NYPD Blue (1993–2005): Season 9, Episode 14 - Hand Job - full transcript

Andy:
PREVIOUSLY ON NYPD BLUE‐‐

DETECTIVES,
THIS IS DAVID MOORE.
DAVE.

HE’LL BE FILLING IN
WHILE I’M ON SAFARI.

HOW DO YOU SAY
YOUR NAME AGAIN?

I MISCARRIED YESTERDAY.

ARE YOU ALL RIGHT?
DID YOU SEE THE DOCTOR?

I’M FINE.

[ Crying ]
BUT THE BABY...

I GOT A MESSAGE FROM DON.
BEFORE I CALL BACK, IS THERE
ANYTHING I NEED TO KNOW?

I’M FILING FOR DIVORCE.

IT’S AMICABLE?
SO FAR.



I CAN’T STOP THINKING
ABOUT YOU,

AND I’M JUST ASKING
FOR A SECOND CHANCE.

NO!
I LOVE YOU.

IT’S OVER.
YOU NEED TO ACCEPT THAT.

YOU’VE BEEN ACTING
COMPLETELY WEIRD TODAY.

STOP IT.

IS IT ABOUT ME KISSING YOU
LAST NIGHT?

[ SCOFFS ] NO.
YOU KNOW, WHY WOULD I ‐‐

YEAH.

ANDY, I LOVE YOU
AND THEO DEARLY.

I REALLY DO.

SO, SPENDING ALL THIS TIME
TOGETHER ‐‐

IT’S ABOUT SPENDING TIME
WITH THEO?

IF THIS IS A PROBLEM FOR YOU,
THEN OKAY.



I DON’T WANT TO COMPLICATE
YOUR LIFE.

OKAY, SO, YOU SHOW UP,

AND THERE’S A DEAD WOMAN
ON THE FLOOR

WHO IS SUBSEQUENTLY IDENTIFIED
TO YOU AS A SUPERMODEL.

SHE’S NAKED. SHE’S BEEN
RAPED AND STRANGLED.

BRANDED INTO HER FOREHEAD
IS THE LETTER "B."

NOW, A WEEK EARLIER,
YOU HAD ANOTHER DEAD SUPERMODEL

WITH THE LETTER "L" BURNED
INTO HER FOREHEAD.

WHAT DO YOU DO?
WHO DO YOU CALL?

TASK FORCE
WOULD TAKE THAT OVER.

GOOD, ’CAUSE GUESS WHAT?
IT WAS YOUR SISTER WHO WAS
THE FIRST DEAD SUPERMODEL,

SO YOU’RE NOT GONNA LET
ANYBODY TAKE THIS OVER.

WHAT DO YOU DO?
NOTHING. I’M TELLING YOU,

IT’D GET TAKEN FROM ME.

COULD YOU JUST PRETEND
FOR A SECOND

AND TELL ME WHAT YOU’D DO?

OKAY, IF IT’S
THAT PERSONAL,

I’D GO TO MY BOSS,
TOSS HIM MY SHIELD,

SAY, "I QUIT, AND I’M WORKING
THIS ON MY OWN."

NOW WE’RE TALKING.

THEN I’D PUT ON THE RING
I’D BEEN SAVING

WHICH ENABLES ME TO TRAVEL
THROUGH SPACE AND TIME,

ADOPTING ANY IDENTITY I NEED.

GET TO WORK.

Tony: YOU READY FOR THIS?

TWO PEOPLE CRUCIFIED IN AN
APARTMENT OVER ON ALLEN STREET.

ONE OF THEM’S DOA.

CRUCIFIED?

THAT’S WHAT THE DESK SERGEANT
TOLD ME.

YOU AND CONNIE ARE UP.

GREAT.

[ GROANING ]

DID YOU HEAR ABOUT THIS?

YEAH. WHO CALLED IT IN?

THE GUY NAILED TO THE BENCH ‐‐
DENNIS CLANCY.

DRAGGED IT OVER TO THE PHONE
AND DIALED WITH HIS TONGUE.

WHAT’S HE DOING
STILL NAILED?

EMS DIDN’T HAVE
THE RIGHT EQUIPMENT,

SO EMERGENCY SERVICES IS
ON THE WAY WITH BOLT CUTTERS.

WHO’S THE DOA?

GIRLFRIEND ‐‐ LORI BAILEY.
SHE’S A STRIPPER.

KEEPS A SAFE HERE
WITH MONEY.

COUPLE OF RUSSIAN GUYS
CAME BY...

HE WAS BABBLING.

[ GROANING ]

DENNIS, WE’RE THE DETECTIVES
INVESTIGATING WHAT HAPPENED.

THESE RUSSIAN GUYS.

YOU NEVER SEEN THEM
BEFORE?

WE GOT IN AN ARGUMENT.

YOU AND THE GIRLFRIEND?

SHE SAID SHE WAS GONNA CALL
A COUPLE OF GUYS

SHE MET AT THE CLUB
TO COME KICK MY ASS.

I TOLD HER TO GO AHEAD.
SHE’S ALWAYS MAKING
THREATS LIKE THAT.

HANG IN THERE.

I DIDN’T KNOW SHE CALLED,
BUT THESE TWO GUYS SHOW UP.

HOW LONG IS IT GONNA TAKE TO GET
THESE DAMN NAILS OUT?

THEY’LL BE HERE IN A MINUTE.
KEEP BREATHING DEEP.

SO THE RUSSIAN GUYS
SHOW UP...

YEAH, BUT BY THEN
SHE CALMED DOWN,

AND SHE TOLD THEM TO TAKE OFF,
BUT THEY START ASKING

WHERE’S THE SAFE,
WHERE DOES SHE KEEP HER MONEY?

AND THEY THINK I KNOW,
BUT I DIDN’T.

I KNEW SHE HAD A SAFE, BUT I
DIDN’T KNOW THE COMBINATION.

THEN THESE ANIMALS
GET OUT THE HAMMER AND NAILS.

[ GROANS ]

I’M OUT OF HERE.

DENNIS, YOU HANG TOUGH.

WE’LL TALK TO YOU MORE
IN A MINUTE.

AHHHHHHH!

Officer:
GUY WHOSE PARTY IT WAS GOT
SHOT ‐‐ DAMON UPCHURCH.

WHAT’S THE OCCASION?

GUY’S A RAPPER.

THIS IS HIS
RECORD‐RELEASE PARTY.

ANYBODY SEE ANYTHING?

VICTIM’S OLDER BROTHER
OVER HERE ‐‐ ADRIAN.

ADRIAN, YOU GOT A SEC?

I DON’T KNOW WHO DID IT.

WE GOT MORE QUESTIONS
THAN THAT.

I AIN’T LEAVIN’ MY BROTHER.

WHEN THINGS SETTLE DOWN,

WE’LL HAVE A RADIO CAR
BRING YOU TO OUR OFFICE.

HANG IN THERE.
I’M RIGHT HERE, MAN.

SIPOWICZ AND CLARK ‐‐
15th DETECTIVE SQUAD.

ANY INFORMATION, WE’LL
KEEP IT CONFIDENTIAL.

YOU DON’T EVEN HAVE
TO GIVE YOUR NAME.

WHEN DID THE SHOOTING OCCUR?

HALF‐HOUR AGO.
IT WAS AN AFTER‐HOURS PARTY.

THIS UPCHURCH RAPS
UNDER THE NAME JINXY.

RIGHT.
YOU HEARD OF HIM?

YEAH, I WENT TO THE ACADEMY
WITH A GUY WHO GREW UP WITH HIM.

WHO THREW THIS THING?

JINXY’S MANAGER,
MARTY TORELLI.

MARTY?
THIS IS YOUR PARTY, HUH?

YEAH, FOR JINXY.

YOU SEE ANYTHING?

NO, UNFORTUNATELY NOT.

YOU GOT ANY MONEY?

MAYBE A COUPLE HUNDRED.

IN THE BANK, ’CAUSE SOMEBODY’S
GONNA HAVE TO PUT UP A REWARD

TO GET THESE PEOPLE’S
MOUTHS MOVING.

I’LL ABSOLUTELY GET
BEHIND THAT.

MORNING.

YOU SEE THE INVITES?

NO.

FOUND IT ON THE GROUND
COMING INSIDE.

"CELEBRATE THE RELEASE

"OF JINXY’S NEW ALBUM
’HOLLOW POINT.’

COME HELP SET IT OFF WITH
THE PHATTEST" ‐‐

THIS IS RIDICULOUS.

READ THE BOTTOM.

[ SIGHS ]

OH, MAN.

JUNIOR...

WHO’S YOUR BUDDY YOU WENT
TO THE ACADEMY WITH?

MARCUS HODGES. WHY?

"SECURITY BY NYPD."

WHAT’D YOU GET?
DICK.

ANY WORD ON THE VICTIM?
HE JUST WENT
OUT OF THE PICTURE.

HIS BROTHER, ADRIAN ‐‐

WE’RE GONNA NEED A RADIO CAR
TO BRING HIM IN FROM BELLEVUE.

I’LL TAKE CARE OF THAT.

AND WHAT’S THIS I’M HEARING

ABOUT SECURITY AT THE PARTY
BEING PROVIDED BY THE NYPD?

UH, WE’RE LOOKING INTO IT.
WE DON’T KNOW IF IT’S
A JOKE OR WHAT.

UNIFORMS SAID THEY DIDN’T
SEE ANY SECURITY.

THE MANAGER OF THE DOA
PAID FOR THE PARTY,

BUT HE SAID THE DOA
WAS IN CHARGE OF THE DETAILS.

ANY WORD FROM A MARCUS HODGES?
HE’S ON THE JOB.

HE’S IN THE COFFEE ROOM.

MARCUS.

HEY, WHAT’S UP, JOHN?

HOW YOU DOING?
GOOD.

THIS IS MY PARTNER,
ANDY SIPOWICZ.
HEY.

SO, YOU HEARD ABOUT JINXY.

YEAH.

THE INVITE FOR THE PARTY
SAID "SECURITY BY NYPD."

KNOW ANYTHING ABOUT IT?

SO YOU WERE THERE.

YEAH.

WERE YOU IN CHARGE?

SO WHAT DO I DO?

HOW ABOUT TELLING US
WHAT YOU KNOW, FOR STARTERS?

WELL, I DIDN’T SEE ANYTHING.

IT WAS PACKED, IT WAS LOUD,
I HEARD SHOTS,

AND THEN IT WAS PANDEMONIUM.

HOW MANY COPS YOU
HAVE WORKING THE PARTY?

SIX, BUT THEY’RE
ALL GOOD GUYS.

WE’RE GONNA NEED
THEIR NAMES.

SO THEY’RE GONNA GET
JAMMED UP?

IF THE CASE GOES DOWN QUICK,

OTHER UNITS ARE LESS APT
TO GET INVOLVED.

THAT INVITATION, I DIDN’T KNOW
THEY’D PRINT THAT.

IS THAT WHAT YOU’RE
REGRETTING? GETTING FOUND OUT?

YOU NEVER MOONLIGHTED
BEFORE?

I NEVER RAN
FROM A CRIME SCENE.

THIS WHOLE THING
JUMPED OFF QUICK.

I GOT MY BOYS I GREW UP WITH,

I’M RESPONSIBLE FOR FELLOW
COPS WORKING OFF‐DUTY
WITHOUT PERMISSION ‐‐

MARCUS, YOU NEED
TO TELL US EVERYTHING.

SOMEONE CAME UP TO ME
BEFORE THEY SPLIT.

THEY SAID "FURY DID IT."

HOW MUCH TRUTH TO THAT,
I DON’T KNOW.

FURY THE RAPPER?
YEAH ‐‐ DEREK GLASS.

HIM AND JINXY
GOT A FEUD GOING ON.

IS THERE ANYTHING ELSE
YOU’RE NOT TELLING US?
NO, THAT’S IT.

WE’RE GONNA NEED THE NAMES
OF THE COPS WORKING FOR YOU.

I’LL RUN THIS DEREK GLASS.

MAKE SURE THE DOA’s BROTHER’S
COMING IN FROM THE HOSPITAL.

DOA?

JINXY DIED?

YEAH. A LITTLE WHILE AGO.

OH, MY GOD.

WHY DON’T YOU HAVE A SEAT
AT THE HEAD?

WHERE WERE YOU WHEN
YOUR BROTHER GOT SHOT?

AT THE BAR.

DID YOU SEE ANYTHING?

NO.

DID YOU HEAR ANYTHING
FROM ANYBODY?

NO.

DO YOU KNOW A GUY NAMED FURY ‐‐
DEREK GLASS?

WHY, SURE, I KNOW "FURRY."

YOU AND YOUR BROTHER
HAVE A BEEF WITH HIM?

COME TO THINK OF IT,
YEAH, WE DO.

DON’T START GETTIN’ CUTE,
ADRIAN.

WHAT’S THE BEEF OVER?

IT’S OVER FURRY BEING A
STORE‐BOUGHT, WANNABE THUG

WHO WAS RAISED
OUT IN THE ’BURBS.

BUT THEN HE STARTED
ACTING ALL HARD

TRYING TO COPY JINXY’S STYLE
TO TRY TO MOVE RECORDS.

YOU GUYS MIX IT UP
IN THE PAST?

ABOUT A MONTH AGO,
WE DO A CONCERT.

IN THE BACK OF THE STAGE, WE PUT
UP THIS BIG PICTURE OF FURRY

WHEN HE WAS IN THIS CANDY‐ASS
BOY BAND CALLED READY 2 GO ‐‐

THE GENIE PANTS, THE HIGH‐TOP
FADES, THE STUPID‐ASS GRINS.

OH, MAN.

AND I GUESS
WORD GOT BACK TO FURRY,

AND HE APPARENTLY
DIDN’T LIKE THAT,

WHICH WAS TOO BAD
FOR HIS BITCH ASS.

YOU SEE FURY LAST NIGHT?

YEAH, HE CRASHED IT.

WAS HE INVOLVED
IN THE SHOOTING?

I DON’T KNOW.

DON’T GET IN THE MIDDLE OF THIS,
ADRIAN. LET US HANDLE IT.

HANDLE WHAT?

JUSTICE.

JUSTICE? [ SCOFFS ]

YOU GOT YOURS...

AND I GOT MINE.

THEY’RE THE SAME.

OH, I DON’T THINK SO.

YOU GOT KIDS?

YEAH.

DID YOUR BROTHER
LEAVE KIDS BEHIND?

Yeah.

THEN DO IT FOR THEM.

GO HOME, BE WITH YOUR FAMILY,
AND STAY OUT OF IT.

YOU GET WHO DID THIS...
AND I’LL STAY OUT OF IT.

WE WILL. IT MAY NOT BE
OVERNIGHT, BUT WE WILL.

MEANTIME, YOU GO HOME, AND YOU
WAIT TILL YOU HEAR FROM US.

ALL RIGHT.

VICTIM GOT LUCKY.

WHERE THEY NAILED HIM
DIDN’T BREAK ANY BONES.

THEY’RE TESTING
FOR NERVE DAMAGE.

HIS GIRLFRIEND
WAS A STRIPPER

AT JIMBO’S CLOWN ROOM
OVER ON THIRD.

THESE RUSSIANS, THEY BRING
THE HAMMER AND NAILS WITH THEM?

NO. GOT THEM OUT OF
THE DOA’s TOOLBOX.

WHO GOT NAILED FIRST?
BOYFRIEND DID.

THE GIRLFRIEND WOULDN’T GIVE THE
COMBINATION, SO THEY NAILED HER.

STILL WOULDN’T GIVE IT,
SO THE PERPS RIPPED THE SAFE
OUT OF THE WALL AND TOOK IT.

SHOT HER ON THE WAY OUT.

SHE SITS THERE GETTING NAILS
DRIVEN THROUGH HER HANDS

RATHER THAN GIVE UP
STRIPPING MONEY?

YEAH.

HOW MUCH WAS IN THE SAFE?
BOYFRIEND DIDN’T KNOW.

WHY DIDN’T THE PERP
SHOOT THE BOYFRIEND?

ONE OF THE PERPS
FIRED SHOTS AT BOTH OF THEM,

HITTING THE GIRLFRIEND
AND JUST MISSING HIM,
BUT HE PLAYED DEAD.

YOU FIND A BULLET HOLE
WHERE THE PERP MISSED?

IN THE WALL, RIGHT
WHERE THE BOYFRIEND WAS.

BRING IN WHOEVER RUNS JIMBO’S.
I’LL CALL THE FBI,

SEE IF THEY GOT ANY PATTERNS
ON RUSSIANS WITH HAMMERS.

A CRUCIFIED STRIPPER.
ARE YOU SERIOUS?

DON’T WET YOURSELF.

YOU GOTTA FILL ME IN LATER.

WHAT’D THE BROTHER SAY?

NOTHING. BUT HE WAS THERE.
HE KNOWS SOMETHING.

ANY LUCK FINDING FURY?

THIS IS DEREK GLASS, RIGHT?

YEAH, AND HE’S
WHO WE NEED TO TALK TO.

MEDAVOY AND JONES JUST FOUND HIM
AT SOME GIRL’S APARTMENT.

THEY’RE BRINGING HIM IN.
ALL RIGHT.

NO WORD YET ON WHAT THAT "NYPD
SECURITY" THING WAS ALL ABOUT?

THE COP WHO WAS IN ‐‐
MARCUS HODGES ‐‐

HE WAS WORKING SECURITY,

AND, BOSS, I PROBABLY
SHOULD’VE TOLD YOU EARLIER,

BUT I WENT
TO THE ACADEMY WITH HIM,

AND HE KNOWS HE SCREWED UP.

SO HE WAS THERE
WHEN THE SHOTS WERE FIRED?

HE DIDN’T SEE ANYTHING.
HE PANICKED AND LEFT.
BUT HE’S HELPING OUT NOW?

HE AIN’T A BAD GUY. I DON’T
WANT TO SEE HIM GET HURT.

IF ALL HE DID WAS LEAVE
AFTER THE SHOTS,

IT’S NOT A PROBLEM,

BUT IF HE’S HINDERING
OR OBSTRUCTING,

WE’RE GONNA HAVE TO NOTIFY
INTERNAL AFFAIRS.

HE’S NOT.

OKAY.

THERE WERE SOME OTHER COPS
WORKING SECURITY LAST NIGHT.

WE’RE GONNA HIT ’EM UP.

KEEP ME UPDATED.

THAT SUCKS ABOUT JINXY.

"ARMED RESPONSE"
IS AN OUTRAGEOUS CD.

YEAH.

SO YOU LISTEN TO THAT RAP
MUMBO JUMBO?

I’VE HEARD
SOME HIP‐HOP BEFORE, SURE.

OH, SO IT’S HIP‐HOP NOW.

NOT EVERYBODY’S STILL
LISTENING TO, UH, YOU KNOW,

LITTLE LOUIE
AND THE SHOESHINERS, ANDY.

[ LAUGHS ]

SO YOU KNOW THIS GUY
MARCUS PRETTY GOOD?

YEAH. WE HAVEN’T BEEN IN CONTACT
MUCH SINCE THE ACADEMY,

BUT, UH, HE’S A GOOD GUY.

ENOUGH TO VOUCH FOR HIM?

I WAS TAKING THE SUBWAY
BACK TO QUEENS TO GET MY CAR,

AND THERE’S THESE THREE GUYS
HASSLING A WOMAN ON THE TRAIN.

THIS IS THE SAME DAY OUR
INSTRUCTOR WENT OVER

HOW WHILE
YOU’RE IN THE ACADEMY,

YOU SEE AN INCIDENT,
YOU SHOULD DIAL 911.

YOU’RE NOT SUPPOSED
TO BE TAKING POLICE ACTION.

SO YOU GET INVOLVED.
YEAH, AND THEN THESE
THREE GUYS TURN ON ME.

I DON’T HAVE MY GUN,
OBVIOUSLY, ’CAUSE I’M
STILL IN THE ACADEMY.

AND FOR A SECOND THERE,
I’M WONDERING IF I’M GONNA
BE TAKIN’ SOME LUMPS HERE.

MARCUS ‐‐ I KNEW HIM
FROM MY CLASS, BUT I DIDN’T
KNOW HE WAS ON THE TRAIN.

RIGHT WHEN THE FISTS
START FLYING,

HE’S RIGHT THERE
BACKING ME UP.

SO, YEAH,
I CAN VOUCH FOR HIM.

GOOD, ’CAUSE YOU’RE
OUT ON A LIMB NOW.

HAVE A SEAT, DEREK.

SHOW UP AT JINXY’S PARTY
LAST NIGHT?
NOPE.

[ CHUCKLES ]
FIRST THING OUT OF YOUR
MOUTH’S A LIE, DEREK?

THAT AIN’T GOOD.

WHERE WERE YOU?

[ SCOFFS ]

♪ BLACK POLICEMAN ♪

♪ BLACK POLICEMAN ♪

♪ CUFFIN’ HIS OWN PEOPLE
FAST AS HE CAN ♪

ANSWER THE QUESTION, DEREK.

I WAS WITH ONE
OF MY FEMALES, MAN.

THE GIRL WHOSE APARTMENT
WE PICKED YOU UP AT?

NO, A DIFFERENT ONE.

WHAT’S HER NAME?

DEANDRA, DEONDRA ‐‐

STARTS WITH A "D,"
I KNOW THAT.

WE GO WITNESSES.
WE KNOW YOU WERE
AT THE PARTY LAST NIGHT.

♪ BLACK POLICEMAN,
HUGGIN’ UP ON THE MAYOR ♪

♪ BLACK BLOOD ON HIS HANDS ♪

THIS COMING FROM A GUY WHOSE
CONTRIBUTION TO SOCIETY

IS RAPPING ABOUT BITCHES
AND HOS AND GOLD RIMS.

YO, I GETS MINES
IN THE MUSIC GAME, SON.

I AIN’T HOLDIN’
MY PEOPLE DOWN.

YOU GOT KIDS OUT THERE
ROBBIN’ AND KILLIN’

TO GET THOSE MATERIAL THINGS
YOU’RE FLAUNTING, FURY.

YEAH, WELL, I AIN’T LOCKIN’
BROTHERS UP, BROTHER.

DEREK, YOU NEED TO ACCOUNT
FOR WHERE YOU WERE LAST NIGHT,

AND GIRLS WITH NO NAMES
AIN’T GONNA CUT IT.

OKAY, MAYBE I DID
STOP BY JINXY’S PARTY,

BUT IT WAS WHACK ’CAUSE
HE’S A BITCH, SO I WAS OUT ‐‐

ME AND MY BOYS.

WHAT WAS THE ARGUMENT OVER?

AIN’T NO ARGUMENT GOIN’ ON.

JINXY AND HIS CREW
GIVE YOU A HARD TIME

FOR BEIN’ IN THAT BOY BAND
WHEN YOU WERE YOUNGER?

THEM THINKING YOU’RE SOFT,
MAYBE THEY CALLED YOU "FURRY."

[ CHUCKLES ]

♪ BLACK POLICEMAN ♪

THEY PISS YOU OFF LAST NIGHT,
AND YOU DO SOMETHING ABOUT IT?

[ KNOCK ON DOOR ]

THIS GUY’S LAWYER CALLED
TO SHUT US DOWN.

IT’S ON THE RECORD.
ALL RIGHT.

DO WE HAVE ENOUGH
TO ARREST HIM?

NO, NOT YET.
CAN WE HOLD HIM
FOR A WHILE?

THE LAWYER’S ON HIS WAY
RIGHT NOW.

WE’LL KICK HIM.

Greg: TAKE OFF, DEREK.

WE’LL BE IN TOUCH LATER
IF WE NEED ANYTHING.

♪ BLACK POLICEMAN ♪

YOU KNOW, I’M GLAD
YOUR LAWYER CALLED,

SO NOW I CAN TELL YOU
WHAT’S TRUE.

YOU ARE THE PUSSY
EVERYBODY SAYS YOU ARE,

AND IF YOU GOT A PROBLEM
WITH THAT, THEN JUMP ON UP.

[ SNIFFS ]

YEAH, I THOUGHT SO.

♪ HE GETS A "THANK YOU" LETTER
FROM THE KU KLUX KLAN ♪

ALL RIGHT, COME ON.

COME ON.
THROW SOMETHING.

WHAT, YOUR BODYGUARDS
AIN’T HERE TO FINISH
YOUR FIGHT?

TAKE A SEAT.

SO, HOW LONG YOU OWN JIMBO’S
CLOWN ROOM, JOSEPH?

[ Russian accent ]
THREE YEARS.

YOU MANAGE THE PLACE, TOO?
YES.

SO YOU’RE NOT
AN ABSENTEE OWNER?

A WHAT?

YOU KNOW WHAT’S GOING ON
IN YOUR CLUB?

IT’S MY BUSINESS.
OF COURSE I KNOW.

YOU KNOW A LORI BAILEY?

YEAH. SHE MY BEST DANCER.
USE THE NAME COCO.

SOMETHING WRONG?

HER NAME CAME UP
IN AN INVESTIGATION.

WHAT GUYS DOES LORI
HANG OUT WITH?

SHE GIRLFRIEND
FOR THIS GUY DENNIS,

USED TO BE DJ AT MY CLUB.

WHAT RUSSIAN GUYS
DOES SHE HANG OUT WITH?
I DON’T KNOW.

PART OF THIS INVESTIGATION
INVOLVES TWO RUSSIAN GUYS
WHO WERE AT LORI’S APARTMENT.

WHY IS THIS MY PROBLEM?

WHERE ELSE WOULD SHE
MEET RUSSIAN GUYS, JOSEPH?

IT’S BIG CITY.

YOU GOT RUSSIAN MEN
WORKING AT YOUR CLUB?

OF COURSE ‐‐ FAMILY.

I HAVE A BROTHER,
TWO COUSINS.

BUT THEY DON’T TALK TO GIRLS
OUTSIDE CLUB. I DON’T ALLOW.

JOSEPH, YOU’RE GONNA TELL US WHO
LORI WAS HANGING OUT WITH,

OR WE’RE GONNA GET THE FIRE
DEPARTMENT, THE BOARD OF HEALTH,

THE STATE LIQUOR AUTHORITY,
VICE DOWN THERE EVERY NIGHT.

BACK IN RUSSIA,
IT WAS EASIER.

WHEN THERE’S A PROBLEM
WITH POLICE,

WE WORK IT OUT WITH MONEY.

YOU WANT TO GET
IN SOME REAL TROUBLE,

YOU KEEP GOING
IN THAT DIRECTION.

I’M SAYING WE
DO THAT THERE...

NOT HERE.

OF COURSE NOT.

THE NAMES OF THE RUSSIAN GUYS
LORI WAS HANGING AROUND,

OR YOU’RE GONNA START
SEEING A LOT MORE OF US.

I DON’T KNOW,
BUT I ASK AROUND.

YOU DO THAT.

WE’RE GONNA NEED A LIST
OF ALL EMPLOYEES

FAXED OVER
WITHIN THE HOUR.

I DO THAT.

IS THAT ONE OF THE RUSSIANS
WHO CRUCIFIED THE STRIPPER?

Rita: NOT MUCH
ON THE OWNER OF THE CLUB,

BUT HE’S GONNA ASK AROUND.

BOYFRIEND’S SAYING HIS
GIRLFRIEND WAS NAILED
TO THE TABLE FIRST

THEN SHOT LATER, RIGHT?
RIGHT.

WELL, HE’S LYING.

THE M. E.’s SAYING
IT’S THE OTHER WAY AROUND ‐‐

SHOT FIRST, THEN NAILED.

WOUND’S POSTMORTEM.

THE BOYFRIEND’S
STILL AT BELLEVUE.

COP THERE ASKED HIM
WHO HE WANTS NOTIFIED.

THIS GUY SAYS TELL HIS WIFE.

THE BOYFRIEND, DENNIS CLANCY,
HE’S MARRIED?

YEAH, TO A BETTY ANN CLANCY.

THEY LIVE OVER ON 13th STREET.

DID UNIFORM NOTIFY HER?

NO.

NEED ANYTHING, BOSS?

DAVE, HOW LONG
WE KNOWN EACH OTHER?

GOING ON A WEEK NOW.

SEEMS LONGER, DOESN’T IT?

YEAH, IT SURE DOES.

I THINK WE’RE AT THAT POINT

WHERE WE CAN BE HONEST
WITH EACH OTHER.

I WOULD THINK SO.
I WOULD HOPE SO.

GOOD.

YOU’RE STARTING TO REALLY
PISS ME OFF, DAVE.

SORRY TO HEAR THAT.

DESPITE MY WARNING
TO CONCENTRATE ON YOUR WORK,

YOU FAIL TO DO THAT.

NOW, MY GUESS IS THAT
YOU CONSIDER YOURSELF
DESTINED FOR GREATER THINGS.

I WISH YOU LUCK
IN THAT REGARD, I REALLY DO.

BUT IN TRYING TO CONVINCE
OTHERS AND YOURSELF

THAT YOU’RE NOT GONNA
BE ANSWERING PHONES

FOR THE REST OF YOUR LIFE,
YOU OVERCOMPENSATE

AND COME ACROSS
LIKE A REAL ASSHOLE.

MAYBE IT’S MORE
OF A PERSONALITY CONFLICT,

’CAUSE I’VE WORKED
IN A LOT OF OTHER COMMANDS ‐‐

GOT ALONG
WITH EVERYONE GREAT.

WHERE?
IN THE OLD RECORD SECTION?

THE PISTOL LICENSE BUREAU?

THIS IS A DETECTIVE SQUAD.
WE DO POLICE WORK HERE.

YOU’RE RESPONSIBLE
FOR GETTING INFORMATION TO US

REGARDING SERIOUS BUSINESS.

YEAH, I’M AWARE OF THAT.

AND I BELIEVE I’VE BEEN
GETTING YOU THAT INFORMATION ‐‐

THIS TIME IT’S
NOT A DISCUSSION, DAVE.

FROM NOW ON,
UNTIL JOHN GETS BACK,

I WANT THAT COMPUTER PUT AWAY,
I WANT YOUR CELL PHONE OFF,

AND I DON’T WANT YOU
PUMPING THE DETECTIVES

FOR INFORMATION FOR MATERIAL.

YOU DO YOUR JOB
OR HIT THE ROAD.

YOU’RE THE BOSS.

THAT’S RIGHT.

[ INDISTINCT CONVERSATION ]

TERRENCE?

SEE YA.

WE, UH...

TALKED TO MARCUS HODGES.

OKAY.

SAID YOU WERE DOING SECURITY
FOR HIM AT JINXY’S PARTY.

YEAH.

WERE YOU THERE
WHEN JINXY GOT SHOT?

YEAH.

YOU SEE ANYTHING?

NO.

SO YOU’RE STILL ON 18‐MONTH
PROBATION, HUH, TERRENCE?

THAT’S RIGHT.

YOU REMEMBER
HOW PROBATION WORKS?

YEAH.

ONE PHONE CALL,
AND YOU’RE FIRED.

WANT TO STAY A COP?
I REALLY DO.

YOU’RE GETTING ONE CHANCE, RIGHT
HERE, TO TELL US WHAT HAPPENED.

YOU HOLD BACK ANYTHING,
AND I’LL FIND OUT IF YOU DO,

THEN I’M MAKING
THAT PHONE CALL.

WHAT HAS MARCUS TOLD YOU?

WE’RE NOT LOOKING
FOR QUESTIONS FROM YOU.

MARCUS WOULD KNOW
WHAT HAPPENED.

WHY?

AS SOON AS I HEARD
THE SHOTS, I TURN,

AND MARCUS IS STANDING
WHERE JINXY DROPPED.

I MEAN, IT WAS A MADHOUSE.

I RAN TOWARD THE SHOTS,

AND I SEE MARCUS AND JINXY’S
BROTHER ADRIAN ‐‐

THEY’RE BOTH RUNNING
AFTER THE PERP.

I GOT BOXED IN
AND LOST THEM.

DID YOU TALK TO MARCUS
BEFORE YOU SPLIT?

YEAH. HE TOLD ALL OF US
WORKING SECURITY TO LEAVE,

TOLD US WE WERE NEVER THERE,
THAT HE WOULD HANDLE IT.

DID MARCUS COOK UP A STORY
FOR YOU GUYS TO TELL?

NO. HE JUST SAID THIS
WAS ON HIM AND TO GET LOST.

ALL RIGHT.

IS THERE GONNA BE
A PHONE CALL MADE?

NOT FROM US.

Woman: YEAH?

POLICE. OPEN UP.

WHY?

JUST OPEN THE DOOR.

BETTY ANN CLANCY?

YEAH. WHY?

WE NEED TO COME IN
AND TALK TO YOU.

ABOUT WHAT?

OPEN THE DOOR.

LET ME SEE
YOUR BADGES AGAIN.

WE’RE INVESTIGATING A COMPLAINT
REGARDING LORI BAILEY.

YOU KNOW HER?

MY HUSBAND DOES.

HEY, YOU GOT QUESTIONS
ABOUT LORI, OKAY,

BUT I DIDN’T SAY
YOU COULD SNOOP AROUND.

YOUR HUSBAND’S
DENNIS CLANCY, RIGHT?

YEAH.

HOW DOES YOUR HUSBAND
KNOW LORI?

I’D LIKE TO KNOW
WHAT THE INVESTIGATION IS.

WE’RE CUTTING YOU SOME MAJOR
SLACK, ’CAUSE I’M PRETTY SURE

YOU GOT A SUBSTANCE OR TWO
IN HERE YOU PROBABLY SHOULDN’T.

SO START MEETING US
HALFWAY.

DENNIS HAS BEEN
SLEEPING WITH HER ‐‐

PRETTY MUCH SHACKING UP.
APPARENTLY WITH
YOUR KNOWLEDGE.

IF YOU HAD A COUPLE HOURS,
I COULD TELL YOU WHAT
I’M UP AGAINST,

BUT I DOUBT
YOU’D WANT TO HEAR IT.

DENNIS GOT YOU HOOKED,
HE COPS FOR BOTH OF YOU.

YOU’RE TRYING TO KICK,

BUT MEANWHILE, YOU’RE STUCK
WITH WHAT YOU CAN GET.

BASICALLY.

YOUR HUSBAND HAVE
ANY BIG DEBTS?

I DON’T KNOW.
I DON’T ASK.

WAS DENNIS INVOLVED IN THIS?
WE DON’T KNOW YET.

Connie: WHERE DOES
DENNIS GET HIS MONEY?

HE WORKING ANYWHERE SINCE
HE STOPPED DJing AT JIMBO’S?

SOME FREELANCE DJ WORK
AT PARTIES,

AND HE’S APPRENTICING NOW
TO BECOME A PIERCING ARTIST.

WHERE?

RED DEVIL TATTOO.

WHO’S HE
APPRENTICE UNDER?

FOSS ‐‐ FOSS MILLER.

THEY JUST PIERCE EARS
AND BELLY BUTTONS?

EVERYTHING.

YOU NAME IT.

GOOD FOR YOU.

LAST WEEK, DENNIS
PIERCED MY ‐‐

WE GOT IT.

THANKS.

WE’VE BEEN GETTING MORE
INFORMATION, MARCUS.

ANYBODY GIVE UP FURY
AS THE SHOOTER?

NO, BUT THE INFORMATION
WE’RE GETTING

IS THAT YOU WERE THERE
WHEN IT HAPPENED.

NO, I WAS CLOSE BY,
BUT I DIDN’T SEE NOTHING.

I DON’T UNDERSTAND
WHAT THE PROBLEM IS.

DON’T YOU WANT TO HELP ARREST
FURY FOR KILLING YOUR FRIEND?

HELL, YES, I DO,
AND IF I COULD ‐‐

ALL RIGHT,
QUIT DICKIN’ US AROUND.

YOU KEEP WAITING
TO FIND OUT WHAT WE KNOW

BEFORE YOU TOSS US
ANOTHER CRUMB,

AND IT STOPS NOW!

YOU STARSTRUCK ’CAUSE
YOU GOT SOME FAMOUS FRIENDS,

SO NOW YOU’RE
THEIR ERRAND BOY?

I’VE BEEN FRIENDS
WITH JINXY AND ADRIAN
A LONG TIME.

A LOT LONGER
THAN I’VE BEEN A COP.

YOU KNOW ANYTHING
ABOUT FRIENDS?

YEAH, YOU GOT ONE STANDING
IN FRONT OF YOU

WHO VOUCHED FOR YOU ALL DAY,

AND IT’S THE ONLY REASON YOU’RE
NOT ANSWERING THESE QUESTIONS

TO INTERNAL AFFAIRS
RIGHT NOW!

SO YOU SIDING WITH THEM?

YOU TURNING YOUR BACK
ON BEING A COP?

I WAS THERE. I HEAR SHOTS.

I SPIN AROUND,
AND JINXY’S GOING DOWN.

A COUPLE OF SECONDS LATER,

I SEE FURY RUNNING
WITH A GUN IN HIS HANDS,

SO I GO AFTER HIM,
BUT I LOST HIM

’CAUSE I GOT KNOCKED DOWN
BY EVERYBODY SWARMING THE DOOR.

WHY NOT TELL US
THAT EARLIER?

I FIGURED WHOEVER
CAUGHT THE CASE

WOULD FIND OUT
ON THEIR OWN

WITHOUT US
HAVING TO GET INVOLVED.

THERE WAS MORE THAN
A THOUSAND PEOPLE THERE.

I WAS NOT AN EYEWITNESS
TO THE SHOOTING.

I DON’T KNOW.

I’M TELLING YOU NOW.

DID ADRIAN SEE THE SHOOTING?

I DON’T THINK SO,

BUT ADRIAN WAS RUNNING
AFTER FURY WITH ME.
HE HAD A GUN.

HE PULLED IT OUT
AND FIRED A FEW SHOTS AT FURY.

HE’S ON PAROLE.

SO ADRIAN TELLS YOU
TO STAY OUT OF IT

’CAUSE HE FIRED A GUN
AND HE’D GO BACK IN THE JOINT,

OR TO STAY OUT OF IT SO HE
CAN RETALIATE AGAINST FURY?

HE GAVE ME HIS WORD
HE WOULDN’T.

SO ADRIAN’S
TELLING YOU WHAT TO DO?

I LET HIM DOWN, MAN.

THEY HIRED ME
TO KEEP THINGS COOL,

AND JINXY ENDS UP
GETTING KILLED IN FRONT OF ME.

I COULD BARELY LOOK ADRIAN
IN THE EYE.

ALL RIGHT.

SINCE FURY IS
LAWYERED UP NOW,

I’LL TRY AND GET THE D.A.
TO AUTHORIZE ARREST

ON THE GUN CHARGE.

THAT’S IT.
THAT’S EVERYTHING, JOHN.

HOW YOU DOIN’, LADIES?

WE’RE GOOD.
YOU FOSS?

I’M FOSS.

YOU HAVE A DENNIS CLANCY
WORKING FOR YOU?

WORKIN’ FOR ME?
OFF AND ON.

IT’S MORE, HE JUST HANGS OUT.

YOU KNOW A LORI BAILEY?

NO. SOMETHING WRONG HERE?

CRAZIEST THING HAPPENED‐‐

WE GOT A COMPLAINT
FROM SOMEONE

WHO WAS TRYING TO GET
A PIERCING THROUGH THEIR HAND.

IT GOT ALL SCREWED UP, BUT
THE COMPLAINT MENTIONED DENNIS

AS THE GUY WHO DID
THE PIERCING.

THAT IDIOT.

DID IT HAPPEN HERE?

HELL, NO.
THIS IS A LEGITIMATE SHOP.

DID YOU TEACH DENNIS
HOW TO PIERCE A HAND?

IS THAT WHAT HE’S SAYING?

DID YOU?

ALL RIGHT.

DENNIS WAS ASKING ME
HOW I WOULD DO IT.

I TELL HIM IT’S DAMN NEAR
IMPOSSIBLE AND DANGEROUS.

HE KEEPS ON ME ‐‐
"WHAT IF YOU HAD TO?"

SO I TOLD HIM, "IF SOMEONE
HAD A GUN TO MY HEAD,

"I’D DO IT BETWEEN THE MIDDLE
AND FOREFINGER,

JUST ABOVE THE KNUCKLES."

WE WERE TALKING ABOUT IT
TO JUST KILL TIME.

I THOUGHT WE WERE
KILLING TIME.

HE MENTION HE WAS
PLANNING ON DOING IT?

NO, NOT TO ME.
YOU HAD NOTHING TO DO
WITH THIS, FOSS?

’CAUSE THE OTHER SHOE’S
DROPPING, HERE.

NOW WOULD BE THE TIME
TO TELL US.

NO. AND DENNIS
IS AN IDIOT FOR TRYING.

IF YOU SEE HIM BEFORE ME,

TELL HIM NOT TO
COME AROUND HERE AGAIN.

SO, WHAT DO YOU SAY?
WHILE WE’RE HERE...

NOT IN THIS LIFETIME.

WE HAVE AN EYEWITNESS
WHO PUTS A GUN ON FURY

RIGHT AFTER HE
HEARD SHOTS FIRED.

BUT NO EYEWITNESS WHO SEES
FURY SHOOT THE DOA?

NO.

AND FURY’S LAWYERED UP.

WE NEED YOU TO AUTHORIZE THE
ARREST ON A WEAPONS CHARGE.

WE’LL TAKE IT FROM THERE.

I HAVE TO RUN IT
BY MY BUREAU CHIEF.

THEN RUN IT.

WHO’S THE WITNESS?
A COP...

GREAT.
WHO’S WORKING SECURITY
OFF THE BOOKS

AND WHO WE’D LIKE
TO LEAVE OUT OF IT.

I’LL JUST TELL MY BOSS
YOU HAVE A RELIABLE WITNESS.

SOONER THAN LATER.

I KNOW.

HEY.

HOW YOU DOIN’?

BETTER. A LOT BETTER.

IT’S LIKE
THE FOG’S CLEARED.

YOU’VE BEEN THROUGH
A LOT, NO DOUBT.

I FINALLY FEEL LIKE MY HEAD’S
ON STRAIGHT WITH WORK.

I KNOW HOW IMPORTANT
THAT IS TO YOU.

AFTER WHAT
I’VE BEEN THROUGH,

I REALIZE THAT IT’S NOT AS
IMPORTANT AS OTHER THINGS.

I NEED TO GET ON THIS,
THOUGH.

SURE.

ARE WE ALL RIGHT?

YEAH, WE’RE ALL RIGHT.

AFTER I GET CAUGHT UP,
WE’LL GET TOGETHER?

YEAH, YOU GOT IT.

HEY, JOHN.

COUNSELOR.

WHAT THE HELL
ARE YOU DOING BACK?

UH, THE TRIP
GOT CUT SHORT.

HOW’S EVERYTHING
GOING, DAVE?

DANDY.

WHAT HAPPENED?

I’M STILL NOT READY
TO TALK ABOUT IT.

BROUGHT SOME GIFTS BACK
FOR EVERYONE, THOUGH.

SOMETHING GO WRONG
ON THE SAFARI?

WE NEVER GOT OFF
THE PLANE IN AFRICA.

WHAT HAPPENED?

WE WERE FLYING TO PARIS

TO CATCH OUR CONNECTING
FLIGHT TO AFRICA

WHEN AN ELDERLY MAN
SUFFERED A HEART ATTACK,

SO WE HAD TO MAKE WHAT THEY CALL
A MEDICAL DIVERSION LANDING

IN ICELAND,

WHICH IS WHAT THEY CALL

A NON‐PLANNED
INTERNATIONAL DESTINATION.

SO WE HAD TO WAIT THERE TO BE
REFUELED AND RE‐PREPPED.

HOW LONG DID THAT TAKE?

TWO DAYS.

STUCK IN THE AIRPORT?

MILITARY BASE ‐‐

WAS A MILITARY BASE ‐‐
CURRENTLY ABANDONED.

AND THEN WE
FINALLY GOT TO PARIS,

AND AFTER WAITING AT DE GAULLE
FOR EIGHT HOURS,

WE FINALLY MADE IT TO KENYA,

BUT WE LANDED IN THE MIDDLE OF
AN ATTEMPTED COUPS, APPARENTLY.

SO 16 HOURS ON THE TARMAC THERE,
THEN BACK TO PARIS,

AND FINALLY RAY AND I
MADE IT BACK HOME,

STILL TALKING TO EACH OTHER
AND VERY MUCH GLAD TO BE ALIVE.

BUT "BOO HOO HOO," RIGHT?
FORGET ALL THAT.

I CAME BY TO BRING YOU
WHAT I BROUGHT BACK,

BUT PLEASE FORGIVE
HOW TACKY THEY ARE,

AS I ONLY HAD ACCESS
TO AIRPORT GIFT SHOPS.

Tony: JOHN...

YOU GOT A SECOND?

John: GOOD TO SEE YOU,
LIEUTENANT.

WELCOME BACK.

THANK YOU.

I‐I HOPE YOU GOLF.

LISTEN, I KNOW YOU STILL GOT
A COUPLE OF WEEKS LEFT

IN YOUR VACATION,

BUT, UH, IF YOU
WANT TO COME BACK EARLY...

IS, UH, DAVE
NOT WORKING OUT?

WHEN CAN YOU START AGAIN?

TOMORROW.

I OWE YOU.

IT’S GOOD TO BE BACK.

HEALING UP ALL RIGHT THERE,
MR. CLANCY?

I’M STILL IN A LOT
OF PAIN.

I CAN IMAGINE.

WE TALKED TO THE MEDICAL
EXAMINER.

THEY’VE ESTABLISHED THAT LORI
WAS SHOT FIRST

THEN HAMMERED
TO THE COFFEE TABLE,

WHICH DIFFERS A LITTLE
FROM WHAT YOU TOLD US.

OH, REALLY?

THAT’S INTERESTING,
’CAUSE I WAS THERE,

AND SHE WAS NAILED FIRST
AND THEN SHOT.

I’M CURIOUS...
DOWN AT RED DEVIL TATTOO,

WHEN YOU WERE SHOOTING IT
WITH FOSS ON HOW HE’D
PIERCE THE PALM OF A HAND,

DID YOU ASK HOW MUCH
IT WOULD HURT?

IS IT MORE PAINFUL THAN
YOU THOUGHT IT WOULD BE?

WHAT THE HELL ARE YOU
TALKING ABOUT?

DENNIS, SINCE A GUY CAN’T NAIL
BOTH HIS HANDS TO A BENCH

AND MAKE A SAFE DISAPPEAR,

THAT TELLS US SOMEONE ELSE
WAS IN ON IT WITH YOU.

YOU GIVE US THAT SOMEONE,

OR YOU GET CHARGED WITH THE
WHOLE DEAL ‐‐ MURDER, ROBBERY.

I DIDN’T DO ANY OF THAT.

ALL RIGHT.

THEN GET IN.

WHY?

GET IN!

TWO RUSSIAN GUYS CAME ‐‐

THIS IS REALITY NOW, OKAY?

YOU’RE GOING UP FOR THE MURDER
AND ROBBERY OF YOUR GIRLFRIEND

UNLESS YOU GIVE US
WHO WAS IN ON IT.

NO. NO.

GET UP.

NO.

YOU’RE GOING IN.

ALL RIGHT!
IT WAS HANK GRENDA.

HOW DO YOU KNOW HIM?

WE OWE THE SAME DEALER.

HANK NAILED YOU
TO THE BENCH?

YEAH.

AND I THOUGHT FOR SURE
SEEING ME GETTING NAILED

WOULD MAKE HER GIVE IT UP,
BUT SHE DIDN’T.

SHOWS ME HOW MUCH
I MEANT TO HER.

BUT LORI DIDN’T TELL YOU GUYS
THE COMBINATION TO THE SAFE,

SO YOU TELL HANK
TO SHOOT HER?

NO, HANK WAS GETTING PISSED
’CAUSE SHE WOULDN’T GIVE IT UP.

SO, LIKE A MORON, HE SAYS,
"DENNIS, TALK TO HER."

AND HIM KNOWING MY NAME,
SHE FIGURES I SET IT UP,

SO SHE STARTS REALLY
SCREAMING,

AND HE GETS PISSED RIGHT BACK,
AND HE SHOT HER.

SO HE PULLS THE SAFE OUT,
HAMMERS HER TO THE COFFEE TABLE,

AND THROWS A SHOT INTO THE WALL
TO FIT THE NEW STORY?

YEAH.

WHERE ARE WE GONNA
FIND HANK GRENDA?

I DIDN’T SHOOT HER.
I DIDN’T TOUCH HER.

THE PLAN, THE WAY IT WAS
SUPPOSED TO GO DOWN,

IS I WAS GONNA TAKE
ALL THE PAIN, NOT LORI.

NOTHING WAS GONNA
HAPPEN TO HER.

LOOK, I LOVED HER.

YEAH?

WHERE’S HANK?

[ MACHINE WHIRRING ]

AM I MAKING TOO MUCH NOISE?

PUT THAT DOWN, HANK.
I WANT TO EXPLAIN.

PUT THAT DOWN FIRST.

GET YOUR HANDS
ON THE BENCH.

IT’S MY SAFE.
I FORGOT THE COMBO.

YEAH. YOU GOT IT, HANK.

WHAT I DID FOR MARCUS ‐‐
I’D DO IT AGAIN.

YEAH.

I MEAN, I HEARD YOU,
THOUGH,

ABOUT GOING OUT ON A LIMB.

JUST THAT I’VE GONE TO BAT
FOR GUYS BEFORE,

AND I ENDED UP
GETTING BURNED.

IF YOU STICK YOURSELF
OUT THERE TOO FAR

AND IT PLAYS OUT WRONG,

YOU END UP GETTING SCREWED
RIGHT ALONG WITH THEM.

SO, WHAT WOULD YOU
HAVE DONE IN THIS SITUATION?

SAME THING YOU DID.

NOBODY’S LOOKING OUT
FOR COPS BUT COPS.

YEP.

THIS IS HIM.

[ ENGINE TURNS OVER ]

LET’S TAKE THEM
WHEN THEY GET IN THE CAR.

Man: COPY THAT.

WHO’S THIS?

HOLY ‐‐

[ TIRES SQUEAL ]

DROP THE GUN!
DROP IT!

DROP THE GUN!

Andy: GET YOUR HANDS UP!

GET YOUR HANDS UP!
LET ME SEE ’EM!

DID I GET HIM!
DID I GET THAT BITCH?

SHUT UP! YOU OKAY
OVER THERE, JUNIOR?

YEAH, I GOT IT.

YOU MAKE SURE HE
KNOWS IT WAS ME.

SHUT YOUR MOUTH!
YOU ALL RIGHT IN THE CAB?

YEAH, I’M FINE.

LET’S GO.

LET’S GO, ADRIAN.

HOLD ON, DEREK.
HELP’S COMING.

15th SQUAD ‐‐ WE GOT A 1013
AT SIXTH AND BOWERY,

PEOPLE SHOT IN THE STREET.

AND A 53 ‐‐ PERPS INVOLVED.
PUT A RUSH ON THE AMBULANCE.

MY MOM...

ALL RIGHT.

VERNA GLASS IN FORT LEE.

OKAY.

BUS IS ON THE WAY.

OH, MAN.

IT’S OKAY, DEREK.
IT’S OKAY.

HANK...

UH ‐‐ HANK.
POKEY?

YEAH, THANKS.

HEY.

HI, RITA.
I WAS IN THE NEIGHBORHOOD.

CONNIE McDOWELL,
THIS IS LESLEY WALDEN.

LESLEY’S HANDLING
MY DIVORCE.

NICE TO MEET YOU.

YOU GOT A MINUTE?

SURE.

I’LL UPDATE THE BOSS.

OKAY.

WHERE’S THE LIEUTENANT?

DOWN IN THE CAPTAIN’S
OFFICE.

APPARENTLY, THERE WAS
A DRIVE‐BY SHOOTING

INVOLVING A SUSPECT
IN THE OTHER CASE.

WHO?

I DON’T KNOW.

I’M ONLY HERE TO GIVE
AND TAKE MESSAGES.

THE LIEUTENANT DID SAY
HE’D BE BACK MOMENTARILY.

WHAT THE HELL’S
WRONG WITH YOU?

TODAY’S MY LAST DAY,
SO I’M SPENDING IT

THE WAY ALL GOVERNMENT
EMPLOYEES APPARENTLY SHOULD ‐‐

LIKE A ROBOT.

OH.

OKAY.

WHEN YOU DEAL WITH A DIVORCE,
EMOTIONS RUN HIGH.

PEOPLE CAN GET STUBBORN.

DON AGREE TO GET THIS
OVER WITH QUICK?

NO. HE IS CONTESTING THE
CONSTRUCTIVE ABANDONMENT.

WHY?

I DON’T KNOW.

I SPOKE WITH DON’S
ATTORNEY.

HE’S REJECTED ALL OF OUR OFFERS
OF DIVISION OF PROPERTY.

SO, THEN, WHAT NOW?

THEY’RE REQUESTING
A JURY TRIAL.

I DON’T BELIEVE THIS.

THAT’S PROBABLY A BLUFF
FROM DON

TO TRY TO GET
A BETTER SETTLEMENT.
BETTER...

I’M GIVING HIM EVERYTHING
HE’S ENTITLED TO, IF NOT MORE.

I’M NOT GOING AFTER HIS MONEY
OR THE APARTMENT.

I JUST ‐‐ I WANT WHAT
I CAME INTO THE MARRIAGE WITH.

I KNOW, AND I EXPRESSED
VERY CLEARLY TO DON’S ATTORNEY

THAT DON IS BEING
UNREASONABLE.

HOW LONG’S IT TAKE BEFORE
IT GOES TO A JURY TRIAL?

DEPENDS.
BALLPARK?

WORST CASE ‐‐ TWO YEARS.

SO HE’S MESSING WITH ME.

HE’S TRYING.

SO, THEN, WHAT’S
THE NEXT STEP,

AS FAR AS YOU AND I
ARE CONCERNED?

NEXT STEP IS WE EXCHANGE
FINANCIAL DISCLOSURES WITH THEM.

I MEAN, HOW MUCH IS THIS
GONNA COST ME?

WHEN YOU CAME TO ME, WE BOTH
THOUGHT THIS WOULD GO QUICK

AND THEREFORE CHEAP.

OBVIOUSLY, NOW THIS COULD
GO ON FOR A LONG TIME,

ESPECIALLY IF DON
DOESN’T CALM DOWN.

HOW MUCH?

NORMALLY, I REQUIRE
A $10,000 RETAINER.

[ SIGHS ]

I CAN GET YOU FOUR NOW.

OKAY.

THIS IS HOW DON IS TRYING
TO GET BACK AT ME.

HE KNOWS I CAN’T
AFFORD THIS.

YOU’VE MOVED OUT?
YOU GOT MOST OF YOUR STUFF?

YEAH.

START PUTTING THIS
BEHIND YOU.

START GETTING ON
WITH YOUR LIFE.

LET ME DO MY JOB,

AND WHEN IT HAPPENS,
IT HAPPENS.

I’LL CALL YOU.

THANKS.

[ DOOR CLOSES ]
[ SIGHS ]

Tony: OKAY, NOW,
HOW’D YOU GET THE GUY
THAT’S IN THE POKEY?

DENNIS CLANCY, THE BOYFRIEND,
GAVE UP HIS ACCOMPLICE,
HANK GRENDA.

WE BUSTED IN ON GRENDA
AT THIS GARAGE,

AND HE WAS IN PROCESS OF TRYING
TO DRILL INTO THE SAFE.

HE’S A COMPLETE MOPE ‐‐
GAVE IT RIGHT UP.

AND GRENDA’S STORY MATCHED
THE ONE THE STRIPPER’S
BOYFRIEND GAVE YOU?

YEAH. EXACTLY.

SO NO RUSSIANS?

NO RUSSIANS.

GOOD WORK.

EVERYTHING WRAP UP
DOWN THERE?

YEAH. CRIME SCENE’S
TAKING PHOTOS.

I’M MAPPING IT OUT.

MEDAVOY AND JONES
ARE ON THEIR WAY BACK.

YOU GUYS ALL RIGHT?

YEAH.

SHIPPING OUT,
LIEUTENANT.

OKAY.

AND I’LL BE TAKING
SOME TIME OFF

TO FINISH THIS SCRIPT I STARTED
ABOUT A SERIAL KILLER,

CENTERED AROUND
A DETECTIVE SQUAD.

THE PEOPLE I’VE LET
READ THE FIRST 20 PAGES

ARE BASICALLY FREAKING OUT.

LET ME GUESS ‐‐

THE LIEUTENANT’S GONNA
BE AN ASSHOLE, RIGHT?

YEAH.

I’M GONNA MAKE IT.
YOU’LL SEE.

CHEER UP, DAVE.

FAREWELL.
PEACE AND FREEDOM.

ARE YOU DONE?

Dave: YEP.

APPARENTLY, MY SERVICES
ARE NO LONGER NEEDED.

MAYBE THEY WILL
SOMEWHERE ELSE, RIGHT?

ONE CAN ONLY HOPE, RIGHT?

TAKE CARE OF YOURSELF.

YEAH. THANKS.

Connie: BYE, DAVE.

I HEARD.

YOU WANT TO CATCH SOMETHING
TO EAT TONIGHT?

THEO’S GOT A PLAY DATE
UNTIL 8:00.

SURE.

CASE IS CLOSED.
FURY’S DEAD.

ADRIAN’S IN CUSTODY
FOR HIS MURDER.

YOU DON’T NEED TO WORRY
ABOUT THIS GOING TO TRIAL

AND YOU BEING
PULLED AS A WITNESS.

I TOLD ADRIAN
NOT TO DO ANYTHING.

I GUESS HE DIDN’T LISTEN.

THIS IS THE WORST DAY
OF MY LIFE.

I TRIED TO DO A FAVOR FOR
SOMEONE FROM THE NEIGHBORHOOD ‐‐

I THINK YOU’RE
IN THE CLEAR

AS FAR AS
INTERNAL AFFAIRS GOES.

WHAT ABOUT YOUR BOSS?

HE’S STAND‐UP.
I DON’T SEE HIM DOING ANYTHING.

WHAT ABOUT YOU?

[ SIGHS ]
WHAT ABOUT ME, MARCUS?

ARE YOU ASKING IF I’M GONNA
TURN YOU OVER TO IAB?

I’M ASKING IF I LOST
YOUR RESPECT,

IF I LOST YOU AS A FRIEND.

I LIKE TO THINK I WOULD
HAVE DONE THINGS DIFFERENT.

THERE WAS SO MUCH
GOING ON.

I KNOW WHAT HAPPENED.

LOOK, I WAS GONNA RESIGN,
BUT I CAN’T LEAVE LIKE THIS.

SO I’M GONNA STAY
ON THE JOB,

MAKE UP FOR IT.

OKAY.

I GOTTA GET BACK IN.

HEY...

I’M SORRY.

ALL RIGHT.

WE WERE WATCHING
THIS ANIMAL SHOW,

AND I POINT TO THE SCREEN,
AND I SAY, "THAT’S AN OSTRICH,"

AND THEO SAYS,
"THAT’S AN EMU."

YOU BELIEVE THAT?

WAS IT AN EMU?

NO. BUT THE FACT THAT HE
EVEN KNEW WHAT AN EMU IS.

HE’S A SMART KID.

THEO WAS ASKING WHEN YOU
WERE GONNA BE COMING BY NEXT.

WHAT DO YOU
WANT ME TO DO?

I CAN ONLY MAKE DECISIONS
BASED ON WHAT YOU TELL ME.

AND LAST TIME WE
TALKED ABOUT US,

IT SOUNDED LIKE IT
WASN’T WORKING FOR YOU.

I KNOW.
I KNOW WHAT I SAID.

I DON’T UNDERSTAND
WHY YOU WANT TO TURN AWAY

FROM SOMETHING
THAT FEELS GOOD.

I GOT MY SON.

HE’S MY BLESSING,
MY SECOND CHANCE.

I GOT MY JOB.

ANYTHING MORE ‐‐ EVERY TIME
I TRY TO REACH OUT

FOR SOMETHING BEYOND THAT,
IT GETS TAKEN FROM ME.

THAT’S WHERE I FEEL
I WAS GOING SPENDING
TIME WITH YOU.

YOU CAN’T LIVE YOUR LIFE
DEFENSIVELY LIKE THAT.

SURE YOU CAN.

YOU DON’T HAVE TO,
IS WHAT I’M SAYING.

OKAY, SO, WHAT DO YOU
WANT TO DO?

I WANT YOU IN OUR LIFE.

THEN LET’S JUST LEAVE IT
AT THAT. OKAY?

LET’S JUST AGREE TO BE
IN EACH OTHER’S LIVES

AND NOT LABEL IT
PAST THAT.

OKAY.

WE’LL KEEP IT SIMPLE,

’CAUSE WHATEVER THIS
IS OR ISN’T, IT WORKS.

DON’T YOU THINK?

YEAH.

ALL RIGHT, THEN.

♪ ♪

( classical music playing )