One Night Stand (2005–…): Season 1, Episode 4 - Flight of the Conchords - full transcript

A quirky performance by New Zealand folk-parody duo Jemaine Clement and Bret McKenzie, who won the Bass Ale Award for Best Alternative Act at the 2005 U.S. Comedy Arts Festival and who have become comedy stars with their HBO comedy series.

(male announcer) HBO presents
One Night Stand,
with Flight of the Conchords.
Copyright: 2005 Home Box Office, Inc.
Ladies and gentlemen,
Flight of the Conchords.
[applause]
Thank you. Thank you.
Uh, we are Flight of the Conchos.
Hey.
That's right. Yep.
[laughter]
This is Bret, and I'm Jemaine.
We're from New Zealand. And, um...
It's very, um, exciting to be, um, here
in, um, America.
What a bz. What a buzz.
Um, yeah, we're actually very popular back in New Zealand.
[laughter]
[mellow guitar music]
♪ ♪
[laughter]
♪ Hello. ♪
♪ Hi. ♪
♪ Hello, man sitting in the park. ♪
♪ I've just said hi, woman in the park. ♪
♪ How're you doing? ♪
♪ Um, good, thanks. ♪
♪ You're looking good. ♪
♪ Pardon? ♪
♪ I said, "you're looking good." ♪
♪ Fair enough. ♪
♪ Jenny. ♪
♪ Pardon? ♪
♪ Jenny. ♪
♪ No, I'm sorry. ♪
♪ I think you've mistaken me for somebody else. ♪
♪ No, it's me. ♪
♪ I'm Jenny. My name is Jenny. ♪
♪ Oh, you are. ♪
♪ Oh, I-- ♪
♪ Ha ha ha ha ha ha ha ha.♪ ♪
♪ Ha ha. Yes. ♪
♪ Um... ♪
♪ I thought, um... ♪
♪ What a hilarious misunderstanding. ♪
♪ Nice to meet you, Jenny. ♪
♪ We've met before. ♪
♪ Quite a few times, actually. ♪
♪ Oh, yes, of course, we have. ♪
♪ I meant it was nice to meet you ♪
♪ the time that I met you. ♪
♪ ♪
♪ Where was it that we met ♪
♪ that time that I met you ♪
♪ when I met you? ♪
♪ At a party. ♪
♪ That'ris ght. ♪
♪ Wasn't it one of those boring work parties? ♪
♪ No. ♪
♪ That's why I said, "wasn't it." ♪
♪ ♪
♪ It was the party of a mutual friend, ♪
♪ was it, wasn't it? ♪
♪ Was it? Wasn't it? ♪
♪ Yes, it was. ♪
♪ Yeah, I thought so. ♪
♪ Oh, Bobby's. ♪
♪ No. ♪
♪ Doug's. ♪
♪ No. ♪
♪ D Dog's. ♪
♪ No. ♪
♪ Maxwell's. ♪
♪ No. ♪
♪ Andy's. ♪
♪ Yes, Andy's.

♪ Yeah, Andy's party! ♪
♪ Ooh. ♪
♪ That's right. ♪
♪ Ooh, Andy knows how to throw a party ♪
♪ doesn't he, Jenny? ♪
♪ Yeah, I love Andy's parties. ♪
♪ I love Andy's parties. ♪
♪ For real. ♪
♪ What crazy parties. ♪
♪ How is that guy anyway? ♪
♪ She's good. ♪
[laughter]
♪ Oh, that's right. ♪
♪ Andy hates it when I forget that. ♪
[laughter]
♪ We watched a movie. ♪
♪ Yea ♪
♪ It was something like, ♪
♪ but not necessarily, Schindler's List. ♪
[laughter]
♪ We watched it, and we wept. ♪
♪ ♪
♪ It was Police Academy 4. ♪
[laughter]
♪ We went for a walk. ♪
♪ On our feet, if I remember correctly. ♪
♪ We walked to the top of the hill, ♪
♪ Yeah! ♪
♪ and we ate sandwiches. ♪
♪ Oh, we just grabbed a sandwich ♪
♪ and put it in our mouths. ♪
♪ Oh, that's the only way to have sandwiches. ♪
♪ ♪
♪ Oh, Jenny, tell me ♪
♪ do you still walk? ♪
♪ Do you still get into sandwiches in a big way? ♪
♪ I still walk a lot, but I'm not eating ♪
♪ as many sandwiches as back then. ♪
♪ ♪
♪ Ah. ♪
[laughter]
♪ Do you remember what we did up there ♪
♪ at the top of the hill? ♪
♪ Kind of. ♪
♪ We were sndingta at the lookout. ♪
♪ Oh, I remember exactly what we did at the lookout. ♪
♪ We just looked out across the city ♪
♪ from a little spot on the hilltop. ♪
♪ Oh, it was so pretty from way up there. ♪
♪ We talked about how the lights ♪
♪ from the buildings and cars ♪
♪ seemed like reflections of the stars ♪
♪ that shined out so pretty and bright that night. ♪
♪ ♪
♪t Iwas daytime. ♪
[laughter]
♪ The daytime of the night. ♪
[applause and laughter]
♪ Well, do you remember what you said to me? ♪
♪ ♪
♪ Not word for word, actually, Jenny. ♪
♪ But I remember there were some verbs. ♪
♪ ♪
♪ Well, you said, "Meet me here in one year." ♪
♪ You just needed some time ♪
♪ to clear your head. ♪
♪ And you seem to have done that. ♪
[laughter]
♪ ♪
♪ La la-la, la la-la, la la-la la-la la-la. ♪
♪ We have a child. ♪
♪ ♪
♪ Pardon? ♪
♪ We have a child. ♪
♪ Why didn't you tell me, Jenny? ♪
♪ Why didn't you tell me that day ♪
♪ when we went to the top of the hill ♪
♪ and we made sweet, ♪
♪ oh, how we made such sweet, sweet, sandwiches? ♪
♪ Does it have my eyes, ♪
♪ my way with words? ♪
♪ Does it look like me at all? ♪
♪ No, not at all, 'cause we opadted him. ♪
♪ I can't believe you don't remember. ♪
♪ It was a very difficult process. ♪
♪ I-I-- ♪
♪ Oh. ♪
♪ Are you sure ♪
♪ that was me, Jenny? ♪
♪ Yes, I'm pretty sure it was you, John. ♪
♪ ♪
♪ I'm Bryan. ♪
♪ Oh, my God, I'm so sorry. ♪
♪ Oh, don't worry. ♪
♪ Oh, no, that's terrible. ♪
♪ Oh, don't worry. ♪
♪ Oh, how embarrassing. ♪
♪ Oh, don't worry, nnJey. ♪
♪ Actually, I'm kind of relie-e-eved. ♪
♪ And that kind of thing just happens all the time. ♪
♪ I just got one of those faces, I suppose. ♪
♪ So does John. ♪
♪ He's got one of those faces as well. ♪
♪ Ha ha ha ha. ♪
♪ Oh, yeah. ♪
♪ Ha ha. ♪
♪ Oh, yeah. ♪
♪ Ha ha ha ha ha. ♪
♪ Ha, ha ha ha. ♪
[cheering and applause]
Thank you.
Um, if there's one thing that we as a band want to deal with,
it's the issues.
Like--
That's just one of the things.
Yeah.
Like the future of the planet,
um, the future of my children
and my children's children
and my children's children's children, you know.
Actually, Bret,
when I think about your children
and your children's children,
I actually think your children are too young
to be having children.
And as far as your children's children's children,
I where does it stop?
think, you know,
When the children are having children,
you know, it's just, how small are they gonna get?
Too small.
Too small.
Too small.
Exactly.
That's one of the issues.
Um, and, um...
It's just gonna get
into this ridiculous Russian doll situation, isn't it?
Yeah.
Have you met my kids?
Have you met their little kids?
And it's just gonna be...
[laughter]
Well, i
s, Bret,
I think your children aren't gonna be affected
by a lot of things that affect other children,
because your children aren't real.
[laughter]
Yeah, yeah, okay.
Do you see the distinction between--
Yeah, sure, but they still will have issues
that don't get taken seriously.
Um, and they--
they have to deal with all the imaginary stuff
like rogue unicorns, for example, you know?
ayOk, sure, there's lots of stuff I haven't thought about,
I guess; I'm sorry.
My wife and I weren't able to have children.
That's why we chose to imagine them.
The doctor suggested it,
and, um, it's actually been incredibly rewarding, you know.
Bret's wife, um, is unable to have children,
because she's not a real woman.
No, she's--
Yeah, she's imaginary, yeah.
And, uh, the--
the kids take after her in that sense,
but she is--
she's very beautiful.
She is a very beautiful woman.
She's a very beautiful woman.
A much--she's a much better kind of woman
than some of the women that I've...imagedin.
Yeah.
Um, but this song is more about the real-world issues
that are affecting us,
everyone today.
It's called Think about It,
Think, Think about It.
[guitar music]
♪ ♪
♪ Children on the streets using guns and knives, ♪
♪ taking drugs and each other's lives, ♪
♪ killing each other using knives and forks ♪
♪ and calling each other names like dork. ♪
♪ There's people on the street ♪
♪ getting diseases from monkeys. ♪
♪ Yeah, that's what I said. ♪
♪ They're getting diseases from monkeys. ♪
♪ Why is this happening? ♪
♪ Please, who's been touching these monkeys? ♪
♪ Leave those poor, sick monkeys alone; they're sick. ♪
♪ They've got problems enough as it is. ♪
♪ ♪
♪ A man is lying on the street. ♪
♪ Some punk has chopped off his head, ♪
♪ and I'm the only one who stops ♪
♪ to see if he's dead. ♪
♪ Oh. ♪
♪ It turns out he's dead. ♪
♪ ♪
♪ That's why I'm singing, ♪
[together] ♪ "Ooh, what is wrong with the world today?" ♪
♪ What's wrong with the world today? ♪
♪ Never said-- ♪ [mumbling]
[together] ♪ Ooh, ooh, ooh. ♪
♪ What is wrong with the world today? ♪
♪ Think about it. Think about-- ♪
♪ Think, think about it. ♪
♪ Good cops been framed ♪
♪ and put into a can, ♪
♪ and all the money that we're making ♪
♪ is going to the man. ♪
♪ What man? Who's the man? When's a man a man? ♪
♪ Why's it so hard to be a man? ♪
♪ Am I man? ♪
♪ Yes, technically, yes. ♪
[laughter]
♪ Oh, come on. ♪
♪ They're turning kids into slaves. ♪
♪ They're turning kid into slaves ♪
♪ just to make cheaper sneakers. ♪
♪ But what's the real cost, ♪
♪ 'cause the sneakers don't seem that much cheaper. ♪
♪ Why are we still paying so much for sneakers ♪
♪ when you got little kid slaves making them? ♪
♪ What are your overheads? ♪
[laughter]
♪ But the end of your life, ♪
♪ you are lucky if you die. ♪
♪ Sometimes I wonder why I would even try? ♪
♪ Why try? ♪
♪ I saw a man lying out on the street half dead. ♪
[together] ♪ He had knives and forks sticking out of his leg. ♪
♪ He said, ♪
♪ "Ah, ah, ah, ah, ow. ♪
♪ "Could somebody get the knife and fork ♪
♪ out of my leg, please?" ♪
♪ "Ooh, could somebody please ♪
♪ removed these cutleries from my knees?" ♪
♪ Yeah. ♪
[together] ♪ This is where we break it down. ♪
♪ This is where we break it down. ♪
♪ Yes, we'll break it down. ♪
♪ What are they doing? ♪
♪ They're breaking it down. ♪
♪ What are they doing now? ♪
♪ They're keeping their funk ♪
♪ and just having a funky jam. ♪
♪ And then we're gonna drop the beat. ♪
♪ And then we'll bring it back up! ♪
♪ Wa, wa, wa, wa. ♪
♪ Oh, oh, oh, oh. ♪
♪ Oh, oh, oh. ♪
♪ Ooh, ooh, ooh, ooh. ♪
♪ Wa, wa. ♪
♪ Ooh, ooh, ah, ah, ah. ♪
♪ Ooh-ooh, ooh-ooh. ♪
♪ Ah, ah, ah, ah, ah. ♪
♪ Ooh-ooh, ooh ooh. ♪
♪ Ooh, ooh, ooh. ♪
♪ Yeah, just, just fading out. ♪
♪ Ooh, we're talking-- ♪
♪ We're talking 'bout the issues, ♪
♪ but we're keeping it funky. ♪
[laughter]
♪ We're fading out. ♪
♪ Just fading out. ♪
♪ Why are they getting quiet? ♪
♪ They're just fading out. ♪
[imitates monkey sounds]
♪ Stop touching that monkey. ♪
[applause]
Um, there was a bit in that song
where we're dealing with the, um, issue of AIDS
in there--
the bit with the, um, monkeys.
Yeah, because, um,
it is believed that AIDS was originally contracted
from, uh, the monkeys--
uh, not the band but the animal.
And we just wanted to deal with that issue,
just a couple of points,
just change an attitude towards AIDS
from being, "Ooh, AIDS-y"
to more like, "Ah, fun monkey disease"
type of thing.
And also, it's just to stop people
from touching monkeys, I suppose,
'cause look what happens.
Yeah.
Mmm, okay.
[laughter]
We'll do another song.
[funky guitar music]
♪ ♪
♪ Ah, yeah. ♪
♪ That's right, baby. ♪
♪ Girl, ♪
♪ tonight we're gonna make love. ♪
♪ You know how I know, baby? ♪
♪ 'Cause it's Wednesday-- ♪
[laughter]
♪ and Wednesday night is the night ♪
♪ that we make love. ♪
♪ Tuesday night's the night ♪
♪ that we go and visit your mother, ♪
♪ but Wednesday night is the night ♪
♪ that we make love ♪
♪ 'cause everything is just right. ♪
♪ Conditions are perfect. ♪
♪ There's nothing good on TV. ♪
♪ Conditions are perfect. ♪
♪ "I might go to bed. ♪
♪ I've got work in the morning." ♪
♪ I know what you're trying to say, baby. ♪
♪ You're trying to say, "Ooh, yeah. ♪
♪ "It's business time. ♪
♪ It's business time." ♪
[together] ♪ It's business. ♪
♪ It's business time. ♪
♪ Yeah, that's what you're tryin
♪ You're trying to say,
"Let
. ♪
♪ It's business time." ♪
[together] ♪ It's business, ♪
g to♪
♪ it's business time. ♪
♪ ♪
♪ Ooh. ♪
♪ Next thing you know we're in the bathroom ♪
♪ bruing our teeth. ♪
♪ That's all part of it. ♪
♪ That's foreplay. ♪
♪ Then you go sort out the recycling. ♪
♪ That's not part of it, ♪
♪ but it is still very important. ♪
♪ Then we're in the bedroom. ♪
♪ You're wearing that ugly, old, baggy T-shirt ♪
♪ from that team-building exercise you did ♪
♪ for your old work. ♪
♪ And it's never looked better on you. ♪
♪ Ooh. ♪
♪ Team-building exercise, not tonight. ♪
♪ Ooh, you don't know what you're doing to me. ♪
♪ I remove my jeans but trip over them, ♪
♪ 'cause I still got my shoes on. ♪
♪ But then I turn it into a sexy dance. ♪
♪ ♪
♪ Next thing you know I'm down to just my socks. ♪
♪ And you know when I'm down to just my socks ♪
♪ what time it is. ♪
♪ It's ti fmeor business. ♪
♪ It's business time. ♪
[together] ♪ It's business. ♪
♪ It's business time. ♪
♪ You know when I'm down to just my socks ♪
♪ it's time for business. ♪
♪ That's why they call it business socks. ♪
[together] ♪ It's business. ♪
♪ It's business time. ♪
♪ Oh. ♪
♪ Ooh. ♪
♪ Making love, ♪
♪ making love for two, ♪
♪ making love for two minutes. ♪
♪ When it's with me, you only need two minutes, ♪
♪ 'cause I'm so intense. ♪
♪ Two minutes in heaven ♪
♪ is better than one minute in heaven. ♪
♪ You say something like, ♪
♪ "Is that it?" ♪
♪ I know what you're trying to say. ♪
♪ You're trying to say, "Oh, yeah, that's it." ♪
♪ ♪
♪ Then you tell me you want some more. ♪
♪ ♪
♪ Well, I'm not surprised... ♪
♪ but I'm quite sleepy. ♪
[together] ♪ It's business. ♪
♪ It's business time. ♪
♪ Business hours are over, baby. ♪
[together] ♪ It's business. ♪
♪ Oh! ♪
♪ It's business time. ♪
♪ ♪
[cheering and applause]
Thank you.
[soft guitar music]
♪ ♪
♪ In the marmalade forest-- ♪
♪ Forest. ♪
♪ Between the make-believe trees ♪
♪ in a cottage cheese cottage ♪
♪ lives Albee. ♪
♪ Albee. ♪
♪ Albee. ♪
[together] ♪ Albee. ♪
♪ Albee the racist dragon. ♪
[laughter]
Part six.
And so all of the villagers
chased Albee the racist dragon
into a very cold, very scary cave.
And it was so cold and so scary in there
that Albee began to cry dragon tears,
which as we all know turned into jelly beans.
[laughter]
Anyway, at that moment,
he
but the badly burnthand Albanian boy
from the day before.
[laughter]
"What are you doing here?
I thought I killed you yesterday,"
grumbled Albee quite racistly.
[laughter]
[in squeaky voice] "No, Albee.
"You didn't kill me with your dragon flames.
"I crawled to safety,
but you did leave me very badly disfigured,"
laughed the boy.
[laughter]
"Why are you crying so?"
"I'm crying because all of those horrible villagers
"chased me into the scary cave.
"I think it's because I'som racist.
"Get your hand off my tail;
you'll make it dirty."
[laughter]
"No, Albee.
"It's not because of your racism
"that they chased you here.
"They chased me here too
"when I became all disfigured like this.
"They just don't like you and I,
"because....
well, because we're different to them."
And that made Albee cry a single tear
which turned into a jelly bean
all the colors of the rainbow.
And suddenly, he wasn't racist anymore.
♪ So they sat in the cave. ♪
♪ The cave. ♪
♪ And they ate bubblegum pie. ♪
[together] Yum!
♪ Albee the racist-- ♪
Well, not anymore.
[together] ♪ Dragon. ♪
[cheering and applause]
Thank you.
That's the song that we use to stop racism in New Zealand.
Hey, 'cause remember it used to be
really racist before we started singing that.
It's better now.
Um, our next song is gonna be our--
sort of one of our gangster-folk crossovers.
Um, now, this is Bret, and I'm Jemaine,
but we're also known as-- in the--
I mean, back in New Zealand where we invented rap--
Yeah.
Bret's known as the Rhymenoceros.
Yeah.
And I'm--I'm--
I'm AKA'd as the Hip-hop-opotomus.
And, um--
And this is just a gangster rap battle between us.
It's the, um,
the Hip-hop-opotomus versus the Rhymenoceros,
um, featuring the Hip-hop-opotomus
and the Rhymenoceros.
♪ ♪
Yeah.
Uh-huh.
Ye, ahyeah.
♪ They call me the Rhymenoceros ♪
♪ not because I'm fat, ♪
♪ not 'cause I've got birds on my back ♪
♪ but because I'm horny! ♪
[together] ♪ I'm horny! ♪
♪ When I'm on the mike, I'm like global warming. ♪
♪ You can't ignore me. ♪
♪ In the bedroom, I'm the gentleman. ♪
♪ The ladies come before me. ♪
♪heck your yellow pages. ♪
♪ I'm a registered rhymecologist now. ♪
♪ I'm passing over the mike to the Hip-hop-opotomus. ♪
♪ Yeah, they call me the Hip-hop-opotomus. ♪
♪ My lyrics are bottomless. ♪
[laughter]
[applause]
♪ Sometimes my rhymes are polite ♪
♪ like thank you, Mrs. Johnson, for dinner. ♪
♪ That was delicious. Good night. ♪
♪ And other times they're obscene ♪
♪ like a pornographic R-18 dream ♪
♪ about bitches smothered in margarine. ♪
♪ Ha ha ha ha ha. ♪
[imitates gunshots]
[laughter]
♪ ♪
♪ They call me the Hip-hop-opotomus. ♪
♪ Ie got flows that glow like phosphorous, ♪
♪ popping off of the top of this esophagus. ♪
♪ I'm not water-dwelling mammal from Africa ♪
♪ that's moved to the metropolis ♪
♪ to be taught how to break-dance. ♪
♪ Where did you get that preposterous hypotheses? ♪
♪ Did Steve tell you that? ♪
♪ What's he got to do with it? ♪
♪ What kind of rapping name is Steve? ♪
♪ Steve. ♪
♪ Other rappers diss me, ♪
♪ saying my rhymes are sissy. ♪
[together] ♪ What, what, why? ♪
♪ What, what, what, why, why? ♪
♪ What, what, what, why, why, why? ♪
♪ What, what, what, what, what? Why, why, why? ♪
♪ Be more constructive with your feedback. ♪
♪ Why? ♪
♪ Yeah. What? ♪
♪ What, what, why?
What? Yeah. ♪
[applause]
♪ Why? 'Cause I rap about reality? ♪
♪ Like me and my grandma having a cup of tea. ♪
[together] ♪ There ain't no party like my nana's tea party. ♪
♪ Hi, ho. ♪
[both beatboxing]
♪ Free style. Hip-hop-opotomus. ♪
♪ Free style, Hip-hop-opotomus style. ♪
Uh!
♪ I'm free styling, ♪
♪ just saying what comes into the top of my head ♪
♪ like it's just r-random, r-r-random. ♪
Um, ooh.
♪ ♪
Ooh.
♪ There's a picture of New York. ♪
♪ There's a picture of New York. ♪
♪ There's big fat crazy picture of New York. ♪
♪ I'm just free-- New York! ♪
♪ Fr-freestyling the picture of New York! ♪
♪ Free styling. ♪
♪ Sometimes when I free style, I lose confidence. ♪
[beatboxing]
♪ My rhymes are so potent that in this small segment ♪
♪ I made all of the ladies in the first two rows pregnant. ♪
[cheering and applause]
♪ Yeah, that's right. ♪
♪ Sometimes my lyrics are sexist. ♪
♪ But you lovely bitches and hos ♪
♪ should know I'm trying to correct this-- ♪
[mumbling]
♪ ♪
♪ When I say ooh, all the ladies go, "Ah." ♪
♪ Ooh. ♪
(women) Ah.
♪ Ooh. ♪
(women) Ah.
♪ When I go ooh, all the fellas go, "Ar, ar." ♪
♪ Ooh. ♪
en) Ar, ar.
♪ Ooh. ♪
(men) Ar, ar!
♪ But keep it real sexy, fellas. ♪
♪ Ooh. ♪
Ar, ar!
♪ Ooh. ♪
Ar, ar!
♪ That's my dogs. ♪
[laughter]
♪ When I go ooh, all the ladies go, ♪
[in high voice] ♪ "Ooh, Flight of the Conchords. You're so big." ♪
♪ ♪
Ooh!
[women mumbling]
(women) You're so big.
[laughter and applause]
Wow, thank you. Wow.
Thank you, ladies.
[laughter]
You didn't have to say that.
[laughter]
Um...
Okay, we've got one more song.
And, um...
[cheering]
This is the DG-20.
Um...
We got this from a pawn shop in the future.
[laughter]
It's pretty amazing.
It's a guitar,
but it's also, with a press of a button,
a glockenspiel
or a trumpet.
[trumpet sound continues]
This is a new one. It's called She's So Hot. Boom.
[guitar music]
♪ ♪
[laughter]
[cheering and applause]
Oh, my God, she's so hot.
She's so fucking hot, she's like a curry.
I gotta tell her how hot she is.
But if I tell her how hot she is,
she'll think I'm being sexist.
She's so hot, she's making me sexist.
[laughter]
Bitch.
I think I need a little bit of drums.
[drum music]
[laughter]
I need just a little bit of mandolin.
[mandolin music]
♪ ♪
♪ People in the room doing boom ♪
♪ like it's never been done, ♪
♪ busting moves that they take the boom of a gun. ♪
♪ In the marquee and the bass is booming. ♪
♪ Someone smoke a boom in the back of the room. ♪
♪ And it's the first day of spring. ♪
♪ The flowers are blooming. ♪
♪ Drum boom bass and the party is booming. ♪
♪ Boom ba-boom like a rocket taking off to the moon. ♪
♪ Boom boom, got a bride and groom. ♪
♪ See you shaking that boom boom. ♪
Who?
♪ See you looking at my boom boom. ♪
What?
♪ You want some boom boom. ♪
♪ It's clear; it's boom, some boom boom. ♪
♪ Let me buy you a boom boom. ♪
When?
♪ You'll order a fancy boom. ♪
Who?
♪ You like boom? I like boom! ♪
♪ Enough small boom, let's boom the boom. ♪
♪ So I driving in boom boom. ♪
♪ Driving it back to your boom ba-boom. ♪
♪ And you turn on the boom boom, ♪
♪ and we boom boom boom to the break of boom. ♪
♪ Ba-boom is ringing his beep boom boom. ♪
♪ Back from ten years in the boom, ♪
♪ and they said he got his boom chopped off in the boom. ♪
♪ But the crazy boom say, "What's a boom, man?" ♪
♪ Sorry, girl, I gots to boom back. ♪
♪ Give you a boom in the afternoon, then. ♪
♪ Boom boom, baby. ♪
♪ Don't forget you're the most boom boom ♪
♪ I've ever met, da-boom boom. ♪
♪ ♪
♪ Who's the boom king? ♪
[laughter]
♪ Who's the boom king? ♪
[cheering and applause]
Copyright: 2005 Home Box Office, Inc.
♪ ♪
Thanks very much.
Thank you very much. We appreciate it.
Thank you.