Pretty Little Liars (2010–2017): Season 6, Episode 16 - Where Somebody Waits for Me - full transcript

Spencer learns her mother is keeping a secret; Mona reveals where her true allegiances lie; Emily and Hanna each receive shocking threats.

EMILY: Previously
on Pretty Little Liars...

Toby's fiancé kind of left this

and I kind of, sort of,
didn't give it back.

I wouldn't want people to think
you stole somebody's phone.

Somebody whose mother is
running against your mother.

That would be awkward.

EMILY: I'm broke. I'm donating my eggs.

This isn't going to hurt a bit.

You've been my rock. Thank you.

You're here to tell me if you'd feel safe

should Charlotte DiLaurentis
leave the hospital.



There's a line of girls
just waiting to take your place.

- Let them.
- What do you want to do?

Can we just keep driving?

Where did you go that night
after you left Aria?

Get out!

ARIA: I've got to get in there
and get that golf club,

before Sara tries to frame my dad.

SPENCER: I haven 't broken into a place
since my dorm room.

Aria, Sara's staying here because
this was Charlotte's old room

when she was a patient at Radley.

Aria?

-I'm not used to having an audience.
-(CHUCKLES)

If you were experiencing
performance anxiety,

I was completely unaware of it.



(CHUCKLES)

(SIGHS)

I thought places like this
only existed in old movies.

Mmm.

How did you find it?

Well, I searched for "romantic,"
and then "tacky."

(CHUCKLES)

You feeling better?

Much better.

Would you like some
more budget champagne?

Not now.

Let's give these cupids
something to remember.

Mmm.

Look at this.

Well, now I know where Charlotte learned
all those special little skills she had.

All this dust, and the doorknob's clean.

ARIA: Spence, stay close.

Why is this hallway so narrow?

SPENCER: 'Cause it's not a real hallway.

It's been walled off.

And this whole section of this sanitarium
sealed like something in a Poe story.

ARIA: So what?
You think they put the wall up

when they turned this place into a hotel?

- The Sanitarium must have done it.
- Why?

To avoid having to explain things like

that little motivational
experiment back there.

Buildings have secrets, too,
just like people.

ARIA: So, the hotel doesn't
know this exists?

SPENCER: I bet it's not
on any of the blueprints.

But Sara knew.

Yeah, how do you suppose that happened?

- Long, quiet chats with Charlotte?
- Mmm-hmm.

Come on, let's go back the way we came.

Spencer, the file cabinet.

What about it?

No dust.

Are we still in Pennsylvania?

Yeah, we're behind
the Radley someplace.

Well, this explains how Sara
got in and out of her hotel room

to mess with us.

Why go to so much trouble
just to sneak out of a hotel room?

Maybe sneaking's only part of it.

You're still really good at this.

I've had a lot of practice.

♪ (THEME SONG) ♪

(DOOR OPENS)

We found a hole in the hotel.

- You what?
- A hole.

In the wall, in Sara's closet,
in her room at the Radley.

That's how she's been
coming and going all this time

without walking in front of
those pesky cameras in the lobby.

Hold on, hold on, okay?

I've been working with the data
from Yvonne's cell phone.

- You found something?
-(SIGHS)

It was buried deep in the server.

I looked, but I didn't touch.

What is it?

It's the opposition
research file on your mom.

These are my mom's medical records.
How do they have these?

Look at the corners, the folds.

This isn't a scan, somebody
photographed this with a phone.

This is not research.
This is an invasion of privacy.

This is exactly what's
wrong with American politics--

- Spencer.
- This is completely illegal--

Spencer.

Did you know your mom was sick?

Yeah.

Um...

She was.

She was a long time ago.

You better look.

SPENCER: “Breast-conserving surgery.

“Blood panels clear.

"Prognosis, cautiously optimistic."

The report is dated eight months ago.

(SIGHS) My guess is that the
Phillips campaign is gonna leak this.

They are gonna make it seem like
your mom's been keeping it a secret,

and that she's not
healthy enough to serve.

She never told me anything about this.

I don't understand why the
State Police are getting involved.

There's a history here, Dr. Rollins.
Several jurisdictions were involved.

They said that Charlotte's death,

she struggled.

Her wounds indicate that she fought back.

What exactly were those wounds?

Anything that you have to say to me,
you can say in front of Dr. Rollins.

Before her body
was thrown from the bell tower,

she was struck along the cervical spine
with some kind of metal rod.

Rectangular at the end, and hollow.

How do you know the shape?

It made an impression,
a cut in the skin of her neck.

Alison, have you ever heard of
a restaurant called The Two Crows?

I don't think so.

What about it?

The night Charlotte came home,
the night she was murdered,

someone used the landline from
The Two Crows to call this house.

- Nobody called here.
- The call went through.

It lasted more than three minutes.

There weren't any calls.

Were you here all night?

No.

Then it could have come after you left.

There's only one landline
and that rings down here.

If you didn't answer it
and Dr. Rollins was gone,

then it must have been Charlotte
who picked up the phone

and talked to someone for three minutes.

A hole in the closet?

SPENCER: Yeah,
with all this space underneath.

Whole parts of Radley
that have been sealed off.

- Parts from when Charlotte was there.
- Should we tell Hanna's mom?

No.

If we tell Mrs. Marin,
she'll throw Sara out,

lock, stock and ladder.

This way, we know about her escape hatch,
but she doesn't know that we know.

Maybe I really did see her in the clinic.

Have you checked in with them,
just to make sure everything's okay?

Yeah, I'm gonna go over there
as soon as they open.

Guys, we need to tell Ali.

- Tell Alison what?
- She was with me at the clinic.

And she needs to know about that.
She needs to know about Sara.

Okay, if we do tell Alison,

we have to be ready for her
to turn right around

and go talk to the police about it.

Maybe that should happen.

Maybe this is a new problem
and we're getting stuck in old thinking.

Secrets are getting toxic again.

I don't know, just keep on
trying to get in touch with Hanna.

- I have to go meet my mom at headquarters.
- Okay.

Do you want me to come with you?

Honestly, no. I want to do this myself.

- Are you absolutely sure?
- Yeah, I'll be all right.

- Or I will be as soon as I know.
- Okay.

Liam?

-(CHUCKLES) Hey.
- Hi. Oh, my God.

Wait, what are you doing here?

- That was it for the welcome?
- No, no, no. ls something wrong?

No, no. All is good.

I wouldn't come all this way
with bad news.

- EMILY: Hey.
- Em.

- This is Liam.
- Yeah, I know, we met.

- Sort of, on the computer.
- Nice to meet you in person.

Um, I'll give you a call
as soon as I know.

Okay.

So, what's up?

You and I need to talk about Ezra Fitz.
And the book.

-(PHONE RINGING)
-(PEOPLE MURMURING)

Morning, Spencer.

Hey, I was hoping
I could talk to my mom for a second.

Sure, I'll look the other way

if you can get her after
she finishes the phone call.

- Okay.
- Oh, and tell Melissa

I can't reimburse her
without a flight number.

If she can't find the boarding pass,
tell her to look for the luggage tag.

- Sure. Yeah.
- Than ks.

You're welcome, bye-bye.

- You were just gone this morning.
- I know.

I looked at my phone,
and added up the events,

and realized I was heading
towards a 27-hour day.

- You were talking to Gil?
- Yeah.

Tell him not to worry.

Worry about what?

About the poll numbers coming out today.
He thinks they're going to be soft.

Well, are you worried?

Uh, it's not on my the schedule,
so I guess I'm not.

(BOTH CHUCKLES)

I know this is the hard part, but
after the election comes the fun, right?

Right.

All right. Family bonding time is over.

We have our radio interview
in two minutes.

Okay.

- Best of luck.
- Thanks, honey.

- Later?
- Later.

- So, explain this to me.
- Yes.

- These are the main talking points.
- VERONICA: Uh-huh.

- GILES: I did a little pre-screening.
- Okay, he's not gonna ask that?

GILES: No, no, no.

Wens)

- Emily.
- Hey.

You're closed?

We had an accident last night.
A malfunction.

What kind of a malfunction?

One of the freezer units failed.
We lost everything in the unit.

I'm sorry, but it was the unit
with your donated eggs.

It wasn't just me, was it?

We're cross checking,

but there are something like
30 clients involved.

Thirty people?

(SIGHS)

There are back-u ps,

and the back-ups have back-ups,
but everything failed.

The power was cut, the alarms, everything.

I have to get back.
We're still making calls.

(CLANKING)

(CELL PHONE BEEPS)

Jordan?

Jordan?

(KNOCKS ON DOOR)

Hey, did you order breakfast?
Someone left this tray outside.

Where were you?

Just went downstairs to make some calls

-and use the Wi-Fi without waking you.
-(SIGHS)

-I'm sorry, I should have left a note.
- Well, don't do that.

Don't leave without
telling me where you are going.

Hanna, are you okay?

Yes, I'm fine. We just... We have to go.

- Where would we be going?
- Back to Rosewood.

Okay, I'll call the driver,
we'll get out of here.

Uh, have some breakfast.

I didn't order any.

Oh, it must be on the house, then.

- ALISON: When did it start again?
- SPENCER: After Charlotte's funeral.

After Sara came back.

Look, Ali, whoever this person is,

they think we know
who killed your sister.

EMILY: Do you have any idea
who could have done it?

I know that Charlotte
hurt a lot of people, but...

- For someone to kill her...
- No, Ali, whoever is threatening us now...

Whoever's stealing Emily's eggs,
and sending us pictures of golf clubs,

that person didn't kill Charlotte,

they want revenge
for what happened to her.

What golf club?

- The murder weapon was a golf club.
- No, it wasn't.

What Detective Tanner described was

a hollow piece of metal
cut with a rectangle at the end.

Are we getting Punk'd?

The picture, the golf club,
is this some kind of joke?

I don't think it could be a joke,

I mean, Sara's doesn't have
any sense of humor left.

Guys, have either of you heard of
a restaurant called The Two Crows?

But you are in touch with him?

Yeah, it's a one-way communication.

The point is, our boss is excited

and it would be a good thing
for us to keep her that way.

Has he sent you more pages?

Yeah.

Can I see them?

I thought, if I came here,
I could read them

without you having to
put them on the Internet.

Yeah. Yeah.

-I'll show you the pages.
- Great.

Jillian had some notes about tone,
I wanted to head off any problems.

What kind of notes?

EMILY: I was just actually
looking forward to it.

I'm sorry, Em.

I know you weren't gonna keep
them anyway, but I'm still sorry.

I keep thinking about all
those other women and couples.

And how someone would do that
just to steal my eggs.

Well, first off,
I think that you should stay here.

You've enough to deal with,

without having to keep up
the shields with your mother.

(SIGHS)

I know. I think that's an excellent idea.

When I was driving back into town,

I passed that
"Welcome to Rosewood" sign,

and I kept thinking,

"Why did we come back,
and why can't we stay away from here?"

What does this creep want from us?

They want us to lead them
to Charlotte's killer.

Why us?

Because we wanted Charlotte dead.

I mean, think about it.

All the people who
could have killed Charlotte,

they might have done it because
they thought that's what we wanted.

What kind of nut would think that?

The kind who would
hold my eggs for ransom

and destroy a freezer full
of potential babies just to get them.

Hello, Spencer.

What happens if I just
ask you something straight out?

Try it and see.

Did you tell Yvonne
to leave her phone at lunch?

Yes.

To prove to her
that she shouldn't trust me?

That's what I told her.

Yeah, but then you never
told her that I took it.

No.

Because that's not really
why you set it up.

You wanted me to have it.
You wanted me to find something.

(SIGHS)

That sounds very elaborate.

Yes, but this way, it wouldn't look like
you were passing me campaign information.

You could have plausible deniability
if I ever actually found something.

(SIGHS)

I'm sorry about your mother, Spencer.

-I'm praying that she'll be all right.
- Why did you go through all this trouble?

Because it's wrong,
what they want to do.

The campaign's gonna leak the report.

It'll look like your mother
is unworthy of the public trust.

Does Yvonne know?

I'm sure she doesn't.

I doubt her mother knows.
Plausible deniability.

Right.

Oh...

Oh, my God, Spencer, you...

You didn't know your mother was sick.

-I'm so sorry, I thought that you--
- Thank you, Mona.

What did the clinic tell her
about the accident?

Mechanical failure.

And she believes that?

What do you mean,
"Does she believe it"?

Well, the way we rushed back here,
I wondered if...

Maybe she thought it was more than that.

Because she's a woman
pumped with hormones?

Because of the things she's been through
with you and your friends in the past.

Okay, so, she's not hormonal,
she's paranoid. ls that what you mean?

I don't think I'm doing very well
in this conversation.

You started it.

Because I'm worried about you.

Look, I've had a
rough couple of days, okay?

Hanna, I've never
seen you wound so tight.

I buried someone
who made my life hell for years.

I'm now being questioned in her murder,
I lost my job--

Bad things happen all the time.
Conspiracies are harder to come by.

Someone tried to hurt you,

and they went to amazingly
complex lengths to do that.

That person is dead.

If you keep looking for things
in the shadows,

I guarantee you,
you're gonna start seeing them.

Come back to New York with me.

I can't. Emily needs me.

Yeah? What does Hanna need?

(SIGHS)

What do you think?

What's that Doctorow quote?

"Good writing
doesn't tell you it's raining,

"it lets you feel what
it's like to be rained upon."

You like it?

(CHUCKLES) Yeah, it's beautiful.

You said that Jillian had notes.

Nothing that can't be addressed.
Sometimes there's a shift in language.

Conflicting voices.

- Your former teacher is a terrific writer.
-(CHUCKLES)

Gives me a rush reading
his stuff in manuscript.

The same sort of rush I get
when I read your writing.

- Well, he was my teacher. (CHUCKLES)
- Hmm.

You wrote this.

Not all of it, but big parts of it.

I might have cleaned up the syntax.

You put in the man with the straw hat.

The one we saw at Logan.

God, you were with me.

Mmm-hmm. I got a funny feeling
after I read the second chapter.

I thought I'd better take a look.

This is even more you.

Is Ezra Fitz here in Rosewood?
Maybe a little incapacitated?

- No, he's not here.
- Mmm.

Does he know what you're doing?

And what exactly
do you think you're doing?

Do you believe her?

I think it's the truth.

It may be the truth, but you believe Mona?
You believe why she did this?

I don't think anybody knows
why Mona does anything.

-Including Mona.
-(SIGHS)

But there's the file, that's the reality.

What did your mom say?

I don't know, I couldn't even talk to her.

Look, you are already
in Phillips' computer.

Can't you just corrupt the file?
Can you erase the report?

They can't say anything because
they shouldn't have it in the first place.

Spencer, right now,
I'm a fly on the wall.

The minute that I do anything,
like delete a file,

red lights go off everywhere.

I am breaking the law
just by being in there.

You know what she has to do, right?

Your mom has to go public with this.

She has to get in front of the story
before the other side leaks it.

It's her secret, not mine.

Well, one way or another,
it's not gonna be a secret much longer.

I never intended
to actually start writing it.

I just wanted to keep Jillian interested.

Well, you did that.

(SIGHS) ls Ezra gonna be
in big trouble over this?

(CHUCKLES) How come you're not
asking if you're gonna be trouble?

Well, I just took that for granted.

There's a fine line between
trouble and high adventure.

I think you should finish the chapter.

If he's not back by then,
we'll figure something out.

He'll be back.

I think you're right.
He'll probably be back.

But when he does,
you'll have to explain

all this creative writing
you've been doing and why.

How do you think
he's gonna feel about that?

I poked the bear and
the bear stole Emily's eggs.

We poked the bear together.

So, it is our fault.

What happened to Emily?

No. Bullies don't need an excuse.
They're just bullies.

I bet that A was planning this

as soon as they found out
what Emily was up to.

You said

I mean, what do you
want me to call it? Waldo?

No, it's not A. It's not the same person.

It's just a letter, a symbol.
You know, it's like an algebra problem.

Solve this equation for A.

Yeah, I can't tell you how much
algebra comes up in my everyday life.

It's not the same person,
but they want the same thing.

They want to make you miserable.

But this time, you are smarter
and you are stronger.

And you know that you can beat this
because you've done it before.

So, when did you go all micro-brew?

Um... (CLEARS THROAT)

Couple of years ago.
Mostly because of Toby. (CHUCKLES)

We kept threatening to open a brewery.

Well, maybe you will.

Maybe.

But things have changed, though.
Personal dynamics are different.

Yeah, I guess so.

(SIGHS)

If you have to go...

Yeah, actually, there are some things
I need to take care off.

Oh. No, no, no. It's good. Next time.

Next time.

HANNA: Who's your friend?

Uh.

This is Harvey.

- He really likes your hors d'oeuvres.
- Well, he better, they cost enough.

(MEOWS)

I don't think Sybil likes me very much.

Who's Sybil?

- Your new boss.
-(CHUCKLES)

- Her name is Celeste.
- Ah.

I called her Sybil.
Probably why she doesn't like me.

She looks like a Sybil, though.

All these designers that you
work for look like Sybils.

I can't keep track.

I thought that you wanted to come here.

Wens)

I've been buried in work for three weeks.

I wanted to be with you.

Then come back inside.

So, um, do you wanna go
to the Hamptons next weekend?

The Hamptons are just
another part of Manhattan,

except it takes three hours to get there.

What do you want?

What do you want?

I want to be in a place where we don't
have to ask each other what we want.

I want to go back to just

sort of knowing what
the other person wanted.

Yeah.

Where was that place exactly?

ANNOUNCER: Ladies and gentlemen,
the mind behind the collection.

- Your hostess, Celeste.
-(CROWD CHEERING, APPLAUDING)

It's fine, go ahead.

I got stuff I need to finish, anyway.
(CLEARS THROAT)

- You sure?
- Yeah, I'm sure.

Will I see you at the apartment?

Where else would I go?

Don't turn into a Sybil.

You can drink coffee this late
and it won't keep you awake?

(CLEARS THROAT)

It's tea.

Can I talk to you for a minute?

I want to thank you and
the others for staying in town,

helping with the investigation.

We didn't have much choice.

I know you've all got your own lives,
things to do.

And staying in Rosewood
has got to be sacrifice.

It certainly is for me.

It's not like we're strangers here.

Hmm. No, it's not.

So, what do you think of the old town?
Has it changed much?

In some ways, yes.

- In other ways, not so much.
- Hmm.

I'll tell you one way it's different.

What happened to Charlotte DiLaurentis.

That is the first homicide
we have had here in five years.

All that time you and your friends
weren't here, no murders.

But when everybody gets together...

I just think that's a very
interesting statistic, don't you?

I don't know about statistics.

I just know that
Alison deserves some answers.

I'm glad you feel that way.

So, if I have to take steps
to keep all the interested parties

here in Rosewood till this is resolved,

I know you'll understand.

Don't let your tea get cold.

(SIGHS)

(SIGHS)

(GASPS)

Going down?

I have a message for you

and all those little Monas
running around inside your head.

If I find out that you're messing
with Spencer in any way, shape or form,

I will personally take you apart.

(SIGHS)

Just out of curiosity,

who kisses better,
Hanna, Spencer, or me?

(ELEVATOR DINGS)

Watch your step.

Then...

I turned around and
it was just Charlotte and me.

My dad didn't want anything to do with us.

Jason was at the Carissimi Group.

We were alone.

Until Elliott started
taking care of Charlotte.

Dr. Rollins saved Charlotte's soul
and you fell in love with him.

At first, I thought it was gratitude.

But it wasn't.

And then I realized it was mutual.

And that it was also inappropriate,
because he was your sister's doctor.

In one way, Charlotte and I are alike.

We put a lot of energy into
being people no one could love.

Like we were trying to prove something.

And then someone looks at you

and sees you and it's all right.

I don't want to keep it a secret anymore.

I'm tired of secrets.

Ali.

There's no time.

It's late. I'm sorry--

No, no.

I mean, there's never enough time.

(CELL PHONE RINGING)

(BEEPS)

Hi. Yes, en.

Uh...

I'm here. Give me the numbers.

(WRITING ON PAPER)

Yeah, that could have been better.

Uh-huh. What does it
look like county-by-county?

Okay.

When am I doing Drive Time Scranton?

Who is driving in Scranton at 5:00 a.m.?

(CHUCKLES)

No, just, uh, give me a call
10 minutes before.

Thanks. Bye.

The numbers haven't moved in a week.

I swear, it's gonna come down
to the 15 remaining undecided voters.

Well, I will hunt them down for you.
One at a time.

Will you take them to the polling place?

I will carry them on my back,
if necessary.

(CHUCKLES)

- Mom.
- Mmm.

I'm worried about you.

Don't be. We're gonna win this thing.

I know. I'm not worried about
the election, I'm worried about you.

It's gonna be fine.

I hope so.

You know what I wish?

What? What do you wish?

I wish I would have
done this 20 years ago.

Ten, even.

(CHUCKLES)

All the time I wasted suing people,
getting property easements.

(CHUCKLES)

Well, you're doing it now.

Yes, I am doing it right now.

And you're gonna win.

Yes, I am.

And now you need to go to sleep.

Pretty soon.

I love you.

I love you, too.

Oh. Honey, Gil wants the
flight number off of Melissa's bag.

It's in the barn.

Okay, good night.

I should have told you
that I was gonna talk to Spencer.

I was just afraid that
you would try and stop me.

How did it feel, telling her about us?

It helped.

Helped?

It helped me make up my mind about us.

(SIGHS)

Things are moving very quickly.

I think there's an argument to be
made for keeping it the way it is.

For now.

I guess we could do that.

But then we're gonna be having
this conversation in a month.

Or a year.
And I don't think I can take that.

I know it's been difficult,
but I want to protect you.

You don't have to protect me from rumors.

They can't hurt me, not anymore.

But if you're afraid for yourself,
well, that's...

That's something else.

What do you want, Alison?

I want something very complicated.

I want you to take me to a movie.

I want you to hold my hand
in a restaurant.

We should've waited for Spencer.

No. We have to get there
before Sara has a chance

to take Emily's eggs out of the mini-bar.

I don't think she shoved them in there
with the $7 orange juice.

My mom thought she got rid
of all the Radley ghosts.

Wait till she finds out about this.

- She'll be down here with a jackhammer.
-(CLATTERING)

ARIA: What was that?

Do you think that's Sara?

Maybe she needs a hand.

(GASPS)

(SIGHS)

(PANTING)

I wanted to see for myself.

And I thought maybe there was
an old freezer or something down there.

There was nothing.
No electricity, no nothing.

Why didn't you tell us?
We could have gone with you.

I wanted to go alone.
In case I found them.

The desk clerk said
nobody's seen Sara Harvey

since she left the hotel last night.

Where is she?

I don't know, probably in
some other hole somewhere.

I'm sorry about grabbing your boob, Em.

Don't worry about it.
I just have to face it.

One way or another,
my eggs are gone.

Look, Emily, you have the money.

Use it. Finish school.
That's what you wanted.

That's why you put yourself through this.

Yeah, Hanna's right.

What happened was terrible,
but you're not responsible.

Bullies don't need excuses.

You can always donate them again.
Just remember to keep some for yourself.

Yeah. I just want to be with
someone when that happens.

And so far, my relationships
have all been challenging.

Well. You will have kids,
you will have kids,

Spencer will have kids, I will have kids,

-and we will all have beautiful babies.
-(CHUCKLES)

More visualizations?

Absolutely. Just wait till you see
what I have planned for our play-dates.

Hey. (SIGHS)

Hey.

You know, I was thinking.

Maybe the other side won't use it.

Maybe they'll have
an attack of conscience

and, uh, take the high road.

Well, there's never any traffic up there.

Hmm.

How's your mom?

She's tired.

But she's happy-

She's really happy-

And how about you?

You need anything?

I need you to go get a glass.

'Cause your girlfriend's drinking
all by herself and it's real sad.

(BOTH CHUCKLING)

That, I can do.

I'm sorry.

No, I should be honored that you thought
I would kill someone for you.

Ezra, I was afraid.

All right? I felt it all of this
just starting over again.

It was terrible.

Look, the night Charlotte was killed,
after I left you, I...

I wanted to tell you where I went,
but I was asked not to.

By Who?

By your dad.

And your mom.

(SIGHS)

I saw them in town.

And they didn't want you to know

that they were getting close
to getting back together.

So, they asked me not to tell you.

And it all seemed
very innocent at the time.

So, I went to the House of Pies,

and ended up having a three-hour
conversation about politics

with a trucker named Earl.

And then I went home afterwards.

Why did you not tell me all of this
when we showed up here

like a bunch of vigilantes
accusing you of murder?

Because I was so angry at you.

I just got in the car and drove away.

And I was about 20 miles
outside of town when

I started to think about
all the lies that I've told you.

Everything that I've talked you into,
everything that I talked myself into,

and it was always for a good cause.

Of course you thought I would do it.

I made sure of that myself. So, I...

What I'm trying to say is that
I'm the one that should say sorry.

My parents are getting remarried.

Oh.

Well, I guess it was worth
keeping that secret.

Ezra, where were you?

Albany.

Albany?

The state university there.

I have a buddy in the English
department and he let me crash.

What's this?

The new book. The next three chapters.

I would like you to read it
before I send it to the publisher.

All right. (CLEARS THROAT)
We should go to bed.

Yeah.

Oh.

No. One more thing.

(SIGHS)

(SUITCASE HANDLE CLATTERS)

What's wrong?

Melissa's suitcase is broken.

And there's a part missing that's metal,

hollow and cut with
a rectangle on the end.

(SPRAYING)

♪ (MUSIC PLAYING) ♪

English - SDH