
TV, YOU KNOW.
HEY, MAN, YOU KNOW.
TV, YOU KNOW.
HEY, ARE WE OFF? YEAH?
TV, YOU KNOW.
HEY, ARE WE OFF? YEAH?
[APPLAUSE]
SURE, I WAS SKEPTICAL.
I THINK EVERYBODY IS.
BUT, BELIEVE ME, I CAN NOW READ
I THINK EVERYBODY IS.
BUT, BELIEVE ME, I CAN NOW READ
10, MAYBE 12 TIMES SLOWER THAN
BUT, BELIEVE ME, I CAN NOW READ
10, MAYBE 12 TIMES SLOWER THAN
BEFORE.
[LAUGHS]
I USED TO BE A HEAVY
SPEED-READER, AND I NEVER
I USED TO BE A HEAVY
SPEED-READER, AND I NEVER
LAUGHED WHEN I READ MARK TWAIN.
SPEED-READER, AND I NEVER
LAUGHED WHEN I READ MARK TWAIN.
BUT NOW THAT I TAKE MY TIME, I
LAUGHED WHEN I READ MARK TWAIN.
BUT NOW THAT I TAKE MY TIME, I
FIND HIM VERY FUNNY.
BUT NOW THAT I TAKE MY TIME, I
FIND HIM VERY FUNNY.
DID YOU KNOW THAT READING ALL
FIND HIM VERY FUNNY.
DID YOU KNOW THAT READING ALL
THE WORDS IN A STORY CAN HELP
DID YOU KNOW THAT READING ALL
THE WORDS IN A STORY CAN HELP
YOU UNDERSTAND THE HUMOR?
THE WORDS IN A STORY CAN HELP
YOU UNDERSTAND THE HUMOR?
I'M A BRAIN SURGEON, AND, UH,
YOU UNDERSTAND THE HUMOR?
I'M A BRAIN SURGEON, AND, UH,
I USED TO JUST FLY THROUGH THESE
I'M A BRAIN SURGEON, AND, UH,
I USED TO JUST FLY THROUGH THESE
TECHNICAL MEDICAL JOURNALS, YOU
I USED TO JUST FLY THROUGH THESE
TECHNICAL MEDICAL JOURNALS, YOU
KNOW?
TECHNICAL MEDICAL JOURNALS, YOU
KNOW?
AND I FOUND I WAS MAKING A LOT
KNOW?
AND I FOUND I WAS MAKING A LOT
OF MISTAKES IN THE OPERATING
AND I FOUND I WAS MAKING A LOT
OF MISTAKES IN THE OPERATING
ROOM.
OF MISTAKES IN THE OPERATING
ROOM.
AND NOW, WITH THE EVELYN WOODSKI
ROOM.
AND NOW, WITH THE EVELYN WOODSKI
SLOW READING COURSE, I CATCH
AND NOW, WITH THE EVELYN WOODSKI
SLOW READING COURSE, I CATCH
MORE OF THE IMPORTANT PROCEDURAL
SLOW READING COURSE, I CATCH
MORE OF THE IMPORTANT PROCEDURAL
STUFF, AND I FIND I'M A BETTER
MORE OF THE IMPORTANT PROCEDURAL
STUFF, AND I FIND I'M A BETTER
SURGEON FOR IT.
STUFF, AND I FIND I'M A BETTER
SURGEON FOR IT.
Announcer: YES,
SURGEON FOR IT.
Announcer: YES,
EVELYN WOODSKI CAN HELP YOU
Announcer: YES,
EVELYN WOODSKI CAN HELP YOU
ENJOY READING AGAIN.
AND THERE'S...
EVELYN... WOODSKI'S...
SLOW... READING... COURSE...
EVELYN... WOODSKI'S...
SLOW... READING... COURSE...
FOR BRAILLE.
SLOW... READING... COURSE...
FOR BRAILLE.
I... USED TO... GET... BLISTERS...
FOR BRAILLE.
I... USED TO... GET... BLISTERS...
ON MY FINGERS.
I... USED TO... GET... BLISTERS...
ON MY FINGERS.
NOW... I JUST... SIT... BACK...
ON MY FINGERS.
NOW... I JUST... SIT... BACK...
AND ENJOY.
Announcer: CALL NOW ON THIS
TOLL-FREE NUMBER FOR YOUR FIRST
FREE LESSON.
OH, I LOVE NEW YORK...
EVERYTHING ABOUT IT, EVEN
CON EDISON, THE ELECTRIC
EVERYTHING ABOUT IT, EVEN
CON EDISON, THE ELECTRIC
COMPANY.
CON EDISON, THE ELECTRIC
COMPANY.
AS A MATTER OF FACT, WHEN I WAS
COMPANY.
AS A MATTER OF FACT, WHEN I WAS
IN NEW YORK LAST SUMMER, IT WAS
AS A MATTER OF FACT, WHEN I WAS
IN NEW YORK LAST SUMMER, IT WAS
CON ED. WHO CAME TO MY RESCUE.
IN NEW YORK LAST SUMMER, IT WAS
CON ED. WHO CAME TO MY RESCUE.
OH, YES.
CON ED. WHO CAME TO MY RESCUE.
OH, YES.
I'M HAVING A MARVELOUS TIME.
OH, YES.
I'M HAVING A MARVELOUS TIME.
JUST YESTERDAY I WAS ON THE
I'M HAVING A MARVELOUS TIME.
JUST YESTERDAY I WAS ON THE
OBSERVATION DECK OF THE
JUST YESTERDAY I WAS ON THE
OBSERVATION DECK OF THE
WORLD TRADE CENTER.
OBSERVATION DECK OF THE
WORLD TRADE CENTER.
YOU KNOW, I COULD SMELL ALL THE
WORLD TRADE CENTER.
YOU KNOW, I COULD SMELL ALL THE
WAY TO NEW JERSEY.
YOU KNOW, I COULD SMELL ALL THE
WAY TO NEW JERSEY.
[KNOCK ON DOOR]
WAY TO NEW JERSEY.
[KNOCK ON DOOR]
MM-HMM.
[KNOCK ON DOOR]
MM-HMM.
WAIT A MINUTE. HOLD ON.
MM-HMM.
WAIT A MINUTE. HOLD ON.
SOMEBODY'S AT THE DOOR.
WAIT A MINUTE. HOLD ON.
SOMEBODY'S AT THE DOOR.
YES, WHO IS IT?
SOMEBODY'S AT THE DOOR.
YES, WHO IS IT?
ROOM SERVICE!
YES, WHO IS IT?
ROOM SERVICE!
JUST A MINUTE.
ROOM SERVICE!
JUST A MINUTE.
LISTEN, I GOT TO GO NOW, BUT
JUST A MINUTE.
LISTEN, I GOT TO GO NOW, BUT
I'LL CALL YOU BACK LATER.
LISTEN, I GOT TO GO NOW, BUT
I'LL CALL YOU BACK LATER.
BE COOL.
I'LL CALL YOU BACK LATER.
BE COOL.
ROOM SERVICE?
BE COOL.
ROOM SERVICE?
I DON'T REMEMBER ANYTHING ABOUT
ROOM SERVICE?
I DON'T REMEMBER ANYTHING ABOUT
ROOM SERVICE.
I DON'T REMEMBER ANYTHING ABOUT
ROOM SERVICE.
ROOM SERVICE.
ROOM SERVICE.
ROOM SERVICE.
LET'S SEE HERE.
ROOM SERVICE.
LET'S SEE HERE.
YES?
LET'S SEE HERE.
YES?
PUT YOUR HANDS UP IN THE AIR.
YES?
PUT YOUR HANDS UP IN THE AIR.
COOPERATE, AND YOU WON'T GET
PUT YOUR HANDS UP IN THE AIR.
COOPERATE, AND YOU WON'T GET
HURT.
COOPERATE, AND YOU WON'T GET
HURT.
YES, SIR.
HURT.
YES, SIR.
ANYTHING YOU SAY, MISTER.
YES, SIR.
ANYTHING YOU SAY, MISTER.
HEY, HEY, HEY, BOSS.
ANYTHING YOU SAY, MISTER.
HEY, HEY, HEY, BOSS.
THIS HERE IS RAY CHARLES.
HEY, HEY, HEY, BOSS.
THIS HERE IS RAY CHARLES.
WHO?
THIS HERE IS RAY CHARLES.
WHO?
RAY CHARLES, THE KING OF
WHO?
RAY CHARLES, THE KING OF
SOUL, MAN.
RAY CHARLES, THE KING OF
SOUL, MAN.
WE CAN'T ROB HIM.
SOUL, MAN.
WE CAN'T ROB HIM.
ARE YOU KIDDING?
WE CAN'T ROB HIM.
ARE YOU KIDDING?
THIS WILL BE A CINCH.
ARE YOU KIDDING?
THIS WILL BE A CINCH.
TIE HIM UP.
THIS WILL BE A CINCH.
TIE HIM UP.
OH, MAN, I CAN'T DO THAT.
TIE HIM UP.
OH, MAN, I CAN'T DO THAT.
I SAID TIE HIM UP, MAN.
OH, MAN, I CAN'T DO THAT.
I SAID TIE HIM UP, MAN.
WHICH ONE OF Y'ALL GOT THE
I SAID TIE HIM UP, MAN.
WHICH ONE OF Y'ALL GOT THE
GUN?
WHICH ONE OF Y'ALL GOT THE
GUN?
I DO.
GUN?
I DO.
I THINK YOU BETTER LISTEN TO
I DO.
I THINK YOU BETTER LISTEN TO
HIM.
I THINK YOU BETTER LISTEN TO
HIM.
O-O-OKAY. OKAY.
HIM.
O-O-OKAY. OKAY.
TAKE THE ROPE OUT OF THE BAG
O-O-OKAY. OKAY.
TAKE THE ROPE OUT OF THE BAG
AND TIE HIM UP.
TAKE THE ROPE OUT OF THE BAG
AND TIE HIM UP.
I'M SORRY, MR. CHARLES, BUT I
AND TIE HIM UP.
I'M SORRY, MR. CHARLES, BUT I
GUESS I GOTTA.
I'M SORRY, MR. CHARLES, BUT I
GUESS I GOTTA.
HEY, THE LIGHTS ARE GOING OFF.
GUESS I GOTTA.
HEY, THE LIGHTS ARE GOING OFF.
WHAT'S GOING ON HERE?
HEY, THE LIGHTS ARE GOING OFF.
WHAT'S GOING ON HERE?
HEY! HEY!
WHAT'S GOING ON HERE?
HEY! HEY!
IT'S A BLACKOUT!
HEY! HEY!
IT'S A BLACKOUT!
IT IS?
IT'S A BLACKOUT!
IT IS?
YEAH! I CAN'T SEE ANYTHING!
IT IS?
YEAH! I CAN'T SEE ANYTHING!
YOU CAN'T?
YEAH! I CAN'T SEE ANYTHING!
YOU CAN'T?
NO!
YOU CAN'T?
NO!
OW! OOH!
NO!
OW! OOH!
OOH! OW!
OW! OOH!
OOH! OW!
[CRASH, GLASS BREAKING]
OOH! OW!
[CRASH, GLASS BREAKING]
[GRUNTING]
[CRASH, GLASS BREAKING]
[GRUNTING]
LET'S SEE HERE.
[GRUNTING]
LET'S SEE HERE.
HELLO?
LET'S SEE HERE.
HELLO?
YOU SAID THE LIGHTS JUST CAME
HELLO?
YOU SAID THE LIGHTS JUST CAME
BACK ON?
YOU SAID THE LIGHTS JUST CAME
BACK ON?
WHAT ARE YOU TELLING ME THAT
BACK ON?
WHAT ARE YOU TELLING ME THAT
FOR?
WHAT ARE YOU TELLING ME THAT
FOR?
IS THIS ROOM SERVICE?
FOR?
IS THIS ROOM SERVICE?
OH, WELL, LISTEN.
IS THIS ROOM SERVICE?
OH, WELL, LISTEN.
THIS IS RAY CHARLES IN 1722.
OH, WELL, LISTEN.
THIS IS RAY CHARLES IN 1722.
AND I'D LIKE TO ORDER SOME NECK
THIS IS RAY CHARLES IN 1722.
AND I'D LIKE TO ORDER SOME NECK
BONES AND COLLARD GREENS AND
AND I'D LIKE TO ORDER SOME NECK
BONES AND COLLARD GREENS AND
POTATO SALAD AND TWO TALL
BONES AND COLLARD GREENS AND
POTATO SALAD AND TWO TALL
GLASSES OF ICE TEA.
POTATO SALAD AND TWO TALL
GLASSES OF ICE TEA.
YOU GOT IT? OKAY.
GLASSES OF ICE TEA.
YOU GOT IT? OKAY.
NOW, WHEN YOU GET THAT FINISHED,
YOU GOT IT? OKAY.
NOW, WHEN YOU GET THAT FINISHED,
WOULD YOU PLEASE SEND UP THE
NOW, WHEN YOU GET THAT FINISHED,
WOULD YOU PLEASE SEND UP THE
POLICE?
WOULD YOU PLEASE SEND UP THE
POLICE?
GOOD NIGHT.
HOW ARE YOU?
I MAY OR MAY NOT BE BUCK HENRY,
BUT I AM HOSTING NEXT WEEK'S
I MAY OR MAY NOT BE BUCK HENRY,
BUT I AM HOSTING NEXT WEEK'S
SHOW WITH LEON REDBONE AS MY
BUT I AM HOSTING NEXT WEEK'S
SHOW WITH LEON REDBONE AS MY
GUEST AND THE FIVE... COUNT
SHOW WITH LEON REDBONE AS MY
GUEST AND THE FIVE... COUNT
THEM, FIVE... FINALISTS IN THE
GUEST AND THE FIVE... COUNT
THEM, FIVE... FINALISTS IN THE
"ANYONE CAN HOST"
THEM, FIVE... FINALISTS IN THE
"ANYONE CAN HOST"
"SATURDAY NIGHT" SHOW CONTEST.
"ANYONE CAN HOST"
"SATURDAY NIGHT" SHOW CONTEST.
WE'VE READ 150,000 POSTCARDS
"SATURDAY NIGHT" SHOW CONTEST.
WE'VE READ 150,000 POSTCARDS
FROM YOU AND, BELIEVE ME,
WE'VE READ 150,000 POSTCARDS
FROM YOU AND, BELIEVE ME,
AMERICA'S IN A LOT OF TROUBLE.
FROM YOU AND, BELIEVE ME,
AMERICA'S IN A LOT OF TROUBLE.
[APPLAUSE]
♪ THERE'S A BRIGHT GOLDEN
HAZE IN THE MEADOW ♪
♪ AH, PEOPLE ♪
HAZE IN THE MEADOW ♪
♪ AH, PEOPLE ♪
♪ THERE'S A BRIGHT GOLDEN HAZE
♪ AH, PEOPLE ♪
♪ THERE'S A BRIGHT GOLDEN HAZE
IN THE MEADOW ♪
♪ THERE'S A BRIGHT GOLDEN HAZE
IN THE MEADOW ♪
♪ THE CORN IS AS HIGH
IN THE MEADOW ♪
♪ THE CORN IS AS HIGH
AS AN ELEPHANT'S EYE ♪
♪ THE CORN IS AS HIGH
AS AN ELEPHANT'S EYE ♪
♪ AND IT LOOKS LIKE IT'S
AS AN ELEPHANT'S EYE ♪
♪ AND IT LOOKS LIKE IT'S
CLIMBING ♪
♪ AND IT LOOKS LIKE IT'S
CLIMBING ♪
♪ CLEAR UP TO THE SKY ♪
CLIMBING ♪
♪ CLEAR UP TO THE SKY ♪
♪ WELL ♪
♪ CLEAR UP TO THE SKY ♪
♪ WELL ♪
♪ I SAY, OH, WHAT A BEAUTIFUL
♪ WELL ♪
♪ I SAY, OH, WHAT A BEAUTIFUL
MORNING ♪
♪ I SAY, OH, WHAT A BEAUTIFUL
MORNING ♪
♪ YEAH ♪
MORNING ♪
♪ YEAH ♪
♪ YES, WHAT A WONDERFUL DAY ♪
♪ YEAH ♪
♪ YES, WHAT A WONDERFUL DAY ♪
Y'ALL, LOOK OUT THERE.
♪ YES, WHAT A WONDERFUL DAY ♪
Y'ALL, LOOK OUT THERE.
♪ I'VE GOT A BEAUTIFUL FEELING ♪
Y'ALL, LOOK OUT THERE.
♪ I'VE GOT A BEAUTIFUL FEELING ♪
♪ EVERYTHING ♪
♪ I'VE GOT A BEAUTIFUL FEELING ♪
♪ EVERYTHING ♪
♪ EVERYTHING GOING MY WAY ♪
♪ EVERYTHING ♪
♪ EVERYTHING GOING MY WAY ♪
Y'ALL COME ON NOW.
♪ EVERYTHING GOING MY WAY ♪
Y'ALL COME ON NOW.
♪ WHOA, THE CATTLE ARE STANDING
Y'ALL COME ON NOW.
♪ WHOA, THE CATTLE ARE STANDING
LIKE STATUES ♪
♪ WHOA, THE CATTLE ARE STANDING
LIKE STATUES ♪
♪ HMMM ♪
LIKE STATUES ♪
♪ HMMM ♪
♪ THE CATTLE ARE STANDING LIKE
♪ HMMM ♪
♪ THE CATTLE ARE STANDING LIKE
STATUES ♪
♪ THE CATTLE ARE STANDING LIKE
STATUES ♪
♪ THEY DON'T TURN THEIR HEADS
STATUES ♪
♪ THEY DON'T TURN THEIR HEADS
AS THEY SEE ME RIDE BY ♪
♪ THEY DON'T TURN THEIR HEADS
AS THEY SEE ME RIDE BY ♪
♪ BUT A LITTLE BROWN MAVERICK
AS THEY SEE ME RIDE BY ♪
♪ BUT A LITTLE BROWN MAVERICK
IS WINKIN' HER EYE ♪
♪ BUT A LITTLE BROWN MAVERICK
IS WINKIN' HER EYE ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
IS WINKIN' HER EYE ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
MORNING, YEAH ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
MORNING, YEAH ♪
YEAH!
MORNING, YEAH ♪
YEAH!
♪ WELL, WHAT A WONDERFUL DAY ♪
YEAH!
♪ WELL, WHAT A WONDERFUL DAY ♪
♪ I WANT Y'ALL TO KNOW,
♪ WELL, WHAT A WONDERFUL DAY ♪
♪ I WANT Y'ALL TO KNOW,
KNOW, KNOW ♪
♪ I WANT Y'ALL TO KNOW,
KNOW, KNOW ♪
♪ I'VE GOT A BEAUTIFUL FEELIN' ♪
KNOW, KNOW ♪
♪ I'VE GOT A BEAUTIFUL FEELIN' ♪
♪ I GOT EVERYTHING ♪
♪ I'VE GOT A BEAUTIFUL FEELIN' ♪
♪ I GOT EVERYTHING ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ I GOT EVERYTHING ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ MY WAY ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ MY WAY ♪
ALL RIGHT, Y'ALL, DO IT TO ME
♪ MY WAY ♪
ALL RIGHT, Y'ALL, DO IT TO ME
NOW.
ALL RIGHT, Y'ALL, DO IT TO ME
NOW.
[MUSICAL INTERLUDE]
NOW.
[MUSICAL INTERLUDE]
OH!
[MUSICAL INTERLUDE]
OH!
ALL RIGHT NOW!
OH!
ALL RIGHT NOW!
UH-HUH.
♪ WHOA, THE SOUNDS OF THE EARTH
ARE LIKE MUSIC ♪
♪ THE SOUNDS OF THE EARTH ARE
ARE LIKE MUSIC ♪
♪ THE SOUNDS OF THE EARTH ARE
LIKE MUSIC ♪
♪ THE SOUNDS OF THE EARTH ARE
LIKE MUSIC ♪
♪ THE BREEZE IS AS BUSY ♪
LIKE MUSIC ♪
♪ THE BREEZE IS AS BUSY ♪
♪ IT DON'T MISS A TREE ♪
♪ THE BREEZE IS AS BUSY ♪
♪ IT DON'T MISS A TREE ♪
♪ AND A LITTLE OL' WEEPIN'
♪ IT DON'T MISS A TREE ♪
♪ AND A LITTLE OL' WEEPIN'
WILLOW ♪
♪ AND A LITTLE OL' WEEPIN'
WILLOW ♪
♪ IS LAUGHIN' AT ME ♪
WILLOW ♪
♪ IS LAUGHIN' AT ME ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
♪ IS LAUGHIN' AT ME ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
MORNING ♪
♪ SHE SAID, OH, WHAT A BEAUTIFUL
MORNING ♪
♪ YES, WHAT A WONDERFUL DAY ♪
MORNING ♪
♪ YES, WHAT A WONDERFUL DAY ♪
♪ YEAH, I GOT A BEAUTIFUL
♪ YES, WHAT A WONDERFUL DAY ♪
♪ YEAH, I GOT A BEAUTIFUL
FEELIN' ♪
♪ YEAH, I GOT A BEAUTIFUL
FEELIN' ♪
♪ I GOT EVERYTHING ♪
FEELIN' ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ I GOT EVERYTHING ♪
♪ WHOO ♪
♪ I GOT EVERYTHING ♪
♪ WHOO ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ WHOO ♪
♪ EVERYTHING GOIN' MY WAY ♪
[CHUCKLES]
♪ EVERYTHING GOIN' MY WAY ♪
[CHUCKLES]
I'M SORRY.
[CHUCKLES]
I'M SORRY.
♪ BUT I GOT EVERYTHING GOIN'
I'M SORRY.
♪ BUT I GOT EVERYTHING GOIN'
MY WAY ♪
♪ BUT I GOT EVERYTHING GOIN'
MY WAY ♪
♪ MY WAY ♪
MY WAY ♪
♪ MY WAY ♪
♪ WHOA, BABY ♪
♪ MY WAY ♪
♪ WHOA, BABY ♪
♪ OHH ♪
♪ WHOA, BABY ♪
♪ OHH ♪
♪ OH, BABY ♪
♪ OHH ♪
♪ OH, BABY ♪
♪ I WANNA THANK YOU, LITTLE
♪ OH, BABY ♪
♪ I WANNA THANK YOU, LITTLE
GIRL ♪
♪ I WANNA THANK YOU, LITTLE
GIRL ♪
♪ FOR SUCH A WONDERFUL DAY ♪
GIRL ♪
♪ FOR SUCH A WONDERFUL DAY ♪
♪ I GOT A BEAUTIFUL FEELIN' ♪
♪ FOR SUCH A WONDERFUL DAY ♪
♪ I GOT A BEAUTIFUL FEELIN' ♪
♪ EVERYTHING GOIN' MY WAY ♪
♪ I GOT A BEAUTIFUL FEELIN' ♪
♪ EVERYTHING GOIN' MY WAY ♪
[CHEERS AND APPLAUSE]
♪ EVERYTHING GOIN' MY WAY ♪
[CHEERS AND APPLAUSE]
[MUSIC ENDS]
[CHEERS AND APPLAUSE]
[MUSIC ENDS]
ALL RIGHT.
[MUSIC ENDS]
ALL RIGHT.
HEY, HEY, HEY.
ALL RIGHT.
HEY, HEY, HEY.
[INTRO TO "I CAN'T STOP LOVING
HEY, HEY, HEY.
[INTRO TO "I CAN'T STOP LOVING
YOU" PLAYS]
[INTRO TO "I CAN'T STOP LOVING
YOU" PLAYS]
♪ I CAN'T STOP LOVING YOU ♪
[YOU" PLAYS]
♪ I CAN'T STOP LOVING YOU ♪
[Imitating Ray Charles]
♪ I CAN'T STOP LOVING YOU ♪
[Imitating Ray Charles]
♪ IT'S USELESS TO SAY ♪
[Imitating Ray Charles]
♪ IT'S USELESS TO SAY ♪
♪ TO LIVE IN MEMORY
♪ IT'S USELESS TO SAY ♪
♪ TO LIVE IN MEMORY
OF THE LONESOME TIMES ♪
♪ TO LIVE IN MEMORY
OF THE LONESOME TIMES ♪
[LAUGHTER]
OF THE LONESOME TIMES ♪
[LAUGHTER]
SING THE SONG.
[LAUGHTER]
SING THE SONG.
♪ I CAN'T STOP WANTING YOU ♪
SING THE SONG.
♪ I CAN'T STOP WANTING YOU ♪
♪ I'VE MADE UP MY MIND ♪
♪ I CAN'T STOP WANTING YOU ♪
♪ I'VE MADE UP MY MIND ♪
[CHEERS AND APPLAUSE]
♪ I'VE MADE UP MY MIND ♪
[CHEERS AND APPLAUSE]
♪ SO I'LL JUST LIVE MY LIFE ♪
[CHEERS AND APPLAUSE]
♪ SO I'LL JUST LIVE MY LIFE ♪
[LAUGHTER]
♪ SO I'LL JUST LIVE MY LIFE ♪
[LAUGHTER]
♪ IN DREAMS OF YESTERDAY ♪
[LAUGHTER]
♪ IN DREAMS OF YESTERDAY ♪
[Normal voice] ALL RIGHT.
♪ IN DREAMS OF YESTERDAY ♪
[Normal voice] ALL RIGHT.
YOU PICKED UP ON IT.
[Normal voice] ALL RIGHT.
YOU PICKED UP ON IT.
I PICKED UP ON IT.
YOU PICKED UP ON IT.
I PICKED UP ON IT.
I TAKE IT YOU DIDN'T KNOW YOUR
I PICKED UP ON IT.
I TAKE IT YOU DIDN'T KNOW YOUR
LINE.
I TAKE IT YOU DIDN'T KNOW YOUR
LINE.
I FORGOT.
LINE.
I FORGOT.
BUT YOU SOUND LIKE RAY CHARLES,
I FORGOT.
BUT YOU SOUND LIKE RAY CHARLES,
BUT I LOOK LIKE HIM.
BUT YOU SOUND LIKE RAY CHARLES,
BUT I LOOK LIKE HIM.
HI, KIDS.
BUT I LOOK LIKE HIM.
HI, KIDS.
OH, HI, MR. MIKE.
HI, KIDS.
OH, HI, MR. MIKE.
HI, MR. MIKE.
OH, HI, MR. MIKE.
HI, MR. MIKE.
HEY, I DON'T MEAN TO BREAK UP
HI, MR. MIKE.
HEY, I DON'T MEAN TO BREAK UP
THE FUN HERE, BUT WE HAVE A
HEY, I DON'T MEAN TO BREAK UP
THE FUN HERE, BUT WE HAVE A
LITTLE SURPRISE FOR RAY.
THE FUN HERE, BUT WE HAVE A
LITTLE SURPRISE FOR RAY.
OH, A SURPRISE. OKAY.
LITTLE SURPRISE FOR RAY.
OH, A SURPRISE. OKAY.
OOH, A SURPRISE.
OH, A SURPRISE. OKAY.
OOH, A SURPRISE.
YOU KNOW, WE KIDDED RAY A LOT
OOH, A SURPRISE.
YOU KNOW, WE KIDDED RAY A LOT
TONIGHT, BUT BLINDNESS IS
YOU KNOW, WE KIDDED RAY A LOT
TONIGHT, BUT BLINDNESS IS
NOTHING TO KID ABOUT.
TONIGHT, BUT BLINDNESS IS
NOTHING TO KID ABOUT.
SO, WE AT "SATURDAY NIGHT," WITH
NOTHING TO KID ABOUT.
SO, WE AT "SATURDAY NIGHT," WITH
THE NETWORK, SET UP SORT OF A
SO, WE AT "SATURDAY NIGHT," WITH
THE NETWORK, SET UP SORT OF A
MATCHING FUND.
THE NETWORK, SET UP SORT OF A
MATCHING FUND.
AND WE WERE ABLE TO PURCHASE
MATCHING FUND.
AND WE WERE ABLE TO PURCHASE
THIS LOVELY PAINTING IN
AND WE WERE ABLE TO PURCHASE
THIS LOVELY PAINTING IN
APPRECIATION OF RAY CHARLES AND
THIS LOVELY PAINTING IN
APPRECIATION OF RAY CHARLES AND
THE COURAGEOUS EXAMPLE HE SETS
APPRECIATION OF RAY CHARLES AND
THE COURAGEOUS EXAMPLE HE SETS
FOR ALL OF US, BESIDES BEING ON
THE COURAGEOUS EXAMPLE HE SETS
FOR ALL OF US, BESIDES BEING ON
HECK OF A GOOD SPORT.
FOR ALL OF US, BESIDES BEING ON
HECK OF A GOOD SPORT.
AND SO, IN RAY'S NAME, WE'RE
HECK OF A GOOD SPORT.
AND SO, IN RAY'S NAME, WE'RE
DONATING THIS PAINTING TO THE
AND SO, IN RAY'S NAME, WE'RE
DONATING THIS PAINTING TO THE
LIGHTHOUSE OF THE BLIND IN THE
DONATING THIS PAINTING TO THE
LIGHTHOUSE OF THE BLIND IN THE
HOPE THAT, SOMEDAY, ALL WILL BE
LIGHTHOUSE OF THE BLIND IN THE
HOPE THAT, SOMEDAY, ALL WILL BE
ABLE TO SEE IT.
HOPE THAT, SOMEDAY, ALL WILL BE
ABLE TO SEE IT.
LET ME JUST PULL THE STRING HERE
ABLE TO SEE IT.
LET ME JUST PULL THE STRING HERE
AND GIVE YOU A LOOK AT WHAT I'M
LET ME JUST PULL THE STRING HERE
AND GIVE YOU A LOOK AT WHAT I'M
TALKING ABOUT.
AND GIVE YOU A LOOK AT WHAT I'M
TALKING ABOUT.
IT WAS PAINTED IN 1909 BY THE
TALKING ABOUT.
IT WAS PAINTED IN 1909 BY THE
FRENCH IMPRESSIONIST
IT WAS PAINTED IN 1909 BY THE
FRENCH IMPRESSIONIST
CLAUDE MONET, AND IT'S ENTITLED,
FRENCH IMPRESSIONIST
CLAUDE MONET, AND IT'S ENTITLED,
AS YOU MAY HAVE ALREADY GUESSED,
CLAUDE MONET, AND IT'S ENTITLED,
AS YOU MAY HAVE ALREADY GUESSED,
"THE OLD WINDMILL."
AS YOU MAY HAVE ALREADY GUESSED,
"THE OLD WINDMILL."
THERE'S THAT SHIMMERING
"THE OLD WINDMILL."
THERE'S THAT SHIMMERING
IRIDESCENCE, THE SUBTLE
THERE'S THAT SHIMMERING
IRIDESCENCE, THE SUBTLE
INTERPLAY BETWEEN LIGHT AND
IRIDESCENCE, THE SUBTLE
INTERPLAY BETWEEN LIGHT AND
SHADOW THAT MONET WAS FAMOUS
INTERPLAY BETWEEN LIGHT AND
SHADOW THAT MONET WAS FAMOUS
FOR.
SHADOW THAT MONET WAS FAMOUS
FOR.
HARD TO DESCRIBE, REALLY.
FOR.
HARD TO DESCRIBE, REALLY.
YOU SORT OF HAVE TO SEE IT.
HARD TO DESCRIBE, REALLY.
YOU SORT OF HAVE TO SEE IT.
RAY, I'M SURE THERE'S SOMETHING
YOU SORT OF HAVE TO SEE IT.
RAY, I'M SURE THERE'S SOMETHING
YOU WANT TO SAY.
RAY, I'M SURE THERE'S SOMETHING
YOU WANT TO SAY.
WELL, I WOULD LIKE TO SAY
YOU WANT TO SAY.
WELL, I WOULD LIKE TO SAY
THAT OUT OF ALL THE AWARDS THAT
WELL, I WOULD LIKE TO SAY
THAT OUT OF ALL THE AWARDS THAT
I RECEIVED, I GOT TO TELL YOU.
THAT OUT OF ALL THE AWARDS THAT
I RECEIVED, I GOT TO TELL YOU.
THIS ONE, WITHOUT DOUBT, MAKES
I RECEIVED, I GOT TO TELL YOU.
THIS ONE, WITHOUT DOUBT, MAKES
ME THAT HAPPIEST.
THIS ONE, WITHOUT DOUBT, MAKES
ME THAT HAPPIEST.
SO, LET ME THANK YOU, MR. MIKE,
ME THAT HAPPIEST.
SO, LET ME THANK YOU, MR. MIKE,
AND I ALSO WOULD LIKE TO THANK
SO, LET ME THANK YOU, MR. MIKE,
AND I ALSO WOULD LIKE TO THANK
ALL THE WONDERFUL PEOPLE ON
AND I ALSO WOULD LIKE TO THANK
ALL THE WONDERFUL PEOPLE ON
"SATURDAY NIGHT LIVE" WHO'VE
ALL THE WONDERFUL PEOPLE ON
"SATURDAY NIGHT LIVE" WHO'VE
MADE THIS WEEK SO MUCH FUN.
"SATURDAY NIGHT LIVE" WHO'VE
MADE THIS WEEK SO MUCH FUN.
THANK YOU.
MADE THIS WEEK SO MUCH FUN.
THANK YOU.
HEY, WELL SAID.
THANK YOU.
HEY, WELL SAID.
[APPLAUSE]
HEY, WELL SAID.
[APPLAUSE]
SO, RAY, I'M SORRY.
[APPLAUSE]
SO, RAY, I'M SORRY.
I GOT TO RUN.
SO, RAY, I'M SORRY.
I GOT TO RUN.
I'LL SEE YOU LATER AT THE PARTY,
I GOT TO RUN.
I'LL SEE YOU LATER AT THE PARTY,
PAL.
I'LL SEE YOU LATER AT THE PARTY,
PAL.
OKAY, SEE YOU, MR. MIKE.
PAL.
OKAY, SEE YOU, MR. MIKE.
BYE, MR. MIKE.
OKAY, SEE YOU, MR. MIKE.
BYE, MR. MIKE.
BYE-BYE.
BYE, MR. MIKE.
BYE-BYE.
NOW, WHAT MR. MIKE DOESN'T
BYE-BYE.
NOW, WHAT MR. MIKE DOESN'T
KNOW IS AT THE PARTY ARE GOING
NOW, WHAT MR. MIKE DOESN'T
KNOW IS AT THE PARTY ARE GOING
TO BE 10 OR 12 OF THE BIGGEST
KNOW IS AT THE PARTY ARE GOING
TO BE 10 OR 12 OF THE BIGGEST
BLACK DUDES HE'S EVER SEEN IN
TO BE 10 OR 12 OF THE BIGGEST
BLACK DUDES HE'S EVER SEEN IN
HIS LIFE.
BLACK DUDES HE'S EVER SEEN IN
HIS LIFE.
AND THEY'RE GONNA WHUP HIM
HIS LIFE.
AND THEY'RE GONNA WHUP HIM
UPSIDE HIS HEAD AND BREAK EVERY
AND THEY'RE GONNA WHUP HIM
UPSIDE HIS HEAD AND BREAK EVERY
BONE IN HIS BODY.
UPSIDE HIS HEAD AND BREAK EVERY
BONE IN HIS BODY.
SO, PLEASE DON'T TELL HIM.
BONE IN HIS BODY.
SO, PLEASE DON'T TELL HIM.
WE'LL BE RIGHT BACK AFTER THIS
SO, PLEASE DON'T TELL HIM.
WE'LL BE RIGHT BACK AFTER THIS
NEXT FILMED MESSAGE.
I'M SO GLAD.
THEY JUST TOLD ME THAT WE'VE GOT
A WHOLE MINUTE LEFT, YOU KNOW?
THEY JUST TOLD ME THAT WE'VE GOT
A WHOLE MINUTE LEFT, YOU KNOW?
THAT'S HIGHLY UNUSUAL FOR THIS
A WHOLE MINUTE LEFT, YOU KNOW?
THAT'S HIGHLY UNUSUAL FOR THIS
SHOW.
THAT'S HIGHLY UNUSUAL FOR THIS
SHOW.
BUT THIS IS STRAIGHT AHEAD.
SHOW.
BUT THIS IS STRAIGHT AHEAD.
BEFORE WE GET TOO LOST HERE,
BUT THIS IS STRAIGHT AHEAD.
BEFORE WE GET TOO LOST HERE,
EVERYBODY THAT'S AROUND ME, I
BEFORE WE GET TOO LOST HERE,
EVERYBODY THAT'S AROUND ME, I
REALLY WANT TO SAY, TRULY,
EVERYBODY THAT'S AROUND ME, I
REALLY WANT TO SAY, TRULY,
THANKS TO ALL OF YOU PEOPLE.
REALLY WANT TO SAY, TRULY,
THANKS TO ALL OF YOU PEOPLE.
AND WOULD YOU ALL JUST SAY A
THANKS TO ALL OF YOU PEOPLE.
AND WOULD YOU ALL JUST SAY A
NICE "THANK YOU AND GOOD NIGHT"?
AND WOULD YOU ALL JUST SAY A
NICE "THANK YOU AND GOOD NIGHT"?
AND THEN WHAT I WANT TO DO IS
NICE "THANK YOU AND GOOD NIGHT"?
AND THEN WHAT I WANT TO DO IS
JUST SORT OF GET INTO... CAN WE
AND THEN WHAT I WANT TO DO IS
JUST SORT OF GET INTO... CAN WE
JUST CLOSE WITH A LITTLE
JUST SORT OF GET INTO... CAN WE
JUST CLOSE WITH A LITTLE
SOMETHING A LITTLE MORE LIVELY
JUST CLOSE WITH A LITTLE
SOMETHING A LITTLE MORE LIVELY
THAN THE BAND AND JUST LET THEM
SOMETHING A LITTLE MORE LIVELY
THAN THE BAND AND JUST LET THEM
SORT OF FOLLOW US, LIKE...
THAN THE BAND AND JUST LET THEM
SORT OF FOLLOW US, LIKE...
[PIANO PLAYS UPBEAT MUSIC]
SORT OF FOLLOW US, LIKE...
[PIANO PLAYS UPBEAT MUSIC]
[SCATTING]
♪ HERE ON "SATURDAY NIGHT" ♪
♪ ON "SATURDAY NIGHT" ♪
[SCATTING]
♪ ON "SATURDAY NIGHT" ♪
♪ YEAH, WE GONNA KEEP ON
SWINGIN', YEAH... ♪
Announcer: MR. MIKE IS PLAYED
BY MICHAEL O'DONOGHUE.
NEXT "SATURDAY NIGHT," OUR HOST
WILL BE BUCK HENRY WITH MUSICAL
GUEST LEON REDBONE AND THE FIVE
FINALISTS IN THE
"ANYONE CAN HOST" CONTEST.
BOY, I HOPE THEY DON'T HAVE AN
"ANYONE CAN ANNOUNCE" CONTEST.
NAH, THEY WOULDN'T DO THAT TO
ME.
THIS IS DON PARDO SAYING GOOD
NIGHT... ANYONE.
♪ ...WANNA HAVE A LITTLE FUN,
Y'ALL ♪
♪ ON SATURDAY NIGHT ♪
♪ THAT'S WHERE IT ALL BEGUN,
Y'ALL ♪
♪ ON SATURDAY NIGHT ♪
TELL ME!
♪ WANNA HAVE A LITTLE FUN,
Y'ALL ♪
♪ ON SATURDAY NIGHT ♪
♪ THAT'S WHERE IT ALL BEGUN,
Y'ALL... ♪