Saturday Night Live (1975–…): Season 2, Episode 3 - Eric Idle/Joe Cocker/Stuff - full transcript
The host is Eric Idle, and the musical guests are Joe Cocker and Stuff. The skits are as follows: A Chevy Chase impersonator attempts to do the opening fall. Eric Idle starts to perform a song, but is convinced by Jane Curtin to p...
Announcer: AND NOW
"WEEKEND UPDATE" WITH
CHEVY CHASE.
"WEEKEND UPDATE" WITH
CHEVY CHASE.
YOU KNOW, I JUST LOVE IT WHEN
CHEVY CHASE.
YOU KNOW, I JUST LOVE IT WHEN
YOU GRAB MY...
YOU KNOW, I JUST LOVE IT WHEN
YOU GRAB MY...
I GOT TO GO.
YOU GRAB MY...
I GOT TO GO.
GOOD EVENING.
I GOT TO GO.
GOOD EVENING.
I'M CHEVY CHASE, AND YOU'RE NOT.
GOOD EVENING.
I'M CHEVY CHASE, AND YOU'RE NOT.
OUR TOP STORY TONIGHT...
I'M CHEVY CHASE, AND YOU'RE NOT.
OUR TOP STORY TONIGHT...
PRESIDENT FORD SAYS...
OUR TOP STORY TONIGHT...
PRESIDENT FORD SAYS...
[TELEPHONE RINGS]
PRESIDENT FORD SAYS...
[TELEPHONE RINGS]
HELLO?
[TELEPHONE RINGS]
HELLO?
HELLO?
HELLO?
HELLO?
HELLO? WHO'S THIS?
HELLO?
HELLO? WHO'S THIS?
HELLO?
HELLO? WHO'S THIS?
HELLO?
HELLO? WHO IS THIS?
THIS IS CHEVY CHASE.
WHO THE HELL ARE YOU?
I'M CHEVY CHASE, PAL.
WHAT ARE YOU TALKING ABOUT?
WAIT A SECOND.
LOOK, I'VE BEEN IN THE HOSPITAL
FOR A COUPLE OF WEEKS, AND I'M
IN NO MOOD FOR LEVITY, YOU
UNDERSTAND?
NO ONE'S CALLED ME, NOT ONE
LOUSY CARD.
I TURN ON THE SHOW, AND I SEE
YOU SITTING IN MY "UPDATE" SET,
WEARING MY BLAZER, WITH PADDED
SHOULDERS.
NOW, WHO ARE YOU?
HEY, HOW MANY TIMES DO I HAVE
TO TELL YOU?
HEY, HOW MANY TIMES DO I HAVE
TO TELL YOU?
I'M CHEVY CHASE.
TO TELL YOU?
I'M CHEVY CHASE.
I'M CHEVY CHASE, AND YOU'RE
I'M CHEVY CHASE.
I'M CHEVY CHASE, AND YOU'RE
NOT.
I'M CHEVY CHASE, AND YOU'RE
NOT.
AND I COINED THAT PHRASE.
NOT.
AND I COINED THAT PHRASE.
COIN THIS, PAL.
AND I COINED THAT PHRASE.
COIN THIS, PAL.
I'M CHEVY CHASE, AND YOU'RE
COIN THIS, PAL.
I'M CHEVY CHASE, AND YOU'RE
BOTHERING ME.
I'M CHEVY CHASE, AND YOU'RE
BOTHERING ME.
NOW, BUZZ OFF, BOZO.
BOTHERING ME.
NOW, BUZZ OFF, BOZO.
I GOT A SHOW TO DO, OKAY?
NOW, BUZZ OFF, BOZO.
I GOT A SHOW TO DO, OKAY?
JUST A MINUTE HERE, VOLCANO
I GOT A SHOW TO DO, OKAY?
JUST A MINUTE HERE, VOLCANO
FACE.
JUST A MINUTE HERE, VOLCANO
FACE.
HOW DID YOU GET THERE?
FACE.
HOW DID YOU GET THERE?
HOW DID I GET WHERE?
HOW DID YOU GET THERE?
HOW DID I GET WHERE?
ON THE SHOW.
HOW DID I GET WHERE?
ON THE SHOW.
I ANSWERED AN AD THAT THE
ON THE SHOW.
I ANSWERED AN AD THAT THE
NETWORK RAN IN THE PAPER ON
I ANSWERED AN AD THAT THE
NETWORK RAN IN THE PAPER ON
THURSDAY.
NETWORK RAN IN THE PAPER ON
THURSDAY.
WHAT DID THE AD SAY?
THURSDAY.
WHAT DID THE AD SAY?
"WANTED: GOOD-LOOKING BUFFOON
WHAT DID THE AD SAY?
"WANTED: GOOD-LOOKING BUFFOON
WHO'S A FLASH IN THE PAN."
"WANTED: GOOD-LOOKING BUFFOON
WHO'S A FLASH IN THE PAN."
THAT'S HILARIOUS.
WHO'S A FLASH IN THE PAN."
THAT'S HILARIOUS.
THEY HIRED YOU?
THAT'S HILARIOUS.
THEY HIRED YOU?
I GUESS THAT'S SHOW BUSINESS.
THEY HIRED YOU?
I GUESS THAT'S SHOW BUSINESS.
YOU KNOW WHAT I MEAN, PAL?
I GUESS THAT'S SHOW BUSINESS.
YOU KNOW WHAT I MEAN, PAL?
NOW, WILL YOU LET ME GO?
YOU KNOW WHAT I MEAN, PAL?
NOW, WILL YOU LET ME GO?
I GOT A SHOW TO DO, OKAY?
NOW, WILL YOU LET ME GO?
I GOT A SHOW TO DO, OKAY?
JUST A SECOND, CAZ BRAIN.
I GOT A SHOW TO DO, OKAY?
JUST A SECOND, CAZ BRAIN.
YEAH.
JUST A SECOND, CAZ BRAIN.
YEAH.
WE'RE ON THE AIR, AND I CAN
YEAH.
WE'RE ON THE AIR, AND I CAN
PROVE TO THE AMERICAN PEOPLE
WE'RE ON THE AIR, AND I CAN
PROVE TO THE AMERICAN PEOPLE
THAT I'M CHEVY CHASE AND YOU'RE
PROVE TO THE AMERICAN PEOPLE
THAT I'M CHEVY CHASE AND YOU'RE
NOT.
THAT I'M CHEVY CHASE AND YOU'RE
NOT.
YEAH, SURE.
NOT.
YEAH, SURE.
JUST HOLD ON A MINUTE.
YEAH, SURE.
JUST HOLD ON A MINUTE.
OKAY.
JUST HOLD ON A MINUTE.
OKAY.
IN THE BOTTOM DRAWER OF THE
OKAY.
IN THE BOTTOM DRAWER OF THE
DESK YOU'RE SITTING AT, OKAY?
IN THE BOTTOM DRAWER OF THE
DESK YOU'RE SITTING AT, OKAY?
I HAVEN'T GOT ALL DAY, PAL.
DESK YOU'RE SITTING AT, OKAY?
I HAVEN'T GOT ALL DAY, PAL.
IT'S A SHOW. WE'RE ON THE... YOU
I HAVEN'T GOT ALL DAY, PAL.
IT'S A SHOW. WE'RE ON THE... YOU
KNOW WHAT I'M TRYING TO SAY?
IT'S A SHOW. WE'RE ON THE... YOU
KNOW WHAT I'M TRYING TO SAY?
REALLY, LOOK.
KNOW WHAT I'M TRYING TO SAY?
REALLY, LOOK.
OKAY, SURE.
REALLY, LOOK.
OKAY, SURE.
MM-HMM.
OKAY, SURE.
MM-HMM.
NOW, TURN IT AROUND, DOPEY.
MM-HMM.
NOW, TURN IT AROUND, DOPEY.
OKAY.
NOW, TURN IT AROUND, DOPEY.
OKAY.
THERE ARE TWO GORGEOUS
OKAY.
THERE ARE TWO GORGEOUS
PICTURES THERE.
THERE ARE TWO GORGEOUS
PICTURES THERE.
[LAUGHS]
PICTURES THERE.
[LAUGHS]
[CHUCKLES]
[LAUGHS]
[CHUCKLES]
WHO IS THAT A PICTURE OF?
[CHUCKLES]
WHO IS THAT A PICTURE OF?
HUH?
WHO IS THAT A PICTURE OF?
HUH?
WHO IS THAT A PICTURE OF?
HUH?
WHO IS THAT A PICTURE OF?
IT'S ME.
WHO IS THAT A PICTURE OF?
IT'S ME.
THAT'S ME.
IT'S ME.
THAT'S ME.
I COULD USE THIS FOR A MIRROR,
THAT'S ME.
I COULD USE THIS FOR A MIRROR,
YOU KNOW WHAT I MEAN?
I COULD USE THIS FOR A MIRROR,
YOU KNOW WHAT I MEAN?
THAT'S A PICTURE OF ME!
YOU KNOW WHAT I MEAN?
THAT'S A PICTURE OF ME!
IT'S ME.
THAT'S A PICTURE OF ME!
IT'S ME.
YOU UNDERSTAND?
IT'S ME.
YOU UNDERSTAND?
LOOK AT IT. IT'S ME.
YOU UNDERSTAND?
LOOK AT IT. IT'S ME.
I'M CHEVY CHASE, OKAY?
LOOK AT IT. IT'S ME.
I'M CHEVY CHASE, OKAY?
IF YOU LOOK CLOSELY, YOU'LL
I'M CHEVY CHASE, OKAY?
IF YOU LOOK CLOSELY, YOU'LL
NOTICE THAT'S A PICTURE OF ME.
IF YOU LOOK CLOSELY, YOU'LL
NOTICE THAT'S A PICTURE OF ME.
NO, NO, YOU LOOK.
NOTICE THAT'S A PICTURE OF ME.
NO, NO, YOU LOOK.
I DON'T KNOW WHO YOU ARE, PAL,
NO, NO, YOU LOOK.
I DON'T KNOW WHO YOU ARE, PAL,
BUT I'M CHEVY CHASE, AND I GOT A
I DON'T KNOW WHO YOU ARE, PAL,
BUT I'M CHEVY CHASE, AND I GOT A
SHOW TO DO.
BUT I'M CHEVY CHASE, AND I GOT A
SHOW TO DO.
BYE.
SHOW TO DO.
BYE.
WAIT A MINUTE.
BYE.
WAIT A MINUTE.
CHEVY CHASE SIGNS NEW DEAL
WAIT A MINUTE.
CHEVY CHASE SIGNS NEW DEAL
WITH NBC AFTER SUCCESSFUL
CHEVY CHASE SIGNS NEW DEAL
WITH NBC AFTER SUCCESSFUL
PLASTIC-SURGERY OPERATION.
WITH NBC AFTER SUCCESSFUL
PLASTIC-SURGERY OPERATION.
[GLASS SHATTERS]
PLASTIC-SURGERY OPERATION.
[GLASS SHATTERS]
LIVE FROM NEW YORK, IT'S
[GLASS SHATTERS]
LIVE FROM NEW YORK, IT'S
"SATURDAY NIGHT"!
LIVE FROM NEW YORK, IT'S
"SATURDAY NIGHT"!
Announcer: NBC'S
"SATURDAY NIGHT"!
Announcer: NBC'S
"SATURDAY NIGHT."
Announcer: NBC'S
"SATURDAY NIGHT."
STARRING...
"SATURDAY NIGHT."
STARRING...
WITH HIS GUESTS...
AND...
THE VOICE OF...
LADIES AND GENTLEMEN, ERIC IDLE.
[CHEERS AND APPLAUSE]
HELLO.
THANK YOU.
IT'S VERY NICE TO BE HERE.
THANK YOU.
IT'S VERY NICE TO BE HERE.
I'D LIKE TO SING A SONG, IF I
IT'S VERY NICE TO BE HERE.
I'D LIKE TO SING A SONG, IF I
MAY, WHICH I'VE JUST RECORDED IN
I'D LIKE TO SING A SONG, IF I
MAY, WHICH I'VE JUST RECORDED IN
ENGLAND.
MAY, WHICH I'VE JUST RECORDED IN
ENGLAND.
[PLAYING "HERE COMES THE SUN"]
[Deep voice] ♪ HERE COMES THE
SUN ♪
♪ HERE COMES THE SUN ♪
SUN ♪
♪ HERE COMES THE SUN ♪
♪ AND I SAY IT'S ALL RIGHT ♪
♪ HERE COMES THE SUN ♪
♪ AND I SAY IT'S ALL RIGHT ♪
ERIC? ERIC?
♪ AND I SAY IT'S ALL RIGHT ♪
ERIC? ERIC?
YEAH?
ERIC? ERIC?
YEAH?
HOW WOULD YOU LIKE TO TAKE A
YEAH?
HOW WOULD YOU LIKE TO TAKE A
LITTLE WALK, AND WE'LL TALK?
HOW WOULD YOU LIKE TO TAKE A
LITTLE WALK, AND WE'LL TALK?
OKAY, FINE, YEAH.
LITTLE WALK, AND WE'LL TALK?
OKAY, FINE, YEAH.
YOU DON'T LIKE THE SONG?
OKAY, FINE, YEAH.
YOU DON'T LIKE THE SONG?
THE SONG'S TERRIFIC.
YOU DON'T LIKE THE SONG?
THE SONG'S TERRIFIC.
BUT, YOU KNOW, YOU'RE NEW TO
THE SONG'S TERRIFIC.
BUT, YOU KNOW, YOU'RE NEW TO
AMERICAN TELEVISION.
BUT, YOU KNOW, YOU'RE NEW TO
AMERICAN TELEVISION.
I ENJOYED THE
AMERICAN TELEVISION.
I ENJOYED THE
"HANDS ACROSS THE WATER", I
I ENJOYED THE
"HANDS ACROSS THE WATER", I
MEAN, YOU BEING FROM ENGLAND AND
"HANDS ACROSS THE WATER", I
MEAN, YOU BEING FROM ENGLAND AND
EVERYTHING...
MEAN, YOU BEING FROM ENGLAND AND
EVERYTHING...
THERE'S A LOT MORE TO THE
EVERYTHING...
THERE'S A LOT MORE TO THE
SONG...
THERE'S A LOT MORE TO THE
SONG...
ERIC... ERIC, WE DO THINGS
SONG...
ERIC... ERIC, WE DO THINGS
VERY DIFFERENTLY OVER HERE.
ERIC... ERIC, WE DO THINGS
VERY DIFFERENTLY OVER HERE.
FOR INSTANCE, WE PUT A SONG LIKE
VERY DIFFERENTLY OVER HERE.
FOR INSTANCE, WE PUT A SONG LIKE
THAT... BECAUSE IT HAS SO MUCH
FOR INSTANCE, WE PUT A SONG LIKE
THAT... BECAUSE IT HAS SO MUCH
MEANING... AT THE END OF THE
THAT... BECAUSE IT HAS SO MUCH
MEANING... AT THE END OF THE
SHOW.
MEANING... AT THE END OF THE
SHOW.
OH, SO I'LL DO IT AT THE END
SHOW.
OH, SO I'LL DO IT AT THE END
OF THE SHOW?
OH, SO I'LL DO IT AT THE END
OF THE SHOW?
TERRIFIC.
OF THE SHOW?
TERRIFIC.
SAVE IT UP FOR THE END OF THE
TERRIFIC.
SAVE IT UP FOR THE END OF THE
SHOW.
SAVE IT UP FOR THE END OF THE
SHOW.
GOOD IDEA. OKAY.
SHOW.
GOOD IDEA. OKAY.
SORRY I'M EARLY.
GOOD IDEA. OKAY.
SORRY I'M EARLY.
THE SONG'S BEING SAVED UP FOR
SORRY I'M EARLY.
THE SONG'S BEING SAVED UP FOR
THE END, ALL RIGHT?
THE SONG'S BEING SAVED UP FOR
THE END, ALL RIGHT?
FINE.
THE END, ALL RIGHT?
FINE.
RIGHT.
FINE.
RIGHT.
NOW THEN, MR. AND MRS. STOLWRY,
RIGHT.
NOW THEN, MR. AND MRS. STOLWRY,
YOU'RE IN YOUR SECOND MONTH OF
NOW THEN, MR. AND MRS. STOLWRY,
YOU'RE IN YOUR SECOND MONTH OF
PREGNANCY, AND YOU'RE PREPARED
YOU'RE IN YOUR SECOND MONTH OF
PREGNANCY, AND YOU'RE PREPARED
TO SELECT YOUR CHILD'S PHYSICAL
PREGNANCY, AND YOU'RE PREPARED
TO SELECT YOUR CHILD'S PHYSICAL
CHARACTERISTICS.
TO SELECT YOUR CHILD'S PHYSICAL
CHARACTERISTICS.
THAT'S RIGHT.
CHARACTERISTICS.
THAT'S RIGHT.
LET'S GET ON WITH IT.
THAT'S RIGHT.
LET'S GET ON WITH IT.
ALL RIGHT, MRS. STOLWRY,
LET'S GET ON WITH IT.
ALL RIGHT, MRS. STOLWRY,
WE'VE PUT YOUR SCRAPINGS THROUGH
ALL RIGHT, MRS. STOLWRY,
WE'VE PUT YOUR SCRAPINGS THROUGH
A HIGH-SPEED CELL SORTER, AND
WE'VE PUT YOUR SCRAPINGS THROUGH
A HIGH-SPEED CELL SORTER, AND
WE'RE READY TO CHOOSE WHAT SORT
A HIGH-SPEED CELL SORTER, AND
WE'RE READY TO CHOOSE WHAT SORT
OF A BABY YOU WANT.
WE'RE READY TO CHOOSE WHAT SORT
OF A BABY YOU WANT.
NOW, YOU WANT YOUR BABY TO BE A
OF A BABY YOU WANT.
NOW, YOU WANT YOUR BABY TO BE A
BABY?
NOW, YOU WANT YOUR BABY TO BE A
BABY?
YES.
BABY?
YES.
GOOD, THAT'S A START.
YES.
GOOD, THAT'S A START.
NOW, WHAT SEX? MALE OR FEMALE?
GOOD, THAT'S A START.
NOW, WHAT SEX? MALE OR FEMALE?
MALE.
NOW, WHAT SEX? MALE OR FEMALE?
MALE.
MALE. GOOD.
MALE.
MALE. GOOD.
SKIN PIGMENT... DARK OR FAIR?
MALE. GOOD.
SKIN PIGMENT... DARK OR FAIR?
FAIR.
SKIN PIGMENT... DARK OR FAIR?
FAIR.
FAIR.
FAIR.
FAIR.
HAIR COLOR... BLOND OR BLACK?
FAIR.
HAIR COLOR... BLOND OR BLACK?
BLOND.
HAIR COLOR... BLOND OR BLACK?
BLOND.
BLOND. GOOD.
BLOND.
BLOND. GOOD.
GENERAL STATURE... TALL AND THIN
BLOND. GOOD.
GENERAL STATURE... TALL AND THIN
OR SHORT AND STOCKY?
GENERAL STATURE... TALL AND THIN
OR SHORT AND STOCKY?
SHORT AND STOCKY.
OR SHORT AND STOCKY?
SHORT AND STOCKY.
EXCELLENT.
SHORT AND STOCKY.
EXCELLENT.
ALL RIGHT, GENERAL TEXTURE...
EXCELLENT.
ALL RIGHT, GENERAL TEXTURE...
FUR OR QUILTED?
ALL RIGHT, GENERAL TEXTURE...
FUR OR QUILTED?
FUR OR QUILTED?
FUR OR QUILTED?
FUR OR QUILTED?
YES, YOU DON'T WANT THE
FUR OR QUILTED?
YES, YOU DON'T WANT THE
LITTLE NIPPER BOUNCING OUT INTO
YES, YOU DON'T WANT THE
LITTLE NIPPER BOUNCING OUT INTO
THE WORLD IN THE RAW WHEN YOU
LITTLE NIPPER BOUNCING OUT INTO
THE WORLD IN THE RAW WHEN YOU
CAN USE ALL OF GENETIC SCIENCE
THE WORLD IN THE RAW WHEN YOU
CAN USE ALL OF GENETIC SCIENCE
TO HAVE HIM BORN IN HIS OWN
CAN USE ALL OF GENETIC SCIENCE
TO HAVE HIM BORN IN HIS OWN
LITTLE FUR OR QUILTED BAG.
TO HAVE HIM BORN IN HIS OWN
LITTLE FUR OR QUILTED BAG.
WHAT DO YOU THINK, DEAR?
LITTLE FUR OR QUILTED BAG.
WHAT DO YOU THINK, DEAR?
LET'S TAKE THE QUILT.
WHAT DO YOU THINK, DEAR?
LET'S TAKE THE QUILT.
VERY GOOD. EXCELLENT.
LET'S TAKE THE QUILT.
VERY GOOD. EXCELLENT.
EXCELLENT.
VERY GOOD. EXCELLENT.
EXCELLENT.
NOW, GENERAL APTITUDE... YOU
EXCELLENT.
NOW, GENERAL APTITUDE... YOU
WANT HIM TO BE ARTISTIC OR A
NOW, GENERAL APTITUDE... YOU
WANT HIM TO BE ARTISTIC OR A
WELDER?
WANT HIM TO BE ARTISTIC OR A
WELDER?
A WELDER.
WELDER?
A WELDER.
GOOD, GOOD, GOOD.
A WELDER.
GOOD, GOOD, GOOD.
MOUTH... TONGUE OR DIPSTICK?
GOOD, GOOD, GOOD.
MOUTH... TONGUE OR DIPSTICK?
WHAT?
MOUTH... TONGUE OR DIPSTICK?
WHAT?
TONGUE OR DIPSTICK.
WHAT?
TONGUE OR DIPSTICK.
A TONGUE IS VERY, VERY FAT, AND
TONGUE OR DIPSTICK.
A TONGUE IS VERY, VERY FAT, AND
A DIPSTICK IS VERY, VERY MUCH
A TONGUE IS VERY, VERY FAT, AND
A DIPSTICK IS VERY, VERY MUCH
THINNER AND WILL ENABLE YOUR
A DIPSTICK IS VERY, VERY MUCH
THINNER AND WILL ENABLE YOUR
BABY TO SUCK FLIES OUT OF SODA
THINNER AND WILL ENABLE YOUR
BABY TO SUCK FLIES OUT OF SODA
BOTTLES.
BABY TO SUCK FLIES OUT OF SODA
BOTTLES.
WELL, UM, TONGUE, PLEASE.
BOTTLES.
WELL, UM, TONGUE, PLEASE.
TONGUE? GOOD, GOOD, GOOD.
WELL, UM, TONGUE, PLEASE.
TONGUE? GOOD, GOOD, GOOD.
FEET OR PODS?
TONGUE? GOOD, GOOD, GOOD.
FEET OR PODS?
PODS?
FEET OR PODS?
PODS?
PODS.
PODS?
PODS.
PODS, YOU KNOW. PODS.
PODS.
PODS, YOU KNOW. PODS.
IT INCREASES THE BABY'S MOTOR
PODS, YOU KNOW. PODS.
IT INCREASES THE BABY'S MOTOR
SKILLS.
IT INCREASES THE BABY'S MOTOR
SKILLS.
PODS.
SKILLS.
PODS.
PODS, GOOD.
PODS.
PODS, GOOD.
WHAT ABOUT HIS HEAD?
PODS, GOOD.
WHAT ABOUT HIS HEAD?
YOU WANT IT PRESSED IN FLAT LIKE
WHAT ABOUT HIS HEAD?
YOU WANT IT PRESSED IN FLAT LIKE
A PEKINESE PUPPY, OR WOULD YOU
YOU WANT IT PRESSED IN FLAT LIKE
A PEKINESE PUPPY, OR WOULD YOU
LIKE IT FULLY CURLED TO LOOK
A PEKINESE PUPPY, OR WOULD YOU
LIKE IT FULLY CURLED TO LOOK
LIKE A SHRIMP?
LIKE IT FULLY CURLED TO LOOK
LIKE A SHRIMP?
IF HE HAS THE SHRIMP HEAD, HE'LL
LIKE A SHRIMP?
IF HE HAS THE SHRIMP HEAD, HE'LL
BE ABLE TO GET THE WELDER'S
IF HE HAS THE SHRIMP HEAD, HE'LL
BE ABLE TO GET THE WELDER'S
GOGGLES ON MUCH EASIER.
BE ABLE TO GET THE WELDER'S
GOGGLES ON MUCH EASIER.
NO. NO.
GOGGLES ON MUCH EASIER.
NO. NO.
I DON'T WANT A BABY WITH A
NO. NO.
I DON'T WANT A BABY WITH A
SHRIMP HEAD.
I DON'T WANT A BABY WITH A
SHRIMP HEAD.
WHAT IS THIS ABOUT SHRIMP
SHRIMP HEAD.
WHAT IS THIS ABOUT SHRIMP
HEADS, DOCTOR?
WHAT IS THIS ABOUT SHRIMP
HEADS, DOCTOR?
FRANKLY, THIS IS NOT WHAT WE
HEADS, DOCTOR?
FRANKLY, THIS IS NOT WHAT WE
EXPECTED AT ALL.
FRANKLY, THIS IS NOT WHAT WE
EXPECTED AT ALL.
RIGHT, THEN!
EXPECTED AT ALL.
RIGHT, THEN!
I DO THE BEST I CAN TO HELP YOU
RIGHT, THEN!
I DO THE BEST I CAN TO HELP YOU
BLOODY PARENTS SET UP YOUR
I DO THE BEST I CAN TO HELP YOU
BLOODY PARENTS SET UP YOUR
SNIVELING, SNOTTY-NOSED KID THE
BLOODY PARENTS SET UP YOUR
SNIVELING, SNOTTY-NOSED KID THE
WAY YOU WANT, AND ALL I GET IN
SNIVELING, SNOTTY-NOSED KID THE
WAY YOU WANT, AND ALL I GET IN
RETURN FOR 15 YEARS OF BORING
WAY YOU WANT, AND ALL I GET IN
RETURN FOR 15 YEARS OF BORING
RESEARCH INTO THE BLOODY BORING
RETURN FOR 15 YEARS OF BORING
RESEARCH INTO THE BLOODY BORING
COMPOSITION OF THE BLOODY DAMN
RESEARCH INTO THE BLOODY BORING
COMPOSITION OF THE BLOODY DAMN
DNA MOLECULE IS A PAIR OF
COMPOSITION OF THE BLOODY DAMN
DNA MOLECULE IS A PAIR OF
PATHETIC TWITS, WHO, WHEN
DNA MOLECULE IS A PAIR OF
PATHETIC TWITS, WHO, WHEN
CONFRONTED WITH BLOODY SCIENCE
PATHETIC TWITS, WHO, WHEN
CONFRONTED WITH BLOODY SCIENCE
START A PATHETIC WIFFLE-WAFFLE.
CONFRONTED WITH BLOODY SCIENCE
START A PATHETIC WIFFLE-WAFFLE.
RIGHT NOW, MR. AND MRS. STOLWRY,
START A PATHETIC WIFFLE-WAFFLE.
RIGHT NOW, MR. AND MRS. STOLWRY,
YOU HAVE A PERFECT, BEAUTIFUL
RIGHT NOW, MR. AND MRS. STOLWRY,
YOU HAVE A PERFECT, BEAUTIFUL
WALKING SPECIMEN OF A STOCKY,
YOU HAVE A PERFECT, BEAUTIFUL
WALKING SPECIMEN OF A STOCKY,
BLOND-HAIRED, BLUE-EYED,
WALKING SPECIMEN OF A STOCKY,
BLOND-HAIRED, BLUE-EYED,
FAIR-SKINNED, QUILTED, MALE
BLOND-HAIRED, BLUE-EYED,
FAIR-SKINNED, QUILTED, MALE
SHRIMP-HEAD WELDER, WITH PODS!
FAIR-SKINNED, QUILTED, MALE
SHRIMP-HEAD WELDER, WITH PODS!
NOW, WHAT MORE CAN YOU POSSIBLY
SHRIMP-HEAD WELDER, WITH PODS!
NOW, WHAT MORE CAN YOU POSSIBLY
WANT?
NOW, WHAT MORE CAN YOU POSSIBLY
WANT?
FRANKLY, IT MAKES ME SICK.
WANT?
FRANKLY, IT MAKES ME SICK.
WHY DON'T YOU GO HAVE YOUR CHILD
FRANKLY, IT MAKES ME SICK.
WHY DON'T YOU GO HAVE YOUR CHILD
NATURALLY?
WHY DON'T YOU GO HAVE YOUR CHILD
NATURALLY?
I'M SORRY, DOCTOR.
NATURALLY?
I'M SORRY, DOCTOR.
IT'S JUST WE DON'T UNDERSTAND
I'M SORRY, DOCTOR.
IT'S JUST WE DON'T UNDERSTAND
YOUR METHODS.
IT'S JUST WE DON'T UNDERSTAND
YOUR METHODS.
YES, WE'LL TRY TO BE MORE
YOUR METHODS.
YES, WE'LL TRY TO BE MORE
UNDERSTANDING.
YES, WE'LL TRY TO BE MORE
UNDERSTANDING.
ALL RIGHT, LET'S GIVE IT
UNDERSTANDING.
ALL RIGHT, LET'S GIVE IT
ANOTHER TRY.
ALL RIGHT, LET'S GIVE IT
ANOTHER TRY.
ALL RIGHT, HERE WE GO.
ANOTHER TRY.
ALL RIGHT, HERE WE GO.
HATCHBACK OR PORTHOLE WINDOWS?
ALL RIGHT, HERE WE GO.
HATCHBACK OR PORTHOLE WINDOWS?
HATCHBACK.
HATCHBACK OR PORTHOLE WINDOWS?
HATCHBACK.
DEFINITELY HATCHBACK.
Announcer: GOOD MORNING.
NOW RADIO STATION K.L.O.G.
COMMENCES ITS PROGRAMMING DAY.
K.L.O.G. IS A DIVISION OF
BOARDCORE COMMUNICATIONS.
THE POLICY OF K.L.O.G. AND
K.L.O.G. F.M. IS TO GIVE YOU,
THE LISTENER, THE BEST IN BOTH
A.M. AND F.M. ENTERTAINMENT.
WE WISH YOU A GOOD MORNING AND A
NICE DAY.
[DEVICE BEEPS]
♪ COMING OR GOING OR JUST IN
THE RACE ♪
♪ STAY WITH K.L.O.G. 'CAUSE
CASEY'S ON THE CASE ♪
HEY, GOOD MORNING!
IT'S KIP CASEY WAKE-UP TIME!
DRIVING TO WORK, TO SCHOOL,
HAVING BREAKFAST, OR JUST DOING
SOME CRAZY MORNING THINGS AROUND
THE HOUSE, CASEY'S ON THE CASE.
I'M KIP CASEY.
I'LL BE HERE TILL NOON WITH A
FEW WORDS, A LITTLE MUSIC, AND
THE PASTERNAK AIR HAMMER
GIVEAWAY-DAY CONTEST LATER ON.
HERE'S A TUNE TO GET YOU MOVING
AND GROOVING ON THIS SUNNY
FRIDAY MORNING.
AN OLD ONE FROM
TONY ORLANDO & DAWN...
"CANDIDA."
SOME GOLD.
["CANDIDA" PLAYS]
[Low, croaking voice] OKAY.
YEAH.
THAT WAS THE MOODY BLUES FOR OUR
MORNING.
MORNING, AS ALWAYS, THE FIRST
AWAKENING.
I'M KENNETH WARDELL ON K.L.O.G.
F.M., MELLOWING OUT YOUR MORNING
WITH SOME REALLY GOOD SOUND.
WE HAVE MUSIC.
I'M A LITTLE HIGH RIGHT NOW.
AND I'M LOOKING FORWARD TO AN
INTERVIEW WITH PETER CRISS, THE
DRUMMER FROM KISS.
HE'S GONNA TELL US HOW HE CHOSE
THE CAT MAKEUP.
HERE'S SOMETHING NEW FROM
AEROSMITH.
[ROCK MUSIC PLAYS]
[Upbeat voice] YEAH!
"CANDIDA"!
HEY, MOM, HERE'S THE WORD ABOUT
WALLY WINKY WONDERLOAF, THE
NUTRITIOUS WHITE MILK BREAD.
THE PEOPLE AT WALLY WINKY
BAKERIES PUT LOVING CARE AND
PRIDE INTO EVERY LOAF THEY BAKE.
EVERY WALLY WINKY WONDERLOAF IS
MADE... EVERY WALLY WINKY
WONDERLOAF IS MADE FROM WHITE
REFINED MILK FLOUR AND MILK
POWDER SUBSTITUTE TO GIVE YOUR
GROWING FAMILY THE IMPORTANT
NUTRITION THEY NEED.
SO GIVE YOUR YOUNGSTERS WALLY
WINKY WONDERLOAF TODAY.
AND LET'S WATCH OUT NOW FOR THAT
"DEVIL WOMAN."
["DEVIL WOMAN" PLAYS]
[Low, croaking voice] YEAH.
AEROSMITH ON K.L.O.G. F.M.
YOU KNOW, MANY NUTRITIONISTS AND
DOCTORS AGREE THAT BREAD MADE
WITH WHITE REFINED MILLED FLOUR
AND MILK POWDER SUBSTITUTE IS NO
GOOD FOR US.
MOST AGREE THAT WHOLE WHEAT IS
AN EXCELLENT SOURCE OF PROTEIN.
THAT'S WHY THE PEOPLE AT
EARTH SOURCE GRANARIES USE ONLY
WHOLE GRAIN AND UNMILLED WHEAT
IN THEIR HEADBREAD.
HEADBREAD, FOR A PURE SOURCE OF
NOURISHMENT.
NOW, LED ZEPPELIN, "STAIRWAY."
♪ IF THERE'S A BUSTLE... ♪
[Upbeat voice] YEAH, ALL
RIGHT!
DON'T LET THAT "DEVIL WOMAN" GET
YOU.
YOU KNOW, RING AUDIO HAS
EVERYTHING YOU NEED IN STEREO
COMPONENTS, C.B. RADIOS,
AERIALS, CAR RADIOS, TAPE DECKS,
TURNTABLES, AMPLIFIERS, SPEAKERS
AND TVs.
ALL NAME BRANDS AT GREAT PRICES.
THAT'S RING AUDIO,
8080 STRONEPOOL BOULEVARD,
FLAGSWAN.
ASK FOR GARY.
TELL HIM CRAZY KIP CASEY SENT
YOU.
AND IF YOU DIG DISCO, YOU'RE
REALLY GONNA DIG THE "FIFTH."
IT'S MOVING UP THERE ON THE
K.L.O.G. HIT PICKS SURVEY.
[FUNK MUSIC PLAYS]
[Low voice] YEAH.
DO YOUR BIG SPEAKERS KEEP
GETTING YOU EVICTED?
THEN WHY NOT VISIT STAIRWAY TO
HEADPHONES?
STAIRWAY TO HEADPHONES DEALS
ONLY IN QUALITY HEADPHONES AND
MOTORCYCLE AND FOOTBALL HELMETS,
ALL WIRED FOR SOUND.
STAIRWAY TO HEADPHONES,
8080 STRONEPOOL BOULEVARD,
FLAGSWAN.
ASK FOR GARY.
TELL HIM KENNETH WARDELL,
K.L.O.G. F.M. SENT YOU.
HERE'S BLACK SABBATH.
[HEAVY METAL MUSIC PLAYS]
[Upbeat voice] OKAY.
ALL RIGHT.
HEY, THE K.L.O.G. TRAFFIC COPTER
REPORTS TRAFFIC'S BADLY TIED UP
ON ROUTE 9.
A LOT OF CARS ARE BACKED UP
THERE.
TAKE THE BYPASS INSTEAD.
HEY, THE STUDENT COUNCIL AT
ROLCAGE HIGH SCHOOL IN SUMMIT
ASKED ME TO SAY A FEW WORDS
ABOUT THEIR ART FAIR.
THE KIDS ARE HAVING AN ART FAIR
THERE... IT'S IN THE GYM...
THURSDAY NIGHT FROM 8 P.M., AND
THE KIDS HAVE REALLY WORKED HARD
ON THE ART.
AND THEY'D SURE APPRECIATE A
LITTLE SUPPORT.
THE MONEY'S FOR THE SICK.
THAT'S ROLCAGE HIGH IN SUMMIT.
THERE'S GONNA BE A LOT OF GOOD
ART THERE.
AND HERE'S SOMETHING TO TAKE US
UP TO NEWS TIME WITH
BERNIE PHILLIPS... "THE ANTLER
DANCE", TAKING US TO K.L.O.G.
NEWS WITH BERNIE PHILLIPS.
["THE ANTLER DANCE" PLAYS]
[Low voice] YEAH,
BLACK SABBATH.
I GUESS ALL YOU FOLKS WHO GOT
OUT TO THE DEAD CONCERT LAST
NIGHT AT WILDCAT STADIUM KIND OF
KNOW WHERE MY HEAD'S AT TODAY.
BUT, HEY, YOU KNOW, I HEARD THAT
CITY COUNCIL MIGHT CANCEL ALL
ROCK CONCERTS BECAUSE OF DAMAGE
DONE TO THE ASTROTURF.
IF YOU HAVE TO SMOKE CIGARETTES,
PUT THEM IN YOUR BEER CAN OR
CARRY AN ASHTRAY.
IF YOU SMOKE ANYTHING ELSE,
SMOKE IT, THEN EAT IT.
IT WON'T KILL YOU, BUT
CIGARETTES WILL.
IT'S A SHAME THIS KIND OF THING
IS STILL GOING ON.
I GUESS SOME OF US DIDN'T LEARN
ANYTHING FROM THE '60s.
HEY, WE'RE COMING UP TO NEWS
TIME RIGHT NOW WITH
BERNIE PHILLIPS.
I'M GONNA TAKE A LITTLE BREAK
AND FIND OUT WHAT'S HAPPENING IN
THE NEWS WITH BERNIE PHILLIPS AT
THE K.L.O.G. NEWS CENTER.
Announcer: AND NOW, K.L.O.G.
NEWS WITH BERNIE PHILLIPS.
[Normal voice] I'M
BERNIE PHILLIPS.
THIS IS THE K.L.O.G. NEWS.
PRECAUTIONARY MEASURES CONTINUE
TO BE TAKEN AGAINST THE SWINE
FLU THREAT.
YET UNITED STATES DEPARTMENT OF
AGRICULTURE OFFICIALS WARN
NOTHING HAS BEEN DONE TO HALT
THE NORTHWARD MOVEMENT OF THE
DEADLY SOUTH AMERICAN KILLER
BEES.
AND NOW BACK TO A LITTLE MUSIC.
[Deep voice] ♪ HERE COMES
THE SUN ♪
THAT DIDN'T HURT, NOW.
THE SUN ♪
THAT DIDN'T HURT, NOW.
THERE YOU GO.
THAT DIDN'T HURT, NOW.
THERE YOU GO.
WILL YOU PLEASE TURN THAT OFF?
THERE YOU GO.
WILL YOU PLEASE TURN THAT OFF?
I CAN'T HEAR MYSELF THINK.
WILL YOU PLEASE TURN THAT OFF?
I CAN'T HEAR MYSELF THINK.
THANK YOU.
I CAN'T HEAR MYSELF THINK.
THANK YOU.
IT LOOKS LIKE IT'S GONNA BE A
THANK YOU.
IT LOOKS LIKE IT'S GONNA BE A
BUSY DAY.
IT LOOKS LIKE IT'S GONNA BE A
BUSY DAY.
I KNOW.
BUSY DAY.
I KNOW.
IT'S ALREADY 9:00 AND WE'VE HAD
I KNOW.
IT'S ALREADY 9:00 AND WE'VE HAD
AT LEAST 50.
IT'S ALREADY 9:00 AND WE'VE HAD
AT LEAST 50.
SIR, WOULD YOU PLEASE ROLL UP
AT LEAST 50.
SIR, WOULD YOU PLEASE ROLL UP
YOUR SLEEVE?
SIR, WOULD YOU PLEASE ROLL UP
YOUR SLEEVE?
[Spanish accent] IT IS
YOUR SLEEVE?
[Spanish accent] IT IS
ROLLED UP.
[Spanish accent] IT IS
ROLLED UP.
OH, MY GOD. YOU'RE A...
ROLLED UP.
OH, MY GOD. YOU'RE A...
THAT'S RIGHT, LADY!
OH, MY GOD. YOU'RE A...
THAT'S RIGHT, LADY!
WE'RE THE KILLER BEES!
[Spanish accent] YEAH!
YEAH! YEAH!
YOU TRY ANYTHING FUNNY AND I
YEAH! YEAH!
YOU TRY ANYTHING FUNNY AND I
KNOW A NURSE WHO'S GOING TO NEED
YOU TRY ANYTHING FUNNY AND I
KNOW A NURSE WHO'S GOING TO NEED
A DOCTOR, UNDERSTAND?
KNOW A NURSE WHO'S GOING TO NEED
A DOCTOR, UNDERSTAND?
WHAT ARE YOU DOING HERE?
A DOCTOR, UNDERSTAND?
WHAT ARE YOU DOING HERE?
WHAT DO YOU WANT?
WHAT ARE YOU DOING HERE?
WHAT DO YOU WANT?
GIVE US THAT SWINE FLU
WHAT DO YOU WANT?
GIVE US THAT SWINE FLU
VACCINE.
GIVE US THAT SWINE FLU
VACCINE.
OH, PLEASE, DON'T HURT HER.
VACCINE.
OH, PLEASE, DON'T HURT HER.
SHE'S MY FRIEND.
OH, PLEASE, DON'T HURT HER.
SHE'S MY FRIEND.
PLEASE.
SHE'S MY FRIEND.
PLEASE.
DON'T YOU THINK WE HAVE
PLEASE.
DON'T YOU THINK WE HAVE
FRIENDS?
DON'T YOU THINK WE HAVE
FRIENDS?
DON'T YOU THINK WE HAVE FRIENDS,
FRIENDS?
DON'T YOU THINK WE HAVE FRIENDS,
LIKE THE SWINE FLU?
DON'T YOU THINK WE HAVE FRIENDS,
LIKE THE SWINE FLU?
DID YOU EVER THINK THE SWINE FLU
LIKE THE SWINE FLU?
DID YOU EVER THINK THE SWINE FLU
MAY BE OUR BEST FRIEND, HUH,
DID YOU EVER THINK THE SWINE FLU
MAY BE OUR BEST FRIEND, HUH,
GRINGO?
MAY BE OUR BEST FRIEND, HUH,
GRINGO?
I GREW UP WITH THE SWINE FLU.
GRINGO?
I GREW UP WITH THE SWINE FLU.
WHEN TIMES WERE HARD, MY FAMILY
I GREW UP WITH THE SWINE FLU.
WHEN TIMES WERE HARD, MY FAMILY
WAS POOR, THE SWINE FLU TOOK US
WHEN TIMES WERE HARD, MY FAMILY
WAS POOR, THE SWINE FLU TOOK US
IN.
WAS POOR, THE SWINE FLU TOOK US
IN.
THEY CLOTHED US, FED US.
IN.
THEY CLOTHED US, FED US.
THE SWINE FLU TAUGHT US TO READ.
THEY CLOTHED US, FED US.
THE SWINE FLU TAUGHT US TO READ.
THAT'S RIGHT.
THE SWINE FLU TAUGHT US TO READ.
THAT'S RIGHT.
THE SWINE FLU SAVED MY LIFE IN
THAT'S RIGHT.
THE SWINE FLU SAVED MY LIFE IN
NAM.
THE SWINE FLU SAVED MY LIFE IN
NAM.
[Spanish accent] THE SWINE
NAM.
[Spanish accent] THE SWINE
FLU FINANCED MY MOBILE HOME.
[Spanish accent] THE SWINE
FLU FINANCED MY MOBILE HOME.
YOU SEE, THEY ARE OUR
FLU FINANCED MY MOBILE HOME.
YOU SEE, THEY ARE OUR
BROTHERS, AND WE TAKE CARE OF
YOU SEE, THEY ARE OUR
BROTHERS, AND WE TAKE CARE OF
OUR OWN.
BROTHERS, AND WE TAKE CARE OF
OUR OWN.
LOOK, I'LL BE VERY HONEST
OUR OWN.
LOOK, I'LL BE VERY HONEST
WITH YOU.
LOOK, I'LL BE VERY HONEST
WITH YOU.
YOU SEE, WE'RE ALL OUT OF SWINE
WITH YOU.
YOU SEE, WE'RE ALL OUT OF SWINE
FLU VACCINE.
YOU SEE, WE'RE ALL OUT OF SWINE
FLU VACCINE.
WE RAN OUT OF IT HOURS AGO.
FLU VACCINE.
WE RAN OUT OF IT HOURS AGO.
WE'RE USING SOME OLD POLIO
WE RAN OUT OF IT HOURS AGO.
WE'RE USING SOME OLD POLIO
VACCINE FROM THE '50s.
WE'RE USING SOME OLD POLIO
VACCINE FROM THE '50s.
POLIO VACC...
VACCINE FROM THE '50s.
POLIO VACC...
ALL RIGHT, CHAP.
POLIO VACC...
ALL RIGHT, CHAP.
LET'S JUST GET WHAT WE CAME FOR
ALL RIGHT, CHAP.
LET'S JUST GET WHAT WE CAME FOR
AND BUZZ OFF, SHALL WE?
LET'S JUST GET WHAT WE CAME FOR
AND BUZZ OFF, SHALL WE?
GIVE ME THE VACCINE.
AND BUZZ OFF, SHALL WE?
GIVE ME THE VACCINE.
WAIT A MINUTE. WAIT A MINUTE.
GIVE ME THE VACCINE.
WAIT A MINUTE. WAIT A MINUTE.
WAIT A MINUTE. WAIT A MINUTE.
WAIT A MINUTE. WAIT A MINUTE.
WAIT A MINUTE. WAIT A MINUTE.
DID HE JUST SAY CHAP?
WAIT A MINUTE. WAIT A MINUTE.
DID HE JUST SAY CHAP?
NO, HE DIDN'T SAY NOTHING.
DID HE JUST SAY CHAP?
NO, HE DIDN'T SAY NOTHING.
YES, HE DID. HE SAID CHAP.
NO, HE DIDN'T SAY NOTHING.
YES, HE DID. HE SAID CHAP.
HE SAID CHAPPO... SPANISH FOR
YES, HE DID. HE SAID CHAP.
HE SAID CHAPPO... SPANISH FOR
"FAT BEE."
HE SAID CHAPPO... SPANISH FOR
"FAT BEE."
YEAH, YEAH, YEAH, YEAH.
"FAT BEE."
YEAH, YEAH, YEAH, YEAH.
WAIT A MINUTE.
YEAH, YEAH, YEAH, YEAH.
WAIT A MINUTE.
I HEARD HIM, TOO, JANE.
WAIT A MINUTE.
I HEARD HIM, TOO, JANE.
I HEARD HIM SAY CHAP.
I HEARD HIM, TOO, JANE.
I HEARD HIM SAY CHAP.
WAIT A MINUTE.
I HEARD HIM SAY CHAP.
WAIT A MINUTE.
YOU'RE NOT A SOUTH AMERICAN
WAIT A MINUTE.
YOU'RE NOT A SOUTH AMERICAN
KILLER BEE.
YOU'RE NOT A SOUTH AMERICAN
KILLER BEE.
YOU'RE ENGLISH.
KILLER BEE.
YOU'RE ENGLISH.
HE'S NOT ENGLISH.
YOU'RE ENGLISH.
HE'S NOT ENGLISH.
NOW HAND OVER THAT VACCINE.
HE'S NOT ENGLISH.
NOW HAND OVER THAT VACCINE.
RIGHT.
NOW HAND OVER THAT VACCINE.
RIGHT.
HAND IT OVER OR YOU'RE GOING TO
RIGHT.
HAND IT OVER OR YOU'RE GOING TO
DANCE.
HAND IT OVER OR YOU'RE GOING TO
DANCE.
GET 'EM, BLOKE.
DANCE.
GET 'EM, BLOKE.
OKAY.
GET 'EM, BLOKE.
OKAY.
OKAY, OKAY.
OKAY.
OKAY, OKAY.
I HEARD HIM JUST SAY BLOKE.
OKAY, OKAY.
I HEARD HIM JUST SAY BLOKE.
I DISTINCTLY HEARD HIM SAY
I HEARD HIM JUST SAY BLOKE.
I DISTINCTLY HEARD HIM SAY
BLOKE.
I DISTINCTLY HEARD HIM SAY
BLOKE.
I HEARD HIM, TOO.
BLOKE.
I HEARD HIM, TOO.
HE SAID BLOKE.
I HEARD HIM, TOO.
HE SAID BLOKE.
I AGREE WITH GILDA.
HE SAID BLOKE.
I AGREE WITH GILDA.
HE'S NOT ENGLISH.
I AGREE WITH GILDA.
HE'S NOT ENGLISH.
HE WAS EDUCATED AT OXFORD.
HE'S NOT ENGLISH.
HE WAS EDUCATED AT OXFORD.
BUT HE'S NOT ENGLISH.
HE WAS EDUCATED AT OXFORD.
BUT HE'S NOT ENGLISH.
OH, COME ON.
BUT HE'S NOT ENGLISH.
OH, COME ON.
DO YOU EXPECT US TO BELIEVE
OH, COME ON.
DO YOU EXPECT US TO BELIEVE
THAT, REALLY?
DO YOU EXPECT US TO BELIEVE
THAT, REALLY?
HE SPENT TWO SEMESTERS AT
THAT, REALLY?
HE SPENT TWO SEMESTERS AT
OXFORD.
HE SPENT TWO SEMESTERS AT
OXFORD.
DON'T MAKE HIM ENGLISH.
OXFORD.
DON'T MAKE HIM ENGLISH.
SO, YOU'RE SOUTH AMERICAN,
DON'T MAKE HIM ENGLISH.
SO, YOU'RE SOUTH AMERICAN,
HUH?
SO, YOU'RE SOUTH AMERICAN,
HUH?
WHAT COUNTRY?
HUH?
WHAT COUNTRY?
PARAGUAY.
WHAT COUNTRY?
PARAGUAY.
WHERE IN PARAGUAY?
PARAGUAY.
WHERE IN PARAGUAY?
THE MIDDLE.
WHERE IN PARAGUAY?
THE MIDDLE.
ARE WE SUPPOSED TO BELIEVE
THE MIDDLE.
ARE WE SUPPOSED TO BELIEVE
THAT?
ARE WE SUPPOSED TO BELIEVE
THAT?
LOOK, THE SUBJECT IS CLOSED.
THAT?
LOOK, THE SUBJECT IS CLOSED.
GIVE US THE VACCINE.
LOOK, THE SUBJECT IS CLOSED.
GIVE US THE VACCINE.
ALL RIGHT, WHAT ARE YOU SO
GIVE US THE VACCINE.
ALL RIGHT, WHAT ARE YOU SO
SCARED ABOUT?
ALL RIGHT, WHAT ARE YOU SO
SCARED ABOUT?
I MEAN, IF HE IS SOUTH AMERICAN,
SCARED ABOUT?
I MEAN, IF HE IS SOUTH AMERICAN,
WHY DON'T YOU LET HIM JUST PROVE
I MEAN, IF HE IS SOUTH AMERICAN,
WHY DON'T YOU LET HIM JUST PROVE
IT?
WHY DON'T YOU LET HIM JUST PROVE
IT?
YEAH, LET HIM PROVE IT.
IT?
YEAH, LET HIM PROVE IT.
HE DON'T HAVE TO PROVE
YEAH, LET HIM PROVE IT.
HE DON'T HAVE TO PROVE
NOTHING.
HE DON'T HAVE TO PROVE
NOTHING.
WAIT A MINUTE.
NOTHING.
WAIT A MINUTE.
I'LL PROVE IT.
WAIT A MINUTE.
I'LL PROVE IT.
♪ LA CUCARACHA ♪
I'LL PROVE IT.
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
OLé!
♪ MARIHUANA QUE FUMAR ♪
OLé!
OH, SURE.
OLé!
OH, SURE.
HE'S NOT ENGLISH... MUCH.
OH, SURE.
HE'S NOT ENGLISH... MUCH.
RIGHT.
HE'S NOT ENGLISH... MUCH.
RIGHT.
[Normal voice] WELL, I HOPE
RIGHT.
[Normal voice] WELL, I HOPE
YOU'RE HAPPY.
[Normal voice] WELL, I HOPE
YOU'RE HAPPY.
WHAT?
YOU'RE HAPPY.
WHAT?
YOU RUINED THE WHOLE
WHAT?
YOU RUINED THE WHOLE
INTEGRITY OF THIS SCENE.
YOU RUINED THE WHOLE
INTEGRITY OF THIS SCENE.
I HATE WORKING WITH ENGLISH
INTEGRITY OF THIS SCENE.
I HATE WORKING WITH ENGLISH
ACTORS.
I HATE WORKING WITH ENGLISH
ACTORS.
I DON'T KNOW WHY I PUT UP WITH
ACTORS.
I DON'T KNOW WHY I PUT UP WITH
THIS.
I DON'T KNOW WHY I PUT UP WITH
THIS.
[Normal voice] NICE
THIS.
[Normal voice] NICE
PERFORMANCE.
[Normal voice] NICE
PERFORMANCE.
REALLY BELIEVABLE.
PERFORMANCE.
REALLY BELIEVABLE.
[Normal voice] MONTY
REALLY BELIEVABLE.
[Normal voice] MONTY
PYTHON'S FLYING CIRCUS,
[Normal voice] MONTY
PYTHON'S FLYING CIRCUS,
HUH?
PYTHON'S FLYING CIRCUS,
HUH?
THEY'LL LAUGH AT ANYTHING IN
HUH?
THEY'LL LAUGH AT ANYTHING IN
ENGLAND, I GUESS.
THEY'LL LAUGH AT ANYTHING IN
ENGLAND, I GUESS.
YOU SEEN THAT NEW STAGEHAND?
ENGLAND, I GUESS.
YOU SEEN THAT NEW STAGEHAND?
THE BLOND ONE?
YOU SEEN THAT NEW STAGEHAND?
THE BLOND ONE?
NO, THE ONE WITH THE SANDY
THE BLOND ONE?
NO, THE ONE WITH THE SANDY
HAIR.
NO, THE ONE WITH THE SANDY
HAIR.
OH, COME ON, CHEER UP, ERIC.
HAIR.
OH, COME ON, CHEER UP, ERIC.
YOU KNOW, I THOUGHT YOU WERE
OH, COME ON, CHEER UP, ERIC.
YOU KNOW, I THOUGHT YOU WERE
FANTASTIC.
YOU KNOW, I THOUGHT YOU WERE
FANTASTIC.
I MEAN, YOU DO CHARACTERS.
FANTASTIC.
I MEAN, YOU DO CHARACTERS.
YOU HAVE VERVE.
I MEAN, YOU DO CHARACTERS.
YOU HAVE VERVE.
YOU HAVE EXCITEMENT.
YOU HAVE VERVE.
YOU HAVE EXCITEMENT.
YOU HAVE NUANCE WHEN YOU
YOU HAVE EXCITEMENT.
YOU HAVE NUANCE WHEN YOU
PERFORM.
YOU HAVE NUANCE WHEN YOU
PERFORM.
I THINK YOU WERE GREAT!
PERFORM.
I THINK YOU WERE GREAT!
OH.
I THINK YOU WERE GREAT!
OH.
YOU WANT TO COME BACK TO MY
OH.
YOU WANT TO COME BACK TO MY
DRESSING ROOM?
YOU WANT TO COME BACK TO MY
DRESSING ROOM?
SURE.
DRESSING ROOM?
SURE.
GREAT.
[Deep voice] ♪ HERE COMES
THE SUN ♪
♪ HERE COMES THE SUN ♪
THE SUN ♪
♪ HERE COMES THE SUN ♪
♪ AND I SAY IT'S ALL RIGHT ♪
♪ HERE COMES THE SUN ♪
♪ AND I SAY IT'S ALL RIGHT ♪
♪ BA-DUM-BA-DEE DUM-BA-DEE DUM ♪
♪ AND I SAY IT'S ALL RIGHT ♪
♪ BA-DUM-BA-DEE DUM-BA-DEE DUM ♪
ERIC, REALLY, WE LOVE THE
♪ BA-DUM-BA-DEE DUM-BA-DEE DUM ♪
ERIC, REALLY, WE LOVE THE
SONG.
ERIC, REALLY, WE LOVE THE
SONG.
WE REALLY DO.
SONG.
WE REALLY DO.
IT'S GOING WELL, ISN'T IT?
WE REALLY DO.
IT'S GOING WELL, ISN'T IT?
ERIC, WE HAVE A PLACE FOR THE
IT'S GOING WELL, ISN'T IT?
ERIC, WE HAVE A PLACE FOR THE
SONG AT THE END OF THE SHOW.
ERIC, WE HAVE A PLACE FOR THE
SONG AT THE END OF THE SHOW.
OH, WE'LL DO IT AT THE END.
SONG AT THE END OF THE SHOW.
OH, WE'LL DO IT AT THE END.
YOU KNOW, THE END, WHEN YOU
OH, WE'LL DO IT AT THE END.
YOU KNOW, THE END, WHEN YOU
FINISH SOMETHING?
YOU KNOW, THE END, WHEN YOU
FINISH SOMETHING?
IT'LL BE MUCH STRONGER THERE.
FINISH SOMETHING?
IT'LL BE MUCH STRONGER THERE.
THAT'S RIGHT. THAT'S RIGHT.
IT'LL BE MUCH STRONGER THERE.
THAT'S RIGHT. THAT'S RIGHT.
LET'S HAVE SOMEBODY ELSE WHO
THAT'S RIGHT. THAT'S RIGHT.
LET'S HAVE SOMEBODY ELSE WHO
DOESN'T SING NORMALLY.
LET'S HAVE SOMEBODY ELSE WHO
DOESN'T SING NORMALLY.
OKAY.
DOESN'T SING NORMALLY.
OKAY.
LADIES AND GENTLEMEN,
OKAY.
LADIES AND GENTLEMEN,
MR. JOE COCKER.
LADIES AND GENTLEMEN,
MR. JOE COCKER.
[CHEERS AND APPLAUSE]
MR. JOE COCKER.
[CHEERS AND APPLAUSE]
[INTRODUCTION TO "YOU ARE SO
[CHEERS AND APPLAUSE]
[INTRODUCTION TO "YOU ARE SO
BEAUTIFUL" PLAYS]
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ CAN'T YOU SEE? ♪
♪ YOU'RE EVERYTHING I HOPED
♪ CAN'T YOU SEE? ♪
♪ YOU'RE EVERYTHING I HOPED
FOR ♪
♪ YOU'RE EVERYTHING I HOPED
FOR ♪
♪ YOU'RE EVERYTHING I NEED ♪
FOR ♪
♪ YOU'RE EVERYTHING I NEED ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ YOU'RE EVERYTHING I NEED ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ SUCH JOY AND HAPPINESS ♪
♪ YOU BRING ♪
♪ SUCH JOY AND HAPPINESS ♪
♪ YOU BRING ♪
♪ LIKE A DREAM ♪
♪ A GUIDING LIGHT
♪ LIKE A DREAM ♪
♪ A GUIDING LIGHT
THAT SHINES IN THE NIGHT ♪
♪ A GUIDING LIGHT
THAT SHINES IN THE NIGHT ♪
♪ HEAVEN'S GIFT TO ME ♪
THAT SHINES IN THE NIGHT ♪
♪ HEAVEN'S GIFT TO ME ♪
♪ OOH OOH ♪
♪ HEAVEN'S GIFT TO ME ♪
♪ OOH OOH ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ OOH OOH ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
[SONG CONCLUDES]
♪ TO ME ♪
[SONG CONCLUDES]
[CHEERS AND APPLAUSE]
HEWO.
HEWO. THIS IS BABA WAWA, HERE TO
SAY FAREWELL.
THIS IS MY WAST MOMENT ON NBC.
I WANT TO WEMIND YOU TO WOOK FOR
ME, AWONG WITH HARRY REASONER
I WANT TO WEMIND YOU TO WOOK FOR
ME, AWONG WITH HARRY REASONER
WEEKNIGHTS AT 7:00.
ME, AWONG WITH HARRY REASONER
WEEKNIGHTS AT 7:00.
I WANT TO TAKE THIS OPPORTUNITY
WEEKNIGHTS AT 7:00.
I WANT TO TAKE THIS OPPORTUNITY
TO APOWOGIZE TO NBC.
I WANT TO TAKE THIS OPPORTUNITY
TO APOWOGIZE TO NBC.
I DON'T WIKE WEAVING.
TO APOWOGIZE TO NBC.
I DON'T WIKE WEAVING.
PLEASE TRUST ME, IT'S NOT SOUR
I DON'T WIKE WEAVING.
PLEASE TRUST ME, IT'S NOT SOUR
GWAPES, BUT WATHER THAT ANOTHER
PLEASE TRUST ME, IT'S NOT SOUR
GWAPES, BUT WATHER THAT ANOTHER
NETWORK WECOGNIZES IN ME A GWEAT
GWAPES, BUT WATHER THAT ANOTHER
NETWORK WECOGNIZES IN ME A GWEAT
TAWENT FOR DEWIVERING WELEVANT
NETWORK WECOGNIZES IN ME A GWEAT
TAWENT FOR DEWIVERING WELEVANT
NEWS STOWIES WITH CWYSTAL
TAWENT FOR DEWIVERING WELEVANT
NEWS STOWIES WITH CWYSTAL
CLAWITY TO MILLIONS OF
NEWS STOWIES WITH CWYSTAL
CLAWITY TO MILLIONS OF
AMERICANS.
CLAWITY TO MILLIONS OF
AMERICANS.
IT'S THE ONLY WEASON I'M
AMERICANS.
IT'S THE ONLY WEASON I'M
WEAVING, WEALLY.
Announcer: AND NOW
"WEEKEND UPDATE."
SUBSTITUTING FOR THE
"WEEKEND UPDATE."
SUBSTITUTING FOR THE
STILL-INJURED CHEVY CHASE IS
SUBSTITUTING FOR THE
STILL-INJURED CHEVY CHASE IS
JANE CURTIN.
STILL-INJURED CHEVY CHASE IS
JANE CURTIN.
NO, NO, NO.
JANE CURTIN.
NO, NO, NO.
HE'S STILL SICK.
NO, NO, NO.
HE'S STILL SICK.
I DON'T KNOW HOW LONG IT'LL BE.
HE'S STILL SICK.
I DON'T KNOW HOW LONG IT'LL BE.
WHAT?
I DON'T KNOW HOW LONG IT'LL BE.
WHAT?
I DON'T KNOW WHERE HE KEEPS THE
WHAT?
I DON'T KNOW WHERE HE KEEPS THE
BATTERIES.
I DON'T KNOW WHERE HE KEEPS THE
BATTERIES.
I GOT TO GO. BYE.
BATTERIES.
I GOT TO GO. BYE.
GOOD EVENING. I'M JANE CURTIN.
I GOT TO GO. BYE.
GOOD EVENING. I'M JANE CURTIN.
HEAR NOW THE NEWS.
GOOD EVENING. I'M JANE CURTIN.
HEAR NOW THE NEWS.
OUR TOP STORY TONIGHT... AFTER
HEAR NOW THE NEWS.
OUR TOP STORY TONIGHT... AFTER
BEING ACCUSED OF ONCE MISUSING
OUR TOP STORY TONIGHT... AFTER
BEING ACCUSED OF ONCE MISUSING
CAMPAIGN FUNDS, PRESIDENT FORD
BEING ACCUSED OF ONCE MISUSING
CAMPAIGN FUNDS, PRESIDENT FORD
HAS BEEN CLEARED OF THE CHARGE
CAMPAIGN FUNDS, PRESIDENT FORD
HAS BEEN CLEARED OF THE CHARGE
AS A RESULT OF A PROBE BY THE
HAS BEEN CLEARED OF THE CHARGE
AS A RESULT OF A PROBE BY THE
FBI.
AS A RESULT OF A PROBE BY THE
FBI.
IN A GESTURE OF APPRECIATION,
FBI.
IN A GESTURE OF APPRECIATION,
THE PRESIDENT HAS ISSUED A FULL
IN A GESTURE OF APPRECIATION,
THE PRESIDENT HAS ISSUED A FULL
AND COMPLETE PARDON TO
THE PRESIDENT HAS ISSUED A FULL
AND COMPLETE PARDON TO
EFREM ZIMBALIST JR.
AND COMPLETE PARDON TO
EFREM ZIMBALIST JR.
SECRETARY OF AGRICULTURE
EFREM ZIMBALIST JR.
SECRETARY OF AGRICULTURE
EARL BUTZ WAS REPRIMANDED BY
SECRETARY OF AGRICULTURE
EARL BUTZ WAS REPRIMANDED BY
PRESIDENT FORD FOR REFERRING TO
EARL BUTZ WAS REPRIMANDED BY
PRESIDENT FORD FOR REFERRING TO
BLACKS AS COLOREDS AND SAYING
PRESIDENT FORD FOR REFERRING TO
BLACKS AS COLOREDS AND SAYING
WHAT THEY WERE MOST CONCERNED
BLACKS AS COLOREDS AND SAYING
WHAT THEY WERE MOST CONCERNED
ABOUT WAS GOOD SEX, COMFORTABLE
WHAT THEY WERE MOST CONCERNED
ABOUT WAS GOOD SEX, COMFORTABLE
SHOES, AND A WARM PLACE TO GO TO
ABOUT WAS GOOD SEX, COMFORTABLE
SHOES, AND A WARM PLACE TO GO TO
THE BATHROOM.
SHOES, AND A WARM PLACE TO GO TO
THE BATHROOM.
BLACK SENATOR EDWARD BROOKE
THE BATHROOM.
BLACK SENATOR EDWARD BROOKE
CALLED FOR BUTZ'S RESIGNATION.
BLACK SENATOR EDWARD BROOKE
CALLED FOR BUTZ'S RESIGNATION.
BUTZ THEN APOLOGIZED TO
CALLED FOR BUTZ'S RESIGNATION.
BUTZ THEN APOLOGIZED TO
SENATOR BROOKE, REPORTEDLY
BUTZ THEN APOLOGIZED TO
SENATOR BROOKE, REPORTEDLY
SENDING A PEACE OFFERING OF A
SENATOR BROOKE, REPORTEDLY
SENDING A PEACE OFFERING OF A
BALE OF COTTON AND FIVE GALLONS
SENDING A PEACE OFFERING OF A
BALE OF COTTON AND FIVE GALLONS
OF HAIR STRAIGHTENER.
BALE OF COTTON AND FIVE GALLONS
OF HAIR STRAIGHTENER.
AND IN THE WORLD OF SPORTS,
OF HAIR STRAIGHTENER.
AND IN THE WORLD OF SPORTS,
MUHAMMAD ALI RETAINED HIS WORLD
AND IN THE WORLD OF SPORTS,
MUHAMMAD ALI RETAINED HIS WORLD
HEAVYWEIGHT CROWN, WINNING A
MUHAMMAD ALI RETAINED HIS WORLD
HEAVYWEIGHT CROWN, WINNING A
CONTROVERSIAL UNANIMOUS
HEAVYWEIGHT CROWN, WINNING A
CONTROVERSIAL UNANIMOUS
DECISION OVER CHALLENGER
CONTROVERSIAL UNANIMOUS
DECISION OVER CHALLENGER
KEN NORTON.
OVER 36,000 FANS PAID THEIR WAY
INTO YANKEE STADIUM TO SEE IF
ALI, A 9-5 FAVORITE, COULD
WITHSTAND THE POWERFUL PUNCHES
OF YOUTHFUL KEN NORTON.
IN THE EARLY ROUNDS, IT WAS ALI,
WHO SCORED HEAVILY WITH HIS
DANCING AND LANDING SEVERAL
WHO SCORED HEAVILY WITH HIS
DANCING AND LANDING SEVERAL
BLOWS TO NORTON'S HEAD.
DANCING AND LANDING SEVERAL
BLOWS TO NORTON'S HEAD.
AND IT WAS ONLY LATER IN THE
BLOWS TO NORTON'S HEAD.
AND IT WAS ONLY LATER IN THE
FIGHT WHEN NORTON'S MANAGER
AND IT WAS ONLY LATER IN THE
FIGHT WHEN NORTON'S MANAGER
URGED HIM BETWEEN ROUNDS THAT
FIGHT WHEN NORTON'S MANAGER
URGED HIM BETWEEN ROUNDS THAT
NORTON CAME OUT SLUGGING AND
URGED HIM BETWEEN ROUNDS THAT
NORTON CAME OUT SLUGGING AND
TURNED THE COURSE OF THE FIGHT
NORTON CAME OUT SLUGGING AND
TURNED THE COURSE OF THE FIGHT
AROUND TO THE POINT WHERE THE
TURNED THE COURSE OF THE FIGHT
AROUND TO THE POINT WHERE THE
CROWD AND NEWSPAPER REPORTERS
AROUND TO THE POINT WHERE THE
CROWD AND NEWSPAPER REPORTERS
FELT THAT NORTON WAS THE WINNER.
CROWD AND NEWSPAPER REPORTERS
FELT THAT NORTON WAS THE WINNER.
BUT IN THE END, IT WAS ALI WHO
FELT THAT NORTON WAS THE WINNER.
BUT IN THE END, IT WAS ALI WHO
GOT THE DECISION AND OFFICIALLY
BUT IN THE END, IT WAS ALI WHO
GOT THE DECISION AND OFFICIALLY
RETAINED HIS HEAVYWEIGHT CROWN.
GOT THE DECISION AND OFFICIALLY
RETAINED HIS HEAVYWEIGHT CROWN.
IN THE AFTERMATH OF THE
RETAINED HIS HEAVYWEIGHT CROWN.
IN THE AFTERMATH OF THE
CONTROVERSIAL DECISION, ALI HAS
IN THE AFTERMATH OF THE
CONTROVERSIAL DECISION, ALI HAS
ONCE AGAIN ANNOUNCED HIS
CONTROVERSIAL DECISION, ALI HAS
ONCE AGAIN ANNOUNCED HIS
RETIREMENT FROM THE RING,
ONCE AGAIN ANNOUNCED HIS
RETIREMENT FROM THE RING,
STATING THAT HE IS OLD, HE'S
RETIREMENT FROM THE RING,
STATING THAT HE IS OLD, HE'S
LOST HIS PUNCH AND LOOKS FORWARD
STATING THAT HE IS OLD, HE'S
LOST HIS PUNCH AND LOOKS FORWARD
TO SETTLING DOWN TO A LIFE OF
LOST HIS PUNCH AND LOOKS FORWARD
TO SETTLING DOWN TO A LIFE OF
GOOD SEX, COMFORTABLE SHOES, AND
TO SETTLING DOWN TO A LIFE OF
GOOD SEX, COMFORTABLE SHOES, AND
A WARM PLACE TO GO TO THE
GOOD SEX, COMFORTABLE SHOES, AND
A WARM PLACE TO GO TO THE
BATHROOM.
A WARM PLACE TO GO TO THE
BATHROOM.
THE SOCIETY OF GOOD TASTE HAS
BATHROOM.
THE SOCIETY OF GOOD TASTE HAS
FILED OFFICIAL COMPLAINTS WITH
THE SOCIETY OF GOOD TASTE HAS
FILED OFFICIAL COMPLAINTS WITH
TELEVISION NETWORKS PROTESTING
FILED OFFICIAL COMPLAINTS WITH
TELEVISION NETWORKS PROTESTING
THE CONTENT OF RECENT TELEVISION
TELEVISION NETWORKS PROTESTING
THE CONTENT OF RECENT TELEVISION
SHOWS.
THE CONTENT OF RECENT TELEVISION
SHOWS.
THOSE IN QUESTION ARE EPISODES
SHOWS.
THOSE IN QUESTION ARE EPISODES
IN WHICH, RESPECTIVELY,
THOSE IN QUESTION ARE EPISODES
IN WHICH, RESPECTIVELY,
CARROLL O'CONNOR HAD AN AFFAIR,
IN WHICH, RESPECTIVELY,
CARROLL O'CONNOR HAD AN AFFAIR,
CLORIS LEACHMAN BECAME PREGNANT,
CARROLL O'CONNOR HAD AN AFFAIR,
CLORIS LEACHMAN BECAME PREGNANT,
AND TELLY SAVALAS WAS BALD.
CLORIS LEACHMAN BECAME PREGNANT,
AND TELLY SAVALAS WAS BALD.
WEST POINT ANNOUNCED THAT ITS
AND TELLY SAVALAS WAS BALD.
WEST POINT ANNOUNCED THAT ITS
STUDENT BODY WILL BE VOTING THIS
WEST POINT ANNOUNCED THAT ITS
STUDENT BODY WILL BE VOTING THIS
MONTH AS TO WHETHER OR NOT THEY
STUDENT BODY WILL BE VOTING THIS
MONTH AS TO WHETHER OR NOT THEY
WANT A CHANGE IN THE ACADEMY'S
MONTH AS TO WHETHER OR NOT THEY
WANT A CHANGE IN THE ACADEMY'S
HONOR CODE.
WANT A CHANGE IN THE ACADEMY'S
HONOR CODE.
IN THE WAKE OF A WIDESPREAD
HONOR CODE.
IN THE WAKE OF A WIDESPREAD
CHEATING SCANDAL, THEY WILL ALSO
IN THE WAKE OF A WIDESPREAD
CHEATING SCANDAL, THEY WILL ALSO
REEVALUATE THE RULE OF MANDATORY
CHEATING SCANDAL, THEY WILL ALSO
REEVALUATE THE RULE OF MANDATORY
EXPULSION OF HONOR-CODE
REEVALUATE THE RULE OF MANDATORY
EXPULSION OF HONOR-CODE
VIOLATORS.
EXPULSION OF HONOR-CODE
VIOLATORS.
THUS FAR, THE TURNOUT HAS BEEN
VIOLATORS.
THUS FAR, THE TURNOUT HAS BEEN
HEAVY, WITH 412 CADETS CASTING
THUS FAR, THE TURNOUT HAS BEEN
HEAVY, WITH 412 CADETS CASTING
OVER 900 VOTES.
HEAVY, WITH 412 CADETS CASTING
OVER 900 VOTES.
WELL, VANDALISM STRUCK THE WORLD
OVER 900 VOTES.
WELL, VANDALISM STRUCK THE WORLD
OF ART TODAY.
WELL, VANDALISM STRUCK THE WORLD
OF ART TODAY.
FOR MORE ON THIS STORY, WE TAKE
OF ART TODAY.
FOR MORE ON THIS STORY, WE TAKE
YOU TO FLORENCE, ITALY, WITH
FOR MORE ON THIS STORY, WE TAKE
YOU TO FLORENCE, ITALY, WITH
CORRESPONDENT GARRETT MORRIS.
JANE, I'M STANDING IN A
HISTORIC PLACE, WHICH HAS MANY
WORKS OF PRICELESS ART.
IF YOU REMEMBER, A FEW YEARS
AGO, IN ROME, SOMEONE DAMAGED
MICHELANGELO'S "PIETà."
WELL, AGAIN, A BRUTAL ACT
OCCURRED HERE THIS MORNING WHEN
A MAN WIELDING A HAMMER AND
OCCURRED HERE THIS MORNING WHEN
A MAN WIELDING A HAMMER AND
CHISEL SNUCK INTO THIS MUSEUM
A MAN WIELDING A HAMMER AND
CHISEL SNUCK INTO THIS MUSEUM
AND, WHEN THE GUARDS WEREN'T
CHISEL SNUCK INTO THIS MUSEUM
AND, WHEN THE GUARDS WEREN'T
LOOKING, CIRCUMCISED THE STATUE
AND, WHEN THE GUARDS WEREN'T
LOOKING, CIRCUMCISED THE STATUE
OF DAVID.
LOOKING, CIRCUMCISED THE STATUE
OF DAVID.
NOW, POLICE ARE AT A COMPLETE
OF DAVID.
NOW, POLICE ARE AT A COMPLETE
LOSS AS TO WHO DID IT.
NOW, POLICE ARE AT A COMPLETE
LOSS AS TO WHO DID IT.
AND WHILE IT MAY HAVE BEEN DONE
LOSS AS TO WHO DID IT.
AND WHILE IT MAY HAVE BEEN DONE
FOR HEALTH REASONS, MUSEUM
AND WHILE IT MAY HAVE BEEN DONE
FOR HEALTH REASONS, MUSEUM
OFFICIALS DOUBT THAT THE STATUE
FOR HEALTH REASONS, MUSEUM
OFFICIALS DOUBT THAT THE STATUE
WILL EVER REALLY BE THE SAME.
OFFICIALS DOUBT THAT THE STATUE
WILL EVER REALLY BE THE SAME.
THIS IS RABBI MYI PICK.
WILL EVER REALLY BE THE SAME.
THIS IS RABBI MYI PICK.
TELL ME, RABBI, IT'S COVERED
THIS IS RABBI MYI PICK.
TELL ME, RABBI, IT'S COVERED
RIGHT NOW, BUT DID YOU SEE THE
TELL ME, RABBI, IT'S COVERED
RIGHT NOW, BUT DID YOU SEE THE
STATUE BEFORE THE BANDAGE WAS
RIGHT NOW, BUT DID YOU SEE THE
STATUE BEFORE THE BANDAGE WAS
APPLIED?
STATUE BEFORE THE BANDAGE WAS
APPLIED?
YES, I DID.
APPLIED?
YES, I DID.
UH-HUH.
YES, I DID.
UH-HUH.
AND AS A CLERGYMAN, WHAT DO YOU
UH-HUH.
AND AS A CLERGYMAN, WHAT DO YOU
THINK OF THE CULPRIT'S ACT?
AND AS A CLERGYMAN, WHAT DO YOU
THINK OF THE CULPRIT'S ACT?
IN MY OPINION, HE DID A
THINK OF THE CULPRIT'S ACT?
IN MY OPINION, HE DID A
BEAUTIFUL JOB.
IN MY OPINION, HE DID A
BEAUTIFUL JOB.
UH, THIS IS GARRETT MORRIS
BEAUTIFUL JOB.
UH, THIS IS GARRETT MORRIS
REPORTING.
UH, THIS IS GARRETT MORRIS
REPORTING.
NOW BACK TO YOU, JANE.
REPORTING.
NOW BACK TO YOU, JANE.
STILL TO COME, SYRIAN
NOW BACK TO YOU, JANE.
STILL TO COME, SYRIAN
PIÑATAS, AFTER THIS MESSAGE.
HI.
I'VE GOT A HEADACHE.
AND WHY SHOULDN'T I HAVE?
I WORK HARD AS THE OWNER OF A
LARGE DRUGSTORE CHAIN.
I MAKE A LOT OF DECISIONS.
I EARN MY HEADACHES.
WHEN I GET ONE HEADACHE, I HAVE
TO GET RID OF IT FAST TO MAKE
ROOM FOR THE NEXT ONE.
TO GET RID OF IT FAST TO MAKE
ROOM FOR THE NEXT ONE.
THAT'S WHY I NEED SUPER-FAST
ROOM FOR THE NEXT ONE.
THAT'S WHY I NEED SUPER-FAST
HEADACHE RELIEF.
THAT'S WHY I NEED SUPER-FAST
HEADACHE RELIEF.
I KNOW THAT ASPIRIN IS EFFECTIVE
HEADACHE RELIEF.
I KNOW THAT ASPIRIN IS EFFECTIVE
IN MANY MILD CASES AND THAT
I KNOW THAT ASPIRIN IS EFFECTIVE
IN MANY MILD CASES AND THAT
BUFFERED ASPIRIN IS EFFECTIVE IN
IN MANY MILD CASES AND THAT
BUFFERED ASPIRIN IS EFFECTIVE IN
CASES WHERE PAIN AND DISCOMFORT
BUFFERED ASPIRIN IS EFFECTIVE IN
CASES WHERE PAIN AND DISCOMFORT
ARE STRONGER.
CASES WHERE PAIN AND DISCOMFORT
ARE STRONGER.
FOR THAT SUPER-FAST RELIEF THAT
ARE STRONGER.
FOR THAT SUPER-FAST RELIEF THAT
I NEED, I CALL IN A
FOR THAT SUPER-FAST RELIEF THAT
I NEED, I CALL IN A
SPECIALIST... EPIFIX, FROM
I NEED, I CALL IN A
SPECIALIST... EPIFIX, FROM
LOBECON.
SPECIALIST... EPIFIX, FROM
LOBECON.
EPIFIX HEADACHE REMEDY COMES
LOBECON.
EPIFIX HEADACHE REMEDY COMES
WITH INJECTOR AND FIVE HEADACHE
EPIFIX HEADACHE REMEDY COMES
WITH INJECTOR AND FIVE HEADACHE
CARTRIDGES.
WITH INJECTOR AND FIVE HEADACHE
CARTRIDGES.
EACH EPIFIX HEADACHE CARTRIDGE
CARTRIDGES.
EACH EPIFIX HEADACHE CARTRIDGE
CONTAINS 200 MICROGRAMS OF
EACH EPIFIX HEADACHE CARTRIDGE
CONTAINS 200 MICROGRAMS OF
ACETYLSALICYLIC ACID AND 200
CONTAINS 200 MICROGRAMS OF
ACETYLSALICYLIC ACID AND 200
MICROGRAMS OF
ACETYLSALICYLIC ACID AND 200
MICROGRAMS OF
METHYLPHENIDATE HYDROCHLORIDE
MICROGRAMS OF
METHYLPHENIDATE HYDROCHLORIDE
POWDER FOR FAST, FAST, FAST
METHYLPHENIDATE HYDROCHLORIDE
POWDER FOR FAST, FAST, FAST
RELIEF.
POWDER FOR FAST, FAST, FAST
RELIEF.
AND IT'S EASY TO USE.
AAH!
YOU CAN FEEL THE RELIEF.
Announcer: EPIFIX HEADACHE
YOU CAN FEEL THE RELIEF.
Announcer: EPIFIX HEADACHE
CARTRIDGE KIT ON SALE AT
Announcer: EPIFIX HEADACHE
CARTRIDGE KIT ON SALE AT
DRUGSTORES EVERYWHERE.
WELL, CARTOON HISTORY WAS
MADE THIS WEEK WHEN A CHARACTER
IN THE COMIC STRIP "MARY WORTH"
MADE THIS WEEK WHEN A CHARACTER
IN THE COMIC STRIP "MARY WORTH"
BECAME PREGNANT OUT OF WEDLOCK.
IN THE COMIC STRIP "MARY WORTH"
BECAME PREGNANT OUT OF WEDLOCK.
AT FIRST, IT WAS REPORTED THAT
BECAME PREGNANT OUT OF WEDLOCK.
AT FIRST, IT WAS REPORTED THAT
THE FATHER WAS BOB, ANOTHER
AT FIRST, IT WAS REPORTED THAT
THE FATHER WAS BOB, ANOTHER
"MARY WORTH" CHARACTER, BUT
THE FATHER WAS BOB, ANOTHER
"MARY WORTH" CHARACTER, BUT
RESULTS OF AN INK TEST NOW
"MARY WORTH" CHARACTER, BUT
RESULTS OF AN INK TEST NOW
DISPROVE THIS.
RESULTS OF AN INK TEST NOW
DISPROVE THIS.
KING FEATURES, THE SYNDICATE
DISPROVE THIS.
KING FEATURES, THE SYNDICATE
THAT DISTRIBUTES "MARY WORTH" IS
KING FEATURES, THE SYNDICATE
THAT DISTRIBUTES "MARY WORTH" IS
QUESTIONING OTHER CHARACTERS AS
THAT DISTRIBUTES "MARY WORTH" IS
QUESTIONING OTHER CHARACTERS AS
TO WHO THE REAL FATHER IS.
QUESTIONING OTHER CHARACTERS AS
TO WHO THE REAL FATHER IS.
THOSE UNDER SUSPICION INCLUDE
TO WHO THE REAL FATHER IS.
THOSE UNDER SUSPICION INCLUDE
MUTT AND JEFF, DAGWOOD BUMSTEAD,
THOSE UNDER SUSPICION INCLUDE
MUTT AND JEFF, DAGWOOD BUMSTEAD,
AND COLUMNIST JACK ANDERSON.
MUTT AND JEFF, DAGWOOD BUMSTEAD,
AND COLUMNIST JACK ANDERSON.
A CORRECTION IN A STORY THAT WAS
AND COLUMNIST JACK ANDERSON.
A CORRECTION IN A STORY THAT WAS
REPORTED IN "UPDATE" LAST WEEK.
IN A REPORT RELEASED YESTERDAY,
A CONGRESSIONAL COMMITTEE
INVESTIGATING THE EFFECTS OF
A CONGRESSIONAL COMMITTEE
INVESTIGATING THE EFFECTS OF
VIOLENCE ON TELEVISION CAME TO
INVESTIGATING THE EFFECTS OF
VIOLENCE ON TELEVISION CAME TO
THE SURPRISING CONCLUSION THAT
VIOLENCE ON TELEVISION CAME TO
THE SURPRISING CONCLUSION THAT
THERE WAS NOT ENOUGH VIOLENCE ON
THE SURPRISING CONCLUSION THAT
THERE WAS NOT ENOUGH VIOLENCE ON
TELEVISION.
THERE WAS NOT ENOUGH VIOLENCE ON
TELEVISION.
AMONG THEIR SUGGESTIONS TO
TELEVISION.
AMONG THEIR SUGGESTIONS TO
REMEDY THE SITUATION, THE
AMONG THEIR SUGGESTIONS TO
REMEDY THE SITUATION, THE
COMMITTEE RECOMMENDS PUNCHING
REMEDY THE SITUATION, THE
COMMITTEE RECOMMENDS PUNCHING
DINAH SHORE IN THE FACE, PLACING
COMMITTEE RECOMMENDS PUNCHING
DINAH SHORE IN THE FACE, PLACING
LORENZO AND HENRIETTA MUSIC IN A
DINAH SHORE IN THE FACE, PLACING
LORENZO AND HENRIETTA MUSIC IN A
TRASH MASHER, AND BEATING THE
LORENZO AND HENRIETTA MUSIC IN A
TRASH MASHER, AND BEATING THE
WALTONS TO DEATH WITH A SOFTBALL
TRASH MASHER, AND BEATING THE
WALTONS TO DEATH WITH A SOFTBALL
BAT.
WALTONS TO DEATH WITH A SOFTBALL
BAT.
AND OUR FINAL STORY...
BAT.
AND OUR FINAL STORY...
"THE JOHNNY CARSON SHOW"
AND OUR FINAL STORY...
"THE JOHNNY CARSON SHOW"
CELEBRATED ITS 14th ANNIVERSARY
"THE JOHNNY CARSON SHOW"
CELEBRATED ITS 14th ANNIVERSARY
LAST NIGHT, AND THE PRODUCERS
CELEBRATED ITS 14th ANNIVERSARY
LAST NIGHT, AND THE PRODUCERS
WERE KIND ENOUGH TO SHARE WITH
LAST NIGHT, AND THE PRODUCERS
WERE KIND ENOUGH TO SHARE WITH
US ONE OF THOSE HILARIOUS
WERE KIND ENOUGH TO SHARE WITH
US ONE OF THOSE HILARIOUS
SPONTANEOUS MOMENTS THAT TV
US ONE OF THOSE HILARIOUS
SPONTANEOUS MOMENTS THAT TV
AUDIENCES HAVE TREASURED
SPONTANEOUS MOMENTS THAT TV
AUDIENCES HAVE TREASURED
THROUGHOUT THE YEARS.
AUDIENCES HAVE TREASURED
THROUGHOUT THE YEARS.
OF COURSE, I'M SPEAKING ABOUT
THROUGHOUT THE YEARS.
OF COURSE, I'M SPEAKING ABOUT
THE TIME WHEN ACTOR/SINGER
OF COURSE, I'M SPEAKING ABOUT
THE TIME WHEN ACTOR/SINGER
ED AMES DEMONSTRATED HOW TO
THE TIME WHEN ACTOR/SINGER
ED AMES DEMONSTRATED HOW TO
THROW AN AX.
ED AMES DEMONSTRATED HOW TO
THROW AN AX.
ARE WE SET WITH THAT FILM?
THROW AN AX.
ARE WE SET WITH THAT FILM?
OKAY, LET'S WATCH THE FUN.
ARE WE SET WITH THAT FILM?
OKAY, LET'S WATCH THE FUN.
OKAY, HERE HE IS, LADIES AND
OKAY, LET'S WATCH THE FUN.
OKAY, HERE HE IS, LADIES AND
GENTLEMEN, THE LAST OF THE
OKAY, HERE HE IS, LADIES AND
GENTLEMEN, THE LAST OF THE
JEWISH COMEDIANS.
GENTLEMEN, THE LAST OF THE
JEWISH COMEDIANS.
[APPLAUSE]
JEWISH COMEDIANS.
[APPLAUSE]
LOOKS LIKE A NEW SHOW CALLED
[APPLAUSE]
LOOKS LIKE A NEW SHOW CALLED
"FRONTIER SISSY."
LOOKS LIKE A NEW SHOW CALLED
"FRONTIER SISSY."
[LAUGHTER]
"FRONTIER SISSY."
[LAUGHTER]
GO AHEAD, ED.
[LAUGHTER]
GO AHEAD, ED.
OKAY, JOHNNY.
GO AHEAD, ED.
OKAY, JOHNNY.
I NEVER MISS THIS ONE.
OKAY, JOHNNY.
I NEVER MISS THIS ONE.
OKAY, READY?
I NEVER MISS THIS ONE.
OKAY, READY?
HEY, DOC, NICE COAT.
OKAY, READY?
HEY, DOC, NICE COAT.
OKAY, HOW ABOUT A LITTLE
HEY, DOC, NICE COAT.
OKAY, HOW ABOUT A LITTLE
DRUMROLL?
OKAY, HOW ABOUT A LITTLE
DRUMROLL?
[DRUMROLL]
DRUMROLL?
[DRUMROLL]
AAH!
[LAUGHING]
CONGRATULATIONS, JOHNNY.
IT JUST GETS FUNNIER EVERY TIME
CONGRATULATIONS, JOHNNY.
IT JUST GETS FUNNIER EVERY TIME
I SEE IT.
IT JUST GETS FUNNIER EVERY TIME
I SEE IT.
AND WE'RE ALL LOOKING FORWARD TO
I SEE IT.
AND WE'RE ALL LOOKING FORWARD TO
ANOTHER 14 OF THE SAME.
AND WE'RE ALL LOOKING FORWARD TO
ANOTHER 14 OF THE SAME.
AND TO OUR VIEWERS, GOOD NIGHT
ANOTHER 14 OF THE SAME.
AND TO OUR VIEWERS, GOOD NIGHT
AND HAVE A PLEASANT TOMORROW.
HI, I'M LORNE MICHAELS.
SEVERAL MONTHS AGO, I MADE A
BONA FIDE OFFER OF $3,000 TO THE
BEATLES TO PERFORM ON
"SATURDAY NIGHT."
FOR MONTHS, THERE WAS NO
RESPONSE.
AND THEN, ABOUT TWO WEEKS AGO, I
RESPONSE.
AND THEN, ABOUT TWO WEEKS AGO, I
GOT A LONG-DISTANCE PHONE CALL
AND THEN, ABOUT TWO WEEKS AGO, I
GOT A LONG-DISTANCE PHONE CALL
FROM ERIC IDLE, TONIGHT'S HOST,
GOT A LONG-DISTANCE PHONE CALL
FROM ERIC IDLE, TONIGHT'S HOST,
IN LONDON, SAYING THAT IF I
FROM ERIC IDLE, TONIGHT'S HOST,
IN LONDON, SAYING THAT IF I
WOULD LET HIM COME OVER AND HOST
IN LONDON, SAYING THAT IF I
WOULD LET HIM COME OVER AND HOST
THE SHOW, HE WOULD BRING THE
WOULD LET HIM COME OVER AND HOST
THE SHOW, HE WOULD BRING THE
BEATLES WITH HIM.
THE SHOW, HE WOULD BRING THE
BEATLES WITH HIM.
WELL, IN MY EXCITEMENT, I AGREED
BEATLES WITH HIM.
WELL, IN MY EXCITEMENT, I AGREED
AND FOOLISHLY SENT HIM THE CHECK
WELL, IN MY EXCITEMENT, I AGREED
AND FOOLISHLY SENT HIM THE CHECK
FOR $3,000.
AND FOOLISHLY SENT HIM THE CHECK
FOR $3,000.
YOU SEE, HE SAID THE BEATLES
FOR $3,000.
YOU SEE, HE SAID THE BEATLES
WANTED THE MONEY IN ADVANCE SO
YOU SEE, HE SAID THE BEATLES
WANTED THE MONEY IN ADVANCE SO
THAT THEY COULD BUY SOME NEW
WANTED THE MONEY IN ADVANCE SO
THAT THEY COULD BUY SOME NEW
CLOTHES TO WEAR ON THE SHOW.
THAT THEY COULD BUY SOME NEW
CLOTHES TO WEAR ON THE SHOW.
WELL, WHEN I MET ERIC AT THE
CLOTHES TO WEAR ON THE SHOW.
WELL, WHEN I MET ERIC AT THE
AIRPORT LAST MONDAY, I NOTICED
WELL, WHEN I MET ERIC AT THE
AIRPORT LAST MONDAY, I NOTICED
THAT HE WAS ALONE, SO I SAID,
AIRPORT LAST MONDAY, I NOTICED
THAT HE WAS ALONE, SO I SAID,
"WHERE ARE THEY, THE BEATLES?"
THAT HE WAS ALONE, SO I SAID,
"WHERE ARE THEY, THE BEATLES?"
AND HE SAID THAT THEIR NEW
"WHERE ARE THEY, THE BEATLES?"
AND HE SAID THAT THEIR NEW
CLOTHES WEREN'T READY YET, SO
AND HE SAID THAT THEIR NEW
CLOTHES WEREN'T READY YET, SO
THEY WERE GOING TO CATCH A LATER
CLOTHES WEREN'T READY YET, SO
THEY WERE GOING TO CATCH A LATER
FLIGHT.
THEY WERE GOING TO CATCH A LATER
FLIGHT.
I STILL DIDN'T THINK ANYTHING
FLIGHT.
I STILL DIDN'T THINK ANYTHING
WAS WRONG TILL YESTERDAY WHEN A
I STILL DIDN'T THINK ANYTHING
WAS WRONG TILL YESTERDAY WHEN A
TELEGRAM ARRIVED SAYING, "CAN'T
WAS WRONG TILL YESTERDAY WHEN A
TELEGRAM ARRIVED SAYING, "CAN'T
COME NOW.
TELEGRAM ARRIVED SAYING, "CAN'T
COME NOW.
RINGO'S PANTS TOO LONG. STOP.
COME NOW.
RINGO'S PANTS TOO LONG. STOP.
PLEASE SEND MORE MONEY FOR
RINGO'S PANTS TOO LONG. STOP.
PLEASE SEND MORE MONEY FOR
ALTERATIONS.
PLEASE SEND MORE MONEY FOR
ALTERATIONS.
STOP. SIGNED THE BEATLES."
ALTERATIONS.
STOP. SIGNED THE BEATLES."
WHEN I SHOWED THE TELEGRAM TO
STOP. SIGNED THE BEATLES."
WHEN I SHOWED THE TELEGRAM TO
ERIC, HE SAID HE WOULD CALL
WHEN I SHOWED THE TELEGRAM TO
ERIC, HE SAID HE WOULD CALL
LONDON IMMEDIATELY AND DID AND
ERIC, HE SAID HE WOULD CALL
LONDON IMMEDIATELY AND DID AND
CONVINCED JOHN, PAUL, GEORGE,
LONDON IMMEDIATELY AND DID AND
CONVINCED JOHN, PAUL, GEORGE,
AND RINGO TO SEND OVER A FILM
CONVINCED JOHN, PAUL, GEORGE,
AND RINGO TO SEND OVER A FILM
INSTEAD.
AND RINGO TO SEND OVER A FILM
INSTEAD.
WELL, 20 MINUTES AGO, THE FILM
INSTEAD.
WELL, 20 MINUTES AGO, THE FILM
ARRIVED FROM ENGLAND.
WELL, 20 MINUTES AGO, THE FILM
ARRIVED FROM ENGLAND.
I JUST SAW IT, AND IT'S QUITE
ARRIVED FROM ENGLAND.
I JUST SAW IT, AND IT'S QUITE
GOOD, ONLY IT'S NOT THE BEATLES.
I JUST SAW IT, AND IT'S QUITE
GOOD, ONLY IT'S NOT THE BEATLES.
IT'S THE RUTLES.
GOOD, ONLY IT'S NOT THE BEATLES.
IT'S THE RUTLES.
EVIDENTLY, ERIC HAD A BAD PHONE
IT'S THE RUTLES.
EVIDENTLY, ERIC HAD A BAD PHONE
CONNECTION TO LONDON AND, WELL,
EVIDENTLY, ERIC HAD A BAD PHONE
CONNECTION TO LONDON AND, WELL,
ANYWAY, IT'S HALFWAY THROUGH THE
CONNECTION TO LONDON AND, WELL,
ANYWAY, IT'S HALFWAY THROUGH THE
SHOW AND ERIC'S ALREADY SPENT
ANYWAY, IT'S HALFWAY THROUGH THE
SHOW AND ERIC'S ALREADY SPENT
THE $3,000.
SHOW AND ERIC'S ALREADY SPENT
THE $3,000.
SO, LADIES AND GENTLEMEN, HERE
THE $3,000.
SO, LADIES AND GENTLEMEN, HERE
ARE THE RUTLES.
♪ I FEEL RICH, I FEEL POOR ♪
♪ I'M IN DOUBT, I FEEL SURE ♪
♪ YOU THINK I'M IN LOVE? ♪
♪ I'M IN DOUBT, I FEEL SURE ♪
♪ YOU THINK I'M IN LOVE? ♪
♪ AHH, AHH ♪
♪ YOU THINK I'M IN LOVE? ♪
♪ AHH, AHH ♪
♪ OH, I MUST BE IN LOVE ♪
♪ AHH, AHH ♪
♪ OH, I MUST BE IN LOVE ♪
♪ ANY TIME OF THE DAY,
♪ OH, I MUST BE IN LOVE ♪
♪ ANY TIME OF THE DAY,
I CAN SEE ♪
♪ ANY TIME OF THE DAY,
I CAN SEE ♪
♪ I CAN SEE ♪
I CAN SEE ♪
♪ I CAN SEE ♪
♪ HER FACE ♪
♪ I CAN SEE ♪
♪ HER FACE ♪
♪ WHEN I CLOSE MY EYES ♪
♪ HER FACE ♪
♪ WHEN I CLOSE MY EYES ♪
♪ WHOO ♪
♪ WHEN I CLOSE MY EYES ♪
♪ WHOO ♪
♪ SHE'S A DREAM ♪
♪ WHOO ♪
♪ SHE'S A DREAM ♪
♪ SHE IS REAL ♪
♪ SHE'S A DREAM ♪
♪ SHE IS REAL ♪
♪ I CAN'T EXPLAIN ♪
♪ SHE IS REAL ♪
♪ I CAN'T EXPLAIN ♪
♪ HOW I FEEL ♪
♪ I CAN'T EXPLAIN ♪
♪ HOW I FEEL ♪
♪ I'M IN LOVE ♪
♪ HOW I FEEL ♪
♪ I'M IN LOVE ♪
♪ AHH, AHH ♪
♪ I'M IN LOVE ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ ANY TIME OF THE DAY,
I CAN SEE ♪
♪ I CAN SEE ♪
I CAN SEE ♪
♪ I CAN SEE ♪
♪ HER FACE ♪
♪ I CAN SEE ♪
♪ HER FACE ♪
♪ WHEN I CLOSE MY EYES ♪
♪ HER FACE ♪
♪ WHEN I CLOSE MY EYES ♪
♪ WHOO ♪
♪ WHEN I CLOSE MY EYES ♪
♪ WHOO ♪
♪ AM I DEAD? ♪
♪ WHOO ♪
♪ AM I DEAD? ♪
♪ OR ALIVE? ♪
♪ AM I DEAD? ♪
♪ OR ALIVE? ♪
♪ CAN MY POOR HEART SURVIVE? ♪
♪ OR ALIVE? ♪
♪ CAN MY POOR HEART SURVIVE? ♪
♪ AM I IN LOVE? ♪
♪ CAN MY POOR HEART SURVIVE? ♪
♪ AM I IN LOVE? ♪
♪ AHH, AHH ♪
♪ AM I IN LOVE? ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ I FEEL GOOD, I FEEL BAD ♪
♪ I MUST BE IN LOVE ♪
♪ I FEEL GOOD, I FEEL BAD ♪
♪ I FEEL HAPPY, I FEEL SAD ♪
♪ I FEEL GOOD, I FEEL BAD ♪
♪ I FEEL HAPPY, I FEEL SAD ♪
♪ AM I IN LOVE? ♪
♪ I FEEL HAPPY, I FEEL SAD ♪
♪ AM I IN LOVE? ♪
♪ AHH, AHH ♪
♪ AM I IN LOVE? ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ I MUST BE IN LOVE ♪
♪ I MUST BE IN LOVE ♪
♪ I MUST BE IN LOVE ♪
[WOMEN SCREAMING]
THE FABULOUS RUTLES THERE IN
THEIR MOVIE "A HARD DAY'S RUT,"
DIRECTED BY DICK LESTER, WHICH
THEIR MOVIE "A HARD DAY'S RUT,"
DIRECTED BY DICK LESTER, WHICH
IS VERY NEAR RUTLAND.
DIRECTED BY DICK LESTER, WHICH
IS VERY NEAR RUTLAND.
FROM THESE STREETS, VERY CLOSE
IS VERY NEAR RUTLAND.
FROM THESE STREETS, VERY CLOSE
TO THE CAVERN RUTLAND, CAME THE
FROM THESE STREETS, VERY CLOSE
TO THE CAVERN RUTLAND, CAME THE
FABULOUS RUTLAND SOUND CREATED
TO THE CAVERN RUTLAND, CAME THE
FABULOUS RUTLAND SOUND CREATED
BY THE FAB FOUR... DIRK, NASTY,
FABULOUS RUTLAND SOUND CREATED
BY THE FAB FOUR... DIRK, NASTY,
STIG, AND BARRY, WHO CREATED A
BY THE FAB FOUR... DIRK, NASTY,
STIG, AND BARRY, WHO CREATED A
MUSICAL LEGEND THAT WILL LAST A
STIG, AND BARRY, WHO CREATED A
MUSICAL LEGEND THAT WILL LAST A
LUNCHTIME.
MUSICAL LEGEND THAT WILL LAST A
LUNCHTIME.
THEY WERE DISCOVERED BY THEIR
LUNCHTIME.
THEY WERE DISCOVERED BY THEIR
MANAGER, LEGGY MOUNTBATTEN, IN A
THEY WERE DISCOVERED BY THEIR
MANAGER, LEGGY MOUNTBATTEN, IN A
LUNCHTIME DISCO VERY CLOSE TO
MANAGER, LEGGY MOUNTBATTEN, IN A
LUNCHTIME DISCO VERY CLOSE TO
THESE STREETS.
LUNCHTIME DISCO VERY CLOSE TO
THESE STREETS.
THEIR FIRST ALBUM WAS MADE IN 20
THESE STREETS.
THEIR FIRST ALBUM WAS MADE IN 20
MINUTES.
THEIR FIRST ALBUM WAS MADE IN 20
MINUTES.
THE SECOND TOOK EVEN LONGER.
MINUTES.
THE SECOND TOOK EVEN LONGER.
TONIGHT, WE EXAMINE THE LEGEND
THE SECOND TOOK EVEN LONGER.
TONIGHT, WE EXAMINE THE LEGEND
OF THE RUTLES.
TONIGHT, WE EXAMINE THE LEGEND
OF THE RUTLES.
WE LOOK AT THEIR LIVES, THEIR
OF THE RUTLES.
WE LOOK AT THEIR LIVES, THEIR
LOVES, THEIR MUSIC.
WE LOOK AT THEIR LIVES, THEIR
LOVES, THEIR MUSIC.
WE EXAMINE SOME OF THE PROBLEMS
LOVES, THEIR MUSIC.
WE EXAMINE SOME OF THE PROBLEMS
THAT MADE THEM WHAT THEY ARE
WE EXAMINE SOME OF THE PROBLEMS
THAT MADE THEM WHAT THEY ARE
TODAY.
THAT MADE THEM WHAT THEY ARE
TODAY.
WE WILL ALSO ASK THE QUESTION
TODAY.
WE WILL ALSO ASK THE QUESTION
WHETHER THESE PEOPLE SHOULDN'T
WE WILL ALSO ASK THE QUESTION
WHETHER THESE PEOPLE SHOULDN'T
REALLY HAVE BEEN DOING
WHETHER THESE PEOPLE SHOULDN'T
REALLY HAVE BEEN DOING
SOMETHING BETTER FOR THEIR
REALLY HAVE BEEN DOING
SOMETHING BETTER FOR THEIR
MONEY.
SOMETHING BETTER FOR THEIR
MONEY.
AND WE SHALL BE ASKING WHAT SOME
MONEY.
AND WE SHALL BE ASKING WHAT SOME
OF THE PEOPLE WHO WORK WITH
AND WE SHALL BE ASKING WHAT SOME
OF THE PEOPLE WHO WORK WITH
THEM, WHETHER THEY REALLY WERE
OF THE PEOPLE WHO WORK WITH
THEM, WHETHER THEY REALLY WERE
THE SORT OF NICE, LOVEABLE
THEM, WHETHER THEY REALLY WERE
THE SORT OF NICE, LOVEABLE
PEOPLE THAT THEY WERE MADE OUT
THE SORT OF NICE, LOVEABLE
PEOPLE THAT THEY WERE MADE OUT
TO BE.
PEOPLE THAT THEY WERE MADE OUT
TO BE.
TONIGHT, WE SHALL BE ALSO
TO BE.
TONIGHT, WE SHALL BE ALSO
SPEAKING TO MANY OF THE PEOPLE
TONIGHT, WE SHALL BE ALSO
SPEAKING TO MANY OF THE PEOPLE
WHO...
[German accent] ♪ THE BABE
IN THE CRADLE IS CLOSING ITS
EYES ♪
IN THE CRADLE IS CLOSING ITS
EYES ♪
♪ THE BLOSSOM EMBRACES THE BEE ♪
EYES ♪
♪ THE BLOSSOM EMBRACES THE BEE ♪
♪ THE MORNING WILL COME WHEN THE
♪ THE BLOSSOM EMBRACES THE BEE ♪
♪ THE MORNING WILL COME WHEN THE
WORLD IS MINE ♪
♪ THE MORNING WILL COME WHEN THE
WORLD IS MINE ♪
♪ TOMORROW BELONGS TO ME ♪
WORLD IS MINE ♪
♪ TOMORROW BELONGS TO ME ♪
♪ THE BRANCH IN THE LINDEN IS
♪ TOMORROW BELONGS TO ME ♪
♪ THE BRANCH IN THE LINDEN IS
LEAFY AND GREEN ♪
♪ THE BRANCH IN THE LINDEN IS
LEAFY AND GREEN ♪
♪ THE RHINE GIVES ITS GOLD TO
LEAFY AND GREEN ♪
♪ THE RHINE GIVES ITS GOLD TO
THE SEA ♪
♪ THE RHINE GIVES ITS GOLD TO
THE SEA ♪
♪ THE MORNING WILL COME WHEN THE
THE SEA ♪
♪ THE MORNING WILL COME WHEN THE
WORLD IS MINE ♪
♪ THE MORNING WILL COME WHEN THE
WORLD IS MINE ♪
♪ TOMORROW BELONGS ♪
WORLD IS MINE ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS TO ME ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS TO ME ♪
HEIL HITLER.
♪ TOMORROW BELONGS TO ME ♪
HEIL HITLER.
HEIL HITLER!
HEIL HITLER.
HEIL HITLER!
[TALKING OVER EACH OTHER]
[German accent] WOULD YOU
CARE TO PURCHASE A PAIR OF
MITTENS?
CARE TO PURCHASE A PAIR OF
MITTENS?
[German accent] IT DEPENDS
MITTENS?
[German accent] IT DEPENDS
ON THE YARN.
[German accent] IT DEPENDS
ON THE YARN.
IN ITALY, IT IS ILLEGAL TO
ON THE YARN.
IN ITALY, IT IS ILLEGAL TO
RECORD THE RING OF A TELEPHONE.
IN ITALY, IT IS ILLEGAL TO
RECORD THE RING OF A TELEPHONE.
WHICH LASTS LONGER... SILK OR
RECORD THE RING OF A TELEPHONE.
WHICH LASTS LONGER... SILK OR
RAYON UNDERWEAR?
WHICH LASTS LONGER... SILK OR
RAYON UNDERWEAR?
HOW DO YOU SAY "TOOTH POWDER"
RAYON UNDERWEAR?
HOW DO YOU SAY "TOOTH POWDER"
IN PORTUGUESE?
HOW DO YOU SAY "TOOTH POWDER"
IN PORTUGUESE?
CATS ARE NOTHING MORE THAN
IN PORTUGUESE?
CATS ARE NOTHING MORE THAN
EFFEMINATE DOGS.
CATS ARE NOTHING MORE THAN
EFFEMINATE DOGS.
THE FIREPLACE HAS FLOWN SOUTH
EFFEMINATE DOGS.
THE FIREPLACE HAS FLOWN SOUTH
FOR THE WINTER.
THE FIREPLACE HAS FLOWN SOUTH
FOR THE WINTER.
WHAT DO YOU SAY TO A
FOR THE WINTER.
WHAT DO YOU SAY TO A
CENTIPEDE ON OPENING NIGHT?
WHAT DO YOU SAY TO A
CENTIPEDE ON OPENING NIGHT?
BREAK FOUR OR FIVE LEGS.
CENTIPEDE ON OPENING NIGHT?
BREAK FOUR OR FIVE LEGS.
[Normal voice] HENDERSON, MI5.
BREAK FOUR OR FIVE LEGS.
[Normal voice] HENDERSON, MI5.
[Normal voice] McKINLEY,
[Normal voice] HENDERSON, MI5.
[Normal voice] McKINLEY,
O.S.S.
[Normal voice] McKINLEY,
O.S.S.
WE WERE AFRAID YOU'D BEEN TAKEN.
O.S.S.
WE WERE AFRAID YOU'D BEEN TAKEN.
WE HAD A NARROW SQUEAK AT
WE WERE AFRAID YOU'D BEEN TAKEN.
WE HAD A NARROW SQUEAK AT
BREMERHAVEN.
WE HAD A NARROW SQUEAK AT
BREMERHAVEN.
THEY GOT THE RADIO, I'M AFRAID.
BREMERHAVEN.
THEY GOT THE RADIO, I'M AFRAID.
CROSS IS DEAD, RITTENHOUSE,
THEY GOT THE RADIO, I'M AFRAID.
CROSS IS DEAD, RITTENHOUSE,
TOO.
CROSS IS DEAD, RITTENHOUSE,
TOO.
CRAIGER'S BEEN CAPTURED.
TOO.
CRAIGER'S BEEN CAPTURED.
WHAT ABOUT THE WINDMILL
CRAIGER'S BEEN CAPTURED.
WHAT ABOUT THE WINDMILL
KEEPER?
WHAT ABOUT THE WINDMILL
KEEPER?
WHAT WINDMILL KEEPER?
KEEPER?
WHAT WINDMILL KEEPER?
THE ONE THAT SIGNALS THE
WHAT WINDMILL KEEPER?
THE ONE THAT SIGNALS THE
R.A.F. BOMBERS BY LIGHTING THE
THE ONE THAT SIGNALS THE
R.A.F. BOMBERS BY LIGHTING THE
WHEAT.
R.A.F. BOMBERS BY LIGHTING THE
WHEAT.
WELL, THEY SHOT HIM
WHEAT.
WELL, THEY SHOT HIM
YESTERDAY.
WELL, THEY SHOT HIM
YESTERDAY.
WHAT LUCK?
YESTERDAY.
WHAT LUCK?
THAT MEANS WE FALL BACK ON
WHAT LUCK?
THAT MEANS WE FALL BACK ON
CONTINGENCY PLAN "N."
THAT MEANS WE FALL BACK ON
CONTINGENCY PLAN "N."
EXACTLY.
CONTINGENCY PLAN "N."
EXACTLY.
NOW, FIRST, WE MUST CONTACT
EXACTLY.
NOW, FIRST, WE MUST CONTACT
HEFFLER, THE LITTLE WATCHMAKER.
NOW, FIRST, WE MUST CONTACT
HEFFLER, THE LITTLE WATCHMAKER.
AND THEN [German accent] WE GO
HEFFLER, THE LITTLE WATCHMAKER.
AND THEN [German accent] WE GO
TO INGA'S PLACE UND WE SEE HER
AND THEN [German accent] WE GO
TO INGA'S PLACE UND WE SEE HER
CUCKOO CLOCK AND DRINK SOME
TO INGA'S PLACE UND WE SEE HER
CUCKOO CLOCK AND DRINK SOME
LIEBFRAUMILCH.
CUCKOO CLOCK AND DRINK SOME
LIEBFRAUMILCH.
[German accent] JA, THAT
LIEBFRAUMILCH.
[German accent] JA, THAT
INGA, SHE'S ONE HELL OF A
[German accent] JA, THAT
INGA, SHE'S ONE HELL OF A
FRAEULEIN.
INGA, SHE'S ONE HELL OF A
FRAEULEIN.
OH, JA.
FRAEULEIN.
OH, JA.
[Normal accent] HEFFLER WILL
OH, JA.
[Normal accent] HEFFLER WILL
GIVE US FORGED PASSPORTS AND TWO
[Normal accent] HEFFLER WILL
GIVE US FORGED PASSPORTS AND TWO
SECOND-CLASS RAILWAY TICKETS TO
GIVE US FORGED PASSPORTS AND TWO
SECOND-CLASS RAILWAY TICKETS TO
BERLIN.
SECOND-CLASS RAILWAY TICKETS TO
BERLIN.
POSING AS RETIRED
BERLIN.
POSING AS RETIRED
SCHOOLTEACHERS ON HOLIDAY.
POSING AS RETIRED
SCHOOLTEACHERS ON HOLIDAY.
WE WILL BOARD THE TRAIN AND SEAT
SCHOOLTEACHERS ON HOLIDAY.
WE WILL BOARD THE TRAIN AND SEAT
OURSELVES IN THE LAST CAR.
WE WILL BOARD THE TRAIN AND SEAT
OURSELVES IN THE LAST CAR.
[German accent] THEN WE PICK
OURSELVES IN THE LAST CAR.
[German accent] THEN WE PICK
UP INGA AT THE HOFBRAU, HAVE
[German accent] THEN WE PICK
UP INGA AT THE HOFBRAU, HAVE
SOME SAUERKRAUT AND WEAR SOME
UP INGA AT THE HOFBRAU, HAVE
SOME SAUERKRAUT AND WEAR SOME
LEDERHOSEN, JA.
SOME SAUERKRAUT AND WEAR SOME
LEDERHOSEN, JA.
[German accent] JA, THAT
LEDERHOSEN, JA.
[German accent] JA, THAT
INGA, SHE'S ONE HOT SLICE OF A
[German accent] JA, THAT
INGA, SHE'S ONE HOT SLICE OF A
GOOSE.
INGA, SHE'S ONE HOT SLICE OF A
GOOSE.
JA!
GOOSE.
JA!
[Normal voice] WE DISGUISE
JA!
[Normal voice] WE DISGUISE
OURSELVES AS TRAVELING ACROBATS,
[Normal voice] WE DISGUISE
OURSELVES AS TRAVELING ACROBATS,
SLIP OFF THE TRAIN AT
OURSELVES AS TRAVELING ACROBATS,
SLIP OFF THE TRAIN AT
STRASSENBURG, CUT THE TELEGRAPH
SLIP OFF THE TRAIN AT
STRASSENBURG, CUT THE TELEGRAPH
LINES, BLOW THE CHEMICAL PLANT,
STRASSENBURG, CUT THE TELEGRAPH
LINES, BLOW THE CHEMICAL PLANT,
AND THEN WE GO TO...
LINES, BLOW THE CHEMICAL PLANT,
AND THEN WE GO TO...
[German accent] THEN WE FLY TO
AND THEN WE GO TO...
[German accent] THEN WE FLY TO
ENGLAND, KILL HITLER, AND STEAL
[German accent] THEN WE FLY TO
ENGLAND, KILL HITLER, AND STEAL
A PLANE.
[German accent] I HAVE
SOMETHING I MUST TELL YOU.
I AM INGA.
SOMETHING I MUST TELL YOU.
I AM INGA.
All: ♪ TOMORROW BELONGS ♪
I AM INGA.
All: ♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
All: ♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS TO ME ♪
[Australian accent] GOOD
DAY, LADIES AND GENTLEMEN.
I'M FROM GOD'S OWN COUNTRY,
DAY, LADIES AND GENTLEMEN.
I'M FROM GOD'S OWN COUNTRY,
AUSTRALIA, AND I'D LIKE TO SING
I'M FROM GOD'S OWN COUNTRY,
AUSTRALIA, AND I'D LIKE TO SING
A NICE LITTLE OUTBACK SONG.
AUSTRALIA, AND I'D LIKE TO SING
A NICE LITTLE OUTBACK SONG.
IT'S ALL ABOUT MAN'S LOVE FOR
A NICE LITTLE OUTBACK SONG.
IT'S ALL ABOUT MAN'S LOVE FOR
HIS FELLOW ANIMAL.
IT'S ALL ABOUT MAN'S LOVE FOR
HIS FELLOW ANIMAL.
IT'S GOT A VERY CATCHY AND
HIS FELLOW ANIMAL.
IT'S GOT A VERY CATCHY AND
ATTRACTIVE CHORUS, SO PLEASE
IT'S GOT A VERY CATCHY AND
ATTRACTIVE CHORUS, SO PLEASE
SHUT UP WHILE I'M SINGING IT.
ATTRACTIVE CHORUS, SO PLEASE
SHUT UP WHILE I'M SINGING IT.
AFTER FOUR. FOUR.
SHUT UP WHILE I'M SINGING IT.
AFTER FOUR. FOUR.
♪ OH, ROVER THE DROVER IS NOT
AFTER FOUR. FOUR.
♪ OH, ROVER THE DROVER IS NOT
WHAT HE SEEMS ♪
♪ OH, ROVER THE DROVER IS NOT
WHAT HE SEEMS ♪
♪ 'CAUSE HE STOLE THE HEART OF
WHAT HE SEEMS ♪
♪ 'CAUSE HE STOLE THE HEART OF
THE COW OF MY DREAMS ♪
♪ 'CAUSE HE STOLE THE HEART OF
THE COW OF MY DREAMS ♪
♪ ROVER THE DROVER WON'T COME
THE COW OF MY DREAMS ♪
♪ ROVER THE DROVER WON'T COME
BACK NO MORE ♪
♪ ROVER THE DROVER WON'T COME
BACK NO MORE ♪
♪ 'CAUSE HE STOLE THE HEART OF
BACK NO MORE ♪
♪ 'CAUSE HE STOLE THE HEART OF
THE COW I ADO... ♪
♪ 'CAUSE HE STOLE THE HEART OF
THE COW I ADO... ♪
ERIC, THIS SONG IS SO DEEP...
THE COW I ADO... ♪
ERIC, THIS SONG IS SO DEEP...
YEAH?
ERIC, THIS SONG IS SO DEEP...
YEAH?
I THINK WE OUGHT TO SAVE IT
YEAH?
I THINK WE OUGHT TO SAVE IT
FOR THE END OF THE SHOW, BABY.
I THINK WE OUGHT TO SAVE IT
FOR THE END OF THE SHOW, BABY.
IT'S TOO STRONG FOR HERE?
FOR THE END OF THE SHOW, BABY.
IT'S TOO STRONG FOR HERE?
YEAH, YEAH, MAN.
IT'S TOO STRONG FOR HERE?
YEAH, YEAH, MAN.
I'LL DO IT AS AN ENCORE.
YEAH, YEAH, MAN.
I'LL DO IT AS AN ENCORE.
YEAH, RIGHT, RIGHT, RIGHT.
I'LL DO IT AS AN ENCORE.
YEAH, RIGHT, RIGHT, RIGHT.
OKAY.
YEAH, RIGHT, RIGHT, RIGHT.
OKAY.
WHAT SHOULD WE DO NOW FOR THE
OKAY.
WHAT SHOULD WE DO NOW FOR THE
PEOPLE?
WHAT SHOULD WE DO NOW FOR THE
PEOPLE?
WELL, MAYBE WE BETTER LET
PEOPLE?
WELL, MAYBE WE BETTER LET
JOE COCKER SING AGAIN.
WELL, MAYBE WE BETTER LET
JOE COCKER SING AGAIN.
OH, OKAY, YEAH.
JOE COCKER SING AGAIN.
OH, OKAY, YEAH.
JOE COCKER AGAIN.
OH, OKAY, YEAH.
JOE COCKER AGAIN.
[APPLAUSE]
JOE COCKER AGAIN.
[APPLAUSE]
[INTRODUCTION TO
[APPLAUSE]
[INTRODUCTION TO
"FEELIN' ALRIGHT" PLAYS]
♪ SEEMS I GOT TO HAVE A CHANGE
OF SCENE ♪
♪ 'CAUSE EVERY NIGHT I HAVE THE
OF SCENE ♪
♪ 'CAUSE EVERY NIGHT I HAVE THE
STRANGEST DREAMS ♪
♪ 'CAUSE EVERY NIGHT I HAVE THE
STRANGEST DREAMS ♪
♪ IMPRISONED BY THE WAY IT COULD
STRANGEST DREAMS ♪
♪ IMPRISONED BY THE WAY IT COULD
HAVE BEEN ♪
♪ IMPRISONED BY THE WAY IT COULD
HAVE BEEN ♪
♪ LEFT HERE ON MY OWN OR SO IT
HAVE BEEN ♪
♪ LEFT HERE ON MY OWN OR SO IT
SEEMS ♪
♪ LEFT HERE ON MY OWN OR SO IT
SEEMS ♪
♪ I GOT TO LEAVE BEFORE I START
SEEMS ♪
♪ I GOT TO LEAVE BEFORE I START
TO SCREAM ♪
♪ I GOT TO LEAVE BEFORE I START
TO SCREAM ♪
♪ BUT SOMEONE'S LOCKED THE DOOR
TO SCREAM ♪
♪ BUT SOMEONE'S LOCKED THE DOOR
AND TOOK THE KEY ♪
♪ BUT SOMEONE'S LOCKED THE DOOR
AND TOOK THE KEY ♪
♪ FEELIN' ALRIGHT ♪
AND TOOK THE KEY ♪
♪ FEELIN' ALRIGHT ♪
♪ I'M NOT FEELIN' TOO GOOD
♪ FEELIN' ALRIGHT ♪
♪ I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ OH, NO ♪
MYSELF ♪
♪ OH, NO ♪
♪ I KNOW YOU'RE FEELIN'
♪ OH, NO ♪
♪ I KNOW YOU'RE FEELIN'
ALRIGHT ♪
♪ I KNOW YOU'RE FEELIN'
ALRIGHT ♪
♪ SAY I'M NOT FEELIN' TOO GOOD
ALRIGHT ♪
♪ SAY I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ SAY I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ OH, NO ♪
MYSELF ♪
♪ OH, NO ♪
[Imitating Joe Cocker] BOY,
♪ OH, NO ♪
[Imitating Joe Cocker] BOY,
YOU SURE TOOK ME FOR ONE BIG
[Imitating Joe Cocker] BOY,
YOU SURE TOOK ME FOR ONE BIG
RIDE ♪
YOU SURE TOOK ME FOR ONE BIG
RIDE ♪
♪ EVEN NOW I SIT AND I WONDER
RIDE ♪
♪ EVEN NOW I SIT AND I WONDER
WHY ♪
♪ EVEN NOW I SIT AND I WONDER
WHY ♪
♪ AND WHEN I THINK OF YOU, I
WHY ♪
♪ AND WHEN I THINK OF YOU, I
START MYSELF A-CRYIN' ♪
♪ AND WHEN I THINK OF YOU, I
START MYSELF A-CRYIN' ♪
♪ I JUST CAN'T WASTE MY TIME ♪
START MYSELF A-CRYIN' ♪
♪ I JUST CAN'T WASTE MY TIME ♪
[SINGING INDISTINCTLY]
♪ I JUST CAN'T WASTE MY TIME ♪
[SINGING INDISTINCTLY]
♪ GOT TO STOP BELIEVIN' IN ALL
[SINGING INDISTINCTLY]
♪ GOT TO STOP BELIEVIN' IN ALL
YOUR LIES ♪
♪ GOT TO STOP BELIEVIN' IN ALL
YOUR LIES ♪
♪ I GOT TO MUCH TO DO BEFORE I
YOUR LIES ♪
♪ I GOT TO MUCH TO DO BEFORE I
DIE ♪
♪ I GOT TO MUCH TO DO BEFORE I
DIE ♪
♪ FEELIN' ALRIGHT ♪
DIE ♪
♪ FEELIN' ALRIGHT ♪
♪ FEELIN' ALRIGHT ♪
♪ FEELIN' ALRIGHT ♪
♪ FEELIN' ALRIGHT ♪
♪ OH, NO ♪
♪ FEELIN' ALRIGHT ♪
♪ OH, NO ♪
♪ FEELIN' ALRIGHT ♪
♪ OH, NO ♪
♪ FEELIN' ALRIGHT ♪
♪ UH-HUH ♪
♪ FEELIN' ALRIGHT ♪
♪ UH-HUH ♪
♪ TOO GOOD MYSELF ♪
♪ UH-HUH ♪
♪ TOO GOOD MYSELF ♪
♪ WHOO! ♪
♪ TOO GOOD MYSELF ♪
♪ WHOO! ♪
♪ HA HA HA! ♪
♪ DON'T GET TOO LOST ALONE, I
SAID, YEAH ♪
[SINGING INDISTINCTLY]
SAID, YEAH ♪
[SINGING INDISTINCTLY]
♪ SAY EVERYTHING ♪
[SINGING INDISTINCTLY]
♪ SAY EVERYTHING ♪
♪ NOW YOU KNOW YESTERDAY ♪
♪ SAY EVERYTHING ♪
♪ NOW YOU KNOW YESTERDAY ♪
♪ I CAN'T GET STRAIGHT ♪
♪ NOW YOU KNOW YESTERDAY ♪
♪ I CAN'T GET STRAIGHT ♪
♪ I GUESS I'M HERE TO STAY ♪
♪ I CAN'T GET STRAIGHT ♪
♪ I GUESS I'M HERE TO STAY ♪
♪ TILL SOMEONE COMES ALONG AND
♪ I GUESS I'M HERE TO STAY ♪
♪ TILL SOMEONE COMES ALONG AND
TAKES MY PLACE ♪
♪ TILL SOMEONE COMES ALONG AND
TAKES MY PLACE ♪
♪ WITH A DIFFERENT NAME AND A
TAKES MY PLACE ♪
♪ WITH A DIFFERENT NAME AND A
DIFFERENT FACE ♪
♪ WITH A DIFFERENT NAME AND A
DIFFERENT FACE ♪
♪ FEELIN' ALRIGHT ♪
DIFFERENT FACE ♪
♪ FEELIN' ALRIGHT ♪
♪ SAID I'M NOT FEELIN' TOO GOOD
♪ FEELIN' ALRIGHT ♪
♪ SAID I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ SAID I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ OH, NO ♪
MYSELF ♪
♪ OH, NO ♪
♪ NO, I'M NOT FEELIN' ♪
♪ OH, NO ♪
♪ NO, I'M NOT FEELIN' ♪
♪ UH-HUH ♪
♪ NO, I'M NOT FEELIN' ♪
♪ UH-HUH ♪
♪ YEAH, I'M NOT FEELIN' TOO
♪ UH-HUH ♪
♪ YEAH, I'M NOT FEELIN' TOO
GOOD ♪
♪ YEAH, I'M NOT FEELIN' TOO
GOOD ♪
♪ OH, NO ♪
♪ GUESS I'M FEELIN' ALRIGHT ♪
♪ OH, FEELIN' ALL WRONG ♪
♪ FEELIN' ALRIGHT ♪
♪ OH, FEELIN' ALL WRONG ♪
♪ FEELIN' ALRIGHT ♪
[CHEERS AND APPLAUSE]
["DRAGNET" THEME PLAYS]
THIS IS THE CITY LOS ANGELES,
NEAR CALIFORNIA.
THIS IS THE CITY LOS ANGELES,
NEAR CALIFORNIA.
THE STORY YOU ARE ABOUT TO SEE
NEAR CALIFORNIA.
THE STORY YOU ARE ABOUT TO SEE
IS TRUE.
THE STORY YOU ARE ABOUT TO SEE
IS TRUE.
ONLY THE FACTS HAVE BEEN CHANGED
IS TRUE.
ONLY THE FACTS HAVE BEEN CHANGED
TO PROTECT THE WRITERS.
ONLY THE FACTS HAVE BEEN CHANGED
TO PROTECT THE WRITERS.
["DRAGNET" THEME PLAYS]
TO PROTECT THE WRITERS.
["DRAGNET" THEME PLAYS]
IT WAS A PERFECTLY ORDINARY
["DRAGNET" THEME PLAYS]
IT WAS A PERFECTLY ORDINARY
SUNDAY.
IT WAS A PERFECTLY ORDINARY
SUNDAY.
MY NAME'S FRIDAY.
SUNDAY.
MY NAME'S FRIDAY.
MY PARTNER'S NAME IS
MY NAME'S FRIDAY.
MY PARTNER'S NAME IS
SATURDAY MORNING.
MY PARTNER'S NAME IS
SATURDAY MORNING.
WE CAN ONLY WORK WEEKENDS.
SATURDAY MORNING.
WE CAN ONLY WORK WEEKENDS.
WE WERE ENGAGED IN ROUTINE
WE CAN ONLY WORK WEEKENDS.
WE WERE ENGAGED IN ROUTINE
POLICE BUSINESS... WASHING UP,
WE WERE ENGAGED IN ROUTINE
POLICE BUSINESS... WASHING UP,
IRONING, SEWING.
POLICE BUSINESS... WASHING UP,
IRONING, SEWING.
THE TIME... 3:15.
IRONING, SEWING.
THE TIME... 3:15.
THE PLACE... HEADQUARTERS.
THE TIME... 3:15.
THE PLACE... HEADQUARTERS.
THE HAIRSTYLES BY MR. RAY OF
THE PLACE... HEADQUARTERS.
THE HAIRSTYLES BY MR. RAY OF
VIDAL SASSOON.
THE HAIRSTYLES BY MR. RAY OF
VIDAL SASSOON.
[TELEPHONE RINGS]
VIDAL SASSOON.
[TELEPHONE RINGS]
THE PHONE RANG.
[TELEPHONE RINGS]
THE PHONE RANG.
IT WAS LUCILLE BALL.
THE PHONE RANG.
IT WAS LUCILLE BALL.
WE DIDN'T ANSWER.
IT WAS LUCILLE BALL.
WE DIDN'T ANSWER.
[TELEPHONE RINGS]
WE DIDN'T ANSWER.
[TELEPHONE RINGS]
THE PHONE RANG AGAIN.
[TELEPHONE RINGS]
THE PHONE RANG AGAIN.
THIS TIME, IT WAS MOTORCYCLE
THE PHONE RANG AGAIN.
THIS TIME, IT WAS MOTORCYCLE
OFFICER HARVEY GOLDBLATT.
THIS TIME, IT WAS MOTORCYCLE
OFFICER HARVEY GOLDBLATT.
HELLO?
OFFICER HARVEY GOLDBLATT.
HELLO?
RIGHT. RIGHT. RIGHT.
HELLO?
RIGHT. RIGHT. RIGHT.
RIGHT.
RIGHT. RIGHT. RIGHT.
RIGHT.
RIGHT.
RIGHT.
RIGHT.
OKAY, WE'LL BE RIGHT THERE.
HEY, SERGE, WHERE ARE WE
GOING?
SHUT UP AND LISTEN TO THE
GOING?
SHUT UP AND LISTEN TO THE
VOICEOVER.
SHUT UP AND LISTEN TO THE
VOICEOVER.
10-3.
VOICEOVER.
10-3.
10-4.
10-3.
10-4.
SORRY.
10-4.
SORRY.
RIGHT.
SORRY.
RIGHT.
THE TIME... 3:25.
RIGHT.
THE TIME... 3:25.
THE PLACE... THE STREET.
THE TIME... 3:25.
THE PLACE... THE STREET.
THE HANDBAGS BY GUCCI.
THE PLACE... THE STREET.
THE HANDBAGS BY GUCCI.
ON THE TRAIL, WE SCREAMED TO A
THE HANDBAGS BY GUCCI.
ON THE TRAIL, WE SCREAMED TO A
HALT.
ON THE TRAIL, WE SCREAMED TO A
HALT.
[SCREAMS]
HALT.
[SCREAMS]
LOOK. THERE'S OFFICER GOLDBLATT.
[SCREAMS]
LOOK. THERE'S OFFICER GOLDBLATT.
WHAT'S UP, HARVEY?
LOOK. THERE'S OFFICER GOLDBLATT.
WHAT'S UP, HARVEY?
MAN UPSTAIRS IMPERSONATING A
WHAT'S UP, HARVEY?
MAN UPSTAIRS IMPERSONATING A
POLICE OFFICER.
MAN UPSTAIRS IMPERSONATING A
POLICE OFFICER.
WHY DIDN'T YOU MOVE IN THERE
POLICE OFFICER.
WHY DIDN'T YOU MOVE IN THERE
YOURSELF?
WHY DIDN'T YOU MOVE IN THERE
YOURSELF?
I'VE GOT A SNAG IN MY
YOURSELF?
I'VE GOT A SNAG IN MY
PANTYHOSE.
I'VE GOT A SNAG IN MY
PANTYHOSE.
RIGHT. OKAY.
PANTYHOSE.
RIGHT. OKAY.
WE'LL TAKE CARE OF IT.
RIGHT. OKAY.
WE'LL TAKE CARE OF IT.
LET'S GO.
WE'LL TAKE CARE OF IT.
LET'S GO.
[KNOCK ON DOOR]
LET'S GO.
[KNOCK ON DOOR]
OPEN UP! OPEN UP! POLICE.
[KNOCK ON DOOR]
OPEN UP! OPEN UP! POLICE.
OPEN UP!
OPEN UP! OPEN UP! POLICE.
OPEN UP!
WE'RE POLICE OFFICERS.
OPEN UP!
WE'RE POLICE OFFICERS.
POLICE OFFICERS, MA'AM.
WE'RE POLICE OFFICERS.
POLICE OFFICERS, MA'AM.
HOW DO I KNOW YOU ARE?
POLICE OFFICERS, MA'AM.
HOW DO I KNOW YOU ARE?
WE'RE PLAINCLOTHES.
HOW DO I KNOW YOU ARE?
WE'RE PLAINCLOTHES.
WHAT DO YOU MEAN PLAIN?
WE'RE PLAINCLOTHES.
WHAT DO YOU MEAN PLAIN?
I PAID $85 FOR THIS FROCK.
WHAT DO YOU MEAN PLAIN?
I PAID $85 FOR THIS FROCK.
YOU CALL THIS A PLAIN FROCK?
I PAID $85 FOR THIS FROCK.
YOU CALL THIS A PLAIN FROCK?
I MEAN PLAINCLOTHES... A TERM
YOU CALL THIS A PLAIN FROCK?
I MEAN PLAINCLOTHES... A TERM
FOR UNDERCOVER.
I MEAN PLAINCLOTHES... A TERM
FOR UNDERCOVER.
OH.
FOR UNDERCOVER.
OH.
DON'T YOU LIKE THIS FROCK?
OH.
DON'T YOU LIKE THIS FROCK?
I LOVE IT.
DON'T YOU LIKE THIS FROCK?
I LOVE IT.
MA'AM, IS YOUR HUSBAND HOME?
I LOVE IT.
MA'AM, IS YOUR HUSBAND HOME?
UH... UH, NO.
MA'AM, IS YOUR HUSBAND HOME?
UH... UH, NO.
NO, UH, NO, HE'S NOT HERE.
UH... UH, NO.
NO, UH, NO, HE'S NOT HERE.
HE WENT OUT.
NO, UH, NO, HE'S NOT HERE.
HE WENT OUT.
I'M NOT MARRIED.
HE WENT OUT.
I'M NOT MARRIED.
HONEY!
I'M NOT MARRIED.
HONEY!
WHO IS IT?
HONEY!
WHO IS IT?
YOU'RE UNDER ARREST FOR
WHO IS IT?
YOU'RE UNDER ARREST FOR
IMPERSONATING A POLICE OFFICER.
YOU'RE UNDER ARREST FOR
IMPERSONATING A POLICE OFFICER.
LET'S GO.
IMPERSONATING A POLICE OFFICER.
LET'S GO.
I'M WEARING THE SAME FROCK.
LET'S GO.
I'M WEARING THE SAME FROCK.
COME ON, LET'S GO.
I'M WEARING THE SAME FROCK.
COME ON, LET'S GO.
OKAY, OKAY, OKAY.
COME ON, LET'S GO.
OKAY, OKAY, OKAY.
LET'S GO.
OKAY, OKAY, OKAY.
LET'S GO.
NO, NO, COME ON.
LET'S GO.
NO, NO, COME ON.
ERIC, DAN, LOOK, IT'S NOT GONNA
NO, NO, COME ON.
ERIC, DAN, LOOK, IT'S NOT GONNA
WORK, ALL RIGHT?
ERIC, DAN, LOOK, IT'S NOT GONNA
WORK, ALL RIGHT?
DRAG DOES JUST NOT WORK IN
WORK, ALL RIGHT?
DRAG DOES JUST NOT WORK IN
AMERICA.
DRAG DOES JUST NOT WORK IN
AMERICA.
IT'S A DIFFERENT TYPE OF HUMOR.
AMERICA.
IT'S A DIFFERENT TYPE OF HUMOR.
I FEEL UNCOMFORTABLE IN THIS
IT'S A DIFFERENT TYPE OF HUMOR.
I FEEL UNCOMFORTABLE IN THIS
DRESS.
I FEEL UNCOMFORTABLE IN THIS
DRESS.
YOU COULD TRY A DIFFERENT
DRESS.
YOU COULD TRY A DIFFERENT
FROCK.
YOU COULD TRY A DIFFERENT
FROCK.
THAT HAS NOTHING TO DO WITH
FROCK.
THAT HAS NOTHING TO DO WITH
IT.
THAT HAS NOTHING TO DO WITH
IT.
I MEAN, OVER THERE, DRAG'S
IT.
I MEAN, OVER THERE, DRAG'S
ACCEPTABLE.
I MEAN, OVER THERE, DRAG'S
ACCEPTABLE.
IT'S EVERYDAY OFFICE WEAR.
ACCEPTABLE.
IT'S EVERYDAY OFFICE WEAR.
BUT HERE, IT IS JUST NOT FUNNY.
IT'S EVERYDAY OFFICE WEAR.
BUT HERE, IT IS JUST NOT FUNNY.
IT DOESN'T WORK.
BUT HERE, IT IS JUST NOT FUNNY.
IT DOESN'T WORK.
THERE'S NO, UH...
IT DOESN'T WORK.
THERE'S NO, UH...
I'M NOT OVERREACTING OR ANY
THERE'S NO, UH...
I'M NOT OVERREACTING OR ANY
HOMOSEXUAL THING, YOU KNOW?
I'M NOT OVERREACTING OR ANY
HOMOSEXUAL THING, YOU KNOW?
SO DON'T TRY AND PULL THAT THING
HOMOSEXUAL THING, YOU KNOW?
SO DON'T TRY AND PULL THAT THING
ON ME, YOU KNOW?
SO DON'T TRY AND PULL THAT THING
ON ME, YOU KNOW?
BUT IT'S NOT FUNNY, YOU
ON ME, YOU KNOW?
BUT IT'S NOT FUNNY, YOU
UNDERSTAND?
BUT IT'S NOT FUNNY, YOU
UNDERSTAND?
DRAG IS NOT FUNNY IN AMERICA.
UNDERSTAND?
DRAG IS NOT FUNNY IN AMERICA.
ALL RIGHT, WELL, LET'S CUT IT
DRAG IS NOT FUNNY IN AMERICA.
ALL RIGHT, WELL, LET'S CUT IT
HERE.
ALL RIGHT, WELL, LET'S CUT IT
HERE.
OKAY, FINE.
HERE.
OKAY, FINE.
UH, I, UH, CAN SEE HIS POINT
OKAY, FINE.
UH, I, UH, CAN SEE HIS POINT
OF VIEW.
UH, I, UH, CAN SEE HIS POINT
OF VIEW.
I THINK IT'S GENERALLY TWO
OF VIEW.
I THINK IT'S GENERALLY TWO
DIFFERENT THEORIES IN HUMOR AND
I THINK IT'S GENERALLY TWO
DIFFERENT THEORIES IN HUMOR AND
THAT.
DIFFERENT THEORIES IN HUMOR AND
THAT.
AND, WELL, MY JACK WEBB IS THE
THAT.
AND, WELL, MY JACK WEBB IS THE
WORST ANYWAY, SO...
AND, WELL, MY JACK WEBB IS THE
WORST ANYWAY, SO...
THAT'S TRUE.
WORST ANYWAY, SO...
THAT'S TRUE.
UH, WHAT DO YOU WANT TO DO
THAT'S TRUE.
UH, WHAT DO YOU WANT TO DO
THEN?
UH, WHAT DO YOU WANT TO DO
THEN?
SORRY, FOLKS.
THEN?
SORRY, FOLKS.
DO YOU WANT TO COME BACK TO
SORRY, FOLKS.
DO YOU WANT TO COME BACK TO
MY DRESSING ROOM AND DISCUSS IT?
DO YOU WANT TO COME BACK TO
MY DRESSING ROOM AND DISCUSS IT?
SURE. YEAH.
MY DRESSING ROOM AND DISCUSS IT?
SURE. YEAH.
DAN?
SURE. YEAH.
DAN?
YEAH.
DAN?
YEAH.
REMEMBER, IF YOU DO IT
YEAH.
REMEMBER, IF YOU DO IT
ONCE...
REMEMBER, IF YOU DO IT
ONCE...
[SPEAKING INDISTINCTLY]
ONCE...
[SPEAKING INDISTINCTLY]
OH, JOHN, I THINK YOU LOOK
[SPEAKING INDISTINCTLY]
OH, JOHN, I THINK YOU LOOK
VERY PRETTY.
OH, JOHN, I THINK YOU LOOK
VERY PRETTY.
I LOOK PRETTY.
VERY PRETTY.
I LOOK PRETTY.
WELL, I LOOK GOOD IN EVERYTHING.
I LOOK PRETTY.
WELL, I LOOK GOOD IN EVERYTHING.
I JUST WEAR CLOTHES WELL.
WELL, I LOOK GOOD IN EVERYTHING.
I JUST WEAR CLOTHES WELL.
SOME PEOPLE CAN, SOME PEOPLE
I JUST WEAR CLOTHES WELL.
SOME PEOPLE CAN, SOME PEOPLE
CAN'T.
SOME PEOPLE CAN, SOME PEOPLE
CAN'T.
I DO.
CAN'T.
I DO.
I LOOK GOOD IN EVERYTHING.
I DO.
I LOOK GOOD IN EVERYTHING.
WHAT ARE WE GONNA DO NOW, YOU
I LOOK GOOD IN EVERYTHING.
WHAT ARE WE GONNA DO NOW, YOU
KNOW?
WHAT ARE WE GONNA DO NOW, YOU
KNOW?
UH, WHY DON'T WE SHOW SOME
KNOW?
UH, WHY DON'T WE SHOW SOME
MOVIE, I GUESS?
UH, WHY DON'T WE SHOW SOME
MOVIE, I GUESS?
LET'S GO TO A MOVIE.
61.
[VEHICLES SPEEDING BY]
[GUN FIRES]
I FEEL IT'S STILL NOT
WORKING.
OF COURSE IT'S WORKING.
WORKING.
OF COURSE IT'S WORKING.
THEY'RE LAUGHING.
OF COURSE IT'S WORKING.
THEY'RE LAUGHING.
HOW DO YOU KNOW THEY'RE
THEY'RE LAUGHING.
HOW DO YOU KNOW THEY'RE
LAUGHING?
HOW DO YOU KNOW THEY'RE
LAUGHING?
WE'RE ON FILM.
LAUGHING?
WE'RE ON FILM.
OH, THAT'S RIGHT.
WE'RE ON FILM.
OH, THAT'S RIGHT.
WELL, LET'S LISTEN.
OH, THAT'S RIGHT.
WELL, LET'S LISTEN.
I DON'T HEAR THEM LAUGHING.
WELL, LET'S LISTEN.
I DON'T HEAR THEM LAUGHING.
NO.
I DON'T HEAR THEM LAUGHING.
NO.
SHOULD WE GO?
NO.
SHOULD WE GO?
I GUESS SO.
OKAY, IT MIGHT NOT WORK FOR
COMEDY, BUT IT MIGHT WORK FOR
INTRODUCTIONS.
COMEDY, BUT IT MIGHT WORK FOR
INTRODUCTIONS.
IT'S MY PLEASURE TO LISTEN TO
INTRODUCTIONS.
IT'S MY PLEASURE TO LISTEN TO
THIS GROUP.
IT'S MY PLEASURE TO LISTEN TO
THIS GROUP.
THEY'RE, I THINK, ONE OF THE
THIS GROUP.
THEY'RE, I THINK, ONE OF THE
BEST BANDS IN AMERICA.
THEY'RE, I THINK, ONE OF THE
BEST BANDS IN AMERICA.
THEY'VE BACKED UP EVERYBODY FROM
BEST BANDS IN AMERICA.
THEY'VE BACKED UP EVERYBODY FROM
ARETHA FRANKLIN TO JOE COCKER,
THEY'VE BACKED UP EVERYBODY FROM
ARETHA FRANKLIN TO JOE COCKER,
MYSELF.
ARETHA FRANKLIN TO JOE COCKER,
MYSELF.
AND SO, LADIES AND GENTLEMEN,
MYSELF.
AND SO, LADIES AND GENTLEMEN,
THE BEST OUT OF NEW YORK CITY...
AND SO, LADIES AND GENTLEMEN,
THE BEST OUT OF NEW YORK CITY...
STUFF.
THE BEST OUT OF NEW YORK CITY...
STUFF.
["FOOTS" PLAYS]
[SONG CONCLUDES]
[CHEERS AND APPLAUSE]
WE ANCHOR THE CALYPSO NEAR
THE REEF AND MAKE OUR DESCENT.
WHAT WE SEE AMAZES US.
HUGE FISH ARE MOST GOLDEN IN
COLOR, SWIMMING TO AND FRO.
HUGE FISH ARE MOST GOLDEN IN
COLOR, SWIMMING TO AND FRO.
THEN THE MOST SURPRISING
COLOR, SWIMMING TO AND FRO.
THEN THE MOST SURPRISING
DISCOVERY OF ALL... THE RUINS OF
THEN THE MOST SURPRISING
DISCOVERY OF ALL... THE RUINS OF
AN OLD CASTLE, TRACES OF AN
DISCOVERY OF ALL... THE RUINS OF
AN OLD CASTLE, TRACES OF AN
EARLIER CIVILIZATION.
AN OLD CASTLE, TRACES OF AN
EARLIER CIVILIZATION.
GUNTHRO, OUR DUTCH CAMERAMAN,
EARLIER CIVILIZATION.
GUNTHRO, OUR DUTCH CAMERAMAN,
IS STARTLED TO SPY BRIGHTLY
GUNTHRO, OUR DUTCH CAMERAMAN,
IS STARTLED TO SPY BRIGHTLY
COLORED PEBBLES ON THE OCEAN
IS STARTLED TO SPY BRIGHTLY
COLORED PEBBLES ON THE OCEAN
FLOOR.
COLORED PEBBLES ON THE OCEAN
FLOOR.
HELLO, AND WELCOME ANOTHER
FLOOR.
HELLO, AND WELCOME ANOTHER
EDITION OF "PETS AND PETTING."
HELLO, AND WELCOME ANOTHER
EDITION OF "PETS AND PETTING."
TONIGHT, THE GOLDFISH, THE KING
EDITION OF "PETS AND PETTING."
TONIGHT, THE GOLDFISH, THE KING
OF THE BOWL.
TONIGHT, THE GOLDFISH, THE KING
OF THE BOWL.
THESE CHEEKY LITTLE FISH ARE
OF THE BOWL.
THESE CHEEKY LITTLE FISH ARE
FRIENDLY AND EASY TO FEED,
THESE CHEEKY LITTLE FISH ARE
FRIENDLY AND EASY TO FEED,
PROVIDING YOU FEED THEM RIGHT.
FRIENDLY AND EASY TO FEED,
PROVIDING YOU FEED THEM RIGHT.
NOW, WHAT IS THE RIGHT WAY TO
PROVIDING YOU FEED THEM RIGHT.
NOW, WHAT IS THE RIGHT WAY TO
FEED THEM?
NOW, WHAT IS THE RIGHT WAY TO
FEED THEM?
THE ANSWER IS, OF COURSE, GOOD
FEED THEM?
THE ANSWER IS, OF COURSE, GOOD
FOOD.
THE ANSWER IS, OF COURSE, GOOD
FOOD.
SO I LIKE TO START THEM OFF WITH
FOOD.
SO I LIKE TO START THEM OFF WITH
A LITTLE SOUP... A NICE
SO I LIKE TO START THEM OFF WITH
A LITTLE SOUP... A NICE
MINESTRONE, PLENTY OF
A LITTLE SOUP... A NICE
MINESTRONE, PLENTY OF
VEGETABLES FOR THEM TO GET THEIR
MINESTRONE, PLENTY OF
VEGETABLES FOR THEM TO GET THEIR
LITTLE TEETH INTO.
VEGETABLES FOR THEM TO GET THEIR
LITTLE TEETH INTO.
MMM.
LITTLE TEETH INTO.
MMM.
NICE AND HOT... NOBODY LIKES
MMM.
NICE AND HOT... NOBODY LIKES
COLD SOUP, ESPECIALLY TO SWIM
NICE AND HOT... NOBODY LIKES
COLD SOUP, ESPECIALLY TO SWIM
AROUND IN.
COLD SOUP, ESPECIALLY TO SWIM
AROUND IN.
THEN, FOR MAIN COURSE, PERHAPS
AROUND IN.
THEN, FOR MAIN COURSE, PERHAPS
SOME CHOPS, SOME NICE CHOPS, OR
THEN, FOR MAIN COURSE, PERHAPS
SOME CHOPS, SOME NICE CHOPS, OR
PERHAPS A NICELY ROASTED
SOME CHOPS, SOME NICE CHOPS, OR
PERHAPS A NICELY ROASTED
CHICKEN.
PERHAPS A NICELY ROASTED
CHICKEN.
YEAH.
CHICKEN.
YEAH.
AND DON'T FORGET PLENTY OF
YEAH.
AND DON'T FORGET PLENTY OF
VEGETABLES.
AND DON'T FORGET PLENTY OF
VEGETABLES.
SOME NICE POTATOES... THEY LOVE
VEGETABLES.
SOME NICE POTATOES... THEY LOVE
POTATOES.
SOME NICE POTATOES... THEY LOVE
POTATOES.
AND OF COURSE SOME CABBAGE...
POTATOES.
AND OF COURSE SOME CABBAGE...
NICE CABBAGE.
AND OF COURSE SOME CABBAGE...
NICE CABBAGE.
AND TO COMPLEMENT THE MEAL, OF
NICE CABBAGE.
AND TO COMPLEMENT THE MEAL, OF
COURSE, A BEAUTIFUL FINE BOTTLE
AND TO COMPLEMENT THE MEAL, OF
COURSE, A BEAUTIFUL FINE BOTTLE
OF WINE.
COURSE, A BEAUTIFUL FINE BOTTLE
OF WINE.
I'VE CHOSEN A RATHER FRUITY
OF WINE.
I'VE CHOSEN A RATHER FRUITY
FRENCH BEAUJOLAIS.
I'VE CHOSEN A RATHER FRUITY
FRENCH BEAUJOLAIS.
A LITTLE TASTE...
FRENCH BEAUJOLAIS.
A LITTLE TASTE...
YES, HE NODS HIS LITTLE HEAD.
A LITTLE TASTE...
YES, HE NODS HIS LITTLE HEAD.
HE LIKES IT. GOOD.
YES, HE NODS HIS LITTLE HEAD.
HE LIKES IT. GOOD.
IN IT GOES.
HE LIKES IT. GOOD.
IN IT GOES.
[SMOOCHES]
IN IT GOES.
[SMOOCHES]
A VERY FINE VINTAGE.
[SMOOCHES]
A VERY FINE VINTAGE.
AFTER THE MAIN COURSE, PERHAPS
A VERY FINE VINTAGE.
AFTER THE MAIN COURSE, PERHAPS
FINISH WITH A LITTLE DESSERT...
AFTER THE MAIN COURSE, PERHAPS
FINISH WITH A LITTLE DESSERT...
SOME CHEESECAKE, PERHAPS.
FINISH WITH A LITTLE DESSERT...
SOME CHEESECAKE, PERHAPS.
YES, NICE CHEESECAKE... IN IT
SOME CHEESECAKE, PERHAPS.
YES, NICE CHEESECAKE... IN IT
GOES.
YES, NICE CHEESECAKE... IN IT
GOES.
AND FINISH OFF WITH, OF COURSE,
GOES.
AND FINISH OFF WITH, OF COURSE,
THE COFFEE.
AND FINISH OFF WITH, OF COURSE,
THE COFFEE.
A MEAL WITHOUT COFFEE IS LIKE
THE COFFEE.
A MEAL WITHOUT COFFEE IS LIKE
SOMETHING ELSE WITHOUT SOMETHING
A MEAL WITHOUT COFFEE IS LIKE
SOMETHING ELSE WITHOUT SOMETHING
ELSE.
SOMETHING ELSE WITHOUT SOMETHING
ELSE.
AND NOW, NEXT WEEK, I'LL SHOW
ELSE.
AND NOW, NEXT WEEK, I'LL SHOW
YOU HOW TO FEED YOUR GOLDFISH
AND NOW, NEXT WEEK, I'LL SHOW
YOU HOW TO FEED YOUR GOLDFISH
HOT CURRY AND HOW TO FEED YOUR
YOU HOW TO FEED YOUR GOLDFISH
HOT CURRY AND HOW TO FEED YOUR
CAT TO THE DOG.
HOT CURRY AND HOW TO FEED YOUR
CAT TO THE DOG.
SO GOOD NIGHT FROM ME.
AND SO, WITH VISIBILITY
FADING, AS THE DARKNESS CLOSES
ABOUT US, WE BID AU REVOIR TO
FADING, AS THE DARKNESS CLOSES
ABOUT US, WE BID AU REVOIR TO
THE HUGE GOLDEN FISH AND RETURN
ABOUT US, WE BID AU REVOIR TO
THE HUGE GOLDEN FISH AND RETURN
TO THE SURFACE.
THE HUGE GOLDEN FISH AND RETURN
TO THE SURFACE.
BUT FOR ME AND THE CREW OF THE
TO THE SURFACE.
BUT FOR ME AND THE CREW OF THE
CALYPSO, THE JOURNEY HAS JUST
BUT FOR ME AND THE CREW OF THE
CALYPSO, THE JOURNEY HAS JUST
BEGUN.
AHEAD LIES FURTHER ADVENTURES
AND STUDY IN...
I'M KEN NORTON, AND I
QUESTION THE DECISION OF THE
JUDGES AT TUESDAY'S CHAMPIONSHIP
QUESTION THE DECISION OF THE
JUDGES AT TUESDAY'S CHAMPIONSHIP
FIGHT.
JUDGES AT TUESDAY'S CHAMPIONSHIP
FIGHT.
NOW, I WAS ROBBED.
FIGHT.
NOW, I WAS ROBBED.
YOU SAW IT.
NOW, I WAS ROBBED.
YOU SAW IT.
IT'S THE END OF THE 14th ROUND.
YOU SAW IT.
IT'S THE END OF THE 14th ROUND.
I'M WHOOPING THE CHAMP.
IT'S THE END OF THE 14th ROUND.
I'M WHOOPING THE CHAMP.
I'M IN MY CORNER.
I'M WHOOPING THE CHAMP.
I'M IN MY CORNER.
AND MY MANAGER BREAKS IT TO ME.
I'M IN MY CORNER.
AND MY MANAGER BREAKS IT TO ME.
THESE JUDGES ARE FROM
AND MY MANAGER BREAKS IT TO ME.
THESE JUDGES ARE FROM
ATLANTIC CITY, AND THEY'RE
THESE JUDGES ARE FROM
ATLANTIC CITY, AND THEY'RE
CONFUSED ABOUT THE SCORING.
ATLANTIC CITY, AND THEY'RE
CONFUSED ABOUT THE SCORING.
THEY'RE GIVEN OUT POINTS FOR
CONFUSED ABOUT THE SCORING.
THEY'RE GIVEN OUT POINTS FOR
GRACE AND CHARM AND TAKING THEM
THEY'RE GIVEN OUT POINTS FOR
GRACE AND CHARM AND TAKING THEM
AWAY FOR OVERAGGRESSIVENESS.
GRACE AND CHARM AND TAKING THEM
AWAY FOR OVERAGGRESSIVENESS.
BOY, AM I CHEESED OFF.
AWAY FOR OVERAGGRESSIVENESS.
BOY, AM I CHEESED OFF.
THIS CHANGES EVERYTHING, RIGHT?
BOY, AM I CHEESED OFF.
THIS CHANGES EVERYTHING, RIGHT?
THE BELL RINGS, AND NOW I GOT TO
THIS CHANGES EVERYTHING, RIGHT?
THE BELL RINGS, AND NOW I GOT TO
THINK ON MY FEET, RIGHT?
THE BELL RINGS, AND NOW I GOT TO
THINK ON MY FEET, RIGHT?
LUCKILY THERE'S TIME TO, BECAUSE
THINK ON MY FEET, RIGHT?
LUCKILY THERE'S TIME TO, BECAUSE
THE OTHER FINALIST IS IN THE
LUCKILY THERE'S TIME TO, BECAUSE
THE OTHER FINALIST IS IN THE
RING DOING HIS TALENT SPOT,
THE OTHER FINALIST IS IN THE
RING DOING HIS TALENT SPOT,
DANCING.
RING DOING HIS TALENT SPOT,
DANCING.
OKAY, TALENT?
DANCING.
OKAY, TALENT?
INSIDE MY BOXING GLOVES, MY
OKAY, TALENT?
INSIDE MY BOXING GLOVES, MY
FINGERS ARE CROSSED.
INSIDE MY BOXING GLOVES, MY
FINGERS ARE CROSSED.
IF THE JUDGES HAVE SEEN ME IN
FINGERS ARE CROSSED.
IF THE JUDGES HAVE SEEN ME IN
"MANDINGO," I'VE GOT TALENT SEWN
IF THE JUDGES HAVE SEEN ME IN
"MANDINGO," I'VE GOT TALENT SEWN
UP.
"MANDINGO," I'VE GOT TALENT SEWN
UP.
OKAY, BEAUTY... MR. KENTUCKY IS
UP.
OKAY, BEAUTY... MR. KENTUCKY IS
PRETTIER, BUT I'M A LOT YOUNGER
OKAY, BEAUTY... MR. KENTUCKY IS
PRETTIER, BUT I'M A LOT YOUNGER
AND MY THIGHS ARE MUCH, MUCH
PRETTIER, BUT I'M A LOT YOUNGER
AND MY THIGHS ARE MUCH, MUCH
THINNER, OKAY?
AND MY THIGHS ARE MUCH, MUCH
THINNER, OKAY?
SWIMSUIT COMPETITION... WE BOTH
THINNER, OKAY?
SWIMSUIT COMPETITION... WE BOTH
HAD TO WEAR THOSE STUPID
SWIMSUIT COMPETITION... WE BOTH
HAD TO WEAR THOSE STUPID
EVERLAST TRUNKS, SO CALL THAT A
HAD TO WEAR THOSE STUPID
EVERLAST TRUNKS, SO CALL THAT A
DRAW.
EVERLAST TRUNKS, SO CALL THAT A
DRAW.
BUT MY BATHROBE IS MUCH, MUCH
DRAW.
BUT MY BATHROBE IS MUCH, MUCH
MEANER... MUCH, MUCH MEANER.
BUT MY BATHROBE IS MUCH, MUCH
MEANER... MUCH, MUCH MEANER.
MY BATHROBE PUTS ME OVER THE
MEANER... MUCH, MUCH MEANER.
MY BATHROBE PUTS ME OVER THE
TOP.
MY BATHROBE PUTS ME OVER THE
TOP.
SO WHEN THE FINAL BELL RINGS,
TOP.
SO WHEN THE FINAL BELL RINGS,
MAN, I'M JUMPING UP WITH GLEE,
SO WHEN THE FINAL BELL RINGS,
MAN, I'M JUMPING UP WITH GLEE,
YOU KNOW, UNTIL I REMEMBER TO
MAN, I'M JUMPING UP WITH GLEE,
YOU KNOW, UNTIL I REMEMBER TO
CRY, YOU KNOW?
YOU KNOW, UNTIL I REMEMBER TO
CRY, YOU KNOW?
THEY ALWAYS LIKE THE ONE WITH
CRY, YOU KNOW?
THEY ALWAYS LIKE THE ONE WITH
THE CRY, YOU KNOW?
THEY ALWAYS LIKE THE ONE WITH
THE CRY, YOU KNOW?
AND THEN HOWARD COSELL COMES AND
THE CRY, YOU KNOW?
AND THEN HOWARD COSELL COMES AND
TELLS ME, "CHEER UP.
AND THEN HOWARD COSELL COMES AND
TELLS ME, "CHEER UP.
SHOULD THE WINNER, FOR ANY
TELLS ME, "CHEER UP.
SHOULD THE WINNER, FOR ANY
REASON, BE UNABLE TO FULFILL HIS
SHOULD THE WINNER, FOR ANY
REASON, BE UNABLE TO FULFILL HIS
DUTIES, YOU AS RUNNER-UP WILL
REASON, BE UNABLE TO FULFILL HIS
DUTIES, YOU AS RUNNER-UP WILL
TAKE HIS PLACE."
DUTIES, YOU AS RUNNER-UP WILL
TAKE HIS PLACE."
SO I WHIPPED THAT HONKY MOTHER,
TAKE HIS PLACE."
SO I WHIPPED THAT HONKY MOTHER,
YOU KNOW?
SO I WHIPPED THAT HONKY MOTHER,
YOU KNOW?
SO I WAS ROBBED.
YOU KNOW?
SO I WAS ROBBED.
THE CROWN IS MINE.
SO I WAS ROBBED.
THE CROWN IS MINE.
I DEMAND TO DO MY TALENT SPOT
THE CROWN IS MINE.
I DEMAND TO DO MY TALENT SPOT
NOW... "VESTI LA GIUBBA," THE
I DEMAND TO DO MY TALENT SPOT
NOW... "VESTI LA GIUBBA," THE
TENOR ARIA FROM "PAGLIACCI."
NOW... "VESTI LA GIUBBA," THE
TENOR ARIA FROM "PAGLIACCI."
[PIANO PLAYING]
TENOR ARIA FROM "PAGLIACCI."
[PIANO PLAYING]
♪ RECITAR ♪
[PIANO PLAYING]
♪ RECITAR ♪
♪ MENTRE PRESO DAL DELIRIO ♪
♪ RECITAR ♪
♪ MENTRE PRESO DAL DELIRIO ♪
♪ NON SO PIU QUEL CHE DICO ♪
♪ MENTRE PRESO DAL DELIRIO ♪
♪ NON SO PIU QUEL CHE DICO ♪
♪ E QUEL CHE FACCIO ♪
♪ NON SO PIU QUEL CHE DICO ♪
♪ E QUEL CHE FACCIO ♪
♪ EPPUR è D'UOPO, SFORZATI ♪
♪ E QUEL CHE FACCIO ♪
♪ EPPUR è D'UOPO, SFORZATI ♪
♪ BAH ♪
♪ EPPUR è D'UOPO, SFORZATI ♪
♪ BAH ♪
[APPLAUSE]
[DRAMATIC MUSIC PLAYS]
HELLO, I'M ERICA VON DONAGEN,
HEAD OF ANTHROCOMEDOLOGY AT
RUTLEDGE UNIVERSITY.
HEAD OF ANTHROCOMEDOLOGY AT
RUTLEDGE UNIVERSITY.
THERE'S SCARCELY ANYONE WHO
RUTLEDGE UNIVERSITY.
THERE'S SCARCELY ANYONE WHO
HASN'T LOOKED AT THE STARS AND
THERE'S SCARCELY ANYONE WHO
HASN'T LOOKED AT THE STARS AND
WONDERED IF SOME OTHER FORM OF
HASN'T LOOKED AT THE STARS AND
WONDERED IF SOME OTHER FORM OF
COMEDIANS EXISTED IN ANOTHER
WONDERED IF SOME OTHER FORM OF
COMEDIANS EXISTED IN ANOTHER
CORNER OF THE UNIVERSE.
COMEDIANS EXISTED IN ANOTHER
CORNER OF THE UNIVERSE.
SINCE THERE ARE BILLIONS OF
CORNER OF THE UNIVERSE.
SINCE THERE ARE BILLIONS OF
SOLAR SYSTEMS CAPABLE OF
SINCE THERE ARE BILLIONS OF
SOLAR SYSTEMS CAPABLE OF
SUPPORTING COMEDY, THERE ARE
SOLAR SYSTEMS CAPABLE OF
SUPPORTING COMEDY, THERE ARE
PROBABLY COMEDIANS MUCH MORE
SUPPORTING COMEDY, THERE ARE
PROBABLY COMEDIANS MUCH MORE
ADVANCED AS OURSELVES, CAPABLE
PROBABLY COMEDIANS MUCH MORE
ADVANCED AS OURSELVES, CAPABLE
OF TRAVERSING THE VAST DISTANCES
ADVANCED AS OURSELVES, CAPABLE
OF TRAVERSING THE VAST DISTANCES
OF SPACE.
OF TRAVERSING THE VAST DISTANCES
OF SPACE.
HOW LONG DOES IT TAKE A JOKE TO
OF SPACE.
HOW LONG DOES IT TAKE A JOKE TO
TRAVEL THROUGH SPACE?
HOW LONG DOES IT TAKE A JOKE TO
TRAVEL THROUGH SPACE?
OF COURSE, THAT DEPENDS ON HOW
TRAVEL THROUGH SPACE?
OF COURSE, THAT DEPENDS ON HOW
SUBTLE IT IS.
OF COURSE, THAT DEPENDS ON HOW
SUBTLE IT IS.
BUT, IF COMEDIANS FROM OUTER
SUBTLE IT IS.
BUT, IF COMEDIANS FROM OUTER
SPACE DID VISIT OUR PLANET, WERE
BUT, IF COMEDIANS FROM OUTER
SPACE DID VISIT OUR PLANET, WERE
ANY CLUES LEFT BEHIND?
ANY CLUES LEFT BEHIND?
LOOKING AT THE HISTORY OF
LOOKING AT THE HISTORY OF
COMEDY, THERE ARE MANY SEEMINGLY
COMEDY, THERE ARE MANY SEEMINGLY
INEXPLICABLE MYSTERIES, SUCH AS
INEXPLICABLE MYSTERIES, SUCH AS
THIS ASSYRIAN CLAY TABLET, ONE
THIS ASSYRIAN CLAY TABLET, ONE
OF THE EARLIEST RECORDS MADE BY
OF THE EARLIEST RECORDS MADE BY
MAN, WHICH SAYS, AS NEARLY AS WE
MAN, WHICH SAYS, AS NEARLY AS WE
CAN GUESS, "TAKE WIFE."
ASSYRIA IS HERE IN THE FERTILE
CAN GUESS, "TAKE WIFE."
ASSYRIA IS HERE IN THE FERTILE
CRESCENT.
ASSYRIA IS HERE IN THE FERTILE
CRESCENT.
NOW, LET'S LOOK AT A CERTAIN
CRESCENT.
NOW, LET'S LOOK AT A CERTAIN
MOUNTAIN PLATEAU IN PERU.
NOW, LET'S LOOK AT A CERTAIN
MOUNTAIN PLATEAU IN PERU.
IF YOU CLIMB THE 4,000 FEET OF
MOUNTAIN PLATEAU IN PERU.
IF YOU CLIMB THE 4,000 FEET OF
THE ANDES TO MACHAPULCO AND
IF YOU CLIMB THE 4,000 FEET OF
THE ANDES TO MACHAPULCO AND
TRAVERSE THIS PLATEAU, YOU
THE ANDES TO MACHAPULCO AND
TRAVERSE THIS PLATEAU, YOU
OBSERVE REMNANTS OF ANCIENT,
TRAVERSE THIS PLATEAU, YOU
OBSERVE REMNANTS OF ANCIENT,
SEEMINGLY HAPHAZARD EXCAVATIONS.
OBSERVE REMNANTS OF ANCIENT,
SEEMINGLY HAPHAZARD EXCAVATIONS.
BUT IF VIEWED FROM THE AIR,
SEEMINGLY HAPHAZARD EXCAVATIONS.
BUT IF VIEWED FROM THE AIR,
SUDDENLY, ITS STARTLING PURPOSE
BUT IF VIEWED FROM THE AIR,
SUDDENLY, ITS STARTLING PURPOSE
IS REVEALED.
"TAKE MY WIFE, PLEASE" IS
CLEARLY DUG INTO THE LANDSCAPE
FOR THE PURPOSE OF MAKING
CLEARLY DUG INTO THE LANDSCAPE
FOR THE PURPOSE OF MAKING
SOMEONE IN A FLYING VEHICLE
FOR THE PURPOSE OF MAKING
SOMEONE IN A FLYING VEHICLE
LAUGH.
SOMEONE IN A FLYING VEHICLE
LAUGH.
BUT THE MOST AWESOME EVIDENCE
LAUGH.
BUT THE MOST AWESOME EVIDENCE
EXITS ON A TINY DOT 3,000 MILES
BUT THE MOST AWESOME EVIDENCE
EXITS ON A TINY DOT 3,000 MILES
OFF THE COAST OF PERU...
EXITS ON A TINY DOT 3,000 MILES
OFF THE COAST OF PERU...
PASSOVER ISLAND.
OFF THE COAST OF PERU...
PASSOVER ISLAND.
THE 2,000 INHABITANTS STILL
PASSOVER ISLAND.
THE 2,000 INHABITANTS STILL
PRACTICE AN ANCIENT RITUAL
THE 2,000 INHABITANTS STILL
PRACTICE AN ANCIENT RITUAL
BEFORE A HUGE PAIR OF LIMESTONE
PRACTICE AN ANCIENT RITUAL
BEFORE A HUGE PAIR OF LIMESTONE
CUFFLINKS.
BEFORE A HUGE PAIR OF LIMESTONE
CUFFLINKS.
[DRAMATIC MUSIC PLAYS]
CUFFLINKS.
[DRAMATIC MUSIC PLAYS]
EACH CUFFLINK IS OVER 30 FEET
[DRAMATIC MUSIC PLAYS]
EACH CUFFLINK IS OVER 30 FEET
HIGH AND WEIGHS 800 TONS.
EACH CUFFLINK IS OVER 30 FEET
HIGH AND WEIGHS 800 TONS.
THE CEREMONIAL GARB OF THE
HIGH AND WEIGHS 800 TONS.
THE CEREMONIAL GARB OF THE
NATIVES ARE MADE FROM REEDS AND
THE CEREMONIAL GARB OF THE
NATIVES ARE MADE FROM REEDS AND
BEAR A STRIKING RESEMBLANCE TO
NATIVES ARE MADE FROM REEDS AND
BEAR A STRIKING RESEMBLANCE TO
TUXEDOS.
LISTEN TO THIS TAPE RECORDING I
MADE MYSELF OF ONE SUCH
CEREMONY.
[MUSIC PLAYS, CHANTING]
IS IT COINCIDENCE THAT THIS SAME
JOKE OCCURRED TO MEN WHO NEVER
KNEW THAT THE OTHER CIVILIZATION
JOKE OCCURRED TO MEN WHO NEVER
KNEW THAT THE OTHER CIVILIZATION
EVEN EXISTED?
KNEW THAT THE OTHER CIVILIZATION
EVEN EXISTED?
OR WAS THE JOKE PASSED ON BY
EVEN EXISTED?
OR WAS THE JOKE PASSED ON BY
COMEDIANS IN SPACESHIPS CAPABLE
OR WAS THE JOKE PASSED ON BY
COMEDIANS IN SPACESHIPS CAPABLE
OF TRAVELING THESE GREAT
COMEDIANS IN SPACESHIPS CAPABLE
OF TRAVELING THESE GREAT
DISTANCES?
OF TRAVELING THESE GREAT
DISTANCES?
BUT WHY SHOULD COMEDIANS TRAVEL
DISTANCES?
BUT WHY SHOULD COMEDIANS TRAVEL
ACROSS THE GALAXY?
BUT WHY SHOULD COMEDIANS TRAVEL
ACROSS THE GALAXY?
PERHAPS TO GET TO THE OTHER
ACROSS THE GALAXY?
PERHAPS TO GET TO THE OTHER
SIDE.
PERHAPS TO GET TO THE OTHER
SIDE.
IF THEY SHOULD RETURN, MAYBE WE
SIDE.
IF THEY SHOULD RETURN, MAYBE WE
CAN LEARN SOME NEW JOKES FROM
IF THEY SHOULD RETURN, MAYBE WE
CAN LEARN SOME NEW JOKES FROM
THEM.
[BEEPING]
YOU KNOW, IT ALWAYS SEEMS
LIKE I FALL BEHIND AT THE
YOU KNOW, IT ALWAYS SEEMS
LIKE I FALL BEHIND AT THE
BEGINNING, AND THEN I NEVER
LIKE I FALL BEHIND AT THE
BEGINNING, AND THEN I NEVER
CATCH UP.
BEGINNING, AND THEN I NEVER
CATCH UP.
YEAH, I KNOW.
CATCH UP.
YEAH, I KNOW.
THERE'S ONE RIGHT THROUGH A
YEAH, I KNOW.
THERE'S ONE RIGHT THROUGH A
HOLE.
THERE'S ONE RIGHT THROUGH A
HOLE.
HEY, HOW YOU'D DO ON THAT
HOLE.
HEY, HOW YOU'D DO ON THAT
MATH/PSY QUICKIE QUIZ TODAY?
HEY, HOW YOU'D DO ON THAT
MATH/PSY QUICKIE QUIZ TODAY?
OH, I PASSED.
MATH/PSY QUICKIE QUIZ TODAY?
OH, I PASSED.
I GOT A "D-."
OH, I PASSED.
I GOT A "D-."
HOW'D YOU DO?
I GOT A "D-."
HOW'D YOU DO?
I ACED IT.
HOW'D YOU DO?
I ACED IT.
YOU KNOW, IT ALWAYS SEEMS
I ACED IT.
YOU KNOW, IT ALWAYS SEEMS
LIKE YOU NEVER STUDY, AND THEN
YOU KNOW, IT ALWAYS SEEMS
LIKE YOU NEVER STUDY, AND THEN
YOU ALWAYS GET AN "A."
LIKE YOU NEVER STUDY, AND THEN
YOU ALWAYS GET AN "A."
HOW DO YOU DO THAT?
YOU ALWAYS GET AN "A."
HOW DO YOU DO THAT?
WELL, YOU JUST TELL THE
HOW DO YOU DO THAT?
WELL, YOU JUST TELL THE
TEACHER WHAT YOU KNOW, NOT WHAT
WELL, YOU JUST TELL THE
TEACHER WHAT YOU KNOW, NOT WHAT
YOU DON'T KNOW.
TEACHER WHAT YOU KNOW, NOT WHAT
YOU DON'T KNOW.
WHAT DO YOU MEAN?
YOU DON'T KNOW.
WHAT DO YOU MEAN?
I DON'T...
WHAT DO YOU MEAN?
I DON'T...
WELL, FOR EXAMPLE, ON THAT
I DON'T...
WELL, FOR EXAMPLE, ON THAT
BAROMETER QUESTION, REMEMBER?
WELL, FOR EXAMPLE, ON THAT
BAROMETER QUESTION, REMEMBER?
YOU'RE GIVEN A BAROMETER AND YOU
BAROMETER QUESTION, REMEMBER?
YOU'RE GIVEN A BAROMETER AND YOU
HAVE TO DETERMINE THE HEIGHT OF
YOU'RE GIVEN A BAROMETER AND YOU
HAVE TO DETERMINE THE HEIGHT OF
A TALL BUILDING?
HAVE TO DETERMINE THE HEIGHT OF
A TALL BUILDING?
YEAH, I LEFT THAT ONE BLANK.
A TALL BUILDING?
YEAH, I LEFT THAT ONE BLANK.
I FORGOT WHAT A BAROMETER IS.
YEAH, I LEFT THAT ONE BLANK.
I FORGOT WHAT A BAROMETER IS.
IT'S FOR MEASURING BAROMETRIC
I FORGOT WHAT A BAROMETER IS.
IT'S FOR MEASURING BAROMETRIC
PRESSURE.
IT'S FOR MEASURING BAROMETRIC
PRESSURE.
SO YOU GET THE ANSWER TO THAT
PRESSURE.
SO YOU GET THE ANSWER TO THAT
QUESTION... YOU GET THE
SO YOU GET THE ANSWER TO THAT
QUESTION... YOU GET THE
BAROMETRIC PRESSURE AT THE TOP
QUESTION... YOU GET THE
BAROMETRIC PRESSURE AT THE TOP
OF THE BUILDING.
BAROMETRIC PRESSURE AT THE TOP
OF THE BUILDING.
THEN YOU GO TO THE BOTTOM OF THE
OF THE BUILDING.
THEN YOU GO TO THE BOTTOM OF THE
BUILDING AND YOU TAKE THE
THEN YOU GO TO THE BOTTOM OF THE
BUILDING AND YOU TAKE THE
DIFFERENCE BETWEEN THE TWO
BUILDING AND YOU TAKE THE
DIFFERENCE BETWEEN THE TWO
BAROMETRIC PRESSURES AND YOU
DIFFERENCE BETWEEN THE TWO
BAROMETRIC PRESSURES AND YOU
PLUG IT INTO A FORMULA.
BAROMETRIC PRESSURES AND YOU
PLUG IT INTO A FORMULA.
BOY, YEAH.
PLUG IT INTO A FORMULA.
BOY, YEAH.
I FORGOT WHAT THE FORMULA
BOY, YEAH.
I FORGOT WHAT THE FORMULA
WAS, BUT I DIDN'T WANT
I FORGOT WHAT THE FORMULA
WAS, BUT I DIDN'T WANT
PROFESSOR HEIMITZ TO KNOW, SO I
WAS, BUT I DIDN'T WANT
PROFESSOR HEIMITZ TO KNOW, SO I
GAVE HIM SEVERAL OTHER SOLUTIONS
PROFESSOR HEIMITZ TO KNOW, SO I
GAVE HIM SEVERAL OTHER SOLUTIONS
I FIGURED OUT.
GAVE HIM SEVERAL OTHER SOLUTIONS
I FIGURED OUT.
OH, YEAH?
I FIGURED OUT.
OH, YEAH?
YEAH, I SAID, "TAKE THE
OH, YEAH?
YEAH, I SAID, "TAKE THE
BAROMETER UP ON TOP OF THE
YEAH, I SAID, "TAKE THE
BAROMETER UP ON TOP OF THE
BUILDING, DROP IT OFF OF THE
BAROMETER UP ON TOP OF THE
BUILDING, DROP IT OFF OF THE
BUILDING, TIME HOW LONG IT TAKES
BUILDING, DROP IT OFF OF THE
BUILDING, TIME HOW LONG IT TAKES
BEFORE IT GETS TO THE GROUND,
BUILDING, TIME HOW LONG IT TAKES
BEFORE IT GETS TO THE GROUND,
AND THEN PLUG IT INTO THAT
BEFORE IT GETS TO THE GROUND,
AND THEN PLUG IT INTO THAT
FORMULA WE LEARNED IN HIGH
AND THEN PLUG IT INTO THAT
FORMULA WE LEARNED IN HIGH
SCHOOL FOR FALLING BODIES.
FORMULA WE LEARNED IN HIGH
SCHOOL FOR FALLING BODIES.
YOU KNOW, DISTANCE = 16 x THE
SCHOOL FOR FALLING BODIES.
YOU KNOW, DISTANCE = 16 x THE
TIME IN SECONDS SQUARED.
YOU KNOW, DISTANCE = 16 x THE
TIME IN SECONDS SQUARED.
OH, YEAH.
TIME IN SECONDS SQUARED.
OH, YEAH.
OR, I SAID, ON A SUNNY DAY
OH, YEAH.
OR, I SAID, ON A SUNNY DAY
YOU CAN SET UP THE BAROMETER,
OR, I SAID, ON A SUNNY DAY
YOU CAN SET UP THE BAROMETER,
MEASURE THE SHADOW OF THE
YOU CAN SET UP THE BAROMETER,
MEASURE THE SHADOW OF THE
BUILDING, AND SET UP A RATIO.
MEASURE THE SHADOW OF THE
BUILDING, AND SET UP A RATIO.
YOU KNOW HOW TO GET THE ANSWER
BUILDING, AND SET UP A RATIO.
YOU KNOW HOW TO GET THE ANSWER
THERE.
YOU KNOW HOW TO GET THE ANSWER
THERE.
[BEEPING]
THERE.
[BEEPING]
YEAH.
[BEEPING]
YEAH.
OR, GET THIS... GET THE
YEAH.
OR, GET THIS... GET THE
CIRCUMFERENCE OF THE BAROMETER,
OR, GET THIS... GET THE
CIRCUMFERENCE OF THE BAROMETER,
WRAP STRING AROUND IT, THEN DROP
CIRCUMFERENCE OF THE BAROMETER,
WRAP STRING AROUND IT, THEN DROP
IT OFF THE TOP OF THE BUILDING,
WRAP STRING AROUND IT, THEN DROP
IT OFF THE TOP OF THE BUILDING,
COUNT HOW MANY REVOLUTIONS THE
IT OFF THE TOP OF THE BUILDING,
COUNT HOW MANY REVOLUTIONS THE
BAROMETER MAKES BEFORE IT HITS
COUNT HOW MANY REVOLUTIONS THE
BAROMETER MAKES BEFORE IT HITS
THE GROUND, THEN TAKE THE NUMBER
BAROMETER MAKES BEFORE IT HITS
THE GROUND, THEN TAKE THE NUMBER
OF REVOLUTIONS AND MULTIPLY IT
THE GROUND, THEN TAKE THE NUMBER
OF REVOLUTIONS AND MULTIPLY IT
TIMES THE CIRCUMFERENCE.
OF REVOLUTIONS AND MULTIPLY IT
TIMES THE CIRCUMFERENCE.
THE CIRCUMFERENCE?
TIMES THE CIRCUMFERENCE.
THE CIRCUMFERENCE?
RIGHT.
THE CIRCUMFERENCE?
RIGHT.
OR GET THIS... THIS IS THE LAST
RIGHT.
OR GET THIS... THIS IS THE LAST
ONE.
OR GET THIS... THIS IS THE LAST
ONE.
I SAID, GO IN THE BASEMENT, FIND
ONE.
I SAID, GO IN THE BASEMENT, FIND
THE SUPERINTENDENT, AND OFFER TO
I SAID, GO IN THE BASEMENT, FIND
THE SUPERINTENDENT, AND OFFER TO
EXCHANGE THE BAROMETER FOR THE
THE SUPERINTENDENT, AND OFFER TO
EXCHANGE THE BAROMETER FOR THE
INFORMATION.
EXCHANGE THE BAROMETER FOR THE
INFORMATION.
HOW'S THAT?
INFORMATION.
HOW'S THAT?
AND I GOT FULL CREDIT ON THAT
HOW'S THAT?
AND I GOT FULL CREDIT ON THAT
QUESTION.
AND I GOT FULL CREDIT ON THAT
QUESTION.
WELL, YOU SHOULD HAVE.
QUESTION.
WELL, YOU SHOULD HAVE.
YOU KNEW ALL THE ANSWERS.
WELL, YOU SHOULD HAVE.
YOU KNEW ALL THE ANSWERS.
NUTS.
WELL, IF YOU'VE ENJOYED IT
HALF AS MUCH AS WE HAVE, THEN
WE'VE ENJOYED IT TWICE AS MUCH
HALF AS MUCH AS WE HAVE, THEN
WE'VE ENJOYED IT TWICE AS MUCH
AS YOU, AND NOW, AS A FITTING
WE'VE ENJOYED IT TWICE AS MUCH
AS YOU, AND NOW, AS A FITTING
CLIMAX TO THE EVENING, I'D LIKE
AS YOU, AND NOW, AS A FITTING
CLIMAX TO THE EVENING, I'D LIKE
TO SING MY SONG.
CLIMAX TO THE EVENING, I'D LIKE
TO SING MY SONG.
[PLAYING "HERE COMES THE SUN"]
TO SING MY SONG.
[PLAYING "HERE COMES THE SUN"]
[CLAPS]
[PLAYING "HERE COMES THE SUN"]
[CLAPS]
THANK YOU.
All: [Screaming] ♪ HERE
COMES THE SUN ♪
♪ HERE COMES THE SUN ♪
COMES THE SUN ♪
♪ HERE COMES THE SUN ♪
♪ I SAY IT'S ALL RIGHT ♪
♪ HERE COMES THE SUN ♪
♪ I SAY IT'S ALL RIGHT ♪
♪ DA DUM DA DEE DUM DA DEE DUM
♪ I SAY IT'S ALL RIGHT ♪
♪ DA DUM DA DEE DUM DA DEE DUM
DA DE DUM ♪
♪ DA DUM DA DEE DUM DA DEE DUM
DA DE DUM ♪
[CHEERS AND APPLAUSE]
ALSO APPEARING IN TONIGHT'S
CAST... RICHARD BELCHER.
NEXT SATURDAY, WATCH NBC'S
"WEEKEND WITH..."
"SATURDAY NIGHT" WILL RETURN IN
TWO WEEKS, OCTOBER 16th, WHEN
OUR HOST WILL BE KAREN BLACK,
AND I, DON PARDO, WILL ALSO
RETURN IN TWO WEEKS, PROVING
ONCE AGAIN THAT ALL ANNOUNCERS
NEVER DIE.
THEY JUST FA-A-A-ADE...
"WEEKEND UPDATE" WITH
CHEVY CHASE.
"WEEKEND UPDATE" WITH
CHEVY CHASE.
YOU KNOW, I JUST LOVE IT WHEN
CHEVY CHASE.
YOU KNOW, I JUST LOVE IT WHEN
YOU GRAB MY...
YOU KNOW, I JUST LOVE IT WHEN
YOU GRAB MY...
I GOT TO GO.
YOU GRAB MY...
I GOT TO GO.
GOOD EVENING.
I GOT TO GO.
GOOD EVENING.
I'M CHEVY CHASE, AND YOU'RE NOT.
GOOD EVENING.
I'M CHEVY CHASE, AND YOU'RE NOT.
OUR TOP STORY TONIGHT...
I'M CHEVY CHASE, AND YOU'RE NOT.
OUR TOP STORY TONIGHT...
PRESIDENT FORD SAYS...
OUR TOP STORY TONIGHT...
PRESIDENT FORD SAYS...
[TELEPHONE RINGS]
PRESIDENT FORD SAYS...
[TELEPHONE RINGS]
HELLO?
[TELEPHONE RINGS]
HELLO?
HELLO?
HELLO?
HELLO?
HELLO? WHO'S THIS?
HELLO?
HELLO? WHO'S THIS?
HELLO?
HELLO? WHO'S THIS?
HELLO?
HELLO? WHO IS THIS?
THIS IS CHEVY CHASE.
WHO THE HELL ARE YOU?
I'M CHEVY CHASE, PAL.
WHAT ARE YOU TALKING ABOUT?
WAIT A SECOND.
LOOK, I'VE BEEN IN THE HOSPITAL
FOR A COUPLE OF WEEKS, AND I'M
IN NO MOOD FOR LEVITY, YOU
UNDERSTAND?
NO ONE'S CALLED ME, NOT ONE
LOUSY CARD.
I TURN ON THE SHOW, AND I SEE
YOU SITTING IN MY "UPDATE" SET,
WEARING MY BLAZER, WITH PADDED
SHOULDERS.
NOW, WHO ARE YOU?
HEY, HOW MANY TIMES DO I HAVE
TO TELL YOU?
HEY, HOW MANY TIMES DO I HAVE
TO TELL YOU?
I'M CHEVY CHASE.
TO TELL YOU?
I'M CHEVY CHASE.
I'M CHEVY CHASE, AND YOU'RE
I'M CHEVY CHASE.
I'M CHEVY CHASE, AND YOU'RE
NOT.
I'M CHEVY CHASE, AND YOU'RE
NOT.
AND I COINED THAT PHRASE.
NOT.
AND I COINED THAT PHRASE.
COIN THIS, PAL.
AND I COINED THAT PHRASE.
COIN THIS, PAL.
I'M CHEVY CHASE, AND YOU'RE
COIN THIS, PAL.
I'M CHEVY CHASE, AND YOU'RE
BOTHERING ME.
I'M CHEVY CHASE, AND YOU'RE
BOTHERING ME.
NOW, BUZZ OFF, BOZO.
BOTHERING ME.
NOW, BUZZ OFF, BOZO.
I GOT A SHOW TO DO, OKAY?
NOW, BUZZ OFF, BOZO.
I GOT A SHOW TO DO, OKAY?
JUST A MINUTE HERE, VOLCANO
I GOT A SHOW TO DO, OKAY?
JUST A MINUTE HERE, VOLCANO
FACE.
JUST A MINUTE HERE, VOLCANO
FACE.
HOW DID YOU GET THERE?
FACE.
HOW DID YOU GET THERE?
HOW DID I GET WHERE?
HOW DID YOU GET THERE?
HOW DID I GET WHERE?
ON THE SHOW.
HOW DID I GET WHERE?
ON THE SHOW.
I ANSWERED AN AD THAT THE
ON THE SHOW.
I ANSWERED AN AD THAT THE
NETWORK RAN IN THE PAPER ON
I ANSWERED AN AD THAT THE
NETWORK RAN IN THE PAPER ON
THURSDAY.
NETWORK RAN IN THE PAPER ON
THURSDAY.
WHAT DID THE AD SAY?
THURSDAY.
WHAT DID THE AD SAY?
"WANTED: GOOD-LOOKING BUFFOON
WHAT DID THE AD SAY?
"WANTED: GOOD-LOOKING BUFFOON
WHO'S A FLASH IN THE PAN."
"WANTED: GOOD-LOOKING BUFFOON
WHO'S A FLASH IN THE PAN."
THAT'S HILARIOUS.
WHO'S A FLASH IN THE PAN."
THAT'S HILARIOUS.
THEY HIRED YOU?
THAT'S HILARIOUS.
THEY HIRED YOU?
I GUESS THAT'S SHOW BUSINESS.
THEY HIRED YOU?
I GUESS THAT'S SHOW BUSINESS.
YOU KNOW WHAT I MEAN, PAL?
I GUESS THAT'S SHOW BUSINESS.
YOU KNOW WHAT I MEAN, PAL?
NOW, WILL YOU LET ME GO?
YOU KNOW WHAT I MEAN, PAL?
NOW, WILL YOU LET ME GO?
I GOT A SHOW TO DO, OKAY?
NOW, WILL YOU LET ME GO?
I GOT A SHOW TO DO, OKAY?
JUST A SECOND, CAZ BRAIN.
I GOT A SHOW TO DO, OKAY?
JUST A SECOND, CAZ BRAIN.
YEAH.
JUST A SECOND, CAZ BRAIN.
YEAH.
WE'RE ON THE AIR, AND I CAN
YEAH.
WE'RE ON THE AIR, AND I CAN
PROVE TO THE AMERICAN PEOPLE
WE'RE ON THE AIR, AND I CAN
PROVE TO THE AMERICAN PEOPLE
THAT I'M CHEVY CHASE AND YOU'RE
PROVE TO THE AMERICAN PEOPLE
THAT I'M CHEVY CHASE AND YOU'RE
NOT.
THAT I'M CHEVY CHASE AND YOU'RE
NOT.
YEAH, SURE.
NOT.
YEAH, SURE.
JUST HOLD ON A MINUTE.
YEAH, SURE.
JUST HOLD ON A MINUTE.
OKAY.
JUST HOLD ON A MINUTE.
OKAY.
IN THE BOTTOM DRAWER OF THE
OKAY.
IN THE BOTTOM DRAWER OF THE
DESK YOU'RE SITTING AT, OKAY?
IN THE BOTTOM DRAWER OF THE
DESK YOU'RE SITTING AT, OKAY?
I HAVEN'T GOT ALL DAY, PAL.
DESK YOU'RE SITTING AT, OKAY?
I HAVEN'T GOT ALL DAY, PAL.
IT'S A SHOW. WE'RE ON THE... YOU
I HAVEN'T GOT ALL DAY, PAL.
IT'S A SHOW. WE'RE ON THE... YOU
KNOW WHAT I'M TRYING TO SAY?
IT'S A SHOW. WE'RE ON THE... YOU
KNOW WHAT I'M TRYING TO SAY?
REALLY, LOOK.
KNOW WHAT I'M TRYING TO SAY?
REALLY, LOOK.
OKAY, SURE.
REALLY, LOOK.
OKAY, SURE.
MM-HMM.
OKAY, SURE.
MM-HMM.
NOW, TURN IT AROUND, DOPEY.
MM-HMM.
NOW, TURN IT AROUND, DOPEY.
OKAY.
NOW, TURN IT AROUND, DOPEY.
OKAY.
THERE ARE TWO GORGEOUS
OKAY.
THERE ARE TWO GORGEOUS
PICTURES THERE.
THERE ARE TWO GORGEOUS
PICTURES THERE.
[LAUGHS]
PICTURES THERE.
[LAUGHS]
[CHUCKLES]
[LAUGHS]
[CHUCKLES]
WHO IS THAT A PICTURE OF?
[CHUCKLES]
WHO IS THAT A PICTURE OF?
HUH?
WHO IS THAT A PICTURE OF?
HUH?
WHO IS THAT A PICTURE OF?
HUH?
WHO IS THAT A PICTURE OF?
IT'S ME.
WHO IS THAT A PICTURE OF?
IT'S ME.
THAT'S ME.
IT'S ME.
THAT'S ME.
I COULD USE THIS FOR A MIRROR,
THAT'S ME.
I COULD USE THIS FOR A MIRROR,
YOU KNOW WHAT I MEAN?
I COULD USE THIS FOR A MIRROR,
YOU KNOW WHAT I MEAN?
THAT'S A PICTURE OF ME!
YOU KNOW WHAT I MEAN?
THAT'S A PICTURE OF ME!
IT'S ME.
THAT'S A PICTURE OF ME!
IT'S ME.
YOU UNDERSTAND?
IT'S ME.
YOU UNDERSTAND?
LOOK AT IT. IT'S ME.
YOU UNDERSTAND?
LOOK AT IT. IT'S ME.
I'M CHEVY CHASE, OKAY?
LOOK AT IT. IT'S ME.
I'M CHEVY CHASE, OKAY?
IF YOU LOOK CLOSELY, YOU'LL
I'M CHEVY CHASE, OKAY?
IF YOU LOOK CLOSELY, YOU'LL
NOTICE THAT'S A PICTURE OF ME.
IF YOU LOOK CLOSELY, YOU'LL
NOTICE THAT'S A PICTURE OF ME.
NO, NO, YOU LOOK.
NOTICE THAT'S A PICTURE OF ME.
NO, NO, YOU LOOK.
I DON'T KNOW WHO YOU ARE, PAL,
NO, NO, YOU LOOK.
I DON'T KNOW WHO YOU ARE, PAL,
BUT I'M CHEVY CHASE, AND I GOT A
I DON'T KNOW WHO YOU ARE, PAL,
BUT I'M CHEVY CHASE, AND I GOT A
SHOW TO DO.
BUT I'M CHEVY CHASE, AND I GOT A
SHOW TO DO.
BYE.
SHOW TO DO.
BYE.
WAIT A MINUTE.
BYE.
WAIT A MINUTE.
CHEVY CHASE SIGNS NEW DEAL
WAIT A MINUTE.
CHEVY CHASE SIGNS NEW DEAL
WITH NBC AFTER SUCCESSFUL
CHEVY CHASE SIGNS NEW DEAL
WITH NBC AFTER SUCCESSFUL
PLASTIC-SURGERY OPERATION.
WITH NBC AFTER SUCCESSFUL
PLASTIC-SURGERY OPERATION.
[GLASS SHATTERS]
PLASTIC-SURGERY OPERATION.
[GLASS SHATTERS]
LIVE FROM NEW YORK, IT'S
[GLASS SHATTERS]
LIVE FROM NEW YORK, IT'S
"SATURDAY NIGHT"!
LIVE FROM NEW YORK, IT'S
"SATURDAY NIGHT"!
Announcer: NBC'S
"SATURDAY NIGHT"!
Announcer: NBC'S
"SATURDAY NIGHT."
Announcer: NBC'S
"SATURDAY NIGHT."
STARRING...
"SATURDAY NIGHT."
STARRING...
WITH HIS GUESTS...
AND...
THE VOICE OF...
LADIES AND GENTLEMEN, ERIC IDLE.
[CHEERS AND APPLAUSE]
HELLO.
THANK YOU.
IT'S VERY NICE TO BE HERE.
THANK YOU.
IT'S VERY NICE TO BE HERE.
I'D LIKE TO SING A SONG, IF I
IT'S VERY NICE TO BE HERE.
I'D LIKE TO SING A SONG, IF I
MAY, WHICH I'VE JUST RECORDED IN
I'D LIKE TO SING A SONG, IF I
MAY, WHICH I'VE JUST RECORDED IN
ENGLAND.
MAY, WHICH I'VE JUST RECORDED IN
ENGLAND.
[PLAYING "HERE COMES THE SUN"]
[Deep voice] ♪ HERE COMES THE
SUN ♪
♪ HERE COMES THE SUN ♪
SUN ♪
♪ HERE COMES THE SUN ♪
♪ AND I SAY IT'S ALL RIGHT ♪
♪ HERE COMES THE SUN ♪
♪ AND I SAY IT'S ALL RIGHT ♪
ERIC? ERIC?
♪ AND I SAY IT'S ALL RIGHT ♪
ERIC? ERIC?
YEAH?
ERIC? ERIC?
YEAH?
HOW WOULD YOU LIKE TO TAKE A
YEAH?
HOW WOULD YOU LIKE TO TAKE A
LITTLE WALK, AND WE'LL TALK?
HOW WOULD YOU LIKE TO TAKE A
LITTLE WALK, AND WE'LL TALK?
OKAY, FINE, YEAH.
LITTLE WALK, AND WE'LL TALK?
OKAY, FINE, YEAH.
YOU DON'T LIKE THE SONG?
OKAY, FINE, YEAH.
YOU DON'T LIKE THE SONG?
THE SONG'S TERRIFIC.
YOU DON'T LIKE THE SONG?
THE SONG'S TERRIFIC.
BUT, YOU KNOW, YOU'RE NEW TO
THE SONG'S TERRIFIC.
BUT, YOU KNOW, YOU'RE NEW TO
AMERICAN TELEVISION.
BUT, YOU KNOW, YOU'RE NEW TO
AMERICAN TELEVISION.
I ENJOYED THE
AMERICAN TELEVISION.
I ENJOYED THE
"HANDS ACROSS THE WATER", I
I ENJOYED THE
"HANDS ACROSS THE WATER", I
MEAN, YOU BEING FROM ENGLAND AND
"HANDS ACROSS THE WATER", I
MEAN, YOU BEING FROM ENGLAND AND
EVERYTHING...
MEAN, YOU BEING FROM ENGLAND AND
EVERYTHING...
THERE'S A LOT MORE TO THE
EVERYTHING...
THERE'S A LOT MORE TO THE
SONG...
THERE'S A LOT MORE TO THE
SONG...
ERIC... ERIC, WE DO THINGS
SONG...
ERIC... ERIC, WE DO THINGS
VERY DIFFERENTLY OVER HERE.
ERIC... ERIC, WE DO THINGS
VERY DIFFERENTLY OVER HERE.
FOR INSTANCE, WE PUT A SONG LIKE
VERY DIFFERENTLY OVER HERE.
FOR INSTANCE, WE PUT A SONG LIKE
THAT... BECAUSE IT HAS SO MUCH
FOR INSTANCE, WE PUT A SONG LIKE
THAT... BECAUSE IT HAS SO MUCH
MEANING... AT THE END OF THE
THAT... BECAUSE IT HAS SO MUCH
MEANING... AT THE END OF THE
SHOW.
MEANING... AT THE END OF THE
SHOW.
OH, SO I'LL DO IT AT THE END
SHOW.
OH, SO I'LL DO IT AT THE END
OF THE SHOW?
OH, SO I'LL DO IT AT THE END
OF THE SHOW?
TERRIFIC.
OF THE SHOW?
TERRIFIC.
SAVE IT UP FOR THE END OF THE
TERRIFIC.
SAVE IT UP FOR THE END OF THE
SHOW.
SAVE IT UP FOR THE END OF THE
SHOW.
GOOD IDEA. OKAY.
SHOW.
GOOD IDEA. OKAY.
SORRY I'M EARLY.
GOOD IDEA. OKAY.
SORRY I'M EARLY.
THE SONG'S BEING SAVED UP FOR
SORRY I'M EARLY.
THE SONG'S BEING SAVED UP FOR
THE END, ALL RIGHT?
THE SONG'S BEING SAVED UP FOR
THE END, ALL RIGHT?
FINE.
THE END, ALL RIGHT?
FINE.
RIGHT.
FINE.
RIGHT.
NOW THEN, MR. AND MRS. STOLWRY,
RIGHT.
NOW THEN, MR. AND MRS. STOLWRY,
YOU'RE IN YOUR SECOND MONTH OF
NOW THEN, MR. AND MRS. STOLWRY,
YOU'RE IN YOUR SECOND MONTH OF
PREGNANCY, AND YOU'RE PREPARED
YOU'RE IN YOUR SECOND MONTH OF
PREGNANCY, AND YOU'RE PREPARED
TO SELECT YOUR CHILD'S PHYSICAL
PREGNANCY, AND YOU'RE PREPARED
TO SELECT YOUR CHILD'S PHYSICAL
CHARACTERISTICS.
TO SELECT YOUR CHILD'S PHYSICAL
CHARACTERISTICS.
THAT'S RIGHT.
CHARACTERISTICS.
THAT'S RIGHT.
LET'S GET ON WITH IT.
THAT'S RIGHT.
LET'S GET ON WITH IT.
ALL RIGHT, MRS. STOLWRY,
LET'S GET ON WITH IT.
ALL RIGHT, MRS. STOLWRY,
WE'VE PUT YOUR SCRAPINGS THROUGH
ALL RIGHT, MRS. STOLWRY,
WE'VE PUT YOUR SCRAPINGS THROUGH
A HIGH-SPEED CELL SORTER, AND
WE'VE PUT YOUR SCRAPINGS THROUGH
A HIGH-SPEED CELL SORTER, AND
WE'RE READY TO CHOOSE WHAT SORT
A HIGH-SPEED CELL SORTER, AND
WE'RE READY TO CHOOSE WHAT SORT
OF A BABY YOU WANT.
WE'RE READY TO CHOOSE WHAT SORT
OF A BABY YOU WANT.
NOW, YOU WANT YOUR BABY TO BE A
OF A BABY YOU WANT.
NOW, YOU WANT YOUR BABY TO BE A
BABY?
NOW, YOU WANT YOUR BABY TO BE A
BABY?
YES.
BABY?
YES.
GOOD, THAT'S A START.
YES.
GOOD, THAT'S A START.
NOW, WHAT SEX? MALE OR FEMALE?
GOOD, THAT'S A START.
NOW, WHAT SEX? MALE OR FEMALE?
MALE.
NOW, WHAT SEX? MALE OR FEMALE?
MALE.
MALE. GOOD.
MALE.
MALE. GOOD.
SKIN PIGMENT... DARK OR FAIR?
MALE. GOOD.
SKIN PIGMENT... DARK OR FAIR?
FAIR.
SKIN PIGMENT... DARK OR FAIR?
FAIR.
FAIR.
FAIR.
FAIR.
HAIR COLOR... BLOND OR BLACK?
FAIR.
HAIR COLOR... BLOND OR BLACK?
BLOND.
HAIR COLOR... BLOND OR BLACK?
BLOND.
BLOND. GOOD.
BLOND.
BLOND. GOOD.
GENERAL STATURE... TALL AND THIN
BLOND. GOOD.
GENERAL STATURE... TALL AND THIN
OR SHORT AND STOCKY?
GENERAL STATURE... TALL AND THIN
OR SHORT AND STOCKY?
SHORT AND STOCKY.
OR SHORT AND STOCKY?
SHORT AND STOCKY.
EXCELLENT.
SHORT AND STOCKY.
EXCELLENT.
ALL RIGHT, GENERAL TEXTURE...
EXCELLENT.
ALL RIGHT, GENERAL TEXTURE...
FUR OR QUILTED?
ALL RIGHT, GENERAL TEXTURE...
FUR OR QUILTED?
FUR OR QUILTED?
FUR OR QUILTED?
FUR OR QUILTED?
YES, YOU DON'T WANT THE
FUR OR QUILTED?
YES, YOU DON'T WANT THE
LITTLE NIPPER BOUNCING OUT INTO
YES, YOU DON'T WANT THE
LITTLE NIPPER BOUNCING OUT INTO
THE WORLD IN THE RAW WHEN YOU
LITTLE NIPPER BOUNCING OUT INTO
THE WORLD IN THE RAW WHEN YOU
CAN USE ALL OF GENETIC SCIENCE
THE WORLD IN THE RAW WHEN YOU
CAN USE ALL OF GENETIC SCIENCE
TO HAVE HIM BORN IN HIS OWN
CAN USE ALL OF GENETIC SCIENCE
TO HAVE HIM BORN IN HIS OWN
LITTLE FUR OR QUILTED BAG.
TO HAVE HIM BORN IN HIS OWN
LITTLE FUR OR QUILTED BAG.
WHAT DO YOU THINK, DEAR?
LITTLE FUR OR QUILTED BAG.
WHAT DO YOU THINK, DEAR?
LET'S TAKE THE QUILT.
WHAT DO YOU THINK, DEAR?
LET'S TAKE THE QUILT.
VERY GOOD. EXCELLENT.
LET'S TAKE THE QUILT.
VERY GOOD. EXCELLENT.
EXCELLENT.
VERY GOOD. EXCELLENT.
EXCELLENT.
NOW, GENERAL APTITUDE... YOU
EXCELLENT.
NOW, GENERAL APTITUDE... YOU
WANT HIM TO BE ARTISTIC OR A
NOW, GENERAL APTITUDE... YOU
WANT HIM TO BE ARTISTIC OR A
WELDER?
WANT HIM TO BE ARTISTIC OR A
WELDER?
A WELDER.
WELDER?
A WELDER.
GOOD, GOOD, GOOD.
A WELDER.
GOOD, GOOD, GOOD.
MOUTH... TONGUE OR DIPSTICK?
GOOD, GOOD, GOOD.
MOUTH... TONGUE OR DIPSTICK?
WHAT?
MOUTH... TONGUE OR DIPSTICK?
WHAT?
TONGUE OR DIPSTICK.
WHAT?
TONGUE OR DIPSTICK.
A TONGUE IS VERY, VERY FAT, AND
TONGUE OR DIPSTICK.
A TONGUE IS VERY, VERY FAT, AND
A DIPSTICK IS VERY, VERY MUCH
A TONGUE IS VERY, VERY FAT, AND
A DIPSTICK IS VERY, VERY MUCH
THINNER AND WILL ENABLE YOUR
A DIPSTICK IS VERY, VERY MUCH
THINNER AND WILL ENABLE YOUR
BABY TO SUCK FLIES OUT OF SODA
THINNER AND WILL ENABLE YOUR
BABY TO SUCK FLIES OUT OF SODA
BOTTLES.
BABY TO SUCK FLIES OUT OF SODA
BOTTLES.
WELL, UM, TONGUE, PLEASE.
BOTTLES.
WELL, UM, TONGUE, PLEASE.
TONGUE? GOOD, GOOD, GOOD.
WELL, UM, TONGUE, PLEASE.
TONGUE? GOOD, GOOD, GOOD.
FEET OR PODS?
TONGUE? GOOD, GOOD, GOOD.
FEET OR PODS?
PODS?
FEET OR PODS?
PODS?
PODS.
PODS?
PODS.
PODS, YOU KNOW. PODS.
PODS.
PODS, YOU KNOW. PODS.
IT INCREASES THE BABY'S MOTOR
PODS, YOU KNOW. PODS.
IT INCREASES THE BABY'S MOTOR
SKILLS.
IT INCREASES THE BABY'S MOTOR
SKILLS.
PODS.
SKILLS.
PODS.
PODS, GOOD.
PODS.
PODS, GOOD.
WHAT ABOUT HIS HEAD?
PODS, GOOD.
WHAT ABOUT HIS HEAD?
YOU WANT IT PRESSED IN FLAT LIKE
WHAT ABOUT HIS HEAD?
YOU WANT IT PRESSED IN FLAT LIKE
A PEKINESE PUPPY, OR WOULD YOU
YOU WANT IT PRESSED IN FLAT LIKE
A PEKINESE PUPPY, OR WOULD YOU
LIKE IT FULLY CURLED TO LOOK
A PEKINESE PUPPY, OR WOULD YOU
LIKE IT FULLY CURLED TO LOOK
LIKE A SHRIMP?
LIKE IT FULLY CURLED TO LOOK
LIKE A SHRIMP?
IF HE HAS THE SHRIMP HEAD, HE'LL
LIKE A SHRIMP?
IF HE HAS THE SHRIMP HEAD, HE'LL
BE ABLE TO GET THE WELDER'S
IF HE HAS THE SHRIMP HEAD, HE'LL
BE ABLE TO GET THE WELDER'S
GOGGLES ON MUCH EASIER.
BE ABLE TO GET THE WELDER'S
GOGGLES ON MUCH EASIER.
NO. NO.
GOGGLES ON MUCH EASIER.
NO. NO.
I DON'T WANT A BABY WITH A
NO. NO.
I DON'T WANT A BABY WITH A
SHRIMP HEAD.
I DON'T WANT A BABY WITH A
SHRIMP HEAD.
WHAT IS THIS ABOUT SHRIMP
SHRIMP HEAD.
WHAT IS THIS ABOUT SHRIMP
HEADS, DOCTOR?
WHAT IS THIS ABOUT SHRIMP
HEADS, DOCTOR?
FRANKLY, THIS IS NOT WHAT WE
HEADS, DOCTOR?
FRANKLY, THIS IS NOT WHAT WE
EXPECTED AT ALL.
FRANKLY, THIS IS NOT WHAT WE
EXPECTED AT ALL.
RIGHT, THEN!
EXPECTED AT ALL.
RIGHT, THEN!
I DO THE BEST I CAN TO HELP YOU
RIGHT, THEN!
I DO THE BEST I CAN TO HELP YOU
BLOODY PARENTS SET UP YOUR
I DO THE BEST I CAN TO HELP YOU
BLOODY PARENTS SET UP YOUR
SNIVELING, SNOTTY-NOSED KID THE
BLOODY PARENTS SET UP YOUR
SNIVELING, SNOTTY-NOSED KID THE
WAY YOU WANT, AND ALL I GET IN
SNIVELING, SNOTTY-NOSED KID THE
WAY YOU WANT, AND ALL I GET IN
RETURN FOR 15 YEARS OF BORING
WAY YOU WANT, AND ALL I GET IN
RETURN FOR 15 YEARS OF BORING
RESEARCH INTO THE BLOODY BORING
RETURN FOR 15 YEARS OF BORING
RESEARCH INTO THE BLOODY BORING
COMPOSITION OF THE BLOODY DAMN
RESEARCH INTO THE BLOODY BORING
COMPOSITION OF THE BLOODY DAMN
DNA MOLECULE IS A PAIR OF
COMPOSITION OF THE BLOODY DAMN
DNA MOLECULE IS A PAIR OF
PATHETIC TWITS, WHO, WHEN
DNA MOLECULE IS A PAIR OF
PATHETIC TWITS, WHO, WHEN
CONFRONTED WITH BLOODY SCIENCE
PATHETIC TWITS, WHO, WHEN
CONFRONTED WITH BLOODY SCIENCE
START A PATHETIC WIFFLE-WAFFLE.
CONFRONTED WITH BLOODY SCIENCE
START A PATHETIC WIFFLE-WAFFLE.
RIGHT NOW, MR. AND MRS. STOLWRY,
START A PATHETIC WIFFLE-WAFFLE.
RIGHT NOW, MR. AND MRS. STOLWRY,
YOU HAVE A PERFECT, BEAUTIFUL
RIGHT NOW, MR. AND MRS. STOLWRY,
YOU HAVE A PERFECT, BEAUTIFUL
WALKING SPECIMEN OF A STOCKY,
YOU HAVE A PERFECT, BEAUTIFUL
WALKING SPECIMEN OF A STOCKY,
BLOND-HAIRED, BLUE-EYED,
WALKING SPECIMEN OF A STOCKY,
BLOND-HAIRED, BLUE-EYED,
FAIR-SKINNED, QUILTED, MALE
BLOND-HAIRED, BLUE-EYED,
FAIR-SKINNED, QUILTED, MALE
SHRIMP-HEAD WELDER, WITH PODS!
FAIR-SKINNED, QUILTED, MALE
SHRIMP-HEAD WELDER, WITH PODS!
NOW, WHAT MORE CAN YOU POSSIBLY
SHRIMP-HEAD WELDER, WITH PODS!
NOW, WHAT MORE CAN YOU POSSIBLY
WANT?
NOW, WHAT MORE CAN YOU POSSIBLY
WANT?
FRANKLY, IT MAKES ME SICK.
WANT?
FRANKLY, IT MAKES ME SICK.
WHY DON'T YOU GO HAVE YOUR CHILD
FRANKLY, IT MAKES ME SICK.
WHY DON'T YOU GO HAVE YOUR CHILD
NATURALLY?
WHY DON'T YOU GO HAVE YOUR CHILD
NATURALLY?
I'M SORRY, DOCTOR.
NATURALLY?
I'M SORRY, DOCTOR.
IT'S JUST WE DON'T UNDERSTAND
I'M SORRY, DOCTOR.
IT'S JUST WE DON'T UNDERSTAND
YOUR METHODS.
IT'S JUST WE DON'T UNDERSTAND
YOUR METHODS.
YES, WE'LL TRY TO BE MORE
YOUR METHODS.
YES, WE'LL TRY TO BE MORE
UNDERSTANDING.
YES, WE'LL TRY TO BE MORE
UNDERSTANDING.
ALL RIGHT, LET'S GIVE IT
UNDERSTANDING.
ALL RIGHT, LET'S GIVE IT
ANOTHER TRY.
ALL RIGHT, LET'S GIVE IT
ANOTHER TRY.
ALL RIGHT, HERE WE GO.
ANOTHER TRY.
ALL RIGHT, HERE WE GO.
HATCHBACK OR PORTHOLE WINDOWS?
ALL RIGHT, HERE WE GO.
HATCHBACK OR PORTHOLE WINDOWS?
HATCHBACK.
HATCHBACK OR PORTHOLE WINDOWS?
HATCHBACK.
DEFINITELY HATCHBACK.
Announcer: GOOD MORNING.
NOW RADIO STATION K.L.O.G.
COMMENCES ITS PROGRAMMING DAY.
K.L.O.G. IS A DIVISION OF
BOARDCORE COMMUNICATIONS.
THE POLICY OF K.L.O.G. AND
K.L.O.G. F.M. IS TO GIVE YOU,
THE LISTENER, THE BEST IN BOTH
A.M. AND F.M. ENTERTAINMENT.
WE WISH YOU A GOOD MORNING AND A
NICE DAY.
[DEVICE BEEPS]
♪ COMING OR GOING OR JUST IN
THE RACE ♪
♪ STAY WITH K.L.O.G. 'CAUSE
CASEY'S ON THE CASE ♪
HEY, GOOD MORNING!
IT'S KIP CASEY WAKE-UP TIME!
DRIVING TO WORK, TO SCHOOL,
HAVING BREAKFAST, OR JUST DOING
SOME CRAZY MORNING THINGS AROUND
THE HOUSE, CASEY'S ON THE CASE.
I'M KIP CASEY.
I'LL BE HERE TILL NOON WITH A
FEW WORDS, A LITTLE MUSIC, AND
THE PASTERNAK AIR HAMMER
GIVEAWAY-DAY CONTEST LATER ON.
HERE'S A TUNE TO GET YOU MOVING
AND GROOVING ON THIS SUNNY
FRIDAY MORNING.
AN OLD ONE FROM
TONY ORLANDO & DAWN...
"CANDIDA."
SOME GOLD.
["CANDIDA" PLAYS]
[Low, croaking voice] OKAY.
YEAH.
THAT WAS THE MOODY BLUES FOR OUR
MORNING.
MORNING, AS ALWAYS, THE FIRST
AWAKENING.
I'M KENNETH WARDELL ON K.L.O.G.
F.M., MELLOWING OUT YOUR MORNING
WITH SOME REALLY GOOD SOUND.
WE HAVE MUSIC.
I'M A LITTLE HIGH RIGHT NOW.
AND I'M LOOKING FORWARD TO AN
INTERVIEW WITH PETER CRISS, THE
DRUMMER FROM KISS.
HE'S GONNA TELL US HOW HE CHOSE
THE CAT MAKEUP.
HERE'S SOMETHING NEW FROM
AEROSMITH.
[ROCK MUSIC PLAYS]
[Upbeat voice] YEAH!
"CANDIDA"!
HEY, MOM, HERE'S THE WORD ABOUT
WALLY WINKY WONDERLOAF, THE
NUTRITIOUS WHITE MILK BREAD.
THE PEOPLE AT WALLY WINKY
BAKERIES PUT LOVING CARE AND
PRIDE INTO EVERY LOAF THEY BAKE.
EVERY WALLY WINKY WONDERLOAF IS
MADE... EVERY WALLY WINKY
WONDERLOAF IS MADE FROM WHITE
REFINED MILK FLOUR AND MILK
POWDER SUBSTITUTE TO GIVE YOUR
GROWING FAMILY THE IMPORTANT
NUTRITION THEY NEED.
SO GIVE YOUR YOUNGSTERS WALLY
WINKY WONDERLOAF TODAY.
AND LET'S WATCH OUT NOW FOR THAT
"DEVIL WOMAN."
["DEVIL WOMAN" PLAYS]
[Low, croaking voice] YEAH.
AEROSMITH ON K.L.O.G. F.M.
YOU KNOW, MANY NUTRITIONISTS AND
DOCTORS AGREE THAT BREAD MADE
WITH WHITE REFINED MILLED FLOUR
AND MILK POWDER SUBSTITUTE IS NO
GOOD FOR US.
MOST AGREE THAT WHOLE WHEAT IS
AN EXCELLENT SOURCE OF PROTEIN.
THAT'S WHY THE PEOPLE AT
EARTH SOURCE GRANARIES USE ONLY
WHOLE GRAIN AND UNMILLED WHEAT
IN THEIR HEADBREAD.
HEADBREAD, FOR A PURE SOURCE OF
NOURISHMENT.
NOW, LED ZEPPELIN, "STAIRWAY."
♪ IF THERE'S A BUSTLE... ♪
[Upbeat voice] YEAH, ALL
RIGHT!
DON'T LET THAT "DEVIL WOMAN" GET
YOU.
YOU KNOW, RING AUDIO HAS
EVERYTHING YOU NEED IN STEREO
COMPONENTS, C.B. RADIOS,
AERIALS, CAR RADIOS, TAPE DECKS,
TURNTABLES, AMPLIFIERS, SPEAKERS
AND TVs.
ALL NAME BRANDS AT GREAT PRICES.
THAT'S RING AUDIO,
8080 STRONEPOOL BOULEVARD,
FLAGSWAN.
ASK FOR GARY.
TELL HIM CRAZY KIP CASEY SENT
YOU.
AND IF YOU DIG DISCO, YOU'RE
REALLY GONNA DIG THE "FIFTH."
IT'S MOVING UP THERE ON THE
K.L.O.G. HIT PICKS SURVEY.
[FUNK MUSIC PLAYS]
[Low voice] YEAH.
DO YOUR BIG SPEAKERS KEEP
GETTING YOU EVICTED?
THEN WHY NOT VISIT STAIRWAY TO
HEADPHONES?
STAIRWAY TO HEADPHONES DEALS
ONLY IN QUALITY HEADPHONES AND
MOTORCYCLE AND FOOTBALL HELMETS,
ALL WIRED FOR SOUND.
STAIRWAY TO HEADPHONES,
8080 STRONEPOOL BOULEVARD,
FLAGSWAN.
ASK FOR GARY.
TELL HIM KENNETH WARDELL,
K.L.O.G. F.M. SENT YOU.
HERE'S BLACK SABBATH.
[HEAVY METAL MUSIC PLAYS]
[Upbeat voice] OKAY.
ALL RIGHT.
HEY, THE K.L.O.G. TRAFFIC COPTER
REPORTS TRAFFIC'S BADLY TIED UP
ON ROUTE 9.
A LOT OF CARS ARE BACKED UP
THERE.
TAKE THE BYPASS INSTEAD.
HEY, THE STUDENT COUNCIL AT
ROLCAGE HIGH SCHOOL IN SUMMIT
ASKED ME TO SAY A FEW WORDS
ABOUT THEIR ART FAIR.
THE KIDS ARE HAVING AN ART FAIR
THERE... IT'S IN THE GYM...
THURSDAY NIGHT FROM 8 P.M., AND
THE KIDS HAVE REALLY WORKED HARD
ON THE ART.
AND THEY'D SURE APPRECIATE A
LITTLE SUPPORT.
THE MONEY'S FOR THE SICK.
THAT'S ROLCAGE HIGH IN SUMMIT.
THERE'S GONNA BE A LOT OF GOOD
ART THERE.
AND HERE'S SOMETHING TO TAKE US
UP TO NEWS TIME WITH
BERNIE PHILLIPS... "THE ANTLER
DANCE", TAKING US TO K.L.O.G.
NEWS WITH BERNIE PHILLIPS.
["THE ANTLER DANCE" PLAYS]
[Low voice] YEAH,
BLACK SABBATH.
I GUESS ALL YOU FOLKS WHO GOT
OUT TO THE DEAD CONCERT LAST
NIGHT AT WILDCAT STADIUM KIND OF
KNOW WHERE MY HEAD'S AT TODAY.
BUT, HEY, YOU KNOW, I HEARD THAT
CITY COUNCIL MIGHT CANCEL ALL
ROCK CONCERTS BECAUSE OF DAMAGE
DONE TO THE ASTROTURF.
IF YOU HAVE TO SMOKE CIGARETTES,
PUT THEM IN YOUR BEER CAN OR
CARRY AN ASHTRAY.
IF YOU SMOKE ANYTHING ELSE,
SMOKE IT, THEN EAT IT.
IT WON'T KILL YOU, BUT
CIGARETTES WILL.
IT'S A SHAME THIS KIND OF THING
IS STILL GOING ON.
I GUESS SOME OF US DIDN'T LEARN
ANYTHING FROM THE '60s.
HEY, WE'RE COMING UP TO NEWS
TIME RIGHT NOW WITH
BERNIE PHILLIPS.
I'M GONNA TAKE A LITTLE BREAK
AND FIND OUT WHAT'S HAPPENING IN
THE NEWS WITH BERNIE PHILLIPS AT
THE K.L.O.G. NEWS CENTER.
Announcer: AND NOW, K.L.O.G.
NEWS WITH BERNIE PHILLIPS.
[Normal voice] I'M
BERNIE PHILLIPS.
THIS IS THE K.L.O.G. NEWS.
PRECAUTIONARY MEASURES CONTINUE
TO BE TAKEN AGAINST THE SWINE
FLU THREAT.
YET UNITED STATES DEPARTMENT OF
AGRICULTURE OFFICIALS WARN
NOTHING HAS BEEN DONE TO HALT
THE NORTHWARD MOVEMENT OF THE
DEADLY SOUTH AMERICAN KILLER
BEES.
AND NOW BACK TO A LITTLE MUSIC.
[Deep voice] ♪ HERE COMES
THE SUN ♪
THAT DIDN'T HURT, NOW.
THE SUN ♪
THAT DIDN'T HURT, NOW.
THERE YOU GO.
THAT DIDN'T HURT, NOW.
THERE YOU GO.
WILL YOU PLEASE TURN THAT OFF?
THERE YOU GO.
WILL YOU PLEASE TURN THAT OFF?
I CAN'T HEAR MYSELF THINK.
WILL YOU PLEASE TURN THAT OFF?
I CAN'T HEAR MYSELF THINK.
THANK YOU.
I CAN'T HEAR MYSELF THINK.
THANK YOU.
IT LOOKS LIKE IT'S GONNA BE A
THANK YOU.
IT LOOKS LIKE IT'S GONNA BE A
BUSY DAY.
IT LOOKS LIKE IT'S GONNA BE A
BUSY DAY.
I KNOW.
BUSY DAY.
I KNOW.
IT'S ALREADY 9:00 AND WE'VE HAD
I KNOW.
IT'S ALREADY 9:00 AND WE'VE HAD
AT LEAST 50.
IT'S ALREADY 9:00 AND WE'VE HAD
AT LEAST 50.
SIR, WOULD YOU PLEASE ROLL UP
AT LEAST 50.
SIR, WOULD YOU PLEASE ROLL UP
YOUR SLEEVE?
SIR, WOULD YOU PLEASE ROLL UP
YOUR SLEEVE?
[Spanish accent] IT IS
YOUR SLEEVE?
[Spanish accent] IT IS
ROLLED UP.
[Spanish accent] IT IS
ROLLED UP.
OH, MY GOD. YOU'RE A...
ROLLED UP.
OH, MY GOD. YOU'RE A...
THAT'S RIGHT, LADY!
OH, MY GOD. YOU'RE A...
THAT'S RIGHT, LADY!
WE'RE THE KILLER BEES!
[Spanish accent] YEAH!
YEAH! YEAH!
YOU TRY ANYTHING FUNNY AND I
YEAH! YEAH!
YOU TRY ANYTHING FUNNY AND I
KNOW A NURSE WHO'S GOING TO NEED
YOU TRY ANYTHING FUNNY AND I
KNOW A NURSE WHO'S GOING TO NEED
A DOCTOR, UNDERSTAND?
KNOW A NURSE WHO'S GOING TO NEED
A DOCTOR, UNDERSTAND?
WHAT ARE YOU DOING HERE?
A DOCTOR, UNDERSTAND?
WHAT ARE YOU DOING HERE?
WHAT DO YOU WANT?
WHAT ARE YOU DOING HERE?
WHAT DO YOU WANT?
GIVE US THAT SWINE FLU
WHAT DO YOU WANT?
GIVE US THAT SWINE FLU
VACCINE.
GIVE US THAT SWINE FLU
VACCINE.
OH, PLEASE, DON'T HURT HER.
VACCINE.
OH, PLEASE, DON'T HURT HER.
SHE'S MY FRIEND.
OH, PLEASE, DON'T HURT HER.
SHE'S MY FRIEND.
PLEASE.
SHE'S MY FRIEND.
PLEASE.
DON'T YOU THINK WE HAVE
PLEASE.
DON'T YOU THINK WE HAVE
FRIENDS?
DON'T YOU THINK WE HAVE
FRIENDS?
DON'T YOU THINK WE HAVE FRIENDS,
FRIENDS?
DON'T YOU THINK WE HAVE FRIENDS,
LIKE THE SWINE FLU?
DON'T YOU THINK WE HAVE FRIENDS,
LIKE THE SWINE FLU?
DID YOU EVER THINK THE SWINE FLU
LIKE THE SWINE FLU?
DID YOU EVER THINK THE SWINE FLU
MAY BE OUR BEST FRIEND, HUH,
DID YOU EVER THINK THE SWINE FLU
MAY BE OUR BEST FRIEND, HUH,
GRINGO?
MAY BE OUR BEST FRIEND, HUH,
GRINGO?
I GREW UP WITH THE SWINE FLU.
GRINGO?
I GREW UP WITH THE SWINE FLU.
WHEN TIMES WERE HARD, MY FAMILY
I GREW UP WITH THE SWINE FLU.
WHEN TIMES WERE HARD, MY FAMILY
WAS POOR, THE SWINE FLU TOOK US
WHEN TIMES WERE HARD, MY FAMILY
WAS POOR, THE SWINE FLU TOOK US
IN.
WAS POOR, THE SWINE FLU TOOK US
IN.
THEY CLOTHED US, FED US.
IN.
THEY CLOTHED US, FED US.
THE SWINE FLU TAUGHT US TO READ.
THEY CLOTHED US, FED US.
THE SWINE FLU TAUGHT US TO READ.
THAT'S RIGHT.
THE SWINE FLU TAUGHT US TO READ.
THAT'S RIGHT.
THE SWINE FLU SAVED MY LIFE IN
THAT'S RIGHT.
THE SWINE FLU SAVED MY LIFE IN
NAM.
THE SWINE FLU SAVED MY LIFE IN
NAM.
[Spanish accent] THE SWINE
NAM.
[Spanish accent] THE SWINE
FLU FINANCED MY MOBILE HOME.
[Spanish accent] THE SWINE
FLU FINANCED MY MOBILE HOME.
YOU SEE, THEY ARE OUR
FLU FINANCED MY MOBILE HOME.
YOU SEE, THEY ARE OUR
BROTHERS, AND WE TAKE CARE OF
YOU SEE, THEY ARE OUR
BROTHERS, AND WE TAKE CARE OF
OUR OWN.
BROTHERS, AND WE TAKE CARE OF
OUR OWN.
LOOK, I'LL BE VERY HONEST
OUR OWN.
LOOK, I'LL BE VERY HONEST
WITH YOU.
LOOK, I'LL BE VERY HONEST
WITH YOU.
YOU SEE, WE'RE ALL OUT OF SWINE
WITH YOU.
YOU SEE, WE'RE ALL OUT OF SWINE
FLU VACCINE.
YOU SEE, WE'RE ALL OUT OF SWINE
FLU VACCINE.
WE RAN OUT OF IT HOURS AGO.
FLU VACCINE.
WE RAN OUT OF IT HOURS AGO.
WE'RE USING SOME OLD POLIO
WE RAN OUT OF IT HOURS AGO.
WE'RE USING SOME OLD POLIO
VACCINE FROM THE '50s.
WE'RE USING SOME OLD POLIO
VACCINE FROM THE '50s.
POLIO VACC...
VACCINE FROM THE '50s.
POLIO VACC...
ALL RIGHT, CHAP.
POLIO VACC...
ALL RIGHT, CHAP.
LET'S JUST GET WHAT WE CAME FOR
ALL RIGHT, CHAP.
LET'S JUST GET WHAT WE CAME FOR
AND BUZZ OFF, SHALL WE?
LET'S JUST GET WHAT WE CAME FOR
AND BUZZ OFF, SHALL WE?
GIVE ME THE VACCINE.
AND BUZZ OFF, SHALL WE?
GIVE ME THE VACCINE.
WAIT A MINUTE. WAIT A MINUTE.
GIVE ME THE VACCINE.
WAIT A MINUTE. WAIT A MINUTE.
WAIT A MINUTE. WAIT A MINUTE.
WAIT A MINUTE. WAIT A MINUTE.
WAIT A MINUTE. WAIT A MINUTE.
DID HE JUST SAY CHAP?
WAIT A MINUTE. WAIT A MINUTE.
DID HE JUST SAY CHAP?
NO, HE DIDN'T SAY NOTHING.
DID HE JUST SAY CHAP?
NO, HE DIDN'T SAY NOTHING.
YES, HE DID. HE SAID CHAP.
NO, HE DIDN'T SAY NOTHING.
YES, HE DID. HE SAID CHAP.
HE SAID CHAPPO... SPANISH FOR
YES, HE DID. HE SAID CHAP.
HE SAID CHAPPO... SPANISH FOR
"FAT BEE."
HE SAID CHAPPO... SPANISH FOR
"FAT BEE."
YEAH, YEAH, YEAH, YEAH.
"FAT BEE."
YEAH, YEAH, YEAH, YEAH.
WAIT A MINUTE.
YEAH, YEAH, YEAH, YEAH.
WAIT A MINUTE.
I HEARD HIM, TOO, JANE.
WAIT A MINUTE.
I HEARD HIM, TOO, JANE.
I HEARD HIM SAY CHAP.
I HEARD HIM, TOO, JANE.
I HEARD HIM SAY CHAP.
WAIT A MINUTE.
I HEARD HIM SAY CHAP.
WAIT A MINUTE.
YOU'RE NOT A SOUTH AMERICAN
WAIT A MINUTE.
YOU'RE NOT A SOUTH AMERICAN
KILLER BEE.
YOU'RE NOT A SOUTH AMERICAN
KILLER BEE.
YOU'RE ENGLISH.
KILLER BEE.
YOU'RE ENGLISH.
HE'S NOT ENGLISH.
YOU'RE ENGLISH.
HE'S NOT ENGLISH.
NOW HAND OVER THAT VACCINE.
HE'S NOT ENGLISH.
NOW HAND OVER THAT VACCINE.
RIGHT.
NOW HAND OVER THAT VACCINE.
RIGHT.
HAND IT OVER OR YOU'RE GOING TO
RIGHT.
HAND IT OVER OR YOU'RE GOING TO
DANCE.
HAND IT OVER OR YOU'RE GOING TO
DANCE.
GET 'EM, BLOKE.
DANCE.
GET 'EM, BLOKE.
OKAY.
GET 'EM, BLOKE.
OKAY.
OKAY, OKAY.
OKAY.
OKAY, OKAY.
I HEARD HIM JUST SAY BLOKE.
OKAY, OKAY.
I HEARD HIM JUST SAY BLOKE.
I DISTINCTLY HEARD HIM SAY
I HEARD HIM JUST SAY BLOKE.
I DISTINCTLY HEARD HIM SAY
BLOKE.
I DISTINCTLY HEARD HIM SAY
BLOKE.
I HEARD HIM, TOO.
BLOKE.
I HEARD HIM, TOO.
HE SAID BLOKE.
I HEARD HIM, TOO.
HE SAID BLOKE.
I AGREE WITH GILDA.
HE SAID BLOKE.
I AGREE WITH GILDA.
HE'S NOT ENGLISH.
I AGREE WITH GILDA.
HE'S NOT ENGLISH.
HE WAS EDUCATED AT OXFORD.
HE'S NOT ENGLISH.
HE WAS EDUCATED AT OXFORD.
BUT HE'S NOT ENGLISH.
HE WAS EDUCATED AT OXFORD.
BUT HE'S NOT ENGLISH.
OH, COME ON.
BUT HE'S NOT ENGLISH.
OH, COME ON.
DO YOU EXPECT US TO BELIEVE
OH, COME ON.
DO YOU EXPECT US TO BELIEVE
THAT, REALLY?
DO YOU EXPECT US TO BELIEVE
THAT, REALLY?
HE SPENT TWO SEMESTERS AT
THAT, REALLY?
HE SPENT TWO SEMESTERS AT
OXFORD.
HE SPENT TWO SEMESTERS AT
OXFORD.
DON'T MAKE HIM ENGLISH.
OXFORD.
DON'T MAKE HIM ENGLISH.
SO, YOU'RE SOUTH AMERICAN,
DON'T MAKE HIM ENGLISH.
SO, YOU'RE SOUTH AMERICAN,
HUH?
SO, YOU'RE SOUTH AMERICAN,
HUH?
WHAT COUNTRY?
HUH?
WHAT COUNTRY?
PARAGUAY.
WHAT COUNTRY?
PARAGUAY.
WHERE IN PARAGUAY?
PARAGUAY.
WHERE IN PARAGUAY?
THE MIDDLE.
WHERE IN PARAGUAY?
THE MIDDLE.
ARE WE SUPPOSED TO BELIEVE
THE MIDDLE.
ARE WE SUPPOSED TO BELIEVE
THAT?
ARE WE SUPPOSED TO BELIEVE
THAT?
LOOK, THE SUBJECT IS CLOSED.
THAT?
LOOK, THE SUBJECT IS CLOSED.
GIVE US THE VACCINE.
LOOK, THE SUBJECT IS CLOSED.
GIVE US THE VACCINE.
ALL RIGHT, WHAT ARE YOU SO
GIVE US THE VACCINE.
ALL RIGHT, WHAT ARE YOU SO
SCARED ABOUT?
ALL RIGHT, WHAT ARE YOU SO
SCARED ABOUT?
I MEAN, IF HE IS SOUTH AMERICAN,
SCARED ABOUT?
I MEAN, IF HE IS SOUTH AMERICAN,
WHY DON'T YOU LET HIM JUST PROVE
I MEAN, IF HE IS SOUTH AMERICAN,
WHY DON'T YOU LET HIM JUST PROVE
IT?
WHY DON'T YOU LET HIM JUST PROVE
IT?
YEAH, LET HIM PROVE IT.
IT?
YEAH, LET HIM PROVE IT.
HE DON'T HAVE TO PROVE
YEAH, LET HIM PROVE IT.
HE DON'T HAVE TO PROVE
NOTHING.
HE DON'T HAVE TO PROVE
NOTHING.
WAIT A MINUTE.
NOTHING.
WAIT A MINUTE.
I'LL PROVE IT.
WAIT A MINUTE.
I'LL PROVE IT.
♪ LA CUCARACHA ♪
I'LL PROVE IT.
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
♪ LA CUCARACHA ♪
♪ MARIHUANA QUE FUMAR ♪
OLé!
♪ MARIHUANA QUE FUMAR ♪
OLé!
OH, SURE.
OLé!
OH, SURE.
HE'S NOT ENGLISH... MUCH.
OH, SURE.
HE'S NOT ENGLISH... MUCH.
RIGHT.
HE'S NOT ENGLISH... MUCH.
RIGHT.
[Normal voice] WELL, I HOPE
RIGHT.
[Normal voice] WELL, I HOPE
YOU'RE HAPPY.
[Normal voice] WELL, I HOPE
YOU'RE HAPPY.
WHAT?
YOU'RE HAPPY.
WHAT?
YOU RUINED THE WHOLE
WHAT?
YOU RUINED THE WHOLE
INTEGRITY OF THIS SCENE.
YOU RUINED THE WHOLE
INTEGRITY OF THIS SCENE.
I HATE WORKING WITH ENGLISH
INTEGRITY OF THIS SCENE.
I HATE WORKING WITH ENGLISH
ACTORS.
I HATE WORKING WITH ENGLISH
ACTORS.
I DON'T KNOW WHY I PUT UP WITH
ACTORS.
I DON'T KNOW WHY I PUT UP WITH
THIS.
I DON'T KNOW WHY I PUT UP WITH
THIS.
[Normal voice] NICE
THIS.
[Normal voice] NICE
PERFORMANCE.
[Normal voice] NICE
PERFORMANCE.
REALLY BELIEVABLE.
PERFORMANCE.
REALLY BELIEVABLE.
[Normal voice] MONTY
REALLY BELIEVABLE.
[Normal voice] MONTY
PYTHON'S FLYING CIRCUS,
[Normal voice] MONTY
PYTHON'S FLYING CIRCUS,
HUH?
PYTHON'S FLYING CIRCUS,
HUH?
THEY'LL LAUGH AT ANYTHING IN
HUH?
THEY'LL LAUGH AT ANYTHING IN
ENGLAND, I GUESS.
THEY'LL LAUGH AT ANYTHING IN
ENGLAND, I GUESS.
YOU SEEN THAT NEW STAGEHAND?
ENGLAND, I GUESS.
YOU SEEN THAT NEW STAGEHAND?
THE BLOND ONE?
YOU SEEN THAT NEW STAGEHAND?
THE BLOND ONE?
NO, THE ONE WITH THE SANDY
THE BLOND ONE?
NO, THE ONE WITH THE SANDY
HAIR.
NO, THE ONE WITH THE SANDY
HAIR.
OH, COME ON, CHEER UP, ERIC.
HAIR.
OH, COME ON, CHEER UP, ERIC.
YOU KNOW, I THOUGHT YOU WERE
OH, COME ON, CHEER UP, ERIC.
YOU KNOW, I THOUGHT YOU WERE
FANTASTIC.
YOU KNOW, I THOUGHT YOU WERE
FANTASTIC.
I MEAN, YOU DO CHARACTERS.
FANTASTIC.
I MEAN, YOU DO CHARACTERS.
YOU HAVE VERVE.
I MEAN, YOU DO CHARACTERS.
YOU HAVE VERVE.
YOU HAVE EXCITEMENT.
YOU HAVE VERVE.
YOU HAVE EXCITEMENT.
YOU HAVE NUANCE WHEN YOU
YOU HAVE EXCITEMENT.
YOU HAVE NUANCE WHEN YOU
PERFORM.
YOU HAVE NUANCE WHEN YOU
PERFORM.
I THINK YOU WERE GREAT!
PERFORM.
I THINK YOU WERE GREAT!
OH.
I THINK YOU WERE GREAT!
OH.
YOU WANT TO COME BACK TO MY
OH.
YOU WANT TO COME BACK TO MY
DRESSING ROOM?
YOU WANT TO COME BACK TO MY
DRESSING ROOM?
SURE.
DRESSING ROOM?
SURE.
GREAT.
[Deep voice] ♪ HERE COMES
THE SUN ♪
♪ HERE COMES THE SUN ♪
THE SUN ♪
♪ HERE COMES THE SUN ♪
♪ AND I SAY IT'S ALL RIGHT ♪
♪ HERE COMES THE SUN ♪
♪ AND I SAY IT'S ALL RIGHT ♪
♪ BA-DUM-BA-DEE DUM-BA-DEE DUM ♪
♪ AND I SAY IT'S ALL RIGHT ♪
♪ BA-DUM-BA-DEE DUM-BA-DEE DUM ♪
ERIC, REALLY, WE LOVE THE
♪ BA-DUM-BA-DEE DUM-BA-DEE DUM ♪
ERIC, REALLY, WE LOVE THE
SONG.
ERIC, REALLY, WE LOVE THE
SONG.
WE REALLY DO.
SONG.
WE REALLY DO.
IT'S GOING WELL, ISN'T IT?
WE REALLY DO.
IT'S GOING WELL, ISN'T IT?
ERIC, WE HAVE A PLACE FOR THE
IT'S GOING WELL, ISN'T IT?
ERIC, WE HAVE A PLACE FOR THE
SONG AT THE END OF THE SHOW.
ERIC, WE HAVE A PLACE FOR THE
SONG AT THE END OF THE SHOW.
OH, WE'LL DO IT AT THE END.
SONG AT THE END OF THE SHOW.
OH, WE'LL DO IT AT THE END.
YOU KNOW, THE END, WHEN YOU
OH, WE'LL DO IT AT THE END.
YOU KNOW, THE END, WHEN YOU
FINISH SOMETHING?
YOU KNOW, THE END, WHEN YOU
FINISH SOMETHING?
IT'LL BE MUCH STRONGER THERE.
FINISH SOMETHING?
IT'LL BE MUCH STRONGER THERE.
THAT'S RIGHT. THAT'S RIGHT.
IT'LL BE MUCH STRONGER THERE.
THAT'S RIGHT. THAT'S RIGHT.
LET'S HAVE SOMEBODY ELSE WHO
THAT'S RIGHT. THAT'S RIGHT.
LET'S HAVE SOMEBODY ELSE WHO
DOESN'T SING NORMALLY.
LET'S HAVE SOMEBODY ELSE WHO
DOESN'T SING NORMALLY.
OKAY.
DOESN'T SING NORMALLY.
OKAY.
LADIES AND GENTLEMEN,
OKAY.
LADIES AND GENTLEMEN,
MR. JOE COCKER.
LADIES AND GENTLEMEN,
MR. JOE COCKER.
[CHEERS AND APPLAUSE]
MR. JOE COCKER.
[CHEERS AND APPLAUSE]
[INTRODUCTION TO "YOU ARE SO
[CHEERS AND APPLAUSE]
[INTRODUCTION TO "YOU ARE SO
BEAUTIFUL" PLAYS]
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ CAN'T YOU SEE? ♪
♪ YOU'RE EVERYTHING I HOPED
♪ CAN'T YOU SEE? ♪
♪ YOU'RE EVERYTHING I HOPED
FOR ♪
♪ YOU'RE EVERYTHING I HOPED
FOR ♪
♪ YOU'RE EVERYTHING I NEED ♪
FOR ♪
♪ YOU'RE EVERYTHING I NEED ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ YOU'RE EVERYTHING I NEED ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ SUCH JOY AND HAPPINESS ♪
♪ YOU BRING ♪
♪ SUCH JOY AND HAPPINESS ♪
♪ YOU BRING ♪
♪ LIKE A DREAM ♪
♪ A GUIDING LIGHT
♪ LIKE A DREAM ♪
♪ A GUIDING LIGHT
THAT SHINES IN THE NIGHT ♪
♪ A GUIDING LIGHT
THAT SHINES IN THE NIGHT ♪
♪ HEAVEN'S GIFT TO ME ♪
THAT SHINES IN THE NIGHT ♪
♪ HEAVEN'S GIFT TO ME ♪
♪ OOH OOH ♪
♪ HEAVEN'S GIFT TO ME ♪
♪ OOH OOH ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ OOH OOH ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
♪ YOU ARE SO BEAUTIFUL ♪
♪ TO ME ♪
[SONG CONCLUDES]
♪ TO ME ♪
[SONG CONCLUDES]
[CHEERS AND APPLAUSE]
HEWO.
HEWO. THIS IS BABA WAWA, HERE TO
SAY FAREWELL.
THIS IS MY WAST MOMENT ON NBC.
I WANT TO WEMIND YOU TO WOOK FOR
ME, AWONG WITH HARRY REASONER
I WANT TO WEMIND YOU TO WOOK FOR
ME, AWONG WITH HARRY REASONER
WEEKNIGHTS AT 7:00.
ME, AWONG WITH HARRY REASONER
WEEKNIGHTS AT 7:00.
I WANT TO TAKE THIS OPPORTUNITY
WEEKNIGHTS AT 7:00.
I WANT TO TAKE THIS OPPORTUNITY
TO APOWOGIZE TO NBC.
I WANT TO TAKE THIS OPPORTUNITY
TO APOWOGIZE TO NBC.
I DON'T WIKE WEAVING.
TO APOWOGIZE TO NBC.
I DON'T WIKE WEAVING.
PLEASE TRUST ME, IT'S NOT SOUR
I DON'T WIKE WEAVING.
PLEASE TRUST ME, IT'S NOT SOUR
GWAPES, BUT WATHER THAT ANOTHER
PLEASE TRUST ME, IT'S NOT SOUR
GWAPES, BUT WATHER THAT ANOTHER
NETWORK WECOGNIZES IN ME A GWEAT
GWAPES, BUT WATHER THAT ANOTHER
NETWORK WECOGNIZES IN ME A GWEAT
TAWENT FOR DEWIVERING WELEVANT
NETWORK WECOGNIZES IN ME A GWEAT
TAWENT FOR DEWIVERING WELEVANT
NEWS STOWIES WITH CWYSTAL
TAWENT FOR DEWIVERING WELEVANT
NEWS STOWIES WITH CWYSTAL
CLAWITY TO MILLIONS OF
NEWS STOWIES WITH CWYSTAL
CLAWITY TO MILLIONS OF
AMERICANS.
CLAWITY TO MILLIONS OF
AMERICANS.
IT'S THE ONLY WEASON I'M
AMERICANS.
IT'S THE ONLY WEASON I'M
WEAVING, WEALLY.
Announcer: AND NOW
"WEEKEND UPDATE."
SUBSTITUTING FOR THE
"WEEKEND UPDATE."
SUBSTITUTING FOR THE
STILL-INJURED CHEVY CHASE IS
SUBSTITUTING FOR THE
STILL-INJURED CHEVY CHASE IS
JANE CURTIN.
STILL-INJURED CHEVY CHASE IS
JANE CURTIN.
NO, NO, NO.
JANE CURTIN.
NO, NO, NO.
HE'S STILL SICK.
NO, NO, NO.
HE'S STILL SICK.
I DON'T KNOW HOW LONG IT'LL BE.
HE'S STILL SICK.
I DON'T KNOW HOW LONG IT'LL BE.
WHAT?
I DON'T KNOW HOW LONG IT'LL BE.
WHAT?
I DON'T KNOW WHERE HE KEEPS THE
WHAT?
I DON'T KNOW WHERE HE KEEPS THE
BATTERIES.
I DON'T KNOW WHERE HE KEEPS THE
BATTERIES.
I GOT TO GO. BYE.
BATTERIES.
I GOT TO GO. BYE.
GOOD EVENING. I'M JANE CURTIN.
I GOT TO GO. BYE.
GOOD EVENING. I'M JANE CURTIN.
HEAR NOW THE NEWS.
GOOD EVENING. I'M JANE CURTIN.
HEAR NOW THE NEWS.
OUR TOP STORY TONIGHT... AFTER
HEAR NOW THE NEWS.
OUR TOP STORY TONIGHT... AFTER
BEING ACCUSED OF ONCE MISUSING
OUR TOP STORY TONIGHT... AFTER
BEING ACCUSED OF ONCE MISUSING
CAMPAIGN FUNDS, PRESIDENT FORD
BEING ACCUSED OF ONCE MISUSING
CAMPAIGN FUNDS, PRESIDENT FORD
HAS BEEN CLEARED OF THE CHARGE
CAMPAIGN FUNDS, PRESIDENT FORD
HAS BEEN CLEARED OF THE CHARGE
AS A RESULT OF A PROBE BY THE
HAS BEEN CLEARED OF THE CHARGE
AS A RESULT OF A PROBE BY THE
FBI.
AS A RESULT OF A PROBE BY THE
FBI.
IN A GESTURE OF APPRECIATION,
FBI.
IN A GESTURE OF APPRECIATION,
THE PRESIDENT HAS ISSUED A FULL
IN A GESTURE OF APPRECIATION,
THE PRESIDENT HAS ISSUED A FULL
AND COMPLETE PARDON TO
THE PRESIDENT HAS ISSUED A FULL
AND COMPLETE PARDON TO
EFREM ZIMBALIST JR.
AND COMPLETE PARDON TO
EFREM ZIMBALIST JR.
SECRETARY OF AGRICULTURE
EFREM ZIMBALIST JR.
SECRETARY OF AGRICULTURE
EARL BUTZ WAS REPRIMANDED BY
SECRETARY OF AGRICULTURE
EARL BUTZ WAS REPRIMANDED BY
PRESIDENT FORD FOR REFERRING TO
EARL BUTZ WAS REPRIMANDED BY
PRESIDENT FORD FOR REFERRING TO
BLACKS AS COLOREDS AND SAYING
PRESIDENT FORD FOR REFERRING TO
BLACKS AS COLOREDS AND SAYING
WHAT THEY WERE MOST CONCERNED
BLACKS AS COLOREDS AND SAYING
WHAT THEY WERE MOST CONCERNED
ABOUT WAS GOOD SEX, COMFORTABLE
WHAT THEY WERE MOST CONCERNED
ABOUT WAS GOOD SEX, COMFORTABLE
SHOES, AND A WARM PLACE TO GO TO
ABOUT WAS GOOD SEX, COMFORTABLE
SHOES, AND A WARM PLACE TO GO TO
THE BATHROOM.
SHOES, AND A WARM PLACE TO GO TO
THE BATHROOM.
BLACK SENATOR EDWARD BROOKE
THE BATHROOM.
BLACK SENATOR EDWARD BROOKE
CALLED FOR BUTZ'S RESIGNATION.
BLACK SENATOR EDWARD BROOKE
CALLED FOR BUTZ'S RESIGNATION.
BUTZ THEN APOLOGIZED TO
CALLED FOR BUTZ'S RESIGNATION.
BUTZ THEN APOLOGIZED TO
SENATOR BROOKE, REPORTEDLY
BUTZ THEN APOLOGIZED TO
SENATOR BROOKE, REPORTEDLY
SENDING A PEACE OFFERING OF A
SENATOR BROOKE, REPORTEDLY
SENDING A PEACE OFFERING OF A
BALE OF COTTON AND FIVE GALLONS
SENDING A PEACE OFFERING OF A
BALE OF COTTON AND FIVE GALLONS
OF HAIR STRAIGHTENER.
BALE OF COTTON AND FIVE GALLONS
OF HAIR STRAIGHTENER.
AND IN THE WORLD OF SPORTS,
OF HAIR STRAIGHTENER.
AND IN THE WORLD OF SPORTS,
MUHAMMAD ALI RETAINED HIS WORLD
AND IN THE WORLD OF SPORTS,
MUHAMMAD ALI RETAINED HIS WORLD
HEAVYWEIGHT CROWN, WINNING A
MUHAMMAD ALI RETAINED HIS WORLD
HEAVYWEIGHT CROWN, WINNING A
CONTROVERSIAL UNANIMOUS
HEAVYWEIGHT CROWN, WINNING A
CONTROVERSIAL UNANIMOUS
DECISION OVER CHALLENGER
CONTROVERSIAL UNANIMOUS
DECISION OVER CHALLENGER
KEN NORTON.
OVER 36,000 FANS PAID THEIR WAY
INTO YANKEE STADIUM TO SEE IF
ALI, A 9-5 FAVORITE, COULD
WITHSTAND THE POWERFUL PUNCHES
OF YOUTHFUL KEN NORTON.
IN THE EARLY ROUNDS, IT WAS ALI,
WHO SCORED HEAVILY WITH HIS
DANCING AND LANDING SEVERAL
WHO SCORED HEAVILY WITH HIS
DANCING AND LANDING SEVERAL
BLOWS TO NORTON'S HEAD.
DANCING AND LANDING SEVERAL
BLOWS TO NORTON'S HEAD.
AND IT WAS ONLY LATER IN THE
BLOWS TO NORTON'S HEAD.
AND IT WAS ONLY LATER IN THE
FIGHT WHEN NORTON'S MANAGER
AND IT WAS ONLY LATER IN THE
FIGHT WHEN NORTON'S MANAGER
URGED HIM BETWEEN ROUNDS THAT
FIGHT WHEN NORTON'S MANAGER
URGED HIM BETWEEN ROUNDS THAT
NORTON CAME OUT SLUGGING AND
URGED HIM BETWEEN ROUNDS THAT
NORTON CAME OUT SLUGGING AND
TURNED THE COURSE OF THE FIGHT
NORTON CAME OUT SLUGGING AND
TURNED THE COURSE OF THE FIGHT
AROUND TO THE POINT WHERE THE
TURNED THE COURSE OF THE FIGHT
AROUND TO THE POINT WHERE THE
CROWD AND NEWSPAPER REPORTERS
AROUND TO THE POINT WHERE THE
CROWD AND NEWSPAPER REPORTERS
FELT THAT NORTON WAS THE WINNER.
CROWD AND NEWSPAPER REPORTERS
FELT THAT NORTON WAS THE WINNER.
BUT IN THE END, IT WAS ALI WHO
FELT THAT NORTON WAS THE WINNER.
BUT IN THE END, IT WAS ALI WHO
GOT THE DECISION AND OFFICIALLY
BUT IN THE END, IT WAS ALI WHO
GOT THE DECISION AND OFFICIALLY
RETAINED HIS HEAVYWEIGHT CROWN.
GOT THE DECISION AND OFFICIALLY
RETAINED HIS HEAVYWEIGHT CROWN.
IN THE AFTERMATH OF THE
RETAINED HIS HEAVYWEIGHT CROWN.
IN THE AFTERMATH OF THE
CONTROVERSIAL DECISION, ALI HAS
IN THE AFTERMATH OF THE
CONTROVERSIAL DECISION, ALI HAS
ONCE AGAIN ANNOUNCED HIS
CONTROVERSIAL DECISION, ALI HAS
ONCE AGAIN ANNOUNCED HIS
RETIREMENT FROM THE RING,
ONCE AGAIN ANNOUNCED HIS
RETIREMENT FROM THE RING,
STATING THAT HE IS OLD, HE'S
RETIREMENT FROM THE RING,
STATING THAT HE IS OLD, HE'S
LOST HIS PUNCH AND LOOKS FORWARD
STATING THAT HE IS OLD, HE'S
LOST HIS PUNCH AND LOOKS FORWARD
TO SETTLING DOWN TO A LIFE OF
LOST HIS PUNCH AND LOOKS FORWARD
TO SETTLING DOWN TO A LIFE OF
GOOD SEX, COMFORTABLE SHOES, AND
TO SETTLING DOWN TO A LIFE OF
GOOD SEX, COMFORTABLE SHOES, AND
A WARM PLACE TO GO TO THE
GOOD SEX, COMFORTABLE SHOES, AND
A WARM PLACE TO GO TO THE
BATHROOM.
A WARM PLACE TO GO TO THE
BATHROOM.
THE SOCIETY OF GOOD TASTE HAS
BATHROOM.
THE SOCIETY OF GOOD TASTE HAS
FILED OFFICIAL COMPLAINTS WITH
THE SOCIETY OF GOOD TASTE HAS
FILED OFFICIAL COMPLAINTS WITH
TELEVISION NETWORKS PROTESTING
FILED OFFICIAL COMPLAINTS WITH
TELEVISION NETWORKS PROTESTING
THE CONTENT OF RECENT TELEVISION
TELEVISION NETWORKS PROTESTING
THE CONTENT OF RECENT TELEVISION
SHOWS.
THE CONTENT OF RECENT TELEVISION
SHOWS.
THOSE IN QUESTION ARE EPISODES
SHOWS.
THOSE IN QUESTION ARE EPISODES
IN WHICH, RESPECTIVELY,
THOSE IN QUESTION ARE EPISODES
IN WHICH, RESPECTIVELY,
CARROLL O'CONNOR HAD AN AFFAIR,
IN WHICH, RESPECTIVELY,
CARROLL O'CONNOR HAD AN AFFAIR,
CLORIS LEACHMAN BECAME PREGNANT,
CARROLL O'CONNOR HAD AN AFFAIR,
CLORIS LEACHMAN BECAME PREGNANT,
AND TELLY SAVALAS WAS BALD.
CLORIS LEACHMAN BECAME PREGNANT,
AND TELLY SAVALAS WAS BALD.
WEST POINT ANNOUNCED THAT ITS
AND TELLY SAVALAS WAS BALD.
WEST POINT ANNOUNCED THAT ITS
STUDENT BODY WILL BE VOTING THIS
WEST POINT ANNOUNCED THAT ITS
STUDENT BODY WILL BE VOTING THIS
MONTH AS TO WHETHER OR NOT THEY
STUDENT BODY WILL BE VOTING THIS
MONTH AS TO WHETHER OR NOT THEY
WANT A CHANGE IN THE ACADEMY'S
MONTH AS TO WHETHER OR NOT THEY
WANT A CHANGE IN THE ACADEMY'S
HONOR CODE.
WANT A CHANGE IN THE ACADEMY'S
HONOR CODE.
IN THE WAKE OF A WIDESPREAD
HONOR CODE.
IN THE WAKE OF A WIDESPREAD
CHEATING SCANDAL, THEY WILL ALSO
IN THE WAKE OF A WIDESPREAD
CHEATING SCANDAL, THEY WILL ALSO
REEVALUATE THE RULE OF MANDATORY
CHEATING SCANDAL, THEY WILL ALSO
REEVALUATE THE RULE OF MANDATORY
EXPULSION OF HONOR-CODE
REEVALUATE THE RULE OF MANDATORY
EXPULSION OF HONOR-CODE
VIOLATORS.
EXPULSION OF HONOR-CODE
VIOLATORS.
THUS FAR, THE TURNOUT HAS BEEN
VIOLATORS.
THUS FAR, THE TURNOUT HAS BEEN
HEAVY, WITH 412 CADETS CASTING
THUS FAR, THE TURNOUT HAS BEEN
HEAVY, WITH 412 CADETS CASTING
OVER 900 VOTES.
HEAVY, WITH 412 CADETS CASTING
OVER 900 VOTES.
WELL, VANDALISM STRUCK THE WORLD
OVER 900 VOTES.
WELL, VANDALISM STRUCK THE WORLD
OF ART TODAY.
WELL, VANDALISM STRUCK THE WORLD
OF ART TODAY.
FOR MORE ON THIS STORY, WE TAKE
OF ART TODAY.
FOR MORE ON THIS STORY, WE TAKE
YOU TO FLORENCE, ITALY, WITH
FOR MORE ON THIS STORY, WE TAKE
YOU TO FLORENCE, ITALY, WITH
CORRESPONDENT GARRETT MORRIS.
JANE, I'M STANDING IN A
HISTORIC PLACE, WHICH HAS MANY
WORKS OF PRICELESS ART.
IF YOU REMEMBER, A FEW YEARS
AGO, IN ROME, SOMEONE DAMAGED
MICHELANGELO'S "PIETà."
WELL, AGAIN, A BRUTAL ACT
OCCURRED HERE THIS MORNING WHEN
A MAN WIELDING A HAMMER AND
OCCURRED HERE THIS MORNING WHEN
A MAN WIELDING A HAMMER AND
CHISEL SNUCK INTO THIS MUSEUM
A MAN WIELDING A HAMMER AND
CHISEL SNUCK INTO THIS MUSEUM
AND, WHEN THE GUARDS WEREN'T
CHISEL SNUCK INTO THIS MUSEUM
AND, WHEN THE GUARDS WEREN'T
LOOKING, CIRCUMCISED THE STATUE
AND, WHEN THE GUARDS WEREN'T
LOOKING, CIRCUMCISED THE STATUE
OF DAVID.
LOOKING, CIRCUMCISED THE STATUE
OF DAVID.
NOW, POLICE ARE AT A COMPLETE
OF DAVID.
NOW, POLICE ARE AT A COMPLETE
LOSS AS TO WHO DID IT.
NOW, POLICE ARE AT A COMPLETE
LOSS AS TO WHO DID IT.
AND WHILE IT MAY HAVE BEEN DONE
LOSS AS TO WHO DID IT.
AND WHILE IT MAY HAVE BEEN DONE
FOR HEALTH REASONS, MUSEUM
AND WHILE IT MAY HAVE BEEN DONE
FOR HEALTH REASONS, MUSEUM
OFFICIALS DOUBT THAT THE STATUE
FOR HEALTH REASONS, MUSEUM
OFFICIALS DOUBT THAT THE STATUE
WILL EVER REALLY BE THE SAME.
OFFICIALS DOUBT THAT THE STATUE
WILL EVER REALLY BE THE SAME.
THIS IS RABBI MYI PICK.
WILL EVER REALLY BE THE SAME.
THIS IS RABBI MYI PICK.
TELL ME, RABBI, IT'S COVERED
THIS IS RABBI MYI PICK.
TELL ME, RABBI, IT'S COVERED
RIGHT NOW, BUT DID YOU SEE THE
TELL ME, RABBI, IT'S COVERED
RIGHT NOW, BUT DID YOU SEE THE
STATUE BEFORE THE BANDAGE WAS
RIGHT NOW, BUT DID YOU SEE THE
STATUE BEFORE THE BANDAGE WAS
APPLIED?
STATUE BEFORE THE BANDAGE WAS
APPLIED?
YES, I DID.
APPLIED?
YES, I DID.
UH-HUH.
YES, I DID.
UH-HUH.
AND AS A CLERGYMAN, WHAT DO YOU
UH-HUH.
AND AS A CLERGYMAN, WHAT DO YOU
THINK OF THE CULPRIT'S ACT?
AND AS A CLERGYMAN, WHAT DO YOU
THINK OF THE CULPRIT'S ACT?
IN MY OPINION, HE DID A
THINK OF THE CULPRIT'S ACT?
IN MY OPINION, HE DID A
BEAUTIFUL JOB.
IN MY OPINION, HE DID A
BEAUTIFUL JOB.
UH, THIS IS GARRETT MORRIS
BEAUTIFUL JOB.
UH, THIS IS GARRETT MORRIS
REPORTING.
UH, THIS IS GARRETT MORRIS
REPORTING.
NOW BACK TO YOU, JANE.
REPORTING.
NOW BACK TO YOU, JANE.
STILL TO COME, SYRIAN
NOW BACK TO YOU, JANE.
STILL TO COME, SYRIAN
PIÑATAS, AFTER THIS MESSAGE.
HI.
I'VE GOT A HEADACHE.
AND WHY SHOULDN'T I HAVE?
I WORK HARD AS THE OWNER OF A
LARGE DRUGSTORE CHAIN.
I MAKE A LOT OF DECISIONS.
I EARN MY HEADACHES.
WHEN I GET ONE HEADACHE, I HAVE
TO GET RID OF IT FAST TO MAKE
ROOM FOR THE NEXT ONE.
TO GET RID OF IT FAST TO MAKE
ROOM FOR THE NEXT ONE.
THAT'S WHY I NEED SUPER-FAST
ROOM FOR THE NEXT ONE.
THAT'S WHY I NEED SUPER-FAST
HEADACHE RELIEF.
THAT'S WHY I NEED SUPER-FAST
HEADACHE RELIEF.
I KNOW THAT ASPIRIN IS EFFECTIVE
HEADACHE RELIEF.
I KNOW THAT ASPIRIN IS EFFECTIVE
IN MANY MILD CASES AND THAT
I KNOW THAT ASPIRIN IS EFFECTIVE
IN MANY MILD CASES AND THAT
BUFFERED ASPIRIN IS EFFECTIVE IN
IN MANY MILD CASES AND THAT
BUFFERED ASPIRIN IS EFFECTIVE IN
CASES WHERE PAIN AND DISCOMFORT
BUFFERED ASPIRIN IS EFFECTIVE IN
CASES WHERE PAIN AND DISCOMFORT
ARE STRONGER.
CASES WHERE PAIN AND DISCOMFORT
ARE STRONGER.
FOR THAT SUPER-FAST RELIEF THAT
ARE STRONGER.
FOR THAT SUPER-FAST RELIEF THAT
I NEED, I CALL IN A
FOR THAT SUPER-FAST RELIEF THAT
I NEED, I CALL IN A
SPECIALIST... EPIFIX, FROM
I NEED, I CALL IN A
SPECIALIST... EPIFIX, FROM
LOBECON.
SPECIALIST... EPIFIX, FROM
LOBECON.
EPIFIX HEADACHE REMEDY COMES
LOBECON.
EPIFIX HEADACHE REMEDY COMES
WITH INJECTOR AND FIVE HEADACHE
EPIFIX HEADACHE REMEDY COMES
WITH INJECTOR AND FIVE HEADACHE
CARTRIDGES.
WITH INJECTOR AND FIVE HEADACHE
CARTRIDGES.
EACH EPIFIX HEADACHE CARTRIDGE
CARTRIDGES.
EACH EPIFIX HEADACHE CARTRIDGE
CONTAINS 200 MICROGRAMS OF
EACH EPIFIX HEADACHE CARTRIDGE
CONTAINS 200 MICROGRAMS OF
ACETYLSALICYLIC ACID AND 200
CONTAINS 200 MICROGRAMS OF
ACETYLSALICYLIC ACID AND 200
MICROGRAMS OF
ACETYLSALICYLIC ACID AND 200
MICROGRAMS OF
METHYLPHENIDATE HYDROCHLORIDE
MICROGRAMS OF
METHYLPHENIDATE HYDROCHLORIDE
POWDER FOR FAST, FAST, FAST
METHYLPHENIDATE HYDROCHLORIDE
POWDER FOR FAST, FAST, FAST
RELIEF.
POWDER FOR FAST, FAST, FAST
RELIEF.
AND IT'S EASY TO USE.
AAH!
YOU CAN FEEL THE RELIEF.
Announcer: EPIFIX HEADACHE
YOU CAN FEEL THE RELIEF.
Announcer: EPIFIX HEADACHE
CARTRIDGE KIT ON SALE AT
Announcer: EPIFIX HEADACHE
CARTRIDGE KIT ON SALE AT
DRUGSTORES EVERYWHERE.
WELL, CARTOON HISTORY WAS
MADE THIS WEEK WHEN A CHARACTER
IN THE COMIC STRIP "MARY WORTH"
MADE THIS WEEK WHEN A CHARACTER
IN THE COMIC STRIP "MARY WORTH"
BECAME PREGNANT OUT OF WEDLOCK.
IN THE COMIC STRIP "MARY WORTH"
BECAME PREGNANT OUT OF WEDLOCK.
AT FIRST, IT WAS REPORTED THAT
BECAME PREGNANT OUT OF WEDLOCK.
AT FIRST, IT WAS REPORTED THAT
THE FATHER WAS BOB, ANOTHER
AT FIRST, IT WAS REPORTED THAT
THE FATHER WAS BOB, ANOTHER
"MARY WORTH" CHARACTER, BUT
THE FATHER WAS BOB, ANOTHER
"MARY WORTH" CHARACTER, BUT
RESULTS OF AN INK TEST NOW
"MARY WORTH" CHARACTER, BUT
RESULTS OF AN INK TEST NOW
DISPROVE THIS.
RESULTS OF AN INK TEST NOW
DISPROVE THIS.
KING FEATURES, THE SYNDICATE
DISPROVE THIS.
KING FEATURES, THE SYNDICATE
THAT DISTRIBUTES "MARY WORTH" IS
KING FEATURES, THE SYNDICATE
THAT DISTRIBUTES "MARY WORTH" IS
QUESTIONING OTHER CHARACTERS AS
THAT DISTRIBUTES "MARY WORTH" IS
QUESTIONING OTHER CHARACTERS AS
TO WHO THE REAL FATHER IS.
QUESTIONING OTHER CHARACTERS AS
TO WHO THE REAL FATHER IS.
THOSE UNDER SUSPICION INCLUDE
TO WHO THE REAL FATHER IS.
THOSE UNDER SUSPICION INCLUDE
MUTT AND JEFF, DAGWOOD BUMSTEAD,
THOSE UNDER SUSPICION INCLUDE
MUTT AND JEFF, DAGWOOD BUMSTEAD,
AND COLUMNIST JACK ANDERSON.
MUTT AND JEFF, DAGWOOD BUMSTEAD,
AND COLUMNIST JACK ANDERSON.
A CORRECTION IN A STORY THAT WAS
AND COLUMNIST JACK ANDERSON.
A CORRECTION IN A STORY THAT WAS
REPORTED IN "UPDATE" LAST WEEK.
IN A REPORT RELEASED YESTERDAY,
A CONGRESSIONAL COMMITTEE
INVESTIGATING THE EFFECTS OF
A CONGRESSIONAL COMMITTEE
INVESTIGATING THE EFFECTS OF
VIOLENCE ON TELEVISION CAME TO
INVESTIGATING THE EFFECTS OF
VIOLENCE ON TELEVISION CAME TO
THE SURPRISING CONCLUSION THAT
VIOLENCE ON TELEVISION CAME TO
THE SURPRISING CONCLUSION THAT
THERE WAS NOT ENOUGH VIOLENCE ON
THE SURPRISING CONCLUSION THAT
THERE WAS NOT ENOUGH VIOLENCE ON
TELEVISION.
THERE WAS NOT ENOUGH VIOLENCE ON
TELEVISION.
AMONG THEIR SUGGESTIONS TO
TELEVISION.
AMONG THEIR SUGGESTIONS TO
REMEDY THE SITUATION, THE
AMONG THEIR SUGGESTIONS TO
REMEDY THE SITUATION, THE
COMMITTEE RECOMMENDS PUNCHING
REMEDY THE SITUATION, THE
COMMITTEE RECOMMENDS PUNCHING
DINAH SHORE IN THE FACE, PLACING
COMMITTEE RECOMMENDS PUNCHING
DINAH SHORE IN THE FACE, PLACING
LORENZO AND HENRIETTA MUSIC IN A
DINAH SHORE IN THE FACE, PLACING
LORENZO AND HENRIETTA MUSIC IN A
TRASH MASHER, AND BEATING THE
LORENZO AND HENRIETTA MUSIC IN A
TRASH MASHER, AND BEATING THE
WALTONS TO DEATH WITH A SOFTBALL
TRASH MASHER, AND BEATING THE
WALTONS TO DEATH WITH A SOFTBALL
BAT.
WALTONS TO DEATH WITH A SOFTBALL
BAT.
AND OUR FINAL STORY...
BAT.
AND OUR FINAL STORY...
"THE JOHNNY CARSON SHOW"
AND OUR FINAL STORY...
"THE JOHNNY CARSON SHOW"
CELEBRATED ITS 14th ANNIVERSARY
"THE JOHNNY CARSON SHOW"
CELEBRATED ITS 14th ANNIVERSARY
LAST NIGHT, AND THE PRODUCERS
CELEBRATED ITS 14th ANNIVERSARY
LAST NIGHT, AND THE PRODUCERS
WERE KIND ENOUGH TO SHARE WITH
LAST NIGHT, AND THE PRODUCERS
WERE KIND ENOUGH TO SHARE WITH
US ONE OF THOSE HILARIOUS
WERE KIND ENOUGH TO SHARE WITH
US ONE OF THOSE HILARIOUS
SPONTANEOUS MOMENTS THAT TV
US ONE OF THOSE HILARIOUS
SPONTANEOUS MOMENTS THAT TV
AUDIENCES HAVE TREASURED
SPONTANEOUS MOMENTS THAT TV
AUDIENCES HAVE TREASURED
THROUGHOUT THE YEARS.
AUDIENCES HAVE TREASURED
THROUGHOUT THE YEARS.
OF COURSE, I'M SPEAKING ABOUT
THROUGHOUT THE YEARS.
OF COURSE, I'M SPEAKING ABOUT
THE TIME WHEN ACTOR/SINGER
OF COURSE, I'M SPEAKING ABOUT
THE TIME WHEN ACTOR/SINGER
ED AMES DEMONSTRATED HOW TO
THE TIME WHEN ACTOR/SINGER
ED AMES DEMONSTRATED HOW TO
THROW AN AX.
ED AMES DEMONSTRATED HOW TO
THROW AN AX.
ARE WE SET WITH THAT FILM?
THROW AN AX.
ARE WE SET WITH THAT FILM?
OKAY, LET'S WATCH THE FUN.
ARE WE SET WITH THAT FILM?
OKAY, LET'S WATCH THE FUN.
OKAY, HERE HE IS, LADIES AND
OKAY, LET'S WATCH THE FUN.
OKAY, HERE HE IS, LADIES AND
GENTLEMEN, THE LAST OF THE
OKAY, HERE HE IS, LADIES AND
GENTLEMEN, THE LAST OF THE
JEWISH COMEDIANS.
GENTLEMEN, THE LAST OF THE
JEWISH COMEDIANS.
[APPLAUSE]
JEWISH COMEDIANS.
[APPLAUSE]
LOOKS LIKE A NEW SHOW CALLED
[APPLAUSE]
LOOKS LIKE A NEW SHOW CALLED
"FRONTIER SISSY."
LOOKS LIKE A NEW SHOW CALLED
"FRONTIER SISSY."
[LAUGHTER]
"FRONTIER SISSY."
[LAUGHTER]
GO AHEAD, ED.
[LAUGHTER]
GO AHEAD, ED.
OKAY, JOHNNY.
GO AHEAD, ED.
OKAY, JOHNNY.
I NEVER MISS THIS ONE.
OKAY, JOHNNY.
I NEVER MISS THIS ONE.
OKAY, READY?
I NEVER MISS THIS ONE.
OKAY, READY?
HEY, DOC, NICE COAT.
OKAY, READY?
HEY, DOC, NICE COAT.
OKAY, HOW ABOUT A LITTLE
HEY, DOC, NICE COAT.
OKAY, HOW ABOUT A LITTLE
DRUMROLL?
OKAY, HOW ABOUT A LITTLE
DRUMROLL?
[DRUMROLL]
DRUMROLL?
[DRUMROLL]
AAH!
[LAUGHING]
CONGRATULATIONS, JOHNNY.
IT JUST GETS FUNNIER EVERY TIME
CONGRATULATIONS, JOHNNY.
IT JUST GETS FUNNIER EVERY TIME
I SEE IT.
IT JUST GETS FUNNIER EVERY TIME
I SEE IT.
AND WE'RE ALL LOOKING FORWARD TO
I SEE IT.
AND WE'RE ALL LOOKING FORWARD TO
ANOTHER 14 OF THE SAME.
AND WE'RE ALL LOOKING FORWARD TO
ANOTHER 14 OF THE SAME.
AND TO OUR VIEWERS, GOOD NIGHT
ANOTHER 14 OF THE SAME.
AND TO OUR VIEWERS, GOOD NIGHT
AND HAVE A PLEASANT TOMORROW.
HI, I'M LORNE MICHAELS.
SEVERAL MONTHS AGO, I MADE A
BONA FIDE OFFER OF $3,000 TO THE
BEATLES TO PERFORM ON
"SATURDAY NIGHT."
FOR MONTHS, THERE WAS NO
RESPONSE.
AND THEN, ABOUT TWO WEEKS AGO, I
RESPONSE.
AND THEN, ABOUT TWO WEEKS AGO, I
GOT A LONG-DISTANCE PHONE CALL
AND THEN, ABOUT TWO WEEKS AGO, I
GOT A LONG-DISTANCE PHONE CALL
FROM ERIC IDLE, TONIGHT'S HOST,
GOT A LONG-DISTANCE PHONE CALL
FROM ERIC IDLE, TONIGHT'S HOST,
IN LONDON, SAYING THAT IF I
FROM ERIC IDLE, TONIGHT'S HOST,
IN LONDON, SAYING THAT IF I
WOULD LET HIM COME OVER AND HOST
IN LONDON, SAYING THAT IF I
WOULD LET HIM COME OVER AND HOST
THE SHOW, HE WOULD BRING THE
WOULD LET HIM COME OVER AND HOST
THE SHOW, HE WOULD BRING THE
BEATLES WITH HIM.
THE SHOW, HE WOULD BRING THE
BEATLES WITH HIM.
WELL, IN MY EXCITEMENT, I AGREED
BEATLES WITH HIM.
WELL, IN MY EXCITEMENT, I AGREED
AND FOOLISHLY SENT HIM THE CHECK
WELL, IN MY EXCITEMENT, I AGREED
AND FOOLISHLY SENT HIM THE CHECK
FOR $3,000.
AND FOOLISHLY SENT HIM THE CHECK
FOR $3,000.
YOU SEE, HE SAID THE BEATLES
FOR $3,000.
YOU SEE, HE SAID THE BEATLES
WANTED THE MONEY IN ADVANCE SO
YOU SEE, HE SAID THE BEATLES
WANTED THE MONEY IN ADVANCE SO
THAT THEY COULD BUY SOME NEW
WANTED THE MONEY IN ADVANCE SO
THAT THEY COULD BUY SOME NEW
CLOTHES TO WEAR ON THE SHOW.
THAT THEY COULD BUY SOME NEW
CLOTHES TO WEAR ON THE SHOW.
WELL, WHEN I MET ERIC AT THE
CLOTHES TO WEAR ON THE SHOW.
WELL, WHEN I MET ERIC AT THE
AIRPORT LAST MONDAY, I NOTICED
WELL, WHEN I MET ERIC AT THE
AIRPORT LAST MONDAY, I NOTICED
THAT HE WAS ALONE, SO I SAID,
AIRPORT LAST MONDAY, I NOTICED
THAT HE WAS ALONE, SO I SAID,
"WHERE ARE THEY, THE BEATLES?"
THAT HE WAS ALONE, SO I SAID,
"WHERE ARE THEY, THE BEATLES?"
AND HE SAID THAT THEIR NEW
"WHERE ARE THEY, THE BEATLES?"
AND HE SAID THAT THEIR NEW
CLOTHES WEREN'T READY YET, SO
AND HE SAID THAT THEIR NEW
CLOTHES WEREN'T READY YET, SO
THEY WERE GOING TO CATCH A LATER
CLOTHES WEREN'T READY YET, SO
THEY WERE GOING TO CATCH A LATER
FLIGHT.
THEY WERE GOING TO CATCH A LATER
FLIGHT.
I STILL DIDN'T THINK ANYTHING
FLIGHT.
I STILL DIDN'T THINK ANYTHING
WAS WRONG TILL YESTERDAY WHEN A
I STILL DIDN'T THINK ANYTHING
WAS WRONG TILL YESTERDAY WHEN A
TELEGRAM ARRIVED SAYING, "CAN'T
WAS WRONG TILL YESTERDAY WHEN A
TELEGRAM ARRIVED SAYING, "CAN'T
COME NOW.
TELEGRAM ARRIVED SAYING, "CAN'T
COME NOW.
RINGO'S PANTS TOO LONG. STOP.
COME NOW.
RINGO'S PANTS TOO LONG. STOP.
PLEASE SEND MORE MONEY FOR
RINGO'S PANTS TOO LONG. STOP.
PLEASE SEND MORE MONEY FOR
ALTERATIONS.
PLEASE SEND MORE MONEY FOR
ALTERATIONS.
STOP. SIGNED THE BEATLES."
ALTERATIONS.
STOP. SIGNED THE BEATLES."
WHEN I SHOWED THE TELEGRAM TO
STOP. SIGNED THE BEATLES."
WHEN I SHOWED THE TELEGRAM TO
ERIC, HE SAID HE WOULD CALL
WHEN I SHOWED THE TELEGRAM TO
ERIC, HE SAID HE WOULD CALL
LONDON IMMEDIATELY AND DID AND
ERIC, HE SAID HE WOULD CALL
LONDON IMMEDIATELY AND DID AND
CONVINCED JOHN, PAUL, GEORGE,
LONDON IMMEDIATELY AND DID AND
CONVINCED JOHN, PAUL, GEORGE,
AND RINGO TO SEND OVER A FILM
CONVINCED JOHN, PAUL, GEORGE,
AND RINGO TO SEND OVER A FILM
INSTEAD.
AND RINGO TO SEND OVER A FILM
INSTEAD.
WELL, 20 MINUTES AGO, THE FILM
INSTEAD.
WELL, 20 MINUTES AGO, THE FILM
ARRIVED FROM ENGLAND.
WELL, 20 MINUTES AGO, THE FILM
ARRIVED FROM ENGLAND.
I JUST SAW IT, AND IT'S QUITE
ARRIVED FROM ENGLAND.
I JUST SAW IT, AND IT'S QUITE
GOOD, ONLY IT'S NOT THE BEATLES.
I JUST SAW IT, AND IT'S QUITE
GOOD, ONLY IT'S NOT THE BEATLES.
IT'S THE RUTLES.
GOOD, ONLY IT'S NOT THE BEATLES.
IT'S THE RUTLES.
EVIDENTLY, ERIC HAD A BAD PHONE
IT'S THE RUTLES.
EVIDENTLY, ERIC HAD A BAD PHONE
CONNECTION TO LONDON AND, WELL,
EVIDENTLY, ERIC HAD A BAD PHONE
CONNECTION TO LONDON AND, WELL,
ANYWAY, IT'S HALFWAY THROUGH THE
CONNECTION TO LONDON AND, WELL,
ANYWAY, IT'S HALFWAY THROUGH THE
SHOW AND ERIC'S ALREADY SPENT
ANYWAY, IT'S HALFWAY THROUGH THE
SHOW AND ERIC'S ALREADY SPENT
THE $3,000.
SHOW AND ERIC'S ALREADY SPENT
THE $3,000.
SO, LADIES AND GENTLEMEN, HERE
THE $3,000.
SO, LADIES AND GENTLEMEN, HERE
ARE THE RUTLES.
♪ I FEEL RICH, I FEEL POOR ♪
♪ I'M IN DOUBT, I FEEL SURE ♪
♪ YOU THINK I'M IN LOVE? ♪
♪ I'M IN DOUBT, I FEEL SURE ♪
♪ YOU THINK I'M IN LOVE? ♪
♪ AHH, AHH ♪
♪ YOU THINK I'M IN LOVE? ♪
♪ AHH, AHH ♪
♪ OH, I MUST BE IN LOVE ♪
♪ AHH, AHH ♪
♪ OH, I MUST BE IN LOVE ♪
♪ ANY TIME OF THE DAY,
♪ OH, I MUST BE IN LOVE ♪
♪ ANY TIME OF THE DAY,
I CAN SEE ♪
♪ ANY TIME OF THE DAY,
I CAN SEE ♪
♪ I CAN SEE ♪
I CAN SEE ♪
♪ I CAN SEE ♪
♪ HER FACE ♪
♪ I CAN SEE ♪
♪ HER FACE ♪
♪ WHEN I CLOSE MY EYES ♪
♪ HER FACE ♪
♪ WHEN I CLOSE MY EYES ♪
♪ WHOO ♪
♪ WHEN I CLOSE MY EYES ♪
♪ WHOO ♪
♪ SHE'S A DREAM ♪
♪ WHOO ♪
♪ SHE'S A DREAM ♪
♪ SHE IS REAL ♪
♪ SHE'S A DREAM ♪
♪ SHE IS REAL ♪
♪ I CAN'T EXPLAIN ♪
♪ SHE IS REAL ♪
♪ I CAN'T EXPLAIN ♪
♪ HOW I FEEL ♪
♪ I CAN'T EXPLAIN ♪
♪ HOW I FEEL ♪
♪ I'M IN LOVE ♪
♪ HOW I FEEL ♪
♪ I'M IN LOVE ♪
♪ AHH, AHH ♪
♪ I'M IN LOVE ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ ANY TIME OF THE DAY,
I CAN SEE ♪
♪ I CAN SEE ♪
I CAN SEE ♪
♪ I CAN SEE ♪
♪ HER FACE ♪
♪ I CAN SEE ♪
♪ HER FACE ♪
♪ WHEN I CLOSE MY EYES ♪
♪ HER FACE ♪
♪ WHEN I CLOSE MY EYES ♪
♪ WHOO ♪
♪ WHEN I CLOSE MY EYES ♪
♪ WHOO ♪
♪ AM I DEAD? ♪
♪ WHOO ♪
♪ AM I DEAD? ♪
♪ OR ALIVE? ♪
♪ AM I DEAD? ♪
♪ OR ALIVE? ♪
♪ CAN MY POOR HEART SURVIVE? ♪
♪ OR ALIVE? ♪
♪ CAN MY POOR HEART SURVIVE? ♪
♪ AM I IN LOVE? ♪
♪ CAN MY POOR HEART SURVIVE? ♪
♪ AM I IN LOVE? ♪
♪ AHH, AHH ♪
♪ AM I IN LOVE? ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ I FEEL GOOD, I FEEL BAD ♪
♪ I MUST BE IN LOVE ♪
♪ I FEEL GOOD, I FEEL BAD ♪
♪ I FEEL HAPPY, I FEEL SAD ♪
♪ I FEEL GOOD, I FEEL BAD ♪
♪ I FEEL HAPPY, I FEEL SAD ♪
♪ AM I IN LOVE? ♪
♪ I FEEL HAPPY, I FEEL SAD ♪
♪ AM I IN LOVE? ♪
♪ AHH, AHH ♪
♪ AM I IN LOVE? ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ AHH, AHH ♪
♪ I MUST BE IN LOVE ♪
♪ I MUST BE IN LOVE ♪
♪ I MUST BE IN LOVE ♪
♪ I MUST BE IN LOVE ♪
[WOMEN SCREAMING]
THE FABULOUS RUTLES THERE IN
THEIR MOVIE "A HARD DAY'S RUT,"
DIRECTED BY DICK LESTER, WHICH
THEIR MOVIE "A HARD DAY'S RUT,"
DIRECTED BY DICK LESTER, WHICH
IS VERY NEAR RUTLAND.
DIRECTED BY DICK LESTER, WHICH
IS VERY NEAR RUTLAND.
FROM THESE STREETS, VERY CLOSE
IS VERY NEAR RUTLAND.
FROM THESE STREETS, VERY CLOSE
TO THE CAVERN RUTLAND, CAME THE
FROM THESE STREETS, VERY CLOSE
TO THE CAVERN RUTLAND, CAME THE
FABULOUS RUTLAND SOUND CREATED
TO THE CAVERN RUTLAND, CAME THE
FABULOUS RUTLAND SOUND CREATED
BY THE FAB FOUR... DIRK, NASTY,
FABULOUS RUTLAND SOUND CREATED
BY THE FAB FOUR... DIRK, NASTY,
STIG, AND BARRY, WHO CREATED A
BY THE FAB FOUR... DIRK, NASTY,
STIG, AND BARRY, WHO CREATED A
MUSICAL LEGEND THAT WILL LAST A
STIG, AND BARRY, WHO CREATED A
MUSICAL LEGEND THAT WILL LAST A
LUNCHTIME.
MUSICAL LEGEND THAT WILL LAST A
LUNCHTIME.
THEY WERE DISCOVERED BY THEIR
LUNCHTIME.
THEY WERE DISCOVERED BY THEIR
MANAGER, LEGGY MOUNTBATTEN, IN A
THEY WERE DISCOVERED BY THEIR
MANAGER, LEGGY MOUNTBATTEN, IN A
LUNCHTIME DISCO VERY CLOSE TO
MANAGER, LEGGY MOUNTBATTEN, IN A
LUNCHTIME DISCO VERY CLOSE TO
THESE STREETS.
LUNCHTIME DISCO VERY CLOSE TO
THESE STREETS.
THEIR FIRST ALBUM WAS MADE IN 20
THESE STREETS.
THEIR FIRST ALBUM WAS MADE IN 20
MINUTES.
THEIR FIRST ALBUM WAS MADE IN 20
MINUTES.
THE SECOND TOOK EVEN LONGER.
MINUTES.
THE SECOND TOOK EVEN LONGER.
TONIGHT, WE EXAMINE THE LEGEND
THE SECOND TOOK EVEN LONGER.
TONIGHT, WE EXAMINE THE LEGEND
OF THE RUTLES.
TONIGHT, WE EXAMINE THE LEGEND
OF THE RUTLES.
WE LOOK AT THEIR LIVES, THEIR
OF THE RUTLES.
WE LOOK AT THEIR LIVES, THEIR
LOVES, THEIR MUSIC.
WE LOOK AT THEIR LIVES, THEIR
LOVES, THEIR MUSIC.
WE EXAMINE SOME OF THE PROBLEMS
LOVES, THEIR MUSIC.
WE EXAMINE SOME OF THE PROBLEMS
THAT MADE THEM WHAT THEY ARE
WE EXAMINE SOME OF THE PROBLEMS
THAT MADE THEM WHAT THEY ARE
TODAY.
THAT MADE THEM WHAT THEY ARE
TODAY.
WE WILL ALSO ASK THE QUESTION
TODAY.
WE WILL ALSO ASK THE QUESTION
WHETHER THESE PEOPLE SHOULDN'T
WE WILL ALSO ASK THE QUESTION
WHETHER THESE PEOPLE SHOULDN'T
REALLY HAVE BEEN DOING
WHETHER THESE PEOPLE SHOULDN'T
REALLY HAVE BEEN DOING
SOMETHING BETTER FOR THEIR
REALLY HAVE BEEN DOING
SOMETHING BETTER FOR THEIR
MONEY.
SOMETHING BETTER FOR THEIR
MONEY.
AND WE SHALL BE ASKING WHAT SOME
MONEY.
AND WE SHALL BE ASKING WHAT SOME
OF THE PEOPLE WHO WORK WITH
AND WE SHALL BE ASKING WHAT SOME
OF THE PEOPLE WHO WORK WITH
THEM, WHETHER THEY REALLY WERE
OF THE PEOPLE WHO WORK WITH
THEM, WHETHER THEY REALLY WERE
THE SORT OF NICE, LOVEABLE
THEM, WHETHER THEY REALLY WERE
THE SORT OF NICE, LOVEABLE
PEOPLE THAT THEY WERE MADE OUT
THE SORT OF NICE, LOVEABLE
PEOPLE THAT THEY WERE MADE OUT
TO BE.
PEOPLE THAT THEY WERE MADE OUT
TO BE.
TONIGHT, WE SHALL BE ALSO
TO BE.
TONIGHT, WE SHALL BE ALSO
SPEAKING TO MANY OF THE PEOPLE
TONIGHT, WE SHALL BE ALSO
SPEAKING TO MANY OF THE PEOPLE
WHO...
[German accent] ♪ THE BABE
IN THE CRADLE IS CLOSING ITS
EYES ♪
IN THE CRADLE IS CLOSING ITS
EYES ♪
♪ THE BLOSSOM EMBRACES THE BEE ♪
EYES ♪
♪ THE BLOSSOM EMBRACES THE BEE ♪
♪ THE MORNING WILL COME WHEN THE
♪ THE BLOSSOM EMBRACES THE BEE ♪
♪ THE MORNING WILL COME WHEN THE
WORLD IS MINE ♪
♪ THE MORNING WILL COME WHEN THE
WORLD IS MINE ♪
♪ TOMORROW BELONGS TO ME ♪
WORLD IS MINE ♪
♪ TOMORROW BELONGS TO ME ♪
♪ THE BRANCH IN THE LINDEN IS
♪ TOMORROW BELONGS TO ME ♪
♪ THE BRANCH IN THE LINDEN IS
LEAFY AND GREEN ♪
♪ THE BRANCH IN THE LINDEN IS
LEAFY AND GREEN ♪
♪ THE RHINE GIVES ITS GOLD TO
LEAFY AND GREEN ♪
♪ THE RHINE GIVES ITS GOLD TO
THE SEA ♪
♪ THE RHINE GIVES ITS GOLD TO
THE SEA ♪
♪ THE MORNING WILL COME WHEN THE
THE SEA ♪
♪ THE MORNING WILL COME WHEN THE
WORLD IS MINE ♪
♪ THE MORNING WILL COME WHEN THE
WORLD IS MINE ♪
♪ TOMORROW BELONGS ♪
WORLD IS MINE ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS TO ME ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS TO ME ♪
HEIL HITLER.
♪ TOMORROW BELONGS TO ME ♪
HEIL HITLER.
HEIL HITLER!
HEIL HITLER.
HEIL HITLER!
[TALKING OVER EACH OTHER]
[German accent] WOULD YOU
CARE TO PURCHASE A PAIR OF
MITTENS?
CARE TO PURCHASE A PAIR OF
MITTENS?
[German accent] IT DEPENDS
MITTENS?
[German accent] IT DEPENDS
ON THE YARN.
[German accent] IT DEPENDS
ON THE YARN.
IN ITALY, IT IS ILLEGAL TO
ON THE YARN.
IN ITALY, IT IS ILLEGAL TO
RECORD THE RING OF A TELEPHONE.
IN ITALY, IT IS ILLEGAL TO
RECORD THE RING OF A TELEPHONE.
WHICH LASTS LONGER... SILK OR
RECORD THE RING OF A TELEPHONE.
WHICH LASTS LONGER... SILK OR
RAYON UNDERWEAR?
WHICH LASTS LONGER... SILK OR
RAYON UNDERWEAR?
HOW DO YOU SAY "TOOTH POWDER"
RAYON UNDERWEAR?
HOW DO YOU SAY "TOOTH POWDER"
IN PORTUGUESE?
HOW DO YOU SAY "TOOTH POWDER"
IN PORTUGUESE?
CATS ARE NOTHING MORE THAN
IN PORTUGUESE?
CATS ARE NOTHING MORE THAN
EFFEMINATE DOGS.
CATS ARE NOTHING MORE THAN
EFFEMINATE DOGS.
THE FIREPLACE HAS FLOWN SOUTH
EFFEMINATE DOGS.
THE FIREPLACE HAS FLOWN SOUTH
FOR THE WINTER.
THE FIREPLACE HAS FLOWN SOUTH
FOR THE WINTER.
WHAT DO YOU SAY TO A
FOR THE WINTER.
WHAT DO YOU SAY TO A
CENTIPEDE ON OPENING NIGHT?
WHAT DO YOU SAY TO A
CENTIPEDE ON OPENING NIGHT?
BREAK FOUR OR FIVE LEGS.
CENTIPEDE ON OPENING NIGHT?
BREAK FOUR OR FIVE LEGS.
[Normal voice] HENDERSON, MI5.
BREAK FOUR OR FIVE LEGS.
[Normal voice] HENDERSON, MI5.
[Normal voice] McKINLEY,
[Normal voice] HENDERSON, MI5.
[Normal voice] McKINLEY,
O.S.S.
[Normal voice] McKINLEY,
O.S.S.
WE WERE AFRAID YOU'D BEEN TAKEN.
O.S.S.
WE WERE AFRAID YOU'D BEEN TAKEN.
WE HAD A NARROW SQUEAK AT
WE WERE AFRAID YOU'D BEEN TAKEN.
WE HAD A NARROW SQUEAK AT
BREMERHAVEN.
WE HAD A NARROW SQUEAK AT
BREMERHAVEN.
THEY GOT THE RADIO, I'M AFRAID.
BREMERHAVEN.
THEY GOT THE RADIO, I'M AFRAID.
CROSS IS DEAD, RITTENHOUSE,
THEY GOT THE RADIO, I'M AFRAID.
CROSS IS DEAD, RITTENHOUSE,
TOO.
CROSS IS DEAD, RITTENHOUSE,
TOO.
CRAIGER'S BEEN CAPTURED.
TOO.
CRAIGER'S BEEN CAPTURED.
WHAT ABOUT THE WINDMILL
CRAIGER'S BEEN CAPTURED.
WHAT ABOUT THE WINDMILL
KEEPER?
WHAT ABOUT THE WINDMILL
KEEPER?
WHAT WINDMILL KEEPER?
KEEPER?
WHAT WINDMILL KEEPER?
THE ONE THAT SIGNALS THE
WHAT WINDMILL KEEPER?
THE ONE THAT SIGNALS THE
R.A.F. BOMBERS BY LIGHTING THE
THE ONE THAT SIGNALS THE
R.A.F. BOMBERS BY LIGHTING THE
WHEAT.
R.A.F. BOMBERS BY LIGHTING THE
WHEAT.
WELL, THEY SHOT HIM
WHEAT.
WELL, THEY SHOT HIM
YESTERDAY.
WELL, THEY SHOT HIM
YESTERDAY.
WHAT LUCK?
YESTERDAY.
WHAT LUCK?
THAT MEANS WE FALL BACK ON
WHAT LUCK?
THAT MEANS WE FALL BACK ON
CONTINGENCY PLAN "N."
THAT MEANS WE FALL BACK ON
CONTINGENCY PLAN "N."
EXACTLY.
CONTINGENCY PLAN "N."
EXACTLY.
NOW, FIRST, WE MUST CONTACT
EXACTLY.
NOW, FIRST, WE MUST CONTACT
HEFFLER, THE LITTLE WATCHMAKER.
NOW, FIRST, WE MUST CONTACT
HEFFLER, THE LITTLE WATCHMAKER.
AND THEN [German accent] WE GO
HEFFLER, THE LITTLE WATCHMAKER.
AND THEN [German accent] WE GO
TO INGA'S PLACE UND WE SEE HER
AND THEN [German accent] WE GO
TO INGA'S PLACE UND WE SEE HER
CUCKOO CLOCK AND DRINK SOME
TO INGA'S PLACE UND WE SEE HER
CUCKOO CLOCK AND DRINK SOME
LIEBFRAUMILCH.
CUCKOO CLOCK AND DRINK SOME
LIEBFRAUMILCH.
[German accent] JA, THAT
LIEBFRAUMILCH.
[German accent] JA, THAT
INGA, SHE'S ONE HELL OF A
[German accent] JA, THAT
INGA, SHE'S ONE HELL OF A
FRAEULEIN.
INGA, SHE'S ONE HELL OF A
FRAEULEIN.
OH, JA.
FRAEULEIN.
OH, JA.
[Normal accent] HEFFLER WILL
OH, JA.
[Normal accent] HEFFLER WILL
GIVE US FORGED PASSPORTS AND TWO
[Normal accent] HEFFLER WILL
GIVE US FORGED PASSPORTS AND TWO
SECOND-CLASS RAILWAY TICKETS TO
GIVE US FORGED PASSPORTS AND TWO
SECOND-CLASS RAILWAY TICKETS TO
BERLIN.
SECOND-CLASS RAILWAY TICKETS TO
BERLIN.
POSING AS RETIRED
BERLIN.
POSING AS RETIRED
SCHOOLTEACHERS ON HOLIDAY.
POSING AS RETIRED
SCHOOLTEACHERS ON HOLIDAY.
WE WILL BOARD THE TRAIN AND SEAT
SCHOOLTEACHERS ON HOLIDAY.
WE WILL BOARD THE TRAIN AND SEAT
OURSELVES IN THE LAST CAR.
WE WILL BOARD THE TRAIN AND SEAT
OURSELVES IN THE LAST CAR.
[German accent] THEN WE PICK
OURSELVES IN THE LAST CAR.
[German accent] THEN WE PICK
UP INGA AT THE HOFBRAU, HAVE
[German accent] THEN WE PICK
UP INGA AT THE HOFBRAU, HAVE
SOME SAUERKRAUT AND WEAR SOME
UP INGA AT THE HOFBRAU, HAVE
SOME SAUERKRAUT AND WEAR SOME
LEDERHOSEN, JA.
SOME SAUERKRAUT AND WEAR SOME
LEDERHOSEN, JA.
[German accent] JA, THAT
LEDERHOSEN, JA.
[German accent] JA, THAT
INGA, SHE'S ONE HOT SLICE OF A
[German accent] JA, THAT
INGA, SHE'S ONE HOT SLICE OF A
GOOSE.
INGA, SHE'S ONE HOT SLICE OF A
GOOSE.
JA!
GOOSE.
JA!
[Normal voice] WE DISGUISE
JA!
[Normal voice] WE DISGUISE
OURSELVES AS TRAVELING ACROBATS,
[Normal voice] WE DISGUISE
OURSELVES AS TRAVELING ACROBATS,
SLIP OFF THE TRAIN AT
OURSELVES AS TRAVELING ACROBATS,
SLIP OFF THE TRAIN AT
STRASSENBURG, CUT THE TELEGRAPH
SLIP OFF THE TRAIN AT
STRASSENBURG, CUT THE TELEGRAPH
LINES, BLOW THE CHEMICAL PLANT,
STRASSENBURG, CUT THE TELEGRAPH
LINES, BLOW THE CHEMICAL PLANT,
AND THEN WE GO TO...
LINES, BLOW THE CHEMICAL PLANT,
AND THEN WE GO TO...
[German accent] THEN WE FLY TO
AND THEN WE GO TO...
[German accent] THEN WE FLY TO
ENGLAND, KILL HITLER, AND STEAL
[German accent] THEN WE FLY TO
ENGLAND, KILL HITLER, AND STEAL
A PLANE.
[German accent] I HAVE
SOMETHING I MUST TELL YOU.
I AM INGA.
SOMETHING I MUST TELL YOU.
I AM INGA.
All: ♪ TOMORROW BELONGS ♪
I AM INGA.
All: ♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
All: ♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS ♪
♪ TOMORROW BELONGS TO ME ♪
[Australian accent] GOOD
DAY, LADIES AND GENTLEMEN.
I'M FROM GOD'S OWN COUNTRY,
DAY, LADIES AND GENTLEMEN.
I'M FROM GOD'S OWN COUNTRY,
AUSTRALIA, AND I'D LIKE TO SING
I'M FROM GOD'S OWN COUNTRY,
AUSTRALIA, AND I'D LIKE TO SING
A NICE LITTLE OUTBACK SONG.
AUSTRALIA, AND I'D LIKE TO SING
A NICE LITTLE OUTBACK SONG.
IT'S ALL ABOUT MAN'S LOVE FOR
A NICE LITTLE OUTBACK SONG.
IT'S ALL ABOUT MAN'S LOVE FOR
HIS FELLOW ANIMAL.
IT'S ALL ABOUT MAN'S LOVE FOR
HIS FELLOW ANIMAL.
IT'S GOT A VERY CATCHY AND
HIS FELLOW ANIMAL.
IT'S GOT A VERY CATCHY AND
ATTRACTIVE CHORUS, SO PLEASE
IT'S GOT A VERY CATCHY AND
ATTRACTIVE CHORUS, SO PLEASE
SHUT UP WHILE I'M SINGING IT.
ATTRACTIVE CHORUS, SO PLEASE
SHUT UP WHILE I'M SINGING IT.
AFTER FOUR. FOUR.
SHUT UP WHILE I'M SINGING IT.
AFTER FOUR. FOUR.
♪ OH, ROVER THE DROVER IS NOT
AFTER FOUR. FOUR.
♪ OH, ROVER THE DROVER IS NOT
WHAT HE SEEMS ♪
♪ OH, ROVER THE DROVER IS NOT
WHAT HE SEEMS ♪
♪ 'CAUSE HE STOLE THE HEART OF
WHAT HE SEEMS ♪
♪ 'CAUSE HE STOLE THE HEART OF
THE COW OF MY DREAMS ♪
♪ 'CAUSE HE STOLE THE HEART OF
THE COW OF MY DREAMS ♪
♪ ROVER THE DROVER WON'T COME
THE COW OF MY DREAMS ♪
♪ ROVER THE DROVER WON'T COME
BACK NO MORE ♪
♪ ROVER THE DROVER WON'T COME
BACK NO MORE ♪
♪ 'CAUSE HE STOLE THE HEART OF
BACK NO MORE ♪
♪ 'CAUSE HE STOLE THE HEART OF
THE COW I ADO... ♪
♪ 'CAUSE HE STOLE THE HEART OF
THE COW I ADO... ♪
ERIC, THIS SONG IS SO DEEP...
THE COW I ADO... ♪
ERIC, THIS SONG IS SO DEEP...
YEAH?
ERIC, THIS SONG IS SO DEEP...
YEAH?
I THINK WE OUGHT TO SAVE IT
YEAH?
I THINK WE OUGHT TO SAVE IT
FOR THE END OF THE SHOW, BABY.
I THINK WE OUGHT TO SAVE IT
FOR THE END OF THE SHOW, BABY.
IT'S TOO STRONG FOR HERE?
FOR THE END OF THE SHOW, BABY.
IT'S TOO STRONG FOR HERE?
YEAH, YEAH, MAN.
IT'S TOO STRONG FOR HERE?
YEAH, YEAH, MAN.
I'LL DO IT AS AN ENCORE.
YEAH, YEAH, MAN.
I'LL DO IT AS AN ENCORE.
YEAH, RIGHT, RIGHT, RIGHT.
I'LL DO IT AS AN ENCORE.
YEAH, RIGHT, RIGHT, RIGHT.
OKAY.
YEAH, RIGHT, RIGHT, RIGHT.
OKAY.
WHAT SHOULD WE DO NOW FOR THE
OKAY.
WHAT SHOULD WE DO NOW FOR THE
PEOPLE?
WHAT SHOULD WE DO NOW FOR THE
PEOPLE?
WELL, MAYBE WE BETTER LET
PEOPLE?
WELL, MAYBE WE BETTER LET
JOE COCKER SING AGAIN.
WELL, MAYBE WE BETTER LET
JOE COCKER SING AGAIN.
OH, OKAY, YEAH.
JOE COCKER SING AGAIN.
OH, OKAY, YEAH.
JOE COCKER AGAIN.
OH, OKAY, YEAH.
JOE COCKER AGAIN.
[APPLAUSE]
JOE COCKER AGAIN.
[APPLAUSE]
[INTRODUCTION TO
[APPLAUSE]
[INTRODUCTION TO
"FEELIN' ALRIGHT" PLAYS]
♪ SEEMS I GOT TO HAVE A CHANGE
OF SCENE ♪
♪ 'CAUSE EVERY NIGHT I HAVE THE
OF SCENE ♪
♪ 'CAUSE EVERY NIGHT I HAVE THE
STRANGEST DREAMS ♪
♪ 'CAUSE EVERY NIGHT I HAVE THE
STRANGEST DREAMS ♪
♪ IMPRISONED BY THE WAY IT COULD
STRANGEST DREAMS ♪
♪ IMPRISONED BY THE WAY IT COULD
HAVE BEEN ♪
♪ IMPRISONED BY THE WAY IT COULD
HAVE BEEN ♪
♪ LEFT HERE ON MY OWN OR SO IT
HAVE BEEN ♪
♪ LEFT HERE ON MY OWN OR SO IT
SEEMS ♪
♪ LEFT HERE ON MY OWN OR SO IT
SEEMS ♪
♪ I GOT TO LEAVE BEFORE I START
SEEMS ♪
♪ I GOT TO LEAVE BEFORE I START
TO SCREAM ♪
♪ I GOT TO LEAVE BEFORE I START
TO SCREAM ♪
♪ BUT SOMEONE'S LOCKED THE DOOR
TO SCREAM ♪
♪ BUT SOMEONE'S LOCKED THE DOOR
AND TOOK THE KEY ♪
♪ BUT SOMEONE'S LOCKED THE DOOR
AND TOOK THE KEY ♪
♪ FEELIN' ALRIGHT ♪
AND TOOK THE KEY ♪
♪ FEELIN' ALRIGHT ♪
♪ I'M NOT FEELIN' TOO GOOD
♪ FEELIN' ALRIGHT ♪
♪ I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ OH, NO ♪
MYSELF ♪
♪ OH, NO ♪
♪ I KNOW YOU'RE FEELIN'
♪ OH, NO ♪
♪ I KNOW YOU'RE FEELIN'
ALRIGHT ♪
♪ I KNOW YOU'RE FEELIN'
ALRIGHT ♪
♪ SAY I'M NOT FEELIN' TOO GOOD
ALRIGHT ♪
♪ SAY I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ SAY I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ OH, NO ♪
MYSELF ♪
♪ OH, NO ♪
[Imitating Joe Cocker] BOY,
♪ OH, NO ♪
[Imitating Joe Cocker] BOY,
YOU SURE TOOK ME FOR ONE BIG
[Imitating Joe Cocker] BOY,
YOU SURE TOOK ME FOR ONE BIG
RIDE ♪
YOU SURE TOOK ME FOR ONE BIG
RIDE ♪
♪ EVEN NOW I SIT AND I WONDER
RIDE ♪
♪ EVEN NOW I SIT AND I WONDER
WHY ♪
♪ EVEN NOW I SIT AND I WONDER
WHY ♪
♪ AND WHEN I THINK OF YOU, I
WHY ♪
♪ AND WHEN I THINK OF YOU, I
START MYSELF A-CRYIN' ♪
♪ AND WHEN I THINK OF YOU, I
START MYSELF A-CRYIN' ♪
♪ I JUST CAN'T WASTE MY TIME ♪
START MYSELF A-CRYIN' ♪
♪ I JUST CAN'T WASTE MY TIME ♪
[SINGING INDISTINCTLY]
♪ I JUST CAN'T WASTE MY TIME ♪
[SINGING INDISTINCTLY]
♪ GOT TO STOP BELIEVIN' IN ALL
[SINGING INDISTINCTLY]
♪ GOT TO STOP BELIEVIN' IN ALL
YOUR LIES ♪
♪ GOT TO STOP BELIEVIN' IN ALL
YOUR LIES ♪
♪ I GOT TO MUCH TO DO BEFORE I
YOUR LIES ♪
♪ I GOT TO MUCH TO DO BEFORE I
DIE ♪
♪ I GOT TO MUCH TO DO BEFORE I
DIE ♪
♪ FEELIN' ALRIGHT ♪
DIE ♪
♪ FEELIN' ALRIGHT ♪
♪ FEELIN' ALRIGHT ♪
♪ FEELIN' ALRIGHT ♪
♪ FEELIN' ALRIGHT ♪
♪ OH, NO ♪
♪ FEELIN' ALRIGHT ♪
♪ OH, NO ♪
♪ FEELIN' ALRIGHT ♪
♪ OH, NO ♪
♪ FEELIN' ALRIGHT ♪
♪ UH-HUH ♪
♪ FEELIN' ALRIGHT ♪
♪ UH-HUH ♪
♪ TOO GOOD MYSELF ♪
♪ UH-HUH ♪
♪ TOO GOOD MYSELF ♪
♪ WHOO! ♪
♪ TOO GOOD MYSELF ♪
♪ WHOO! ♪
♪ HA HA HA! ♪
♪ DON'T GET TOO LOST ALONE, I
SAID, YEAH ♪
[SINGING INDISTINCTLY]
SAID, YEAH ♪
[SINGING INDISTINCTLY]
♪ SAY EVERYTHING ♪
[SINGING INDISTINCTLY]
♪ SAY EVERYTHING ♪
♪ NOW YOU KNOW YESTERDAY ♪
♪ SAY EVERYTHING ♪
♪ NOW YOU KNOW YESTERDAY ♪
♪ I CAN'T GET STRAIGHT ♪
♪ NOW YOU KNOW YESTERDAY ♪
♪ I CAN'T GET STRAIGHT ♪
♪ I GUESS I'M HERE TO STAY ♪
♪ I CAN'T GET STRAIGHT ♪
♪ I GUESS I'M HERE TO STAY ♪
♪ TILL SOMEONE COMES ALONG AND
♪ I GUESS I'M HERE TO STAY ♪
♪ TILL SOMEONE COMES ALONG AND
TAKES MY PLACE ♪
♪ TILL SOMEONE COMES ALONG AND
TAKES MY PLACE ♪
♪ WITH A DIFFERENT NAME AND A
TAKES MY PLACE ♪
♪ WITH A DIFFERENT NAME AND A
DIFFERENT FACE ♪
♪ WITH A DIFFERENT NAME AND A
DIFFERENT FACE ♪
♪ FEELIN' ALRIGHT ♪
DIFFERENT FACE ♪
♪ FEELIN' ALRIGHT ♪
♪ SAID I'M NOT FEELIN' TOO GOOD
♪ FEELIN' ALRIGHT ♪
♪ SAID I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ SAID I'M NOT FEELIN' TOO GOOD
MYSELF ♪
♪ OH, NO ♪
MYSELF ♪
♪ OH, NO ♪
♪ NO, I'M NOT FEELIN' ♪
♪ OH, NO ♪
♪ NO, I'M NOT FEELIN' ♪
♪ UH-HUH ♪
♪ NO, I'M NOT FEELIN' ♪
♪ UH-HUH ♪
♪ YEAH, I'M NOT FEELIN' TOO
♪ UH-HUH ♪
♪ YEAH, I'M NOT FEELIN' TOO
GOOD ♪
♪ YEAH, I'M NOT FEELIN' TOO
GOOD ♪
♪ OH, NO ♪
♪ GUESS I'M FEELIN' ALRIGHT ♪
♪ OH, FEELIN' ALL WRONG ♪
♪ FEELIN' ALRIGHT ♪
♪ OH, FEELIN' ALL WRONG ♪
♪ FEELIN' ALRIGHT ♪
[CHEERS AND APPLAUSE]
["DRAGNET" THEME PLAYS]
THIS IS THE CITY LOS ANGELES,
NEAR CALIFORNIA.
THIS IS THE CITY LOS ANGELES,
NEAR CALIFORNIA.
THE STORY YOU ARE ABOUT TO SEE
NEAR CALIFORNIA.
THE STORY YOU ARE ABOUT TO SEE
IS TRUE.
THE STORY YOU ARE ABOUT TO SEE
IS TRUE.
ONLY THE FACTS HAVE BEEN CHANGED
IS TRUE.
ONLY THE FACTS HAVE BEEN CHANGED
TO PROTECT THE WRITERS.
ONLY THE FACTS HAVE BEEN CHANGED
TO PROTECT THE WRITERS.
["DRAGNET" THEME PLAYS]
TO PROTECT THE WRITERS.
["DRAGNET" THEME PLAYS]
IT WAS A PERFECTLY ORDINARY
["DRAGNET" THEME PLAYS]
IT WAS A PERFECTLY ORDINARY
SUNDAY.
IT WAS A PERFECTLY ORDINARY
SUNDAY.
MY NAME'S FRIDAY.
SUNDAY.
MY NAME'S FRIDAY.
MY PARTNER'S NAME IS
MY NAME'S FRIDAY.
MY PARTNER'S NAME IS
SATURDAY MORNING.
MY PARTNER'S NAME IS
SATURDAY MORNING.
WE CAN ONLY WORK WEEKENDS.
SATURDAY MORNING.
WE CAN ONLY WORK WEEKENDS.
WE WERE ENGAGED IN ROUTINE
WE CAN ONLY WORK WEEKENDS.
WE WERE ENGAGED IN ROUTINE
POLICE BUSINESS... WASHING UP,
WE WERE ENGAGED IN ROUTINE
POLICE BUSINESS... WASHING UP,
IRONING, SEWING.
POLICE BUSINESS... WASHING UP,
IRONING, SEWING.
THE TIME... 3:15.
IRONING, SEWING.
THE TIME... 3:15.
THE PLACE... HEADQUARTERS.
THE TIME... 3:15.
THE PLACE... HEADQUARTERS.
THE HAIRSTYLES BY MR. RAY OF
THE PLACE... HEADQUARTERS.
THE HAIRSTYLES BY MR. RAY OF
VIDAL SASSOON.
THE HAIRSTYLES BY MR. RAY OF
VIDAL SASSOON.
[TELEPHONE RINGS]
VIDAL SASSOON.
[TELEPHONE RINGS]
THE PHONE RANG.
[TELEPHONE RINGS]
THE PHONE RANG.
IT WAS LUCILLE BALL.
THE PHONE RANG.
IT WAS LUCILLE BALL.
WE DIDN'T ANSWER.
IT WAS LUCILLE BALL.
WE DIDN'T ANSWER.
[TELEPHONE RINGS]
WE DIDN'T ANSWER.
[TELEPHONE RINGS]
THE PHONE RANG AGAIN.
[TELEPHONE RINGS]
THE PHONE RANG AGAIN.
THIS TIME, IT WAS MOTORCYCLE
THE PHONE RANG AGAIN.
THIS TIME, IT WAS MOTORCYCLE
OFFICER HARVEY GOLDBLATT.
THIS TIME, IT WAS MOTORCYCLE
OFFICER HARVEY GOLDBLATT.
HELLO?
OFFICER HARVEY GOLDBLATT.
HELLO?
RIGHT. RIGHT. RIGHT.
HELLO?
RIGHT. RIGHT. RIGHT.
RIGHT.
RIGHT. RIGHT. RIGHT.
RIGHT.
RIGHT.
RIGHT.
RIGHT.
OKAY, WE'LL BE RIGHT THERE.
HEY, SERGE, WHERE ARE WE
GOING?
SHUT UP AND LISTEN TO THE
GOING?
SHUT UP AND LISTEN TO THE
VOICEOVER.
SHUT UP AND LISTEN TO THE
VOICEOVER.
10-3.
VOICEOVER.
10-3.
10-4.
10-3.
10-4.
SORRY.
10-4.
SORRY.
RIGHT.
SORRY.
RIGHT.
THE TIME... 3:25.
RIGHT.
THE TIME... 3:25.
THE PLACE... THE STREET.
THE TIME... 3:25.
THE PLACE... THE STREET.
THE HANDBAGS BY GUCCI.
THE PLACE... THE STREET.
THE HANDBAGS BY GUCCI.
ON THE TRAIL, WE SCREAMED TO A
THE HANDBAGS BY GUCCI.
ON THE TRAIL, WE SCREAMED TO A
HALT.
ON THE TRAIL, WE SCREAMED TO A
HALT.
[SCREAMS]
HALT.
[SCREAMS]
LOOK. THERE'S OFFICER GOLDBLATT.
[SCREAMS]
LOOK. THERE'S OFFICER GOLDBLATT.
WHAT'S UP, HARVEY?
LOOK. THERE'S OFFICER GOLDBLATT.
WHAT'S UP, HARVEY?
MAN UPSTAIRS IMPERSONATING A
WHAT'S UP, HARVEY?
MAN UPSTAIRS IMPERSONATING A
POLICE OFFICER.
MAN UPSTAIRS IMPERSONATING A
POLICE OFFICER.
WHY DIDN'T YOU MOVE IN THERE
POLICE OFFICER.
WHY DIDN'T YOU MOVE IN THERE
YOURSELF?
WHY DIDN'T YOU MOVE IN THERE
YOURSELF?
I'VE GOT A SNAG IN MY
YOURSELF?
I'VE GOT A SNAG IN MY
PANTYHOSE.
I'VE GOT A SNAG IN MY
PANTYHOSE.
RIGHT. OKAY.
PANTYHOSE.
RIGHT. OKAY.
WE'LL TAKE CARE OF IT.
RIGHT. OKAY.
WE'LL TAKE CARE OF IT.
LET'S GO.
WE'LL TAKE CARE OF IT.
LET'S GO.
[KNOCK ON DOOR]
LET'S GO.
[KNOCK ON DOOR]
OPEN UP! OPEN UP! POLICE.
[KNOCK ON DOOR]
OPEN UP! OPEN UP! POLICE.
OPEN UP!
OPEN UP! OPEN UP! POLICE.
OPEN UP!
WE'RE POLICE OFFICERS.
OPEN UP!
WE'RE POLICE OFFICERS.
POLICE OFFICERS, MA'AM.
WE'RE POLICE OFFICERS.
POLICE OFFICERS, MA'AM.
HOW DO I KNOW YOU ARE?
POLICE OFFICERS, MA'AM.
HOW DO I KNOW YOU ARE?
WE'RE PLAINCLOTHES.
HOW DO I KNOW YOU ARE?
WE'RE PLAINCLOTHES.
WHAT DO YOU MEAN PLAIN?
WE'RE PLAINCLOTHES.
WHAT DO YOU MEAN PLAIN?
I PAID $85 FOR THIS FROCK.
WHAT DO YOU MEAN PLAIN?
I PAID $85 FOR THIS FROCK.
YOU CALL THIS A PLAIN FROCK?
I PAID $85 FOR THIS FROCK.
YOU CALL THIS A PLAIN FROCK?
I MEAN PLAINCLOTHES... A TERM
YOU CALL THIS A PLAIN FROCK?
I MEAN PLAINCLOTHES... A TERM
FOR UNDERCOVER.
I MEAN PLAINCLOTHES... A TERM
FOR UNDERCOVER.
OH.
FOR UNDERCOVER.
OH.
DON'T YOU LIKE THIS FROCK?
OH.
DON'T YOU LIKE THIS FROCK?
I LOVE IT.
DON'T YOU LIKE THIS FROCK?
I LOVE IT.
MA'AM, IS YOUR HUSBAND HOME?
I LOVE IT.
MA'AM, IS YOUR HUSBAND HOME?
UH... UH, NO.
MA'AM, IS YOUR HUSBAND HOME?
UH... UH, NO.
NO, UH, NO, HE'S NOT HERE.
UH... UH, NO.
NO, UH, NO, HE'S NOT HERE.
HE WENT OUT.
NO, UH, NO, HE'S NOT HERE.
HE WENT OUT.
I'M NOT MARRIED.
HE WENT OUT.
I'M NOT MARRIED.
HONEY!
I'M NOT MARRIED.
HONEY!
WHO IS IT?
HONEY!
WHO IS IT?
YOU'RE UNDER ARREST FOR
WHO IS IT?
YOU'RE UNDER ARREST FOR
IMPERSONATING A POLICE OFFICER.
YOU'RE UNDER ARREST FOR
IMPERSONATING A POLICE OFFICER.
LET'S GO.
IMPERSONATING A POLICE OFFICER.
LET'S GO.
I'M WEARING THE SAME FROCK.
LET'S GO.
I'M WEARING THE SAME FROCK.
COME ON, LET'S GO.
I'M WEARING THE SAME FROCK.
COME ON, LET'S GO.
OKAY, OKAY, OKAY.
COME ON, LET'S GO.
OKAY, OKAY, OKAY.
LET'S GO.
OKAY, OKAY, OKAY.
LET'S GO.
NO, NO, COME ON.
LET'S GO.
NO, NO, COME ON.
ERIC, DAN, LOOK, IT'S NOT GONNA
NO, NO, COME ON.
ERIC, DAN, LOOK, IT'S NOT GONNA
WORK, ALL RIGHT?
ERIC, DAN, LOOK, IT'S NOT GONNA
WORK, ALL RIGHT?
DRAG DOES JUST NOT WORK IN
WORK, ALL RIGHT?
DRAG DOES JUST NOT WORK IN
AMERICA.
DRAG DOES JUST NOT WORK IN
AMERICA.
IT'S A DIFFERENT TYPE OF HUMOR.
AMERICA.
IT'S A DIFFERENT TYPE OF HUMOR.
I FEEL UNCOMFORTABLE IN THIS
IT'S A DIFFERENT TYPE OF HUMOR.
I FEEL UNCOMFORTABLE IN THIS
DRESS.
I FEEL UNCOMFORTABLE IN THIS
DRESS.
YOU COULD TRY A DIFFERENT
DRESS.
YOU COULD TRY A DIFFERENT
FROCK.
YOU COULD TRY A DIFFERENT
FROCK.
THAT HAS NOTHING TO DO WITH
FROCK.
THAT HAS NOTHING TO DO WITH
IT.
THAT HAS NOTHING TO DO WITH
IT.
I MEAN, OVER THERE, DRAG'S
IT.
I MEAN, OVER THERE, DRAG'S
ACCEPTABLE.
I MEAN, OVER THERE, DRAG'S
ACCEPTABLE.
IT'S EVERYDAY OFFICE WEAR.
ACCEPTABLE.
IT'S EVERYDAY OFFICE WEAR.
BUT HERE, IT IS JUST NOT FUNNY.
IT'S EVERYDAY OFFICE WEAR.
BUT HERE, IT IS JUST NOT FUNNY.
IT DOESN'T WORK.
BUT HERE, IT IS JUST NOT FUNNY.
IT DOESN'T WORK.
THERE'S NO, UH...
IT DOESN'T WORK.
THERE'S NO, UH...
I'M NOT OVERREACTING OR ANY
THERE'S NO, UH...
I'M NOT OVERREACTING OR ANY
HOMOSEXUAL THING, YOU KNOW?
I'M NOT OVERREACTING OR ANY
HOMOSEXUAL THING, YOU KNOW?
SO DON'T TRY AND PULL THAT THING
HOMOSEXUAL THING, YOU KNOW?
SO DON'T TRY AND PULL THAT THING
ON ME, YOU KNOW?
SO DON'T TRY AND PULL THAT THING
ON ME, YOU KNOW?
BUT IT'S NOT FUNNY, YOU
ON ME, YOU KNOW?
BUT IT'S NOT FUNNY, YOU
UNDERSTAND?
BUT IT'S NOT FUNNY, YOU
UNDERSTAND?
DRAG IS NOT FUNNY IN AMERICA.
UNDERSTAND?
DRAG IS NOT FUNNY IN AMERICA.
ALL RIGHT, WELL, LET'S CUT IT
DRAG IS NOT FUNNY IN AMERICA.
ALL RIGHT, WELL, LET'S CUT IT
HERE.
ALL RIGHT, WELL, LET'S CUT IT
HERE.
OKAY, FINE.
HERE.
OKAY, FINE.
UH, I, UH, CAN SEE HIS POINT
OKAY, FINE.
UH, I, UH, CAN SEE HIS POINT
OF VIEW.
UH, I, UH, CAN SEE HIS POINT
OF VIEW.
I THINK IT'S GENERALLY TWO
OF VIEW.
I THINK IT'S GENERALLY TWO
DIFFERENT THEORIES IN HUMOR AND
I THINK IT'S GENERALLY TWO
DIFFERENT THEORIES IN HUMOR AND
THAT.
DIFFERENT THEORIES IN HUMOR AND
THAT.
AND, WELL, MY JACK WEBB IS THE
THAT.
AND, WELL, MY JACK WEBB IS THE
WORST ANYWAY, SO...
AND, WELL, MY JACK WEBB IS THE
WORST ANYWAY, SO...
THAT'S TRUE.
WORST ANYWAY, SO...
THAT'S TRUE.
UH, WHAT DO YOU WANT TO DO
THAT'S TRUE.
UH, WHAT DO YOU WANT TO DO
THEN?
UH, WHAT DO YOU WANT TO DO
THEN?
SORRY, FOLKS.
THEN?
SORRY, FOLKS.
DO YOU WANT TO COME BACK TO
SORRY, FOLKS.
DO YOU WANT TO COME BACK TO
MY DRESSING ROOM AND DISCUSS IT?
DO YOU WANT TO COME BACK TO
MY DRESSING ROOM AND DISCUSS IT?
SURE. YEAH.
MY DRESSING ROOM AND DISCUSS IT?
SURE. YEAH.
DAN?
SURE. YEAH.
DAN?
YEAH.
DAN?
YEAH.
REMEMBER, IF YOU DO IT
YEAH.
REMEMBER, IF YOU DO IT
ONCE...
REMEMBER, IF YOU DO IT
ONCE...
[SPEAKING INDISTINCTLY]
ONCE...
[SPEAKING INDISTINCTLY]
OH, JOHN, I THINK YOU LOOK
[SPEAKING INDISTINCTLY]
OH, JOHN, I THINK YOU LOOK
VERY PRETTY.
OH, JOHN, I THINK YOU LOOK
VERY PRETTY.
I LOOK PRETTY.
VERY PRETTY.
I LOOK PRETTY.
WELL, I LOOK GOOD IN EVERYTHING.
I LOOK PRETTY.
WELL, I LOOK GOOD IN EVERYTHING.
I JUST WEAR CLOTHES WELL.
WELL, I LOOK GOOD IN EVERYTHING.
I JUST WEAR CLOTHES WELL.
SOME PEOPLE CAN, SOME PEOPLE
I JUST WEAR CLOTHES WELL.
SOME PEOPLE CAN, SOME PEOPLE
CAN'T.
SOME PEOPLE CAN, SOME PEOPLE
CAN'T.
I DO.
CAN'T.
I DO.
I LOOK GOOD IN EVERYTHING.
I DO.
I LOOK GOOD IN EVERYTHING.
WHAT ARE WE GONNA DO NOW, YOU
I LOOK GOOD IN EVERYTHING.
WHAT ARE WE GONNA DO NOW, YOU
KNOW?
WHAT ARE WE GONNA DO NOW, YOU
KNOW?
UH, WHY DON'T WE SHOW SOME
KNOW?
UH, WHY DON'T WE SHOW SOME
MOVIE, I GUESS?
UH, WHY DON'T WE SHOW SOME
MOVIE, I GUESS?
LET'S GO TO A MOVIE.
61.
[VEHICLES SPEEDING BY]
[GUN FIRES]
I FEEL IT'S STILL NOT
WORKING.
OF COURSE IT'S WORKING.
WORKING.
OF COURSE IT'S WORKING.
THEY'RE LAUGHING.
OF COURSE IT'S WORKING.
THEY'RE LAUGHING.
HOW DO YOU KNOW THEY'RE
THEY'RE LAUGHING.
HOW DO YOU KNOW THEY'RE
LAUGHING?
HOW DO YOU KNOW THEY'RE
LAUGHING?
WE'RE ON FILM.
LAUGHING?
WE'RE ON FILM.
OH, THAT'S RIGHT.
WE'RE ON FILM.
OH, THAT'S RIGHT.
WELL, LET'S LISTEN.
OH, THAT'S RIGHT.
WELL, LET'S LISTEN.
I DON'T HEAR THEM LAUGHING.
WELL, LET'S LISTEN.
I DON'T HEAR THEM LAUGHING.
NO.
I DON'T HEAR THEM LAUGHING.
NO.
SHOULD WE GO?
NO.
SHOULD WE GO?
I GUESS SO.
OKAY, IT MIGHT NOT WORK FOR
COMEDY, BUT IT MIGHT WORK FOR
INTRODUCTIONS.
COMEDY, BUT IT MIGHT WORK FOR
INTRODUCTIONS.
IT'S MY PLEASURE TO LISTEN TO
INTRODUCTIONS.
IT'S MY PLEASURE TO LISTEN TO
THIS GROUP.
IT'S MY PLEASURE TO LISTEN TO
THIS GROUP.
THEY'RE, I THINK, ONE OF THE
THIS GROUP.
THEY'RE, I THINK, ONE OF THE
BEST BANDS IN AMERICA.
THEY'RE, I THINK, ONE OF THE
BEST BANDS IN AMERICA.
THEY'VE BACKED UP EVERYBODY FROM
BEST BANDS IN AMERICA.
THEY'VE BACKED UP EVERYBODY FROM
ARETHA FRANKLIN TO JOE COCKER,
THEY'VE BACKED UP EVERYBODY FROM
ARETHA FRANKLIN TO JOE COCKER,
MYSELF.
ARETHA FRANKLIN TO JOE COCKER,
MYSELF.
AND SO, LADIES AND GENTLEMEN,
MYSELF.
AND SO, LADIES AND GENTLEMEN,
THE BEST OUT OF NEW YORK CITY...
AND SO, LADIES AND GENTLEMEN,
THE BEST OUT OF NEW YORK CITY...
STUFF.
THE BEST OUT OF NEW YORK CITY...
STUFF.
["FOOTS" PLAYS]
[SONG CONCLUDES]
[CHEERS AND APPLAUSE]
WE ANCHOR THE CALYPSO NEAR
THE REEF AND MAKE OUR DESCENT.
WHAT WE SEE AMAZES US.
HUGE FISH ARE MOST GOLDEN IN
COLOR, SWIMMING TO AND FRO.
HUGE FISH ARE MOST GOLDEN IN
COLOR, SWIMMING TO AND FRO.
THEN THE MOST SURPRISING
COLOR, SWIMMING TO AND FRO.
THEN THE MOST SURPRISING
DISCOVERY OF ALL... THE RUINS OF
THEN THE MOST SURPRISING
DISCOVERY OF ALL... THE RUINS OF
AN OLD CASTLE, TRACES OF AN
DISCOVERY OF ALL... THE RUINS OF
AN OLD CASTLE, TRACES OF AN
EARLIER CIVILIZATION.
AN OLD CASTLE, TRACES OF AN
EARLIER CIVILIZATION.
GUNTHRO, OUR DUTCH CAMERAMAN,
EARLIER CIVILIZATION.
GUNTHRO, OUR DUTCH CAMERAMAN,
IS STARTLED TO SPY BRIGHTLY
GUNTHRO, OUR DUTCH CAMERAMAN,
IS STARTLED TO SPY BRIGHTLY
COLORED PEBBLES ON THE OCEAN
IS STARTLED TO SPY BRIGHTLY
COLORED PEBBLES ON THE OCEAN
FLOOR.
COLORED PEBBLES ON THE OCEAN
FLOOR.
HELLO, AND WELCOME ANOTHER
FLOOR.
HELLO, AND WELCOME ANOTHER
EDITION OF "PETS AND PETTING."
HELLO, AND WELCOME ANOTHER
EDITION OF "PETS AND PETTING."
TONIGHT, THE GOLDFISH, THE KING
EDITION OF "PETS AND PETTING."
TONIGHT, THE GOLDFISH, THE KING
OF THE BOWL.
TONIGHT, THE GOLDFISH, THE KING
OF THE BOWL.
THESE CHEEKY LITTLE FISH ARE
OF THE BOWL.
THESE CHEEKY LITTLE FISH ARE
FRIENDLY AND EASY TO FEED,
THESE CHEEKY LITTLE FISH ARE
FRIENDLY AND EASY TO FEED,
PROVIDING YOU FEED THEM RIGHT.
FRIENDLY AND EASY TO FEED,
PROVIDING YOU FEED THEM RIGHT.
NOW, WHAT IS THE RIGHT WAY TO
PROVIDING YOU FEED THEM RIGHT.
NOW, WHAT IS THE RIGHT WAY TO
FEED THEM?
NOW, WHAT IS THE RIGHT WAY TO
FEED THEM?
THE ANSWER IS, OF COURSE, GOOD
FEED THEM?
THE ANSWER IS, OF COURSE, GOOD
FOOD.
THE ANSWER IS, OF COURSE, GOOD
FOOD.
SO I LIKE TO START THEM OFF WITH
FOOD.
SO I LIKE TO START THEM OFF WITH
A LITTLE SOUP... A NICE
SO I LIKE TO START THEM OFF WITH
A LITTLE SOUP... A NICE
MINESTRONE, PLENTY OF
A LITTLE SOUP... A NICE
MINESTRONE, PLENTY OF
VEGETABLES FOR THEM TO GET THEIR
MINESTRONE, PLENTY OF
VEGETABLES FOR THEM TO GET THEIR
LITTLE TEETH INTO.
VEGETABLES FOR THEM TO GET THEIR
LITTLE TEETH INTO.
MMM.
LITTLE TEETH INTO.
MMM.
NICE AND HOT... NOBODY LIKES
MMM.
NICE AND HOT... NOBODY LIKES
COLD SOUP, ESPECIALLY TO SWIM
NICE AND HOT... NOBODY LIKES
COLD SOUP, ESPECIALLY TO SWIM
AROUND IN.
COLD SOUP, ESPECIALLY TO SWIM
AROUND IN.
THEN, FOR MAIN COURSE, PERHAPS
AROUND IN.
THEN, FOR MAIN COURSE, PERHAPS
SOME CHOPS, SOME NICE CHOPS, OR
THEN, FOR MAIN COURSE, PERHAPS
SOME CHOPS, SOME NICE CHOPS, OR
PERHAPS A NICELY ROASTED
SOME CHOPS, SOME NICE CHOPS, OR
PERHAPS A NICELY ROASTED
CHICKEN.
PERHAPS A NICELY ROASTED
CHICKEN.
YEAH.
CHICKEN.
YEAH.
AND DON'T FORGET PLENTY OF
YEAH.
AND DON'T FORGET PLENTY OF
VEGETABLES.
AND DON'T FORGET PLENTY OF
VEGETABLES.
SOME NICE POTATOES... THEY LOVE
VEGETABLES.
SOME NICE POTATOES... THEY LOVE
POTATOES.
SOME NICE POTATOES... THEY LOVE
POTATOES.
AND OF COURSE SOME CABBAGE...
POTATOES.
AND OF COURSE SOME CABBAGE...
NICE CABBAGE.
AND OF COURSE SOME CABBAGE...
NICE CABBAGE.
AND TO COMPLEMENT THE MEAL, OF
NICE CABBAGE.
AND TO COMPLEMENT THE MEAL, OF
COURSE, A BEAUTIFUL FINE BOTTLE
AND TO COMPLEMENT THE MEAL, OF
COURSE, A BEAUTIFUL FINE BOTTLE
OF WINE.
COURSE, A BEAUTIFUL FINE BOTTLE
OF WINE.
I'VE CHOSEN A RATHER FRUITY
OF WINE.
I'VE CHOSEN A RATHER FRUITY
FRENCH BEAUJOLAIS.
I'VE CHOSEN A RATHER FRUITY
FRENCH BEAUJOLAIS.
A LITTLE TASTE...
FRENCH BEAUJOLAIS.
A LITTLE TASTE...
YES, HE NODS HIS LITTLE HEAD.
A LITTLE TASTE...
YES, HE NODS HIS LITTLE HEAD.
HE LIKES IT. GOOD.
YES, HE NODS HIS LITTLE HEAD.
HE LIKES IT. GOOD.
IN IT GOES.
HE LIKES IT. GOOD.
IN IT GOES.
[SMOOCHES]
IN IT GOES.
[SMOOCHES]
A VERY FINE VINTAGE.
[SMOOCHES]
A VERY FINE VINTAGE.
AFTER THE MAIN COURSE, PERHAPS
A VERY FINE VINTAGE.
AFTER THE MAIN COURSE, PERHAPS
FINISH WITH A LITTLE DESSERT...
AFTER THE MAIN COURSE, PERHAPS
FINISH WITH A LITTLE DESSERT...
SOME CHEESECAKE, PERHAPS.
FINISH WITH A LITTLE DESSERT...
SOME CHEESECAKE, PERHAPS.
YES, NICE CHEESECAKE... IN IT
SOME CHEESECAKE, PERHAPS.
YES, NICE CHEESECAKE... IN IT
GOES.
YES, NICE CHEESECAKE... IN IT
GOES.
AND FINISH OFF WITH, OF COURSE,
GOES.
AND FINISH OFF WITH, OF COURSE,
THE COFFEE.
AND FINISH OFF WITH, OF COURSE,
THE COFFEE.
A MEAL WITHOUT COFFEE IS LIKE
THE COFFEE.
A MEAL WITHOUT COFFEE IS LIKE
SOMETHING ELSE WITHOUT SOMETHING
A MEAL WITHOUT COFFEE IS LIKE
SOMETHING ELSE WITHOUT SOMETHING
ELSE.
SOMETHING ELSE WITHOUT SOMETHING
ELSE.
AND NOW, NEXT WEEK, I'LL SHOW
ELSE.
AND NOW, NEXT WEEK, I'LL SHOW
YOU HOW TO FEED YOUR GOLDFISH
AND NOW, NEXT WEEK, I'LL SHOW
YOU HOW TO FEED YOUR GOLDFISH
HOT CURRY AND HOW TO FEED YOUR
YOU HOW TO FEED YOUR GOLDFISH
HOT CURRY AND HOW TO FEED YOUR
CAT TO THE DOG.
HOT CURRY AND HOW TO FEED YOUR
CAT TO THE DOG.
SO GOOD NIGHT FROM ME.
AND SO, WITH VISIBILITY
FADING, AS THE DARKNESS CLOSES
ABOUT US, WE BID AU REVOIR TO
FADING, AS THE DARKNESS CLOSES
ABOUT US, WE BID AU REVOIR TO
THE HUGE GOLDEN FISH AND RETURN
ABOUT US, WE BID AU REVOIR TO
THE HUGE GOLDEN FISH AND RETURN
TO THE SURFACE.
THE HUGE GOLDEN FISH AND RETURN
TO THE SURFACE.
BUT FOR ME AND THE CREW OF THE
TO THE SURFACE.
BUT FOR ME AND THE CREW OF THE
CALYPSO, THE JOURNEY HAS JUST
BUT FOR ME AND THE CREW OF THE
CALYPSO, THE JOURNEY HAS JUST
BEGUN.
AHEAD LIES FURTHER ADVENTURES
AND STUDY IN...
I'M KEN NORTON, AND I
QUESTION THE DECISION OF THE
JUDGES AT TUESDAY'S CHAMPIONSHIP
QUESTION THE DECISION OF THE
JUDGES AT TUESDAY'S CHAMPIONSHIP
FIGHT.
JUDGES AT TUESDAY'S CHAMPIONSHIP
FIGHT.
NOW, I WAS ROBBED.
FIGHT.
NOW, I WAS ROBBED.
YOU SAW IT.
NOW, I WAS ROBBED.
YOU SAW IT.
IT'S THE END OF THE 14th ROUND.
YOU SAW IT.
IT'S THE END OF THE 14th ROUND.
I'M WHOOPING THE CHAMP.
IT'S THE END OF THE 14th ROUND.
I'M WHOOPING THE CHAMP.
I'M IN MY CORNER.
I'M WHOOPING THE CHAMP.
I'M IN MY CORNER.
AND MY MANAGER BREAKS IT TO ME.
I'M IN MY CORNER.
AND MY MANAGER BREAKS IT TO ME.
THESE JUDGES ARE FROM
AND MY MANAGER BREAKS IT TO ME.
THESE JUDGES ARE FROM
ATLANTIC CITY, AND THEY'RE
THESE JUDGES ARE FROM
ATLANTIC CITY, AND THEY'RE
CONFUSED ABOUT THE SCORING.
ATLANTIC CITY, AND THEY'RE
CONFUSED ABOUT THE SCORING.
THEY'RE GIVEN OUT POINTS FOR
CONFUSED ABOUT THE SCORING.
THEY'RE GIVEN OUT POINTS FOR
GRACE AND CHARM AND TAKING THEM
THEY'RE GIVEN OUT POINTS FOR
GRACE AND CHARM AND TAKING THEM
AWAY FOR OVERAGGRESSIVENESS.
GRACE AND CHARM AND TAKING THEM
AWAY FOR OVERAGGRESSIVENESS.
BOY, AM I CHEESED OFF.
AWAY FOR OVERAGGRESSIVENESS.
BOY, AM I CHEESED OFF.
THIS CHANGES EVERYTHING, RIGHT?
BOY, AM I CHEESED OFF.
THIS CHANGES EVERYTHING, RIGHT?
THE BELL RINGS, AND NOW I GOT TO
THIS CHANGES EVERYTHING, RIGHT?
THE BELL RINGS, AND NOW I GOT TO
THINK ON MY FEET, RIGHT?
THE BELL RINGS, AND NOW I GOT TO
THINK ON MY FEET, RIGHT?
LUCKILY THERE'S TIME TO, BECAUSE
THINK ON MY FEET, RIGHT?
LUCKILY THERE'S TIME TO, BECAUSE
THE OTHER FINALIST IS IN THE
LUCKILY THERE'S TIME TO, BECAUSE
THE OTHER FINALIST IS IN THE
RING DOING HIS TALENT SPOT,
THE OTHER FINALIST IS IN THE
RING DOING HIS TALENT SPOT,
DANCING.
RING DOING HIS TALENT SPOT,
DANCING.
OKAY, TALENT?
DANCING.
OKAY, TALENT?
INSIDE MY BOXING GLOVES, MY
OKAY, TALENT?
INSIDE MY BOXING GLOVES, MY
FINGERS ARE CROSSED.
INSIDE MY BOXING GLOVES, MY
FINGERS ARE CROSSED.
IF THE JUDGES HAVE SEEN ME IN
FINGERS ARE CROSSED.
IF THE JUDGES HAVE SEEN ME IN
"MANDINGO," I'VE GOT TALENT SEWN
IF THE JUDGES HAVE SEEN ME IN
"MANDINGO," I'VE GOT TALENT SEWN
UP.
"MANDINGO," I'VE GOT TALENT SEWN
UP.
OKAY, BEAUTY... MR. KENTUCKY IS
UP.
OKAY, BEAUTY... MR. KENTUCKY IS
PRETTIER, BUT I'M A LOT YOUNGER
OKAY, BEAUTY... MR. KENTUCKY IS
PRETTIER, BUT I'M A LOT YOUNGER
AND MY THIGHS ARE MUCH, MUCH
PRETTIER, BUT I'M A LOT YOUNGER
AND MY THIGHS ARE MUCH, MUCH
THINNER, OKAY?
AND MY THIGHS ARE MUCH, MUCH
THINNER, OKAY?
SWIMSUIT COMPETITION... WE BOTH
THINNER, OKAY?
SWIMSUIT COMPETITION... WE BOTH
HAD TO WEAR THOSE STUPID
SWIMSUIT COMPETITION... WE BOTH
HAD TO WEAR THOSE STUPID
EVERLAST TRUNKS, SO CALL THAT A
HAD TO WEAR THOSE STUPID
EVERLAST TRUNKS, SO CALL THAT A
DRAW.
EVERLAST TRUNKS, SO CALL THAT A
DRAW.
BUT MY BATHROBE IS MUCH, MUCH
DRAW.
BUT MY BATHROBE IS MUCH, MUCH
MEANER... MUCH, MUCH MEANER.
BUT MY BATHROBE IS MUCH, MUCH
MEANER... MUCH, MUCH MEANER.
MY BATHROBE PUTS ME OVER THE
MEANER... MUCH, MUCH MEANER.
MY BATHROBE PUTS ME OVER THE
TOP.
MY BATHROBE PUTS ME OVER THE
TOP.
SO WHEN THE FINAL BELL RINGS,
TOP.
SO WHEN THE FINAL BELL RINGS,
MAN, I'M JUMPING UP WITH GLEE,
SO WHEN THE FINAL BELL RINGS,
MAN, I'M JUMPING UP WITH GLEE,
YOU KNOW, UNTIL I REMEMBER TO
MAN, I'M JUMPING UP WITH GLEE,
YOU KNOW, UNTIL I REMEMBER TO
CRY, YOU KNOW?
YOU KNOW, UNTIL I REMEMBER TO
CRY, YOU KNOW?
THEY ALWAYS LIKE THE ONE WITH
CRY, YOU KNOW?
THEY ALWAYS LIKE THE ONE WITH
THE CRY, YOU KNOW?
THEY ALWAYS LIKE THE ONE WITH
THE CRY, YOU KNOW?
AND THEN HOWARD COSELL COMES AND
THE CRY, YOU KNOW?
AND THEN HOWARD COSELL COMES AND
TELLS ME, "CHEER UP.
AND THEN HOWARD COSELL COMES AND
TELLS ME, "CHEER UP.
SHOULD THE WINNER, FOR ANY
TELLS ME, "CHEER UP.
SHOULD THE WINNER, FOR ANY
REASON, BE UNABLE TO FULFILL HIS
SHOULD THE WINNER, FOR ANY
REASON, BE UNABLE TO FULFILL HIS
DUTIES, YOU AS RUNNER-UP WILL
REASON, BE UNABLE TO FULFILL HIS
DUTIES, YOU AS RUNNER-UP WILL
TAKE HIS PLACE."
DUTIES, YOU AS RUNNER-UP WILL
TAKE HIS PLACE."
SO I WHIPPED THAT HONKY MOTHER,
TAKE HIS PLACE."
SO I WHIPPED THAT HONKY MOTHER,
YOU KNOW?
SO I WHIPPED THAT HONKY MOTHER,
YOU KNOW?
SO I WAS ROBBED.
YOU KNOW?
SO I WAS ROBBED.
THE CROWN IS MINE.
SO I WAS ROBBED.
THE CROWN IS MINE.
I DEMAND TO DO MY TALENT SPOT
THE CROWN IS MINE.
I DEMAND TO DO MY TALENT SPOT
NOW... "VESTI LA GIUBBA," THE
I DEMAND TO DO MY TALENT SPOT
NOW... "VESTI LA GIUBBA," THE
TENOR ARIA FROM "PAGLIACCI."
NOW... "VESTI LA GIUBBA," THE
TENOR ARIA FROM "PAGLIACCI."
[PIANO PLAYING]
TENOR ARIA FROM "PAGLIACCI."
[PIANO PLAYING]
♪ RECITAR ♪
[PIANO PLAYING]
♪ RECITAR ♪
♪ MENTRE PRESO DAL DELIRIO ♪
♪ RECITAR ♪
♪ MENTRE PRESO DAL DELIRIO ♪
♪ NON SO PIU QUEL CHE DICO ♪
♪ MENTRE PRESO DAL DELIRIO ♪
♪ NON SO PIU QUEL CHE DICO ♪
♪ E QUEL CHE FACCIO ♪
♪ NON SO PIU QUEL CHE DICO ♪
♪ E QUEL CHE FACCIO ♪
♪ EPPUR è D'UOPO, SFORZATI ♪
♪ E QUEL CHE FACCIO ♪
♪ EPPUR è D'UOPO, SFORZATI ♪
♪ BAH ♪
♪ EPPUR è D'UOPO, SFORZATI ♪
♪ BAH ♪
[APPLAUSE]
[DRAMATIC MUSIC PLAYS]
HELLO, I'M ERICA VON DONAGEN,
HEAD OF ANTHROCOMEDOLOGY AT
RUTLEDGE UNIVERSITY.
HEAD OF ANTHROCOMEDOLOGY AT
RUTLEDGE UNIVERSITY.
THERE'S SCARCELY ANYONE WHO
RUTLEDGE UNIVERSITY.
THERE'S SCARCELY ANYONE WHO
HASN'T LOOKED AT THE STARS AND
THERE'S SCARCELY ANYONE WHO
HASN'T LOOKED AT THE STARS AND
WONDERED IF SOME OTHER FORM OF
HASN'T LOOKED AT THE STARS AND
WONDERED IF SOME OTHER FORM OF
COMEDIANS EXISTED IN ANOTHER
WONDERED IF SOME OTHER FORM OF
COMEDIANS EXISTED IN ANOTHER
CORNER OF THE UNIVERSE.
COMEDIANS EXISTED IN ANOTHER
CORNER OF THE UNIVERSE.
SINCE THERE ARE BILLIONS OF
CORNER OF THE UNIVERSE.
SINCE THERE ARE BILLIONS OF
SOLAR SYSTEMS CAPABLE OF
SINCE THERE ARE BILLIONS OF
SOLAR SYSTEMS CAPABLE OF
SUPPORTING COMEDY, THERE ARE
SOLAR SYSTEMS CAPABLE OF
SUPPORTING COMEDY, THERE ARE
PROBABLY COMEDIANS MUCH MORE
SUPPORTING COMEDY, THERE ARE
PROBABLY COMEDIANS MUCH MORE
ADVANCED AS OURSELVES, CAPABLE
PROBABLY COMEDIANS MUCH MORE
ADVANCED AS OURSELVES, CAPABLE
OF TRAVERSING THE VAST DISTANCES
ADVANCED AS OURSELVES, CAPABLE
OF TRAVERSING THE VAST DISTANCES
OF SPACE.
OF TRAVERSING THE VAST DISTANCES
OF SPACE.
HOW LONG DOES IT TAKE A JOKE TO
OF SPACE.
HOW LONG DOES IT TAKE A JOKE TO
TRAVEL THROUGH SPACE?
HOW LONG DOES IT TAKE A JOKE TO
TRAVEL THROUGH SPACE?
OF COURSE, THAT DEPENDS ON HOW
TRAVEL THROUGH SPACE?
OF COURSE, THAT DEPENDS ON HOW
SUBTLE IT IS.
OF COURSE, THAT DEPENDS ON HOW
SUBTLE IT IS.
BUT, IF COMEDIANS FROM OUTER
SUBTLE IT IS.
BUT, IF COMEDIANS FROM OUTER
SPACE DID VISIT OUR PLANET, WERE
BUT, IF COMEDIANS FROM OUTER
SPACE DID VISIT OUR PLANET, WERE
ANY CLUES LEFT BEHIND?
ANY CLUES LEFT BEHIND?
LOOKING AT THE HISTORY OF
LOOKING AT THE HISTORY OF
COMEDY, THERE ARE MANY SEEMINGLY
COMEDY, THERE ARE MANY SEEMINGLY
INEXPLICABLE MYSTERIES, SUCH AS
INEXPLICABLE MYSTERIES, SUCH AS
THIS ASSYRIAN CLAY TABLET, ONE
THIS ASSYRIAN CLAY TABLET, ONE
OF THE EARLIEST RECORDS MADE BY
OF THE EARLIEST RECORDS MADE BY
MAN, WHICH SAYS, AS NEARLY AS WE
MAN, WHICH SAYS, AS NEARLY AS WE
CAN GUESS, "TAKE WIFE."
ASSYRIA IS HERE IN THE FERTILE
CAN GUESS, "TAKE WIFE."
ASSYRIA IS HERE IN THE FERTILE
CRESCENT.
ASSYRIA IS HERE IN THE FERTILE
CRESCENT.
NOW, LET'S LOOK AT A CERTAIN
CRESCENT.
NOW, LET'S LOOK AT A CERTAIN
MOUNTAIN PLATEAU IN PERU.
NOW, LET'S LOOK AT A CERTAIN
MOUNTAIN PLATEAU IN PERU.
IF YOU CLIMB THE 4,000 FEET OF
MOUNTAIN PLATEAU IN PERU.
IF YOU CLIMB THE 4,000 FEET OF
THE ANDES TO MACHAPULCO AND
IF YOU CLIMB THE 4,000 FEET OF
THE ANDES TO MACHAPULCO AND
TRAVERSE THIS PLATEAU, YOU
THE ANDES TO MACHAPULCO AND
TRAVERSE THIS PLATEAU, YOU
OBSERVE REMNANTS OF ANCIENT,
TRAVERSE THIS PLATEAU, YOU
OBSERVE REMNANTS OF ANCIENT,
SEEMINGLY HAPHAZARD EXCAVATIONS.
OBSERVE REMNANTS OF ANCIENT,
SEEMINGLY HAPHAZARD EXCAVATIONS.
BUT IF VIEWED FROM THE AIR,
SEEMINGLY HAPHAZARD EXCAVATIONS.
BUT IF VIEWED FROM THE AIR,
SUDDENLY, ITS STARTLING PURPOSE
BUT IF VIEWED FROM THE AIR,
SUDDENLY, ITS STARTLING PURPOSE
IS REVEALED.
"TAKE MY WIFE, PLEASE" IS
CLEARLY DUG INTO THE LANDSCAPE
FOR THE PURPOSE OF MAKING
CLEARLY DUG INTO THE LANDSCAPE
FOR THE PURPOSE OF MAKING
SOMEONE IN A FLYING VEHICLE
FOR THE PURPOSE OF MAKING
SOMEONE IN A FLYING VEHICLE
LAUGH.
SOMEONE IN A FLYING VEHICLE
LAUGH.
BUT THE MOST AWESOME EVIDENCE
LAUGH.
BUT THE MOST AWESOME EVIDENCE
EXITS ON A TINY DOT 3,000 MILES
BUT THE MOST AWESOME EVIDENCE
EXITS ON A TINY DOT 3,000 MILES
OFF THE COAST OF PERU...
EXITS ON A TINY DOT 3,000 MILES
OFF THE COAST OF PERU...
PASSOVER ISLAND.
OFF THE COAST OF PERU...
PASSOVER ISLAND.
THE 2,000 INHABITANTS STILL
PASSOVER ISLAND.
THE 2,000 INHABITANTS STILL
PRACTICE AN ANCIENT RITUAL
THE 2,000 INHABITANTS STILL
PRACTICE AN ANCIENT RITUAL
BEFORE A HUGE PAIR OF LIMESTONE
PRACTICE AN ANCIENT RITUAL
BEFORE A HUGE PAIR OF LIMESTONE
CUFFLINKS.
BEFORE A HUGE PAIR OF LIMESTONE
CUFFLINKS.
[DRAMATIC MUSIC PLAYS]
CUFFLINKS.
[DRAMATIC MUSIC PLAYS]
EACH CUFFLINK IS OVER 30 FEET
[DRAMATIC MUSIC PLAYS]
EACH CUFFLINK IS OVER 30 FEET
HIGH AND WEIGHS 800 TONS.
EACH CUFFLINK IS OVER 30 FEET
HIGH AND WEIGHS 800 TONS.
THE CEREMONIAL GARB OF THE
HIGH AND WEIGHS 800 TONS.
THE CEREMONIAL GARB OF THE
NATIVES ARE MADE FROM REEDS AND
THE CEREMONIAL GARB OF THE
NATIVES ARE MADE FROM REEDS AND
BEAR A STRIKING RESEMBLANCE TO
NATIVES ARE MADE FROM REEDS AND
BEAR A STRIKING RESEMBLANCE TO
TUXEDOS.
LISTEN TO THIS TAPE RECORDING I
MADE MYSELF OF ONE SUCH
CEREMONY.
[MUSIC PLAYS, CHANTING]
IS IT COINCIDENCE THAT THIS SAME
JOKE OCCURRED TO MEN WHO NEVER
KNEW THAT THE OTHER CIVILIZATION
JOKE OCCURRED TO MEN WHO NEVER
KNEW THAT THE OTHER CIVILIZATION
EVEN EXISTED?
KNEW THAT THE OTHER CIVILIZATION
EVEN EXISTED?
OR WAS THE JOKE PASSED ON BY
EVEN EXISTED?
OR WAS THE JOKE PASSED ON BY
COMEDIANS IN SPACESHIPS CAPABLE
OR WAS THE JOKE PASSED ON BY
COMEDIANS IN SPACESHIPS CAPABLE
OF TRAVELING THESE GREAT
COMEDIANS IN SPACESHIPS CAPABLE
OF TRAVELING THESE GREAT
DISTANCES?
OF TRAVELING THESE GREAT
DISTANCES?
BUT WHY SHOULD COMEDIANS TRAVEL
DISTANCES?
BUT WHY SHOULD COMEDIANS TRAVEL
ACROSS THE GALAXY?
BUT WHY SHOULD COMEDIANS TRAVEL
ACROSS THE GALAXY?
PERHAPS TO GET TO THE OTHER
ACROSS THE GALAXY?
PERHAPS TO GET TO THE OTHER
SIDE.
PERHAPS TO GET TO THE OTHER
SIDE.
IF THEY SHOULD RETURN, MAYBE WE
SIDE.
IF THEY SHOULD RETURN, MAYBE WE
CAN LEARN SOME NEW JOKES FROM
IF THEY SHOULD RETURN, MAYBE WE
CAN LEARN SOME NEW JOKES FROM
THEM.
[BEEPING]
YOU KNOW, IT ALWAYS SEEMS
LIKE I FALL BEHIND AT THE
YOU KNOW, IT ALWAYS SEEMS
LIKE I FALL BEHIND AT THE
BEGINNING, AND THEN I NEVER
LIKE I FALL BEHIND AT THE
BEGINNING, AND THEN I NEVER
CATCH UP.
BEGINNING, AND THEN I NEVER
CATCH UP.
YEAH, I KNOW.
CATCH UP.
YEAH, I KNOW.
THERE'S ONE RIGHT THROUGH A
YEAH, I KNOW.
THERE'S ONE RIGHT THROUGH A
HOLE.
THERE'S ONE RIGHT THROUGH A
HOLE.
HEY, HOW YOU'D DO ON THAT
HOLE.
HEY, HOW YOU'D DO ON THAT
MATH/PSY QUICKIE QUIZ TODAY?
HEY, HOW YOU'D DO ON THAT
MATH/PSY QUICKIE QUIZ TODAY?
OH, I PASSED.
MATH/PSY QUICKIE QUIZ TODAY?
OH, I PASSED.
I GOT A "D-."
OH, I PASSED.
I GOT A "D-."
HOW'D YOU DO?
I GOT A "D-."
HOW'D YOU DO?
I ACED IT.
HOW'D YOU DO?
I ACED IT.
YOU KNOW, IT ALWAYS SEEMS
I ACED IT.
YOU KNOW, IT ALWAYS SEEMS
LIKE YOU NEVER STUDY, AND THEN
YOU KNOW, IT ALWAYS SEEMS
LIKE YOU NEVER STUDY, AND THEN
YOU ALWAYS GET AN "A."
LIKE YOU NEVER STUDY, AND THEN
YOU ALWAYS GET AN "A."
HOW DO YOU DO THAT?
YOU ALWAYS GET AN "A."
HOW DO YOU DO THAT?
WELL, YOU JUST TELL THE
HOW DO YOU DO THAT?
WELL, YOU JUST TELL THE
TEACHER WHAT YOU KNOW, NOT WHAT
WELL, YOU JUST TELL THE
TEACHER WHAT YOU KNOW, NOT WHAT
YOU DON'T KNOW.
TEACHER WHAT YOU KNOW, NOT WHAT
YOU DON'T KNOW.
WHAT DO YOU MEAN?
YOU DON'T KNOW.
WHAT DO YOU MEAN?
I DON'T...
WHAT DO YOU MEAN?
I DON'T...
WELL, FOR EXAMPLE, ON THAT
I DON'T...
WELL, FOR EXAMPLE, ON THAT
BAROMETER QUESTION, REMEMBER?
WELL, FOR EXAMPLE, ON THAT
BAROMETER QUESTION, REMEMBER?
YOU'RE GIVEN A BAROMETER AND YOU
BAROMETER QUESTION, REMEMBER?
YOU'RE GIVEN A BAROMETER AND YOU
HAVE TO DETERMINE THE HEIGHT OF
YOU'RE GIVEN A BAROMETER AND YOU
HAVE TO DETERMINE THE HEIGHT OF
A TALL BUILDING?
HAVE TO DETERMINE THE HEIGHT OF
A TALL BUILDING?
YEAH, I LEFT THAT ONE BLANK.
A TALL BUILDING?
YEAH, I LEFT THAT ONE BLANK.
I FORGOT WHAT A BAROMETER IS.
YEAH, I LEFT THAT ONE BLANK.
I FORGOT WHAT A BAROMETER IS.
IT'S FOR MEASURING BAROMETRIC
I FORGOT WHAT A BAROMETER IS.
IT'S FOR MEASURING BAROMETRIC
PRESSURE.
IT'S FOR MEASURING BAROMETRIC
PRESSURE.
SO YOU GET THE ANSWER TO THAT
PRESSURE.
SO YOU GET THE ANSWER TO THAT
QUESTION... YOU GET THE
SO YOU GET THE ANSWER TO THAT
QUESTION... YOU GET THE
BAROMETRIC PRESSURE AT THE TOP
QUESTION... YOU GET THE
BAROMETRIC PRESSURE AT THE TOP
OF THE BUILDING.
BAROMETRIC PRESSURE AT THE TOP
OF THE BUILDING.
THEN YOU GO TO THE BOTTOM OF THE
OF THE BUILDING.
THEN YOU GO TO THE BOTTOM OF THE
BUILDING AND YOU TAKE THE
THEN YOU GO TO THE BOTTOM OF THE
BUILDING AND YOU TAKE THE
DIFFERENCE BETWEEN THE TWO
BUILDING AND YOU TAKE THE
DIFFERENCE BETWEEN THE TWO
BAROMETRIC PRESSURES AND YOU
DIFFERENCE BETWEEN THE TWO
BAROMETRIC PRESSURES AND YOU
PLUG IT INTO A FORMULA.
BAROMETRIC PRESSURES AND YOU
PLUG IT INTO A FORMULA.
BOY, YEAH.
PLUG IT INTO A FORMULA.
BOY, YEAH.
I FORGOT WHAT THE FORMULA
BOY, YEAH.
I FORGOT WHAT THE FORMULA
WAS, BUT I DIDN'T WANT
I FORGOT WHAT THE FORMULA
WAS, BUT I DIDN'T WANT
PROFESSOR HEIMITZ TO KNOW, SO I
WAS, BUT I DIDN'T WANT
PROFESSOR HEIMITZ TO KNOW, SO I
GAVE HIM SEVERAL OTHER SOLUTIONS
PROFESSOR HEIMITZ TO KNOW, SO I
GAVE HIM SEVERAL OTHER SOLUTIONS
I FIGURED OUT.
GAVE HIM SEVERAL OTHER SOLUTIONS
I FIGURED OUT.
OH, YEAH?
I FIGURED OUT.
OH, YEAH?
YEAH, I SAID, "TAKE THE
OH, YEAH?
YEAH, I SAID, "TAKE THE
BAROMETER UP ON TOP OF THE
YEAH, I SAID, "TAKE THE
BAROMETER UP ON TOP OF THE
BUILDING, DROP IT OFF OF THE
BAROMETER UP ON TOP OF THE
BUILDING, DROP IT OFF OF THE
BUILDING, TIME HOW LONG IT TAKES
BUILDING, DROP IT OFF OF THE
BUILDING, TIME HOW LONG IT TAKES
BEFORE IT GETS TO THE GROUND,
BUILDING, TIME HOW LONG IT TAKES
BEFORE IT GETS TO THE GROUND,
AND THEN PLUG IT INTO THAT
BEFORE IT GETS TO THE GROUND,
AND THEN PLUG IT INTO THAT
FORMULA WE LEARNED IN HIGH
AND THEN PLUG IT INTO THAT
FORMULA WE LEARNED IN HIGH
SCHOOL FOR FALLING BODIES.
FORMULA WE LEARNED IN HIGH
SCHOOL FOR FALLING BODIES.
YOU KNOW, DISTANCE = 16 x THE
SCHOOL FOR FALLING BODIES.
YOU KNOW, DISTANCE = 16 x THE
TIME IN SECONDS SQUARED.
YOU KNOW, DISTANCE = 16 x THE
TIME IN SECONDS SQUARED.
OH, YEAH.
TIME IN SECONDS SQUARED.
OH, YEAH.
OR, I SAID, ON A SUNNY DAY
OH, YEAH.
OR, I SAID, ON A SUNNY DAY
YOU CAN SET UP THE BAROMETER,
OR, I SAID, ON A SUNNY DAY
YOU CAN SET UP THE BAROMETER,
MEASURE THE SHADOW OF THE
YOU CAN SET UP THE BAROMETER,
MEASURE THE SHADOW OF THE
BUILDING, AND SET UP A RATIO.
MEASURE THE SHADOW OF THE
BUILDING, AND SET UP A RATIO.
YOU KNOW HOW TO GET THE ANSWER
BUILDING, AND SET UP A RATIO.
YOU KNOW HOW TO GET THE ANSWER
THERE.
YOU KNOW HOW TO GET THE ANSWER
THERE.
[BEEPING]
THERE.
[BEEPING]
YEAH.
[BEEPING]
YEAH.
OR, GET THIS... GET THE
YEAH.
OR, GET THIS... GET THE
CIRCUMFERENCE OF THE BAROMETER,
OR, GET THIS... GET THE
CIRCUMFERENCE OF THE BAROMETER,
WRAP STRING AROUND IT, THEN DROP
CIRCUMFERENCE OF THE BAROMETER,
WRAP STRING AROUND IT, THEN DROP
IT OFF THE TOP OF THE BUILDING,
WRAP STRING AROUND IT, THEN DROP
IT OFF THE TOP OF THE BUILDING,
COUNT HOW MANY REVOLUTIONS THE
IT OFF THE TOP OF THE BUILDING,
COUNT HOW MANY REVOLUTIONS THE
BAROMETER MAKES BEFORE IT HITS
COUNT HOW MANY REVOLUTIONS THE
BAROMETER MAKES BEFORE IT HITS
THE GROUND, THEN TAKE THE NUMBER
BAROMETER MAKES BEFORE IT HITS
THE GROUND, THEN TAKE THE NUMBER
OF REVOLUTIONS AND MULTIPLY IT
THE GROUND, THEN TAKE THE NUMBER
OF REVOLUTIONS AND MULTIPLY IT
TIMES THE CIRCUMFERENCE.
OF REVOLUTIONS AND MULTIPLY IT
TIMES THE CIRCUMFERENCE.
THE CIRCUMFERENCE?
TIMES THE CIRCUMFERENCE.
THE CIRCUMFERENCE?
RIGHT.
THE CIRCUMFERENCE?
RIGHT.
OR GET THIS... THIS IS THE LAST
RIGHT.
OR GET THIS... THIS IS THE LAST
ONE.
OR GET THIS... THIS IS THE LAST
ONE.
I SAID, GO IN THE BASEMENT, FIND
ONE.
I SAID, GO IN THE BASEMENT, FIND
THE SUPERINTENDENT, AND OFFER TO
I SAID, GO IN THE BASEMENT, FIND
THE SUPERINTENDENT, AND OFFER TO
EXCHANGE THE BAROMETER FOR THE
THE SUPERINTENDENT, AND OFFER TO
EXCHANGE THE BAROMETER FOR THE
INFORMATION.
EXCHANGE THE BAROMETER FOR THE
INFORMATION.
HOW'S THAT?
INFORMATION.
HOW'S THAT?
AND I GOT FULL CREDIT ON THAT
HOW'S THAT?
AND I GOT FULL CREDIT ON THAT
QUESTION.
AND I GOT FULL CREDIT ON THAT
QUESTION.
WELL, YOU SHOULD HAVE.
QUESTION.
WELL, YOU SHOULD HAVE.
YOU KNEW ALL THE ANSWERS.
WELL, YOU SHOULD HAVE.
YOU KNEW ALL THE ANSWERS.
NUTS.
WELL, IF YOU'VE ENJOYED IT
HALF AS MUCH AS WE HAVE, THEN
WE'VE ENJOYED IT TWICE AS MUCH
HALF AS MUCH AS WE HAVE, THEN
WE'VE ENJOYED IT TWICE AS MUCH
AS YOU, AND NOW, AS A FITTING
WE'VE ENJOYED IT TWICE AS MUCH
AS YOU, AND NOW, AS A FITTING
CLIMAX TO THE EVENING, I'D LIKE
AS YOU, AND NOW, AS A FITTING
CLIMAX TO THE EVENING, I'D LIKE
TO SING MY SONG.
CLIMAX TO THE EVENING, I'D LIKE
TO SING MY SONG.
[PLAYING "HERE COMES THE SUN"]
TO SING MY SONG.
[PLAYING "HERE COMES THE SUN"]
[CLAPS]
[PLAYING "HERE COMES THE SUN"]
[CLAPS]
THANK YOU.
All: [Screaming] ♪ HERE
COMES THE SUN ♪
♪ HERE COMES THE SUN ♪
COMES THE SUN ♪
♪ HERE COMES THE SUN ♪
♪ I SAY IT'S ALL RIGHT ♪
♪ HERE COMES THE SUN ♪
♪ I SAY IT'S ALL RIGHT ♪
♪ DA DUM DA DEE DUM DA DEE DUM
♪ I SAY IT'S ALL RIGHT ♪
♪ DA DUM DA DEE DUM DA DEE DUM
DA DE DUM ♪
♪ DA DUM DA DEE DUM DA DEE DUM
DA DE DUM ♪
[CHEERS AND APPLAUSE]
ALSO APPEARING IN TONIGHT'S
CAST... RICHARD BELCHER.
NEXT SATURDAY, WATCH NBC'S
"WEEKEND WITH..."
"SATURDAY NIGHT" WILL RETURN IN
TWO WEEKS, OCTOBER 16th, WHEN
OUR HOST WILL BE KAREN BLACK,
AND I, DON PARDO, WILL ALSO
RETURN IN TWO WEEKS, PROVING
ONCE AGAIN THAT ALL ANNOUNCERS
NEVER DIE.
THEY JUST FA-A-A-ADE...