NYPD Blue (1993–2005): Season 1, Episode 20 - Good Time Charlie - full transcript

Janice is promoted from vice squad officer to detective and will be working with the other detectives until she can be transferred to the re-organizing intelligence division. Meanwhile, ...

[ CHATTERING ]

LIEUTENANT.
COME ON IN, JANICE.

YOU'RE BEING PROMOTED.
OH, YEAH? I'M GETTIN'
MY GOLD SHIELD?

CONGRATULATIONS.
THANKS.
THIS IS FOR REAL?

YOU'RE BEING ASSIGNED
TO INTELLIGENCE.

AS YOU KNOW, THAT UNIT'S
BEING REORGANIZED,

SO YOU PROBABLY
WON'T BE TRANSFERRED
FOR THREE TO FOUR WEEKS.

LIEUTENANT, GOT ANY IDEA
HOW THIS HAPPENED?

I'VE ONLY BEEN IN ANTI‐CRIME
THREE MONTHS.

THIS WAS A CONTRACT FROM
THE ORGANIZED CRIME UNIT,
FROM INSPECTOR LASTARZA.

EVIDENTLY, YOU WERE EFFECTIVE
IN AN UNDERCOVER
ASSIGNMENT FOR HIM?



YOU WANNA TELL ME
ANYTHING ABOUT THAT?

I, UH, REPORTED
A CORRUPT SOLICITATION.

INSPECTOR LASTARZA
HAD ME DO SOME WORK FOR HIM.

DID YOU KNOW INSPECTOR
LASTARZA'S GOING TO WORK
FOR THE D. E. A.?

I HEARD RUMORS ABOUT THAT.

WELL, I GUESS HE JUST
WANTED TO MAKE SURE...

YOUR WORK WAS
ACKNOWLEDGED
BEFORE HE LEFT.

PERSONNEL'S IDEA WAS
THAT YOU WOULD WORK
IN A SQUAD HERE...

WHILE INTELLIGENCE
GETS REORGANIZED.

YOU OKAY WITH THAT?
YEAH. SURE.

PUTTING ALL THE CARDS
ON THE TABLE.

YOU HAD
A PERSONAL RELATIONSHIP
WITH JOHN KELLY.

YES. UH, THAT'S BEEN OVER
FOR A WHILE NOW.

‐ NO PROBLEM WORKING
WITH HIM NOW?
‐ NOT FOR ME. NO, SIR.



YOU MIGHT WANNA ASK
DETECTIVE KELLY.
I WILL.

OKAY.

THANKS.

TALK ABOUT COMIN'
FROM LEFT FIELD, HUH?
YEAH.

[ MAN ]
UH, DETECTIVE JOHN KELLY.

DETECTIVE‐‐
[ DONNA ]
CAN I HELP YOU?

JUST DETECTIVE JOHN KELLY,
PLEASE.

IS THE DETECTIVE
EXPECTING YOU?

NO, HE'S NOT EXPECTING ME.
HE'S A CLOSE
PERSONAL FRIEND.

JOHN.
CHARLIE.

I GOTTA TALK TO YOU
ON A DEEPLY PERSONAL MATTER.

THE FECES HAS HIT THE FAN.
I'M GETTING JAMMED, JOHN.

LET'S NOT VOICE‐MAIL IT,
THOUGH, CHARLIE. OKAY?

SOME, UH‐‐

SOME MALEVOLENT ASSHOLE...

HAS SENT THESE PICTURES
TO MY WIFE.

TO KITTY, JOHN.
CAN YOU BELIEVE THAT?

WHO DO YOU THINK
MIGHT HAVE DONE IT?

I HAVE NO GRIEVANCES
WITH ANYONE.
YOU KNOW THAT.

I STAYED UP LAST NIGHT,
AND I THOUGHT, MAYBE...

THERE MIGHT BE SOMEONE
WHO HAS GRIEVANCES
AGAINST ME.

THESE PEOPLE, I MAY HAVE
INADVERTENTLY OFFENDED
IN BUSINESS TRANSACTIONS‐‐

KITED CHECKS
AND THINGS OF THAT SORT.

LET'S NOT GET AHEAD
OF OURSELVES. SIT DOWN.
GO AHEAD. SIT DOWN.

[ DONNA ]
15TH DETECTIVE SQUAD.

‐ THEY SENT THESE PICTURES
TO KITTY?
‐ APARTMENT ON FIFTH.

WHAT'D SHE SAY?

SHE SAID, "HOW CAN YOU
DO THIS TO US?"

THEN SHE WENT TO MUSTIQUE.
SHE WENT TO MUSTIQUE, JOHN.

SHE WOULD NOT GO THERE‐‐
IT'S THE OFF‐SEASON‐‐

UNLESS SHE WAS INCREDIBLY
GRIEF‐STRICKEN
AND DISTRAUGHT.

SAY SHE WAS COMIN' BACK?

OF COURSE SHE'S COMING BACK.
SHE'S A GROWN‐UP. SHE'LL
LEARN TO DEAL WITH THIS.

WE GOT TO FIND
THE PRICK THAT DID THIS!

WHO GETS HURT HERE, JOHN?
NOT ME.

NOT ME.
KITTY AND MINETTE‐‐

TWO OF THE MOST
EXTRAORDINARY, DECENT WOMEN
TO EVER GRACE THIS PLANET.

OKAY, I CAN'T HELP YOU
OFFICIALLY, BUT LET'S
THINK ABOUT THIS.

FIRST,
THE PEOPLE ON THIS LIST‐‐

THESE ARE PERSONAL
FRIENDS OF MINE.
THAT'S WHAT HURTS ME.

LET ME TELL YOU
WHAT I'M THINKING.
[ CLEARS THROAT ]

UM, THEY HAVE NO MOTIVE
TO DO THIS BECAUSE,

IF THEY BREAK YOU UP,
THEY DON'T GET ANY MONEY,
RIGHT?

HAS THERE BEEN
ANOTHER EXTORTION ATTEMPT
YOU HAVEN'T TOLD ME ABOUT?

JOHN, I AM TRYING
TO PROTECT...

MY ASS AND MY MARRIAGE.

I AM BEING
TOTALLY HONEST WITH YOU.

WHICH IS WHY I DON'T THINK
IT'S ANYBODY ON THE LIST.

WHICH LEAVES MINETTE, RIGHT?

MINETTE?

SHE EVER ASK YOU
TO LEAVE YOUR WIFE?

SHE TALK ABOUT
YOU GUYS SPLITTING UP?

MINETTE?

THAT LITTLE BITCH.

SHE MANEUVERED ME
INTO THESE PHOTOGRAPHS.
THAT'S IT.

SHE PROBABLY
PAID THE PHOTOGRAPHER
WITH MY OWN MONEY.

I OPEN UP MY HEART
AND ALLOW HER
TO MAKE A HOME THERE.

AND WHAT DOES SHE DO?
SHE DEFECATES
IN MY BROADLOOM!

THE SCALES HAVE FALLEN
FROM THESE EYES OF MINE.

I AM GONNA PUT
A TEN‐TON WEIGHT...

ON THAT WORTHLESS
BAG OF GUMBO
IF I EVER FIND HER.

YOU'RE TALKING
LIKE AN ASSHOLE.

LISTEN TO ME, JOHN.

IF I WASN'T REALLY RICH,
I'D BE AN ASSHOLE.

TAXI!
[ SIPOWICZ ]
SYLVIA.

OH. WAIT, WAIT.

WHAT'S GOIN' ON?
NOTHIN' MUCH.

I PICKED YOUR DAD UP
A BIRTHDAY PRESENT.
HOW NICE.

YEAH, IT'S A GREEK SHOP.

IF HE DOESN'T LIKE IT
OR IT DOESN'T FIT,
HE CAN EXCHANGE IT.

I'M SURE HE WILL LOVE IT.

I GOT THE RECEIPTS.

THAT WAS VERY THOUGHTFUL
OF YOU.

I GOTTA BE IN COURT
TOMORROW AFTERNOON,

SO I THOUGHT I'D MEET YOU HERE
AND THEN WE'D GO OVER
ABOUT 6:00.

IF YOU STILL HAVE WORK, I'LL
GO TO THE RESTAURANT MYSELF,
AND YOU CAN MEET ME THERE.

I, UH‐‐ I DON'T FEATURE ME
GOIN' IN THERE ON MY OWN,

FIRST TIME MEETING
YOUR WHOLE FAMILY.

WOULD YOU STOP WORRYING?
THESE ARE THE LEAST FORMAL
PEOPLE YOU WILL EVER MEET.

LOOK, I'VE BEEN THINKING.
I'M NOT GONNA DANCE.

WHATEVER YOU WANNA DO.

IS THAT GONNA MAKE
EVERYBODY MAD?
[ LAUGHS ]

ANDY, THIS IS A BIRTHDAY PARTY.
PEOPLE ARE GOING TO HAVE FUN.

NOW, WHATEVER YOU WANNA DO,
I'M FINE.

OKAY?
[ GRUNTS ]

ALL RIGHT.
I'LL MEET YOU HERE AT 6:00.

YEAH.

I'LL BREAK SOME PLATES,
BUT I'M NOT GONNA DANCE.

OKAY.

[ MAN ]
HEY, PAUL, COME HERE.

HEY, DETECTIVE.
HEY, GOOD MORNING.

CAN I TALK TO YOU
FOR A MINUTE?
SURE.

I'M BEING PROMOTED.
I'M GETTING MY SHIELD.
IS THAT RIGHT?

YEAH. LASTARZA'S
GOING TO D. E. A.

GUESS HE WANTED TO TAKE OUT
AN INSURANCE POLICY.
WELL, GOOD LUCK WITH THAT.

I'M BEING ASSIGNED
TO INTELLIGENCE, BUT THAT
ISN'T EFFECTIVE FOR A MONTH.

I'LL BE IN SQUAD UNTIL THEN,
UNLESS YOU OBJECT.

FANCY'S GONNA
TALK TO YOU ABOUT IT.
HOW DO YOU FEEL ABOUT IT?

I FEEL OKAY IF YOU
FEEL OKAY ABOUT IT.

I DON'T HAVE
ANY PROBLEMS WITH IT.

WELL, I'LL TALK TO HIM.
AND CONGRATULATIONS.

YEAH. THANKS.
YEAH.

[ SIREN WAILS ]

HEY, IT'S MRS. FANCY.
HEY, DETECTIVE.

HOW YA DOIN'?
GREAT. THANKS.

LIEUTENANT,
YOUR WIFE'S HERE.

HI.
THE GIRLS ARE FINE, ART.
EVERYBODY'S FINE.

SO WHAT'S GOING ON?
I WANNA BUY YOU
AN EARLY LUNCH.

LET ME MAKE
A FEW PHONE CALLS
AND GRAB MY COAT.

OKAY.
[ PHONE RECEIVER
LIFTS OFF CRADLE ]

GOT IT. WHAT WAS
THAT FIRST NAME AGAIN?

"MINETTE."

214 JAMES STREET.
GOT IT.

MM‐HMM.

THAT'S MINETTE COLEMAN?

YEAH. SHOOTING HOMICIDE.
WHITE FEMALE.

THAT'S CHARLIE LEAR'S MISTRESS.
YOUR FRIEND THAT STOLE
THAT "F" TRAIN TWO YEARS BACK?

HE WAS IN HERE
ALL PISSED OFF AT HER.

FOR WHAT?
SOMEBODY SENT HIS WIFE
PICTURES OF HIM AND HER.

HIM AND THIS MINETTE?
THAT MINETTE.

IT'S HARD TO FIGURE
YOUR BUDDY WOULD
COME HERE AND TALK TO YOU...

AND THEN GO
WHACK THIS GIRL.

OF COURSE, HE DID STEAL
THE "F" TRAIN.
THAT'S RIGHT.

I SAW A MAN
LEAVE HER APARTMENT
ABOUT 2 1/2 HOURS AGO.

UH‐HUH.
CAN YOU DESCRIBE HIM?

WELL, I MOSTLY SAW HIM
FROM THE BACK.

HE'S 5‐10, BROWN HAIR.
HE HAD A CAMEL'S HAIR COAT ON.

AND HE LOOKED LIKE A GUY
I'D SEEN VISIT HER BEFORE.

WHEN HE WAS LEAVING,
HE WAS CREATING
KIND OF A RUCKUS.

MUTTERING TO HIMSELF‐‐
PROFANITIES AND STUFF.
YOU TALK TO HIM?

NO, NO.

TWO OR THREE TIMES,
THOUGH, IN THE NEXT HOUR,
I THOUGHT ABOUT HIM...

AND HOW I'D HEARD LIKE A CAR
BACKFIRE A FEW MINUTES BEFORE
HE LEFT MINETTE'S APARTMENT.

AND I THOUGHT, YOU KNOW,
MAYBE I SHOULD CHECK
ON MINETTE...

AND MAKE SURE SHE'S OKAY.

AND WHEN SHE DIDN'T ANSWER,
I JUST HAD A FEELING
I HAD TO CALL YOU GUYS.

'CAUSE SHE WAS HOME.
WHAT DO YOU DO,
MR. GAINES?

I'M A NIGHT R.N.
AT SAINT VINCENT'S.

IF YOU SAW THIS GUY
AGAIN, YOU THINK
YOU COULD I. D. HIM?

I DON'T KNOW.
I'D GIVE IT A WHIRL.

THANKS FOR YOUR HELP.
NO PROBLEM. YOU HAVE
MY NUMBERS IF YOU NEED ME.

YEAH. THANKS.

[ SIREN WAILS ]

M.E. SAYS SHE WAS SHOT
THROUGH THE PILLOW.

THIS IS NO GOOD, ANDY.
THIS GUY JUST DESCRIBED
CHARLIE LEAR.

EXCUSE ME. DETECTIVES,
THIS JUST CAME IN
OVER THE RADIO.

SANITATION WORKER FOUND
A GUN IN A DUMPSTER
THREE BLOCKS OVER...

ON SIXTH AVENUE
BY THE BASKETBALL COURTS.

TELL 'EM WE'RE
ON OUR WAY OVER.
YES, SIR.

LOOK AT IT THIS WAY. WOULD
YOUR PAL BE BRIGHT ENOUGH
TO TOSS HIS IRON?

IF HE HAD A GUN,
WOULDN'T YOU FIGURE
HE'D BE MORE THE TYPE...

TO BE SHOPPING OVER
AT BARNEY'S NOW...

WITH THE BUTT STICKIN'
OUT OF HIS WAISTBAND?

YOU WANNA TELL ME
WHAT'S GOING ON?

I'M PREGNANT, ART.

HOW DID THAT HAPPEN?

WE BOTH KNOW
HOW THAT HAPPENS.

I DON'T UNDERSTAND.
YOU'RE TELLING ME
THE BIRTH CONTROL FAILED?

YES, IT FAILED.

[ SIGHS ]
IT HAPPENS, ART.

DR. SLOAN SAID THERE'S
A SMALL PERCENTAGE OF TIMES
WHEN SOMETHING GOES WRONG.

I CAN'T BELIEVE
WHAT I'M HEARING.
I THOUGHT YOU'D BE HAPPY.

THE DOCTOR SAID
YOU WEREN'T SUPPOSED
TO BE PREGNANT AGAIN.

THE LAST TIME WAS TOO HARD.
I JUST CAME FROM SEEING HIM.
HE THINKS IT'LL BE ALL RIGHT.

THERE'S ONLY
A VERY SMALL CHANCE
THERE'LL BE ANY PROBLEM.

A SMALL CHANCE.

ARTHUR, EVERYTHING
DOESN'T ALWAYS GO
ACCORDING TO PLAN.

NOT EVERYTHING
GOES BY THE BOOK.

DID YOU DO THIS
ON PURPOSE?
HOW CAN YOU ASK ME THAT?

SO THAT'S A NO.
THAT'S A NO.

BUT IF YOU'RE ASKING
DO I REGRET HAVING
A LIFE INSIDE ME,

THE ANSWER TO THAT
IS NO ALSO.

CAN'T YOU BE HAPPY?
THAT YOUR LIFE
MIGHT BE AT RISK?

THAT WE'RE GOING
TO HAVE ANOTHER CHILD.

I'M NOT GOING
IN THERE WITH YOU.

LET'S SIT DOWN
AND TALK ABOUT THIS.

NO. I'M GOING HOME.
I DON'T WANNA
SIT DOWN WITH YOU.

I DON'T WANNA HAVE
A MEAL WITH YOU.
I DON'T WANNA LOOK AT YOU.

YOU BREAK MY HEART.

[ KELLY ]
F. A. T. N. KICKED THAT GUN BACK
WE GOT FROM THE DUMPSTER.

TURNS OUT
IT WAS REGISTERED
TO THIS CHARLIE.

THAT'S YOUR FRIEND?
THEY PUT HIM
IN A LINEUP,

BUT I COULDN'T GET
A POSITIVE I. D.

ANDY'S GOT THE GUY
IN INTERVIEW?
YEAH. YOU WANT ME OFF THIS?

DO YOU THINK
YOUR KNOWING THE GUY
COULD HELP US?

I THINK SO.
HE'S KIND OF A FLAKE,

BUT I USUALLY CAN MAKE
SENSE OUT OF HIM.

WELL, IT'S SIPOWICZ'S CASE.
YOU WORK IT WITH HIM.
OKAY.

UM, JOHN?
YEAH.

JANICE LICALSI'S
GETTING HER SHIELD.
I KNOW. SHE TOLD ME.

WOULD YOU MIND HER
WORKING IN THE SQUAD TILL
SHE GOES OVER TO INTELLIGENCE?

I DON'T FORESEE A PROBLEM.
AS FAR AS YOUR PERSONAL
RELATIONSHIP, THAT'S SETTLED?

YEAH, THAT'S OVER.
OKAY.

OKAY.

THAT PISTOL WE PULLED
OUT OF THE DUMPSTER,
THAT'S REGISTERED TO YOU.

THE LAST TIME
I SAW THAT PISTOL...

WAS THREE MONTHS AGO
BOUNCING AROUND
MY UNDERWEAR DRAWER.

ANYBODY COULD'VE
PICKED IT UP. JOHN?

I WASN'T I. D.'D, WAS I,
NOT BY THESE PEOPLE
IN THIS LINEUP, HUH?

‐ WHERE WERE YOU
FOR THE LAST FEW HOURS?
‐ I WASN'T I. D.'D, WAS I?

'CAUSE IF I WAS I. D.'D,
I'M GONNA CHECK INTO
THE PUZZLE HOUSE.

THE I. D. WAS INCONCLUSIVE,
BUT WHERE WERE YOU, CHARLIE?

I CAN TELL YOU IF I HAVE TO.
[ SIPOWICZ ]
THIS QUALIFIES AS A JAM.

I'D RECOMMEND YOU TELL US.

I WAS AT
MY OTHER GIRLFRIEND'S.

CLAUDIA. CLAUDIA LOWE.
SHE'S A GOOD KID.

CLAUDIA'S MISFORTUNE IN LIFE‐‐
SHE HAPPENS TO BE TRAPPED
IN A LOVELESS MARRIAGE.

I WOULD APPRECIATE IT
IF YOU WOULD APPROACH HER
DISCRETELY.

WE'LL DO WHAT WE CAN.
DOES CLAUDIA LIVE
WITH HER HUSBAND?

YEAH. YEAH, SHE DOES.
HE'S NOT IN TOWN A LOT.
HE'S A SALESMAN.

SELLS SECTIONAL GARAGE DOORS.
I THINK HE'S IN TROY TODAY.

‐ HE MAY BE BACK BY NOW.
‐ YOU GOT AN ADDRESS?

YEAH. YEAH. UM‐‐

SHE, UH‐‐
SHE LIVES IN CHELSEA
ON 21ST STREET.

THIS IS THE PHONE NUMBER.

YOU CALL IT
AND THEN HANG UP.

THEN CALL IT AGAIN.
IF SOMEONE ANSWERS
AND HANGS UP,

THAT'S CLAUDIA INDICATING
THAT THERE'S NO LONGER
A HUSBAND ON THE PREMISES...

AND IT'S SAFE
TO COME OVER.

‐ SIT DOWN.
‐ COME ON, JOHN.
I GOTTA PICK UP MY TREVOR.

POOR GUY. HE'S AN ALKIE.
I PICK HIM UP EVERY WEEK
AT THIS TIME.

YEAH? WHAT, YOU TAKE HIM
TO A MEETING OR SOMETHING
PIOUS LIKE THAT?

I TAKE HIM
TO THE HARVARD CLUB
TO GET LOADED.

ARE YOU A RISK OF FLIGHT,
CHARLIE?

LOOK, YOU GUYS.

I CAME IN HERE‐‐
I COME UNDER MY OWN HOOK.

I GIVE UP CLAUDIA'S NAME.
SHE'S GONNA SAY I'M NOT GUILTY.
I DIDN'T DO IT.

IN CASE YOU HAVEN'T NOTICED,
I AM VERY TORN UP
ABOUT THIS THING.

I WOULD LIKE TO GO
AND MEDICATE MY GRIEF.

YOU BETTER MAKE YOURSELF
AVAILABLE TO US.

ON MY HONOR.
MM‐HMM.

[ FOOTSTEPS APPROACHING ]

OOPS. I WAS EXPECTIN'
SOMEONE ELSE.

I CAN SEE THAT.
NEW YORK CITY
POLICE DETECTIVES.

CAN WE COME IN?

[ TV PLAYING ]

WHAT'S THIS ABOUT ANYWAYS?
I'M EXPECTING SOMEONE.

WOULD THAT BE CHARLIE LEAR?
WHAT'S THIS
HAVE TO DO WITH CHARLIE?

IS HE IN TROUBLE
OR SOMETHIN'?

MRS. LOWE, WHAT WERE YOU DOING
BETWEEN 9:00 AND 11:00
THIS MORNING?

UH, WATCHIN' TV,
SLEEPIN'.
ALONE?

THIS IS ABOUT CHARLIE,
ISN'T IT?

RIGHT.
HE GAVE YOU THE NUMBER.
YOU USED THE SIGNAL.

BETWEEN 9:00 AND 11:00?

IF CHARLIE SAYS HE WAS HERE,
HE WAS HERE.

THAT'S NOT THE WAY IT WORKS.
DO YOU SAY HE WAS HERE?

[ SIGHS ]
SURE. HE WAS HERE.

‐ WHAT TIME WAS HE HERE?
‐ I'M NOT POSITIVE.
I WAS ASLEEP.

I HEARD THE DOOR, AND I
NEVER LOOKED AT THE CLOCK.

SO HE DIDN'T USE THE PHONE.
HE DIDN'T USE THE SIGNAL.

HE MIGHT HAVE.
I MIGHT HAVE GONE
BACK TO SLEEP.

‐ WHAT TIME DID HE LEAVE?
‐ I'M NOT POSITIVE.
I DON'T GET UP UNTIL LATE.

SO WHENEVER
HE SAID HE LEFT,
HE LEFT, OKAY?

LOOK, UM, MY HUSBAND‐‐
HE DOESN'T HAVE TO KNOW
ABOUT THIS, DOES HE?

WOULD YOU BE WILLING
TO TESTIFY IN COURT THAT
CHARLIE WAS HERE THIS MORNING?

IS THIS SOMETHING SERIOUS?

YEAH.
JUST LIKE THE PENALTIES
FOR PERJURY.

[ HUSHED ]
OH, GOD.

[ SIGHING]
UH... YEAH.

SURE. HE WAS HERE.
HE WAS HERE. OKAY?

WE'LL BE IN TOUCH.

[ STAMMERING ]
I, UH‐‐ I‐I‐I‐‐

I WANNA BE STRAIGHTFORWARD
ABOUT THIS. I AM BEGINNING
TO FEEL RESENTFUL.

I ALSO WANT TO SAY...
HERE WE GO.

THAT IF MY REPUTATION
AT THE CLUB WASN'T
ALREADY TARNISHED,

YOUR GUYS PULLING ME
OUT OF THERE LIKE THAT
PUT IT IN THE CRAPPER.

YOUR ALIBI DOESN'T
STAND UP, CHARLIE.

WHAT DO YOU MEAN?
I SAID I WAS WITH CLAUDIA.

I HAD SEX WITH HER
1 1/2 TIMES.

SHE DIDN'T MENTION THAT.
WOMEN. WELL,
IT HAPPENS TO BE TRUE.

SHE SAID YOU MIGHT HAVE BEEN
THERE. SHE DOESN'T REMEMBER
WHEN YOU ARRIVED OR LEFT.

SHE SAID SHE WAS ASLEEP.

SLEEPING
WHILE I HAD SEX WITH HER?
WHAT'S THAT SAY ABOUT ME?

I'LL TELL YOU WHAT IT IS.
CLAUDIA'S A GOOD WOMAN,
BUT NAIVE ABOUT THE WORLD.

YOU SCARED HER.
YOU SCARED HER BAD.
YOU SCARED HER BAD.

YOU MISTOOK HER NERVOUSNESS
FOR A LACK OF CONVICTION.

YOU LET ME TALK TO HER,
I WILL GET HER OVER
THIS CASE OF THE VAGUES.

‐ DID YOU DO THIS?
‐ I DID NOT.

YOU WERE LOADED.
YOU WERE PISSED OFF
ABOUT THE PICTURES.

DID YOU GO OVER
TO MINETTE'S?

‐ I DIDN'T KILL ANYBODY.
‐ MAYBE YOU WERE
TOO DRUNK TO REMEMBER.

I'M NOT GONNA SAY
I HAVE TOTAL RECALL...

ABOUT EVERY EVENT
SINCE MY CHRISTENING,

SO YOU JUST LET ME GO
AND TALK TO CLAUDIA, OKAY?

NO.
YOU PUTTIN'
THE BAG ON ME?

I'M GONNA READ YOU
YOUR RIGHTS TOO.
I SAID I DIDN'T DO IT!

YOU'RE PUTTIN'
THE BAG ON ME!
LET'S GO.

YOU GUYS ARE NOW GONNA HAVE
A CHANCE TO GO A ROUND
WITH THE COBRA.

WHAT DO YOU MEAN,
"THE COBRA"?

ALAN BIDEN. ALAN BIDEN
STARTED TWO YEARS
BEHIND ME AT HARVARD.

BY THE TIME I GRADUATED,
HE WAS IN SECOND‐YEAR LAW.

BELIEVE ME, THE COBRA
IS GONNA GET HIS WAY,

AND, JOHN,
I AM PARTICULARLY
DISPLEASED WITH YOU.

I AM PARTICULARLY
DISPLEASED WITH THE WAY
IN WHICH YOU DID THIS.

HEY.
HI.

[ DOOR CLOSES ]

SO I GUESS I SHOW UP
IN THE SQUAD TOMORROW, HUH?

YEAH. HEY, IT'LL BE GOOD.

BY ANY CHANCE, YOU
WOULDN'T FEEL LIKE GOING
FOR A BEER, WOULD YOU?

TOUCHIN' BASE?
I'M WORKING ON THIS GUY.

I WANTED TO TELL YOU THAT
I'M GLAD WE'RE GONNA GET
TO WORK TOGETHER.

THE LAST COUPLE MONTHS
HAVEN'T BEEN THAT GREAT
FOR ME.

I KNOW IT MAY BE AWKWARD
STARTING OUT, BUT I THINK
WE CAN GET PAST THAT,

AND I'D LIKE US
TO WIND UP FRIENDS.

I'D LIKE THAT TOO.
LET'S SEE WHAT HAPPENS,
ALL RIGHT?

OKAY, JOHN.
ALL RIGHT.

HE MAKE HIS CALL?
YEAH. TO THE COBRA.

I THINK ALL LAWYERS
SHOULD HAVE
REPTILE NICKNAMES.

DID HE
KILL THIS GIRL?

I DON'T KNOW.

TIME FOR BED, GIRLS.

GOOD NIGHT, BABY.
GOOD NIGHT, DAD.

MM!
GOOD NIGHT, MOM.

GOOD NIGHT, SWEETIE.

GOOD NIGHT.
GOOD NIGHT, YOU.

SWEET DREAMS.

[ ARTHUR, SIGHS ]

ARTHUR, ARE YOU ASKING ME
TO GET AN ABORTION?

IS THAT WHAT YOU WANT?
YOU KNOW
WHAT I BELIEVE ABOUT THAT.

THEN WHY ARE YOU
BEING THIS WAY?
LET ME FINISH.

YOU KNOW WHAT I BELIEVE,
BUT IF YOUR LIFE'S
GONNA BE JEOPARDIZED‐‐

YOU SHOULD TALK TO
THE DOCTOR. HE THINKS
IT'LL BE ALL RIGHT.

WHAT IF IT ISN'T?
I DON'T WANNA LOSE YOU.

I DON'T WANT
THE GIRLS TO LOSE YOU.

I KNOW WHAT'S IN
YOUR DEEPEST HEART, ARTHUR.

I'M ASKING YOU
TO LET LIFE IN.
LET THIS LIFE IN.

I THINK
IT'S TOO MUCH OF A RISK.

I'M HAVING THIS CHILD.

I DON'T BELIEVE FOR A MINUTE
CHARLIE KILLED THAT GIRL.

I DON'T BELIEVE
YOU BELIEVE IT, JOHN.

YOU JUST GOT BACK
FROM MUSTIQUE?

PUTTING
CHARLIE'S PECCADILLOES
INTO THE PROPER PERSPECTIVE.

SEXUAL FIDELITY
HAS NEVER BEEN
CHARLIE'S STRONG SUIT.

HE'S SUFFERED FROM THESE
TRANSIENT INFATUATIONS
FOR YEARS,

AS YOU WELL KNOW.

WE EVEN JOKE ABOUT IT,
CHARLIE AND I.
[ CHUCKLES ]

YOU KNOW WHAT
I TOLD HIM THIS MORNING?

"CHARLIE," I SAID,
"IF ANYTHING EVER
HAPPENED TO YOUR PECKER,

I DON'T KNOW
WHAT THE HELL YOU'D
USE TO THINK WITH."

MRS. LEAR, HAVE YOU LET GO
OF ANY OF THE HELP RECENTLY‐‐

MAYBE BEING UNRELIABLE,
TAKING THINGS?

MM‐MM. NO ONE. NO.

ANYONE HAVE ACCESS
TO THE APARTMENT...

MIGHT WANNA PUT CHARLIE
IN TROUBLE, MAKE HIM
LOOK LIKE HE DID THIS?

YOU'RE THINKING
ABOUT THE GUN NOW,

THAT CHARLIE'S GUN WAS
USED IN THE SHOOTING?

WE'RE NOT BEARS
FOR SECURITY,

BUT NO, NO ONE SPECIFIC
COMES TO MIND.

DID YOU KNOW
THE DEAD WOMAN
MINETTE COLEMAN?

[ SCOFFS ]
HARDLY.

OH, EXCEPT AS A TYPE.

THEY'RE ALL VERY MUCH
THE SAME, JOHN, THESE,
UM... WOMEN OF CHARLIE'S.

‐ THESE OTHER WOMEN
DON'T BOTHER YOU?
‐ IT'S BEEN AWKWARD AT TIMES.

‐ AND EMBARRASSING, RIGHT?
‐ WELL, I'VE NEVER
MUCH CARED...

OR HAD TO CARE
WHAT OTHER PEOPLE THINK.

WHO DO YOU THINK
SENT THESE PICTURES?

WELL, I ASSUME SHE DID,
THE GIRL WHO WAS KILLED.

CHARLIE SAID
THEY WERE ADDRESSED TO YOU.

YEAH.
YOU HAVE THAT ENVELOPE?

NO. I THREW IT AWAY.

[ SIGHS ]
CHARLIE'S BEING ARRAIGNED
THIS AFTERNOON.

HE TOLD ME
NOT TO COME DOWN.
HE SOUNDED UPSET.

CHARLIE HATES
BEING UNHAPPY.

THANKS FOR YOUR HELP.

TELL HIM, UM...
I ASKED FOR HIM.

I'LL DO THAT.

[ MEN CHATTERING ]

SAY SHE SET HIM UP.
SHE HAD ACCESS TO THE GUN.

YEAH, BUT WHAT DO YOU DO ABOUT
THAT WITNESS DESCRIPTION...

AND THE MISTRESS
WHOSE STORY LIMPS
THAT HE WAS THERE?

YOU KNOW WHAT?
LET'S GO CALL
THIS MISTRESS AGAIN.

I'LL GIVE HER A CALL.
YEAH.

JOHN! THE COBRA HAS STRUCK.

LOOK WHO'S HERE.
I'M OUT.

HAD TO PUT UP A COOL MILLION.
THAT WAS THE BOND.

WHEN THIS NEWS
REACHES CERTAIN QUARTERS,

FOUR OR FIVE OF THE CITY'S
MOST COOPERATIVE
AND BELOVED BANKERS...

ARE GONNA GO INTO
SIMULTANEOUS ARREST.

I'LL MAKE THAT CALL.

KEEP STEPPING
ON YOUR JOINT,
CHARLIE.

JOHN, I TELL YOU
WHAT I'M GONNA DO.

I AM GONNA PERSONALLY
SLEUTH THE HELL
OUT OF THIS CASE...

TO FIND OUT WHO HAS
CAST THIS SHADOW
OVER KITTY'S AND MY LIFE.

NO, YOU'RE NOT.
YOU ARE GONNA
CHECK INTO A HOTEL.

YOU ARE GONNA STAY AWAY
FROM KITTY, AND YOU ARE
NOT GONNA SEE THIS GIRL.

I CAN'T SPEND TIME BY MYSELF.
YOU BEST FIGURE OUT
HOW, CHARLIE.

WHAT IF I DID THIS, JOHN?

I'M GONNA HAVE
TO TAKE YOU TO JAIL.

HEY.
HEY.

LEAR'S GIRLFRIEND SAID
HER HUSBAND'S GONNA
BE THERE TONIGHT.

SHE'D SEE US
TOMORROW MORNING.
ALL RIGHT.

WHAT HAPPENED
TO GOOD‐TIME CHARLIE?

I SENT HIM OVER
TO A HOTEL.

THAT'S PROBABLY
JUST WHERE HE WENT.

HEY, YOU GOT
THAT BIRTHDAY THING TONIGHT.

MM‐HMM.
[ GARGLES, SPITS ]

YOU HAVEN'T MET HER FAMILY,
HAVE YOU?

NO. THIS IS IT.

THEY'RE PROBABLY
EXPECTING SOME YOUNG
HOTSHOT‐D. A. TYPE.

I WALK IN.

I GOT HER FATHER
A PRESENT.

WHAT'D YOU GET HIM?

A GREEK FISHERMAN'S CAP.

THEIR FAMILY'S FROM
SOME ISLAND OVER THERE.
THEY ALL USED TO FISH.

HE DOESN'T LIKE IT,
HE CAN TAKE IT BACK.

JOHN, YOU THINK
MY HAIR'S TOO LONG?
TOO LONG?

YEAH, IN THE BACK,
SMART‐ASS.

HEY, MAN, YOU LOOK GREAT.
YOU LOOK FINE.

YEAH?
YEAH.

KNOCK 'EM DEAD.
[ SIGHS ]

ALL RIGHT?
KNOCK 'EM DEAD.
YEAH. THANKS.

♪ [ GREEK ]

[ PARTY CHATTER ]
HI.

[ MAN ]
HELLO.

[ CHATTERING ]

[ MAN ]
HI. HOW ARE YOU?

I AM KOSTAS COSTAS.

[ DEEP BREATH ]
I AM ANDY SIPOWICZ.

NO, MY FRIEND.
NO?

YOU ARE ANDREAS SIPOWICZ.

THEO.
PUT YOUR CUP DOWN.

AND YOU,
YOU ARE MY ARGYRO.

I'M HIS SYLVIA.

TELL THE OTHERS
TO COME MEET ANDY.

[ CHATTERING ]

THESE ARE MY BROTHERS.

THIS IS SPIRO.
YES, YES.
WELCOME, ANDREAS.

‐ LITTLE GEORGE.
‐ AH, ANDREAS.

MY GRANDFATHER
WAS ALSO GEORGE.

THEO.
HE'S NOT SO LITTLE, HUH?

NO, NO.
HE'S A BIG GUY.

‐ MY NIECE, ELENI.
‐ HOW DO YOU DO?

ANDREAS, I PREPARED
ALL THIS MYSELF.
I CLOSED AT 3:00.

LOOKS GREAT.

COCA‐COLA.
NOTHING MORE.

UH, THANK YOU.

NO.

NO, YOU DON'T HAVE TO GO
BEHIND A BARN HERE.

PEOPLE DRINK
IN FRONT OF ME
ALL THE TIME.

YOU SURE, ANDREAS?
YEAH, IT'S OKAY.

[ KOSTAS ]
OKAY, OKAY.
LET'S DRINK. LET'S DRINK.

[ ALL LAUGH ]

UH, HAPPY BIRTHDAY.

FOR ME? THANK YOU.
OH, YES.

YASOU, KOSTAS!

[ ALL ] YASOU!
YASOU.


[ CHATTERING ]

YOU THINK
I AM ALCOHOLIC?

I WOULDN'T KNOW, THEO.
YOU GOTTA FIGURE THAT OUT
ON YOUR OWN.

I AM DRINKING
SINCE I AM 12 YEARS OLD.

WELL, THERE YOU GO
THEN, HMM?

ANDREAS, I AM WEARING
MY NEW HAT.

‐ LOOKS GOOD.
‐ I LOVE THIS HAT!

I COME TO THIS COUNTRY.
I START OUT BY WASHING DISHES.

NEXT I AM BUSBOY, AND THEN
I MANAGE A RESTAURANT AT NIGHT.

MANY HOURS WORK.
MY LOVELY WIFE STAYS BESIDE.

MY BROTHERS,
THEY COME ONE BY ONE.
MANY YEARS WORK.

WE OWN OUR OWN RESTAURANT
AND THEN TWO MORE.

AND THEN WE HAVE THIS GIRL,
THIS...

SYLVIA.

THIS WONDERFUL SYLVIA.
MY ARGYRO...

WITH HER BEAUTIFUL EYES
WHERE I CAN STILL
SEE HER MOTHER.

ANDREAS, I DO NOT ASK
WHAT YOUR INTENTIONS ARE, HUH?

WHATEVER THEY ARE,
THEY ARE YOUR OWN BUSINESS.
I HAVE GOOD INTENTIONS.

THIS IS YOUR OWN BUSINESS‐‐
YOUR INTENTIONS FOR SYLVIA.

MY INTENTIONS ARE GOOD.
THEY'RE REAL GOOD.
THE BEST.

IF YOU ASK FOR HER HAND,
IT'S YOUR OWN SCHEDULE, HUH?

ARGYRO, COME.

SHE MAKES ME VERY PROUD,

THIS TIGER,
THIS FIGHTING
DISTRICT ATTORNEY.

AND TONIGHT,
WE TOAST HER HAPPINESS,

AND WE TOAST THE MAN
WHO MADE HER HAPPY.

HUH? NOW, YOU DON'T
HAVE TO TOAST, OKAY?

DON'T WORRY
ABOUT BAD LUCK
OR ANYTHING...

NOT TO TOAST YOUR BELOVED.

[ CHEERING ]
OPA!

[ MAN ] HEY!

[ WOMAN ] OPA!
[ MAN ]
OPA!

SYLVIA, YOU HAVE
A PHONE CALL.

I GOTTA CALL DOWNTOWN.

[ CHEERING ]



YOU'LL BE FINE.

[ KOSTAS ]
YORGO. YORGO.

[ WOMAN ]
OH, YOU'RE DOING GREAT.

[ WOMAN ]
GEORGE, YOU LOOK LIKE
YOU'RE GONNA FALL OVER.

YOU ARE GREAT.
OH, YEAH.
I'M A REAL PISTOL.

ANDY, I GOTTA GO.
WHAT DO YOU MEAN?

I GOTTA TAKE A STATEMENT
FROM A DYING WITNESS.

WOULD YOU MIND TAKING ME?

HOW MANY HUGS YOU GOTTA GET
IN ORDER TO GET OUTTA HERE?

IF THE STATEMENT
DOESN'T TAKE TOO LONG,
YOU WANT SOME COMPANY LATER?

WE'LL SEE HOW IT GOES.

ANDY, THIS HAS BEEN
THE GREATEST NIGHT
OF MY LIFE.

[ THUNDER RUMBLES ]

HELLO?

[ FOOTSTEPS APPROACHING ]

SORRY, SWEETIE.

I THOUGHT WE DECIDED
NOT TO PIERCE YOUR EARS
FOR ANOTHER YEAR.

I KNOW. AM I GROUNDED?

‐ NO.
‐ DOES THAT MEAN
I CAN PIERCE MINE?

NO.

DO IT EVERY HOUR.
DON'T FORGET.
OKAY.

I'M READY TO ACCEPT
THAT WE'RE GONNA
HAVE THIS CHILD.

‐ THAT'S BIG OF YOU.
‐ I'M NOT SAYING IT RIGHT,
OKAY?

THEN WHAT ARE YOU SAYING,
ARTHUR?

I GUESS I TRAINED MYSELF
NOT TO WANT THINGS,

NOT TO WANT
WHAT I CAN'T HAVE.

‐ BUT WE CAN HAVE THIS.
‐ I WAS WORRIED FOR YOU,

AND I KEPT REMINDING MYSELF
HOW DANGEROUS
IT WAS FOR YOU.

AND I JUST EQUATED IT...
WITH YOUR DYING‐‐

THAT IF I WANTED IT,
I'D LOSE YOU.

AND NOW YOU'RE TELLING ME
IT'S OKAY,

AND I JUST COULDN'T
MAKE THAT LEAP.

ALL I COULD THINK ABOUT
WAS LOSING EVERYTHING.

YOU'RE NOT
GONNA LOSE ME, ART.

I'M SO SORRY, BABY.

I WANT THIS CHILD
MORE THAN ANYTHING.

I JUST COULDN'T
MAKE THAT LEAP.

I THINK
IT'S GONNA BE A BOY.

ANDY?

ANDY.

I DON'T WANT
ANY COMPANY.

ANDY? OPEN THE DOOR.

PLEASE.

[ LOCK TURNS ]

THERE.
THE DOOR'S OPEN.
[ DOG BARKS ]

SHUT UP. WILL YOU
SHUT THE HELL UP.

[ DOG BARKS ]
SHUT THE HELL UP.

[ BARKING ]
SHUT UP.
COME ON. SHUT UP.

YOU, UH, YOU WANT
A REFRESHMENT OF SOME KIND?

A LITTLE RUB
OF THE BRUSH?

ANDY, I DON'T UNDERSTAND.
WHAT HAPPENED?

YOU DON'T UNDERSTAND?
HUH? WH‐WHAT PART
DON'T YOU UNDERSTAND?

I THOUGHT YOU WERE OKAY.
I THOUGHT YOU HAD JUST
THAT ONE SIP FOR THE TOAST...

AND THAT YOU WERE OKAY.

I DON'T TAKE
ONE LITTLE GREEK TOAST
LIKE SOME KINDA FAG.

I DRINK, I DRINK.

SO YOU STOPPED
AND BOUGHT A BOTTLE, HUH?

WHAT IS THIS, SOME KIND
OF INTERROGATION
OF SOME KIND?

NO. I WANT TO KNOW...
WHAT HAPPENED.

I HAD A COUPLE OF DRINKS
IS WHAT HAPPENED.

YOU WERE DOING
SO GREAT WITH THAT.

LOOK, I HAD‐‐
I HAD THE ONE DRINK.

AND THAT WAS OKAY,
SO I HAD A SECOND ONE.

AND, I, UH‐‐
I WATCHED SOME TV.

THE TV PISSED ME OFF,
SO I TOOK CARE OF THAT.

I DID A LITTLE REPAIR JOB.
THAT WAS AROUND
THE FOURTH DRINK.

YOU LIKE THIS SO FAR?
YOU LIKE THIS STORY?

NO.
NO?

THEN GET THE HELL OUTTA HERE.
GO ON BACK TO THEM FRIGGIN'
BUNCH OF GREEK MANIACS.

ANDY.
GET OUT. GO ON.

JUST GET THE HELL
OUTTA HERE.

GO ON BACK TO THOSE‐‐

THOSE HAPPY‐GO‐LUCKY BUNCH
OF MORON SHEEP HERDERS.

ASKING ME
WHAT MY INTENTIONS ARE.

LULU.

[ WHIMPERS ]

I GOT A JOKE.

WHAT'S YOUR FATHER'S
MIDDLE NAME?

KOSTAS.
[ CHUCKLING ]

KOSTAS.

KOSTAS KOSTAS KOSTAS COST‐‐

KOST‐‐ BUNCH OF FRIGGIN'
GREEK MANIACS.

GET OUTTA HERE.

GET THE HELL OUT.

YEAH.

[ DOOR OPENS, CLOSES ]

HEY.

I'M SORRY I'M LATE.
NO PROBLEM.

HOW'D IT GO LAST NIGHT
WITH SYLVIA'S FAMILY?

WE GOT ALONG OKAY.

[ MAN ]
ARE YOU COMIN' WITH US?

[ TV PLAYING ]

[ LOCK TURNS ]

I REALLY
DON'T LIKE THIS.

I'M IN A DIFFICULT POSITION
WITH MY HUSBAND.

[ DOOR CLOSES ]

WE APPRECIATE
YOUR TALKIN' TO US AGAIN.

I WILL UNOFFICIALLY SAY
THAT CHARLIE WAS HERE
WITH ME,

BUT I WILL NOT CONFIRM IT
DUE TO MY DOMESTIC
CIRCUMSTANCES.

I WAS HOPIN'
YOU'D UNDERSTAND THAT.
CLAUDIA, HOW COME YOU SAY...

CHARLIE LEAR WAS WITH YOU
WHEN THIS OTHER GIRL
GOT MURDERED,

BUT YOU SAY IT
SO WE THINK YOU'RE LYIN'?

‐ I WAS UNCLEAR ABOUT THE TIME.
‐ OR MAYBE YOU ARE SURE
THAT HE WAS WITH YOU...

BUT YOU GOT A REASON
TO MAKE US THINK
DIFFERENTLY.

I DON'T UNDERSTAND
WHAT YOU'RE SAYIN'.

I WOULDN'T FIGURE
THAT THE REASON
WAS YOURS, CLAUDIA.

'CAUSE, NO OFFENSE, BUT YOU
DON'T SEEM TOO SMART TO ME.

SO LET'S SAY
THAT SOMEBODY PAID YOU
TO HAVE THE REASON, RIGHT?

YOU GOT MONEY PROBLEMS.

MAYBE YOUR OLD MAN'S
NOT SELLING TOO MANY
GARAGE DOORS,

SO SOMEONE COMES ALONG
AND THEY OFFER YOU MONEY
TO JAM UP CHARLIE LEAR.

I WILL NOT
BE TALKED TO THIS WAY.

SEE, HERE IS A RARE CASE
WHERE BEING STUPID
CAN HELP YOU, CLAUDIA.

IF THIS WASN'T YOUR IDEA,
THEN YOU GOT
A FINE OPPORTUNITY...

TO STEP UP
AND TELL YOUR STORY.

AND BY DOING THAT,
YOU CAN AVOID HAVING
A 25‐YEAR BITE...

TAKEN OUT OF YOUR
POTENTIALLY FINE LIFE.

ANDY. ANDY.
OTHERWISE, YOU SIT THERE
BREATHIN' THROUGH YOUR MOUTH...

AND WE'LL BUILD A CASE
AROUND YOU.

ANDY.

HERE.

CLAUDIA, I THINK YOU'RE
SERVIN' SOMEBODY ELSE'S
INTEREST HERE.

IT'S TIME TO BE SMART,
THINK ABOUT YOURSELF...

AND TELL ME EXACTLY
WHAT HAPPENED.

THAT'S ALL YOU
HAVE TO DO, OKAY?

ALL I WAS SUPPOSED TO DO
WAS TO GET CHARLIE HERE
AND KEEP HIM HERE.

AND IF ANYBODY CAME ASKIN',
BACK AWAY FROM THE STORY.

SEE, I WAS PISSED OFF.
I DIDN'T KNOW ABOUT
THE OTHER MISTRESS.

SO CHARLIE WAS HERE
WHEN HE SAID HE WAS HERE.

YEAH, HE WAS
HERE WITH ME.

I DON'T KNOW
WHO KILLED THAT GIRL.

[ SIPOWICZ ]
WHO PAID YOU?

WHO PAID YOU?

I SHOULD HAVE A LAWYER.

SHOULD I HAVE A LAWYER?

YOU CAN HAVE A LAWYER,
OR YOU CAN BE SMART.

[ SIGHS ]

MRS. LEAR.
MM‐HMM. COME IN.

[ CHARLIE ]
HEY, JOHN.

CHARLIE, WHAT ARE YOU
DOING HERE?

I TRIED TO DO
WHAT YOU SAID, JOHN,

BUT I WENT TO THREE HOTELS
AND I SACKED THREE MINIBARS.

‐ WHERE'S KITTY?
‐ CAN I GET SOMEONE
TO GET YOU SOMETHING?

NO, YOU CAN'T.
CHARLIE, WHERE'S KITTY?

SHE'S‐‐ SHE'S PROBABLY
IN HER ROOM.

YOU KNOW‐‐ IT'S ALL OVER, GUYS.
[ GLASS CLINKS,
DRINK POURS ]

IT'S 99 PERCENT I DID IT.

I HAD THE MEANS, THE MOTIVE,
THE OPPORTUNITY.

ALL YOU'RE MISSIN'
IS THE BALLS.

I THOUGHT ABOUT THAT,
BUT I WAS IN A BLACKOUT.

I WAS LIKE
A BLOOD‐MAD DOG.

YOU GO THROW YOURSELF
IN THE SHOWER OR RINSE
YOUR HEAD IN THE CAN.

OUR BUSINESS
IS WITH YOUR WIFE.
[ MUMBLING INCOHERENTLY ]

WHAT IS IT?
YOU'RE UNDER ARREST,
MRS. LEAR.

I DON'T UNDERSTAND?
YOU DON'T?

LITTLE CLAUDIA GAVE YOU UP.

YOU NEED A LAWYER.
YOU WANNA FIND OUT HOW MUCH
TIME OFF YOU CAN GET...

FOR GIVIN' UP WHOEVER IT IS
YOU PAID TO DRESS UP LIKE
CHARLIE AND KILL THAT GIRL.

[ CHARLIE ]
YOU DID IT?

CHARLIE.
KITTY, YOU SET ME UP.

[ KELLY ]
CHARLIE.
YOU...

CALM DOWN. CHARLIE?
BLACKHEARTED
JOY‐HATING PIG.

‐ I HATE YOU, CHARLIE.
‐ I BET YOU DO!
I BET YOU DO!

ANDY, TAKE HER BACK.
I'LL MEET YOU THERE.

YOU NEFARIOUS BITCH!

I WANT TO CALL MY ATTORNEY.
YOU'LL CALL
FROM THE STATION HOUSE...

JUST LIKE A REGULAR
STIFF FROM THE STREET.

[ CHARLIE, RANTING ]
JUST LIKE
YOU'RE JOE THE RAGMAN.

NO, NO, NO!
YOU DON'T CALM DOWN,
YOU'RE GOIN' WITH THEM.

YOU HEAR ME?
GOD!
[ SOBBING ]

[ SIGHS ]

ONE HECK OF A TURN
OF EVENTS, HUH, JOHN?

I WANT YOU TO STAY PUT.
I WANT YOU TO STAY
RIGHT HERE. OKAY?

THEY CUT ME ORDERS FOR ANOTHER
CHANCE, DIDN'T THEY, JOHN?
YEAH, THEY DID.

SO, MAYBE I'M GONNA CHECK
INTO ONE OF THOSE DETOX
CENTERS IN MINNESOTA...

WHERE THEY
MAKE THE MOVIE STARS
MAKE THEIR VERY OWN BEDS.

MAYBE I'LL CHECK INTO
THE OAK ROOM AT THE PLAZA.

BUT I'M GONNA‐‐
I'M GONNA GO TO SLEEP.

AND I'M GONNA SLEEP
BECAUSE I DIDN'T KILL ANYONE.

I DIDN'T KILL ANYBODY.

[ MAN ] THE INFORMATION
IS ON THE HOT SHEET.
YOU HAVE A COPY OF THAT?

KITTY'S IN CONSULTATION
WITH HER SHYSTER.

I'LL HANG AROUND,
TAKE HER TO BOOKING.

[ WATER RUNNING ]

OKAY, LET'S TALK
ABOUT THIS.

[ SIGHS ]

I GOT DRUNK LAST NIGHT.

AT THE PARTY?
NO.

AT THAT PARTY,
I HAD A HALF A SWIG
OF THAT OUZO...

OR WHATEVER THE HELL IT IS
THOSE PEOPLE DRINK.

I GOT DRUNK AT HOME.
WHY'D YOU GET STARTED?

FOR GOOD LUCK. THEY
WERE TOASTIN' SYLVIA.

[ CHUCKLES ]
AND THERE'S
NO LIGHTNIN' BOLTS.

THE GROUND
DOESN'T OPEN UP.

HEY, I'M CURED.
I CAN DRINK
LIKE A NORMAL PERSON.

SO LET ME STOP
AND PICK UP A BOTTLE...

OF OLD ROTGUT PREMIUM
SPECIAL RESERVE‐‐
SHOW HOW FAR I'VE COME.

WHAT'D SHE SEE?
SHE HEARD ENOUGH.
SHE GOT THE GIST.

THIS WAS A MISTAKE, RIGHT?
IT DOES NOT ERASE TEN MONTHS.

YOU SHOULD'VE HEARD
THE THINGS I SAID
TO HER, JOHN.

IT WAS THE BOOZE, ANDY.
I DRANK THAT BOOZE.

THIS WAS A MISTAKE.
THAT'S ALL IT WAS.

I WANTED TO BE
THROUGH WITH IT,
YOU KNOW?

YOU DON'T JUST
DEDUCT A DAY
FROM YOUR TOTAL.

YOU GOTTA START
ALL OVER.
THEN START OVER.

I'M AFRAID TO GO OUTSIDE.

OKAY, YOU KNOW WHAT
WE'RE GONNA DO?

YOU COME HAVE DINNER WITH ME,
AND YOU CAN TAKE HER
TO THE BOOKING LATER.

NO. I'M GONNA STICK AROUND.
COME HAVE DINNER WITH ME.

NO, I'M GONNA STAY HERE.

OKAY.

HEY. GOOD JOB TODAY, JOHN.

THANKS, LIEUTENANT.

UM, YOU KNOW WHERE
I CAN FIND SOME ROSES?

UM, HOW ABOUT
ON THE CORNER OF SEVENTH?
ARE THEY FRESH?

YEAH, THEY SELL.
WHAT'S UP?

LILLIAN AND I ARE GONNA
HAVE ANOTHER BABY.

OH, YEAH?
YEAH.

YOU KNOW, AS LONG
AS EVERYBODY'S HEALTHY.
CONGRATULATIONS.

YEAH. GOOD NIGHT.
GOOD NIGHT, POPS.

GOOD NIGHT, DONNA.
GOOD NIGHT, LIEUTENANT.

I HAVE A MESSAGE
FOR YOU.

HOW YA DOIN'?
I'M GOOD.

HOW ABOUT YOU?

I'M DOIN' ALL RIGHT.

[ LICALSI ]
BUSY DAY, HUH?

YEAH. WE MADE A COLLAR
ON THAT SHOOTING HOMICIDE.

SURPRISE PERP, HUH?
YEAH.

QUIET DAY FOR ME.
THEY'LL PROBABLY
BRING YOU ALONG SLOW.

[ CHATTERING ]

HEY.

HEY, THE COPPERTONE GIRL.

YEAH. I, UH‐‐

OH, UH, JANICE LICALSI,
ROBIN WIRKUS.

‐ HOW YA DOIN'?
‐ I'M OKAY.

ROBIN WAS
IN THE BAHAMAS.

OH, YEAH? THAT'S NICE. I GOT
SOME PHONE CALLS TO MAKE.

IT WAS NICE
MEETING YOU.
YOU TOO.

NO MESSAGES.

WELL, I THREATENED
TO STOP BY AS SOON
AS I GOT BACK,

SO HERE I AM.

I CAN SEE THAT.
NICE SURPRISE.

IS THIS OKAY,
ME STOPPING BY?
NO, IT'S FINE.

‐ WOULD YOU LIKE TO GET
SOMETHING TO EAT?
‐ LET'S DO THAT.

IT STARTED TO RAIN.
YEAH.

GOOD NIGHT.

[ THUNDER RUMBLES ]

UH‐‐

[ CLEARS THROAT ]
I TALK TO YOU A SECOND?

I, UH‐‐

I APOLOGIZE FOR RUINING
EVERYTHING LIKE THAT.

I APOLOGIZE
FOR EVERYTHING.

ANYWAYS‐‐

YOU'RE A DRUNK.

YEAH.

ARE YOU GONNA
KEEP DRINKING?

I DON'T WANT TO. NO.

I DON'T WANNA
HURT YOU LIKE THAT.

OR YOURSELF.

YEAH. I DON'T WANNA
DO THAT EITHER.

I'M GONNA HAVE TO THINK
ABOUT ALL THIS, ANDY.

WELL... I EXPECTED
YOU WOULD.

YEAH.