NYPD Blue (1993–2005): Season 6, Episode 11 - Big Bang Theory - full transcript

A gigolo is suspected of killing one of the tenants who lives in his apartment building. Sorenson's friend kidnaps a man who groped female passengers aboard a bus.

ARE YOU GONNA SWITCH
THE CARBURETOR BACK
AFTER YOU PASS EMISSIONS?

WASN’T PLANNING ON IT.

I’D PLAN ON IT
IF I WAS YOU.

YOU’VE GOT A SERIOUS
DEFICIENCY IN HORSEPOWER.

HOW DO YOU KNOW?

A CAR SHOULD RUN
AT LEAST AS POWERFUL
AS THE AUTOMAKERS INTENDED.

MINIMUM.

JOEY, IF I CHECK
THE ODOMETER,

IS IT GONNA READ
85,362?

COULD BE 8 INSTEAD OF 2,
THE LAST NUMBER.

SO ME ASKIN’ YOU
DON’T DRIVE IT



TILL WE’RE TOTALLY
ROAD‐WORTHY WAS WHAT‐‐

JUST BREEZE
IN YOUR FACE?

I DRIVE A BUS, OK?

I NEEDED
TO FEEL SOMETHING
WITH A LITTLE PUNCH.

I’LL GIVE YOU
A LITTLE PUNCH.

I KNOW ABOUT YOU COPS
AND YOUR STREET JUSTICE.

YOU’RE STILL DRIVING HER
UP TO CAMP SMITH
THIS WEEKEND, RIGHT?

MAYBE.

WHAT THEY GOT YOU DOIN’?

I GOTTA RUN AN M‐16 RANGE

FOR MPs TRYING TO QUALIFY.

YOU?

OIL CHANGES
ON 40 HUMVEES.

COME ON, JOEY,
YOU GOTTA WORK.



WHAT’S THE BIG DEAL?
ONE GOOD PISS,
AND I’M FINE.

YOU KNOW, YOU’RE NOT
GONNA BE SUCH A SMART‐ASS

IF YOUR DISPATCHER
MAKES YOU DRUNK
AND YOU LOSE YOUR JOB.

I BEEN GETTIN’ THIS GUY
EVERY DAY FOR A WHILE.

HE GETS ON AT AMSTERDAM
AND 95th.

HE STANDS IN THE MIDDLE
OF THE AISLE.

TWICE NOW, SOME LADY
HAS SLAPPED HIM.

THIS LAST TIME, I ASK
IF ANYTHING IS WRONG.

SHE SAYS THIS GUY
JUST GROPED HER.

HE GOES,
"THE BUS LURCHED."

AND HE BUMPED INTO HER.

WELL, I KNOW A GUY
IN TRANSIT DIVISION.

YOU WANT ME
TO TALK TO HIM?

IF ANYBODY’S GONNA
HANDLE THAT PERV,
IT’S ME.

OK, DANNY?

OK, MR.
LAW ENFORCEMENT?!

JOEY, YOU GO GET YOURSELF
A COUPLE OF SLICES
AND A CUP OF COFFEE

BEFORE YOU GO TO WORK.

I’M SERIOUS, JOEY.

THERE’S GONNA BE NO FIXIN’
THIS CAR TOMORROW MORNING.

THERE’S GONNA BE NO
DRIVIN’ IT UP THERE.

THERE’S GONNA BE NO FUN,
PERIOD.

[TO "WIZARD OF OZ"]
♪ I’M OFF TO LENNY’S PIZZA ♪

♪ TO GET MY 2 SLICES ♪

♪ AND THE COFFEE
WE BOTH KNOW HE MAKES
THE NIGHT BEFORE ♪

♪ AND WON’T THROW OUT,
THE CHEAP BASTARD! ♪

SAME TIME
TOMORROW MORNING?

YEAH. 5 A. M.

I’LL BRING YOU
MY PIZZA CRUSTS
FOR PROOF.

UNCHAIN THESE GIRLS
BEFORE YOU GO. PLEASE.

[ELEVATOR BELL DINGS]

WE’RE OFF THE ELEVATOR.

THAT’S WHAT THAT DING
WAS ABOUT.

Woman:
I HAVE NOTHING
TO CONTRIBUTE.

Russell: IF WE COULD
JUST GET YOUR NAME?

DORIS STEINMAN.

I’M, UH,
37 YEARS OF AGE.

D.O.A.’s FEMALE.
ESTHER EARLE.

LIVED IN 4A.

THAT LADY FOUND HER.

I TAKE THE ELEVATOR
TO THE FIRST FLOOR
EVERY MORNING,

AND THEN I RUN
UP THE STAIRS
TO MY FLOOR.

Martinez: YOU LIVE
IN APARTMENT 12A?

MORNING.
YEAH, MORNING.

HEY, GREG.

I’M ON FLOOR 12.
CORRECT.

THE, UH, STAIRS IS
THE AEROBIC COMPONENT
OF MY EXERCISE REGIME.

[SIGHS]

CHOKED AND BEATEN.

AND SHE WAS WRAPPED UP
AND DUMPED HERE.

I GUESS WE OUGHT
TO CHECK HER APARTMENT.

BEHIND YA.

THAT AND A STRONG CUP
OF COFFEE EVERY MORNING,

YOU’D HIT THE FLOOR RUNNIN’.

WHAT ARE YOU DOIN’?

CATCHIN’ MY BREATH.

CAN I TALK TO YOU
ABOUT SOMETHIN’?

I’M NOT SO SURE
I AIN’T GOT HALF
A SITUATION BREWIN’ UP

WITH A FRIEND OF MINE
FROM THE SERVICE.

WHAT TYPE SITUATION?

I’M WORRIED FOR HIM,
YOU KNOW?

FOR HIS EMOTIONAL
WELL‐BEING.

WHAT’S HE DOING?

HE’S GOT ANGER AND
DIFFICULTY ADJUSTING‐‐

IT’S HARD FOR HIM
TO DEAL WITH.

AND BEIN’
THE GOOD GUY HE IS,
HE LAUGHS IT OFF,

HE TRIES MAKIN’ A JOKE
ABOUT EVERYTHING,

BUT I CAN TELL
IT’S SNEAKIN’ IN ON HIM.

YOU EVER SEEN HIM
LOSE HIS TEMPER?

UPSET, WHEN WE SAW
SOME SAD THINGS
IN THE SERVICE,

BUT I’VE NEVER
SEEN HIM BLOW.

WE GOT RESERVE DUTY
THIS WEEKEND.

I’M GONNA HAVE
A GOOD TALK WITH JOEY.

THAT’S GOOD ADVICE,
ANDY.

ANY REASON TO LIKE THE WOMAN
WHO FOUND THE D. O. A.?

NAH. SHE FOUND HER ’CAUSE
SHE RUNS THE STAIRS
INSIDE THE BUILDING

6:15 EVERY MORNING.

WHAT’D THE NEIGHBORS SAY?

THEY DIDN’T SEE THE D.O.A.
AROUND MUCH.

FROM NOW ON, THEY AIN’T
GONNA BE SEEIN’ HER
AROUND AT ALL.

AS FAR AS THAT GOES,
SHE WAS ON RESTRICTED
INCOME.

HER HUSBAND WAS KILLED
A COUPLE OF YEARS AGO
BY A GYPSY CAB DRIVER.

YEAH, HE LET
HIS LIFE INSURANCE
LAPSE.

SO WE’LL DO FOLLOW‐UP CALLS
ON THE NOT‐AT‐HOMES?

I DON’T KNOW. THERE’S
A LOT OF OTHER LIVE LEADS
TO PURSUE.

CRIME SCENE’S PROCESSING
THE D. O. A.’s APARTMENT.

WE’LL GO CHECK HOW
THEY’RE DOIN’ WITH THAT?

WHY’D THEY CLOSE
THE DOOR?

YOU WANNA GET A SUBPOENA
FROM THE D. A.’s OFFICE
FOR THE D. O. A.’s PHONE?

YEAH.

[CLEARING THROAT]

Sipowicz:
THERE’S THAT FRIGHT WIG
FROM THE CRIME SCENE.

HAS SOMETHING FOR
THE YOUNG DETECTIVE.

OH, THE YOUNG
DETECTIVE.

THE HANDSOME
YOUNG DETECTIVE
WITH THE SHORT HAIR.

[SOBS]

I’M DETECTIVE SORENSON.

DORIS STEINMAN.

MY COLLEAGUES SAID YOU’VE
GOT INFORMATION FOR ME.

COULD WE TALK
SOMEWHERE...
SEQUESTERED?

SURE.

THANK YOU FOR TALKING
TO ME PRIVATELY.

THANK YOU.

YOU HAVE LOVELY MANNERS.

THANK YOU.

CERTAIN MATTERS
I’M MORE COMFORTABLE

ADDRESSING WITH A YOUNG MAN
LIKE YOURSELF,

STILL CONNECTED TO HIS
BODILY NEEDS AND DESIRES,

WHICH PERHAPS AN OLDER MAN
LIKE YOUR PARTNER ISN’T.

ALL RIGHT, MRS. STEINMAN,

WHY DON’T YOU TELL ME
WHAT YOU NEED TO?

[STIFLED SOB]

THERE’S A TENANT IN 3B

WHO’S BEEN ATTENDING
TO THE NEEDS AND DESIRES

OF SOME OF THE WOMEN
IN THE BUILDING.

WHEN HE SATISFIES THESE
WOMEN’S NEEDS AND DESIRES,

DOES HE CHARGE THEM MONEY?

YES.

BUT THAT
DOESN’T KEEP HIM

FROM SEEING YOU
AS A PERSON.

WHAT’S
THIS TENANT’S NAME?

RAUL.

RAUL...

RAUL MONTEZ OF 3B.

DO YOU THINK RAUL MAY HAVE
BEEN INVOLVED IN THE DEATH
OF MRS. EARLE?

WAS HE SERVICING HER,
DO YOU KNOW?

WELL, WHAT RAUL TOLD ME
RECENTLY...

HE‐‐HE TOLD ME HE WAS
ONLY SERVICING ME,

BUT AFTER
A CONVERSATION I HAD

WITH CLAUDIA FILMET,
IN 4F,

I HAVE REASON
TO DOUBT HIS VERACITY.

SO, IF YOU WERE TO ASK ME
TO GUESS THIS MORNING,

I’D BET HE WAS STICKING IT
TO EVERY WOMAN
IN THE BUILDING.

AND HE VERY WELL
MAY BE YOUR KILLER.

SO YOU GONNA ARREST HIM?

UM, IT’S A GOOD LEAD,
MRS. STEINMAN,

BUT IT’S A LITTLE
PRELIMINARY FOR THAT.

WELL, IF YOU DO
ARREST HIM,

YOU MAKE SURE

THAT YOU GIVE HIM
A GOOD BEATING
BEFORE YOU BRING HIM IN.

YOU WANNA HEAR
SOMETHING FRIGHTENING?

WHEN I WAS DRINKIN’,

MANY EVENINGS I’D HAVE
THROWN A HUMP INTO HER.

SHE SAYS A GIGOLO WAS
LIVING IN THE BUILDING.

MIGHT’VE BEEN BANGING
THE D. O. A.

SAYS HE WAS BANGING
THE BUILDING’S WHOLE
FEMALE POPULATION.

IT’S A BIG BUILDING.

3B. RAUL MONTEZ.

[RING]

15th SQUAD.

SO YOU’RE AN ASSHOLE.

WHAT ARE YOU
TELLIN’ ME FOR?

OH, YOU’RE A GROPIST,
TOO?

WHAT IS THAT,
A FARMERS’ GROUP?

YOU GOT SOMETHIN’ ELSE
FOR ME?

PERV?

SECOND THOUGHTS.
CONFESSIN’ HIS SINS.

NO ANSWER IN 3B
WHEN THEY CANVASSED.

MAYBE, UH, RUN THIS GIGOLO
THROUGH B. C. I.?

YEAH, YEAH,
LET ME FIND OUT
RAUL’S STORY.

[RING]

15th SQUAD.

OH, YEAH?

YOU’RE HIS AIDE AND
SPIRITUAL ADVISOR?

HEY, THESE CALLS
ARE RECORDED,

AND THEY CAN BE
TRACED, ALL RIGHT?

YOU FOLLOW ME?

NO, I DON’T EVEN WANT TO
THINK WHAT STUPID‐ASS
STUNT YOU PULLED

PUT YOU ISSUIN’
THAT SICK TWITCH ORDERS,

BUT YOU BETTER GET
THE HELL OFF THE PHONE
AND BEAT FEET,

PUT SOME DISTANCE
BETWEEN YOU AND HIM
IMMEDIATELY.

’CAUSE THE BOTH OF YOU
ARE BOTH ASSHOLES,
ALL RIGHT, PAL?

AND YOU’RE A BIGGER ONE,
’CAUSE YOU OUGHT TO KNOW
BETTER,

AND YOU’RE THE ONE
WHO’S GONNA GET JAMMED.

[EXASPERATED SIGH]

JERK’S PLAYIN’
PHONE GAMES.

WELL, YOU GAVE HIM
A THOROUGH TALKIN’‐TO.

YEAH, IT MAKES US
WASTE OUR TIME.

YOU WANNA CONTACT B. C. I.?

YEAH.

YEAH, I WOULD.

YOU KNOW WHAT, ANDY?

WOULD YOU MIND DOIN’ IT?

NO.

YEAH, ’CAUSE I WANNA...

I’M GONNA TAKE SOME
LOST TIME, YOU KNOW?

I WAS GONNA SAY I WANNA
WALK AROUND THE BLOCK
AND CLEAR MY HEAD,

BUT LET ME JUST GO AHEAD
AND TAKE A COUPLE HOURS
OF LOST TIME.

YEAH, LET ME
GO TELL THE BOSS THAT.

HOW SPECIFIC
DOES HE WANT YOU
ON YOUR REASONS?

WE’RE WORKIN’ A MURDER.
HE PROBABLY DON’T WANT YOU
LEAVIN’ OFF A HEAD COLD.

ANDY, BELIEVE ME‐‐

MAYBE EXPLAIN TO HIM YOUR
ANTI‐CRANK CALL COUNSELING

NEEDS PERSONAL FOLLOW‐UP.

SAY YOU GOT
AN URGENT SITUATION.

HE DON’T MAKE YOU GIVE
CHAPTER AND VERSE.

YEAH? GOOD.

YEAH?

BOSS, I GOT A SITUATION
I NEED LOST TIME FOR.

AN URGENT SITUATION.

ANYTHING I CAN DO?

IT SHOULD JUST BE
A COUPLE HOURS.

ANDY’S GOT YOUR WORK?

YEAH.

THIS WON’T BE A HABIT.

JUST AN URGENT THING
CAME UP SUDDENLY THAT
I GOT SOME CONCERN ABOUT.

Sipowicz:
HOLD ON A SECOND.

DON’T GET OVER YOUR HEAD.

NO.

YOU HEAR ME?

YEAH, I UNDERSTAND.

NYPD!

WHAT HAPPENED, JOEY?
WHERE’S THE GUY?

THE GROPIST TRIBUNAL
SENTENCED PASSENGER X

TO DO AN EMISSIONS TEST
ON OUR CAR,

AND HE PASSED US
WITH FLYING COLORS.

YOU GRABBED HIM OFF YOUR BUS,
AND YOU BROUGHT HIM HERE?

HE HAD EXITED MY BUS

FOLLOWING ANOTHER
EPISODE OF GRAB‐ASS.

THEN I BROUGHT HIM HERE
TO DO THE EMISSIONS TEST.

WHAT HAPPENS TO YOUR BUS?

PASSENGER X
AND I TAKE A CAB.

WHAT HAPPENS TO YOUR BUS,
JOEY, WHILE YOU’RE
BRINGIN’ HIM OVER HERE?

MY BUS IS AT THE CURB,
PARKED SAFELY.

WITH THE PASSENGERS INSIDE
WONDERIN’ WHAT THE HELL
IS GOIN’ ON?

THERE’S ALWAYS
ANOTHER BUS.

WHAT’S IN
YOUR POCKET, JOEY?

THAT...

WOULD BE A WEAPON.

FORMERLY
IN PASSENGER X’s
POSSESSION.

GIVE IT TO ME.
NO.

JOEY, CAN WE ELIMINATE
ONE OF THE JACKPOTS
YOU GOT WORKIN’?

IF THIS IDIOT YOU LET GO
BRINGS THE COPS
THROUGH THE DOOR,

I DON’T WANT YOU
HOLDIN’ A GUN.

HE’S NOT BRINGIN’
THE COPS BACK.

WHAT, THE GUN’S ILLEGAL?
HE DON’T WANT THE COPS
INVOLVED?

DANNY...

WHAT?

STEP TO THE REAR
OF THE VEHICLE, PLEASE.

OPEN THE TRUNK, OFFICER.

HERE...IS PASSENGER X.

WHERE HE’S OVERCOME HIMSELF
WITH REMORSE

AND TRUSSED HIMSELF LIKE
AN UGLY GROPIST PIG.

WHAT IS THE MATTER
WITH YOU?

GIMME THE DAMN GUN,
JOEY!

NO! ’CAUSE I GOTTA USE IT
AS A STARTER’S PISTOL,

’CAUSE I’M ABOUT READY
TO BLOW MY HEAD OFF

AND I NEED THE GUN
TO MAKE THE PLAN WORK.

ALL RIGHT. STOP.

STOP.

DON’T DO NOTHIN’.

AND I’M NOT
GONNA DO NOTHIN’.
ALL RIGHT, JOEY?

ALL RIGHT?

ALL RIGHT.

RELAX.

I’M NOT GONNA
DO NOTHIN’ YET.

NOW YOU, PASSENGER X,
TALK AMONGST YOURSELF.

[CLEARING THROAT]

YOU KNOW
WHERE THIS KID IS?

YOU SAID
HE TOOK LOST TIME.

YEAH.

PFFFT!

[SIGHS]

WHERE DO YOU THINK HE IS?

INVOLVED
IN SOME QUAGMIRE

WITH AN IDIOT FRIEND
HE’S GOT.

[SIGHS]

RAUL MONTEZ.

RAUL,
I’M DETECTIVE SIPOWICZ.

I DIDN’T REALIZE
YOU WERE COMING BY.

A WOMAN WHERE I WORK OUT
SAID YOU WERE LOOKING
TO, UH, TALK TO ME?

WHO WAS THAT?

DORIS STEINMAN.

COME ON.
LET’S TALK IN HERE.

Sipowicz: HEY.

EYES FRONT BEFORE YOU
FRACTURE YOUR SKULL.

YOU SIT DOWN
OVER THERE.

MRS. STEINMAN TOLD YOU
ABOUT YOUR NEIGHBOR
GETTIN’ MURDERED?

[SIGHS] MRS. EARLE.

SHE SAYS YOU WERE
TALKING TO EVERYONE
IN THE BUILDING.

DID YOU KNOW
MRS. EARLE?

CASUALLY.

CASUALLY,
LIKE TO SAY HELLO TO?

RIGHT.

WHAT ABOUT
MRS. STEINMAN?

THE SAME.

A LITTLE BETTER.

BUT YOU’D STILL PUT HER
UNDER "CASUAL."

I MEAN...
YEAH.

HMM. MRS. STEINMAN SAYS
YOU WERE BANGIN’ HER SILLY.

THAT’S EXACTLY
WHY I CAME.

SHE HAD THIS WACKY LOOK
ON HER FACE.

CAME UP TO ME
ON THE TREADMILL.

"THE POLICE ARE GONNA
WANNA TALK TO YOU,
RAUL."

THIS MRS. STEINMAN
HARBORS A GRIEVANCE
TOWARDS YOU?

OH, MAN.

THE GREEN‐EYED
MONSTER.

YOU KNOW
WHAT THAT MEANS?

RAUL, DID YOU EVER
PUT YOUR LOVE WAND

INTO MRS. EARLE
WHO WOUND UP DEAD?

WHOA, WHOA, WHOA,
WHOA, WHOA.

I DON’T COUNT THAT A CRIME.

BUT I’D ALSO LIKE TO MAKE SURE
YOU DIDN’T CROAK HER,

AND YOU BEIN’ CANDID
GOES A WAYS TOWARD
REASSURING ME.

OK.

LET ME BE HONEST
WITH YOU.

PLEASE.

I DID HAVE SEX
WITH WOMEN
IN THAT BUILDING.

INCLUDING MRS. EARLE?

NEVER.

ON WHAT BASIS DIDN’T YOU
HAVE SEX WITH HER?

WHAT DO
YOU MEAN?

WHY’D SHE GET EXCLUDED?

MRS. STEINMAN SAYS YOU BANGED
EVERY WOMAN IN THE BUILDING.

DETECTIVE...

THAT’S A BIG BUILDING.

YOU’VE BEEN IN
THAT BUILDING, RIGHT?

YEAH, IT’S GOOD‐SIZED.

IT’S NOT REALISTIC.

SO...YOU’RE SAYIN’

MRS. EARLE WAS AMONG A LOT
OF WOMEN THAT YOU DIDN’T
HAVE RELATIONS WITH.

THERE’S 10 WOMEN
IN THAT BUILDING
I HAD RELATIONS WITH...

IT’S A LOT.

I GOT IT.

THAT’S THE WHOLE STORY.

AND YOU COME IN HERE
TO TELL ME THAT.

’CAUSE I HAD A SNEAKING
IDEA THAT THAT BITCH
WOULD PUT ME WRONG.

RAUL, THANK YOU VERY MUCH.

HEY...
BELIEVE ME.

DETECTIVE.

DO YOU LIKE
COCKTAIL NUTS?

YEAH, I’LL HAVE
AN OCCASIONAL NUT.

THIS IS FOR YOU...
AND YOUR ENTIRE FORCE.

EH?

RAUL,

THANK YOU FROM MY FORCE
FOR THESE NUTS.

OH. WHAT DID "RRRAUL"
HAVE?

THAT’S WHO
THAT BATTLE‐AX
TOLD SORENSON ABOUT.

THE CASANOVA?

SAID HE DEFINITELY
DIDN’T BANG THE D. O. A.

CAME IN TO VOLUNTEER THAT.

YOU GOTTA WONDER,
IS THAT A GUILTY MIND?

ALTHOUGH SHE WENT
TO BREAK HIS SHOES
AT THE GYM,

THAT BATTLE‐AX
MRS. STEINMAN‐‐

SAID THAT WE’D BE
WANTIN’ TO TALK TO HIM.

SO HE MIGHT’VE COME IN
OFF THAT.

HUH. WHAT’S THE PACKAGE?

HE GIVE ME A COCKTAIL
PEANUT ASSORTMENT
FOR THE SQUAD.

UM...I’M LOOKING
FOR DETECTIVE RUSSELL.

I’M DIANE RUSSELL.

I’M IRIS MONTEZ.

YOU LEFT THIS
UNDER MY DOOR.
RIGHT.

THANKS FOR COMING IN.

THIS IS, UH, MY PARTNER
JILL KIRKENDALL.

HOW DO YOU DO?

WHY DON’T WE TALK
IN THE COFFEE ROOM?

ALL RIGHT.

UH, WAS ANYONE
LEAVING, IRIS,

WHEN YOU WERE
COMING UP?

Iris: UH, NO.
I DIDN’T SEE ANYONE.

YOU KNOW WHAT SORENSON’S
LOST TIME IS ABOUT?

NO.

WHEN YOU LEFT THE CARD,
I KNEW YOU WANTED TO SPEAK.

WHEN WE WERE
IN YOUR BUILDING
THIS MORNING,

WHERE WERE YOU?

I MUST’VE BEEN OUT
SOMEWHERE.

I‐‐I WAS SEEING
MY MOTHER.

OH. WHERE DOES
SHE LIVE?
THE BRONX.

YOU WENT TO SEE HER
EARLY.

I DIDN’T SEE ANY STRANGE
COMINGS OR GOINGS.

SEVERAL NEIGHBORS,
I KNOW YOU ASKED THEM THAT.

NO STRANGE MEN
AROUND THE BUILDING?

NO.

HOW WELL DID YOU
KNOW MRS. EARLE?

TO SAY HELLO
IN THE LAUNDRY ROOM.

DO YOU KNOW
IF YOUR HUSBAND
KNEW MRS. EARLE?

HE’S VERY BUSY
WITH HIS NUT BUSINESS,

SELLING RETAIL
VARIETY ASSORTMENTS.

IN TERMS OF WHY
WE HAVEN’T BEEN ABLE
TO GET IN TOUCH WITH HIM?

HOW HE MIGHT’VE
KNOWN HER.

HE WAS ACTIVE
IN THE BUILDING,
SELLING HIS NUTS.

OH.

BUT YOU DON’T KNOW FOR CERTAIN
ONE WAY OR ANOTHER

IF YOUR HUSBAND AND
MRS. EARLE WERE ACQUAINTED?

NO, NOT FOR CERTAIN
IF RAUL KNEW HER.

WELL, UM, THANKS FOR BEING
SO COOPERATIVE, MRS. MONTEZ.

AND I DON’T KNOW WHY
I GET THIS FEELING,

BUT IF YOU WERE
IN YOUR APARTMENT

WHEN WE WERE
IN THE BUILDING EARLIER

AND YOU WERE AFRAID
TO TALK WITH US,

DON’T BE EMBARRASSED
ABOUT THAT.

SOME PEOPLE ARE AFRAID TO
HAVE TO DO WITH THE POLICE.

OH, ONE REASON OR ANOTHER,

SOME PEOPLE TAKE A LITTLE
WHILE COMING FORWARD
WITH WHAT THEY KNOW.

AND WE NEVER HOLD THAT
AGAINST THEM, AS LONG
AS THEY WEREN’T INVOLVED.

OK.

THANK YOU.

OK, IRIS.

OK.

THE ONLY THING
I CAN THINK OF

IS HE WAS USING
THE DOWNSTAIRS JOHN
WHEN SHE WAS WALKING IN.

THAT’S EXACTLY THE SCENARIO.

HE’S PISSIN’
IN THE DOWNSTAIRS LAVATORY

WHILE SHE’S MAKIN’ HER WAY IN,
AND THEIR PATHS NEVER CROSS.

UNLESS THEY’RE
RUNNIN’ SOMETHIN’

AND THEY’RE
IN COMPLETE COLLUSION.

HE’D BE THE ONE
RUNNING IT.

YEAH, SHE’S
SCARED TO DEATH.

IF HE’S RUNNIN’ IT,

HE’D BE A MORON
WALKIN’ HER IN
AS HE’S LEAVIN’

AND NOT MAKIN’
NOTHIN’ OUT OF IT.

WELL, IF THEY CAME IN
SEPARATE,

HER BEING THAT AFRAID

MEANS SHE THINKS
HE’S INVOLVED.

[TELEPHONE RINGS]

15th SQUAD.

YEAH. YEAH,
WHAT CAN I DO FOR YA?

[SIGHS]

I’LL TELL YA, I’M SURPRISED
AS HELL TO HEAR THAT.

THAT’S A TURN OF EVENTS
THAT WOULD BE TOTALLY
OUT OF LEFT FIELD

AS LONG AS
YOU NEVER HAD A BRAIN
IN YOUR HEAD TO EXPECT IT.

[SIGHS]

ALL RIGHT. WHERE
WOULD YOU BE PRESENTLY?

ALL RIGHT. LET ME
TAKE A RIDE OVER THERE.

THANKS.

YEAH.

I’LL BE ARRIVING
AS A PRIVATE CITIZEN.

MM‐HMM.

WOULD YOU PLEASE
GET OUT OF THE CAR?

I’M COMFORTABLE
IN THE VEHICLE,

AND I BELIEVE
PASSENGER X

IS COMFORTABLE
WITH ME IN HERE,
ISN’T THAT RIGHT?

OH, NOW, THAT’S
A NASTY, NASTY LOOK.

YOU BETTER TURN THAT
FROWN UPSIDE DOWN,

OR YOU KNOW
WHAT’S GONNA HAPPEN?

IT COULD
BE VISOR TIME.

PASSENGER X IS ANGRY.
HE FEELS PUT‐UPON,

BECAUSE HE WAS ENGAGED
IN SUCH CONSTRUCTIVE
ACTIVITY

BEFORE I INTERRUPTED
HIS DAY,

EXECUTING FAKE LURCHES

IN THE MIDDLE OF
THE AISLE OF MY BUS

SO HE COULD SLAP
THE LEFT AND RIGHT TITS
OF WORKING WOMEN.

AND YOU KNOW SOMETHING,
DANNY?

UNTIL I ADORN
MY BRAIN MATTER
OUTSIDE MY SKULL,

I HAVE EVERY EXPECTATION

THAT I WILL SPEND THE
REST OF MY WORKING LIFE

TAKING ORDERS
FROM A DILDO LIKE HIM

OR SOME BOZO‐NOSED COUSIN

OF SOME ASSHOLE
ACQUAINTANCE OF HIS!

JOEY, THERE’S
NOTHING HERE THAT
CANNOT BE FIXED.

THIS CAN’T BE FIXED!

WELL, MAYBE IF
IT WASN’T DRENCHED
WITH SO MUCH ALCOHOL.

DRENCHING WAS GOOD FOR IT.
DRENCHING KEPT IT GREEN.

[KNOCK ON DOOR]

ANDY?

YEAH.

THIS IS MY PARTNER,
JOEY.

THIS IS MY PARTNER.

ADMIT HIM.

HI, ANDY.

YEAH, HI.

THIS IS MY BUDDY JOEY.

JOE DWYER.

LET’S NOT BE THROWING
AROUND A LOT OF LAST NAMES.

COME HERE.

IS THIS GONNA BE SOMETHING
THAT THE WHOLE CLASS
CAN APPRECIATE?

DO YOU THINK
THIS IS FUNNY, HUH?

YOU THINK WE’RE DOWN HERE
PLAYING GAMES?

JOEY’S UPSET.

YEAH? JOEY THAT YOU WERE
TELLING ME WAS STAND‐UP

AND IN THE MIDDLE OF THINGS
WITH YOU OVERSEAS.

HOW I ALWAYS THOUGHT
ABOUT IT, PAL,

IF I WAS LOOKIN’
TO HURT MYSELF,

IT WOULDN’T BE PUTTIN’
MY FRIENDS LOSIN’ THEIR JOBS
WHILE I DID IT.

BUT MAYBE YOU GOT
DIFFERENT IDEAS ABOUT
HOW TO TREAT YOUR BUDDIES.

I’M NOT LOOKIN’
TO PUT DANNY IN TROUBLE.

OH, OH, YOU’RE ONE
OF THOSE KIND OF MUTTS.

"OH, WHAT HAPPENED?
WHAT HAPPENED THAT I DIDN’T
MEAN TO TAKE PLACE?"

BELIEVE ME, ANDY,
JOEY’S A RIGHT GUY.

YEAH. YEAH,
TAPING THIS GUY UP
LIKE A MAFIA HIT MAN

AND CARRYING ON LIKE
THAT EXERCISE FRUIT.

WHO?

THAT EXERCISE FRUIT
WITH THE CURLY HAIR

AND THE SLEEVELESS
T‐SHIRTS

GETS ALL EMOTIONAL
ABOUT EVERYTHING,

"OH, SHE LOST 80 POUNDS,
BOO HOO HOO."

YOU WANT TO TRY
STRAIGHTENIN’
THINGS OUT OR NOT?

WHAT HAVE YOU
GOT IN MIND?

MMM.

LET’S FIGURE
SOMETHING OUT.

Mrs. Steinman: HELLO.

CAN I HELP YOU?

I’M NOT CERTAIN.

ARE YOU INVOLVED
WITH THE DETECTIVE WORK?

I’M ARTHUR FANCY,
I’M THE LIEUTENANT
IN CHARGE OF THE SQUAD.

SO YOU WOULD BE THAT
YOUNG DETECTIVE’S
SUPERVISOR?

DETECTIVE SORENSON.
YES, I THINK
THAT’S HIS NAME.

WHERE WOULD I FIND HIM?

DETECTIVE SORENSON’S
NOT IN.

OH, WELL, COULD YOU GET HIM
TO COME BACK, PLEASE?

WHAT’S YOUR NAME, PLEASE?

DORIS STEINMAN.

HE INTERVIEWED ME.

YEAH, I’M NOT SURE
WHEN DETECTIVE SORENSON
WILL BE BACK,

BUT, UH, YOU CAN
TALK TO ONE OF THE OTHER
DETECTIVES ON THAT CASE.

NO. NO, NO, NO, I‐‐

I DON’T THINK SO.

WHAT IS IT?

OH, MY GOD!

DO YOU WANT
SOME WATER?

I WANT THAT IMAGE
OUT OF MY HEAD,
DO YOU UNDERSTAND?

HIS TUSH, NAKED,
PUMPING UP AND DOWN

IN THE MIDDLE OF ALL
THOSE NICKELS AND DIMES.

WHERE DID THIS HAPPEN?

HE WAS...

SERVICING HER

ON THE CHEAP SHAG CARPET
IN HER LIVING ROOM.

THE NICKELS AND DIMES
FROM THE PIGGY BANK

SHE BROKE TO PAY HIM

WERE STICKING
TO THE BACK OF HER LEGS,

WHICH WERE
FLAILING AROUND

LIKE SHE WAS
AN UPSIDE DOWN TURTLE.

UM, THE WOMAN
BEING SERVICED...

WHAT ABOUT HER?

UM, WHO WAS SHE?

YOUR VICTIM,

AND THE CALLOUS GREASEBALL
HUMPING HER WAS RAUL MONTEZ,

WHOM I PREVIOUSLY TOLD
THE YOUNG DETECTIVE
HE SHOULD ARREST,

BUT I‐‐I WASN’T
COMPLETELY FORTHCOMING

WITH ALL
THE SUPPORTING DETAILS,

INSOFAR AS...

SEEING HIS NAKED ASS
IN HER APARTMENT

SHORTLY BEFORE
SHE WAS KILLED.

UM, DO YOU THINK
HE KILLED HER?

SHE SOUNDED LIKE
SHE WAS NEAR DEATH

WITH THE WAR WHOOPS SHE WAS
LETTIN’ OUT ON THE CARPET
WHEN HE BANGED HER.

MRS. STEINMAN,
I’M GONNA SIT DOWN,

I’M GONNA TAKE
SOME INFORMATION,

AND I NEED YOU
TO SIT DOWN THERE,
PLEASE.

MRS. STEINMAN,
THE FACT THIS RAUL

WAS CARRYING ON
AN AFFAIR WITH‐‐

YOU HAD HIM IN CUSTODY
IN THIS BUILDING,
AND YOU LET HIM GO.

RAUL CAME IN VOLUNTARILY
TO BE INTERVIEWED,

BUT WE ARE
ABSOLUTELY GONNA HAVE
A SECOND CONVERSATION.

YOU’RE NOT GONNA
ARREST HIM?

NOT THIS MINUTE,

BUT WE’RE DEFINITELY
GONNA LOOK AT HIM
HARD.

YEAH.

THAT’S WHAT GOT ME
INTO TROUBLE.

LET’S‐‐LET’S GET YOU
SITTING UP HERE.

SIT UP STRAIGHT,
WILL YOU?

LET’S GO.

WHAT HAPPENED
ON THAT BUS‐‐

YOU SHOWED HIM A GUN
YOU FOUND
UNDER YOUR SEAT

THAT YOU REALIZED
COULD GET YOU A YEAR
IN JAIL MINIMUM,

THAT YOU
SIGNALED TO HIM
FRANTICALLY ABOUT

IN THE REARVIEW MIRROR

TO WHERE HE PULLED OVER
AND PARKED

AND CAME BACK
TO ASK YOU

WHAT YOU WERE
SIGNALING FOR.

BUT, IN YOUR
FRANTIC STATE,

YOU, UH, YOU BOLTED
OFF THE BUS

WHEN HE COME TO YOU.

SO HE DID HIS‐‐
HIS CITIZEN’S DUTY,

AND HE GOT OFF, TOO,

AND HE FOLLOWED YOU
TO REASSURE AND
CALM YOU DOWN

AND BROUGHT YOU HERE
SO HE COULD CALL

HIS FRIEND ON THE JOB
TO ASK ADVICE,

AND HIS FRIEND DANNY
THEN CALLED ME.

THE THREE OF US ARE
GONNA BACK EACH OTHER
ON THAT.

WHAT DO YOU SAY? HMM?

MAKE IT A FOURSOME,

YOU DON’T
GET CHARGED WITH
FOR CONCEALING A WEAPON

OR PINCHING TIT.

AREN’T YOU GONNA
BOIL ME AND EAT ME?

ISN’T THAT WHAT
THIS IS ABOUT, HUH?
HEY, HEY, PAL, PAL,

IF WE WERE CANNIBALS,
THIS WHOLE SITUATION

WOULD BE A LOT LESS
COMPLICATED.

WE’D JUST CUT YOU UP
INTO STEAKS.

NOBODY IS SAYING

THAT YOU DIDN’T HAVE
A ROUGH AFTERNOON.

CLOSE THE TRUNK, DRIVE
THE CAR OFF THE PIER.

[MUMBLING]

ALL RIGHT,

I WON’T PRESS CHARGES.

ALL RIGHT. NOW, LAY BACK
DOWN THERE. COME ON.

JOEY, YOU HEAR THAT?

WE’RE GONNA BE
ALL RIGHT.

I GOT A CHORUS FULL
OF VULTURES IN MY HEAD.

GIVE YOUR GUN
TO YOUR BUDDY, JOEY.

THEN YOU COME OVER
TO MY PLACE SOMETIME,

AND WE’LL
COMPARE BIRDCALLS.

JOEY,
BEING MY BEST MAN
WHEN I GET MARRIED,

HAVING OUR KIDS
PLAY TOGETHER,

WORKING ON THIS
BUCKET OF BOLTS,
TELLING JOKES‐‐

YOU’RE NOT GONNA
TAKE THAT AWAY
FROM ME, ARE YOU?

NO!

I’M SORRY PUTTING
EVERYONE OUT.

IT’S ALL RIGHT, JOEY.

IT’S ALL RIGHT.

Russell: IRIS, YOU WERE
UPSET WHEN WE TALKED BEFORE,

AND WE PUT THAT OFF
TO YOU HAVING TO DEAL
WITH THE POLICE.

I AM UPSET
ABOUT EVERYTHING.

NOW WE HAVE TO WONDER
IF IT WASN’T FOR
THIS OTHER REASON.

THAT HE
WAS WITH WOMEN

DOESN’T MEAN
HE DID MURDER.

NO, IT DOESN’T.

WAS RAUL WITH YOU
ALL LAST NIGHT?

AFTER HE DELIVERED
HIS ORDERS.

DO YOU THINK RAUL MIGHT
HAVE BEEN WITH MRS. EARLE
LAST NIGHT,

NOT JUST DELIVERING
AN ORDER?

IF I DID THINK SO...

THAT WOULDN’T MEAN
HE DID MURDER.

ABSOLUTELY NOT.

BECAUSE HE MIGHT
HAVE BEEN WITH HER.

HE HAD $23 OF CHANGE
IN HIS POCKET,

AND HE WAS ANGRY
ABOUT HIS WHOLE LIFE.

HE SAID
LOOK WHAT HE WAS DOING
FOR NICKELS AND DIMES.

MY KEEPING
RADIO SILENCE,

I HOPE YOU DON’T FEEL
I’M UNGRATEFUL.

AND I HOPE YOU’RE NOT
EXPECTING EVERY TIME
YOU TURN AROUND NOW

IT’S GONNA BE,
"ANDY, I’M JAMMED."

NO, I DON’T.

THANKS A LOT, ANDY.

YOU’RE WELCOME.

Raul: DO YOU
BELIEVE THIS?

WHAT’S GOING ON?

THEY BROUGHT ME BACK FOR YOU
TO TALK TO ME AGAIN,

BUT THAT DORIS BITCH IS
SPREADING THOSE FURTHER LIES.

Sipowicz: GIVE US
JUST A SECOND.

YOU SEE WHO’S PEEKING
OUT OF THE COFFEE ROOM?

THE TWO OF YOU
GOT A LATE DATE?

GLAD YOU’RE BACK.

WHAT’S THIS?

WHAT’S THAT DINGBAT
DOING PEEKING OUT
OF THE COFFEE ROOM?

SHE CAME BACK IN
A FEW HOURS AGO,

PUT RAUL IN
THE D. O. A.’s APARTMENT.

BOSS, ON THE SUBJECT OF RAUL,
I DON’T MAKE THIS WOMAN
THAT RELIABLE.

DIANE AND JILL
RE‐INTERVIEWED
RAUL’S WIFE,

AND SHE VERIFIED THAT
RAUL HAD HAD SEX WITH
THE D. O. A. LAST NIGHT,

PAID HIM $23, IN COINS.

RAUL TOLD HIS WIFE
THE D. O. A. PAID HIM?

MM‐HMM.

HE HAPPEN TO TELL HER
IF HE KILLED HER?

HE’S GONNA
TELL YOU THAT.

YOU TALK AGAIN
TO MRS. STEINMAN.

BOSS, BONING THE D.O.A.
DON’T GET THIS RAUL ACROSS
THE GOAL LINE FOR KILLING HER,

AND I THINK THERE’S
PLENTY MORE THAN HALF A SHOT

THIS LADY’S GOT
A PERSONAL VENDETTA GOING.

SHE’S GONNA
TELL YOU THAT.

I HAVE TO USE
THE LITTLE GIRLS’ ROOM.

[SIGHS]

WHERE WE ARE NOW,
RAUL,

YOU’RE CAUGHT LYIN’
YOU WEREN’T BANGIN’
THE DEAD WOMAN.

THIS DORIS STEINMAN
WANTS TO RUIN MY LIFE.

YOUR WIFE CORROBORATES
WHAT MRS. STEINMAN’S
TELLING US.

YOU BANGED THIS WOMAN
FOR $23.

23 IS THE AMOUNT
OF COIN SHE HAD.

23 IS NOT MY FEE.

WE’RE NOT REAL
INTERESTED IF THIS
WAS A CUT‐RATE HUMP.

THE POINT IS,
YOU NOW ADMIT YOU
WERE IN HER APARTMENT

BANGIN’ THIS WOMAN
A FEW HOURS BEFORE
SHE WAS KILLED.

SEX DON’T PUT ME
KILLING HER.

MAYBE NOW SHE’D
EMPTIED HER PIGGY BANK,

SHE KNOWS SHE’S OFF
YOUR DELIVERY ROUTE.

MAYBE SHE’S READY
TO DO VIOLENCE WITH YOU,

YOU CROAK HER
IN SELF‐DEFENSE.

THAT WOMAN GOT SOCIAL SECURITY
THE FIRST OF EVERY MONTH, OK?

IT’S NOT LIKE SHE’S
PERMANENTLY DESTITUTE.

I DIDN’T DO IT, DETECTIVE.

THIS IS A FRAME JOB I’M
SITTING FOR A PORTRAIT OF.

BY THIS JEALOUS
MRS. STEINMAN?

DORIS COMES
PROWLING DOWN THE HALL

’CAUSE I’M 10 MINUTES LATE
GETTING TO HER APARTMENT,

WHICH ESTHER DRAGGED ME
INTO HER PLACE OFF
SOME ELECTRICAL PRETEXT.

WHY’D YOU LEAVE, UH,
ESTHER’S DOOR OPEN
FOR DORIS TO FIND YOU?

I DIDN’T LEAVE THE DOOR OPEN
FOR DORIS TO FIND ME.

I LEFT THE DOOR OPEN
TO PROTECT MYSELF FROM
EXACTLY WHAT TRANSPIRED.

ESTHER TEMPTING YOU
WITH HER PIGGY BANK?

YEAH.

23 BUCKS IS 23 BUCKS.

THAT MOMENT, DORIS
HATCHED HER EVIL PLAN

SEEING ESTHER AND ME
ON THE CARPET.

[NO‐NONSENSE]
SIT DOWN.

[FLIRTATIOUSLY]
YES, SIR.

YOU WERE GONE BEFORE.

YES, I WAS.

I GAVE THE ADDED INFORMATION
ABOUT RAUL TO YOUR LIEUTENANT,

BUT I WANTED TO GIVE IT TO YOU
SO YOU COULD GET THE CREDIT.

OH, WELL, THAT’S
VERY NICE OF YOU,
MRS. STEINMAN.

ALTHOUGH WHY IS IT
WHEN YOU AND I
FIRST SPOKE,

YOU DIDN’T TELL ME ABOUT
SEEING RAUL MAKING LOVE
TO MRS. EARLE

IN HER APARTMENT?

I‐‐I‐‐I TOLD YOU TO ASSUME
THE TWO OF THEM WERE INVOLVED.

NO, WHAT YOU TOLD ME WAS

I SHOULD ASSUME
RAUL WAS INVOLVED

WITH EVERY WOMAN
IN MANHATTAN.

WELL, IF YOU’RE ACCUSING ME
OF RELUCTANCE TO RELIVE

SEEING THE TWO OF THEM
FLAILING AROUND
ON THE CARPET,

I‐‐I‐‐I PLEAD GUILTY.

WHAT I’M ACCUSING YOU
OF, MRS. STEINMAN,

IS WHAT WE GET IN
A LOT OF THIS CASES:
YOUR HOLDING A GRUDGE.

AND YOU WANT TO JACK UP
RAUL AS BAD AS POSSIBLE

OVER HIM NOT BANGING
YOU EXCLUSIVELY LIKE YOU
THOUGHT HE WAS DOING.

SO THAT MAKES YOU COME
WITH SOME GENERAL
INFORMATION

THAT HE’S
THE BUILDING STICK‐MAN,

AND THEN
SOME MORE INFORMATION

THAT TURNED OUT TO BE
A LITTLE MORE USEFUL:

THAT HE’D HAD SEX
WITH THE VICTIM, LIKE,
6 HOURS BEFORE SHE DIED.

BUT, SEE,
BY YOUR OWN ACCOUNT,
MRS. STEINMAN,

THAT SEX WAS CONSENSUAL.

SO WE’VE GOT NO MOTIVE
FOR WHY RAUL WOULD WANT
TO KILL MRS. EARLE.

AND YOU HAVING
YOUR PERSONAL GRIEVANCE
AGAINST HIM LIKE YOU DO,

AT THIS POINT,
I FORESEE YOU
TURNING INTO

WHAT WE DETECTIVES
CONDUCTING THESE TYPES
OF INVESTIGATIONS

CALL ROYAL PAINS
IN THE BALLS.

YOU DON’T NEED ME FOR
THE GASPING‐FOR‐AIR
PERFORMANCE,

DO YOU, MRS. STEINMAN?

’CAUSE UNLESS YOU GOT
SOMETHING ELSE FOR ME,

YOU KNOW,
HAVE A FEW GASPS
AND LET YOURSELF OUT.

I DID IT COMPLETELY
IN SELF‐DEFENSE.

YOU DID IT?

SHE‐‐SHE THREATENED ME
WITH SCISSORS WHEN
I WENT BACK TO REBUKE HER.

I STRANGLED HER
TO PROTECT MYSELF,

AND THEN I GAVE HER HEAD
A FEW GOOD BANGS
OFF THE WALL.

I WANTED RAUL TO GET
GOOD AND DEEP IN TROUBLE

BEFORE I LET HIM
OFF THE HOT SEAT.

INVOLUNTARY MANSLAUGHTER,
RIGHT?

LET’S JUST GET IT DOWN.

I WOULD SAY, LIKE...

LIKE, 18 MONTHS,

AND‐‐AND BY THAT TIME,

WHEN I GET OUT, HE’LL
HAVE LEFT THAT LITTLE MOUSE,

AND HE’LL REALIZE WHO IT WAS
SAVED HIS LIFE.

THE TWO OF YOU
GONNA ELOPE?

OH, MRS. STEINMAN
WILL DO HER TIME,

AND THEN ME AND RAUL
WILL COMPETE
FOR HER HAND.

YOU GOT A MESSAGE THERE.

I’M GONNA GO
SEE JOEY OVER AT
THE V. A. HOSPITAL,

ALL RIGHT, ANDY?

DANNY‐‐
YOU KNOW,

HE MAY NEED SOME
DEPRESSION MEDICATION‐‐
JOEY‐‐

TO GET HIS THINKING
GOIN’ STRAIGHT AGAIN.

JOEY IS WHO
THE MESSAGE IS FROM.

HE WOULDN’T TELL YOU
WHERE HE WAS GOIN’?

NO, I COULDN’T GET HIM
TO TELL ME THAT.

WELL, HOW AM I SUPPOSED
TO FIND HIM, ANDY?

SOMEONE LEAVIN’ TOWN
TENDS NOT TO WANT
TO BE LOOKED FOR.

HOW CAN THEM DOCTORS
JUST LET HIM LEAVE
LIKE THAT?

HEY, MAYBE YOU GOT
A MILLION FRIENDS.

CONSERVATIVELY.

YEAH, WELL, I DON’T,
ALL RIGHT?

SO THIS UPSETS ME,
IT STIRS ME UP.

WHO DO YOU TALK TO?

HOW CAN I TALK TO HIM,
ANDY, IF I DON’T KNOW
WHERE HE IS?

I’M SAYIN’ WHO DO YOU TALK TO
WHEN YOU GET STIRRED UP?

I DON’T LIKE
BEIN’ STIRRED UP.

WHAT, DO YOU GET STUPID
AFTER WORKING HOURS?

I APOLOGIZE.

WANT SOME COMPANY
LOOKIN’ FOR YOUR FRIEND?

WHAT I’M HOPIN’ IS,

MAYBE HE HEADED OFF
EARLY TO PEEKSKILL.

THAT’S WHERE YOU’RE
DOIN’ YOUR RESERVE DUTY?

YEAH.

SO LET ME LOOK AROUND
OUR USUAL PLACES
TONIGHT,

SEE IF HE MAYBE
CHANGED HIS MIND,

OR OTHERWISE,
I’LL HOPE WE FIND HIM

UP AT RESERVE DUTY
THIS WEEKEND.

NO, HE’S GONE.
HE’S GONE.

HE’S NOT GONNA SHOW UP
IN PEEKSKILL.

HE’S GOTTEN ON A BUS
TO CRAZY,

AND HE’S PROBABLY
GONNA HURT HIMSELF.

SOMETIMES YOU
LOSE PEOPLE YOU LOVE.

YEAH.

I UNDERSTAND THAT.

I APOLOGIZE FOR
BEIN’ DISRESPECTFUL.

DON’T WORRY ABOUT IT.

ALL RIGHT, ANDY,
I’LL SEE YOU TOMORROW.

YEAH, I’LL SEE YOU.

SEE YOU TOMORROW.