Pretty Little Liars (2010–2017): Season 6, Episode 1 - Game On, Charles - full transcript
The liars are trapped outside of Charles' dollhouse, where his games grow more sinister; Ezra, Caleb and Toby are determined to locate the liars.
Previously on Pretty Little Liars...
A hacked into the van's computer system
and took remote control of the vehicle.
There's something you need to know.
Getting a little tired
of memorializing Mona.
Are you saying the world
is better off without her?
What?
Mom?
We know about Eddie.
This A killed my mom.
- And Mona.
- You're not Allison!
Every night the main generator
shuts down like clockwork.
Takes exactly 3 minutes for the
backup power to kick in.
That's the way out but
you have to climb up...
There is a steel door at the end of the
hall and it's sealed like a vault.
The blocks in the playroom
spelled out a name, 'Charles'.
A's recreating a prom we already had?
What if we used this staircase to
make a grand entrance for Ali?
That's where the van is.
This is the old Campbell farm.
We've searched the entire
property, there's no one here.
Then where is this place?
You should be standing up here, Charles.
- Now.
- 'Let's go!'
Wanna say goodnight to your
sister with a little kiss?
- Is that you, Charles?
- 'Spencer?'
(female #2) 'Spencer, where are you?'
[dramatic music]
[generator shutting down]
(Emily) 'Hurry, let's go. Let's
go, let's go, let's go.'
'Go, go.'
(Hanna) 'Oh, my God.'
We're still trapped.
(Emily) We can climb it. Let's go.
Stop!
[electricity crackling]
[instrumental music on speaker]
♪ Oh give me land lots of land ♪
♪ Under starry skies above ♪
♪ Don't fence me in ♪
♪ Let me ride through the wide
open country that I love ♪
♪ But don't fence me in ♪
♪ Let me be by myself
in the evenin' breeze ♪
♪ And listen to the murmur
of the cottonwood trees ♪
♪ Send me off forever
but I ask you please ♪
There's no way out.
I'm not going back down there.
[door slams]
You maybe a dude but
you're still a bitch.
You guys, in the vault,
I was so close to Charles
I could feel his breath.
Was there anything about
him that you recognized?
- A smell?
- She's not Jenna.
(Spencer) 'I don't know,
I can't pinpoint it'
but there was something
that was really familiar.
You mean like the way he moved?
No, it was..
like when you meet a
penpal or like a cousin...
or somebody that you knew
when you were really little.
Wait, so your saying
you know Charles a little,
but you feel like you know him a lot.
I can't explain it, it was just a feeling.
It's going to get cold out here tonight.
Where do you think we are?
We don't... we don't know how long
we were out before we got here. So...
We could be in the Amazon right now.
No, we're in the Northern
Hemisphere, that's the waning moon.
I was saying the facetiously.
Wow, that's an eleven letter word, Hanna.
[thunder rumbling]
This fence is like a giant lightning rod.
You going to let us fry out here?
[thunder rumbling]
[instrumental music]
[thunder rumbling]
[music continues]
How long can a person live without food?
Three weeks.
But water's a different story.
Some people can only go
a few days without it.
You know you're dying
when you're not hungry
or thirsty anymore.
It means your organs are shutting down.
Mine are definitely working.
I'm so thirsty, I'm seriously
considering drinking my own pee.
[chuckles]
I can totally suck on a
pee ice cube right now.
I'd lick sweat off a jockstrap.
Okay, Emily, you win.
I don't know how much
longer I can handle this.
You can handle it, Aria.
We all can.
[dramatic music]
(woman on speaker) 'Bonjour.
Good morning. Buenos Dias.'
'Please enter and follow
the lighted pathway.'
I mean, I-I'm afraid to stay up here
but I'm also scared to
death to go back there.
(woman on speaker) 'Please enter
and follow the lighted pathway.'
You've been here the longest, Mona.
What do we do?
Maybe this was our punishment.
Maybe it's not mad at us anymore.
Let's all stick together.
Always.
[dramatic music]
[rattling]
What the hell?
[rattling]
[explosion]
[screaming]
Mona! Mona!
[all coughing]
'Mona!'
♪ Got a secret can you keep it ♪
♪ Swear this one you'll save ♪
♪ Better lock it in your pocket ♪
♪ Takin' this one to the grave ♪
♪ If I show you then I know you ♪
♪ Won't tell what I said ♪
♪ Cause two can keep a secret ♪
♪ If one of them is dead ♪
[dramatic music]
Hanna.
Is this a hospital?
Looks more like a morgue.
It feels like somebody's
ripping my brain out
through my eye sockets.
What did they do to us?
- Thank God.
- What?
♪I thought for a second
A harvested our organs.
Emily, we'd be dead.
You only need one kidney.
♪Hey, guys, I think A wanted
to make us look dead
to send a message to our families.
What do you mean?
So they'd stop looking for us.
[wheels creaking]
Aspirin? Juice?
Mona, what the hell is going on?
What happened to us?
I've asked you not to call
me that ever again, Hanna.
That bitch is dead to me.
Okay, Ali..
Ali, do you know what A did to us?
We're scared.
I'm scared too.
How long have we been here?
How long were we unconscious?
Only a few hours.
I've been in my room until now.
That's all I know.
Are you sure that's all you know?
(woman on speaker) 'Please return to
your rooms and find your surprises.'
[whirring]
No.
(woman on speaker) 'Please return to
your rooms and find your surprises.'
(Mona) 'I said, "No."
[chiming]
Three chimes means we
have to go to our rooms.
Or else..
Ali.
Ali.
Ali, wait up. Please, talk to us.
Or else what?
It steals you in the night
and puts you in the hole.
(woman on speaker) 'Please return to
your rooms and find your surprises.'
I hate surprises.
Whatever the hole is I
don't wanna go there.
[dramatic music]
[music continues]
[music continues]
[gasps]
(Spencer) 'No, no, no..'
- 'Oh, my God!'
- 'Please, no!'
[all screaming]
_
The four teen girls who were abducted
almost a month ago are still missing.
'Today, their friend,
Alison DiLaurentis'
'whose murder conviction
was recently overturned'
is about to address the
public for the first time.
Police are reminding viewers
to report any information
on Andrew Campbell's whereabouts.
The star athlete and honor roll student
remains the top suspect
in the kidnapping case
and is presumed to be dangerous.
[indistinct chatter]
Excuse me, Alison, Alison, one question.
"One month ago my friends were kidnapped
"by a faceless, nameless coward.
"And the same monster who
attacked Mona Vanderwaal
"and framed us for her murder.
'"We now know that Mona is alive.'
"But she is in grave danger.
"As well as my friends.
"I'm so thankful to be
home with my family.
But I would do anything
to see my friends again."
My friends have always been my rock.
Without them I'm lost in the woods.
Totally alone.
Andrew, if you're listening..
...please don't hurt them.
- Please.
- Thank you. That's all.
[indistinct chatter]
(male #1) 'Do you really
think Campbell did it?'
Right now, I just need
to be with my family.
Alone. No questions.
And please, no more police.
[indistinct chatter]
This better work.
Andrew's been obsessed with the girls
since Ali went missing.
If he really thinks
that she's here alone
there is no way he'll pass up
the opportunity to grab her.
And if you're wrong?
Dad, this was my idea.
If we don't poke the bear,
it'll just keep hibernating.
I know. I just..
...don't like the idea of
using my daughter as bait.
Your daughter will have police
protection 24 hours a day.
We will leave nothing up to chance.
And if Andrew or anybody
else tries to contact her
we'll be ready.
- So what do we do now?
- We wait.
And we hope that Andrew makes a move.
[dramatic music]
Mona, is that you?
Mona. Mona!
[music continues]
- 'Mona!'
- 'Mona!'
'Mona, come on. Please help us!'
- 'Mona!'
- 'Mona!'
[chiming]
Do you need anything? Food, soda?
No. I'm fine.
[gasps]
[intense music]
Toby, what the hell?
Why didn't you come in the front?
Told me to be discreet, I
came through the garage.
[cellphone ringing]
Everybody stay absolutely silent.
Hello?
Hello?
♪ I wrote my mother ♪
♪ I wrote my father ♪
♪ And now I'm writing you too ♪
I know I'm the one that you really want.
Just tell me where you are and
I'll find a way to get there.
But I have to know that
you won't hurt them.
Did you get it?
The caller's in the house.
[dramatic music]
[door creaks]
Do not open this door for anyone.
You stay down here.
First floor is clear.
Jason and Mr. DiLaurentis
are with Hernandez.
Okay.
[intense music]
[door creaks open]
Show me your hands.
'Let me see your hands.'
[music continues]
[sighs]
[cellphone ringing]
Hello.
[pig squealing on phone]
Why aren't you downstairs?
[dramatic music]
Where the hell is she?
[music continues]
Put out an APB.
Alison and Campbell should
be on everyone's screensaver
from here to Lake Michigan.
- What is it, Toby?
- It's that song.
My mom used to play it on the piano.
It's called "Don't Sit
Under The Apple Tree."
- Call that in.
- We got a..
Stop. Please. Someone tell us
what the hell is goin' on.
That song was a message
about the Campbell Apple Farm.
Ali figured it out before we did.
And I think that she went there
to meet Andrew without us.
[dramatic music]
It worked. They thought
the call was from A.
Oh, it's Toby.
"Tanner sent everyone
to the Campbell Apple Farm.
We're in the clear."
- I don't know if I'd say that.
- Me neither.
There's no other way.
As long as Tanner's around
A won't come near me
with a ten-foot pole.
Are you even sure that
Andrew even got the message
about the rock and being
lost in the woods and..
Believe me, he'll be
at the Kissing Rock.
He won't miss a chance
to get his hands on me.
Ali, listen..
We're gonna be tracking
you every step of the way.
Mm-hmm. And Toby will
always know where we are.
(Ezra) 'Ali, those are for you.'
Nice kicks.
Welcome home gift?
Uh, actually inside
is a tracking device.
It works like your phones GPS system.
It transports a signal to a satellite
and bounces back to us.
So wherever Andrew takes you
we'll only be a few seconds behind.
And if this works then you'll
take us right to the girls.
Well, you know what they say
give the girl a good pair of shoes
and she can conquer the world, right?
(woman on speaker) 'Please proceed to
Ali's room and prepare for arrival.'
[all doors unlocking]
'Please proceed to Ali's room
and prepare for arrival.'
[door creaks open]
'Please proceed to Ali's room
and prepare for arrival.'
[dramatic music]
[door slams]
[music continues]
I'd ask if you were okay but..
Let's not talk about what
we just went through.
At least not until we get out of here.
I don't know if I could
even find the words.
[door opens]
[music continues]
We're all together again.
Okay, it's gonna be okay.
[dramatic music]
(woman on speaker) 'Please proceed to
Ali's room and prepare for arrival.'
I don't wanna get in trouble again.
Let's just go.
[music continues]
Be careful.
This is all Ali's stuff
from her room at home.
You guys, Ali's murder
conviction was overturned.
They're letting her go.
If that's even a real paper.
How did A get all this stuff?
You're seriously still asking how?
Yeah, Aria's right.
Question down here is why.
Did A force you guys to sign
the welcome card for Ali?
(Emily) Oh, my God.
I think we're getting
ready for Ali's arrival.
The real Ali, not Mona.
(Spencer) 'Oh, Ali. No.'
What? What is it Spence?
"DiLaurentis was offered
police protection
"but declined citing the need to heal
privately with her family."
So Ali's a sitting duck.
[whirring]
If A brings Ali here
does that mean that he
won't need Mona anymore?
So where is she?
[dramatic music]
[door creaking]
Charles?
Is that you?
[gasps]
I'm sorry I upset you.
But if you let me out, I
promise I'll be a good Ali.
The best you'll ever find.
Just give me a chance and you'll see.
No. No, no, no, don't go.
Don't go, please.
Charles? Charles.
No. Please, don't leave me here!
'No. Please, please, don't leave me!'
[door closes]
I can't believe Ali saved this.
'This from the day we were at the lake.'
Well, Ali was in rare form
that day, remember?
She insulted everyone we'd ever met.
We let her call Lucas, Hermie.
We let her blind Jenna.
We are not the same
people we were back then.
Including Ali.
[dramatic music]
Hey, Spence, can you
come help me with this?
What? Help you with what?
Uh, the rod's just a little bit loose.
I don't know. Hanna,
can you please do it?
She's busy.
What?
(Aria) You see what I mean?
Oh, yeah, I see..
(woman on TV) '...remains the top
suspect of the kidnapping case
'and he's presumed to be dangerous.'
The four teen girls who were abducted..
No one moves from that
spot, you hear me?
No sign of Alison or Andrew
at the Campbell Farm.
If you have any idea where
she could be right now
you better tell me before it's too late.
Did you see that?
Look.
'Behind the reporter.'
'There. The guy in the hat.'
Speaking for the first time publicly..
That could be him. That could be Andrew.
Can you get a plate number?
(Maple) 'Here we go.'
'Blue sedan with a partial plate.'
1-8-0. That's the best we're gonna get.
I'll call it in.
[music playing in distance]
♪ I go out walkin' ♪
♪ After midnight ♪
♪ Out in the moonlight ♪
♪ Just like we used to do ♪
♪ I'm always walkin' ♪
♪ After midnight ♪
♪ Searchin' for you ♪
♪ I walk for miles ♪
♪ Along the highway ♪
♪ Well that's just my way ♪
♪ Of sayin' I love you ♪
♪ I'm always walkin' ♪
♪ After midnight ♪
♪ Searchin' for you.. ♪
[engine revving]
(automated response) 'Head North.
'Then make an immediate left turn.'
♪ Cryin' on his pillow ♪
♪ Maybe he's cryin' for me ♪
♪ And as the skies turn gloomy ♪
♪ Night winds whisper to me ♪
(Caleb) 'She's turning onto
the highway. Northbound.'
Hey, don't get too close, okay?
If we can see her, A can see us.
This better not be a colossal mistake.
- If we lose Ali...
- We're not losing anyone.
Not Ali, not anyone.
I promised Hanna's mom
I would get the girls back.
And I don't plan on
breaking that promise.
You got a box too.
A is making this house our home.
You guys, Charles took our
stuff before he took us.
I thought that I lost this ages ago.
A planned on bringin' us
here the whole time.
To live like his dolls.
This article is about our families.
All of them.
They're barely hanging on to hope.
I don't want to hear that.
Like you said that's
probably not even real.
Well, real or not..
...they don't know where we are.
They don't even know if we're alive.
Can you just imagine what
they're going though?
(Spencer) 'It plays in
my head on a loop.'
Day after day, night after night.
I will kill you for what
you're doing to our families!
- Do you hear me?
- Aria, stop.
Calm down.
Not knowing that if we're okay
has made my mom physically sick.
They took her to the hospital.
(Aria) 'Hanna..'
Hanna..
Let's just all help Hanna unpack.
Hanna, I'm gonna help you unpack.
We're gonna find Mona and we're
gonna get out of here tonight.
How?
Did you guys know that, um
I won an Etch A Sketch contest
when I was in the third grade?
Of course, you did.
I can draw some really,
really pretty pictures.
[whispering] The generator still
shuts down with the switch-over.
I heard it too but I was too
scared to leave my room.
See?
_
♪ Hush little baby don't say a word ♪
♪ Mama's gonna buy you a mockingbird ♪
♪ And if that mockingbird don't sing ♪
♪ Mama's gonna buy you a diamond ring ♪
♪ And if that diamond ring turns brass ♪
♪ Mama's gonna buy you a looking glass ♪
[sobbing]
(automated response) 'Your
destination is on the right.'
_
'You have reached your destination.'
[engine sputtering]
[beeping]
[panting]
(man on speaker) 'Roadside
Assistance, may I help you?'
Hi, my car has broken down. I need help.
(man on speaker) 'What you need
is in the trunk of the car.'
What? What did you say?
(man on speaker) 'I said, open
the trunk of the car, Alison.'
[panting]
[dramatic music]
She's still not moving?
No, she's at a dead stop.
That's a poor choice of words.
Slow down. We don't wanna get too close.
This doesn't feel right.
'You should call Toby.'
We got a lead on Campbell's car.
A vehicle matching that description
was reported stolen two weeks ago.
We got the rest of the plate number
and we tracked it toll road.
- Where?
- Outside Tyler State Park.
Okay, let's go.
(Ezra) 'Where is she?'
Ali's signal stopped here.
No, no, no.
[dramatic music]
(automated response) 'Put on the
clothes and start walking.'
'Leave everything else
behind or they die.'
[dramatic music]
Which way did she go?
Hey, she put 'em like this for a reason.
Let's go.
[creaking]
[gasps]
[generator shutting down]
Hanna, let's go.
[dramatic music]
One, two, three..
'...four, five..'
'...six, seven..'
[whirring]
"Chandelier's rituals.
Sister launched lair
A ruler's list chained."
They're all anagrams.
For Charles DiLaurentis.
Some of those toys
in Ali's room were hers
but some of them were his.
I feel like they grew up together.
If I'm right, everything
that matters most
to Charles is in this vault.
If we get in, we can use
what's inside to bargain our way out.
But Mona said we won't make it
to the vault before the power comes on.
Okay, if I'm right, this is
as far as we need to go.
I counted the steps to the
vault from the prom room.
- Of course you did.
- It's 84.
And that's just one hallway over.
Coming back this way, it's 81 steps.
The vault is on the other
side of this wall.
Yeah, but how does that help us?
We can't bust through there.
Charles disappeared like Houdini
when Mona came into the room.
So there's gotta be like
a secret passage way
'or like a trapdoor or something.'
Wait, do you guys hear that?
I think the generator is coming back on.
[siren blaring]
- He knows that we're out.
- Just help me move it.
Come on!
[groans]
There's something behind this.
Come on there could be like
a passageway or something.
Oh!
[grunts]
[siren stops]
- Come on!
- Go.
[instrumental music]
A does have a soul.
(female #3) 'Wanna say
goodnight to your sister..'
'...and give a little kiss?
'What a good boy you are.'
Oh, good boys, good boys.
[whirring]
Game on, Charles.
We want Mona back!
Let's torch this place.
[alarm ringing]
[dramatic music]
[alarm ringing]
[rustling]
[dramatic music]
[panting]
Oh, my God.
[music continues]
Guys, what if A is not watching us?
What if we're the only ones here?
What do we do? It's spreading too fast.
There's just no way I'm
dying in this hell-hole.
We are not giving up.
Okay, we-we just need to
find a blanket or something.
Here. Aria, help me pull this down.
[gasping]
Oh, my God.
I think he has set us
on a wild goose chase.
Yeah, it wouldn't be the first time.
Guys, let's get outta here.
Oh, my God. Ohh!
Okay. Grab everything.
The pictures, the baby clothes
and throw them in the fire.
Say goodbye to your soul.
[squealing]
[intense music]
[alarm blaring]
Let's go. Let's go!
- Let's go!
- Go!
Do you hear that?
[alarm ringing in distance]
[alarm ringing]
It's coming from underground.
Oh, my God. Something's burning.
Oh, hang on, hang on.
'I see something. Guys, over here.'
'Call 911.'
- 'Mona!'
- 'Mona!'
- Mona!
- Mona, where are you?
Can you hear us?
[coughing]
- Mona!
- Mona!
'Mona!'
'Mona!'
[gasps]
Help me, please.
I'm down here. Help me, please.
- 'Mona!'
- 'Mona!'
(Mona) 'I'm down here. Help me, please.'
- Mona!
- 'Help me, please.'
[crying] Oh, my God. Help me, please.
- Oh, my God. Mona..
- Hold on, hold on, hold on.
Please get me out.
- Mona, hang on.
- Oh, my God.
(Spencer) 'We're gonna
get you out of here.'
- 'Are you okay?'
- 'Mona, just hang on, okay?'
(Spencer) 'We're gonna get you out.'
Come on, it's this way.
[intense music]
Aria!
I got it. Hang on.
It's shut. Come on.
[coughing]
[panting]
You're okay.
I thought I lost you.
[indistinct chatter]
Don't ever let me go.
Never.
- Spencer?
- Toby.
Oh, my God.
[gasps]
We know who it is. We have a name.
It's Andrew, babe.
And we're gonna get him.
(male #2) 'Hey, there's
another girl down here.'
Miss? It's okay.
You're safe now.
What's your name?
Sarah.
I'm Sarah Harvey.
[indistinct radio chatter]
I met Sarah's friends, remember?
She lived in Courtland.
She went missin' around
the same time Ali did.
(Hanna) 'Has she been down
there that whole time?'
Ezra told us what you did to save us.
Thank you.
Ali, who is Charles DiLaurentis?
[music]
[theme music]
A hacked into the van's computer system
and took remote control of the vehicle.
There's something you need to know.
Getting a little tired
of memorializing Mona.
Are you saying the world
is better off without her?
What?
Mom?
We know about Eddie.
This A killed my mom.
- And Mona.
- You're not Allison!
Every night the main generator
shuts down like clockwork.
Takes exactly 3 minutes for the
backup power to kick in.
That's the way out but
you have to climb up...
There is a steel door at the end of the
hall and it's sealed like a vault.
The blocks in the playroom
spelled out a name, 'Charles'.
A's recreating a prom we already had?
What if we used this staircase to
make a grand entrance for Ali?
That's where the van is.
This is the old Campbell farm.
We've searched the entire
property, there's no one here.
Then where is this place?
You should be standing up here, Charles.
- Now.
- 'Let's go!'
Wanna say goodnight to your
sister with a little kiss?
- Is that you, Charles?
- 'Spencer?'
(female #2) 'Spencer, where are you?'
[dramatic music]
[generator shutting down]
(Emily) 'Hurry, let's go. Let's
go, let's go, let's go.'
'Go, go.'
(Hanna) 'Oh, my God.'
We're still trapped.
(Emily) We can climb it. Let's go.
Stop!
[electricity crackling]
[instrumental music on speaker]
♪ Oh give me land lots of land ♪
♪ Under starry skies above ♪
♪ Don't fence me in ♪
♪ Let me ride through the wide
open country that I love ♪
♪ But don't fence me in ♪
♪ Let me be by myself
in the evenin' breeze ♪
♪ And listen to the murmur
of the cottonwood trees ♪
♪ Send me off forever
but I ask you please ♪
There's no way out.
I'm not going back down there.
[door slams]
You maybe a dude but
you're still a bitch.
You guys, in the vault,
I was so close to Charles
I could feel his breath.
Was there anything about
him that you recognized?
- A smell?
- She's not Jenna.
(Spencer) 'I don't know,
I can't pinpoint it'
but there was something
that was really familiar.
You mean like the way he moved?
No, it was..
like when you meet a
penpal or like a cousin...
or somebody that you knew
when you were really little.
Wait, so your saying
you know Charles a little,
but you feel like you know him a lot.
I can't explain it, it was just a feeling.
It's going to get cold out here tonight.
Where do you think we are?
We don't... we don't know how long
we were out before we got here. So...
We could be in the Amazon right now.
No, we're in the Northern
Hemisphere, that's the waning moon.
I was saying the facetiously.
Wow, that's an eleven letter word, Hanna.
[thunder rumbling]
This fence is like a giant lightning rod.
You going to let us fry out here?
[thunder rumbling]
[instrumental music]
[thunder rumbling]
[music continues]
How long can a person live without food?
Three weeks.
But water's a different story.
Some people can only go
a few days without it.
You know you're dying
when you're not hungry
or thirsty anymore.
It means your organs are shutting down.
Mine are definitely working.
I'm so thirsty, I'm seriously
considering drinking my own pee.
[chuckles]
I can totally suck on a
pee ice cube right now.
I'd lick sweat off a jockstrap.
Okay, Emily, you win.
I don't know how much
longer I can handle this.
You can handle it, Aria.
We all can.
[dramatic music]
(woman on speaker) 'Bonjour.
Good morning. Buenos Dias.'
'Please enter and follow
the lighted pathway.'
I mean, I-I'm afraid to stay up here
but I'm also scared to
death to go back there.
(woman on speaker) 'Please enter
and follow the lighted pathway.'
You've been here the longest, Mona.
What do we do?
Maybe this was our punishment.
Maybe it's not mad at us anymore.
Let's all stick together.
Always.
[dramatic music]
[rattling]
What the hell?
[rattling]
[explosion]
[screaming]
Mona! Mona!
[all coughing]
'Mona!'
♪ Got a secret can you keep it ♪
♪ Swear this one you'll save ♪
♪ Better lock it in your pocket ♪
♪ Takin' this one to the grave ♪
♪ If I show you then I know you ♪
♪ Won't tell what I said ♪
♪ Cause two can keep a secret ♪
♪ If one of them is dead ♪
[dramatic music]
Hanna.
Is this a hospital?
Looks more like a morgue.
It feels like somebody's
ripping my brain out
through my eye sockets.
What did they do to us?
- Thank God.
- What?
♪I thought for a second
A harvested our organs.
Emily, we'd be dead.
You only need one kidney.
♪Hey, guys, I think A wanted
to make us look dead
to send a message to our families.
What do you mean?
So they'd stop looking for us.
[wheels creaking]
Aspirin? Juice?
Mona, what the hell is going on?
What happened to us?
I've asked you not to call
me that ever again, Hanna.
That bitch is dead to me.
Okay, Ali..
Ali, do you know what A did to us?
We're scared.
I'm scared too.
How long have we been here?
How long were we unconscious?
Only a few hours.
I've been in my room until now.
That's all I know.
Are you sure that's all you know?
(woman on speaker) 'Please return to
your rooms and find your surprises.'
[whirring]
No.
(woman on speaker) 'Please return to
your rooms and find your surprises.'
(Mona) 'I said, "No."
[chiming]
Three chimes means we
have to go to our rooms.
Or else..
Ali.
Ali.
Ali, wait up. Please, talk to us.
Or else what?
It steals you in the night
and puts you in the hole.
(woman on speaker) 'Please return to
your rooms and find your surprises.'
I hate surprises.
Whatever the hole is I
don't wanna go there.
[dramatic music]
[music continues]
[music continues]
[gasps]
(Spencer) 'No, no, no..'
- 'Oh, my God!'
- 'Please, no!'
[all screaming]
_
The four teen girls who were abducted
almost a month ago are still missing.
'Today, their friend,
Alison DiLaurentis'
'whose murder conviction
was recently overturned'
is about to address the
public for the first time.
Police are reminding viewers
to report any information
on Andrew Campbell's whereabouts.
The star athlete and honor roll student
remains the top suspect
in the kidnapping case
and is presumed to be dangerous.
[indistinct chatter]
Excuse me, Alison, Alison, one question.
"One month ago my friends were kidnapped
"by a faceless, nameless coward.
"And the same monster who
attacked Mona Vanderwaal
"and framed us for her murder.
'"We now know that Mona is alive.'
"But she is in grave danger.
"As well as my friends.
"I'm so thankful to be
home with my family.
But I would do anything
to see my friends again."
My friends have always been my rock.
Without them I'm lost in the woods.
Totally alone.
Andrew, if you're listening..
...please don't hurt them.
- Please.
- Thank you. That's all.
[indistinct chatter]
(male #1) 'Do you really
think Campbell did it?'
Right now, I just need
to be with my family.
Alone. No questions.
And please, no more police.
[indistinct chatter]
This better work.
Andrew's been obsessed with the girls
since Ali went missing.
If he really thinks
that she's here alone
there is no way he'll pass up
the opportunity to grab her.
And if you're wrong?
Dad, this was my idea.
If we don't poke the bear,
it'll just keep hibernating.
I know. I just..
...don't like the idea of
using my daughter as bait.
Your daughter will have police
protection 24 hours a day.
We will leave nothing up to chance.
And if Andrew or anybody
else tries to contact her
we'll be ready.
- So what do we do now?
- We wait.
And we hope that Andrew makes a move.
[dramatic music]
Mona, is that you?
Mona. Mona!
[music continues]
- 'Mona!'
- 'Mona!'
'Mona, come on. Please help us!'
- 'Mona!'
- 'Mona!'
[chiming]
Do you need anything? Food, soda?
No. I'm fine.
[gasps]
[intense music]
Toby, what the hell?
Why didn't you come in the front?
Told me to be discreet, I
came through the garage.
[cellphone ringing]
Everybody stay absolutely silent.
Hello?
Hello?
♪ I wrote my mother ♪
♪ I wrote my father ♪
♪ And now I'm writing you too ♪
I know I'm the one that you really want.
Just tell me where you are and
I'll find a way to get there.
But I have to know that
you won't hurt them.
Did you get it?
The caller's in the house.
[dramatic music]
[door creaks]
Do not open this door for anyone.
You stay down here.
First floor is clear.
Jason and Mr. DiLaurentis
are with Hernandez.
Okay.
[intense music]
[door creaks open]
Show me your hands.
'Let me see your hands.'
[music continues]
[sighs]
[cellphone ringing]
Hello.
[pig squealing on phone]
Why aren't you downstairs?
[dramatic music]
Where the hell is she?
[music continues]
Put out an APB.
Alison and Campbell should
be on everyone's screensaver
from here to Lake Michigan.
- What is it, Toby?
- It's that song.
My mom used to play it on the piano.
It's called "Don't Sit
Under The Apple Tree."
- Call that in.
- We got a..
Stop. Please. Someone tell us
what the hell is goin' on.
That song was a message
about the Campbell Apple Farm.
Ali figured it out before we did.
And I think that she went there
to meet Andrew without us.
[dramatic music]
It worked. They thought
the call was from A.
Oh, it's Toby.
"Tanner sent everyone
to the Campbell Apple Farm.
We're in the clear."
- I don't know if I'd say that.
- Me neither.
There's no other way.
As long as Tanner's around
A won't come near me
with a ten-foot pole.
Are you even sure that
Andrew even got the message
about the rock and being
lost in the woods and..
Believe me, he'll be
at the Kissing Rock.
He won't miss a chance
to get his hands on me.
Ali, listen..
We're gonna be tracking
you every step of the way.
Mm-hmm. And Toby will
always know where we are.
(Ezra) 'Ali, those are for you.'
Nice kicks.
Welcome home gift?
Uh, actually inside
is a tracking device.
It works like your phones GPS system.
It transports a signal to a satellite
and bounces back to us.
So wherever Andrew takes you
we'll only be a few seconds behind.
And if this works then you'll
take us right to the girls.
Well, you know what they say
give the girl a good pair of shoes
and she can conquer the world, right?
(woman on speaker) 'Please proceed to
Ali's room and prepare for arrival.'
[all doors unlocking]
'Please proceed to Ali's room
and prepare for arrival.'
[door creaks open]
'Please proceed to Ali's room
and prepare for arrival.'
[dramatic music]
[door slams]
[music continues]
I'd ask if you were okay but..
Let's not talk about what
we just went through.
At least not until we get out of here.
I don't know if I could
even find the words.
[door opens]
[music continues]
We're all together again.
Okay, it's gonna be okay.
[dramatic music]
(woman on speaker) 'Please proceed to
Ali's room and prepare for arrival.'
I don't wanna get in trouble again.
Let's just go.
[music continues]
Be careful.
This is all Ali's stuff
from her room at home.
You guys, Ali's murder
conviction was overturned.
They're letting her go.
If that's even a real paper.
How did A get all this stuff?
You're seriously still asking how?
Yeah, Aria's right.
Question down here is why.
Did A force you guys to sign
the welcome card for Ali?
(Emily) Oh, my God.
I think we're getting
ready for Ali's arrival.
The real Ali, not Mona.
(Spencer) 'Oh, Ali. No.'
What? What is it Spence?
"DiLaurentis was offered
police protection
"but declined citing the need to heal
privately with her family."
So Ali's a sitting duck.
[whirring]
If A brings Ali here
does that mean that he
won't need Mona anymore?
So where is she?
[dramatic music]
[door creaking]
Charles?
Is that you?
[gasps]
I'm sorry I upset you.
But if you let me out, I
promise I'll be a good Ali.
The best you'll ever find.
Just give me a chance and you'll see.
No. No, no, no, don't go.
Don't go, please.
Charles? Charles.
No. Please, don't leave me here!
'No. Please, please, don't leave me!'
[door closes]
I can't believe Ali saved this.
'This from the day we were at the lake.'
Well, Ali was in rare form
that day, remember?
She insulted everyone we'd ever met.
We let her call Lucas, Hermie.
We let her blind Jenna.
We are not the same
people we were back then.
Including Ali.
[dramatic music]
Hey, Spence, can you
come help me with this?
What? Help you with what?
Uh, the rod's just a little bit loose.
I don't know. Hanna,
can you please do it?
She's busy.
What?
(Aria) You see what I mean?
Oh, yeah, I see..
(woman on TV) '...remains the top
suspect of the kidnapping case
'and he's presumed to be dangerous.'
The four teen girls who were abducted..
No one moves from that
spot, you hear me?
No sign of Alison or Andrew
at the Campbell Farm.
If you have any idea where
she could be right now
you better tell me before it's too late.
Did you see that?
Look.
'Behind the reporter.'
'There. The guy in the hat.'
Speaking for the first time publicly..
That could be him. That could be Andrew.
Can you get a plate number?
(Maple) 'Here we go.'
'Blue sedan with a partial plate.'
1-8-0. That's the best we're gonna get.
I'll call it in.
[music playing in distance]
♪ I go out walkin' ♪
♪ After midnight ♪
♪ Out in the moonlight ♪
♪ Just like we used to do ♪
♪ I'm always walkin' ♪
♪ After midnight ♪
♪ Searchin' for you ♪
♪ I walk for miles ♪
♪ Along the highway ♪
♪ Well that's just my way ♪
♪ Of sayin' I love you ♪
♪ I'm always walkin' ♪
♪ After midnight ♪
♪ Searchin' for you.. ♪
[engine revving]
(automated response) 'Head North.
'Then make an immediate left turn.'
♪ Cryin' on his pillow ♪
♪ Maybe he's cryin' for me ♪
♪ And as the skies turn gloomy ♪
♪ Night winds whisper to me ♪
(Caleb) 'She's turning onto
the highway. Northbound.'
Hey, don't get too close, okay?
If we can see her, A can see us.
This better not be a colossal mistake.
- If we lose Ali...
- We're not losing anyone.
Not Ali, not anyone.
I promised Hanna's mom
I would get the girls back.
And I don't plan on
breaking that promise.
You got a box too.
A is making this house our home.
You guys, Charles took our
stuff before he took us.
I thought that I lost this ages ago.
A planned on bringin' us
here the whole time.
To live like his dolls.
This article is about our families.
All of them.
They're barely hanging on to hope.
I don't want to hear that.
Like you said that's
probably not even real.
Well, real or not..
...they don't know where we are.
They don't even know if we're alive.
Can you just imagine what
they're going though?
(Spencer) 'It plays in
my head on a loop.'
Day after day, night after night.
I will kill you for what
you're doing to our families!
- Do you hear me?
- Aria, stop.
Calm down.
Not knowing that if we're okay
has made my mom physically sick.
They took her to the hospital.
(Aria) 'Hanna..'
Hanna..
Let's just all help Hanna unpack.
Hanna, I'm gonna help you unpack.
We're gonna find Mona and we're
gonna get out of here tonight.
How?
Did you guys know that, um
I won an Etch A Sketch contest
when I was in the third grade?
Of course, you did.
I can draw some really,
really pretty pictures.
[whispering] The generator still
shuts down with the switch-over.
I heard it too but I was too
scared to leave my room.
See?
_
♪ Hush little baby don't say a word ♪
♪ Mama's gonna buy you a mockingbird ♪
♪ And if that mockingbird don't sing ♪
♪ Mama's gonna buy you a diamond ring ♪
♪ And if that diamond ring turns brass ♪
♪ Mama's gonna buy you a looking glass ♪
[sobbing]
(automated response) 'Your
destination is on the right.'
_
'You have reached your destination.'
[engine sputtering]
[beeping]
[panting]
(man on speaker) 'Roadside
Assistance, may I help you?'
Hi, my car has broken down. I need help.
(man on speaker) 'What you need
is in the trunk of the car.'
What? What did you say?
(man on speaker) 'I said, open
the trunk of the car, Alison.'
[panting]
[dramatic music]
She's still not moving?
No, she's at a dead stop.
That's a poor choice of words.
Slow down. We don't wanna get too close.
This doesn't feel right.
'You should call Toby.'
We got a lead on Campbell's car.
A vehicle matching that description
was reported stolen two weeks ago.
We got the rest of the plate number
and we tracked it toll road.
- Where?
- Outside Tyler State Park.
Okay, let's go.
(Ezra) 'Where is she?'
Ali's signal stopped here.
No, no, no.
[dramatic music]
(automated response) 'Put on the
clothes and start walking.'
'Leave everything else
behind or they die.'
[dramatic music]
Which way did she go?
Hey, she put 'em like this for a reason.
Let's go.
[creaking]
[gasps]
[generator shutting down]
Hanna, let's go.
[dramatic music]
One, two, three..
'...four, five..'
'...six, seven..'
[whirring]
"Chandelier's rituals.
Sister launched lair
A ruler's list chained."
They're all anagrams.
For Charles DiLaurentis.
Some of those toys
in Ali's room were hers
but some of them were his.
I feel like they grew up together.
If I'm right, everything
that matters most
to Charles is in this vault.
If we get in, we can use
what's inside to bargain our way out.
But Mona said we won't make it
to the vault before the power comes on.
Okay, if I'm right, this is
as far as we need to go.
I counted the steps to the
vault from the prom room.
- Of course you did.
- It's 84.
And that's just one hallway over.
Coming back this way, it's 81 steps.
The vault is on the other
side of this wall.
Yeah, but how does that help us?
We can't bust through there.
Charles disappeared like Houdini
when Mona came into the room.
So there's gotta be like
a secret passage way
'or like a trapdoor or something.'
Wait, do you guys hear that?
I think the generator is coming back on.
[siren blaring]
- He knows that we're out.
- Just help me move it.
Come on!
[groans]
There's something behind this.
Come on there could be like
a passageway or something.
Oh!
[grunts]
[siren stops]
- Come on!
- Go.
[instrumental music]
A does have a soul.
(female #3) 'Wanna say
goodnight to your sister..'
'...and give a little kiss?
'What a good boy you are.'
Oh, good boys, good boys.
[whirring]
Game on, Charles.
We want Mona back!
Let's torch this place.
[alarm ringing]
[dramatic music]
[alarm ringing]
[rustling]
[dramatic music]
[panting]
Oh, my God.
[music continues]
Guys, what if A is not watching us?
What if we're the only ones here?
What do we do? It's spreading too fast.
There's just no way I'm
dying in this hell-hole.
We are not giving up.
Okay, we-we just need to
find a blanket or something.
Here. Aria, help me pull this down.
[gasping]
Oh, my God.
I think he has set us
on a wild goose chase.
Yeah, it wouldn't be the first time.
Guys, let's get outta here.
Oh, my God. Ohh!
Okay. Grab everything.
The pictures, the baby clothes
and throw them in the fire.
Say goodbye to your soul.
[squealing]
[intense music]
[alarm blaring]
Let's go. Let's go!
- Let's go!
- Go!
Do you hear that?
[alarm ringing in distance]
[alarm ringing]
It's coming from underground.
Oh, my God. Something's burning.
Oh, hang on, hang on.
'I see something. Guys, over here.'
'Call 911.'
- 'Mona!'
- 'Mona!'
- Mona!
- Mona, where are you?
Can you hear us?
[coughing]
- Mona!
- Mona!
'Mona!'
'Mona!'
[gasps]
Help me, please.
I'm down here. Help me, please.
- 'Mona!'
- 'Mona!'
(Mona) 'I'm down here. Help me, please.'
- Mona!
- 'Help me, please.'
[crying] Oh, my God. Help me, please.
- Oh, my God. Mona..
- Hold on, hold on, hold on.
Please get me out.
- Mona, hang on.
- Oh, my God.
(Spencer) 'We're gonna
get you out of here.'
- 'Are you okay?'
- 'Mona, just hang on, okay?'
(Spencer) 'We're gonna get you out.'
Come on, it's this way.
[intense music]
Aria!
I got it. Hang on.
It's shut. Come on.
[coughing]
[panting]
You're okay.
I thought I lost you.
[indistinct chatter]
Don't ever let me go.
Never.
- Spencer?
- Toby.
Oh, my God.
[gasps]
We know who it is. We have a name.
It's Andrew, babe.
And we're gonna get him.
(male #2) 'Hey, there's
another girl down here.'
Miss? It's okay.
You're safe now.
What's your name?
Sarah.
I'm Sarah Harvey.
[indistinct radio chatter]
I met Sarah's friends, remember?
She lived in Courtland.
She went missin' around
the same time Ali did.
(Hanna) 'Has she been down
there that whole time?'
Ezra told us what you did to save us.
Thank you.
Ali, who is Charles DiLaurentis?
[music]
[theme music]