PSI Factor: Chronicles of the Paranormal (1996–2000): Season 3, Episode 5 - The Kiss - full transcript
I GOT A 10-33,
REPEAT, 10-33.
63 EDGEHILL ROAD,
CORNER,
ROYAL PARK.
GO!
PLEASE
DON'T DO THIS.
'TIL DEATH
DO US PART.
32, BACK UP'S
BEEN DISPATCHED.
JENNIFER HUXLEY,
DAILY HERALD.
GET OUTTA HERE,
NOW!
OLIN,
JEREMY OLIN.
LET THE WOMAN GO,
NOW!
TOSS OUT THE GUN,
NO ONE GETS HURT.
HEAR ME?
EASY,
CHAMP.
DON'T COME
ANY CLOSER.
WE'RE NOT GONNA HURT YOU,
JUST LET HER WALK OVER TO ME.
EVERYTHING'S
GONNA BE OKAY.
WHAT'S YOUR NAME?
GAIL.
OKAY, GAIL,
IT'LL BE OKAY.
JEREMY,
IT'S GONNA BE
VERY SIMPLE.
JUST PUT
THE GUN DOWN.
COME ON,
JUST A LITTLE.
THAT'S IT.
THAT'S IT.
GOOD.
HEY,
OLIN.
HE WAS GOING
FOR IT.
RIGHT, BOBBY?
YEAH,
SURE HE WAS.
YOU SAW IT CARLA.
SEND FORENSICS,
BRING THE MEAT WAGON.
*
WHAT'S UP?
BESIDES
THE KID'S LUNCH?
TAKE A LOOK,
YOU TELL ME.
IT'S A COP.
HIS NAME'S COLE.
*
ELEOA, WE7LA3AoS
MANY OF US BELIEVE THAT
OUR LIVES SEEM TO BE CONNECTED
IN SOME SUPERIOR
COSMIC PLAN.
THE GRID, THE FABRIC,
CALL IT WHAT YOU WILL,
IT'S WHAT BINDS US TOGETHER
AS HUMAN BEINGS.
IN LIFE,
NO ONE EXISTS IN ISOLATION.
THE SAME IS TRUE
IN DEATH.
NICE THREADS.
TAKE IT UP
WITH MY DAUGHTER.
ANYTHING OBVIOUS?
WELL,
I'VE GOT GARBAGE
THAT COULD BE SAMPLES
AND GARBAGE THAT'S
DEFINITELY GARBAGE.
HEY, KNOCK IT OFF.
THIS A PRIVATE PARTY OR WHAT?
I'M SORRY,
I CAN'T HELP YOU.
THERE'LL BE A STATEMENT
ISSUED LATER.
COME ON,
GIVE A GUY A BREAK, ALRIGHT?
THE COPS WILL ISSUE
A STATEMENT LATER.
I THOUGHT YOU
WERE A COP.
YOU THOUGHT WRONG.
FRED?
WELL, WELL,
MISS PENCIL PRESS.
HEY, HOLD IT, HUXLEY;
WHERE YOU GOING?
I STAY,
WE ALL STAY.
SORRY FRED,
I GOT AN IN.
IT'S ALRIGHT.
MATT!
JENNY, HEY.
HI!
HOW LONG
HAS IT BEEN?
I DON'T KNOW,
A COUPLE OF YEARS, ANYWAY.
RIGHT,
WELL, UM--
IT'S GREAT
TO SEE YOU.
GOOD TO SEE YOU.
HEY, I READ
YOUR BYLINE.
WHO THE HECK
ARE THESE GUYS?
GET A CLOSE-UP ON THAT GUY
TALKING TO JENNIFER.
NATHAN COLE.
MALE, CAUCASIAN,
180 POUNDS.
ORGANS HAVE SHRIVELED
TO APPROXIMATELY
15 PERCENT
OF NORMAL SIZE.
SEVERELY CONTORTED.
EXTREME COMPRESSION
OF THE VERTEBRAE.
EYES APPEAR
TO HAVE COLLAPSED.
IT APPEARS THAT--
YES, THE SUBJECT'S TONGUE
HAS BEEN SEVERED.
LET'S HAVE A LOOK.
UMM.
YOU DONE
WITH THAT?
YES.
LOOK AT THOSE NOTCHES.
BIT THE TONGUE
RIGHT OFF.
YEAH, BUT IT'S SEVERED
RIGHT AT THE BASE.
I MEAN, HE COULDN'T POSSIBLY
HAVE DONE THAT.
YOU'RE RIGHT.
IT WAS BITTEN OFF
BY SOMEONE ELSE.
SEE THE CYNOSIS,
THE BLUISH TINGE...
THANK YOU.
GOD, OTHER PEOPLE RUN
INTO EACH OTHER AT STARBUCKS.
THE COFFEE'S
CHEAPER HERE.
IT'S NOT
AS CROWDED.
HOW'D YOU
GET IN HERE?
THEY KNOW ME.
AHEM.
OH, UM--
LINDSAY DONNER,
O.S.I.R.
JENNIFER HUXLEY,
DAILY HERALD.
NICE TO MEET YOU;
YOU TOO.
I'M A MEMBER
OF THE CLUB.
MATT'S EX.
OH.
WHY DON'T I MEET YOU
BACK AT THE LAB?
OKAY;
YEAH, OKAY.
SEE YOU THERE,
NICE TO MEET YOU.
YOU TOO.
SO?
SO, WHAT HAS THE O.S.I.R.
FOUND OUT?
I MEAN, RUMOUR HAS IT
IT'S A COP,
SUCKED DRY LIKE HE WAS FRENCH
KISSED BY A GIANT HOOVER.
YOU KNOW BETTER THAN
TO ASK.
YEAH, I DO
DON'T I.
WELL,
YOU'VE CHANGED.
A LITTLE THINNER...
ON TOP,
THERE.
THANK YOU.
I SEE
YOU HAVEN'T CHANGED.
AH--
DO YOU WANNA MAYBE,
HAVE DINNER, SOMETIME?
WHO'S ASKING?
HUXLEY
OF THE HERALD
OR JENNIFER?
OH.
I GUESS IT WAS
SOMETIMES HARD TO TELL.
YEAH, UM--
JUST JENNY.
OKAY.
WORKING ON THE TAN,
RAY?
I'VE BEEN DOING
SOME DIGGING INTO OUR DEAD COP.
TURNS OUT COLE HAS A HISTORY
OF EXCESSIVE FORCE.
I GUESS HE WAS ON THE RECEIVING
END THIS TIME, HUH?
I.A.B. GOT INVOLVED
A COUPLE OF TIMES.
HE WAS ALWAYS CLEARED.
BUT HE GOT SOME PRESS
ON A RECENT CASE.
HOSTAGE INCIDENT.
JEREMY OLIN.
ESCAPED
FROM DON VALLEY CORRECTIONAL.
COLE SHOT HIM DEAD.
HIM AND 2 OTHER COPS
RECEIVED COMMENDATIONS.
YEAH, FOSSETT AND BAINES,
LOCAL HEROES, HUH?
HEROES
BRING EVERYONE OUT ALIVE.
SO,
HOW ARE THINGS?
FINE.
REALLY?
DON'T.
A LITTLE
SHOW AND SHARE FOR YOU.
THIS PRINT WAS LIFTED
FROM COLE'S POLICE BADGE.
IT'S NOT HIS AND IT DOESN'T
MATCH ANYTHING IN THE DATABASE.
TAKE A CLOSE LOOK.
IT'S A RIGHT THUMBPRINT
WITH A PLAIN WHORL PATTERN.
A DOT HERE;
RIDGES HERE AND HERE.
WHAT'S IT MEAN?
NOTHING.
ONLY IT'S A FAIRLY SMALL PRINT,
IT LIKELY BELONGS TO A WOMAN.
MOST VICTIMS
KNOW THEIR ATTACKERS,
I WOULDN'T BE SURPRISED
IF COLE KNEW HIS.
THE KILLER WIFE?
BITTER DIVORCE,
WAS IT?
OH, BOY.
UNLIKE YOU,
COLE
WAS NEVER MARRIED.
ALRIGHT, LET'S CHECK OUT
HIS OTHER FRIENDS AND RELATIONS,
SHALL WE?
OLIN WAS ABOUT
TO FIRE.
SO, COLE
PUT ONE IN HIS CHEST.
THE HOSTAGE'S LIFE
WAS IN DANGER.
I TALKED
TO HER.
SHE THOUGHT OLIN
WAS ABOUT TO GIVE UP.
NO; SHE WAS PRETTY SHOOK UP AND
THAT IS NOT RELIABLE TESTIMONY.
COLE PUT HIS LIFE
ON THE LINE.
IS THAT RIGHT?
YES.
WAS THERE ANYTHING STRANGE
ABOUT HIS BEHAVIOR AFTER THAT?
NO, WE WERE ALL GIVEN
TIME OFF TO RECOUP.
EVER NOTICE ANY DISTURBANCES
WHEN HE WAS AROUND?
YOU MEAN,
WAS HE A TROUBLE MAKER?
NO; WAS THERE ANYTHING
OUT OF THE ORDINARY--
ODD NOISES, COLD SPOTS,
THAT SORT OF THING?
COLD SPOTS?
WHAT, ARE YOU ASKING ME
IF THIS PLACE IS HAUNTED?
YOU'RE KIDDING ME,
RIGHT?
OKAY, WHAT CAN YOU TELL ME
ABOUT HIS CHARACTER?
HE WAS TOUGH
BUT FAIR.
WAS HE SEEING ANYONE?
SOMEONE AT WORK,
OFFICE ROMANCE?
NO,
WE'D HAVE KNOWN.
YOU CAN'T KEEP
THAT LOCKER-ROOM STUFF QUIET.
NATHAN
WASN'T SEEING ANYONE.
THE ACTUAL
CAUSE OF DEATH?
CLAIRE SAYS SUFFOCATION.
BUT WHAT'S STRANGE
ABOUT THIS IS THE HEAVY BRUISING
AROUND THE MOUTH
AND NOSE.
LIKE THE LIFE
WAS SUCKED RIGHT OUT OF HIM.
WHAT ABOUT
THE TONGUE THING?
IF THE KILLER BIT IT OFF,
YOU THINK HE...
THAT, OR KEPT IT
AS A SOUVENIR.
YIKES.
UNFORTUNATELY,
CRIMINALS WHO
KEEP TROPHIES
USUALLY LIKE MORE THAN ONE.
WE SHOULD LOOK INTO OTHER CASES,
IF THERE'S ANYTHING LIKE THIS.
SO, DRAW ME A PICTURE,
PICASSO.
MALE,
SEXUAL SADIST,
DEFINITELY NARCISSISTIC.
SEEMS TO THINK
OTHERS IN THIS WORLD
ARE THERE
FOR HIS OWN CONSUMPTION.
THE TROPHY,
THAT MIGHT ACT AS
AN EROTIC TRIGGER,
LATER ON.
BUT THE PRINT
WAS PROBABLY FEMALE.
I HEAR YOU BUT THE TED BUNDY'S
OF THIS WORLD ARE MALE.
AND THEY LIKE
TO WORK ALONE.
WHOEVER DID THIS,
I STILL
CAN'T EXPLAIN
HOW A MAN LIKE COLE
COULD BE RUNG DRY LIKE THAT.
IT'S NOT PHYSICALLY
POSSIBLE.
I DON'T LIKE "NO";
I'M NOT USED TO "NO".
HOW ABOUT NYET.
OR NEIN.
PROBLEM?
NAH.
WAIT TILL YOU
SEE THIS.
I'M FRED Di GENOVA, YOU MIGHT
HAVE SEEN MY TELEVISION SHOW,
"THE TRUTH BE TOLD".
REALLY?
WELL, I'LL SEND YOU
A TAPE.
LOOK, CAN I COME IN;
I WANT TO ASK A FEW QUESTIONS.
I'M SORRY,
MR. DEGENERATE.
Di GENOVA.
LOOK, I KNOW YOU'RE
WITH THE O.S.I.R.
I KNOW WHAT YOU DO;
SO WHY DON'T YOU TELL ME, HUH,
WHAT DO GHOSTS AND GOBLINS
GOT TO DO WITH A DEAD COP?
ABOUT AS MUCH AS YOUR SHOW
HAS TO DO WITH IT'S TITLE.
ANOTHER FAN.
FRED,
THIS INTERVIEW'S OVER.
CAN'T KEEP THE LID ON THIS
FOREVER, PAL.
TONGUES ARE BEGINNING
TO WAG.
AH--
EXCEPT FOR ONE,
THAT IS.
*
BOBBY,
SPECIAL DELIVERY.
OOH,
SPECIAL DELIVERY.
*
OH MY GOD.
*
YOU WOULD NOT BELIEVE
THE KIND OF DAY I HAD.
*
BUT IT'S DEFINITELY
LOOKING UP.
* Move in closer *
* Kiss my body *
* Touch all over *
* Touch all over *
* Make me feel *
BOBBY FOSSETT.
HIS COMMENDATION.
HE WAS ONE OF THE COPS
ON THE OLIN CASE.
MIND IF I QUOTE YOU
ON THAT?
WHAT IS IT
WITH YOU?
THE SICKER THE CASE
THE FASTER YOU GET HERE.
FIND ANY VAMPIRES
NEARBY?
DAMN,
NOT A PRETTY SIGHT.
OKAY,
OUT.
WAIT A SECOND;
HOW'D YOU FIND OUT ABOUT THIS?
THIS WAS KEPT OFF
THE POLICE BAND.
SORRY,
I PROTECT MY SOURCES.
YEAH,
I BET YOU DO.
LET'S GO,
ALRIGHT.
WATCH MY SHOW.
LET'S GO.
DONNER.
FOUND BOBBY FOSSETT.
CARBON COPY, DRAINED THE BLOOD;
IT'S DISGUSTING AS HELL.
THAT'S 2 DETECTIVES DEAD,
BOTH ON THE JEREMY OLIN CASE.
I'M THINKING REVENGE.
YEAH, ME TOO.
WHAT ABOUT
THE 3rd COP?
I'M WITH HER NOW;
THEY'VE ASSIGNED HER A GUARD.
HOW'S SHE HOLDING UP?
GOOD, CONSIDERING THE PACKAGE
SHE GOT THIS MORNING.
JEEZ.
FOSSETT'S ROOM HAD MORE PRINTS
THAN A PLAYBOY CENTERFOLD.
OKAY, IF WE ASSUME THAT
THOSE ARE THE KILLER'S PRINTS,
TELL ME WHY HE MADE NO ATTEMPT
TO CONCEAL THEM.
PETER,
ISOLATE THAT ONE.
OKAY,
ENLARGE IT.
RIGHT THUMBPRINT,
AGAIN.
SAME PLAIN WHORL PATTERN,
ONLY IT SLOPES OFF TO THE LEFT
THIS TIME.
IT'S LARGER THAN
THE 1st ONE, TOO.
THE KILLER WAS MALE.
BUT FROM THE LINGERIE
LEFT BEHIND,
HE WAS DOING THE NASTY
WITH A FEMALE.
IT STILL
COULD HAVE BEEN A GUY.
IN A SIZE 2;
PLEASE.
NAH.
I'M THINKING 2 KILLERS
ARE AT WORK HERE.
WHATCHA GOT?
BACKGROUND
ON FRED MILTON Di GENOVA.
MILTON?
JOURNALIST.
THAT'S DEBATABLE.
DEGREE IN ECONOMICS.
RHODES SCHOLAR.
LAWYER.
PLAYED PRO BALL,
3 SEASONS IN THE MAJORS.
LOUSY BATTING AVERAGE.
HIS TALK SHOW'S
A HIT.
HIS MOTHER
MUST BE VERY PROUD.
ANY ARRESTS?
NO.
NO PARKING TICKETS,
MOVING VIOLATIONS.
HE'S BEEN MARRIED 25 YEARS;
HE'S GOT 5 KIDS.
SO WHAT'S THIS RENAISSANCE MAN
DOING ON TRASH T.V.?
ASK HIM.
THAT'D MEAN HAVING
A CONVERSATION WITH HIM.
*
*
PRAEGER.
HI, MATT.
THAT DINNER WE TALKED ABOUT;
HOW'S TONIGHT?
JEN,
I'D LOVE TO BUT...
THIS CASE IS TAKING UP
ALL MY TIME.
HOW ABOUT COFFEE THEN; I COULD
MEET YOU SOMEWHERE CLOSE.
I JUST NEED TO TALK
FOR A MINUTE.
JUST FOR A SEC.
JEN, YOU OKAY?
YES, YES,
I'M FINE.
IT'S JUST--
NEVER MIND.
JEN?
IS EVERYTHING OKAY?
OH YEAH.
SHE--
SHE JUST GETS ME,
UM--
NOTHING.
WELL MATT,
MAYBE YOU SHOULD TALK TO HER.
AT LEAST ABOUT
THE OLIN CASE.
SHE WAS THERE, MAYBE SHE PICKED
UP ON SOMETHING THAT WE DIDN'T.
WHAT AM I
SUPPOSED TO SAY?
HI HONEY,
LET'S HAVE DINNER
AND BY THE WAY,
TELL ME ABOUT JEREMY OLIN.
SO, TELL ME ABOUT
JEREMY OLIN.
THERE'S
A ROMANTIC TOPIC.
WELL, THE DAY HE WAS SHOT,
YOU WERE THERE.
CAN WE
NOT TALK ABOUT WORK?
HEY, YESTERDAY
YOU WERE THE ONE TALKING SHOP.
SORRY.
I'M REALLY GLAD
YOU CALLED ME BACK.
ME TOO.
SO WHEN ARE YOU
AND KATHERINE
COMING
FOR DINNER?
SOON.
IT'S NONE
OF MY BUSINESS
BUT--
DON'T LET THAT
STOP YOU.
EVERYTHING ALRIGHT
AT HOME?
OF COURSE IT IS.
ALRIGHT.
WELL,
THIS ISN'T YOUR AVERAGE
DESICCATED CORPSE.
AS I SEE.
THERE ARE NO APPARENT
DEFENSIVE WOUNDS.
AS IF HE KNEW
HIS KILLER.
AND THERE IS EVIDENCE
OF PRELIMINARY SEXUAL ACTIVITY.
OUR MR. FOSSETT
WAS JUST ABOUT
TO GET LUCKY.
CLAIRE'S AUTOPSY REPORT
ON FOSSETT.
OUR KILLER IS GETTING
MORE IMPATIENT, ANGRIER.
CRUSHED SPINE,
BROKEN RIBS.
WHERE'S HE GET
THE STRENGTH?
THE SUCCUBUS.
THE WHAT?
A SUCCUBUS IS--
LINDSAY,
ALLOW ME.
IT'S A WINGED DEMON.
SUCCUBUS IS A WORD
THAT COMES FROM THE LATIN,
IT GOES BACK
TO ABOUT 500 A.D.
IT'S ALSO THE NAME
OF A PHANTOM PROSTITUTE
WHO WOULD RIDE HER VICTIMS
WHILE THEY WERE SLEEPING.
SHE WOULD SINK HER CLAWS
INTO THEIR FLESH
AND PRESSING HER MOUTH TO THEIRS
SUCK OUT THEIR VITAL JUICES.
POSSESSION
BY INTERCOURSE.
THIS IS NICE.
DANA TOOK ME SHOPPING
LAST WEEK.
TOLD ME I GOT TO START
DRESSING LIKE A REAL DAD.
WELL,
SHE HAS TASTE.
SINCE WHEN DO 16-YEAR-OLDS
HAVE TASTE?
SHE'S 16
ALREADY?
YEAH.
WHY DIDN'T
WE EVER HAVE KIDS, MATT?
AH, NO TIME
FOR P.T.A. MEETINGS.
HEY!
I MADE SANDWICHES.
BALONEY
AND KETCHUP?
NO, I'VE LEARNED A FEW THINGS
SINCE WE BROKE UP.
SALAMI
AND KETCHUP.
SORRY.
PRAEGER.
MATT, WE JUST MATCHED THE PRINTS
FROM THE FOSSETT SCENE.
ALRIGHT,
GO AHEAD.
YOU WON'T BELIEVE
WHO THE NEAREST MATCH IS.
JEREMY OLIN.
OLIN'S DEAD,
HE CAN'T BE ONE OF THE KILLERS.
ALRIGHT,
I'M ON MY WAY.
JEN!
JENNIFER!
SALAMI AND KETCHUP
AND THE KILLER'S A DEAD GUY.
NOW THAT'S
A WINNING COMBO.
WHEN I CALLED YOU
WE HAD A CLOSE MATCH
BETWEEN OLIN'S PRINTS
AND THE ONES WE FOUND
AT THE MURDER SCENE.
THE DIFFERENCES
APPEAR TO BE RANDOM.
BUT WHEN YOU LINE THEM UP.
PETER SET UP A COMPUTER PROGRAM
TO FIND A PATTERN TO THE PRINTS.
THEY WERE BASED ON THEIR DOTS,
WHORLS, RIDGES AND SO ON.
WHAT WE'RE ACTUALLY LOOKING AT
IS ONE PERSON'S PRINTS
TRANSFORMING,
CHANGING OVER TIME.
BIT BY BIT,
FROM PRINTS
"A" TO "F"
IT'S AS IF THEY'RE UNDERGOING
A TOTAL METAMORPHOSIS.
ONE PERSON
IS LITERALLY BECOMING ANOTHER.
PHYSICALLY
CHANGING.
HOW'S THAT POSSIBLE?
SOMETHING SIMILAR
OCCURS IN NATURE EVERYDAY.
A VIRUS
INVADES CERTAIN CELLS
AND CHANGES THEM
TO RESEMBLE ITSELF.
BUT THIS--
BUT THIS SCALE--
THIS IS EXTRAORDINARY.
IT ALSO MEANS
THAT HIS D.N.A. IS CHANGING.
IF YOU'RE RIGHT,
THEN SOMEONE'S
BEING POSSESSED
CELL BY CELL.
HI, I'M LOOKING
FOR DETECTIVE BAINES.
SHE'S RIGHT
IN THERE.
THANKS.
CAN I COME IN?
HUXLEY,
RIGHT?
YEAH.
I CAN'T TALK
ABOUT DETECTIVE FOSSETT.
CONTACT PUBLIC AFFAIRS.
I'M NOT HERE
ABOUT THAT.
I WANT TO TALK ABOUT
THE OLIN CASE.
LOOK, WE--
WE BOTH
SAW SOMETHING
HORRIBLE.
BUT IT'S LIKE,
IT'S LIKE
I'M MISSING SOMETHING.
YOU'VE READ
THE REPORT.
NO, I WANT TO TALK ABOUT WHAT
HAPPENED AFTER THE SHOOTING.
HE'S DEAD, THERE'S NOTHING ELSE
TO TALK ABOUT.
NO, DON'T.
DON'T DO THIS.
YOU WERE THERE, YOU SAW IT,
I REALLY NEED TO KNOW.
TALK
TO PUBLIC AFFAIRS.
GET OUT.
*
LINDSAY, WOULD YOU MIND
FOLLOWING UP WITH JENNIFER.
I DON'T THINK
I SHOULD GO DOWN THAT ROAD.
SURE,
BUT WE'VE GOT A PROBLEM.
WHAT'S UP?
*
WELCOME LADIES AND GENTLEMEN,
THANK YOU FOR JOINING ME.
AS WE ALL KNOW, A KILLER
IS STALKING OUR STREETS.
BUT AN ORGANIZATION
KNOWN AS
THE OFFICE OF SCIENTIFIC
INVESTIGATION AND RESEARCH--
CALLED IN,
I MIGHT ADD,
BY OUR ELECTED OFFICIALS,
HAS CONCLUDED
THAT THESE GRIZZLY MURDERS
ARE THE WORK OF JEREMY OLIN.
THE ONLY PROBLEM
WITH THAT IS
JEREMY OLIN IS DEAD.
NOW, WE SHOULD BE ANGRY,
LADIES AND GENTLEMEN.
ANGRY THAT OUR TAX DOLLAR
ARE PAYING FOR THIS--
I WISH.
FOR THIS GROUP
OF PSUEDOSCIENTISTS WHO'S
PLAYGROUND IS THE PARANORMAL.
JOIN ME
THIS AFTERNOON,
WHEN WE WILL
BROADCAST LIVE
FROM THE HOME
OF GAIL O'BRIEN.
WHERE JEREMY OLIN
WAS LAST SEEN ALIVE.
WHEN WAS THIS ON?
AN HOUR AGO.
PRAEGER,
YOU READY
FOR YOUR INTERVIEW?
LIVE FROM THE DEATH SCENE,
NO THANKS.
MAKE SURE YOU GET
A NICE, JUICY CLOSE-UP
OF THE BLOOD STAINS
ON THE CARPET, THOUGH.
A TASTEFUL ONE,
OF COURSE.
WHAT IS THIS?
GHOST BUSTERS
SPECIAL?
SOMETHING TO WARD OFF
THE EVIL SPIRITS?
HOW DO YOU FIND
YOUR VERSION OF THE TRUTH, FRED?
A FEW PAYOFFS?
SOME ILLEGAL WIRETAPS?
WHAT?
IT'S CALLED
A RELIABLE SOURCE.
COME ON, PRAEGER,
WHAT IS IT?
SPIT IT OUT,
WHAT'S TICKING YOU OFF?
YOU ARE, FRED,
YOU AND YOUR LITTLE SHOW.
I'M BEGINNING TO THINK YOUR
RELIABLE SOURCE IS THE KILLER.
NO, I'M MY OWN
BEST RELIABLE SOURCE.
WELL, LET ME GIVE YOU
A LITTLE HEALTH TIP.
HAND OVER
THE JACKET.
YOU WANT
A LEAD?
I SUGGEST
YOU TALK TO JENNIFER HUXLEY.
SHE WAS THERE
FOR THE OLIN TAKE-DOWN.
FUNNY SHE HASN'T
WRITTEN ANYTHING ABOUT IT YET.
SHE HASN'T TOLD YOU ANYTHING,
HAS SHE?
ROLL CAMERA.
MAYBE I SHOULD BUY HER DINNER
AND LET HER MAKE MY BREAKFAST.
*
YOU JUST BOUGHT YOURSELF
A LAWSUIT, PAL.
GOT THAT?
HEY, CAT.
I SEE
YOU'VE MET QUITS.
QUITS?
I KNOW,
WEIRD NAME.
EVERYONE WAS ASKING,
WHAT'RE YOU GONNA CALL IT?
THIS WAY.
I LIKE THIS ONE
OF YOU AND MATT.
THAT WAS
YEARS AGO.
HAWAII.
MAGIC PLACE.
WE THREW LEIS IN THE WATER WHEN
WE LEFT, SWORE WE'D GO BACK.
YOU BOTH LOOK SO--
YOUNG.
NO, HAPPY.
I DON'T THINK I'VE EVER
SEEN HIM SMILE, LIKE THAT,
I MEAN EVER.
HE ASKED YOU TO COME AND SEE ME,
DIDN'T HE?
JEREMY OLIN,
RIGHT?
THAT DAY
AT GAIL O'BRIEN'S HOUSE--
I GOT THERE
AFTER THE SHOOTING, BUT...
I DON'T KNOW, IT FELT MORE LIKE
AN EXECUTION TO ME.
WHAT, YOU THINK ALL 3 COPS
ARE LYING?
CAN'T PROVE IT;
CAN'T PUBLISH IT.
BUT OLIN WAS LYING THERE
ON THE FLOOR
AND THEY WERE JUST
STANDING AROUND,
LIKE THEY WERE WAITING
FOR HIM TO DIE.
THEN HE DID.
OH.
LINDSAY,
I'M GONNA HAVE TO CALL IT QUITS.
SURE.
I'M SORRY,
THIS THING'S JUST KILLING ME.
IT'S NO PROBLEM.
YOU REALLY DO
TAKE YOUR WORK HOME WITH YOU.
CURSE OF
THE SINGLE OVERACHIEVER.
TELL ME ABOUT IT.
NEVER DID MAKE IT BACK
TO HAWAII.
MAYBE SOMEDAY
YOU WILL.
WE GOT IT.
WE CAN SHOW GRAPHICALLY
THE TRANSMUTATION
OF AN ENTIRE HUMAN ORGANISM.
FROM
THE FINGERPRINTS?
ACTUALLY I RAN A GEL
FROM THE D.N.A. OF A HAIR SAMPLE
WE FOUND
AT THE FOSSETT MURDER SCENE.
WE'LL CALL THIS PERSON
JOHN DOE.
WHO'S D.N.A.
IS THAT?
JEREMY OLIN'S.
IN EVERY RESPECT:
COLOUR, TEXTURE, CURL,
THIS HAIR MATCHED THE 1st.
BUT THE D.N.A.
WAS DIFFERENT.
HAVE A LOOK
AT THIS.
SEE HOW THE 1st
BECAME THE 2nd?
IT'S THE SAME
PERSON'S HAIR.
I THINK WE'RE LOOKING
AT STAGES OF A MUTATION PROCESS.
IT'S OLIN'S D.N.A.
POSSESSING SOMEONE ELSE.
THAT'S AMAZING.
NOW THE QUESTION IS,
WHO?
FRED Di GENOVA.
I DON'T KNOW,
MATT.
NOTHING ELSE
FITS.
HOW'D HE
MEET OLIN?
I'M WORKING ON THAT.
HOW ELSE
COULD HE KNOW SO MUCH?
HOW'D HE GET
TO EVERY CRIME SCENE SO FAST?
I'M SURE WE'LL GET
A FEW GOOD HAIR SAMPLES ON THIS.
WELL, THIS ISN'T Di GENOVA'S,
IT'S BLOND.
BUT WE'LL HAVE A LOOK.
THIS IS IDENTICAL TO THE HAIR
FROM THE FOSSETT MURDER SCENE.
ANY IDEA
HOW THIS GOT ON YOUR JACKET?
*
CARLA, I'M GOING FOR A SMOKE;
MEET YOU OUT FRONT.
SURE,
I'LL BE THERE IN A MINUTE.
*
WHAT DO YOU WANT?
HEY!
*
I DON'T LIKE LIARS,
CARLA.
*
JENNIFER.
NO.
NO, DON'T.
PLEASE DON'T.
NO, NO, NO!
*
WE'LL ALWAYS
BE TOGETHER.
*
JENNIFER!
JEN!
JENNIFER.
JEN.
*
PETER JUST FOUND CARLA BAINES
AT THE STATION.
HORRIBLY CRUSHED,
DISFIGURED, MISSING HER TONGUE.
ANOTHER TROPHY.
RAY'S COORDINATING A SEARCH
FOR JENNIFER.
NOTHING
HAPPENS TO HER.
MATT,
SHE MAY HAVE KILLED 3 PEOPLE.
NO, JEREMY OLIN DID,
WE FIND HIM.
YOU'RE SAYING THAT
HE TRANSFERRED HIS BODY AND SOUL
TO ANOTHER PERSON?
WE'RE BLAMING 3 MURDERS
ON A DEAD MAN.
HE MAY NOT BE DEAD;
HE MAY BE LIVING IN JENNIFER.
IF THAT'S THE CASE,
WHAT DO WE KNOW ABOUT HIM?
PATTERNS OF BEHAVIOR,
ANYTHING THAT'LL
LEAD TO HIM.
YOU SAID OLIN IS NARCISSISTIC,
RIGHT?
YES.
HE LOVES HIMSELF.
IF YOU LOVE SOMEONE,
YOU WANT TO BE WITH THEM.
DID ANYONE
CLAIM OLIN'S BODY?
NOT THAT I KNOW OF.
I'LL GO
WITH YOU.
NO,
I'LL HANDLE THIS.
IT'S NOT SAFE.
WE'RE TALKING
ABOUT MY WIFE.
*
AH!
THERE YOU ARE.
THERE I AM.
OH!
IT'S OKAY.
IT'S OKAY, HONEY.
I'M HERE NOW.
I AM HE
AND WE ARE ONE.
WE WILL ALWAYS
BE TOGETHER.
FOR BETTER
OR FOR WORSE,
IN SICKNESS
AND IN HEALTH,
'TIL DEATH
DO US PART.
JENNIFER.
STAY AWAY!
JENNIFER,
LET ME HELP YOU.
I ASKED FOR YOUR HELP BEFORE,
WHERE WERE YOU THEN?
I'M HERE NOW.
IT'S NOT TOO LATE.
JENNY,
HELP ME UNDERSTAND,
HOW IT HAPPENED.
HELP ME!
HE'S DYING!
LEAVE HIM
FOR THE MEDICS!
HE WON'T LAST.
WASTE OF TIME.
*
I BREATHED LIFE
INTO HIM,
AND THEN HE BREATHED DEATH
INTO ME.
SO YOU SEE,
IT REALLY IS TOO LATE.
NO;
BLOOD TRANSFUSIONS,
DRUGS,
WE CAN REVERSE IT!
NO!
SHE'S MINE!
'TIL DEATH
DO US PART.
SHE'S ME!
MATT, HELP ME.
FIGHT HIM, JEN,
FIGHT HIM!
I CAN'T.
SHE CAN'T.
MATT,
I'M SORRY.
NO.
I HAD TO STOP HIM.
MATT,
PLEASE,
KISS ME.
REPEAT, 10-33.
63 EDGEHILL ROAD,
CORNER,
ROYAL PARK.
GO!
PLEASE
DON'T DO THIS.
'TIL DEATH
DO US PART.
32, BACK UP'S
BEEN DISPATCHED.
JENNIFER HUXLEY,
DAILY HERALD.
GET OUTTA HERE,
NOW!
OLIN,
JEREMY OLIN.
LET THE WOMAN GO,
NOW!
TOSS OUT THE GUN,
NO ONE GETS HURT.
HEAR ME?
EASY,
CHAMP.
DON'T COME
ANY CLOSER.
WE'RE NOT GONNA HURT YOU,
JUST LET HER WALK OVER TO ME.
EVERYTHING'S
GONNA BE OKAY.
WHAT'S YOUR NAME?
GAIL.
OKAY, GAIL,
IT'LL BE OKAY.
JEREMY,
IT'S GONNA BE
VERY SIMPLE.
JUST PUT
THE GUN DOWN.
COME ON,
JUST A LITTLE.
THAT'S IT.
THAT'S IT.
GOOD.
HEY,
OLIN.
HE WAS GOING
FOR IT.
RIGHT, BOBBY?
YEAH,
SURE HE WAS.
YOU SAW IT CARLA.
SEND FORENSICS,
BRING THE MEAT WAGON.
*
WHAT'S UP?
BESIDES
THE KID'S LUNCH?
TAKE A LOOK,
YOU TELL ME.
IT'S A COP.
HIS NAME'S COLE.
*
ELEOA, WE7LA3AoS
MANY OF US BELIEVE THAT
OUR LIVES SEEM TO BE CONNECTED
IN SOME SUPERIOR
COSMIC PLAN.
THE GRID, THE FABRIC,
CALL IT WHAT YOU WILL,
IT'S WHAT BINDS US TOGETHER
AS HUMAN BEINGS.
IN LIFE,
NO ONE EXISTS IN ISOLATION.
THE SAME IS TRUE
IN DEATH.
NICE THREADS.
TAKE IT UP
WITH MY DAUGHTER.
ANYTHING OBVIOUS?
WELL,
I'VE GOT GARBAGE
THAT COULD BE SAMPLES
AND GARBAGE THAT'S
DEFINITELY GARBAGE.
HEY, KNOCK IT OFF.
THIS A PRIVATE PARTY OR WHAT?
I'M SORRY,
I CAN'T HELP YOU.
THERE'LL BE A STATEMENT
ISSUED LATER.
COME ON,
GIVE A GUY A BREAK, ALRIGHT?
THE COPS WILL ISSUE
A STATEMENT LATER.
I THOUGHT YOU
WERE A COP.
YOU THOUGHT WRONG.
FRED?
WELL, WELL,
MISS PENCIL PRESS.
HEY, HOLD IT, HUXLEY;
WHERE YOU GOING?
I STAY,
WE ALL STAY.
SORRY FRED,
I GOT AN IN.
IT'S ALRIGHT.
MATT!
JENNY, HEY.
HI!
HOW LONG
HAS IT BEEN?
I DON'T KNOW,
A COUPLE OF YEARS, ANYWAY.
RIGHT,
WELL, UM--
IT'S GREAT
TO SEE YOU.
GOOD TO SEE YOU.
HEY, I READ
YOUR BYLINE.
WHO THE HECK
ARE THESE GUYS?
GET A CLOSE-UP ON THAT GUY
TALKING TO JENNIFER.
NATHAN COLE.
MALE, CAUCASIAN,
180 POUNDS.
ORGANS HAVE SHRIVELED
TO APPROXIMATELY
15 PERCENT
OF NORMAL SIZE.
SEVERELY CONTORTED.
EXTREME COMPRESSION
OF THE VERTEBRAE.
EYES APPEAR
TO HAVE COLLAPSED.
IT APPEARS THAT--
YES, THE SUBJECT'S TONGUE
HAS BEEN SEVERED.
LET'S HAVE A LOOK.
UMM.
YOU DONE
WITH THAT?
YES.
LOOK AT THOSE NOTCHES.
BIT THE TONGUE
RIGHT OFF.
YEAH, BUT IT'S SEVERED
RIGHT AT THE BASE.
I MEAN, HE COULDN'T POSSIBLY
HAVE DONE THAT.
YOU'RE RIGHT.
IT WAS BITTEN OFF
BY SOMEONE ELSE.
SEE THE CYNOSIS,
THE BLUISH TINGE...
THANK YOU.
GOD, OTHER PEOPLE RUN
INTO EACH OTHER AT STARBUCKS.
THE COFFEE'S
CHEAPER HERE.
IT'S NOT
AS CROWDED.
HOW'D YOU
GET IN HERE?
THEY KNOW ME.
AHEM.
OH, UM--
LINDSAY DONNER,
O.S.I.R.
JENNIFER HUXLEY,
DAILY HERALD.
NICE TO MEET YOU;
YOU TOO.
I'M A MEMBER
OF THE CLUB.
MATT'S EX.
OH.
WHY DON'T I MEET YOU
BACK AT THE LAB?
OKAY;
YEAH, OKAY.
SEE YOU THERE,
NICE TO MEET YOU.
YOU TOO.
SO?
SO, WHAT HAS THE O.S.I.R.
FOUND OUT?
I MEAN, RUMOUR HAS IT
IT'S A COP,
SUCKED DRY LIKE HE WAS FRENCH
KISSED BY A GIANT HOOVER.
YOU KNOW BETTER THAN
TO ASK.
YEAH, I DO
DON'T I.
WELL,
YOU'VE CHANGED.
A LITTLE THINNER...
ON TOP,
THERE.
THANK YOU.
I SEE
YOU HAVEN'T CHANGED.
AH--
DO YOU WANNA MAYBE,
HAVE DINNER, SOMETIME?
WHO'S ASKING?
HUXLEY
OF THE HERALD
OR JENNIFER?
OH.
I GUESS IT WAS
SOMETIMES HARD TO TELL.
YEAH, UM--
JUST JENNY.
OKAY.
WORKING ON THE TAN,
RAY?
I'VE BEEN DOING
SOME DIGGING INTO OUR DEAD COP.
TURNS OUT COLE HAS A HISTORY
OF EXCESSIVE FORCE.
I GUESS HE WAS ON THE RECEIVING
END THIS TIME, HUH?
I.A.B. GOT INVOLVED
A COUPLE OF TIMES.
HE WAS ALWAYS CLEARED.
BUT HE GOT SOME PRESS
ON A RECENT CASE.
HOSTAGE INCIDENT.
JEREMY OLIN.
ESCAPED
FROM DON VALLEY CORRECTIONAL.
COLE SHOT HIM DEAD.
HIM AND 2 OTHER COPS
RECEIVED COMMENDATIONS.
YEAH, FOSSETT AND BAINES,
LOCAL HEROES, HUH?
HEROES
BRING EVERYONE OUT ALIVE.
SO,
HOW ARE THINGS?
FINE.
REALLY?
DON'T.
A LITTLE
SHOW AND SHARE FOR YOU.
THIS PRINT WAS LIFTED
FROM COLE'S POLICE BADGE.
IT'S NOT HIS AND IT DOESN'T
MATCH ANYTHING IN THE DATABASE.
TAKE A CLOSE LOOK.
IT'S A RIGHT THUMBPRINT
WITH A PLAIN WHORL PATTERN.
A DOT HERE;
RIDGES HERE AND HERE.
WHAT'S IT MEAN?
NOTHING.
ONLY IT'S A FAIRLY SMALL PRINT,
IT LIKELY BELONGS TO A WOMAN.
MOST VICTIMS
KNOW THEIR ATTACKERS,
I WOULDN'T BE SURPRISED
IF COLE KNEW HIS.
THE KILLER WIFE?
BITTER DIVORCE,
WAS IT?
OH, BOY.
UNLIKE YOU,
COLE
WAS NEVER MARRIED.
ALRIGHT, LET'S CHECK OUT
HIS OTHER FRIENDS AND RELATIONS,
SHALL WE?
OLIN WAS ABOUT
TO FIRE.
SO, COLE
PUT ONE IN HIS CHEST.
THE HOSTAGE'S LIFE
WAS IN DANGER.
I TALKED
TO HER.
SHE THOUGHT OLIN
WAS ABOUT TO GIVE UP.
NO; SHE WAS PRETTY SHOOK UP AND
THAT IS NOT RELIABLE TESTIMONY.
COLE PUT HIS LIFE
ON THE LINE.
IS THAT RIGHT?
YES.
WAS THERE ANYTHING STRANGE
ABOUT HIS BEHAVIOR AFTER THAT?
NO, WE WERE ALL GIVEN
TIME OFF TO RECOUP.
EVER NOTICE ANY DISTURBANCES
WHEN HE WAS AROUND?
YOU MEAN,
WAS HE A TROUBLE MAKER?
NO; WAS THERE ANYTHING
OUT OF THE ORDINARY--
ODD NOISES, COLD SPOTS,
THAT SORT OF THING?
COLD SPOTS?
WHAT, ARE YOU ASKING ME
IF THIS PLACE IS HAUNTED?
YOU'RE KIDDING ME,
RIGHT?
OKAY, WHAT CAN YOU TELL ME
ABOUT HIS CHARACTER?
HE WAS TOUGH
BUT FAIR.
WAS HE SEEING ANYONE?
SOMEONE AT WORK,
OFFICE ROMANCE?
NO,
WE'D HAVE KNOWN.
YOU CAN'T KEEP
THAT LOCKER-ROOM STUFF QUIET.
NATHAN
WASN'T SEEING ANYONE.
THE ACTUAL
CAUSE OF DEATH?
CLAIRE SAYS SUFFOCATION.
BUT WHAT'S STRANGE
ABOUT THIS IS THE HEAVY BRUISING
AROUND THE MOUTH
AND NOSE.
LIKE THE LIFE
WAS SUCKED RIGHT OUT OF HIM.
WHAT ABOUT
THE TONGUE THING?
IF THE KILLER BIT IT OFF,
YOU THINK HE...
THAT, OR KEPT IT
AS A SOUVENIR.
YIKES.
UNFORTUNATELY,
CRIMINALS WHO
KEEP TROPHIES
USUALLY LIKE MORE THAN ONE.
WE SHOULD LOOK INTO OTHER CASES,
IF THERE'S ANYTHING LIKE THIS.
SO, DRAW ME A PICTURE,
PICASSO.
MALE,
SEXUAL SADIST,
DEFINITELY NARCISSISTIC.
SEEMS TO THINK
OTHERS IN THIS WORLD
ARE THERE
FOR HIS OWN CONSUMPTION.
THE TROPHY,
THAT MIGHT ACT AS
AN EROTIC TRIGGER,
LATER ON.
BUT THE PRINT
WAS PROBABLY FEMALE.
I HEAR YOU BUT THE TED BUNDY'S
OF THIS WORLD ARE MALE.
AND THEY LIKE
TO WORK ALONE.
WHOEVER DID THIS,
I STILL
CAN'T EXPLAIN
HOW A MAN LIKE COLE
COULD BE RUNG DRY LIKE THAT.
IT'S NOT PHYSICALLY
POSSIBLE.
I DON'T LIKE "NO";
I'M NOT USED TO "NO".
HOW ABOUT NYET.
OR NEIN.
PROBLEM?
NAH.
WAIT TILL YOU
SEE THIS.
I'M FRED Di GENOVA, YOU MIGHT
HAVE SEEN MY TELEVISION SHOW,
"THE TRUTH BE TOLD".
REALLY?
WELL, I'LL SEND YOU
A TAPE.
LOOK, CAN I COME IN;
I WANT TO ASK A FEW QUESTIONS.
I'M SORRY,
MR. DEGENERATE.
Di GENOVA.
LOOK, I KNOW YOU'RE
WITH THE O.S.I.R.
I KNOW WHAT YOU DO;
SO WHY DON'T YOU TELL ME, HUH,
WHAT DO GHOSTS AND GOBLINS
GOT TO DO WITH A DEAD COP?
ABOUT AS MUCH AS YOUR SHOW
HAS TO DO WITH IT'S TITLE.
ANOTHER FAN.
FRED,
THIS INTERVIEW'S OVER.
CAN'T KEEP THE LID ON THIS
FOREVER, PAL.
TONGUES ARE BEGINNING
TO WAG.
AH--
EXCEPT FOR ONE,
THAT IS.
*
BOBBY,
SPECIAL DELIVERY.
OOH,
SPECIAL DELIVERY.
*
OH MY GOD.
*
YOU WOULD NOT BELIEVE
THE KIND OF DAY I HAD.
*
BUT IT'S DEFINITELY
LOOKING UP.
* Move in closer *
* Kiss my body *
* Touch all over *
* Touch all over *
* Make me feel *
BOBBY FOSSETT.
HIS COMMENDATION.
HE WAS ONE OF THE COPS
ON THE OLIN CASE.
MIND IF I QUOTE YOU
ON THAT?
WHAT IS IT
WITH YOU?
THE SICKER THE CASE
THE FASTER YOU GET HERE.
FIND ANY VAMPIRES
NEARBY?
DAMN,
NOT A PRETTY SIGHT.
OKAY,
OUT.
WAIT A SECOND;
HOW'D YOU FIND OUT ABOUT THIS?
THIS WAS KEPT OFF
THE POLICE BAND.
SORRY,
I PROTECT MY SOURCES.
YEAH,
I BET YOU DO.
LET'S GO,
ALRIGHT.
WATCH MY SHOW.
LET'S GO.
DONNER.
FOUND BOBBY FOSSETT.
CARBON COPY, DRAINED THE BLOOD;
IT'S DISGUSTING AS HELL.
THAT'S 2 DETECTIVES DEAD,
BOTH ON THE JEREMY OLIN CASE.
I'M THINKING REVENGE.
YEAH, ME TOO.
WHAT ABOUT
THE 3rd COP?
I'M WITH HER NOW;
THEY'VE ASSIGNED HER A GUARD.
HOW'S SHE HOLDING UP?
GOOD, CONSIDERING THE PACKAGE
SHE GOT THIS MORNING.
JEEZ.
FOSSETT'S ROOM HAD MORE PRINTS
THAN A PLAYBOY CENTERFOLD.
OKAY, IF WE ASSUME THAT
THOSE ARE THE KILLER'S PRINTS,
TELL ME WHY HE MADE NO ATTEMPT
TO CONCEAL THEM.
PETER,
ISOLATE THAT ONE.
OKAY,
ENLARGE IT.
RIGHT THUMBPRINT,
AGAIN.
SAME PLAIN WHORL PATTERN,
ONLY IT SLOPES OFF TO THE LEFT
THIS TIME.
IT'S LARGER THAN
THE 1st ONE, TOO.
THE KILLER WAS MALE.
BUT FROM THE LINGERIE
LEFT BEHIND,
HE WAS DOING THE NASTY
WITH A FEMALE.
IT STILL
COULD HAVE BEEN A GUY.
IN A SIZE 2;
PLEASE.
NAH.
I'M THINKING 2 KILLERS
ARE AT WORK HERE.
WHATCHA GOT?
BACKGROUND
ON FRED MILTON Di GENOVA.
MILTON?
JOURNALIST.
THAT'S DEBATABLE.
DEGREE IN ECONOMICS.
RHODES SCHOLAR.
LAWYER.
PLAYED PRO BALL,
3 SEASONS IN THE MAJORS.
LOUSY BATTING AVERAGE.
HIS TALK SHOW'S
A HIT.
HIS MOTHER
MUST BE VERY PROUD.
ANY ARRESTS?
NO.
NO PARKING TICKETS,
MOVING VIOLATIONS.
HE'S BEEN MARRIED 25 YEARS;
HE'S GOT 5 KIDS.
SO WHAT'S THIS RENAISSANCE MAN
DOING ON TRASH T.V.?
ASK HIM.
THAT'D MEAN HAVING
A CONVERSATION WITH HIM.
*
*
PRAEGER.
HI, MATT.
THAT DINNER WE TALKED ABOUT;
HOW'S TONIGHT?
JEN,
I'D LOVE TO BUT...
THIS CASE IS TAKING UP
ALL MY TIME.
HOW ABOUT COFFEE THEN; I COULD
MEET YOU SOMEWHERE CLOSE.
I JUST NEED TO TALK
FOR A MINUTE.
JUST FOR A SEC.
JEN, YOU OKAY?
YES, YES,
I'M FINE.
IT'S JUST--
NEVER MIND.
JEN?
IS EVERYTHING OKAY?
OH YEAH.
SHE--
SHE JUST GETS ME,
UM--
NOTHING.
WELL MATT,
MAYBE YOU SHOULD TALK TO HER.
AT LEAST ABOUT
THE OLIN CASE.
SHE WAS THERE, MAYBE SHE PICKED
UP ON SOMETHING THAT WE DIDN'T.
WHAT AM I
SUPPOSED TO SAY?
HI HONEY,
LET'S HAVE DINNER
AND BY THE WAY,
TELL ME ABOUT JEREMY OLIN.
SO, TELL ME ABOUT
JEREMY OLIN.
THERE'S
A ROMANTIC TOPIC.
WELL, THE DAY HE WAS SHOT,
YOU WERE THERE.
CAN WE
NOT TALK ABOUT WORK?
HEY, YESTERDAY
YOU WERE THE ONE TALKING SHOP.
SORRY.
I'M REALLY GLAD
YOU CALLED ME BACK.
ME TOO.
SO WHEN ARE YOU
AND KATHERINE
COMING
FOR DINNER?
SOON.
IT'S NONE
OF MY BUSINESS
BUT--
DON'T LET THAT
STOP YOU.
EVERYTHING ALRIGHT
AT HOME?
OF COURSE IT IS.
ALRIGHT.
WELL,
THIS ISN'T YOUR AVERAGE
DESICCATED CORPSE.
AS I SEE.
THERE ARE NO APPARENT
DEFENSIVE WOUNDS.
AS IF HE KNEW
HIS KILLER.
AND THERE IS EVIDENCE
OF PRELIMINARY SEXUAL ACTIVITY.
OUR MR. FOSSETT
WAS JUST ABOUT
TO GET LUCKY.
CLAIRE'S AUTOPSY REPORT
ON FOSSETT.
OUR KILLER IS GETTING
MORE IMPATIENT, ANGRIER.
CRUSHED SPINE,
BROKEN RIBS.
WHERE'S HE GET
THE STRENGTH?
THE SUCCUBUS.
THE WHAT?
A SUCCUBUS IS--
LINDSAY,
ALLOW ME.
IT'S A WINGED DEMON.
SUCCUBUS IS A WORD
THAT COMES FROM THE LATIN,
IT GOES BACK
TO ABOUT 500 A.D.
IT'S ALSO THE NAME
OF A PHANTOM PROSTITUTE
WHO WOULD RIDE HER VICTIMS
WHILE THEY WERE SLEEPING.
SHE WOULD SINK HER CLAWS
INTO THEIR FLESH
AND PRESSING HER MOUTH TO THEIRS
SUCK OUT THEIR VITAL JUICES.
POSSESSION
BY INTERCOURSE.
THIS IS NICE.
DANA TOOK ME SHOPPING
LAST WEEK.
TOLD ME I GOT TO START
DRESSING LIKE A REAL DAD.
WELL,
SHE HAS TASTE.
SINCE WHEN DO 16-YEAR-OLDS
HAVE TASTE?
SHE'S 16
ALREADY?
YEAH.
WHY DIDN'T
WE EVER HAVE KIDS, MATT?
AH, NO TIME
FOR P.T.A. MEETINGS.
HEY!
I MADE SANDWICHES.
BALONEY
AND KETCHUP?
NO, I'VE LEARNED A FEW THINGS
SINCE WE BROKE UP.
SALAMI
AND KETCHUP.
SORRY.
PRAEGER.
MATT, WE JUST MATCHED THE PRINTS
FROM THE FOSSETT SCENE.
ALRIGHT,
GO AHEAD.
YOU WON'T BELIEVE
WHO THE NEAREST MATCH IS.
JEREMY OLIN.
OLIN'S DEAD,
HE CAN'T BE ONE OF THE KILLERS.
ALRIGHT,
I'M ON MY WAY.
JEN!
JENNIFER!
SALAMI AND KETCHUP
AND THE KILLER'S A DEAD GUY.
NOW THAT'S
A WINNING COMBO.
WHEN I CALLED YOU
WE HAD A CLOSE MATCH
BETWEEN OLIN'S PRINTS
AND THE ONES WE FOUND
AT THE MURDER SCENE.
THE DIFFERENCES
APPEAR TO BE RANDOM.
BUT WHEN YOU LINE THEM UP.
PETER SET UP A COMPUTER PROGRAM
TO FIND A PATTERN TO THE PRINTS.
THEY WERE BASED ON THEIR DOTS,
WHORLS, RIDGES AND SO ON.
WHAT WE'RE ACTUALLY LOOKING AT
IS ONE PERSON'S PRINTS
TRANSFORMING,
CHANGING OVER TIME.
BIT BY BIT,
FROM PRINTS
"A" TO "F"
IT'S AS IF THEY'RE UNDERGOING
A TOTAL METAMORPHOSIS.
ONE PERSON
IS LITERALLY BECOMING ANOTHER.
PHYSICALLY
CHANGING.
HOW'S THAT POSSIBLE?
SOMETHING SIMILAR
OCCURS IN NATURE EVERYDAY.
A VIRUS
INVADES CERTAIN CELLS
AND CHANGES THEM
TO RESEMBLE ITSELF.
BUT THIS--
BUT THIS SCALE--
THIS IS EXTRAORDINARY.
IT ALSO MEANS
THAT HIS D.N.A. IS CHANGING.
IF YOU'RE RIGHT,
THEN SOMEONE'S
BEING POSSESSED
CELL BY CELL.
HI, I'M LOOKING
FOR DETECTIVE BAINES.
SHE'S RIGHT
IN THERE.
THANKS.
CAN I COME IN?
HUXLEY,
RIGHT?
YEAH.
I CAN'T TALK
ABOUT DETECTIVE FOSSETT.
CONTACT PUBLIC AFFAIRS.
I'M NOT HERE
ABOUT THAT.
I WANT TO TALK ABOUT
THE OLIN CASE.
LOOK, WE--
WE BOTH
SAW SOMETHING
HORRIBLE.
BUT IT'S LIKE,
IT'S LIKE
I'M MISSING SOMETHING.
YOU'VE READ
THE REPORT.
NO, I WANT TO TALK ABOUT WHAT
HAPPENED AFTER THE SHOOTING.
HE'S DEAD, THERE'S NOTHING ELSE
TO TALK ABOUT.
NO, DON'T.
DON'T DO THIS.
YOU WERE THERE, YOU SAW IT,
I REALLY NEED TO KNOW.
TALK
TO PUBLIC AFFAIRS.
GET OUT.
*
LINDSAY, WOULD YOU MIND
FOLLOWING UP WITH JENNIFER.
I DON'T THINK
I SHOULD GO DOWN THAT ROAD.
SURE,
BUT WE'VE GOT A PROBLEM.
WHAT'S UP?
*
WELCOME LADIES AND GENTLEMEN,
THANK YOU FOR JOINING ME.
AS WE ALL KNOW, A KILLER
IS STALKING OUR STREETS.
BUT AN ORGANIZATION
KNOWN AS
THE OFFICE OF SCIENTIFIC
INVESTIGATION AND RESEARCH--
CALLED IN,
I MIGHT ADD,
BY OUR ELECTED OFFICIALS,
HAS CONCLUDED
THAT THESE GRIZZLY MURDERS
ARE THE WORK OF JEREMY OLIN.
THE ONLY PROBLEM
WITH THAT IS
JEREMY OLIN IS DEAD.
NOW, WE SHOULD BE ANGRY,
LADIES AND GENTLEMEN.
ANGRY THAT OUR TAX DOLLAR
ARE PAYING FOR THIS--
I WISH.
FOR THIS GROUP
OF PSUEDOSCIENTISTS WHO'S
PLAYGROUND IS THE PARANORMAL.
JOIN ME
THIS AFTERNOON,
WHEN WE WILL
BROADCAST LIVE
FROM THE HOME
OF GAIL O'BRIEN.
WHERE JEREMY OLIN
WAS LAST SEEN ALIVE.
WHEN WAS THIS ON?
AN HOUR AGO.
PRAEGER,
YOU READY
FOR YOUR INTERVIEW?
LIVE FROM THE DEATH SCENE,
NO THANKS.
MAKE SURE YOU GET
A NICE, JUICY CLOSE-UP
OF THE BLOOD STAINS
ON THE CARPET, THOUGH.
A TASTEFUL ONE,
OF COURSE.
WHAT IS THIS?
GHOST BUSTERS
SPECIAL?
SOMETHING TO WARD OFF
THE EVIL SPIRITS?
HOW DO YOU FIND
YOUR VERSION OF THE TRUTH, FRED?
A FEW PAYOFFS?
SOME ILLEGAL WIRETAPS?
WHAT?
IT'S CALLED
A RELIABLE SOURCE.
COME ON, PRAEGER,
WHAT IS IT?
SPIT IT OUT,
WHAT'S TICKING YOU OFF?
YOU ARE, FRED,
YOU AND YOUR LITTLE SHOW.
I'M BEGINNING TO THINK YOUR
RELIABLE SOURCE IS THE KILLER.
NO, I'M MY OWN
BEST RELIABLE SOURCE.
WELL, LET ME GIVE YOU
A LITTLE HEALTH TIP.
HAND OVER
THE JACKET.
YOU WANT
A LEAD?
I SUGGEST
YOU TALK TO JENNIFER HUXLEY.
SHE WAS THERE
FOR THE OLIN TAKE-DOWN.
FUNNY SHE HASN'T
WRITTEN ANYTHING ABOUT IT YET.
SHE HASN'T TOLD YOU ANYTHING,
HAS SHE?
ROLL CAMERA.
MAYBE I SHOULD BUY HER DINNER
AND LET HER MAKE MY BREAKFAST.
*
YOU JUST BOUGHT YOURSELF
A LAWSUIT, PAL.
GOT THAT?
HEY, CAT.
I SEE
YOU'VE MET QUITS.
QUITS?
I KNOW,
WEIRD NAME.
EVERYONE WAS ASKING,
WHAT'RE YOU GONNA CALL IT?
THIS WAY.
I LIKE THIS ONE
OF YOU AND MATT.
THAT WAS
YEARS AGO.
HAWAII.
MAGIC PLACE.
WE THREW LEIS IN THE WATER WHEN
WE LEFT, SWORE WE'D GO BACK.
YOU BOTH LOOK SO--
YOUNG.
NO, HAPPY.
I DON'T THINK I'VE EVER
SEEN HIM SMILE, LIKE THAT,
I MEAN EVER.
HE ASKED YOU TO COME AND SEE ME,
DIDN'T HE?
JEREMY OLIN,
RIGHT?
THAT DAY
AT GAIL O'BRIEN'S HOUSE--
I GOT THERE
AFTER THE SHOOTING, BUT...
I DON'T KNOW, IT FELT MORE LIKE
AN EXECUTION TO ME.
WHAT, YOU THINK ALL 3 COPS
ARE LYING?
CAN'T PROVE IT;
CAN'T PUBLISH IT.
BUT OLIN WAS LYING THERE
ON THE FLOOR
AND THEY WERE JUST
STANDING AROUND,
LIKE THEY WERE WAITING
FOR HIM TO DIE.
THEN HE DID.
OH.
LINDSAY,
I'M GONNA HAVE TO CALL IT QUITS.
SURE.
I'M SORRY,
THIS THING'S JUST KILLING ME.
IT'S NO PROBLEM.
YOU REALLY DO
TAKE YOUR WORK HOME WITH YOU.
CURSE OF
THE SINGLE OVERACHIEVER.
TELL ME ABOUT IT.
NEVER DID MAKE IT BACK
TO HAWAII.
MAYBE SOMEDAY
YOU WILL.
WE GOT IT.
WE CAN SHOW GRAPHICALLY
THE TRANSMUTATION
OF AN ENTIRE HUMAN ORGANISM.
FROM
THE FINGERPRINTS?
ACTUALLY I RAN A GEL
FROM THE D.N.A. OF A HAIR SAMPLE
WE FOUND
AT THE FOSSETT MURDER SCENE.
WE'LL CALL THIS PERSON
JOHN DOE.
WHO'S D.N.A.
IS THAT?
JEREMY OLIN'S.
IN EVERY RESPECT:
COLOUR, TEXTURE, CURL,
THIS HAIR MATCHED THE 1st.
BUT THE D.N.A.
WAS DIFFERENT.
HAVE A LOOK
AT THIS.
SEE HOW THE 1st
BECAME THE 2nd?
IT'S THE SAME
PERSON'S HAIR.
I THINK WE'RE LOOKING
AT STAGES OF A MUTATION PROCESS.
IT'S OLIN'S D.N.A.
POSSESSING SOMEONE ELSE.
THAT'S AMAZING.
NOW THE QUESTION IS,
WHO?
FRED Di GENOVA.
I DON'T KNOW,
MATT.
NOTHING ELSE
FITS.
HOW'D HE
MEET OLIN?
I'M WORKING ON THAT.
HOW ELSE
COULD HE KNOW SO MUCH?
HOW'D HE GET
TO EVERY CRIME SCENE SO FAST?
I'M SURE WE'LL GET
A FEW GOOD HAIR SAMPLES ON THIS.
WELL, THIS ISN'T Di GENOVA'S,
IT'S BLOND.
BUT WE'LL HAVE A LOOK.
THIS IS IDENTICAL TO THE HAIR
FROM THE FOSSETT MURDER SCENE.
ANY IDEA
HOW THIS GOT ON YOUR JACKET?
*
CARLA, I'M GOING FOR A SMOKE;
MEET YOU OUT FRONT.
SURE,
I'LL BE THERE IN A MINUTE.
*
WHAT DO YOU WANT?
HEY!
*
I DON'T LIKE LIARS,
CARLA.
*
JENNIFER.
NO.
NO, DON'T.
PLEASE DON'T.
NO, NO, NO!
*
WE'LL ALWAYS
BE TOGETHER.
*
JENNIFER!
JEN!
JENNIFER.
JEN.
*
PETER JUST FOUND CARLA BAINES
AT THE STATION.
HORRIBLY CRUSHED,
DISFIGURED, MISSING HER TONGUE.
ANOTHER TROPHY.
RAY'S COORDINATING A SEARCH
FOR JENNIFER.
NOTHING
HAPPENS TO HER.
MATT,
SHE MAY HAVE KILLED 3 PEOPLE.
NO, JEREMY OLIN DID,
WE FIND HIM.
YOU'RE SAYING THAT
HE TRANSFERRED HIS BODY AND SOUL
TO ANOTHER PERSON?
WE'RE BLAMING 3 MURDERS
ON A DEAD MAN.
HE MAY NOT BE DEAD;
HE MAY BE LIVING IN JENNIFER.
IF THAT'S THE CASE,
WHAT DO WE KNOW ABOUT HIM?
PATTERNS OF BEHAVIOR,
ANYTHING THAT'LL
LEAD TO HIM.
YOU SAID OLIN IS NARCISSISTIC,
RIGHT?
YES.
HE LOVES HIMSELF.
IF YOU LOVE SOMEONE,
YOU WANT TO BE WITH THEM.
DID ANYONE
CLAIM OLIN'S BODY?
NOT THAT I KNOW OF.
I'LL GO
WITH YOU.
NO,
I'LL HANDLE THIS.
IT'S NOT SAFE.
WE'RE TALKING
ABOUT MY WIFE.
*
AH!
THERE YOU ARE.
THERE I AM.
OH!
IT'S OKAY.
IT'S OKAY, HONEY.
I'M HERE NOW.
I AM HE
AND WE ARE ONE.
WE WILL ALWAYS
BE TOGETHER.
FOR BETTER
OR FOR WORSE,
IN SICKNESS
AND IN HEALTH,
'TIL DEATH
DO US PART.
JENNIFER.
STAY AWAY!
JENNIFER,
LET ME HELP YOU.
I ASKED FOR YOUR HELP BEFORE,
WHERE WERE YOU THEN?
I'M HERE NOW.
IT'S NOT TOO LATE.
JENNY,
HELP ME UNDERSTAND,
HOW IT HAPPENED.
HELP ME!
HE'S DYING!
LEAVE HIM
FOR THE MEDICS!
HE WON'T LAST.
WASTE OF TIME.
*
I BREATHED LIFE
INTO HIM,
AND THEN HE BREATHED DEATH
INTO ME.
SO YOU SEE,
IT REALLY IS TOO LATE.
NO;
BLOOD TRANSFUSIONS,
DRUGS,
WE CAN REVERSE IT!
NO!
SHE'S MINE!
'TIL DEATH
DO US PART.
SHE'S ME!
MATT, HELP ME.
FIGHT HIM, JEN,
FIGHT HIM!
I CAN'T.
SHE CAN'T.
MATT,
I'M SORRY.
NO.
I HAD TO STOP HIM.
MATT,
PLEASE,
KISS ME.