Queers (2017): Season 1, Episode 6 - Safest Spot in Town - full transcript

BOMBS OVERHEAD

I require a drink.
That - that is for certain.

I'll be seen here, though.
Someone'll bring up my name and say,

"Isn't that Andrew's boy
standing over there?"

Andrew's boy.

You'd think this was a bush village.

Bush village, that way.

Soho, Bloomsbury, Piccadilly Circus
- full of clowns.

Everything else is either slum or
pompous, and little in between.

I know what I'm saying.

I've run the length of this city,
so I know it all - all of it.



The East End too.

And I don't just mean cruising up
and down Whitechapel High Street

like those old queens do, no.
I mean down by the docks.

Workers from around the world
with big load-lifting arms.

Oh, my God...

If their overalls could speak,

they'd shame up the whole of
polite society.

There's the Chinese, and people
from the West Indies, and more.

And the locals, of course.

Mmm. Hands as rough as Empire.

But down over there you're never far
away from an alleyway,

and a "poof roaching".

Yes, that's what they call them -
"poof roachers".

The men who might just as well
leave you for dead afterwards.



That's after they've taken
their pleasure.

The beating come, and your money go.

Threats to involve the law

if they believe you've got a
reputation worth looking out for.

No, the East End
is not for me, mm-mm.

What is for me
is much harder to fathom.

This mess of dance halls, theatres,
smoke-filled bars

and endless gossip that draws me in,

holds me close.

This bush village.

Three years ago - almost to the day
when I first come here -

Southampton docks was where I first
arrived, all sea-legged and smiley.

I thought I knew it all. I thought
I knew all there was to know about

the motherland, and daffodils,
and the poets from the Great War.

I thought I knew what to expect.

My daddy told me about the way

cold here creeps into your fingers
and toes until your bones weep.

He talked me to death
about the English cricket teams.

He packed me a bat and some kneepads
and told me, "Off you go."

"If you can't be a sportsman
like me,

"best go get yourself
a proper degree.

"Come back with a profession.

"Make yourself into a lawyer,
or doctor,

"and don't bring no shame on we."

And that was that.

I was free.

I was almost 22 and unmarried,
no profession,

but more than good enough grades
to get me into law school.

But I didn't want law school
over there,

and I didn't really want it here
either.

What I wanted, what I still want...

it's much harder to fathom.

But it doesn't look like a wife,

or a briefcase.

1938, yes,
and what a time to arrive.

I had the spring and summer
to myself.

I saw Cornwall, Wales,
Scotland, countryside,

all kinds of people
I didn't understand.

I saw poor white people
for the first time.

A white man trundling along with
a broom sweeping the streets.

White men begging.

Old white men with sunken eyes,

still lost from a war
they'd fought two decades before.

I was confused.

My father never tell me
about all that.

In Wales, I became a valet
for a gentleman.

Oh, his poor wife.

If she ever knew the things we did
behind her back.

My daddy's kneepads come in handy,
I tell you.

HE CHUCKLES

But Wales was not for long.

London was my calling.

When I come back here, I made a
few shillings as an artist's model.

Standing naked and still
while the city ran around me,

painting me all different shades
of wrong.

At some point, though, I stopped
looking at the finished work

when the artist called me round
to the other side of the easel.

Sometimes it's best to
keep your eyes closed

while keeping your eyes open.

I started moving with the bohemians
in Bloomsbury.

They were all painters and writers
and rabble-rousers and hangers-on,

and I was adopted into their group.

Their Freddie.

I don't remember all their names,

but their bedposts I can describe
in great detail.

Four-posters, some of them,

or sometimes a chaise longue
in the middle of a studio.

Tiny lickle rooms
with laughing floorboards.

We'd have late nights drinking at
the bottle parties, those places

- places like the Shim Sham -

where you had someone other than
your shadow to dance with.

You could press another man to you,
hold him close,

feel him stiffen against your hips,

and then... release.

You had to glide with the music,
you see.

That's unless someone at the bar
had called for the police,

in which case when you heard
the footsteps raining down,

you took the hand of
the nearest lady.

It was a fluid movement.

Then there were the soirees,

and what they called dalliances
between three - or more - of us.

And it was just then,

just as I was going to think about
my studies, in amongst all of them,

in the middle of the room,
there he is.

Andrew.

As sweet and as dizzy-making as an
entire bottle of Wray Nephew rum.

He's over twice my age on paper,

but there is that something in my
blood that draws the sweet

and complicated to me.

He has this wicked grin,

a posterior like one of those
marble statues

I used to go visit
at the British Museum.

Thighs you'd want to hold on to
for years.

He painted me into his life,

he carried me into his studio,

and we did not leave it for a month.

And then...

Oh, and then.

I remember seeing myself

in one of his watercolours
on a wall in a gallery in Belgravia,

and I couldn't help
thinking to myself,

"Why he paint me so dark, eh?"

I remember standing there
with my hand up to the wall,

and my arm, and contrasting it.

He had me down just right.

He had me down so right he could
paint me without me being there,

and after a while
I was not there so much.

Some part of me will always
remain on that wall, I imagine.

In a gold leaf frame.

The other part of me
needs to move on.

Could never really stick itself
to a white canvas.

I don't want to waste my youth stuck
to the wall of his imagination.

He, though, he'd rather
keep me there.

We write to each other still,

making promises to meet
that are rarely kept.

I distract myself with as much as
I can, with the theatre.

I've been tending to the theatre.

My personal back garden, even though
it's one bum after another,

one bum after another.

Even though all the places
for inverts like me

are disappearing one by one

there is still so much sweet
for all that bitter.

Mm. This beer is far too weak for my
taste, but it will do the trick.

It's one for the road,
and it tastes like tarmac too.

Monday, things must change.

My free paper bun,

but I still have tomorrow to dance.

RUMBLING
PLASTER FALLS

I have Dodging A Divorcee in my head
and I can't shake it out.

I wish I could carry that song
with me everywhere I go.

Press it against my ears.

If only.

If only. It's a foxtrot.

No foxtrot now, but they're playing
ragtime in the ballrooms.

Ragtime.

All those West Indians
giving the crowd what they want.

Sweating, smiling, shuffling
Colonial boys.

It's all a part of the game of
belonging, and not belonging.

When I first come over here,
the landlady was full of questions.

"Why are your palms a lighter hue?"

She'd turn them over at the table,
frowning in puzzlement.

I let it wash over me
like the other questions.

"Where do you learn to speak
such good English then?"

And the like.
Oh, she was full of them.

I used to think it was a
working-class obsession -

my hair, my skin,
the colour of my hands,

all those comments
from the East End boys.

But I'm under no illusions now.

No, the more refined
have their ways.

I tell them I'm going to become
a lawyer, and their eyebrows arch.

I talk to them about music, and
the conversation moves to jiving,

swing and ragtime.

All that time I spent revelling the
attention of the Bloomsbury crowd,

the freedom I felt was an illusion.

I know that now.

Where I was born, you have to be
as light as cornmeal to succeed,

unless you knew how to entertain.

Over here it's more complicated.

And endless game of where you're
schooled and who you know.

Oh, they never slam the door in your
face, the upper classes here, no.

They make you hold the handle
of the door,

and convince you that you don't
want to come in after all.

But all of that is changing
with this blasted war.

Tonight I was good enough
for the Cafe de Paris

because there was no-one else
left in Soho.

The grand Cafe de Paris
is where you can dance now,

where I can dance now they're no
longer concerned with my appearance.

They started opening up their
clientele - that's what they said.

It's funny how some places
change their tune, eh?

They call it the safest spot
in town.

Deep underground with a full swing
band, a West Indian band at that.

A whole heap of brass and brown
skins - who'd have thought that, eh?

I was going tonight,
to the Cafe de Paris.

To see Snakehips, the King of Swing,

the band leader
at the helm of it all.

He has a twinkle in his eye, this
hypnotising movement at the loins

that make a boy like me salivate.

He was like that from day one,
Snakehips,

before he plucked himself out
from among the riffraff

to make it into the big halls.

They all talk about him,
"Snakehips."

Even the Thames seems to do a little
dancing dip like he does

once the river hits
this side of town.

But all that he do isn't real music
- it's all showmanship.

And I'm not complaining. The one
entertains, the other sustains.

And it's not like
I don't like the swing,

the way it makes your body bend,
but that is the real difference

between the bottle parties
and the Cafe de Paris.

It's not just who gets past
the doors, but what's behind them.

I could've been hit by
that bomb tonight.

I should be dead.

I didn't go there tonight.
I went... I went to the theatre.

That's what I call it,
the lavatories around Piccadilly

where men who speak my language
like to entertain each other.

The real West End theatres
are all closed now.

Soon after the bombs started coming,
they were forced to,

but the Cafe de Paris
was open for business.

Too deep underground
for the Germans to hit it.

I was meant to go,
but I couldn't bring myself

to darken the doors of a place
that would have refused me entry

just a year ago.
I'm too proud for that.

Nobody ever tell me in words, but I
feel it in the tailoring of my skin.

We're proud, or weak-hearted.
The result is the same.

I wasn't good enough to enter then

unless I was one of
the entertainers.

I was on my way

and then this urge came upon me
like a river,

and my feet meandered away
from the entrance of the club

and straight into the theatre inside
the Regent Palace Hotel.

It was a fluid movement.

The porters often turn a blind eye

so long as we don't cause
a disturbance.

I was stood at the urinals
in the semi dark,

with a middle-aged man's hands
inside my flies,

and he had a strong grip too.

Halfway through the sirens went off

and we had to run for shelter
right away.

All of us, except for the chancers,
as always.

The chance of a few minutes
to find a hand, or mouth, or more,

in the dark is too good to pass by.

I escaped into the streets

and I caught a glint in the eye of
a warden,

and I followed him
down a side passage.

He tasted of the suburbs,
like he had a Hammersmith wife

waiting for him
at the back of his throat.

There's that something in my blood
that draws the married man to me

with all his sweetness
and complications.

It's not a bad thing.
I have a sweet tooth.

HE CHUCKLES

Oh, Snakehips is in my head still.
Boy, he could move.

I heard the whistle of it landing

and I could feel the ground
around me shake

as I pulled the warden's thighs
close against me.

I can see Snakehips dancing...

and I can hear him singing.

Right as the bomb lifted him
clean off the stage.

The bomb went down the
ventilation shaft, and then...

Pow!

The safest spot in London gone,
just like that.

It was an hour or two ago now,
but here we are drinking on.

Another one went off
ten minutes later,

while I still had the taste
of the warden in my mouth.

And just as I'm arriving
to the shelter, there's all this

debris falling, and I don't know
where the blood came from -

if I hit my head or if I bit my lip
too hard, but all I see is blood.

I could've been there.

I promised myself I would finally
see inside of that blessed club.

Take my rightful place
with the creme de la creme.

But sometimes a broken promise
is what it takes to keep you alive.

Instead, I chose
the path of the warden

who tasted of Hammersmith and gin.

I can't have been more than 200
yards away from where the bomb hit,

and I survived.

Monday.

Monday is the day I'm going to
join up for war service.

I'll join up before I'm forced to,
in my way, in the Fredrick way,

and I will survive the same way,
like I've always done.

Of course, I knew
one day I'd be called up.

I dreaded it, I never wanted it.

I'd rather dance away my days than
join in the bloodshed, but tonight -

tonight I finally realised
that the fight will come to me

if I don't come to it first. And
I will fight for this bush village.

For the bottle parties that have
come and gone,

for sweet and complicated men
that have come and gone.

And, yes, for Snakehips.

And, yes, for the Cafe de Paris.

But also for the theatres.

Most of all, I'm going to fight for
the theatres

and all the other places that never
closed their doors to men like me.

That's if they even have doors
to start with.

That is the only fight
I can take up with any conviction.

And I will be back sometime,

and I will sit down in a Soho pub
which will be better than here.

And maybe even better
than the Shim Sham.

And God help them if they haven't
learned to pour decent beer by then.

Would you mind kissing me?

You're not even out, are you?