Pretty Little Liars (2010–2017): Season 6, Episode 11 - Of Late I Think of Rosewood - full transcript

ALISON: Previously on
Pretty Little Liars...

(MUFFLED SCREAM)

ARIA: Oh, my God, Ali's with Charles.

CeCe?

CECE: They never understood
how much I loved you.

You were like my very own living doll.

CeCe is Charles?

Does she think we came
between her and Ali?

Is that what this has all been about?

Sara?

- CeCe,
-(ALARM BLARING)



-please don't do this.
-(DEVICE BEEPING)

Damn it.

- Hey!
'(GRUNTS)

ALISON: Don't do this!

You spent your whole life
trying to get back to your family.

No!

Game over.

I heard that Sara got released
from the hospital today.

What happened to Sara that night
wasn't our fault.

I can't believe we're actually leaving.

SPENCER: How lucky am I to have something
that makes saying goodbye so hard?

EMILY: What brilliant scholar said that?

SPENCER: Winnie the Pooh.

(BELL RINGS)



ARIA: Don't look at me,
I'm ready to hang a sign.

“Bitch can see.“

SPENCER: This is about betrayal?

ASHLEY: It's not about betrayal, Spencer,
it's about revenge!

ARIA: He knows we're lying.

HANNA: So stop pining for the fjords
and carpe hottie.

ARIA: I know it's over. I know that.

EMILY: Yes, I know the dead girl
who isn't dead anymore.

ALISON: "When to the sessions
of sweet silent thought

“I summon up
remembrance of things past...

“I sigh the lack
of many a thing I sought,

“And with old woes new wail
my dear time's waste...

"Then can I drown an eye,

"unused to flow, for precious friends
hid in death's dateless night,

"And weep afresh
love's long since canceled woe,

"And moan the expense
of many a vanished sight."

(BELL RINGS)

I'm sorry.

I got a little lost.

Tomorrow, you get to read to me.

(INDISTINCT TALKING)

Dr. Rollins.

Did we have an appointment?

I thought I'd let you know in person.

- The judge set a date for the hearing?
- Yes.

(SIGHS) Thank you.

Don't thank me yet.

It's happening in four days.

Four days?

It was four days, or six months.

Alison?

I want to enclose something
in the court notifications.

- I can take care of that.
- Thank you.

Alison, I have to remind you,

the court can compel your friends to come,

but they may not be sympathetic
to the cause.

You don't know them the way I do.

ALISON: There isn't much time,

but I wanted you to see these words
on paper and not a screen.

I wanted to know you were
touching something I touched,

that we were connected.

♪ (SOFT MUSIC PLAYING) ♪

All set?

WOMAN: Mr. Dunbar will be available
to sign books in a few minutes.

ALISON: We've been through things
no other friends have experienced.

We understand each other
better than anyone else in the world.

(BABY IMITATES ENGINE REVVING)

(CHUCKLES)

Hi.

Thanks for watching her.

We had a nice long talk.

(BABBLES)

ALISON: But all that connects us
to someone else.

Someone I love.

Someone who needs me.

Thanks.

ALISON: I know you're coming back
to Rosewood,

to speak to the court
about Charlotte being released.

I'm asking for five minutes with you.

Five minutes to explain.

Five minutes that can change
the whole world.

CHARLOTTE: Do you think they'll come?

ALISON: Of course they'll come.

It's been a long time.

Do you think
they're still upset with me?

I will bring you home, Charlotte.

I promise.

ALISON: Spencer, Aria, Hanna, Emily.

I need you. Please.

All my love, Alison.

♪ (SOFT GUITAR MUSIC PLAYING) ♪

(INDISTINCT TALKING)

(CELL PHONES BEEPING)

(ALL LAUGHING)

- Guess who.
- Oh, my gosh.

Ah!

- EMILY: Oh, I missed you.
- I missed you, too.

Oh, get a room. Ew!

We'll need a pretty big room.

- Hi.
- Hi.

(CAMERA SHUTTER CLICKING)

- Hi.
-(LAUGHTER)

(CAMERA SHUTTER CLICKING)

HANNA: Hi.

SPENCER: Any hints about
the fall collection?

My non-disclosure agreement
is eight pages long.

I think Claudia would literally
chase me down the runway with an axe

if I let anything slip.

Let me see this.

-It looked bigger when you posted it.
-(LAUGHS)

So I suppose we're gonna need
our passports to attend the wedding.

Well, we're talking
to several host nations.

But Italy is a strong contender.

I met a nice Italian girl one time.

No wonder it took you a year longer
to finish college.

How's the Salk Institute?

Uh, good. I'm still trying to find
my way around.

All that great Louis Kahn architecture.

I want a tour.

They're not doing tours right now, but...

How's Liam?

Liam is adorable,
but he hates when I tell people that.

Who's Spencer seeing?

Spencer is too busy to see anybody.

Wait, what about the ambassador's son?

- Regime change.
-(ARIA CHUCKLES)

So this court thing,

-are we going to be under oath?
- SPENCER: No oath.

It's just about how we feel
about Charlotte getting out.

No, tell the truth.
It is about A getting out.

Five A-free years.

You have to admit, that felt good.

I mean, a lot has happened,
good, bad and ugly,

but all of it was uncontaminated by A.

And now, A wants to go home.

What are we going to do?

We drop off our bags,

and we go meet Ali at 4:00,

and listen to what she has to say.

So, how long can you stay?

I don't know. The hearing's tomorrow.

I'm glad you're here,
but I wish you didn't have to do this.

How about we focus
on the fact that I am here?

Right.

How's Greg?

We're taking a little break.

Why?

It was just time for a break--

I thought you liked him.

Let's talk about that over tea. Okay?

(INDISTINCT TALKING)

Wow, this is really amazing.

Thank you.

Seriously, you would never know
that this used to be a nuthouse.

Okay, we prefer the European
definition of sanitarium

when talking about
this historic structure.

Well, it looks beautiful.

- You did a really good job.
- Thanks.

Doesn't it sort of creep you out, though?

We evicted all the ghosts, Hanna.

Soon people will forget
what this place was,

and we'll just be remembered
only for our exquisite brunch.

- My mother, the exorcist.
- Hmm.

I was hoping
you would bring Jordan with you.

Yeah, uh, next time.

I've been trying to get you back here
to see the place since we opened.

I know, but I've been busy.

Paris took forever.

But when Alison calls--

It isn't Alison, Mom, it's the court.

It's still Alison.

She's been petitioning the court
to get Charlotte out of the hospital

since the day she was locked up.

You don't owe Alison a thing.

After what that person did to you--

Mom, I know what she did to me.

And I know exactly
what I'm going to say to the judge.

Liam wanted you to have this.

The James Tiptree short stories
you were talking about.

- Is he trying to impress me?
- Yes.

Well, he's off to a very good start.

He wants to know
when you're coming back to Boston.

Not until the semester's over.

How long are you staying?

I'll just have to see how it goes.

So, what did you think of the new Radley?

Haven't seen it yet,
but I'm sure we'll get down there.

I thought that's where you were
meeting Hanna and the other girls.

No, we met at the Brew.

Old habits.

The Brew?

Yeah, that's right. Why?

Did you see Ezra there?

He's back.

He still owns the place,

and I heard that he's moved
into the apartment upstairs.

I thought he was still in South America.

No, apparently, he got sick
and they sent him home.

I haven't talked to him,
but I've seen him in town.

Did you know the girl?

Nicole?

I met her.

Once, long time ago. Before they left.

Fifteen dead or missing.

They're down there building houses.

It's not supposed to be controversial.

Have you talked to him?

I...

I wrote him a letter when Nicole...

When it happened,
but I never heard back from him.

ANNOUNCER ON TV:
Hastings for State Senate.

The clear, true voice.

(ON TV) I'm Veronica Hastings,

and I approved this message.

The flag's a really nice touch.
I never would have thought of it.

Don't be cynical, Spencer.

Where's Dad?

In Harrisburg, raising money.

A family that campaigns together
stays together.

Your father is a champion arm-twister
and we need the cash.

It's an off-year special election,
winning might come down to

if it rains that day
and people decide to stay home.

Oh, now who's being cynical?

It's your fault I'm doing this.

You got involved in government first.

You inspired me.

I watch the government.

I keep it honest, that's what I do.

Sweetheart, you work for a lobbyist.

No, we are not lobbyists.

We work with grassroots
political organizations

-to advance progressive legislation.
- Mmm-hmm.

You're a lobbyist,

and your mother

is going to be a state senator.

I'm so proud of you. (CHUCKLES)

♪ (SLOW MUSIC PLAYING) ♪

Your bosses are very angry at me.

They're not angry.

They gave me an advance on a second book.

They know what happened in South America.

They understand.

Well, then they're ahead of me,
because I don't understand any of it.

I don't understand
how a girl that I met in this shop,

who never hurt anybody,

can be dragged off
by half-baked revolutionaries

and no one can seem to find her.

So if you understand that,
explain it to me.

You go somewhere to help,

it shouldn't cost you your life.

I'm sorry.

Sorry.

(WHIRRING)

Hey. (CHUCKLES)

Hey.

When did you get here?

Uh, just a couple of hours ago.

Wow.

This is really impressive.

I just wanted to see if I could do it.

How's it going?

Uh, it's harder than I thought.

I curse a lot.

It's very therapeutic. (CHUCKLES)

- How's Washington?
- Um...

I curse a lot.

-It's very therapeutic.
-(CHUCKLES)

Caleb said he saw you there.

Oh, yeah? You guys talk?

Now and then.

We went, uh, fishing last summer.

Seriously?

Yeah, we're the Brotherhood
of Ex-Boyfriends. We gotta stick together.

So, you in town for your mom's campaign?

No, I got a request
from the State of Pennsylvania.

They would like my opinion on something.

Ali's trying to get Charlotte
out of the hospital.

Yeah.

We're here to talk to the court.

We?

Aria, Em, Hanna, and me.

All of you in one place at one time.

When's the last time
that happened in Rosewood?

Long time.

When Alison flashes the Bat-Signal--

It's not like that,
you know we're still friends.

And we're not just,

"Let's go see a movie and have dinner"
kind of friends.

We're the "I saved your life,
now you save mine" kind of friends.

You know. You were there.

How long are you going to be here for?

Well, the hearing's tomorrow, and then...

And then, I don't really know.

Can I buy you dinner before you leave?

Yeah.

Sure, we can do that.

Um, I should go, though.

I'm supposed to be meeting Ali
and I'm already late, so...

I'll call you. Okay?

Still the same number?

- Same number.
- Cool.

Toby.

Who are you building the house for?

What makes you think
I'm building it for somebody?

Because I know you.

Charlotte is getting the help
she never had when she was little.

Five years of treatment,

undoing all the damage.

I visit her, spend time with her.

She even stayed at my house
for a weekend last Christmas.

They let her out?

It was a supervised visit.

So, Charlotte is all better now.
What does this have to do with us?

At the hearing tomorrow, the judge
will decide if she should be released,

and they want to hear
from people who were involved.

- Victim statements.
- Statements of support.

Statements that she
isn't a threat to anybody,

that you guys
are not afraid of her anymore.

There's no reason to be afraid.

You know her.

You heard her story.

We all went through this together.

ARIA: Yes, we did.

We have the scars to prove it, too.

HANNA: You're asking us to give

a get-out-of-jail-free card
to someone who tried to kill us.

She's in a hospital, Hanna,
she's not in jail.

ARIA: She's lucky.

And we're lucky to be alive.

That's why your statements
would mean so much.

Who else is speaking?

Mona demanded to be heard.

She's going to talk to the judge
about the dollhouse and being tortured.

What about Sara Harvey?

What about her?

Well, suppose we do talk to the judge,

they march in Sara Harvey,

she gives a few choice words about
what happened to her that night at Radley?

She's not allowed to testify because
of how her criminal charges were resolved.

Why isn't Jason here?

He doesn't agree with Dr. Rollins and me.

Okay, you realize
what you're asking us to do.

You want us to forgive Charlotte.

I don't care if you forgive her.

I'm asking you to give me
my only chance at a real family.

Alison, we're here to say how we feel
and you're asking us to lie.

Please.

Do this.

Do this for me.

Pretty please,

-with sugar on top.
- What?

That's what you say on a playground
to exact a favor.

We're not on the playground
anymore, Alison.

We haven't been for a long time.

Please.

I am not one of those candidates

who runs for office telling you
how much I hate the government

and want to take it apart.

Like you, I understand

that the size of the problem
dictates the size of the solution needed.

If being honest and truthful
is so damn purifying,

why do I feel like
the bottom of somebody's shoe?

...government does a job
that only government is big enough to do.

WOMAN: Yeah!

(ALL CHEERING)

Our courts are not the enemy of freedom.

Look, they have the reports.

Okay? They know what Charlotte did to us
when she was A.

We don't need to talk about that.

All we have to say
is that we're not afraid of her.

That's all Ali wants.
Then we can get the hell out of here.

Is that the truth?

That we're not afraid?

Maybe it is.

I mean, look at us. We did get away.

We won.

Maybe we didn't kill the dragon,
but we definitely tamed it.

Um, I'll be right back.

VERONICA: No one feels safe

where anyone can be victimized.

Your mom's doing well in the polls,
for such an untested candidate.

Hi, Mona.

I waved at you
at the Kennedy Center reception.

You didn't see me.

I'm sorry.

Look at us.

All this time and we both
end up in the same business. (CHUCKLES)

Um, not really.

We both sell policy.

Different kinds of policy.

Do you still have nightmares?

I do.

Three shrinks
and a whole lot of prescriptions,

but I still have bad dreams.

How about you?

VERONICA: Now, I'd like to introduce one
of the reasons why I'm running for office.

My daughter, Spencer Hastings.

-(PEOPLE CHEERING)
- ♪ (BAND PLAYING MUSIC) ♪

Don't miss your cue.

Spencer and I just went out of sync.

It happens.

I like this town,
but everywhere she went,

it was like she saw something
that she wanted to forget.

I wouldn't have pictured you and Ali
to be the ones to stay.

Different reasons, same results.

You got your degree, didn't you?

Took a while,

mostly nights, but I got it.

Didn't do much good this year.

Got passed over for promotion.

(EXHALES) College wasn't what I thought
it was going to be.

I look at Aria, Spencer, and even Hanna,
it all seemed to click for them.

Not for you?

No.

I had a hard time.

When my dad died,
I just couldn't see a point to it.

To college?

Anything.

My family has always had a missing part.

What's missing is my sister Charlotte.

Past five years I've gotten to know, come
to love this missing part of my family.

And now, I want to bring my sister home.

I'm sure you've read all of the documents

about who Charlotte is
and what she's done to us.

Those are just reports.

One thing that I've learned
from all of this

is that people are not always
the things that they do.

Charlotte DiLaurentis
poses no threat to me.

HANNA: I was angry for a long time.

But now, every morning I wake up,

I drink coffee, and I walk outside.

It's either sunny or it's raining,

but there I am.

I'm free.

I don't see why Charlotte
shouldn't have the same chance

to get caught in the rain as I do.

No, I'm not afraid of her.

My dad taught me that fear is natural.

It's a good instinct.

He also said that you can decide
what you're going to be afraid of.

I decided I am not afraid
of Charlotte DiLaurentis.

Alison and Dr. Rollins have told us
how well Charlotte's been doing,

how rapidly she's been able
to integrate herself

into the general hospital population.

- They feel strongly that--
-(DOOR OPENS)

Sorry.

Miss Montgomery.

Sorry.

They feel strongly

that now
is the right time for Charlotte--

Miss Montgomery,
I've read the same reports that you have.

- Well, the doctors--
- The doctors can speak for themselves.

You're here to tell me if you'd feel safe

should Charlotte DiLaurentis
leave the hospital.

Miss Montgomery?

(SCREAMING)

No.

No, I would not feel safe.

I was on the Red Line,

going to Braintree,

and the train stopped in the tunnel
between the stations.

The power went out and it was dark.

No, not dark. It was black.

And I was back in every box,

in every dark, tight space that A
ever put me in, and I couldn't breathe.

Then I heard a girl crying.

"Good,"

I thought, "Somebody else
is scared out of their mind."

Then,

the power came back on

and every single person on that train
was staring at me.

Because I was the girl that was crying.

I don't want Charlotte released.

Ever.

Here comes the last nail in the coffin.

I thought I could do this, but I can't.

I've been listening to my friends,

how they've managed to forgive Charlotte.

I wish I could hate her, but I can't.

I can't because I know
what she went through.

I was in Radley Sanitarium.

I was there for months,

Charlotte was there for years,

and years.

Being in that place
is what twisted her all out of shape.

Let her out.

Let her go home.

That's all any of us want,

is to have a home.

I'm sorry.

You okay with this?

It's a little bit strange.

We can go somewhere else
when they get here.

No.

If you're going to chase away the demons,

you have to go to where the demons are.

You know who I thought was going
to walk into that hearing room?

- Who?
- Sara Harvey.

- They said she wouldn't be there.
- But what if she did show up?

We tell our little white lies
and in she walks.

"These bitches are lying,
Your Honor.

"Want to know what they're really like?

"Let me show you what they did to me."

Then she shows everybody.

(CELL PHONE BEEPING)

So, that's that.

"The judge says Charlotte can go home."

"Thanks for your help, Ali."

(SIGHS) Did you guys see?

We saw.

Everyone, say hello to
the only honest woman in town.

- Sorry.
- No, we're sorry.

SPENCER: You're small, but you are mighty.

You put us all to shame.

All right, everyone turn your phones off.

Not silent, not vibrate, off.

I can't turn my phone all the way off.

Spencer, one of the lifesaving pieces
of information I've learned

is that these things
actually have an off button.

Do it, Spencer.

Okay. (CHUCKLES)

The coven of the sacred cocktails
is now in session.

(VEHICLE APPROACHING)

If you didn't know what this place was,
you'd never know what this place was.

Said the real estate agent showing
you around the House on Haunted Hill.

(CHUCKLES)

I miss your faces.

You guys have such excellent faces.

Thank you.

Well, we should plan
on seeing each other more often.

Yes, but not here.

(EXHALES) We can make a list of beautiful
cities and go to each one of them.

That could get expensive.

Paris,

Rome,

Madrid.

Rio.

We can party in every one of them,

and Ali and Charlotte
can sit in that big ugly house

and they can bake cookies.

Wens)

You'd think a place like this,
they'd have special drinks.

What kind of special drinks?

We're sitting in a bar
in what used to be a squirrel factory.

I don't know,
like an electroshock margarita?

Manic depressive Mai Tai?

You guys are seriously lacking
in any good taste.

That's why I love you so much.

I love each one of you.

- Spencer loves us.
- So I heard.

Hey, uh, can we get another
bipolar martini for my friend over here?

(LAUGHING)

Last call in Rosewood.

Can't we just go someplace and dance?

That's why God invented the mini-bar, Em.

We can go back to my suite.

'Tis but the crank of the evening.

(CHUCKLES)

Hey, don't.

My mom runs this joint.

You guys want to hear something funny?

I'd love to hear something funny.

I thought it wouldn't matter
what we said to the judge.

Because I thought
they would never let her out.

I thought that we could just lie for Ali
one more time and it wouldn't matter.

But it did.

They let A out. (CHUCKLES)

Wouldn't it just be
the biggest cosmic joke ever

if Charlotte gets to live
happily ever after?

If she can do it, so can we.

A toast, to Charlotte.

- To Charlotte!
- To Charlotte!

SPENCER: Yes.

(DOOR OPENS)

(SIGHS) Why can't they make
quiet ice cubes?

Here, hydrate.

Thanks.

Are you going to see Toby?

I already did.

He's building a house.

- He's building a house?
-(CHUCKLES)

With tools?

- By himself?
- Yup.

Wow.

Yeah, wow, indeed.

All I got was a chair.

And some lucky girl's
going to get an entire house.

(PHONE RINGING)

Sit. Stay.

She's not a poodle.

HAN NA: Hello.

ALISON: Hanna, it's me.

Hi, Ali.

ALISON: Did Charlotte come to your
hotel room last night?

No, she didn't. What's wrong?

I don't know where she is.

You don't know where Charlotte is?

ALISON: Dr. Rollins brought her home
last night.

We talked for hours.

She was so happy and grateful.

We went to bed,

and this morning she was gone.

All of her stuff is here, but she isn't.

Dr. Rollins wants me to call the police.

Yeah, you should.

Can you call the others and come over?

HANNA: Yeah, I will, but, Ali, don't wait.

Call the police.

ALISON: Please hurry.

Charlotte was there when they went
to sleep and now she's gone.

(INDISTINCT CHATTERING ON POLICE RADIO)

The sexton found her.

He got here for morning service,
he saw the door had been forced.

He checked the building,
he went up the bell tower,

and saw the open shutter and looked down.

LORENZO: Do we know what time
this happened?

TOBY: Sprinklers are on a timer.

The grass under the body is wet,
but her clothes are dry.

That puts it between 3:00 a.m.
and first light.

You sure about the identification?

Hospital ID card,

and I saw her face.

It's Charlotte DiLaurentis.

Stay with her till she falls asleep.

I will.

Are you all right?

If I thought there was any chance
of Charlotte taking her own life,

(EXHALES) I never would have let her
leave the hospital.

(ALISON SOBS)

Hey.

Hi.

Sorry, um, I thought that
you were room service.

Afraid not.

Spencer called me.
She told me what happened.

Spencer called you?

Yeah, I saw her in Washington.

I'm actually thinking about
working for her outfit.

I was with her when she got the letter.

Can I come in?

Yeah.

Thanks.

Why are you here?

Sorry, um...

It's been a very wrong day.

I didn't expect you to show up
at my doorstep, or anywhere else.

Yeah, Spencer told me
about Charlotte and, um...

I don't know.

Maybe it was a conditioned reflex.

But I thought I could help.

Well, I'm glad to know
that your reflexes still work.

Are you okay?

Well, we came here to help Ali,

and Charlotte killed herself.

We could have just
kept our mouths shut,

and she would still be
in a nice, safe hospital.

Instead we have another funeral
to get through.

Yeah.

I thought I might stick around for that.

My mom can set you up with
a room here, if you want.

Oh, no, that's okay. Actually, um,
I'm staying in Spencer's barn.

Uh...

So, how have you been?

I've been okay.

Are you still in New York?

Yeah, I travel a lot more
for the collection.

Hmm.

Still a roadie for a bunch of dresses.

That's me.

Yeah.

Well, if you need anything,
you know where to find me.

Right.

Why didn't you call me
before you came over?

I wasn't sure that you would let me in.

Why wouldn't I let you in?

We're still friends, aren't we?

Yeah.

Of course we are.

(KNOCK ON DOOR)

Talk to you later.

(DOOR CLOSES)

(INDISTINCT TALKING)

How was it?

Complicated.

Yeah.

That's why I wanted to stay down here.

Thanks for calling me. I appreciate it.

I'm really glad that you're here.

It's, uh, kind of strange
what they did to this place, huh?

Yeah.

I think it's like cultural amnesia.

Yeah, well, people get do-overs,
why shouldn't buildings?

♪ (SOFT PIANO MUSIC PLAYING) ♪

This isn't happening.

-I'm gonna grab the car.
- Okay.

What is she doing here?

Making sure that Charlotte's really dead.

Really, most sincerely dead.

Let's go.

- Hello.
- Lorenzo.

HANNA: How are you?

All right, under the circumstances.

I was wondering what your plans are
for the next couple of days,

if you were going to stay in Rosewood?

Why?

It would make it easier if you stayed.

Make what easier?

We have the autopsy report
on Charlotte DiLaurentis.

Charlotte was dead
when she was thrown from the bell tower.

Thrown?

She was murdered?

The death's been ruled a homicide. Yeah.

You'll get a call.

Was someone waiting for Charlotte
to get released so they could kill her?

Don't go there.

Spencer, we lived there a long time.

It's not like it's a long commute.

EMILY: I wanna go home.

SPENCER: We are home.

♪ (MUSIC PLAYING) ♪

English - SDH