Rawhide (1959–1965): Season 2, Episode 25 - Incident of the Arana Sacar - full transcript
Hyah!
( whip cracks )
♪ Rollin', rollin', rollin' ♪
♪ Keep movin', movin', movin' ♪
♪ Though they're disapprovin' ♪
♪ Keep them dogies movin' ♪
♪ Rawhide! ♪
♪ Don't try
To understand 'em ♪
♪ Just rope, throw
And brand 'em ♪
♪ Soon we'll be livin'
High and wide ♪
♪ My heart's calculatin' ♪
♪ My true love
Will be waitin' ♪
♪ Be waiting at the end
Of my ride ♪
♪ Move 'em on, head 'em up
Head 'em up, move 'em on ♪
♪ Move 'em on, head 'em up
Rawhide ♪
♪ Let 'em out, ride 'em in
Ride 'em in, let 'em out ♪
♪ Cut 'em out
Ride 'em in ♪
♪ Rawhide! ♪
♪ Rollin', rollin', rollin' ♪
Hyah!
( whip cracks )
Hyah!
( whip cracks )
♪ Rawhide! ♪
Hyah!
( whip cracks )
( sedate theme playing )
FAVOR:
This is a drover.
He's tough, and he's durable.
He has to match
his strength and skill
against the orneriness
of cattle.
Normally, he's steady going
and dependable.
'Cept once in a while,
when the orneriness
of the cattle rubs off on him.
Then I've got a problem.
And it's usually a bad one.
My name's Gil Favor,
trail boss.
♪ "Oh, bury me not" ♪
♪ And his voice failed there ♪
♪ But we paid no heed ♪
♪ To his dying prayer ♪
♪ In a lonely grave ♪
♪ Just 6-by-3 ♪
♪ We buried him there ♪
♪ On the lone prairie ♪
♪ "Oh, bury me not ♪
♪ "On the lone prairie ♪
♪ "Where the wild coyote ♪
♪ Can howl over me" ♪
♪ In a lonely grave ♪
♪ Just 6-by-3 ♪
♪ We buried him there ♪
♪ On the lone prairie ♪
( punches )
( playful theme playing )
( grunting )
( punching continues )
All right, all right.
Enough.
Come on. That's enough.
Two keep beatin'
on each other like that,
by the time
we get to Sedalia,
won't be nothing else
left to do but fight,
'cause no woman's gonna
take a look at you.
Ask him if he's
had enough.
Now, look who's--
Come on,
that's enough!
Well, that's so's
I don't
have to tell
Mr. Favor.
( slow, dramatic theme playing )
Come on, Jim.
They sure don't
act like
they was mad
at each other.
Who said they was?
Well, they was fightin',
wasn't they?
How can they
beat each other up
and be
so friendly?
You sure got
a lot to learn.
( cattle mooing )
( men whistling, yelling )
What's
wrong?
Had to stop
for Quince.
Said he needed
a drink of water.
Couldn't wait till
we make camp?
Not him.
( spits )
What are you doing,
throwin' water away?
Call that water?
Toad wouldn't
live in it.
Happens to be
all we got.
I don't see you
drinkin' any of it.
Yeah.
What do you think I drink?
Don't let me catch you
throwin' any more water away.
Now, get movin'.
Kind of nasty about that,
wasn't he?
Yeah. I don't know.
Quince ain't
been actin' right
for a couple
days.
He got smart with me
the other day
just because I carry
a mirror to shave by.
PETE:
Well, what do you know
about that.
Huh?
Well, I mean...
I figured you had a mirror,
but I didn't figure
you carried it with you.
You gettin' wise, Pete?
Ah, look. We're all
gettin' edgy.
What we need's
a town to
blow off a little
steam in.
Yeah, and there ain't
a town within six days.
( snorts )
See that butte
up there?
Looks like a good place
to bed down for the night.
Yeah. Goody goody.
Yeah.
Well, let's
take a look at it.
( dramatic theme playing )
( cattle mooing )
How much beef
in that drive,
figurin' close?
Oh, say...
2,000 head.
You're a skinner,
and you call that
figurin' close?
I knew there was 3,000
the first time I saw 'em.
Oh, don't get at me, Pagan.
And you can have 'em all
for $5 a head.
( ominous theme playing )
I don't buy meat.
All I want's the hides.
Oh, what are they
worth to you?
That herd yours to sell?
It will be.
You're sayin'
you can deliver
a herd that
ain't yours.
Where's your skinnin' crew?
Day's ride.
You get 'em here.
I'll have
that herd by tomorrow.
Them drovers come
pretty tough.
Look, I been scoutin'
that herd
for over a week.
I know what I'm doin'.
You can have 'em all
for $4 a head.
I ain't throwin'
my skinners into no fight.
You'll get 'em clean.
No trouble.
( cattle mooing )
( men whistling, yelling )
Nod our head,
and it's a deal.
There's no call for us
to spend a lot
of time
geein' and hawin'
over this.
You say $2,
and we're in business.
All right.
You tell
your skinners
they got 3,000 head
of cattle
to butcher.
( dramatic theme playing )
( speaks indistinctly )
( dramatic theme playing )
( cattle mooing )
Whoa.
You boys look
plumb beat.
What's it
to you?
No offense.
Just I know
this country.
Man eats
a hunk of that dust
all day,
he feels like
he's been chewin' grit
all his life.
You know what?
You don't have to
tell us that.
Heh. And water
ain't much good for it.
Water we got ain't good
for washin' feet.
Sounds like you boys
could use a little cheer.
Cheer comes in bottles,
and I don't see you
carryin' any.
I got some with me.
You got what?
This ain't a bottle.
It'll go a lot
further.
Is that what
I think it is?
You try it.
Ain't no other
smell like that.
Corn whiskey.
Ah.
Don't anybody
light a match.
( chuckles ):
It might be a little new,
but it sure cuts through
that dust.
Ah. That it does.
Ah.
That's real
friendly of you
to bring it in here
like this.
Well, there's lots more
where I got that.
Where?
On that trail up
into the hills there.
Just turn onto it...
keep climbin' till you come
to the tradin' post.
It's about
six miles.
MAN:
Well, we ain't got money for
that kind of livin'.
Not till payday.
PAGAN:
You just ride in
and belly up.
You can get it
real cheap.
What's goin' on here?
( snaps fingers )
Let's have it.
( sniffs )
What are you after,
mister?
( chuckles ):
Who, me?
He was just bein'
neighborly, Mr. Favor.
Why'd you bring
that stuff here?
Well, like
your drover said,
I was just bein'
neighborly.
'Course
I wouldn't mind
drummin' up
a little trade either.
We could use
some business up at the store.
What store
is that?
Mm, back up
in the hills a ways.
Real nice
little place.
Map said
something about
a whiskey ford
used to be up there.
Maybe that's
what he means.
Mm-hm.
Get out.
Look, I didn't
intend no harm.
( menacingly ):
Get out.
( slow, dramatic theme playing )
Whatever you say.
Men. Whoo.
Look, I know
how you feel.
You're tired of
eatin' dust,
and the same thing
day after day.
We sure are.
And we could use
a little break, boss.
Sure.
But this just ain't
the right time
or place for it.
Look, how's it gonna
hurt the herd
to sit for a day.
That'd give some of us
a chance to ride up
to that tradin' post
and wash the dust
out of our gullets.
It'd take a lot more
than a day's time,
and you know it.
I promise you we'd be
back tomorrow night.
You got the liquor
talkin' in you already.
Turn a bunch of you
loose up there,
I'd spend the better part
of a week
tryin' to
round you up.
We need a little time off,
Mr. Favor.
All right.
You always know how
you can get it.
There you go.
A man stands up for his rights,
and you tell him to
draw his pay and get out.
You know, there's no place
for us to go
out in the open country.
You picked this place to argue.
I didn't.
I still say we ought to
go up there.
( slow, dramatic theme playing )
( sighs )
I don't know about
the rest of you...
but I'm gonna
get me some of
that whiskey
before we leave here.
( dramatic theme playing )
Ride down the trail
a way, Miles.
Let know if you see
anybody comin'.
You think now?
I think now.
Where's that
husband of yours?
( gasps )
In the storeroom.
I wanna talk
to him.
But first, I got
somethin' to tell you.
I'm gonna be takin'
you out of here
pretty quick.
Oh, I-- I--
I told you, I don't
know about that, Pagan.
I--
Of course you know.
You've known
right from the first.
( grunts )
I belong with Joel.
You belong with
a man
that can show you
a good time.
And that's me.
Oh.
I'm gonna be able
to take you to
a big town
and buy you
anything you want.
( gasps )
I-- I-- I don't
know about that.
Sure you know.
I'm makin' up
your mind for you.
When I go, you're
goin' with me.
( exhales )
We'll talk
about it later, Pagan.
It ain't gonna
be much later.
You frettin'
about tellin' Joel?
He's gotta
know sometime.
Come on in, Joel.
I wanna talk to you.
Pagan, I've asked you before.
Let Mary Ann alone.
I ain't doin' no harm.
We're all friends,
ain't we?
Anyway, Mary Ann
don't mind.
Ask her.
I want you to
let her alone.
Please, Pagan.
Don't get
so upset.
You're like an old
woman with the vapors.
What do you
want with me?
I might have
some friends
ridin' in tonight.
So don't lock up the place
as early as you've been doin'.
You got enough of your friends
hangin' around here already.
I want no truck with
any more of 'em.
Now that's no way to talk.
I'm not stayin' open.
You better, Joel.
( door opens )
( door closes )
( sighs )
Why, Mary Ann?
Why? Why? Why--?
Joel, please!
How can you bear to
let a man like that
touch you?
Please, Joel...
How can you bear it?
...don't.
How can you bear
to let him?
Why don't you do
something about it?
Why did you let him
stay here
in the first place?
Him and the others?
Payin' nothin' for...
food and liquor.
Leechin' off
your stocks--
I couldn't stop it.
You could have
tried.
( sighs )
Mary Ann.
How far do you
think I'd get
with Pagan or--
Or with any of them?
Then don't
blame me, Joel.
Mary Ann, you're
my wife.
You've got to
try.
I did try.
I held Pagan off
until I was exhausted.
And I did it alone.
I know. I know.
Now something's
happened to me.
I can't fight him
anymore.
Mary Ann.
Keep fighting him.
( slow, melancholy
theme playing )
( sedate theme playing )
( cattle mooing )
Hey. You goin'
with us?
Goin' with you?
I'm on watch.
Well, so is Lou
and Charlie
and Hank Gorrell,
but
they're comin'.
They're crazy.
Well, the boss
will be mad
and make it tough on us
a couple of days, but...
it'll be worth it.
Not to me.
Joe...
that drink
we had today, um...
you know, that's
the first in...
six, maybe
seven weeks.
I can go on livin'
without it a while longer.
I can still taste it
in my throat
from this afternoon.
You know, um...
a man can stand
doin' without so long, then...
Joe, you gotta
bust loose.
I ain't leavin' my watch.
Mm. All right.
Maybe I'll bring
you back somethin'.
Try coverin' up
for us, will you?
I'll do all I can.
Adios.
( sighs )
( ominous theme playing )
Hey, there's riders
comin' up the trail.
How many?
Looks like nine or ten to me.
Good.
( door closes )
Those friends of mine
I was tellin' you about...
they'll be
comin' in pretty soon.
Bunch of thirsty
cowherds.
So you give 'em all
the whiskey they want,
do you hear?
Yeah, I hear.
Bein' as they're drovers,
they might not have
much money to pay for it.
But you give 'em
the liquor anyhow.
Let 'em have it
for nothin'?
That's right.
First, you and your men.
And now a bunch of cowherds.
I won't do it.
Look, are you gonna pick
a time like this
to get stubborn?
I won't do it.
And you're gonna
get out of here.
You're gonna get
out of here
and let Mary Ann alone.
You gonna do
like I say?
No!
You want me to break it?
Ah! All right.
Let go, let go.
( ominous theme playing )
The next time
you give me an argument,
I'm gonna twist
your head off.
( door opens )
( door closes )
( slow, tense theme playing )
( door opens )
Pagan.
What?
Don't do that again.
Joel?
I can't stand by
and see him hurt.
I didn't hurt him much.
Don't do it again.
I'll do it whenever
I feel like it.
You know, the only
trouble with you
is you don't know
what you want.
When are you gonna
stop fussin'
over a man that hasn't
even got guts enough
to fight for
his woman.
( sedate theme playing )
( cattle mooing )
Well, I see some of
the men are gone.
That's right.
Well, man with
a thirst...
Give 'em
a smell of a cork,
and they'll
do it every time.
Here's your coffee.
Thanks.
Quince with 'em?
You don't see him
around, do you?
It was worse
than we thought.
How many?
Without countin'
us here,
we got three men left.
It's not much
of a crew,
for handlin'
3,000 head of cattle.
I'm goin' out
to bring 'em back.
You come
with me.
Keep the herd
here.
( slow, tense theme playing )
Thank you,
Mush.
( intense theme playing )
Jay, you and Kemp
ride out,
and relieve Scarlet and
one of the other fellas.
Mushy...
you take that extra
horse back there,
and ride out and
do what you can.
Uh, yes sir, Mr. Nolan.
Sure gonna
be hard
tryin' to plan
the next few meals...
not knowin' how many
to plan for.
Yeah.
I'd plan on a full meal
for tomorrow morning.
I expect
you're right.
( tense theme playing )
You the boss?
W-what do you want?
Oh, just
passing through.
Thought we'd pass
the time of day with you.
Ain't a very
good time for visitin.'
We're runnin'
short-handed here.
We got our own
troubles.
( tense theme playing )
Why, you dirty
coyotes.
Now, you stay away
from him,
or I'll drop--
( grunts )
Now round up
the rest of 'em.
One of them's the trail boss
of that cattle outfit.
( door closes )
Like to talk
to you.
Yes, of course.
My name's Favor. I got
a herd of cattle
movin' through
the valley down below.
I believe some of
my drovers
dropped in here
last night.
Oh, uh...
yeah, sure.
Sure, what?
Well, they came in,
they...had a few drinks,
and they left.
Left?
Where did they go?
Uh, I...
I didn't ask 'em.
What are you so
jumpy about, mister?
Uh...
jumpy?
ROWDY:
Yeah.
You sell 'em
any liquor?
Yeah, I...
I sold 'em some.
They didn't draw
any money
out of camp
when they left.
How'd they pay for it?
Well, they...
They didn't pay for much.
Uh, they were
pretty noisy, though, so
I let 'em have
what they wanted.
How much was that?
( small sigh )
Well, uh, they were
pretty thirsty.
You don't know
where they went?
No, I-- I didn't
ask 'em.
Mind if we
look around?
No. No, go
right ahead.
All right.
( cocks gun )
That's our living
quarters.
My wife's in there.
Sorry.
Didn't mean to
disturb you.
No reason why
you shouldn't come in.
No thanks.
( door opens )
( ominous theme playing )
Look--
( sighs )
Don't go out
there.
Get out there and tell
that trail boss
you'll take him
to his drovers.
No.
Oh!
You hear me?
Take 'em down
the north trail...
all the way
to the butte.
The north
trail?
Do it before
they come
bustin' in here.
Get out there.
( inhales )
Hey!
Your drovers,
I'll
take you
to them.
You know where
they are?
( slow, tense theme playing )
( sedate theme playing )
ROWDY:
Hey, do you, uh...
know the reason we were
fired on back there?
( sighs )
No.
Don't you think it was
kind of strange?
Very strange.
Man came to
my herd yesterday
ridin' a buckboard.
Big man. Real sure
of himself.
( patting horse )
Pagan.
He work for
your husband?
Nope.
No?
He gave my men whiskey.
Said he was
drummin' up business
for the store.
You know why he'd
do a thing like that?
No.
Come on, now.
You sure your husband
had nothing to do with this?
None at all.
From the way
your husband talked,
he sounded like
he just might be
afraid of something.
My husband doesn't have
what a man needs
in this country.
He isn't...much good
for the life out here.
You raised in this country?
Yep.
Uh, how about my drovers?
What kind of a shape
were they in
when they left
your husband's place?
( sighs )
They had a lot to drink.
Some of 'em had
a hard time
gettin' on
their horses.
Oh, great.
They're gonna
really feel like
pushin'
cattle.
( makes kissing
sound )
( sedate theme playing )
( mysterious theme playing )
There's our camp.
Where's the herd?
FAVOR:
It's gone.
Oh, it can't be gone.
Could see for ten miles
around here.
No one could drive
a herd that far
in this short a time.
Where's the herd?
I don't know, boss.
It--
It don't make
no sense to me.
Oh, where's
Pete?
He's hurt.
In the wagon.
Pete?
What?
What happened?
Oh.
Yeah, Wishbone
got hurt pretty bad.
Don't wanna
come to.
How'd it happen?
I don't know.
There was, uh...
some riders come in
after you left.
Think we got gun-whipped.
Wish bandaged me up, but--
Pulled Wishbone over here
out of the sun.
Who were they?
I don't know. I never
did see 'em before.
Quince...
take a couple men and get
Wishbone in the wagon.
How is he?
Oh, he'll mend.
ROWDY:
They's gotta be
around here somewhere.
Three thousand
head of cattle
just don't disappear
into thin air.
Mm...
Those cattle gotta be
out here somewhere.
Think they could have
moved 'em into the hills?
Funnel that many
cattle
into a couple of
narrow draws?
We'd have heard 'em
from here.
I wanna talk to that
Mrs. Belden.
Where's Mrs. Belden?
You mean,
the woman
you rode in
with?
Just rode out.
Mm.
Well, how do you feel now?
Was it worth it?
Never is, boss.
Anybody will tell you that.
How's
Wishbone?
He moaned
a little bit.
That's all.
Wishbone?
Um...
How you feel?
Well, if I could just
park my head someplace
for a while.
You do that.
We'll have somebody else
cook supper tonight.
They...took somethin'
besides
the herd and
the remuda.
What's that?
Our rifles
and ammunition.
Oh, no.
Out here, that's
like being
with no
clothes on.
You feel any wind blowin'
since this morning?
No.
Neither did I.
It...
couldn't have blown the herd's,
uh, tracks away then.
What do you make
of that, boss?
Only place I know
to make
anything of it
is that tradin' post.
( ominous theme playing )
Where do you think
you're going?
I'm goin' with you.
Figure some cold air
against this head
might make me
feel better.
Besides, there
ain't nothin'
I can do
around here.
Think we're
expected?
Pete, you want to
stay out here
and keep
an eye open.
No.
FAVOR:
Do you wanna
come in with us, then?
No.
Do you wanna tell us
exactly what you
do wanna do?
No.
I mean, yeah.
Yeah, what?
Well, I don't want you
goin' in there alone,
without me.
Somebody's gotta
make the move,
and I don't want you to make
the move unless I'm there.
What I mean is,
who's gonna stay
out here and keep
their eye open.
You are.
Yeah, that's what
I said.
He must have been
hit harder
than you said he was.
Yeah.
Maybe we ought to hit him
and straighten him out.
( door closes )
( tense theme playing )
( wind gusting )
( door banging )
( door closes )
Nobody here.
( bang )
( guns cock )
That's a loose
shutter.
( uncocks )
Well, we goin' back?
Hey, wait
a minute.
Somethin' I didn't
think about before.
What's that?
Those trails.
This mornin' we
came in on that one,
but...she took us back
to the butte
on that one.
Well, yeah,
it was quicker.
Hey, wait
a minute.
Two trails leadin' to
the same place,
and it was quicker
one way.
Yeah.
Well, that whack
on the head
sure slowed me down.
I just remembered
something.
This is the country of
the Arana Sacar.
Well-- Well, that sounds like
Comanche lingo to me.
It is Comanche.
It means "Twin Buttes."
Two of 'em exactly alike,
only about ten miles
apart.
Pete...
the next big town
we hit...
I'm gonna buy you
the best supper...
and the biggest jug
they got.
( dramatic theme playing )
( dramatic theme playing )
( cattle
mooing )
Look.
( men yelling )
( men
whistling )
No wonder
we couldn't
find their tracks.
They didn't
move the herd.
Yeah. Just
the wagons.
They gun-whipped
Wishbone and me
so's we wouldn't know
we were being moved.
( hammer pounding )
All right, that's enough.
Now, listen to me,
all of you.
We're skinners,
not gunmen.
We gotta turn
these beeves
into hides.
Finish our job,
take the hides
and get out of here.
Anything else
goin' on around here
is none of our business.
We tend to our own business,
keep our noses clean
and get out.
You understand?
All right. Now, take
your spots
and get ready.
Hey, look what
they're doing.
Bunch of skinners.
Look at
the hide wagons.
You mean, they're
figurin' on
butcherin' our herd
just for the hides.
There's Scarlet,
Mushy
and the rest of
our drovers.
( cattle mooing )
( men whistling,
yelling )
Now you got
a choice.
You help us with
these cattle,
or you get dents
in your skull.
You two just gonna sit there?
Yes, sir.
If you ain't got
any objections,
I'd just as soon
sit right here.
You're out of
your head, mister.
You think I'm gonna push
them steers in there
to see 'em slaughtered
for their hides,
you're out of your head.
( grunting )
( grunting )
( tense theme playing )
Wait a minute.
( cattle mooing,
men yelling )
They're runnin' them
into the chutes.
Get 'em out of here.
Spread out.
( cattle groans )
Pete...
you get back to Quince
and the rest of our men.
Bring 'em back here.
What are you
gonna do?
I'm goin' down
into that camp.
You goin' down there,
you won't have a chance.
Oh, I got a chance.
All I got to be is
one of the drovers.
I'm goin'
with you.
( tense theme playing )
( cattle mooing,
men yelling )
( ominous theme playing )
( men yelling )
( cattle groans )
Get another one here.
Come on.
Bring it.
( cattle groans )
Mary Ann?
Joel.
Well-- I saw you
when you first
got here. I--
I wanted to talk
to you, but...
Pagan kept me away.
What are you doin' here?
Well, Pagan wouldn't
let me stay
back at the store. He--
He said I might
talk to the drovers
if they went back there.
Did you know
he was doin' this
kind of thing?
That he was
stealing?
No.
Well-- Don't it make
no difference to you?
I don't wanna talk about it.
( sighs ):
No, I...
I guess not.
Uh, I'm not gonna
stay around here,
no matter what Pagan says.
I'm gonna make
a break for it.
Be careful, Joel.
You wouldn't
want to...
come with me?
Uh, I mean, now that--
Now that you know
what Pagan's doing?
No.
Please, Mary Ann.
I can't, Joel.
You're gonna go
with him after all,
when you know
he's no good?
A woman just can't help
these things sometimes.
( sighs )
I just don't
understand it.
You've always been
kind to me, Joel.
I'll never forget that.
I'm sorry I...
didn't come up to
what you wanted.
I'm sorry too.
I only wish...
Just can't help myself.
PAGAN:
Tryin' to steal
a horse, Belden?
( tense theme playing )
Well, it's not stealin'.
I-- I'm leaving
my buckboard and my team.
Thought I told you
to stay around.
I've taken a lot
from you, Pagan.
But I'm not stayin' here
while you run off
with my wife.
Tie up that horse.
I'm leavin', and you're
not gonna stop me.
When I say
stay around,
I mean
stay around.
( grunting )
( tense theme playing )
( cattle mooing )
Boss.
Sh.
Mr. Favor, what
are you doin' here?
Rowdy's over talkin'
to the other men.
We're gonna stampede
the herd.
Stampede 'em?
We'll lose 'em, boss.
We've already lost 'em.
This is the only way
we've even got a chance
of gettin' 'em back.
How are we gonna
start 'em goin'?
Oh, we'll do it
somehow.
They're pretty
quiet.
Take more than
shots to do it.
( gasps )
I thought
you didn't know
anything about this.
I didn't.
Then what are you
doin' out here?
That's my concern.
Are you gonna let me go?
Be easy enough for you
to give us away.
Tsk. Yes.
Easy enough.
Tsk.
( sniffles )
( tense theme playing )
We may be gettin'
some bullets
in our back
pretty quick.
Rowdy, let me
have that mirror.
Huh?
That mirror
of yours.
Let me
have it.
( panting )
Joel.
Didn't do no good
to fight him, Mary Ann.
Didn't do
no good at all.
( tense theme playing )
( cattle mooing
agitatedly )
Sun's gettin'
kind of low.
Mushy, get out
of the light.
( mooing )
What's the matter
with 'em?
Any other time, they'd
go on the first flash.
( cow groans )
Well, we went after
one of them drovers
back there,
but he got away
from us.
Headed back toward
the other butte.
Found a couple
other horses,
so there must be some of 'em
around here someplace.
Let's find 'em.
Come on.
( mooing agitatedly )
Look...
Yah! Cattle,
cattle, cattle!
( gunfire )
( men whooping, yelling )
Stampede!
Let's get out of here.
( dramatic theme playing )
Stampede!
Let's get
out of here!
( mooing )
( men yelling )
( gun clicks )
( tense theme playing )
( grunts )
( clicks )
( grunting )
( cocks gun )
MARY ANN:
No, Pagan.
What are you
doin' here?!
I told you not to
hurt Joel.
Get that gun
off me.
I told you
not to hurt him.
( dramatic theme playing )
Now you can turn me over
to the law.
I'm no lawman.
Besides, you killed
in self-defense.
Maybe you'd...
better look after
your husband now.
Maybe I'd better.
( sedate theme playing )
Pete.
We need some
fresh water.
Might as well get it
from that tradin' post.
Take Scarlet
and Mushy,
and go get some.
Scarlet,
Mushy,
let's hitch up
and get goin'.
Sure glad you ain't
sendin' me, boss.
Way I feel,
I ain't...
good for nothin' but...
just layin' down.
Well, now...
I've got a another job
all lined up for you,
Quince.
You and the others
who went up there.
You mean, tonight?
Oh, it'll take
the whole night.
I'm sure of that.
We got a herd scattered
all over this prairie.
You and your friends
are gonna
gather 'em up,
so we can
move out of here
in the morning.
Bright and early.
Pick fresh horses,
saddle up.
( dramatic theme playing )
( cattle mooing )
Head 'em up!
Move 'em out!
( sedate theme playing )
( cattle mooing,
men yelling, whistling )
♪ Rollin', rollin', rollin' ♪
♪ Rollin', rollin'
Rollin' ♪
♪ Keep rollin', rollin'
Rollin' ♪
♪ Though the streams
Are swollen ♪
♪ Keep them dogies rollin' ♪
♪ Rawhide! ♪
♪ Through rain and wind
And weather ♪
♪ Hell-bent for leather ♪
♪ Wishin' my gal
Was by my side ♪
♪ All the things I'm missin' ♪
♪ Good vittles
Love and kissin' ♪
♪ Are waiting at the end
Of my ride ♪
♪ Move 'em on, head 'em up
Head 'em up, move 'em on ♪
♪ Move 'em on, head 'em up
Rawhide ♪
♪ Let 'em out, ride 'em in
Ride 'em in, let 'em out ♪
♪ Cut 'em out
Ride 'em in ♪
♪ Rawhide! ♪
♪ Rollin', rollin', rollin' ♪
Hyah!
( whip cracks )
Hyah!
( whip cracks )
♪ Rawhide! ♪
Hyah!
( whip cracks )
Hyah!
( whip cracks )
♪ Rollin', rollin', rollin' ♪
( whip cracks )
♪ Rollin', rollin', rollin' ♪
♪ Keep movin', movin', movin' ♪
♪ Though they're disapprovin' ♪
♪ Keep them dogies movin' ♪
♪ Rawhide! ♪
♪ Don't try
To understand 'em ♪
♪ Just rope, throw
And brand 'em ♪
♪ Soon we'll be livin'
High and wide ♪
♪ My heart's calculatin' ♪
♪ My true love
Will be waitin' ♪
♪ Be waiting at the end
Of my ride ♪
♪ Move 'em on, head 'em up
Head 'em up, move 'em on ♪
♪ Move 'em on, head 'em up
Rawhide ♪
♪ Let 'em out, ride 'em in
Ride 'em in, let 'em out ♪
♪ Cut 'em out
Ride 'em in ♪
♪ Rawhide! ♪
♪ Rollin', rollin', rollin' ♪
Hyah!
( whip cracks )
Hyah!
( whip cracks )
♪ Rawhide! ♪
Hyah!
( whip cracks )
( sedate theme playing )
FAVOR:
This is a drover.
He's tough, and he's durable.
He has to match
his strength and skill
against the orneriness
of cattle.
Normally, he's steady going
and dependable.
'Cept once in a while,
when the orneriness
of the cattle rubs off on him.
Then I've got a problem.
And it's usually a bad one.
My name's Gil Favor,
trail boss.
♪ "Oh, bury me not" ♪
♪ And his voice failed there ♪
♪ But we paid no heed ♪
♪ To his dying prayer ♪
♪ In a lonely grave ♪
♪ Just 6-by-3 ♪
♪ We buried him there ♪
♪ On the lone prairie ♪
♪ "Oh, bury me not ♪
♪ "On the lone prairie ♪
♪ "Where the wild coyote ♪
♪ Can howl over me" ♪
♪ In a lonely grave ♪
♪ Just 6-by-3 ♪
♪ We buried him there ♪
♪ On the lone prairie ♪
( punches )
( playful theme playing )
( grunting )
( punching continues )
All right, all right.
Enough.
Come on. That's enough.
Two keep beatin'
on each other like that,
by the time
we get to Sedalia,
won't be nothing else
left to do but fight,
'cause no woman's gonna
take a look at you.
Ask him if he's
had enough.
Now, look who's--
Come on,
that's enough!
Well, that's so's
I don't
have to tell
Mr. Favor.
( slow, dramatic theme playing )
Come on, Jim.
They sure don't
act like
they was mad
at each other.
Who said they was?
Well, they was fightin',
wasn't they?
How can they
beat each other up
and be
so friendly?
You sure got
a lot to learn.
( cattle mooing )
( men whistling, yelling )
What's
wrong?
Had to stop
for Quince.
Said he needed
a drink of water.
Couldn't wait till
we make camp?
Not him.
( spits )
What are you doing,
throwin' water away?
Call that water?
Toad wouldn't
live in it.
Happens to be
all we got.
I don't see you
drinkin' any of it.
Yeah.
What do you think I drink?
Don't let me catch you
throwin' any more water away.
Now, get movin'.
Kind of nasty about that,
wasn't he?
Yeah. I don't know.
Quince ain't
been actin' right
for a couple
days.
He got smart with me
the other day
just because I carry
a mirror to shave by.
PETE:
Well, what do you know
about that.
Huh?
Well, I mean...
I figured you had a mirror,
but I didn't figure
you carried it with you.
You gettin' wise, Pete?
Ah, look. We're all
gettin' edgy.
What we need's
a town to
blow off a little
steam in.
Yeah, and there ain't
a town within six days.
( snorts )
See that butte
up there?
Looks like a good place
to bed down for the night.
Yeah. Goody goody.
Yeah.
Well, let's
take a look at it.
( dramatic theme playing )
( cattle mooing )
How much beef
in that drive,
figurin' close?
Oh, say...
2,000 head.
You're a skinner,
and you call that
figurin' close?
I knew there was 3,000
the first time I saw 'em.
Oh, don't get at me, Pagan.
And you can have 'em all
for $5 a head.
( ominous theme playing )
I don't buy meat.
All I want's the hides.
Oh, what are they
worth to you?
That herd yours to sell?
It will be.
You're sayin'
you can deliver
a herd that
ain't yours.
Where's your skinnin' crew?
Day's ride.
You get 'em here.
I'll have
that herd by tomorrow.
Them drovers come
pretty tough.
Look, I been scoutin'
that herd
for over a week.
I know what I'm doin'.
You can have 'em all
for $4 a head.
I ain't throwin'
my skinners into no fight.
You'll get 'em clean.
No trouble.
( cattle mooing )
( men whistling, yelling )
Nod our head,
and it's a deal.
There's no call for us
to spend a lot
of time
geein' and hawin'
over this.
You say $2,
and we're in business.
All right.
You tell
your skinners
they got 3,000 head
of cattle
to butcher.
( dramatic theme playing )
( speaks indistinctly )
( dramatic theme playing )
( cattle mooing )
Whoa.
You boys look
plumb beat.
What's it
to you?
No offense.
Just I know
this country.
Man eats
a hunk of that dust
all day,
he feels like
he's been chewin' grit
all his life.
You know what?
You don't have to
tell us that.
Heh. And water
ain't much good for it.
Water we got ain't good
for washin' feet.
Sounds like you boys
could use a little cheer.
Cheer comes in bottles,
and I don't see you
carryin' any.
I got some with me.
You got what?
This ain't a bottle.
It'll go a lot
further.
Is that what
I think it is?
You try it.
Ain't no other
smell like that.
Corn whiskey.
Ah.
Don't anybody
light a match.
( chuckles ):
It might be a little new,
but it sure cuts through
that dust.
Ah. That it does.
Ah.
That's real
friendly of you
to bring it in here
like this.
Well, there's lots more
where I got that.
Where?
On that trail up
into the hills there.
Just turn onto it...
keep climbin' till you come
to the tradin' post.
It's about
six miles.
MAN:
Well, we ain't got money for
that kind of livin'.
Not till payday.
PAGAN:
You just ride in
and belly up.
You can get it
real cheap.
What's goin' on here?
( snaps fingers )
Let's have it.
( sniffs )
What are you after,
mister?
( chuckles ):
Who, me?
He was just bein'
neighborly, Mr. Favor.
Why'd you bring
that stuff here?
Well, like
your drover said,
I was just bein'
neighborly.
'Course
I wouldn't mind
drummin' up
a little trade either.
We could use
some business up at the store.
What store
is that?
Mm, back up
in the hills a ways.
Real nice
little place.
Map said
something about
a whiskey ford
used to be up there.
Maybe that's
what he means.
Mm-hm.
Get out.
Look, I didn't
intend no harm.
( menacingly ):
Get out.
( slow, dramatic theme playing )
Whatever you say.
Men. Whoo.
Look, I know
how you feel.
You're tired of
eatin' dust,
and the same thing
day after day.
We sure are.
And we could use
a little break, boss.
Sure.
But this just ain't
the right time
or place for it.
Look, how's it gonna
hurt the herd
to sit for a day.
That'd give some of us
a chance to ride up
to that tradin' post
and wash the dust
out of our gullets.
It'd take a lot more
than a day's time,
and you know it.
I promise you we'd be
back tomorrow night.
You got the liquor
talkin' in you already.
Turn a bunch of you
loose up there,
I'd spend the better part
of a week
tryin' to
round you up.
We need a little time off,
Mr. Favor.
All right.
You always know how
you can get it.
There you go.
A man stands up for his rights,
and you tell him to
draw his pay and get out.
You know, there's no place
for us to go
out in the open country.
You picked this place to argue.
I didn't.
I still say we ought to
go up there.
( slow, dramatic theme playing )
( sighs )
I don't know about
the rest of you...
but I'm gonna
get me some of
that whiskey
before we leave here.
( dramatic theme playing )
Ride down the trail
a way, Miles.
Let know if you see
anybody comin'.
You think now?
I think now.
Where's that
husband of yours?
( gasps )
In the storeroom.
I wanna talk
to him.
But first, I got
somethin' to tell you.
I'm gonna be takin'
you out of here
pretty quick.
Oh, I-- I--
I told you, I don't
know about that, Pagan.
I--
Of course you know.
You've known
right from the first.
( grunts )
I belong with Joel.
You belong with
a man
that can show you
a good time.
And that's me.
Oh.
I'm gonna be able
to take you to
a big town
and buy you
anything you want.
( gasps )
I-- I-- I don't
know about that.
Sure you know.
I'm makin' up
your mind for you.
When I go, you're
goin' with me.
( exhales )
We'll talk
about it later, Pagan.
It ain't gonna
be much later.
You frettin'
about tellin' Joel?
He's gotta
know sometime.
Come on in, Joel.
I wanna talk to you.
Pagan, I've asked you before.
Let Mary Ann alone.
I ain't doin' no harm.
We're all friends,
ain't we?
Anyway, Mary Ann
don't mind.
Ask her.
I want you to
let her alone.
Please, Pagan.
Don't get
so upset.
You're like an old
woman with the vapors.
What do you
want with me?
I might have
some friends
ridin' in tonight.
So don't lock up the place
as early as you've been doin'.
You got enough of your friends
hangin' around here already.
I want no truck with
any more of 'em.
Now that's no way to talk.
I'm not stayin' open.
You better, Joel.
( door opens )
( door closes )
( sighs )
Why, Mary Ann?
Why? Why? Why--?
Joel, please!
How can you bear to
let a man like that
touch you?
Please, Joel...
How can you bear it?
...don't.
How can you bear
to let him?
Why don't you do
something about it?
Why did you let him
stay here
in the first place?
Him and the others?
Payin' nothin' for...
food and liquor.
Leechin' off
your stocks--
I couldn't stop it.
You could have
tried.
( sighs )
Mary Ann.
How far do you
think I'd get
with Pagan or--
Or with any of them?
Then don't
blame me, Joel.
Mary Ann, you're
my wife.
You've got to
try.
I did try.
I held Pagan off
until I was exhausted.
And I did it alone.
I know. I know.
Now something's
happened to me.
I can't fight him
anymore.
Mary Ann.
Keep fighting him.
( slow, melancholy
theme playing )
( sedate theme playing )
( cattle mooing )
Hey. You goin'
with us?
Goin' with you?
I'm on watch.
Well, so is Lou
and Charlie
and Hank Gorrell,
but
they're comin'.
They're crazy.
Well, the boss
will be mad
and make it tough on us
a couple of days, but...
it'll be worth it.
Not to me.
Joe...
that drink
we had today, um...
you know, that's
the first in...
six, maybe
seven weeks.
I can go on livin'
without it a while longer.
I can still taste it
in my throat
from this afternoon.
You know, um...
a man can stand
doin' without so long, then...
Joe, you gotta
bust loose.
I ain't leavin' my watch.
Mm. All right.
Maybe I'll bring
you back somethin'.
Try coverin' up
for us, will you?
I'll do all I can.
Adios.
( sighs )
( ominous theme playing )
Hey, there's riders
comin' up the trail.
How many?
Looks like nine or ten to me.
Good.
( door closes )
Those friends of mine
I was tellin' you about...
they'll be
comin' in pretty soon.
Bunch of thirsty
cowherds.
So you give 'em all
the whiskey they want,
do you hear?
Yeah, I hear.
Bein' as they're drovers,
they might not have
much money to pay for it.
But you give 'em
the liquor anyhow.
Let 'em have it
for nothin'?
That's right.
First, you and your men.
And now a bunch of cowherds.
I won't do it.
Look, are you gonna pick
a time like this
to get stubborn?
I won't do it.
And you're gonna
get out of here.
You're gonna get
out of here
and let Mary Ann alone.
You gonna do
like I say?
No!
You want me to break it?
Ah! All right.
Let go, let go.
( ominous theme playing )
The next time
you give me an argument,
I'm gonna twist
your head off.
( door opens )
( door closes )
( slow, tense theme playing )
( door opens )
Pagan.
What?
Don't do that again.
Joel?
I can't stand by
and see him hurt.
I didn't hurt him much.
Don't do it again.
I'll do it whenever
I feel like it.
You know, the only
trouble with you
is you don't know
what you want.
When are you gonna
stop fussin'
over a man that hasn't
even got guts enough
to fight for
his woman.
( sedate theme playing )
( cattle mooing )
Well, I see some of
the men are gone.
That's right.
Well, man with
a thirst...
Give 'em
a smell of a cork,
and they'll
do it every time.
Here's your coffee.
Thanks.
Quince with 'em?
You don't see him
around, do you?
It was worse
than we thought.
How many?
Without countin'
us here,
we got three men left.
It's not much
of a crew,
for handlin'
3,000 head of cattle.
I'm goin' out
to bring 'em back.
You come
with me.
Keep the herd
here.
( slow, tense theme playing )
Thank you,
Mush.
( intense theme playing )
Jay, you and Kemp
ride out,
and relieve Scarlet and
one of the other fellas.
Mushy...
you take that extra
horse back there,
and ride out and
do what you can.
Uh, yes sir, Mr. Nolan.
Sure gonna
be hard
tryin' to plan
the next few meals...
not knowin' how many
to plan for.
Yeah.
I'd plan on a full meal
for tomorrow morning.
I expect
you're right.
( tense theme playing )
You the boss?
W-what do you want?
Oh, just
passing through.
Thought we'd pass
the time of day with you.
Ain't a very
good time for visitin.'
We're runnin'
short-handed here.
We got our own
troubles.
( tense theme playing )
Why, you dirty
coyotes.
Now, you stay away
from him,
or I'll drop--
( grunts )
Now round up
the rest of 'em.
One of them's the trail boss
of that cattle outfit.
( door closes )
Like to talk
to you.
Yes, of course.
My name's Favor. I got
a herd of cattle
movin' through
the valley down below.
I believe some of
my drovers
dropped in here
last night.
Oh, uh...
yeah, sure.
Sure, what?
Well, they came in,
they...had a few drinks,
and they left.
Left?
Where did they go?
Uh, I...
I didn't ask 'em.
What are you so
jumpy about, mister?
Uh...
jumpy?
ROWDY:
Yeah.
You sell 'em
any liquor?
Yeah, I...
I sold 'em some.
They didn't draw
any money
out of camp
when they left.
How'd they pay for it?
Well, they...
They didn't pay for much.
Uh, they were
pretty noisy, though, so
I let 'em have
what they wanted.
How much was that?
( small sigh )
Well, uh, they were
pretty thirsty.
You don't know
where they went?
No, I-- I didn't
ask 'em.
Mind if we
look around?
No. No, go
right ahead.
All right.
( cocks gun )
That's our living
quarters.
My wife's in there.
Sorry.
Didn't mean to
disturb you.
No reason why
you shouldn't come in.
No thanks.
( door opens )
( ominous theme playing )
Look--
( sighs )
Don't go out
there.
Get out there and tell
that trail boss
you'll take him
to his drovers.
No.
Oh!
You hear me?
Take 'em down
the north trail...
all the way
to the butte.
The north
trail?
Do it before
they come
bustin' in here.
Get out there.
( inhales )
Hey!
Your drovers,
I'll
take you
to them.
You know where
they are?
( slow, tense theme playing )
( sedate theme playing )
ROWDY:
Hey, do you, uh...
know the reason we were
fired on back there?
( sighs )
No.
Don't you think it was
kind of strange?
Very strange.
Man came to
my herd yesterday
ridin' a buckboard.
Big man. Real sure
of himself.
( patting horse )
Pagan.
He work for
your husband?
Nope.
No?
He gave my men whiskey.
Said he was
drummin' up business
for the store.
You know why he'd
do a thing like that?
No.
Come on, now.
You sure your husband
had nothing to do with this?
None at all.
From the way
your husband talked,
he sounded like
he just might be
afraid of something.
My husband doesn't have
what a man needs
in this country.
He isn't...much good
for the life out here.
You raised in this country?
Yep.
Uh, how about my drovers?
What kind of a shape
were they in
when they left
your husband's place?
( sighs )
They had a lot to drink.
Some of 'em had
a hard time
gettin' on
their horses.
Oh, great.
They're gonna
really feel like
pushin'
cattle.
( makes kissing
sound )
( sedate theme playing )
( mysterious theme playing )
There's our camp.
Where's the herd?
FAVOR:
It's gone.
Oh, it can't be gone.
Could see for ten miles
around here.
No one could drive
a herd that far
in this short a time.
Where's the herd?
I don't know, boss.
It--
It don't make
no sense to me.
Oh, where's
Pete?
He's hurt.
In the wagon.
Pete?
What?
What happened?
Oh.
Yeah, Wishbone
got hurt pretty bad.
Don't wanna
come to.
How'd it happen?
I don't know.
There was, uh...
some riders come in
after you left.
Think we got gun-whipped.
Wish bandaged me up, but--
Pulled Wishbone over here
out of the sun.
Who were they?
I don't know. I never
did see 'em before.
Quince...
take a couple men and get
Wishbone in the wagon.
How is he?
Oh, he'll mend.
ROWDY:
They's gotta be
around here somewhere.
Three thousand
head of cattle
just don't disappear
into thin air.
Mm...
Those cattle gotta be
out here somewhere.
Think they could have
moved 'em into the hills?
Funnel that many
cattle
into a couple of
narrow draws?
We'd have heard 'em
from here.
I wanna talk to that
Mrs. Belden.
Where's Mrs. Belden?
You mean,
the woman
you rode in
with?
Just rode out.
Mm.
Well, how do you feel now?
Was it worth it?
Never is, boss.
Anybody will tell you that.
How's
Wishbone?
He moaned
a little bit.
That's all.
Wishbone?
Um...
How you feel?
Well, if I could just
park my head someplace
for a while.
You do that.
We'll have somebody else
cook supper tonight.
They...took somethin'
besides
the herd and
the remuda.
What's that?
Our rifles
and ammunition.
Oh, no.
Out here, that's
like being
with no
clothes on.
You feel any wind blowin'
since this morning?
No.
Neither did I.
It...
couldn't have blown the herd's,
uh, tracks away then.
What do you make
of that, boss?
Only place I know
to make
anything of it
is that tradin' post.
( ominous theme playing )
Where do you think
you're going?
I'm goin' with you.
Figure some cold air
against this head
might make me
feel better.
Besides, there
ain't nothin'
I can do
around here.
Think we're
expected?
Pete, you want to
stay out here
and keep
an eye open.
No.
FAVOR:
Do you wanna
come in with us, then?
No.
Do you wanna tell us
exactly what you
do wanna do?
No.
I mean, yeah.
Yeah, what?
Well, I don't want you
goin' in there alone,
without me.
Somebody's gotta
make the move,
and I don't want you to make
the move unless I'm there.
What I mean is,
who's gonna stay
out here and keep
their eye open.
You are.
Yeah, that's what
I said.
He must have been
hit harder
than you said he was.
Yeah.
Maybe we ought to hit him
and straighten him out.
( door closes )
( tense theme playing )
( wind gusting )
( door banging )
( door closes )
Nobody here.
( bang )
( guns cock )
That's a loose
shutter.
( uncocks )
Well, we goin' back?
Hey, wait
a minute.
Somethin' I didn't
think about before.
What's that?
Those trails.
This mornin' we
came in on that one,
but...she took us back
to the butte
on that one.
Well, yeah,
it was quicker.
Hey, wait
a minute.
Two trails leadin' to
the same place,
and it was quicker
one way.
Yeah.
Well, that whack
on the head
sure slowed me down.
I just remembered
something.
This is the country of
the Arana Sacar.
Well-- Well, that sounds like
Comanche lingo to me.
It is Comanche.
It means "Twin Buttes."
Two of 'em exactly alike,
only about ten miles
apart.
Pete...
the next big town
we hit...
I'm gonna buy you
the best supper...
and the biggest jug
they got.
( dramatic theme playing )
( dramatic theme playing )
( cattle
mooing )
Look.
( men yelling )
( men
whistling )
No wonder
we couldn't
find their tracks.
They didn't
move the herd.
Yeah. Just
the wagons.
They gun-whipped
Wishbone and me
so's we wouldn't know
we were being moved.
( hammer pounding )
All right, that's enough.
Now, listen to me,
all of you.
We're skinners,
not gunmen.
We gotta turn
these beeves
into hides.
Finish our job,
take the hides
and get out of here.
Anything else
goin' on around here
is none of our business.
We tend to our own business,
keep our noses clean
and get out.
You understand?
All right. Now, take
your spots
and get ready.
Hey, look what
they're doing.
Bunch of skinners.
Look at
the hide wagons.
You mean, they're
figurin' on
butcherin' our herd
just for the hides.
There's Scarlet,
Mushy
and the rest of
our drovers.
( cattle mooing )
( men whistling,
yelling )
Now you got
a choice.
You help us with
these cattle,
or you get dents
in your skull.
You two just gonna sit there?
Yes, sir.
If you ain't got
any objections,
I'd just as soon
sit right here.
You're out of
your head, mister.
You think I'm gonna push
them steers in there
to see 'em slaughtered
for their hides,
you're out of your head.
( grunting )
( grunting )
( tense theme playing )
Wait a minute.
( cattle mooing,
men yelling )
They're runnin' them
into the chutes.
Get 'em out of here.
Spread out.
( cattle groans )
Pete...
you get back to Quince
and the rest of our men.
Bring 'em back here.
What are you
gonna do?
I'm goin' down
into that camp.
You goin' down there,
you won't have a chance.
Oh, I got a chance.
All I got to be is
one of the drovers.
I'm goin'
with you.
( tense theme playing )
( cattle mooing,
men yelling )
( ominous theme playing )
( men yelling )
( cattle groans )
Get another one here.
Come on.
Bring it.
( cattle groans )
Mary Ann?
Joel.
Well-- I saw you
when you first
got here. I--
I wanted to talk
to you, but...
Pagan kept me away.
What are you doin' here?
Well, Pagan wouldn't
let me stay
back at the store. He--
He said I might
talk to the drovers
if they went back there.
Did you know
he was doin' this
kind of thing?
That he was
stealing?
No.
Well-- Don't it make
no difference to you?
I don't wanna talk about it.
( sighs ):
No, I...
I guess not.
Uh, I'm not gonna
stay around here,
no matter what Pagan says.
I'm gonna make
a break for it.
Be careful, Joel.
You wouldn't
want to...
come with me?
Uh, I mean, now that--
Now that you know
what Pagan's doing?
No.
Please, Mary Ann.
I can't, Joel.
You're gonna go
with him after all,
when you know
he's no good?
A woman just can't help
these things sometimes.
( sighs )
I just don't
understand it.
You've always been
kind to me, Joel.
I'll never forget that.
I'm sorry I...
didn't come up to
what you wanted.
I'm sorry too.
I only wish...
Just can't help myself.
PAGAN:
Tryin' to steal
a horse, Belden?
( tense theme playing )
Well, it's not stealin'.
I-- I'm leaving
my buckboard and my team.
Thought I told you
to stay around.
I've taken a lot
from you, Pagan.
But I'm not stayin' here
while you run off
with my wife.
Tie up that horse.
I'm leavin', and you're
not gonna stop me.
When I say
stay around,
I mean
stay around.
( grunting )
( tense theme playing )
( cattle mooing )
Boss.
Sh.
Mr. Favor, what
are you doin' here?
Rowdy's over talkin'
to the other men.
We're gonna stampede
the herd.
Stampede 'em?
We'll lose 'em, boss.
We've already lost 'em.
This is the only way
we've even got a chance
of gettin' 'em back.
How are we gonna
start 'em goin'?
Oh, we'll do it
somehow.
They're pretty
quiet.
Take more than
shots to do it.
( gasps )
I thought
you didn't know
anything about this.
I didn't.
Then what are you
doin' out here?
That's my concern.
Are you gonna let me go?
Be easy enough for you
to give us away.
Tsk. Yes.
Easy enough.
Tsk.
( sniffles )
( tense theme playing )
We may be gettin'
some bullets
in our back
pretty quick.
Rowdy, let me
have that mirror.
Huh?
That mirror
of yours.
Let me
have it.
( panting )
Joel.
Didn't do no good
to fight him, Mary Ann.
Didn't do
no good at all.
( tense theme playing )
( cattle mooing
agitatedly )
Sun's gettin'
kind of low.
Mushy, get out
of the light.
( mooing )
What's the matter
with 'em?
Any other time, they'd
go on the first flash.
( cow groans )
Well, we went after
one of them drovers
back there,
but he got away
from us.
Headed back toward
the other butte.
Found a couple
other horses,
so there must be some of 'em
around here someplace.
Let's find 'em.
Come on.
( mooing agitatedly )
Look...
Yah! Cattle,
cattle, cattle!
( gunfire )
( men whooping, yelling )
Stampede!
Let's get out of here.
( dramatic theme playing )
Stampede!
Let's get
out of here!
( mooing )
( men yelling )
( gun clicks )
( tense theme playing )
( grunts )
( clicks )
( grunting )
( cocks gun )
MARY ANN:
No, Pagan.
What are you
doin' here?!
I told you not to
hurt Joel.
Get that gun
off me.
I told you
not to hurt him.
( dramatic theme playing )
Now you can turn me over
to the law.
I'm no lawman.
Besides, you killed
in self-defense.
Maybe you'd...
better look after
your husband now.
Maybe I'd better.
( sedate theme playing )
Pete.
We need some
fresh water.
Might as well get it
from that tradin' post.
Take Scarlet
and Mushy,
and go get some.
Scarlet,
Mushy,
let's hitch up
and get goin'.
Sure glad you ain't
sendin' me, boss.
Way I feel,
I ain't...
good for nothin' but...
just layin' down.
Well, now...
I've got a another job
all lined up for you,
Quince.
You and the others
who went up there.
You mean, tonight?
Oh, it'll take
the whole night.
I'm sure of that.
We got a herd scattered
all over this prairie.
You and your friends
are gonna
gather 'em up,
so we can
move out of here
in the morning.
Bright and early.
Pick fresh horses,
saddle up.
( dramatic theme playing )
( cattle mooing )
Head 'em up!
Move 'em out!
( sedate theme playing )
( cattle mooing,
men yelling, whistling )
♪ Rollin', rollin', rollin' ♪
♪ Rollin', rollin'
Rollin' ♪
♪ Keep rollin', rollin'
Rollin' ♪
♪ Though the streams
Are swollen ♪
♪ Keep them dogies rollin' ♪
♪ Rawhide! ♪
♪ Through rain and wind
And weather ♪
♪ Hell-bent for leather ♪
♪ Wishin' my gal
Was by my side ♪
♪ All the things I'm missin' ♪
♪ Good vittles
Love and kissin' ♪
♪ Are waiting at the end
Of my ride ♪
♪ Move 'em on, head 'em up
Head 'em up, move 'em on ♪
♪ Move 'em on, head 'em up
Rawhide ♪
♪ Let 'em out, ride 'em in
Ride 'em in, let 'em out ♪
♪ Cut 'em out
Ride 'em in ♪
♪ Rawhide! ♪
♪ Rollin', rollin', rollin' ♪
Hyah!
( whip cracks )
Hyah!
( whip cracks )
♪ Rawhide! ♪
Hyah!
( whip cracks )
Hyah!
( whip cracks )
♪ Rollin', rollin', rollin' ♪