Project Runway (2004–…): Season 8, Episode 4 - Hats Off to You - full transcript
Competition reality series, where each week budding fashion designers face challenges and elimination as they compete for cash and prizes.
Previously on
Project Runway...
I love the unconventional
challenges because they give
you an opportunity to work with
materials you wouldn't work with
otherwise.
Do you guys have plastic
tiaras?
We are not making a pinata.
We are making a dress.
I can't seem to figure out
how to make it into something
that I like.
How's it going?
Are you gonna make it?
I have no time left.
To think that this is just a
dress made of ribbon material
from a party store,
i think that's remarkable.
To me, it's kind of a really
strange mix going on.
Andy, congratulations, you
are the winner of this
challenge.
Thank you.
I'm sorry, Sarah.
That means you're out.
How you feeling right now?
You feeling a little better?
Ivy just fainted.
I'm just really scared for her.
This is Project Runway.
Yes!
Let's go!
The search for the next big
fashion designer.
I was born ready.
You know you love this.
You're either in...
Or you're out.
It's about fashion.
Who will be the next great
fashion designer?
I'm the best there is.
17 designers...
This is my chance.
Three finalists...
But only one can be
the winner.
It's Fashion Week, or go
home.
I've come way too far to
lose.
For these 17 designers,
Project Runway is the chance of
a lifetime.
The winner of Project Runway
will receive $100,000 from
L'Oreal Paris to start their own
line, a fashion spread in
Marie Claire magazine,
a $50,000 technology suite from
HP and Intel to create their
vision and run their business,
and the opportunity to design
and sell an exclusive collection
The model paired with the winner
of Project Runway will receive a
fashion spread in Marie Claire
magazine and $25,000 from
L'Oreal Paris Studio Secrets
Professional.
Okay, give me a sec.
She's in the hallway.
Just try and breathe, nice
and easy.
Almost immediately, ivy
passed out.
Nice, easy breaths.
Ivy just fainted.
And I'm worried because I know
they have to take her to the
hospital, and I...
It just seems really serious to
me.
How are you feeling right
now?
Do you feel a little better?
Still feel a little dizzy?
I'm worried if she's gonna be
okay, if she's gonna go home.
I think I'm really worried now.
Ivy, the minute we went to the
workroom, it was like, bam, the
girl was on.
And I think she just stopped
taking care of herself.
It was more important to get the
dress done.
Yeah, she was stressing so
much.
I don't think she ate a lot.
The girl drinks a lot of diet
coke, and smokes a lot, and you
know, maybe the coffee thing...
Stressing.
Yeah, and she's stressing.
At least we know she's in
good care, and she's at the
hospital, and they're gonna do
their best to make sure that...
She'll be okay.
She'll be all right.
Project Runway 8x04
Hats Off to You
Original Air Date on August 19, 2010
I just got released from the
hospital, and the doctor gave me
the okay that I can go back to
work.
The end result was just
dehydration.
And I feel so embarrassed that
it happened.
If there's one lesson that I've
learned, it's to definitely take
care of the body.
I am really looking forward to
the next day and creating my
vision that I got inspired by
the hospital room.
Hello.
Hi.
Andy, you were the winner of
the last challenge, so you will
have immunity and cannot be
eliminated this week.
I am really excited about this
next challenge.
And you are about to see why.
Let's bring out your models.
Oh, my gosh.
Wow.
Oh, my God.
Isn't this amazing?
Yes.
Every hat, one after the
other is just as fabulous, and
breathtaking, and a piece of
art.
And I think to myself, "I am so
happy to be here right now."
I'm excited to introduce you
to the artist himself.
He designs for the most
beautiful women in the world--
from Sarah Jessica Parker, to
Lady gaga...
Philip treacy.
Hi.
Mwah!
Welcome.
Thank you.
Hi.
Philip treacy is an amazing
hat designer.
I don't even know if I would
call him a designer as more of
an artist.
He's a craftsman, and he is
phenomenal at what he does.
Designers, your challenge is
to create a look inspired by
and worthy to be worn with one
of these works of art.
To have your dress being worn
with one of his hats?
That's, like, the Holy grail,
dude.
That's--that's big time.
Philip, do you have any
advice for them?
I think you have to think in
terms of the volume and the
proportion that will work with
the overall silhouette of the
person.
And matching is old hat.
That is good advice.
Andy, you won the last
challenge, so you get to pick
your hat first.
You will also be working with
the model that is wearing your
hat--all of you will.
I'm going to stick with
my Cassie.
Thank you.
April.
The first hat that I am drawn
to is the one that ify's
wearing.
I think that it's super cool.
But ify's a difficult model to
work with.
I'm gonna stay with millana.
Michael drummond.
I'm going to stick with my
model, zhanna.
And that's my favorite hat.
Michael costello.
Lenka.
Love you.
Thank you.
Peach.
My model, ify, oooh!
Her attitude is awful.
But she's a tall, lanky, thin
girl.
She's stunningly beautiful.
I'm going to stick with ify.
Thank you.
Gretchen.
I have a fetish with
feathers, so I'm going to stick
with my model, Alexandra.
Christopher.
I'm staying with my Rose.
Mondo.
Eyen, I would love to work
together again.
Thank you.
Thank you.
Ivy.
I would love to stick with
ekaterina.
Thank you.
A.J.
Every single time, we seem to
make it work, so I'm going to
stick with you, amare.
Thank you.
Valerie.
I'm not crazy about her hat,
'cause it's not really a hat,
it's more of a mask.
But I really wanted to stay
loyal to my model.
This mask-hat seems pretty
tricky, but my model and I seem
to have a pretty good thing
going.
So I'm sticking with Tina Marie.
Thank you.
You're welcome.
Casanova.
Well, I will stay with my
sarae.
Kristin, kaven is left on
the runway, and you will be
working with her again and this
beautiful hat.
I love orchids.
It's one of my favorite flowers.
But damn, you know?
It's so in-your-face.
Okay, Philip will be our
guest judge.
Good luck with this challenge,
and I'll see you on the runway.
Bye, everybody.
Bye.
Hello, everybody.
Hi.
How excited are you?
Way, very excited.
We have the hats in the
designer lounge.
There is a photograph of each of
your hats on your hp touchsmart
notebook.
Now you have until 11:00
tonight...
So your 15 minutes of sketching
begins now.
And then we're going to mood,
where we will have a budget of
$150.
Whew.
Okay?
Thank you, everyone.
Thank you.
The hat I was given reminded
me of something that you'd wear
in the future to some kind of
island.
So I wanted to do a resort-wear
outfit that was complementary of
the hat, but still accented it.
I see this hat being worn on
the head of a woman who is part
of the royal family.
It feels good to not worry
because I have immunity, and I
have a really good chance of
winning again.
I'm a huge David bowie fan.
So I thought of labyrinth, and
I thought of the leather, and
spandex, and the high collars,
and low-scooped baroque corseted
dresses.
I think I might do something
that points a nod to those
things.
But a little more modern, and
edgier, and understated.
I know what I wanna design.
Like, this halter that would
drop down and just have the
circular movement that it had
with the hat.
I know that this dress is gonna
kick ass, and it's gonna be
amazing.
So this hat is completely
architectural.
And it is framing my model's
face so well.
And I just want to be able to
mimic that.
And I think that this hat speaks
of a warrior.
Back at home, I'm inspired by
my garden.
But here, having a flower as a
hat?
Oh, goodness.
This is gonna be tough.
This really is gonna be a tough
challenge.
You like yours?
For me, yours is the risky one.
It is risky.
All right, designers, let's
head off to mood.
Follow me.
So excited.
It is exciting.
I'm so excited.
Thrilling.
It's Philip treacy!
Let's go.
There's a million, trillion
fabrics to choose from.
I think they all have voices,
and I'm hearing them.
While I was in the hospital,
I saw the curtains that were in
there.
And I really liked the contrast
between the solid and the mesh
fabric.
So I'm thinking that would be a
really nice detail to have in
the back.
So it was very serendipitous.
I'm just trying to see if
this is the right fabric for
that.
Is that too--I don't want
anything too shiny.
It's not playing second
fiddle to the hat.
It needs to be a good marriage.
Right.
Hold your feather.
I got this.
No, it matches my hat perfectly.
It has the silhouette of it.
You're right.
It does.
Oh, homage-age.
All right, designers, time
is up.
$147.55.
$147?
And 55.
Nice.
All right, everyone, let's
head back to the workroom.
Thank you, mood!
Thank you, mood.
Off we go.
I'm a little nervous.
Ooh, what happened here?
I'm thinking seriously to quit.
What happened?
I'm not sure if I'm able to
hear more stuff, like before.
Casanova, don't say that.
I believe in you.
You can do it!
Casanova's kind of being a diva,
but I mean, it's expected coming
from a queen.
But there are times when it can
be a little much for everyone in
the workroom.
The judges, they know that I
sew very well.
But maybe they believe that I
don't have taste.
And that's the thing that I have
to do in the next challenge,
to show my taste.
No, you're really not.
No, I didn't get a zipper for
my dress.
You know what, I thought
about the same thing.
I can't believe I didn't do that
either.
Well, I've got this--
no, I didn't.
Oh, my God.
You're smart enough to do
this.
You know, Murphy's law, dude.
I tell you what, that guy Murphy
and I are not friends.
I have an extra one if you
need one, but it's not in black.
Ooh, what color is it?
White.
That's fine.
Is it invisible?
Yeah.
It's a flower.
It's the hat.
This is really gonna be a tough
challenge, because it's so
literal.
And I'm not used--I don't do
literal.
I don't do literal at all.
To me, all the other hats have
such great possibilities.
I mean, you could make the story
your own.
How do you make a story out of
an orchid?
I don't really know.
Um...I don't know what I'm
gonna do.
Coming up on
Project Runway...
Haven't we all seen this
dress a hundred times before?
Yeah, you think?
I'm not going to dissuade you
from being concerned.
You should be.
What am I doing?
What the hell am I doing?
What if I made something
like--
ah.
Ten hours, everybody.
That's it.
Not that much time.
Ten hours.
Our challenge is to design
a garment worthy enough to be
worn with one of Philip treacy's
hats.
You are in awe just of the
presence of his designs.
My scissors are gone.
You know, there are moments
that I get a little, like,
jittery in my belly, and I'm
like, "oh, crap, I could totally
blow it and be in the bottom."
Just, I have to keep working
harder.
Anybody have, like, a black
knit?
As far as time wise, I'm
looking at the clock and I think
I can do this.
I'm feeling confident.
Just don't wanna pass out again,
like last time.
Ah.
I'd have just loved to have
gotten yours.
I'm inspired.
I wasn't at first, but now I'm
like, "oh, my God."
At first this challenge scared
me, because I'm like, "what am I
going to do with this orchid?"
I want it to be an evening--
like, a black evening-ish dress,
but with a little bit of whimsy
in it.
But then I thought this would
inspire me because, when I got
married, I actually had orchids,
you know, in my hair.
And I needed to do something
that conveyed romance, that
conveyed l le.
It's also very provocative
somewhat.
It is very provocative.
I was like, ooh, she's gonna
meet her lover.
Oh, my God, where's my husband?
But Whoo!
Flowers have both male and
female organs, so.
You know, it's walking sex.
The hat brings out your sexy?
Yeah, well, look at it.
It's just a big vagina.
Wait, so what are you trying
to tell us?
Vagina makes you excited?
Well, doesn't it--oh, never
mind, look who I'm talking to!
Kristin, she's a character.
Oh, thank you!
I think Kristin's crazy.
I needed that so bad.
Wow!
I'm serious.
I hope I get to talk to my
son today.
Oh, that's right, happy
father's day, honey.
Thank you.
I have my son, Giovanni.
He's six years old, love of my
life.
Happy father's day.
Happy father's day, Michael.
Thank you.
Anyone else a dad around
here?
No, not me.
What do you think?
"If that's your style.
It's not mine."
I think Michael c is an
insecure designer.
And I don't think he has his
vision yet.
His dress, it's a hot mess.
Do you have a seam down the
front?
Yeah.
Mm.
Uh.
I am a few hours into my design
right now.
I'm telling myself that I love
it when I really don't.
Damn, I don't even know what
happened here.
This is a big deal, and my dress
sucks at this point.
How is everybody?
Good.
Good, excellent.
Hi, Valerie.
Hi, Tim.
So talk to me about what
you're doing.
I wanted to do a jacket.
Mm-hmm.
She has red lips, and the
black mask.
I decided to mix the soft with
the hard in using this white
faux leather for the jacket.
And I'm also putting the black
zippers here on the chest.
Do you think the zippers are too
heavy?
Killing me with your silence.
My feeling about these things
in general is if they don't have
a purpose, why have them?
Well, it's a design detail.
I feel like it's the hardware of
the dress, and it gives it a
little more edge.
But it also needs to be
necessary because with just as
much frequency the judges talk
about editing.
Right, right.
You know?
Did you really need that?
Right.
You can play with it.
Right.
Zippers are my favorite part.
So I really want to take his
advice, but at the same time, he
does remind me that I need to
stay true to myself and it's my
decision.
All right, thank you.
Thank you.
April.
Hey, how are you?
I'm good. Talk to me.
What did that hat say to you?
Well, I really liked it,
'cause it was kind of modern,
but still avant-garde.
Mm-hmm.
I wanted to do hot shorts and
a jacket.
I don't think the runway is
really the place for Booty
shorts, nor do I think designing
for a Philip treacy hat is the
place for Booty shorts.
For me, for the cut of the
short...
Mm-hmm.
And the color of the short...
Mm-hmm.
It really says "diaper."
Especially it's quilted, so
there's a thickness to it.
I mean, I totally would wear
them if my butt was that small.
But it's not, so.
I think the shorts are a cool
idea and a risky idea at the
same time.
Thank you.
Thank you, see you later.
Michael.
Hi, Tim.
What is this?
It's just a pleated fabric of
some sort.
Maybe it's a blend.
It's fabulous, though.
Basically, I figured if I
mimicked the line--like, the
opening here, it will open her
up more.
Because it's very heavy.
I do know that it could easily
step into a place that's Sci-Fi
fiction fantasy.
But do you know something?
But I'm okay with that.
You want to walk the
precipice, you want to.
Oh, no, I don't know what
that really means.
You don't wanna play it safe.
Got you.
I don't wanna--you're right.
And you don't want it to be
a kooky costume.
Don't.
So it becomes a matter of
taste.
Mm-hmm.
And when it's a matter of
taste, we don't know where it's
going to go.
But as long as you have the
confidence in your look, in some
ways it doesn't matter.
Mm-hmm.
All right.
Thank you, Michael.
Thank you.
Can't wait to see it.
Come here, chica.
We got work to do.
So how's Kristin?
Okay.
You know, I have the orchid.
Yeah, I know, it's stunning.
It's stunning.
This looks fussy.
Yeah, it does.
Just doesn't look modern.
It gets on my nerves too.
Yeah, that gets on my nerves
too.
So there we go, gone.
Kristin, I really don't like
her work.
I feel like it's really sloppy
and not very thoughtful.
I did wanna add a little
shrug to it, but...
Why?
What if I made something...
Ah!
Thank you.
It's gone. Okay.
All right.
Thank you, Kristin.
Okay, thanks, Tim.
The woman who can afford that
hat...
Yes?
Would be able to afford a
polka dot dress where the polka
dots line up.
Okay.
And they don't on your dress.
Okay.
I thought I'd do a really
short pencil skirt.
A really short pencil skirt.
What do you mean "really
short?"
Like, you know, 15, 16
inches, not up...
Yeah.
You know, to show the good
china.
Hey, Tim.
Wow, look at all this fabric.
Making a pant, and then it's
going to have this waistband.
Not a fully exposed zipper, but
it'll be laid in there.
It's a lot of look.
Right, it is.
But that's what I do.
Christopher, I'm crazy about
this print.
I love this print.
I wanted her to have an open
neck to allow for the angles of
the top.
Yeah. Oh, I agree.
So I, like, gave it a lot of
kick of, like, fabric in here.
So I think on the runway it will
flow, like, open.
Hmm.
It's, like, I feel like I've
just been this steady as she
goes.
Like, slowly going up.
But never quite there.
And then I got a lot of buttons
to kind of...
I thought maybe these could
be really interesting on the
leggings as well.
To kind of give it a little bit
of energy.
I just wonder if it's gonna
seem like you're trying too
hard.
You're right.
Absolutely.
All right, Christopher, thank
you.
Thank you.
I feel awesome about my
design.
I have no concern, until Tim
comes to my table and say...
Haven't we all seen this
dress a hundred times before?
Yes, you think?
And to me, it says,
"Donna karan, 1988."
I cannot make any more
mistake.
I already did mistake enough.
I'm not like a cat with seven
life.
When you see this hat, do you
think who would wear the hat?
What kind of person would she
be?
Oh, my God!
Nobody wear the hat.
It's very editorial.
Editorial?
Editorial.
Well, in fact, people do wear
Philip treacy's hats.
For me, the dress is more
wearable.
Oh, it's very wearable.
That's one of my concerns about
it.
So the dress should be not
wearable?
No. No, no, no, no, no.
It's almost as though you went
shopping, bought a dress, and
you're putting it on your model,
and she's wearing Philip
treacy's hat.
Mm-hmm.
All right.
I don't know what else I can
say except finish it superbly.
Okay?
Okay.
All right.
Casanova, he has strong
sewing skills.
And I feel like, with proper
guidance, he could do really
well.
Thank you, Casanova.
Thank you.
So, Michael, how's it going?
Not exactly as I'd hoped for.
Talk to me.
Well, I've never worked with
this kind of fabric before, and
it created, like, a little
puckering detail that's driving
me insane.
So that's my big concern.
It--I mean, I'm not going to
dissuade you from being
concerned; You should be.
That's what I thought.
I feel so bad about this
dress, but...
Change it up.
I agree.
You have to.
At least you know it.
Yeah.
How am I gonna make another
dress in a short amount of time?
How am I gonna do this?
All right, Michael...
Go make it work.
Pack my Bags, I'll
just go home.
I'll just go home.
Coming up on
Project Runway...
Why would you send a diaper
down the runway?
I don't think he has any idea
what is modern.
He's afraid of it looking
like a cardboard box.
I think it's gonna be peach,
Kristin, and April in the
bottom.
All right, designers, I'm
leaving you for the evening.
Some of you have some very
important decisions to make.
I trust that they will be made.
And the winner of this challenge
will have immunity and cannot
be eliminated from the next
challenge.
All right?
I will see you in the morning.
Work hard.
And get restst!
I decided to take Tim's
advice, and I cut that sucker
right off the mannequin.
I start playing with some other
fabrics, but I'm not feeling too
confident at this point.
Michael costello, he has a
lot to learn.
He didn't bring a ruler with
him.
At least to help you with a
straight line.
I mean, there are many ways to
skin a cat, but you should
probably bring a knife.
Are you done with your dress
already?
Almost.
I need to make a hem and put a
zipper, and that's it.
Uh-oh.
I think April, her stuff
still looks like student work.
And I think her work is too
costume-y.
I think she's probably gonna go
home soon.
Thanks, mom!
We miss you a lot.
Oh, he did?
Let me talk to him.
Dad, I didn't really catch a
fish.
You didn't really catch a
fish?
Being able to talk to Giovanni
really put me at ease.
You know, 'cause he's my boy.
I love him to death.
When you'll be back?
I don't know yet.
I needed to hear from him.
My mind was in a crazy place.
Love you, baby.
Bye.
Bye.
I think you have to, as a
designer, go with your gut
feeling but know when to stop.
That's why it's good when you
have somebody like Tim come in
the room because he kind of
puts you back on track.
I had this other really
beautiful fabric, and I got an
idea and I just went with it.
I think I'm on to something
that's really beautiful and very
sophisticated.
Michael c's look, he
sometimes just goes
over-the-top.
His taste level is a little bit
questionable at times.
It needs something, because I
feel like....Look.
Definitely leggings.
Oh, the back is nice.
I like the back.
I actually like it now.
What we're gonna do is just
tweak it a little bit.
Like, that's totally the ticket
right there.
Yeah, I like this.
Don't get depressed 'cause
we're not winning.
No, because we are.
'Cause we're doing really
well.
I don't know what she's
thinking.
All the judges are gonna be
like, "why would you send a
diaper down the runway?"
It's really feminine.
Let me look at you next to
it.
Yes, yes!
I like my garment.
I like the way it flows, and I
like that it's romantic.
You know, I'm feeling good about
it.
She have a lot of idea how to
make a big mess around the body
of the model.
But it's not design.
Yeah.
We're done, we're good.
I'm crazy.
Like, I have to finish this
thing, and I didn't even make my
skirt.
And everyone's like, "what about
your skirt?
What about your skirt?"
I'm out of time and I'm out of
trick ponies, so.
But they're all, like, secretly
happy.
Let's go home.
Did you guys get a chance to
look at anybody's work?
No, I didn't.
Can we trash talk for a
little bit?
You know, I liked Casanova's
at first.
I don't know if I like it now.
I don't think he has any idea
what is modern and fresh.
He's making old Lady clothes
again, right?
Is that what you heard?
Is that what you heard?
Yes.
He said Donna karan, 1980s.
Michael drummond with that
cardboard.
I actually like it.
But he might--but I don't
know what he's gonna do with it,
though.
Like, it fits well,
but, like, he's afraid of it
looking like a cardboard box.
Well, the fabric looks like
a cardboard box.
So who do you guys think is
going home tomorrow?
I think it's gonna be peach,
Kristin, and April in the
bottom.
I am nervous about tomorrow.
Why?
Yeah, 'cause I have a nice
little dress.
But it's a nice little dress.
I'm afraid to--
yeah, but how does it look
with the hat?
You know, I don't know.
I don't know.
Well, that's what matters.
I'll find out tomorrow.
Mm.
And Heidi likes short, and
tight, and shiny.
Whatever, you know.
'Cause, like, you know, I only
care--I care more about what
Philip thinks.
You know, but I don't want Heidi
to, "well, it's not short..."
You know?
I don't want, you know...
We'll see.
I have to see it.
I haven't seen your dress.
I wish you didn't tell me
that.
Coming up on
Project Runway...
I see some worried looks
around here.
Stop doing this, machine!
Agh!
It may take a stick of
butter...
Ouch, ouch.
But I'm going to get this
girl in this dress.
Coming!
Ivy...
That's--
whoa, sorry.
♪ Da, da, da, da ♪
you know, even if I have
immunity...
Like, I know I can't go home
today, but I don't wanna, like,
mess up.
I'm afraid for April because
her garment really, really does
look like a diaper.
Who do you think's gonna be
in the top?
I think I could be in the top
two.
I just want a critique.
I've just been in the middle,
and I'm tired of not at least
getting feedback, whether it's
positive or negative.
Are you going as the hulk
today?
Why do you have all that green
on your face?
Because too oily.
It's a nice look for you.
Thank you.
All right, let's go.
Where's my sanity?
April, no sanity, no dignity.
Let's go.
Ready to go.
Good morning.
It's runway day, but I still
have the back of the jacket to
drape, I still have the zipper
for the skirt, the hem of the
skirt.
It's kind of a lot, but I know I
can execute things beautifully
and quickly.
Hemming the skirt for me
just is what scares me the most,
because hemming a skirt can take
a long time.
So yeah, I'm a little nervous.
You're going so fast.
Stop doing this, machine!
Agh!
Bad machine.
Good morning, everybody.
Good morning.
It's a big, big day.
It's your Philip treacy day.
So you have two hours to send
your models to the L'Oreal Paris
makeup room and the garnier
hair salon.
And remember, with the piperlime
accessory wall, this is about
your design and Philip treacy's
hats, so be very thoughtful
about how you use it.
I see some worried looks around
here.
Everyone all right?
Okay, I'm sending in your
models.
Thank you.
I think if there's enough
time, I'm gonna try to make you
a different skirt.
Okay.
Oh, my God.
You guys. Oh, jeez.
I think I brought it in from the
workroom.
All right, you guys, don't
get crazy over there.
I think it's gonna work.
Let's go. Hurry.
Hi.
Superstar.
I've got this crazy hat.
And I love it.
So I just want it to be--think,
like, finger, a little messy.
A little texture.
Fantastic.
Okay.
If you could just stay true
to the hat and just kind of hide
the hair.
So just really decompress
the bun so it, like, almost
disappears, right?
Yes. In your language.
Perfect. Yeah.
Instead of a bun, you want
a roll.
Mm-hmm. I want a roll.
You don't want princess Leia?
I love exactly how he did it.
It looks like soft, soft blush
and then the light pink, baby
neutral lip.
Okay. Excellent.
I would love to add this
mustache on her with liquid
eyeliner or something.
'Cause she's doing menswear
today.
Okay.
All righty?
Have a seat over here,
handsome.
I wanted to make sure that I
did a dress that really
complemented that hat, and,
hopefully, the judges, they'll
be impressed with that in such
little time.
I do not expect Michael c
in the top.
The dress that he made--every
girl from Puerto Rico have the
same dress in their closets.
Decisions. Decisions.
I feel confident going to the
runway with my look.
A lot of the girls like the
shorts.
Millana liked 'em.
I thought they were cool, and
it's trendy right now.
Are you still using that
butterfly bracelet?
Yes, and I love that
butterfly bracelet.
Right, well, you better put
it on there before I snag it.
The concept of my dress is to
really make certain that the
dress and the orchid as a unit
convey romance and love.
I'm happy with mine.
I'm totally loving it.
I really like the styling.
Really, really.
I have gotten so many
compliments on it.
So many people have said, like,
"Christopher, I think that you
have a chance to get this one."
I hope you win.
I want to win.
It looks really small in the
waist.
Yup.
It's looking pretty tiny, and
I thought, well, it may take a
stick of butter, but I'm going
to get this girl in this dress.
Ouch. Ouch.
Well, pin it there...
I think it's nice that
Philip treacy is there because
he is so avant-garde and
creative, and it's exciting to
see what his opinion is.
Who made this?
Andy.
Andy.
It's clever to pick up the
shimmer.
Yeah.
Rather than the color.
Who made this?
Casanova.
Okay.
Why on earth do you have a
mustache?
I'm a little worried about
this thing, but it's okay.
Yeah.
When I put this look
together, I decided to go with
boots, 'cause I thought that
kind of made her a little bit
hipper.
So when I styled her, it was
like, oh, my God, she kind of
looks like chic pirate a little
bit.
I am feeling nervous.
My hands are shaking.
I'm trying to keep it together.
I'm doing self-affirmations
like telling myself I can do it,
I can do it.
And it really, really needs to
be perfect, so I'm just trying
to sew as quickly as possible
'cause I'm not sending anything
down the runway that's not
executed well.
All right.
All right, designers and
models, let's go down to the
runway right now.
Follow me, please.
Peach.
Coming!
Ivy.
Oh, sorry.
That's it.
That--what--blah!
Huh. That was a first.
Coming up on
Project Runway...
I think it looks like you
didn't have a plan with this
dress.
I have to say I didn't
respond well to it.
May I see the back?
Oh! No!
♪ Ba ba ba da da da ♪
♪ ba da da da ♪
♪ da da da da ♪
♪ I've been ♪
♪ kissed by a Rose ♪
♪ on the Gray ♪
hello.
Hi.
Welcome to the runway.
As you know, in fashion,
one day you're in and the next
day you're out.
There are 13 of you here, and
after tonight, there will be 12.
Your challenge was to create a
look inspired by and worthy to
be worn with one of
Philip treacy's amazing hats.
I'm a longtime fan of his work,
and today I'm also wearing one
of his masterpieces.
Okay, let's meet the judges.
First we have top designer
Michael kors...
Hey, guys.
Fashion director for
Marie Claire magazine,
Nina Garcia...
Hi, everyone.
And we're very excited to
have famous hat designer
Philip treacy.
Hi.
Well, we'll score your
designs as they come down the
runway.
One of you will be named the
winner, and one of you will be
out.
Okay, let's start the show.
♪ ♪
I'm thinking, oh, lord.
Damn, well, that look good.
And I think the combination
between my dress and
Philip treacy's hat is
absolutely stunning.
So elegant.
So sophisticated.
It looked awesome.
I loved it. It looked amazing.
I really like my outfit a
lot.
I'd definitely wear it.
I pushed my bounds of what I
am comfortable with.
And I feel like I interpreted my
hat in a manner that was true
to my aesthetic and not just the
hats.
I love the way my garment
looks on the runway because I
love the way it flows, and I
love the way that it's
harmonious with the hat, with
the orchid.
She looks fabulous.
It looks amazing.
She looks like the sun.
I love her.
I can't even handle it.
I'm really, really proud of
myself.
I'm very happy.
Myself.
I see Tina Marie come down
the runway, and I really love
it.
And I think it looks very clean,
very polished.
It's got a little tinge of
drama and a little tinge of
sexiness and flirtiness, and I
think it encompasses a lot of
different things in one garment.
It's very me.
I couldn't be happier.
Going down the runway, I feel
really good about how my dress
looks.
I think that it looks fantastic.
Totally different than what I
normally do, but still
completely me.
And I feel good about this one.
Watching Cassie come down the
runway, I just feel like she
just looks so expensive.
I'm hoping the judges notice
that and that they really are
affected by it, because it's
a strong look.
And, at the same time, it's
believable that somebody would
actually wear this in their
everyday life.
I think I nailed it.
I am so impressed with myself
with the way that the outfit
turned out that I can't help
but get a little emotional, and
ekaterina looked so gorgeous in
it, and it looks like it was
made for her.
And it's like my baby.
It was beautiful.
I need to get over myself.
As I'm watching my whole look
go down the runway, it really
does look like she's going to
this futuristic resort.
I'm happy with it, and I don't
regret anything.
I love it.
It looks so elegant and, I
think, so chic.
And I think it worked so well
with this hat.
I think ify walked the
daylights out of that hat and
that dress.
She did such a great job.
And I think I can handle her
now.
When I saw my model on the
runway, I just think, Casanova,
you will be safe.
Whatever, Donna karan 1980s, you
will be safe.
I worked so hard on
completing a look and finishing
it to my liking.
But, you know, when I see it
walking down the runway, I don't
change anything in my head.
It's exactly what I dreamt.
If I call your name, please
step forward.
April.
Michael drummond.
Christopher.
Michael costello, please step
forward.
Valerie.
Kristin.
If I have not called your name,
congratulations.
Your scores have qualified you
to move on to the next
challenge.
You can leave the runway.
Let's bring out your models.
Oh, Christopher knocked it
out of the park.
Yeah, his looks great.
So sophisticated, but still edgy
and sexy.
Totally.
Like, I would wear that whole
outfit on the streets.
We haven't even talked about
Michael c's.
I think he's in the bottom.
It was way too easy.
Yeah, yeah, yeah.
I thought April was in the
top.
You don't think she's in the
top?
I think April's in the
bottom.
I think she's in the bottom.
Her shorts didn't fit right.
Valerie's in the bottom.
But her mask and her dress
don't have anything to do with
each other.
They have no relationship.
She missed the boat.
Michael drummond, tell us
about your look.
I was easily inspired by
your art, so I was also inspired
by architects.
This reminded me of a warrior,
and it also reminded me of a
farmer a bit.
And I don't mean that in a bad
way.
A warrior and a...?
A farmer.
Okay.
Yeah, because I remember this
sort of was to protect you from
the sun.
I kind of was inspired by the
sun.
It is a gold belt to sort of
reflect the idea of the sun and
light.
I think you did a great job
with this.
I love the shoulders.
I love that you made the
material.
You made the model look
fantastic.
And I think you really looked
at the shape of the hat.
Hats are part architecture, and
you've managed to make an
architectural outfit.
So how did you do the skirt?
I actually just made it a
tube, and then I crinkled it
and pressed it with an iron.
I think it's really cool.
I like how you manipulated the
fabric.
I like the texture on the
skirt very, very much.
I like the pleating.
I like the detailing.
And I like the silhouette.
I really do think it works
very well together.
And the other thing that I found
very interesting was the open
back.
Even from the back, it's just
very dramatic, and it
complements the hat beautifully.
Kristin.
I just looked at the lines
of the orchid.
But I decided to make the dress
more architectural, so I just
picked a nice solid black, but
just had, you know, the pop-up
color underneath, so that's
the story really.
An orchid is this incredibly
beautiful and sexy flower.
I look at what happened to the
dress, and I see no correlation
between the two other than the
fact that we have pink accents.
I think the black satin's
definitely not working in your
favor.
Can I see the back of the dress?
It just hangs around.
Yeah, there's no harmony to
the dress.
Here you have a girl with an
amazing body, and I don't know
what it's doing for her body at
all.
I think it looks like you
didn't have a plan with this
dress.
And the other thing is the
matchy toenails and the flower
shoe.
I don't know why you would go
so matchy-matchy and literal
with this.
Initially, I really liked
the idea that you emulated the
stripes of the hat on the back
of the dress, but I think that
the--I think it probably would
have needed something more
fragile.
Kristin, you've been very
quiet through all of this.
I do disagree.
I definitely did have a concept.
I didn't want it to be, like,
just tight and just where you
see the waist.
I wanted it to flow.
And that was my intention.
The dress that is up there
is very contradicting.
It's soft, but it's not.
Right.
You know, whereas had you
gone maybe with a lighter
fabric.
It's not architectural.
And it's not fluid either.
Okay. Thank you.
Christopher.
I absolutely loved, loved my
hat.
I didn't use any other hard
angles, because I felt like
there were so many points here.
So I wanted it to continuously
flow.
I was greatly inspired by the
feeling of, like, parisian
fashion.
Of a delicate woman, but also a
powerful woman.
I have to say I didn't
respond well to it.
It's too dark.
I would have liked to have seen
some color in there.
Something to make it a little
happier.
It seems sad to me.
Okay.
When I look at you trying to
kind of edge her up with that
black belt, with the black
boot, and with that Gray satin
legging, which is--I mean,
even a model can't wear that
legging.
It kind of loses the whole idea
of the hat.
And then she has this coat made
out of drapes.
There's no romance here to me
at all.
It feels very stiff.
It feels overly designed.
I think it's fighting for the
attention with the hat.
The fabric that you chose is
so heavy that you can't really
appreciate the lightness, and
that what's so fabulous about
this hat.
This needed something that...
It makes her look, like, held
down to the floor?
Yes.
Like, just heavy.
She's sinking in.
Rather than floating away.
You know, simplicity can be
beautiful rather than too
complicated.
Mm-hmm.
I don't see the connection.
There's nothing daywear about
the hat.
Right.
Michael.
When I look at the hat, it
has a hardness to it, but also
it has a playfulness to it when
you look at the stem here.
I notice that this movement
was transitioned into my dress.
And the fabrics to me were just
so beautiful, and I thought that
they just picked up the
beautiful tones in the hat.
I fell in love with it.
I think it's just a fun little
dress.
This is what harmony looks
like.
It's not matchy-matchy.
I love the idea that she's kind
of, you know, goddess of the Sea
without being a costume.
Can we see the back?
It looks effortless.
You know, when you wear
something that's draped and
asymmetrical like this, that's
what you want.
I knew right then and there.
I put it on the dress form, and
it just had this flow to it
that was just so inspiring.
And I was like, "ah, this works
with my hat."
The color of the hat and the
color of the dress are perfect.
I love that you picked a nude
shoe, almost to, you know, make
it disappear.
It's really not about anything
but...
The dress and the hat.
It is a great dress with the
hat, but I also think it is a
beautiful dress on its own.
And I think it was really
clever of you to use the
iridescence of the hat as the
coloring, and I think you've
done an exceptional job with
this.
Thank you.
April, tell us about your
look.
My sole inspiration was the
hat.
I liked how it had a very kind
of futuristic beach whimsical
look to it.
So I played with the lines by
doing different textures of
black and then just a pop of
pink to kind of bring it
together.
When I look at the vibe of
this, I think you picked the
right category
but the execution and the actual
pieces...
First off, I think it's very
literal.
When I look at this kind of
triple-panty--I mean, and the
panty is ill-fitting.
I guess if you're going for a
three-day weekend, it looks like
you layered your underpants for
the weekend, and each day you
kind of unpeeled and you had a
new panty.
Can I see the back?
Oh!
No!
I don't want to know why her
panty has a big black zipper
in the back.
I don't mind the top.
I think it's aually really
beautiful.
But I feel like you ran out of
time or you ran out of ideas.
You sold it short.
Literally.
Yeah, I didn't want to
overpower the hat, a I think
that's where I kind of got in
my dilemma.
This kind of hat, you could
have gone a lot further and made
a fantastic volume, but also the
whole outfit, it's just--it's
a little bit weak.
Okay.
Valerie, tell us about your
look.
I didn't want it to be too
literal.
Nor did I want it to be too
costume-y.
So I chose to use this scoop
neckline here, and then the
jacket, I wanted to show a
little bit of mix of hard and
soft.
When she takes the jacket off,
I feel like it's a very modern
take on the scoop,
edwardian-style reference.
You know, especially with the
back.
You know, the racerback is very
clean, it's very sexy, and
then the zipper is just very
consistent with the mask.
I think it's--it's beautiful.
It's actually one of my
favorites, because it is soft,
but still hard and sexy at the
same time.
I do love the white little
jacket.
I like that it has a zipper in
the back.
And it looks rlly well-made.
I like the idea that you have
this kind of handkerchief,
Stevie nicks kind of hem, but
it's actually very geometric
and neat.
You know, I think it's nice
that it's not expected.
Right, well, and I figured
because the lace was so
intricate, to do a lace dress or
do something with lots of
cutouts would be
counterproductive.
There's something very
mischievous and coquettish about
the mask that translatesnto
the spirit of your dress.
You know, the construction
of your jacket and the pattern
cutting and how you've made it,
it's beautiful.
But I really don't understand
how--personally, I don't
understand where it's coming
from.
Right.
I had thought about an evening
dress, but I felt an evening
dress would be expected.
So kind of wanted to do
something a little off-the-cuff
and a little more modernized
and a little more me.
Okay.
Okay, we've heard what you
had to say.
We're gonna have a little chat.
And then we'll bring you back
out.
You can leave the runway.
Hi.
So they loved yours, Michael?
They absolutely loved it.
The first word that Michael kors
said was "harmonious."
They all said so much good
stuff, I forgot what it was.
They didn't say anything bad
about it.
They just really loved it.
They said that the execution was
great.
Not only does it complement the
hat, but even without the hat,
someone would look great in it.
It feels good.
It really feels good to be down
there and finally get my
crique from them.
They didn't like yours?
They didn't like yours?
No.
Christopher, they didn't
like yours?
None of 'em liked it.
They were like--heidi was like,
"it makes me feel sad."
And they didn't really like
the styling.
They didn't like the boots.
I was really shocked.
It's intense being up there,
man.
Second time in the bottom.
How did you articulate?
I went towards resort wear,
because that's what the hat
reminded me of.
Don't get teary-eyed.
Oh, .
What the .
It's okay to cry.
It's really fine.
Well, it's just--it's just--
the thing that upsets me is
that I thought that--I was
really confident with it, you
know.
I just felt like it was so me.
So that's why I was rely
confident.
But, yeah, it is what it is.
It sucks.
Let's talk about the
designers that we didn't like
so much.
Let's talk about Christopher.
There was no sense of
fragility to what he did at all.
In fact, she looked very heavy
and leaden.
I really think that
Christopher thought that this
look was really edgy.
It looked dated.
It looked stiff.
It was overly designed.
Yeah.
And bad taste.
Also the girl is possibly
the most beautiful, stunning
girl, and it made her less
beautiful.
If there's any plus, there
was form to that jacket-vest,
whatever you want to call it,
but I think if you would have
seen that vest worn with
something ethereal, without the
belt, with something light, I
think you would have had
something there.
Okay, let's talk about
Kristin.
The design itself, the
color, and then the actual
fabric and how to execute it, it
never came together at all.
It looks like she had no
plan.
The hat looks summery.
It looks happy.
And the fabric does not look
happy.
And just because it has strong
pink in it doesn't make it
happier.
This was not joyous.
Any positives?
Yeah, I think she has some--
brings a different element.
She has a talent for her
aesthetic.
Okay, let's talk about April.
She's got the triple-panty
problem, which I think the idea
is ridiculous, quite frankly.
But the jacket I didn't think
was that bad.
Potentially, if it was all
made perfectly, potentially,
it's fine, but it is their
moment to shine rather than
blend.
There's something not
working.
I have to say the only thing
that I like about April is she
made a top and pants.
Even though it didn't work.
But she di't go for the little
dress.
You know, which is more of a
safe thing.
Okay, let's talk about the
designs that we did like.
Let's talk about Michael c.
There's something very
effortless about Michael c's
design.
You know, the colors, the
pulling in that shimmer from
the hat, the color of her hair,
lipstick, just was really
perfect.
I think so too.
I think Michael c really
managed to pull the whole
thing together without it
matching.
I think in mood, in texture,
in color...
That is the most cohesive.
Yes.
You know, I mean, it all kind
of converged and worked.
We also liked Valerie's
dress.
There's nothing offensive
about it.
But it's not the most stylish of
combinations, personally.
We liked it, didn't we?
I liked it.
I liked the bolero.
I think it gave it a little
pop of happiness, because it is
quite severe.
And it's flirty, but it's still
a little hard and cool on the
top with the white.
You know, I actually liked
the fact that it looked
polished, it looked well-made,
it looked well-tailored.
It was well-made, and it was
well-constructed.
I think in this instance
I'm happy that she didn't do a
black chiffon and lace gown.
Yes.
Let's talk about
Michael drummond.
I really love the top.
There's something very simple
but complicated.
The color of that skirt, it's
lovely.
It's different.
It has an originality that I
haven't seen everywhere.
And how he used the materials
and made the fabrications in a
day, it's impressive.
He definitely played with a
lot of different volumes and
with different textures.
I think that the pleating
that he did on the orange skirt,
not only did it give you texture
and dimension, it also did
something great for her body.
He's obviously talented.
So we've made our decision?
Yeah.
Okay, let's bring them back
out.
The six of you had the highest
and the lowest scores.
One of you will be named the
winner, and one of you will be
out.
One of you ll be named the
winner, and one of you will be
out.
Valerie, you're in.
You can leave the runway.
Thank you.
Thank you very much.
Michael costello...
You picked the perfect
silhouette and material, which
made the dress look impeccable
and effortless.
Michael drummond, your look was
gorgeous.
It was sophisticated, sharp, and
architectural.
Michael costello...
Congratulations, you are the
winner of this challenge.
Really?
Thank you so much.
Thank you.
You will also have immunity
for the next challenge.
You can leave the runway.
Thank you.
I cried, and I could cry
right now, I'm so--you have no
idea.
I felt like I won the whole
season.
Hi.
Is it you?
I won.
Yay.
I almost cried, I was so
excited.
What the ?
Oh, my God, I said it.
What a feeling.
Winning this challenge, I think
it validates me here to the
other designers, and they see
Michael is capable of, you know,
making a dress.
I bust out a whole collection
in a half a day.
Right.
I feel like he is a
replicator.
He's not a visionary.
I want to celebrate.
I want to go out tonight.
Like, really, Michael c on
the top and winning?
And me and Gretchen not even
being on there?
Seriously. Seriously.
Michael drummond, you're in.
You can leave the runway.
Christopher.
You're in.
You can leave the runway.
Thank you.
Ya--yay?
They can't send you home.
You're too fabulous.
Yeah, there was no way you
were going home for that
beautiful outfit.
No way.
And you're such a handsome
boy.
Don't use taffeta.
We were shocked, 'cause when
you were out there, we're all
in here going, "you were in the
top with these guys."
Oh, no. No, no, no.
I was not in the top.
Kristin...
April...
One of you will be out.
Kristin, you had one of the
most fantastic hats to work
with.
And your mostly black dress was
disappointing.
It was not complementary to the
joyful spirit of the hat.
Also the fit was unflattering.
April, your look confused us.
The triple-panty was completely
unflattering and too
matchy-matchy to your hat.
You had a wow hat to work with.
And you gave us a blah outfit.
Kristin...
I'm sorry. You're out.
April, that means you're in.
You can leave the runway.
Thank you.
That's a smile.
That's a smile.
Are you in?
Are you in?
Oh, my God. Oh, my God.
I'm not ready to lose you
yet, baby.
I'm wearing this tonight
then.
Oh, gosh, that's gonna be...
You and I...
Bottom two twice.
We cannot...
We cannot...
Alejandro, no more.
>>Auf wiedersehen.
All the best to you.
Thank you so much.
Thank you.
Thanks, Michael.
I'm sad that I have to leave,
but I'm so happy to really get
back to the real world.
Yeah, I'm relieved.
I'm relieved--I'm relieved to--
it was my time to go.
Don't look like that.
Well, sit down.
Sit down.
No, but it was really great,
you know, just meeting you all.
I think you all are so talented.
And I'm so happy for you.
Thank you, babe.
I'm really happy for you.
Thank you, babe.
Hi.
Hi, Tim.
Tim!
How are you doing?
Kristin.
Oh, Tim.
Mwah.
So I have to send you to the
workroom.
Yes.
To clean up your space.
Yes.
Okay?
Bye, Kristin.
Bye, Kristin.
Bye, honey.
This was a great experience,
and I'm really happy that I got
to be on here.
And I'm very confident in my
own abilities.
You know, it's not the end for
me.
I mean, this is just the
beginning.
That was the worst day of my
life.
That was the worst day of my
entire life.
If I'm in the bottom one more
time, I'm seriously gonna
seam-rip my Face off.
Yay.
Wait a second, we got to talk
about the winner here.
Michael c?
I was so Surprised.
I thought he was in the bottom.
I saw his dress.
It was like a total mermaid
thing.
It was hideous.
I saw it.
He asked me my opinion.
It looked like mae West.
Congratulations on your win.
I know. Shocking.
But well-deserved.
It was two handkerchiefs
ruched on a piece of cord and
wrapped around.
Philip treacy loved my dress.
That's so awesome.
I just don't like
Michael costello's aesthetic.
Now we're gonna have to hear
about it for days.
This apartment needs three
damn winners, okay?
Deal.
Next time on
Project Runway...
For this challenge, you will
be working in two teams of six.
All those egos over there
just gonna be buttin' heads.
This is gonna be gathered.
I'm lost.
Come on, man.
, I'm Tired.
Tell us what you want to do,
and then we'll figure out how
it all works
no, that's not how a team
challenge works.
It has no design.
The colors are ghastly.
who is the weakest designer
in your group?
Someone's going down.
That's the truth.
Project Runway...
I love the unconventional
challenges because they give
you an opportunity to work with
materials you wouldn't work with
otherwise.
Do you guys have plastic
tiaras?
We are not making a pinata.
We are making a dress.
I can't seem to figure out
how to make it into something
that I like.
How's it going?
Are you gonna make it?
I have no time left.
To think that this is just a
dress made of ribbon material
from a party store,
i think that's remarkable.
To me, it's kind of a really
strange mix going on.
Andy, congratulations, you
are the winner of this
challenge.
Thank you.
I'm sorry, Sarah.
That means you're out.
How you feeling right now?
You feeling a little better?
Ivy just fainted.
I'm just really scared for her.
This is Project Runway.
Yes!
Let's go!
The search for the next big
fashion designer.
I was born ready.
You know you love this.
You're either in...
Or you're out.
It's about fashion.
Who will be the next great
fashion designer?
I'm the best there is.
17 designers...
This is my chance.
Three finalists...
But only one can be
the winner.
It's Fashion Week, or go
home.
I've come way too far to
lose.
For these 17 designers,
Project Runway is the chance of
a lifetime.
The winner of Project Runway
will receive $100,000 from
L'Oreal Paris to start their own
line, a fashion spread in
Marie Claire magazine,
a $50,000 technology suite from
HP and Intel to create their
vision and run their business,
and the opportunity to design
and sell an exclusive collection
The model paired with the winner
of Project Runway will receive a
fashion spread in Marie Claire
magazine and $25,000 from
L'Oreal Paris Studio Secrets
Professional.
Okay, give me a sec.
She's in the hallway.
Just try and breathe, nice
and easy.
Almost immediately, ivy
passed out.
Nice, easy breaths.
Ivy just fainted.
And I'm worried because I know
they have to take her to the
hospital, and I...
It just seems really serious to
me.
How are you feeling right
now?
Do you feel a little better?
Still feel a little dizzy?
I'm worried if she's gonna be
okay, if she's gonna go home.
I think I'm really worried now.
Ivy, the minute we went to the
workroom, it was like, bam, the
girl was on.
And I think she just stopped
taking care of herself.
It was more important to get the
dress done.
Yeah, she was stressing so
much.
I don't think she ate a lot.
The girl drinks a lot of diet
coke, and smokes a lot, and you
know, maybe the coffee thing...
Stressing.
Yeah, and she's stressing.
At least we know she's in
good care, and she's at the
hospital, and they're gonna do
their best to make sure that...
She'll be okay.
She'll be all right.
Project Runway 8x04
Hats Off to You
Original Air Date on August 19, 2010
I just got released from the
hospital, and the doctor gave me
the okay that I can go back to
work.
The end result was just
dehydration.
And I feel so embarrassed that
it happened.
If there's one lesson that I've
learned, it's to definitely take
care of the body.
I am really looking forward to
the next day and creating my
vision that I got inspired by
the hospital room.
Hello.
Hi.
Andy, you were the winner of
the last challenge, so you will
have immunity and cannot be
eliminated this week.
I am really excited about this
next challenge.
And you are about to see why.
Let's bring out your models.
Oh, my gosh.
Wow.
Oh, my God.
Isn't this amazing?
Yes.
Every hat, one after the
other is just as fabulous, and
breathtaking, and a piece of
art.
And I think to myself, "I am so
happy to be here right now."
I'm excited to introduce you
to the artist himself.
He designs for the most
beautiful women in the world--
from Sarah Jessica Parker, to
Lady gaga...
Philip treacy.
Hi.
Mwah!
Welcome.
Thank you.
Hi.
Philip treacy is an amazing
hat designer.
I don't even know if I would
call him a designer as more of
an artist.
He's a craftsman, and he is
phenomenal at what he does.
Designers, your challenge is
to create a look inspired by
and worthy to be worn with one
of these works of art.
To have your dress being worn
with one of his hats?
That's, like, the Holy grail,
dude.
That's--that's big time.
Philip, do you have any
advice for them?
I think you have to think in
terms of the volume and the
proportion that will work with
the overall silhouette of the
person.
And matching is old hat.
That is good advice.
Andy, you won the last
challenge, so you get to pick
your hat first.
You will also be working with
the model that is wearing your
hat--all of you will.
I'm going to stick with
my Cassie.
Thank you.
April.
The first hat that I am drawn
to is the one that ify's
wearing.
I think that it's super cool.
But ify's a difficult model to
work with.
I'm gonna stay with millana.
Michael drummond.
I'm going to stick with my
model, zhanna.
And that's my favorite hat.
Michael costello.
Lenka.
Love you.
Thank you.
Peach.
My model, ify, oooh!
Her attitude is awful.
But she's a tall, lanky, thin
girl.
She's stunningly beautiful.
I'm going to stick with ify.
Thank you.
Gretchen.
I have a fetish with
feathers, so I'm going to stick
with my model, Alexandra.
Christopher.
I'm staying with my Rose.
Mondo.
Eyen, I would love to work
together again.
Thank you.
Thank you.
Ivy.
I would love to stick with
ekaterina.
Thank you.
A.J.
Every single time, we seem to
make it work, so I'm going to
stick with you, amare.
Thank you.
Valerie.
I'm not crazy about her hat,
'cause it's not really a hat,
it's more of a mask.
But I really wanted to stay
loyal to my model.
This mask-hat seems pretty
tricky, but my model and I seem
to have a pretty good thing
going.
So I'm sticking with Tina Marie.
Thank you.
You're welcome.
Casanova.
Well, I will stay with my
sarae.
Kristin, kaven is left on
the runway, and you will be
working with her again and this
beautiful hat.
I love orchids.
It's one of my favorite flowers.
But damn, you know?
It's so in-your-face.
Okay, Philip will be our
guest judge.
Good luck with this challenge,
and I'll see you on the runway.
Bye, everybody.
Bye.
Hello, everybody.
Hi.
How excited are you?
Way, very excited.
We have the hats in the
designer lounge.
There is a photograph of each of
your hats on your hp touchsmart
notebook.
Now you have until 11:00
tonight...
So your 15 minutes of sketching
begins now.
And then we're going to mood,
where we will have a budget of
$150.
Whew.
Okay?
Thank you, everyone.
Thank you.
The hat I was given reminded
me of something that you'd wear
in the future to some kind of
island.
So I wanted to do a resort-wear
outfit that was complementary of
the hat, but still accented it.
I see this hat being worn on
the head of a woman who is part
of the royal family.
It feels good to not worry
because I have immunity, and I
have a really good chance of
winning again.
I'm a huge David bowie fan.
So I thought of labyrinth, and
I thought of the leather, and
spandex, and the high collars,
and low-scooped baroque corseted
dresses.
I think I might do something
that points a nod to those
things.
But a little more modern, and
edgier, and understated.
I know what I wanna design.
Like, this halter that would
drop down and just have the
circular movement that it had
with the hat.
I know that this dress is gonna
kick ass, and it's gonna be
amazing.
So this hat is completely
architectural.
And it is framing my model's
face so well.
And I just want to be able to
mimic that.
And I think that this hat speaks
of a warrior.
Back at home, I'm inspired by
my garden.
But here, having a flower as a
hat?
Oh, goodness.
This is gonna be tough.
This really is gonna be a tough
challenge.
You like yours?
For me, yours is the risky one.
It is risky.
All right, designers, let's
head off to mood.
Follow me.
So excited.
It is exciting.
I'm so excited.
Thrilling.
It's Philip treacy!
Let's go.
There's a million, trillion
fabrics to choose from.
I think they all have voices,
and I'm hearing them.
While I was in the hospital,
I saw the curtains that were in
there.
And I really liked the contrast
between the solid and the mesh
fabric.
So I'm thinking that would be a
really nice detail to have in
the back.
So it was very serendipitous.
I'm just trying to see if
this is the right fabric for
that.
Is that too--I don't want
anything too shiny.
It's not playing second
fiddle to the hat.
It needs to be a good marriage.
Right.
Hold your feather.
I got this.
No, it matches my hat perfectly.
It has the silhouette of it.
You're right.
It does.
Oh, homage-age.
All right, designers, time
is up.
$147.55.
$147?
And 55.
Nice.
All right, everyone, let's
head back to the workroom.
Thank you, mood!
Thank you, mood.
Off we go.
I'm a little nervous.
Ooh, what happened here?
I'm thinking seriously to quit.
What happened?
I'm not sure if I'm able to
hear more stuff, like before.
Casanova, don't say that.
I believe in you.
You can do it!
Casanova's kind of being a diva,
but I mean, it's expected coming
from a queen.
But there are times when it can
be a little much for everyone in
the workroom.
The judges, they know that I
sew very well.
But maybe they believe that I
don't have taste.
And that's the thing that I have
to do in the next challenge,
to show my taste.
No, you're really not.
No, I didn't get a zipper for
my dress.
You know what, I thought
about the same thing.
I can't believe I didn't do that
either.
Well, I've got this--
no, I didn't.
Oh, my God.
You're smart enough to do
this.
You know, Murphy's law, dude.
I tell you what, that guy Murphy
and I are not friends.
I have an extra one if you
need one, but it's not in black.
Ooh, what color is it?
White.
That's fine.
Is it invisible?
Yeah.
It's a flower.
It's the hat.
This is really gonna be a tough
challenge, because it's so
literal.
And I'm not used--I don't do
literal.
I don't do literal at all.
To me, all the other hats have
such great possibilities.
I mean, you could make the story
your own.
How do you make a story out of
an orchid?
I don't really know.
Um...I don't know what I'm
gonna do.
Coming up on
Project Runway...
Haven't we all seen this
dress a hundred times before?
Yeah, you think?
I'm not going to dissuade you
from being concerned.
You should be.
What am I doing?
What the hell am I doing?
What if I made something
like--
ah.
Ten hours, everybody.
That's it.
Not that much time.
Ten hours.
Our challenge is to design
a garment worthy enough to be
worn with one of Philip treacy's
hats.
You are in awe just of the
presence of his designs.
My scissors are gone.
You know, there are moments
that I get a little, like,
jittery in my belly, and I'm
like, "oh, crap, I could totally
blow it and be in the bottom."
Just, I have to keep working
harder.
Anybody have, like, a black
knit?
As far as time wise, I'm
looking at the clock and I think
I can do this.
I'm feeling confident.
Just don't wanna pass out again,
like last time.
Ah.
I'd have just loved to have
gotten yours.
I'm inspired.
I wasn't at first, but now I'm
like, "oh, my God."
At first this challenge scared
me, because I'm like, "what am I
going to do with this orchid?"
I want it to be an evening--
like, a black evening-ish dress,
but with a little bit of whimsy
in it.
But then I thought this would
inspire me because, when I got
married, I actually had orchids,
you know, in my hair.
And I needed to do something
that conveyed romance, that
conveyed l le.
It's also very provocative
somewhat.
It is very provocative.
I was like, ooh, she's gonna
meet her lover.
Oh, my God, where's my husband?
But Whoo!
Flowers have both male and
female organs, so.
You know, it's walking sex.
The hat brings out your sexy?
Yeah, well, look at it.
It's just a big vagina.
Wait, so what are you trying
to tell us?
Vagina makes you excited?
Well, doesn't it--oh, never
mind, look who I'm talking to!
Kristin, she's a character.
Oh, thank you!
I think Kristin's crazy.
I needed that so bad.
Wow!
I'm serious.
I hope I get to talk to my
son today.
Oh, that's right, happy
father's day, honey.
Thank you.
I have my son, Giovanni.
He's six years old, love of my
life.
Happy father's day.
Happy father's day, Michael.
Thank you.
Anyone else a dad around
here?
No, not me.
What do you think?
"If that's your style.
It's not mine."
I think Michael c is an
insecure designer.
And I don't think he has his
vision yet.
His dress, it's a hot mess.
Do you have a seam down the
front?
Yeah.
Mm.
Uh.
I am a few hours into my design
right now.
I'm telling myself that I love
it when I really don't.
Damn, I don't even know what
happened here.
This is a big deal, and my dress
sucks at this point.
How is everybody?
Good.
Good, excellent.
Hi, Valerie.
Hi, Tim.
So talk to me about what
you're doing.
I wanted to do a jacket.
Mm-hmm.
She has red lips, and the
black mask.
I decided to mix the soft with
the hard in using this white
faux leather for the jacket.
And I'm also putting the black
zippers here on the chest.
Do you think the zippers are too
heavy?
Killing me with your silence.
My feeling about these things
in general is if they don't have
a purpose, why have them?
Well, it's a design detail.
I feel like it's the hardware of
the dress, and it gives it a
little more edge.
But it also needs to be
necessary because with just as
much frequency the judges talk
about editing.
Right, right.
You know?
Did you really need that?
Right.
You can play with it.
Right.
Zippers are my favorite part.
So I really want to take his
advice, but at the same time, he
does remind me that I need to
stay true to myself and it's my
decision.
All right, thank you.
Thank you.
April.
Hey, how are you?
I'm good. Talk to me.
What did that hat say to you?
Well, I really liked it,
'cause it was kind of modern,
but still avant-garde.
Mm-hmm.
I wanted to do hot shorts and
a jacket.
I don't think the runway is
really the place for Booty
shorts, nor do I think designing
for a Philip treacy hat is the
place for Booty shorts.
For me, for the cut of the
short...
Mm-hmm.
And the color of the short...
Mm-hmm.
It really says "diaper."
Especially it's quilted, so
there's a thickness to it.
I mean, I totally would wear
them if my butt was that small.
But it's not, so.
I think the shorts are a cool
idea and a risky idea at the
same time.
Thank you.
Thank you, see you later.
Michael.
Hi, Tim.
What is this?
It's just a pleated fabric of
some sort.
Maybe it's a blend.
It's fabulous, though.
Basically, I figured if I
mimicked the line--like, the
opening here, it will open her
up more.
Because it's very heavy.
I do know that it could easily
step into a place that's Sci-Fi
fiction fantasy.
But do you know something?
But I'm okay with that.
You want to walk the
precipice, you want to.
Oh, no, I don't know what
that really means.
You don't wanna play it safe.
Got you.
I don't wanna--you're right.
And you don't want it to be
a kooky costume.
Don't.
So it becomes a matter of
taste.
Mm-hmm.
And when it's a matter of
taste, we don't know where it's
going to go.
But as long as you have the
confidence in your look, in some
ways it doesn't matter.
Mm-hmm.
All right.
Thank you, Michael.
Thank you.
Can't wait to see it.
Come here, chica.
We got work to do.
So how's Kristin?
Okay.
You know, I have the orchid.
Yeah, I know, it's stunning.
It's stunning.
This looks fussy.
Yeah, it does.
Just doesn't look modern.
It gets on my nerves too.
Yeah, that gets on my nerves
too.
So there we go, gone.
Kristin, I really don't like
her work.
I feel like it's really sloppy
and not very thoughtful.
I did wanna add a little
shrug to it, but...
Why?
What if I made something...
Ah!
Thank you.
It's gone. Okay.
All right.
Thank you, Kristin.
Okay, thanks, Tim.
The woman who can afford that
hat...
Yes?
Would be able to afford a
polka dot dress where the polka
dots line up.
Okay.
And they don't on your dress.
Okay.
I thought I'd do a really
short pencil skirt.
A really short pencil skirt.
What do you mean "really
short?"
Like, you know, 15, 16
inches, not up...
Yeah.
You know, to show the good
china.
Hey, Tim.
Wow, look at all this fabric.
Making a pant, and then it's
going to have this waistband.
Not a fully exposed zipper, but
it'll be laid in there.
It's a lot of look.
Right, it is.
But that's what I do.
Christopher, I'm crazy about
this print.
I love this print.
I wanted her to have an open
neck to allow for the angles of
the top.
Yeah. Oh, I agree.
So I, like, gave it a lot of
kick of, like, fabric in here.
So I think on the runway it will
flow, like, open.
Hmm.
It's, like, I feel like I've
just been this steady as she
goes.
Like, slowly going up.
But never quite there.
And then I got a lot of buttons
to kind of...
I thought maybe these could
be really interesting on the
leggings as well.
To kind of give it a little bit
of energy.
I just wonder if it's gonna
seem like you're trying too
hard.
You're right.
Absolutely.
All right, Christopher, thank
you.
Thank you.
I feel awesome about my
design.
I have no concern, until Tim
comes to my table and say...
Haven't we all seen this
dress a hundred times before?
Yes, you think?
And to me, it says,
"Donna karan, 1988."
I cannot make any more
mistake.
I already did mistake enough.
I'm not like a cat with seven
life.
When you see this hat, do you
think who would wear the hat?
What kind of person would she
be?
Oh, my God!
Nobody wear the hat.
It's very editorial.
Editorial?
Editorial.
Well, in fact, people do wear
Philip treacy's hats.
For me, the dress is more
wearable.
Oh, it's very wearable.
That's one of my concerns about
it.
So the dress should be not
wearable?
No. No, no, no, no, no.
It's almost as though you went
shopping, bought a dress, and
you're putting it on your model,
and she's wearing Philip
treacy's hat.
Mm-hmm.
All right.
I don't know what else I can
say except finish it superbly.
Okay?
Okay.
All right.
Casanova, he has strong
sewing skills.
And I feel like, with proper
guidance, he could do really
well.
Thank you, Casanova.
Thank you.
So, Michael, how's it going?
Not exactly as I'd hoped for.
Talk to me.
Well, I've never worked with
this kind of fabric before, and
it created, like, a little
puckering detail that's driving
me insane.
So that's my big concern.
It--I mean, I'm not going to
dissuade you from being
concerned; You should be.
That's what I thought.
I feel so bad about this
dress, but...
Change it up.
I agree.
You have to.
At least you know it.
Yeah.
How am I gonna make another
dress in a short amount of time?
How am I gonna do this?
All right, Michael...
Go make it work.
Pack my Bags, I'll
just go home.
I'll just go home.
Coming up on
Project Runway...
Why would you send a diaper
down the runway?
I don't think he has any idea
what is modern.
He's afraid of it looking
like a cardboard box.
I think it's gonna be peach,
Kristin, and April in the
bottom.
All right, designers, I'm
leaving you for the evening.
Some of you have some very
important decisions to make.
I trust that they will be made.
And the winner of this challenge
will have immunity and cannot
be eliminated from the next
challenge.
All right?
I will see you in the morning.
Work hard.
And get restst!
I decided to take Tim's
advice, and I cut that sucker
right off the mannequin.
I start playing with some other
fabrics, but I'm not feeling too
confident at this point.
Michael costello, he has a
lot to learn.
He didn't bring a ruler with
him.
At least to help you with a
straight line.
I mean, there are many ways to
skin a cat, but you should
probably bring a knife.
Are you done with your dress
already?
Almost.
I need to make a hem and put a
zipper, and that's it.
Uh-oh.
I think April, her stuff
still looks like student work.
And I think her work is too
costume-y.
I think she's probably gonna go
home soon.
Thanks, mom!
We miss you a lot.
Oh, he did?
Let me talk to him.
Dad, I didn't really catch a
fish.
You didn't really catch a
fish?
Being able to talk to Giovanni
really put me at ease.
You know, 'cause he's my boy.
I love him to death.
When you'll be back?
I don't know yet.
I needed to hear from him.
My mind was in a crazy place.
Love you, baby.
Bye.
Bye.
I think you have to, as a
designer, go with your gut
feeling but know when to stop.
That's why it's good when you
have somebody like Tim come in
the room because he kind of
puts you back on track.
I had this other really
beautiful fabric, and I got an
idea and I just went with it.
I think I'm on to something
that's really beautiful and very
sophisticated.
Michael c's look, he
sometimes just goes
over-the-top.
His taste level is a little bit
questionable at times.
It needs something, because I
feel like....Look.
Definitely leggings.
Oh, the back is nice.
I like the back.
I actually like it now.
What we're gonna do is just
tweak it a little bit.
Like, that's totally the ticket
right there.
Yeah, I like this.
Don't get depressed 'cause
we're not winning.
No, because we are.
'Cause we're doing really
well.
I don't know what she's
thinking.
All the judges are gonna be
like, "why would you send a
diaper down the runway?"
It's really feminine.
Let me look at you next to
it.
Yes, yes!
I like my garment.
I like the way it flows, and I
like that it's romantic.
You know, I'm feeling good about
it.
She have a lot of idea how to
make a big mess around the body
of the model.
But it's not design.
Yeah.
We're done, we're good.
I'm crazy.
Like, I have to finish this
thing, and I didn't even make my
skirt.
And everyone's like, "what about
your skirt?
What about your skirt?"
I'm out of time and I'm out of
trick ponies, so.
But they're all, like, secretly
happy.
Let's go home.
Did you guys get a chance to
look at anybody's work?
No, I didn't.
Can we trash talk for a
little bit?
You know, I liked Casanova's
at first.
I don't know if I like it now.
I don't think he has any idea
what is modern and fresh.
He's making old Lady clothes
again, right?
Is that what you heard?
Is that what you heard?
Yes.
He said Donna karan, 1980s.
Michael drummond with that
cardboard.
I actually like it.
But he might--but I don't
know what he's gonna do with it,
though.
Like, it fits well,
but, like, he's afraid of it
looking like a cardboard box.
Well, the fabric looks like
a cardboard box.
So who do you guys think is
going home tomorrow?
I think it's gonna be peach,
Kristin, and April in the
bottom.
I am nervous about tomorrow.
Why?
Yeah, 'cause I have a nice
little dress.
But it's a nice little dress.
I'm afraid to--
yeah, but how does it look
with the hat?
You know, I don't know.
I don't know.
Well, that's what matters.
I'll find out tomorrow.
Mm.
And Heidi likes short, and
tight, and shiny.
Whatever, you know.
'Cause, like, you know, I only
care--I care more about what
Philip thinks.
You know, but I don't want Heidi
to, "well, it's not short..."
You know?
I don't want, you know...
We'll see.
I have to see it.
I haven't seen your dress.
I wish you didn't tell me
that.
Coming up on
Project Runway...
I see some worried looks
around here.
Stop doing this, machine!
Agh!
It may take a stick of
butter...
Ouch, ouch.
But I'm going to get this
girl in this dress.
Coming!
Ivy...
That's--
whoa, sorry.
♪ Da, da, da, da ♪
you know, even if I have
immunity...
Like, I know I can't go home
today, but I don't wanna, like,
mess up.
I'm afraid for April because
her garment really, really does
look like a diaper.
Who do you think's gonna be
in the top?
I think I could be in the top
two.
I just want a critique.
I've just been in the middle,
and I'm tired of not at least
getting feedback, whether it's
positive or negative.
Are you going as the hulk
today?
Why do you have all that green
on your face?
Because too oily.
It's a nice look for you.
Thank you.
All right, let's go.
Where's my sanity?
April, no sanity, no dignity.
Let's go.
Ready to go.
Good morning.
It's runway day, but I still
have the back of the jacket to
drape, I still have the zipper
for the skirt, the hem of the
skirt.
It's kind of a lot, but I know I
can execute things beautifully
and quickly.
Hemming the skirt for me
just is what scares me the most,
because hemming a skirt can take
a long time.
So yeah, I'm a little nervous.
You're going so fast.
Stop doing this, machine!
Agh!
Bad machine.
Good morning, everybody.
Good morning.
It's a big, big day.
It's your Philip treacy day.
So you have two hours to send
your models to the L'Oreal Paris
makeup room and the garnier
hair salon.
And remember, with the piperlime
accessory wall, this is about
your design and Philip treacy's
hats, so be very thoughtful
about how you use it.
I see some worried looks around
here.
Everyone all right?
Okay, I'm sending in your
models.
Thank you.
I think if there's enough
time, I'm gonna try to make you
a different skirt.
Okay.
Oh, my God.
You guys. Oh, jeez.
I think I brought it in from the
workroom.
All right, you guys, don't
get crazy over there.
I think it's gonna work.
Let's go. Hurry.
Hi.
Superstar.
I've got this crazy hat.
And I love it.
So I just want it to be--think,
like, finger, a little messy.
A little texture.
Fantastic.
Okay.
If you could just stay true
to the hat and just kind of hide
the hair.
So just really decompress
the bun so it, like, almost
disappears, right?
Yes. In your language.
Perfect. Yeah.
Instead of a bun, you want
a roll.
Mm-hmm. I want a roll.
You don't want princess Leia?
I love exactly how he did it.
It looks like soft, soft blush
and then the light pink, baby
neutral lip.
Okay. Excellent.
I would love to add this
mustache on her with liquid
eyeliner or something.
'Cause she's doing menswear
today.
Okay.
All righty?
Have a seat over here,
handsome.
I wanted to make sure that I
did a dress that really
complemented that hat, and,
hopefully, the judges, they'll
be impressed with that in such
little time.
I do not expect Michael c
in the top.
The dress that he made--every
girl from Puerto Rico have the
same dress in their closets.
Decisions. Decisions.
I feel confident going to the
runway with my look.
A lot of the girls like the
shorts.
Millana liked 'em.
I thought they were cool, and
it's trendy right now.
Are you still using that
butterfly bracelet?
Yes, and I love that
butterfly bracelet.
Right, well, you better put
it on there before I snag it.
The concept of my dress is to
really make certain that the
dress and the orchid as a unit
convey romance and love.
I'm happy with mine.
I'm totally loving it.
I really like the styling.
Really, really.
I have gotten so many
compliments on it.
So many people have said, like,
"Christopher, I think that you
have a chance to get this one."
I hope you win.
I want to win.
It looks really small in the
waist.
Yup.
It's looking pretty tiny, and
I thought, well, it may take a
stick of butter, but I'm going
to get this girl in this dress.
Ouch. Ouch.
Well, pin it there...
I think it's nice that
Philip treacy is there because
he is so avant-garde and
creative, and it's exciting to
see what his opinion is.
Who made this?
Andy.
Andy.
It's clever to pick up the
shimmer.
Yeah.
Rather than the color.
Who made this?
Casanova.
Okay.
Why on earth do you have a
mustache?
I'm a little worried about
this thing, but it's okay.
Yeah.
When I put this look
together, I decided to go with
boots, 'cause I thought that
kind of made her a little bit
hipper.
So when I styled her, it was
like, oh, my God, she kind of
looks like chic pirate a little
bit.
I am feeling nervous.
My hands are shaking.
I'm trying to keep it together.
I'm doing self-affirmations
like telling myself I can do it,
I can do it.
And it really, really needs to
be perfect, so I'm just trying
to sew as quickly as possible
'cause I'm not sending anything
down the runway that's not
executed well.
All right.
All right, designers and
models, let's go down to the
runway right now.
Follow me, please.
Peach.
Coming!
Ivy.
Oh, sorry.
That's it.
That--what--blah!
Huh. That was a first.
Coming up on
Project Runway...
I think it looks like you
didn't have a plan with this
dress.
I have to say I didn't
respond well to it.
May I see the back?
Oh! No!
♪ Ba ba ba da da da ♪
♪ ba da da da ♪
♪ da da da da ♪
♪ I've been ♪
♪ kissed by a Rose ♪
♪ on the Gray ♪
hello.
Hi.
Welcome to the runway.
As you know, in fashion,
one day you're in and the next
day you're out.
There are 13 of you here, and
after tonight, there will be 12.
Your challenge was to create a
look inspired by and worthy to
be worn with one of
Philip treacy's amazing hats.
I'm a longtime fan of his work,
and today I'm also wearing one
of his masterpieces.
Okay, let's meet the judges.
First we have top designer
Michael kors...
Hey, guys.
Fashion director for
Marie Claire magazine,
Nina Garcia...
Hi, everyone.
And we're very excited to
have famous hat designer
Philip treacy.
Hi.
Well, we'll score your
designs as they come down the
runway.
One of you will be named the
winner, and one of you will be
out.
Okay, let's start the show.
♪ ♪
I'm thinking, oh, lord.
Damn, well, that look good.
And I think the combination
between my dress and
Philip treacy's hat is
absolutely stunning.
So elegant.
So sophisticated.
It looked awesome.
I loved it. It looked amazing.
I really like my outfit a
lot.
I'd definitely wear it.
I pushed my bounds of what I
am comfortable with.
And I feel like I interpreted my
hat in a manner that was true
to my aesthetic and not just the
hats.
I love the way my garment
looks on the runway because I
love the way it flows, and I
love the way that it's
harmonious with the hat, with
the orchid.
She looks fabulous.
It looks amazing.
She looks like the sun.
I love her.
I can't even handle it.
I'm really, really proud of
myself.
I'm very happy.
Myself.
I see Tina Marie come down
the runway, and I really love
it.
And I think it looks very clean,
very polished.
It's got a little tinge of
drama and a little tinge of
sexiness and flirtiness, and I
think it encompasses a lot of
different things in one garment.
It's very me.
I couldn't be happier.
Going down the runway, I feel
really good about how my dress
looks.
I think that it looks fantastic.
Totally different than what I
normally do, but still
completely me.
And I feel good about this one.
Watching Cassie come down the
runway, I just feel like she
just looks so expensive.
I'm hoping the judges notice
that and that they really are
affected by it, because it's
a strong look.
And, at the same time, it's
believable that somebody would
actually wear this in their
everyday life.
I think I nailed it.
I am so impressed with myself
with the way that the outfit
turned out that I can't help
but get a little emotional, and
ekaterina looked so gorgeous in
it, and it looks like it was
made for her.
And it's like my baby.
It was beautiful.
I need to get over myself.
As I'm watching my whole look
go down the runway, it really
does look like she's going to
this futuristic resort.
I'm happy with it, and I don't
regret anything.
I love it.
It looks so elegant and, I
think, so chic.
And I think it worked so well
with this hat.
I think ify walked the
daylights out of that hat and
that dress.
She did such a great job.
And I think I can handle her
now.
When I saw my model on the
runway, I just think, Casanova,
you will be safe.
Whatever, Donna karan 1980s, you
will be safe.
I worked so hard on
completing a look and finishing
it to my liking.
But, you know, when I see it
walking down the runway, I don't
change anything in my head.
It's exactly what I dreamt.
If I call your name, please
step forward.
April.
Michael drummond.
Christopher.
Michael costello, please step
forward.
Valerie.
Kristin.
If I have not called your name,
congratulations.
Your scores have qualified you
to move on to the next
challenge.
You can leave the runway.
Let's bring out your models.
Oh, Christopher knocked it
out of the park.
Yeah, his looks great.
So sophisticated, but still edgy
and sexy.
Totally.
Like, I would wear that whole
outfit on the streets.
We haven't even talked about
Michael c's.
I think he's in the bottom.
It was way too easy.
Yeah, yeah, yeah.
I thought April was in the
top.
You don't think she's in the
top?
I think April's in the
bottom.
I think she's in the bottom.
Her shorts didn't fit right.
Valerie's in the bottom.
But her mask and her dress
don't have anything to do with
each other.
They have no relationship.
She missed the boat.
Michael drummond, tell us
about your look.
I was easily inspired by
your art, so I was also inspired
by architects.
This reminded me of a warrior,
and it also reminded me of a
farmer a bit.
And I don't mean that in a bad
way.
A warrior and a...?
A farmer.
Okay.
Yeah, because I remember this
sort of was to protect you from
the sun.
I kind of was inspired by the
sun.
It is a gold belt to sort of
reflect the idea of the sun and
light.
I think you did a great job
with this.
I love the shoulders.
I love that you made the
material.
You made the model look
fantastic.
And I think you really looked
at the shape of the hat.
Hats are part architecture, and
you've managed to make an
architectural outfit.
So how did you do the skirt?
I actually just made it a
tube, and then I crinkled it
and pressed it with an iron.
I think it's really cool.
I like how you manipulated the
fabric.
I like the texture on the
skirt very, very much.
I like the pleating.
I like the detailing.
And I like the silhouette.
I really do think it works
very well together.
And the other thing that I found
very interesting was the open
back.
Even from the back, it's just
very dramatic, and it
complements the hat beautifully.
Kristin.
I just looked at the lines
of the orchid.
But I decided to make the dress
more architectural, so I just
picked a nice solid black, but
just had, you know, the pop-up
color underneath, so that's
the story really.
An orchid is this incredibly
beautiful and sexy flower.
I look at what happened to the
dress, and I see no correlation
between the two other than the
fact that we have pink accents.
I think the black satin's
definitely not working in your
favor.
Can I see the back of the dress?
It just hangs around.
Yeah, there's no harmony to
the dress.
Here you have a girl with an
amazing body, and I don't know
what it's doing for her body at
all.
I think it looks like you
didn't have a plan with this
dress.
And the other thing is the
matchy toenails and the flower
shoe.
I don't know why you would go
so matchy-matchy and literal
with this.
Initially, I really liked
the idea that you emulated the
stripes of the hat on the back
of the dress, but I think that
the--I think it probably would
have needed something more
fragile.
Kristin, you've been very
quiet through all of this.
I do disagree.
I definitely did have a concept.
I didn't want it to be, like,
just tight and just where you
see the waist.
I wanted it to flow.
And that was my intention.
The dress that is up there
is very contradicting.
It's soft, but it's not.
Right.
You know, whereas had you
gone maybe with a lighter
fabric.
It's not architectural.
And it's not fluid either.
Okay. Thank you.
Christopher.
I absolutely loved, loved my
hat.
I didn't use any other hard
angles, because I felt like
there were so many points here.
So I wanted it to continuously
flow.
I was greatly inspired by the
feeling of, like, parisian
fashion.
Of a delicate woman, but also a
powerful woman.
I have to say I didn't
respond well to it.
It's too dark.
I would have liked to have seen
some color in there.
Something to make it a little
happier.
It seems sad to me.
Okay.
When I look at you trying to
kind of edge her up with that
black belt, with the black
boot, and with that Gray satin
legging, which is--I mean,
even a model can't wear that
legging.
It kind of loses the whole idea
of the hat.
And then she has this coat made
out of drapes.
There's no romance here to me
at all.
It feels very stiff.
It feels overly designed.
I think it's fighting for the
attention with the hat.
The fabric that you chose is
so heavy that you can't really
appreciate the lightness, and
that what's so fabulous about
this hat.
This needed something that...
It makes her look, like, held
down to the floor?
Yes.
Like, just heavy.
She's sinking in.
Rather than floating away.
You know, simplicity can be
beautiful rather than too
complicated.
Mm-hmm.
I don't see the connection.
There's nothing daywear about
the hat.
Right.
Michael.
When I look at the hat, it
has a hardness to it, but also
it has a playfulness to it when
you look at the stem here.
I notice that this movement
was transitioned into my dress.
And the fabrics to me were just
so beautiful, and I thought that
they just picked up the
beautiful tones in the hat.
I fell in love with it.
I think it's just a fun little
dress.
This is what harmony looks
like.
It's not matchy-matchy.
I love the idea that she's kind
of, you know, goddess of the Sea
without being a costume.
Can we see the back?
It looks effortless.
You know, when you wear
something that's draped and
asymmetrical like this, that's
what you want.
I knew right then and there.
I put it on the dress form, and
it just had this flow to it
that was just so inspiring.
And I was like, "ah, this works
with my hat."
The color of the hat and the
color of the dress are perfect.
I love that you picked a nude
shoe, almost to, you know, make
it disappear.
It's really not about anything
but...
The dress and the hat.
It is a great dress with the
hat, but I also think it is a
beautiful dress on its own.
And I think it was really
clever of you to use the
iridescence of the hat as the
coloring, and I think you've
done an exceptional job with
this.
Thank you.
April, tell us about your
look.
My sole inspiration was the
hat.
I liked how it had a very kind
of futuristic beach whimsical
look to it.
So I played with the lines by
doing different textures of
black and then just a pop of
pink to kind of bring it
together.
When I look at the vibe of
this, I think you picked the
right category
but the execution and the actual
pieces...
First off, I think it's very
literal.
When I look at this kind of
triple-panty--I mean, and the
panty is ill-fitting.
I guess if you're going for a
three-day weekend, it looks like
you layered your underpants for
the weekend, and each day you
kind of unpeeled and you had a
new panty.
Can I see the back?
Oh!
No!
I don't want to know why her
panty has a big black zipper
in the back.
I don't mind the top.
I think it's aually really
beautiful.
But I feel like you ran out of
time or you ran out of ideas.
You sold it short.
Literally.
Yeah, I didn't want to
overpower the hat, a I think
that's where I kind of got in
my dilemma.
This kind of hat, you could
have gone a lot further and made
a fantastic volume, but also the
whole outfit, it's just--it's
a little bit weak.
Okay.
Valerie, tell us about your
look.
I didn't want it to be too
literal.
Nor did I want it to be too
costume-y.
So I chose to use this scoop
neckline here, and then the
jacket, I wanted to show a
little bit of mix of hard and
soft.
When she takes the jacket off,
I feel like it's a very modern
take on the scoop,
edwardian-style reference.
You know, especially with the
back.
You know, the racerback is very
clean, it's very sexy, and
then the zipper is just very
consistent with the mask.
I think it's--it's beautiful.
It's actually one of my
favorites, because it is soft,
but still hard and sexy at the
same time.
I do love the white little
jacket.
I like that it has a zipper in
the back.
And it looks rlly well-made.
I like the idea that you have
this kind of handkerchief,
Stevie nicks kind of hem, but
it's actually very geometric
and neat.
You know, I think it's nice
that it's not expected.
Right, well, and I figured
because the lace was so
intricate, to do a lace dress or
do something with lots of
cutouts would be
counterproductive.
There's something very
mischievous and coquettish about
the mask that translatesnto
the spirit of your dress.
You know, the construction
of your jacket and the pattern
cutting and how you've made it,
it's beautiful.
But I really don't understand
how--personally, I don't
understand where it's coming
from.
Right.
I had thought about an evening
dress, but I felt an evening
dress would be expected.
So kind of wanted to do
something a little off-the-cuff
and a little more modernized
and a little more me.
Okay.
Okay, we've heard what you
had to say.
We're gonna have a little chat.
And then we'll bring you back
out.
You can leave the runway.
Hi.
So they loved yours, Michael?
They absolutely loved it.
The first word that Michael kors
said was "harmonious."
They all said so much good
stuff, I forgot what it was.
They didn't say anything bad
about it.
They just really loved it.
They said that the execution was
great.
Not only does it complement the
hat, but even without the hat,
someone would look great in it.
It feels good.
It really feels good to be down
there and finally get my
crique from them.
They didn't like yours?
They didn't like yours?
No.
Christopher, they didn't
like yours?
None of 'em liked it.
They were like--heidi was like,
"it makes me feel sad."
And they didn't really like
the styling.
They didn't like the boots.
I was really shocked.
It's intense being up there,
man.
Second time in the bottom.
How did you articulate?
I went towards resort wear,
because that's what the hat
reminded me of.
Don't get teary-eyed.
Oh, .
What the .
It's okay to cry.
It's really fine.
Well, it's just--it's just--
the thing that upsets me is
that I thought that--I was
really confident with it, you
know.
I just felt like it was so me.
So that's why I was rely
confident.
But, yeah, it is what it is.
It sucks.
Let's talk about the
designers that we didn't like
so much.
Let's talk about Christopher.
There was no sense of
fragility to what he did at all.
In fact, she looked very heavy
and leaden.
I really think that
Christopher thought that this
look was really edgy.
It looked dated.
It looked stiff.
It was overly designed.
Yeah.
And bad taste.
Also the girl is possibly
the most beautiful, stunning
girl, and it made her less
beautiful.
If there's any plus, there
was form to that jacket-vest,
whatever you want to call it,
but I think if you would have
seen that vest worn with
something ethereal, without the
belt, with something light, I
think you would have had
something there.
Okay, let's talk about
Kristin.
The design itself, the
color, and then the actual
fabric and how to execute it, it
never came together at all.
It looks like she had no
plan.
The hat looks summery.
It looks happy.
And the fabric does not look
happy.
And just because it has strong
pink in it doesn't make it
happier.
This was not joyous.
Any positives?
Yeah, I think she has some--
brings a different element.
She has a talent for her
aesthetic.
Okay, let's talk about April.
She's got the triple-panty
problem, which I think the idea
is ridiculous, quite frankly.
But the jacket I didn't think
was that bad.
Potentially, if it was all
made perfectly, potentially,
it's fine, but it is their
moment to shine rather than
blend.
There's something not
working.
I have to say the only thing
that I like about April is she
made a top and pants.
Even though it didn't work.
But she di't go for the little
dress.
You know, which is more of a
safe thing.
Okay, let's talk about the
designs that we did like.
Let's talk about Michael c.
There's something very
effortless about Michael c's
design.
You know, the colors, the
pulling in that shimmer from
the hat, the color of her hair,
lipstick, just was really
perfect.
I think so too.
I think Michael c really
managed to pull the whole
thing together without it
matching.
I think in mood, in texture,
in color...
That is the most cohesive.
Yes.
You know, I mean, it all kind
of converged and worked.
We also liked Valerie's
dress.
There's nothing offensive
about it.
But it's not the most stylish of
combinations, personally.
We liked it, didn't we?
I liked it.
I liked the bolero.
I think it gave it a little
pop of happiness, because it is
quite severe.
And it's flirty, but it's still
a little hard and cool on the
top with the white.
You know, I actually liked
the fact that it looked
polished, it looked well-made,
it looked well-tailored.
It was well-made, and it was
well-constructed.
I think in this instance
I'm happy that she didn't do a
black chiffon and lace gown.
Yes.
Let's talk about
Michael drummond.
I really love the top.
There's something very simple
but complicated.
The color of that skirt, it's
lovely.
It's different.
It has an originality that I
haven't seen everywhere.
And how he used the materials
and made the fabrications in a
day, it's impressive.
He definitely played with a
lot of different volumes and
with different textures.
I think that the pleating
that he did on the orange skirt,
not only did it give you texture
and dimension, it also did
something great for her body.
He's obviously talented.
So we've made our decision?
Yeah.
Okay, let's bring them back
out.
The six of you had the highest
and the lowest scores.
One of you will be named the
winner, and one of you will be
out.
One of you ll be named the
winner, and one of you will be
out.
Valerie, you're in.
You can leave the runway.
Thank you.
Thank you very much.
Michael costello...
You picked the perfect
silhouette and material, which
made the dress look impeccable
and effortless.
Michael drummond, your look was
gorgeous.
It was sophisticated, sharp, and
architectural.
Michael costello...
Congratulations, you are the
winner of this challenge.
Really?
Thank you so much.
Thank you.
You will also have immunity
for the next challenge.
You can leave the runway.
Thank you.
I cried, and I could cry
right now, I'm so--you have no
idea.
I felt like I won the whole
season.
Hi.
Is it you?
I won.
Yay.
I almost cried, I was so
excited.
What the ?
Oh, my God, I said it.
What a feeling.
Winning this challenge, I think
it validates me here to the
other designers, and they see
Michael is capable of, you know,
making a dress.
I bust out a whole collection
in a half a day.
Right.
I feel like he is a
replicator.
He's not a visionary.
I want to celebrate.
I want to go out tonight.
Like, really, Michael c on
the top and winning?
And me and Gretchen not even
being on there?
Seriously. Seriously.
Michael drummond, you're in.
You can leave the runway.
Christopher.
You're in.
You can leave the runway.
Thank you.
Ya--yay?
They can't send you home.
You're too fabulous.
Yeah, there was no way you
were going home for that
beautiful outfit.
No way.
And you're such a handsome
boy.
Don't use taffeta.
We were shocked, 'cause when
you were out there, we're all
in here going, "you were in the
top with these guys."
Oh, no. No, no, no.
I was not in the top.
Kristin...
April...
One of you will be out.
Kristin, you had one of the
most fantastic hats to work
with.
And your mostly black dress was
disappointing.
It was not complementary to the
joyful spirit of the hat.
Also the fit was unflattering.
April, your look confused us.
The triple-panty was completely
unflattering and too
matchy-matchy to your hat.
You had a wow hat to work with.
And you gave us a blah outfit.
Kristin...
I'm sorry. You're out.
April, that means you're in.
You can leave the runway.
Thank you.
That's a smile.
That's a smile.
Are you in?
Are you in?
Oh, my God. Oh, my God.
I'm not ready to lose you
yet, baby.
I'm wearing this tonight
then.
Oh, gosh, that's gonna be...
You and I...
Bottom two twice.
We cannot...
We cannot...
Alejandro, no more.
>>Auf wiedersehen.
All the best to you.
Thank you so much.
Thank you.
Thanks, Michael.
I'm sad that I have to leave,
but I'm so happy to really get
back to the real world.
Yeah, I'm relieved.
I'm relieved--I'm relieved to--
it was my time to go.
Don't look like that.
Well, sit down.
Sit down.
No, but it was really great,
you know, just meeting you all.
I think you all are so talented.
And I'm so happy for you.
Thank you, babe.
I'm really happy for you.
Thank you, babe.
Hi.
Hi, Tim.
Tim!
How are you doing?
Kristin.
Oh, Tim.
Mwah.
So I have to send you to the
workroom.
Yes.
To clean up your space.
Yes.
Okay?
Bye, Kristin.
Bye, Kristin.
Bye, honey.
This was a great experience,
and I'm really happy that I got
to be on here.
And I'm very confident in my
own abilities.
You know, it's not the end for
me.
I mean, this is just the
beginning.
That was the worst day of my
life.
That was the worst day of my
entire life.
If I'm in the bottom one more
time, I'm seriously gonna
seam-rip my Face off.
Yay.
Wait a second, we got to talk
about the winner here.
Michael c?
I was so Surprised.
I thought he was in the bottom.
I saw his dress.
It was like a total mermaid
thing.
It was hideous.
I saw it.
He asked me my opinion.
It looked like mae West.
Congratulations on your win.
I know. Shocking.
But well-deserved.
It was two handkerchiefs
ruched on a piece of cord and
wrapped around.
Philip treacy loved my dress.
That's so awesome.
I just don't like
Michael costello's aesthetic.
Now we're gonna have to hear
about it for days.
This apartment needs three
damn winners, okay?
Deal.
Next time on
Project Runway...
For this challenge, you will
be working in two teams of six.
All those egos over there
just gonna be buttin' heads.
This is gonna be gathered.
I'm lost.
Come on, man.
, I'm Tired.
Tell us what you want to do,
and then we'll figure out how
it all works
no, that's not how a team
challenge works.
It has no design.
The colors are ghastly.
who is the weakest designer
in your group?
Someone's going down.
That's the truth.