Mission: Impossible (1966–1973): Season 6, Episode 7 - Encounter - full transcript

Lisa impersonates a mobster's alcoholic wife to raise her prestige from embarrassment to dangerous informant. That puts Lisa as well as her husband at risk of a mob hit which Jim expects to force the mobster into a rash decision to turn against the mob.

TOO BAD.

ALL THIS DESTRUCTION
COULD HAVE BEEN AVOIDED

IF OLD MAN GEARY
HADN'T BEEN SO STUBBORN.

I'LL SEE HIM THIS AFTERNOON...

OFFER HIM THE PARTNERSHIP
ARRANGEMENT AGAIN,

ONLY THIS TIME I'M GOING TO
CHANGE THE TERMS, FRANK --

70/30 OUR FAVOR
INSTEAD OF 60/40.

[ EXPLOSIONS CONTINUE ]

TAKE DEKKER WITH YOU.

YOU KNOW WHAT TO DO
IF THERE'S ANY TROUBLE.

RIGHT, MR. BRADY.
I KNOW.



LET'S GO.

[ ENGINE TURNS OVER ]

BOLAN! COME ON!

ALMOST FINISHED!

OKAY, EVERYBODY OUT.

MR. THOMAS?

NO, MR. THOMAS IS OUT OF TOWN
TILL NEXT WEEK.

MAYBE YOU CAN HELP ME.
I'M FROM THE BUREAU OF SAFETY.

OH, I SEE.

YOU'LL FIND EVERYTHING YOU NEED
IN THERE ON THE COUNTER.

GOOD MORNING, MR. PHELPS.

CONVENTIONAL
LAW-ENFORCEMENT AGENCIES

HAVE BEEN UNABLE TO PREVENT
FRANK BRADY

AND HIS IMMEDIATE SUBORDINATE,
MARTIN STONER,



FROM SUCCESSFULLY USING
TERROR TACTICS

TO FORCE LEGITIMATE BUSINESSMEN
ALL OVER THE SOUTHWEST

INTO SECRET PARTNERSHIPS
WITH THE UNDERWORLD.

AS A RESULT,
TENS OF MILLIONS OF DOLLARS

ARE NOW FLOWING
THROUGH BRADY'S ORGANIZATION

INTO THE SYNDICATE.

YOUR MISSION,
SHOULD YOU CHOOSE TO ACCEPT IT,

IS TO PREVENT FURTHER VIOLENCE
AND TO GET THE EVIDENCE WE NEED

TO STOP BRADY AND STONER
FOR GOOD.

THIS TAPE WILL SELF-DESTRUCT
IN FIVE SECONDS.

GOOD LUCK, JIM.

[ SIZZLING ]

[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]

LOIS STONER --
MARTIN STONER'S WIFE.

FRANK BRADY'S HATED HER
FOR YEARS.

HE'S GOING
TO HATE HER A LOT MORE.

ANY PARTICULAR
PROBLEMS, CASEY?

WELL, EVERY ALCOHOLIC

HAS AN INDIVIDUAL
BEHAVIOR PATTERN.

I'M BEGINNING TO GET
THE HANG OF LOIS, BUT...

UM, THERE'S NO SUBSTITUTE
FOR PERSONAL OBSERVATION.

HOW LONG HAS LOIS STONER

BEEN DROWNING HERSELF
IN ALCOHOL, CASEY?

WELL, EVER SINCE HER HUSBAND
JOINED BRADY'S ORGANIZATION.

SHE COULDN'T ACCEPT IT,

BUT SHE COULDN'T QUITE
MAKE A CLEAN BREAK.

SO SHE STARTED DRINKING
AND PICKING UP STRANGE MEN

WHEREVER SHE COULD FIND THEM.

EVERYTHING'S SET AT CUMBERLAND.

OUR PEOPLE WILL BE
GETTING THERE TONIGHT.

I'M ALL SET, TOO, JIM.
MY RECORD WAS PLANTED TODAY.

GOOD, WILLY. NOW, BEFORE HE
DIED, BOLAN TOLD THE POLICE

THAT BRADY'S ARSON SQUAD
WAS UP TO SOMETHING BIG.

WE HAVE TO FIND OUT WHAT

AND MAKE SURE
IT DOESN'T COME OFF.

HOW MANY BUSINESS OUTFITS

HAS BRADY PENETRATED
FOR THE SYNDICATE?

WE'RE NOT SURE, BARNEY.

THAT'S WHY WE HAVE TO FIND
AND GET OUR HANDS ON

THE FILES
THAT STONER MICROFILMED.

THEY'LL NOT ONLY HELP
TO HANG STONER AND BRADY,

THEY'LL GIVE US INFORMATION
TO CLEAN THE SYNDICATE

OUT OF ALL LEGITIMATE
BUSINESS IN THAT WHOLE REGION.

YOU KNOW, I FEEL KIND OF SORRY
FOR LOIS STONER.

IS THERE ANYTHING WE CAN DO
TO HELP HER, TOO?

THERE SURE IS, CASEY.

WE CAN PUT HER HUSBAND
AND FRNAK BRADY BEHIND BARS.

I THINK YOU NEED A REFILL.

WHY NOT?
ON THE ROCKS WITH AN OLIVE.

BARTENDER, ANOTHER DRINK
FOR THE LADY, PLEASE.

RIGHT THERE.

WE'RE IN FOR, UH,
70% OF THE ACTION.

UNFORTUNATELY, DEKKER
HAD A LITTLE WORKOUT.

THE OLD MAN WAS STUBBORN.

EVERYTHING READY
FOR THE NEXT HIT?

I NEED A MAN
TO REPLACE BOLAN.

-FIND HIM.
-THAT'S A BIG JOB.

I DON'T WANT ANOTHER CLINKER
THAT'S GOING TO END UP DEAD.

I'LL LEAVE IT UP TO YOU.

YOU'RE NEW AROUND HERE,
AREN'T YOU?

JUST IN TOWN ON BUSINESS.

I KNEW THAT.

I KNEW THAT BECAUSE,
YOU SEE,

THIS IS SORT OF
MY HOME AWAY FROM HOME.

BUT THEN, I HAVE MANY, MANY,
MANY HOMES AWAY FROM HOME

BECAUSE THE CHANGE IN DECOR
SETS MY MANY MOODS.

[ CHUCKLING ]

HA HA.
I'LL GET YOU SOME.

HELLO, HONEY.

MY NAME'S RUSS,

AND I'D LIKE TO BUY
LITTLE OL' YOU A DRINK.

MOVE ALONG, JUNIOR.
I'M BUSY.

COME ON, DON'T BE LIKE THAT
TO OL' RUSS.

BARTENDER.

I'M AFRAID
YOU'RE A LITTLE LATE, PAL.

GET LOST.

WOULD YOU MIND?

I WAS JUST GOING TO SAY
THE SAME THING ABOUT YOU.

COME ON, GET LOST.

NOW, WAIT A MINUTE.

LISTEN, YOU'RE TERRIFIC.
I REALLY --

LET'S GET OUT OF HERE.

OH, I THOUGHT
YOU'D NEVER ASK.

[ CLEARS THROAT ]

SORRY ABOUT THE TROUBLE, PAL.

OH, THAT'S PERFECTLY ALL RIGHT.

HOME.

UH-HUH.

OH, UH, LISTEN...

I'M NOT DRUNK,

BUT SOMEBODY
KEEPS MOVING THE FLOOR.

I HAVE SOMETHING
THAT WILL FIX YOU.

LOOK. HMM?

INDEED!
LOOK WHAT YOU HAVE THERE.

MY GOODNESS!

OH, HEAVENS TO BETSY.

WELL, ABSOLUTELY.

MM-HMM.

OH.

[ SIGHS ]

YOU KNOW SOMETHING, PAUL?

THERE'S SOME PEOPLE
THAT YOU MEET

THAT YOU JUST, UH,
LIKE RIGHT AWAY, YOU KNOW?

YOU'RE SPECIAL.
I DON'T KNOW WHY, BUT YOU ARE.

LET'S DRINK TO IT.

ALL RIGHT.

[ ICE RATTLING IN GLASS ]

CHEERS.

[ GLASSES CLINKING ]

MM!

MM. YOU ALL RIGHT?

MM-MM-HMM.

I HAVE ANESTH--

ANESTH--

THE PAIN OF THE WORLD
DOESN'T GET ME, RIGHT?

OH, I LIVE
IN THIS FANTASTIC COCOON.

SOMETIMES THERE ARE THINGS
THAT ARE UGLY.

MY HUSBAND'S A JANITOR.

HMM?

EH! JANITOR.

HE'S IN CHARGE
OF ALL THE UGLY THINGS.

COME HERE.

MAKE ME FEEL...

BEAUTIFUL.

MAKE ME FEEL BEAUTIFUL.

NO, ACTUALLY, UH...

PETER PICKLE PECKED
A, UH...

IT WAS SOMETHING.

OH.

[ Quietly ]
Barney, Casey...

PERFECT.

THIS GOES
ON BRADY'S DESK.

RIGHT.

TAKE GOOD CARE OF HER.

THE SOONER WE GET HER
TO THE SANITARIUM,

THE BETTER OFF SHE'LL BE.

YOU KNOW, FRANK,

I THINK WE'RE SENDING
TOO MUCH MONEY BACK EAST.

I MEAN, WE'RE THE ONES THAT ARE
MAKING THIS THING WORK.

DON'T BE GREEDY, MARTIN.
IT DOESN'T PAY.

[ DOORBELL BUZZES ]

[ SNAPS ]

WHAT'S THE MATTER, BOYS?

YOU LOOK LIKE
YOU GOT CAUGHT

WITH YOUR FINGERS
IN THE TILL.

ISN'T SOMEBODY GOING
TO OFFER ME A DRINK?

LOIS, WE'RE BUSY.

COME ON, BOYS,
YOU'VE ALREADY STOLEN

EVERYTHING THERE IS
TO STEAL.

LET'S HAVE A DRINK.

MARTIN, GET RID OF HER.

GET RID OF HER, MARTIN.

JUST, UH, SWEEP HER
UNDERNEATH THE RUG.

YOU KNOW, MARTIN,
YOU'RE A JANITOR.

LOIS, COME ON --

NO!

SEE, MARTIN, MAYBE YOU HAVE
TO DO EVERYTHING

MR. BRADY SAYS TO DO,
BUT I DON'T.

NOPE.

BECAUSE THIS...IS WHAT
I THINK OF MR. BRADY!

AND THIS IS WHAT I THINK OF
MR. BRADY'S ORGANIZATION!

IF YOU DON'T LIKE IT, BRADY,
YOU CAN ALWAYS CALL A COP.

YOU DRUNKEN TRAMP!

FRANK...SHE'S...DRUNK.

SHE DOESN'T KNOW
WHAT SHE'S DOING.

SHE'S ALWAYS DRUNK!

KRONE, TAKE HER HOME.

NO, MARTIN, PLEASE COME HOME
WITH ME, MARTIN.

GET OUT OF HERE BEFORE
IT'S TOO LATE, MARTIN.

WE REALLY COULD TRY AGAIN.
WE COULD!

TAKE YOUR HANDS OFF ME,
YOU SLIMY PIG!

STOP IT!

JUST STOP!

[ DOOR SLAMS ]

OH, I'VE HAD IT, MARTIN.
I'VE HAD IT UP TO HERE.

I'LL TAKE CARE OF IT,
FRANK.

IF SHE WAS MY WIFE --

SHE'S MINE!

SHE HATES YOU, MARTIN.

SHE'S WILD AND SHE'S CRAZY.

WHAT IF SHE DECIDES TO TALK
TO A D.A., HUH?

[ DOOR OPENS AND CLOSES ]

GOOD EVENING,
LADIES AND GENTLEMEN.

HOPE I HAVEN'T KEPT YOU
WAITING TOO LONG.

NOW, THIS IS A BRIEFING,
NOT A REHEARSAL.

WHAT WE HAVE TO CONVEY
MORE THAN ANYTHING ELSE

IS A SENSE OF SPONTANEITY.

[ DOOR OPENS AND CLOSES ]

MARTIN, I'M SORRY
ABOUT WHAT HAPPENED.

YOU...

YOU'RE NOT TOO ANGRY,
ARE YOU?

NO, NOT AT ALL.

AHH!

YOU TRY SOMETHING
LIKE THAT AGAIN,

AND I'LL TAKE YOU APART.

YOU UNDERSTAND ME?

ALL I WANT
IS THE WAY IT WAS.

I DON'T WANT IT LIKE THIS.

LOIS, I'VE PUT UP WITH YOU
TOO LONG.

MARTIN, PLEASE, I--

I'LL CHANGE.

I...I SWEAR I'LL CHANGE.

WHAT ARE YOU GOING TO DO?!

CUT IT DOWN
TO TWO QUARTS A DAY?

NO, NO, UH...NOW, MAR--

NOW, MARTIN, PLEASE
LISTEN TO ME, OKAY?

UH...TH-THERE'S A...

A PLACE THAT I CAN GO TO.

I-I-IT'S AN INSTITUTION.
NO, MARTIN, PLEASE, LISTEN.

IT'S AN INSTITUTION
CALLED CUMBERLAND,

AND THEY...
THEY TAKE PEOPLE LIKE ME.

AND Y-YOU WORK
IN GROUP ENCOUNTERS.

AND YOU...
YOU TALK OUT YOUR PROBLEMS.

AND THEY...

THEY WORK MIRACLES.

IT WOULD TAKE A MIRACLE.

NO.

MARTIN...

[ Sobbing ]
PLEASE, LET ME TRY.

PLEASE,
JUST GIVE ME A CHANCE.

PLEASE.

MARTIN, DON'T SAY NO,
PLEASE.

PLEASE. PLEASE.

[ TELEPHONE RINGS ]

HELLO.

OH, YEAH, FRANK.

HELLO.

I AM DOING SOMETHING
ABOUT IT, FRANK.

I'M, UH...SHIPPING HER OUT
FOR A CURE.

A PLACE, UH,
CALLED CUMBERLAND.

CUMBERLAND, YEAH.

I'M WARNING YOU, MARTIN,
SHE'S ON BORROWED TIME!

[ RECEIVER SLAMS ]

DEKKER, YOU'RE GOING OUT TO
A PLACE CALLED CUMBERLAND.

LOIS STONER
DOESN'T KNOW YOU.

THAT WAY YOU CAN KEEP
AN EYE ON HER.

IF SHE STEPS
OUT OF LINE ONCE,

WE MAKE SURE
SHE DOESN'T COME BACK!

PLEASURE, MR. BRADY.

SHE'S GOT HIM.

NOW ALL WE HAVE TO DO

IS MAKE SURE
THEY TRY TO KILL HER.

[ BUZZING ]

YEAH? WHAT IS IT?

FRANK BRADY.

WHO WANTS TO SEE HIM?

STEVE BOLAN.
MIKE'S BROTHER.

JUST A MINUTE.

FRANK, IS SHE GETS HOLD
OF HERSELF,

SHE WON'T GIVE US
ANY MORE TROUBLE.

WE'LL SEE.

THERE'S A GUY HERE
WANTS TO SEE YOU.

SAYS HE'S
MIKE BOLAN'S BROTHER.

GET RID OF HIM.

HE ISN'T HERE.

I'LL WAIT.

GET LOST.

WHICH ONE'S BRADY?

I'M BRADY.
WHAT DO YOU WANT?

SO YOU'RE THE GUY THAT LET
MY KID BROTHER ROAST.

THAT WAS AN ACCIDENT.

ACCIDENTS DON'T HAPPEN!

UNLESS THE MAN IN CHARGE
IS A SLOB.

IS THAT YOUR GUN, KRONE?

TAKING IT OUT ON ME

IS NOT GOING TO BRING
YOUR BROTHER BACK.

WHAT DO YOU WANT? MONEY?

MIKE WAS SENDING HOME
A COUPLE OF BILLS A WEEK.

OKAY.

HERE'S A THOUSAND.

CALL IT AN INSURANCE
POLICY, HUH?

NOW, WHY DON'T YOU BE NICE
AND GIVE THAT GUN BACK?

WHERE YOU FROM?

DETROIT.

HOW LONG YOU GOING
TO BE IN TOWN?

I DON'T KNOW. IT DEPENDS.

TELL YOU WHAT I'LL DO --

WHY DON'T YOU GET
A ROOM ON ME

AT THE FAULKNER HOTEL,
OKAY?

MAYBE IN A COUPLE DAYS,
I'LL HAVE SOMETHING FOR YOU.

THAT WAY YOU CAN
SEND MONEY HOME AGAIN.

DETROIT, HUH?

SEE WHAT YOU CAN FIND OUT
ABOUT HIM.

MR. TALBERT,
I'M MARK STRADER.

YOU WANTED TO SEE ME?

UH, YES, I'D LIKE
TO JOIN YOUR GROUP.

SEE YOUR FIRST SESSION'S
THIS MORNING.

THAT'S RIGHT.

UM, WHAT MADE YOU CHOOSE
MY PARTICULAR GROUP?

WELL, I DON'T KNOW MUCH
ABOUT GROUP ENCOUNTER,

AND, UH, I ASKED AROUND,

AND THEY SAID YOURS
WOULD BE ONE OF THE BEST.

WELL, YOU'LL HAVE
TO FILL OUT AN APPLICATION.

I'LL SEE
IF I CAN WORK YOU IN.

WHAT'S WITH THE RED TAPE?

THOUGHT YOU WERE HERE
TO HELP PEOPLE.

OKAY, COME ON.
I'LL DO MY BEST FOR YOU.

THANK YOU.

[ Weakly ] WHEN YOU FREEZE,
YOU SHOULDN'T SWEAT, RIGHT?

I MEAN, THERE'S SOME KIND

OF A SCIENTIFIC LAW
INVOLVED THERE.

AND IF THERE ISN'T,
THERE SHOULD BE.

UH...WHAT IS THIS PLACE?

WESTFIELD SANITARIUM,
MRS. STONER.

SANITARIUM?

HUH.

I SHOULD HAVE KNOWN IT.

YOU GO TO A HOTEL ROOM WITH
A NICE-LOOKING YOUNG MAN,

AND WHERE DO YOU WIND UP?

IN A SANITARIUM.

IT'S JUST LIKE MY MOTHER
ALWAYS TOLD ME.

ALL RIGHT, NOW I WANT YOU
TO CLOSE YOUR EYES.

COME ON, CLOSE YOUR EYES.
NOBODY'S GOING TO BITE.

NOW, WHEN I TELL YOU,

I WANT YOU TO START
MOVING AROUND THE ROOM

UNTIL YOU COME IN CONTACT
WITH SOMEONE ELSE.

WHEN YOU DO --
CLOSE THEM UP, LOIS --

WHEN YOU DO, I WANT YOU
TO EXAMINE

THAT PERSON'S FACE WITH
THE TIPS OF YOUR FINGERS.

JUST THE TIPS
OF YOUR FINGERS.

MOUTH, NOSE, EYES,
FOREHEAD, EVERYTHING.

ALL RIGHT,
LET'S START MOVING.

GO AHEAD.

SEE, TACTILE IMPRESSIONS

OFFER US A WHOLE NEW...
DIMENSION ABOUT OTHER PEOPLE.

WHEN YOU SEE SOMEONE
WITH YOUR EYES,

YOU ABSORB AN IMPRESSION,

BUT YOU DON'T REALLY
FEEL ANYTHING,

AND THAT'S
WHAT YOU'RE DOING NOW.

YOU ARE SEEING PEOPLE

IN A WHOLE NEW, TOTALLY
DIFFERENT WAY -- BY TOUCH.

WHY ARE WE DOING THIS?

WELL, IT BROADENS
OUR AWARENESS,

OUR UNDERSTANDING
OF PEOPLE.

I DON'T LIKE
THE MAN I'M TOUCHING.

WHY NOT?

I DON'T KNOW.

WELL, NOW,
WITH YOUR EYES CLOSED,

YOU CAN'T REALLY TELL
ANYTHING MORE

THAN THE FACT
THAT HE'S A MAN.

DO YOU, UH,
DISLIKE ALL MEN?

[ Laughing ] NO.

ARE YOU SURE?

OF COURSE I'M SURE.

LISTEN, MY FINGERS ACHE.

HAVE A LOOK
AT WHO IT IS ANYWAY.

I'M SORRY.
I DON'T EVEN KNOW YOU.

I DON'T KNOW WHY --

I'm sorry.

[ DOOR OPENS AND CLOSES ]

STEVE BOLAN --
ONE TO FIVE BURGLARY,

ONE TO TEN YEARS
ARMED ROBBERY,

THREE TO FIVE ARSON.

TEN ARRESTS,
FOUR CONVICTIONS.

VERY SOLID YOUNG MAN.

I WOULD SAY SO.

TALK TO HIM.

NOW, LISTEN, UH...
UH, PLEASE,

TRY AND UNDERSTAND
WHAT I'M TELLING YOU.

UH...

I DON'T JUST DRINK.

I'M AN ALCOHOLIC.

ALCOHOLIC, MY FOOT!

YOU JUST DON'T HAVE
ANY WILLPOWER.

YOU SURE ARE
A BITTER OLD BROAD.

DON'T YOU TALK TO ME
LIKE THAT...BOY.

OKAY, YOU,
YOU'RE ALWAYS STARING AT ME.

WHAT'S ON YOUR MIND?

MAYBE I LIKE YOUR FACE.

I DON'T LIKE YOURS.

TELL HIM, LOIS.
TELL HIM.

THAT'S RIGHT.
KEEP IT GOING, LOIS.

UH...

W-- UH...HE JUST...

REMINDS ME OF THE MEN
THAT ARE AROUND MY HUSBAND.

YOUR HUSBAND?

WHAT DOES YOUR HUSBAND DO?

WHAT DIFFERENCE
DOES IT MAKE?

ARE YOU ASHAMED?

I DON'T HAVE TO COME HERE
TO GET TORTURED, YOU KNOW.

IT'S GETTING RIDICULOUS.

[ SIGHS ]

OKAY.

WHO'S GOT THE DRINK?

[ LAUGHING ]

[ KNOCK ON DOOR ]

IT'S OPEN.

YOU BOLAN?

YEAH.

I'M THE GUY
WHO LET YOUR BROTHER ROAST.

THAT'S WHAT YOU TOLD BRADY.

I WAS A LITTLE HOT
UNDER THE COLLAR.

I FEEL BETTER NOW.

FOR A GRAND,
YOU FEEL BETTER.

HA HA HA.
THAT'S BROTHERLY LOVE, HUH?

LOOK, I NEED BREAD.

IF THAT'S WHAT
YOU'RE HERE FOR, FINE.

IF NOT, GET OUT.

I DON'T LIKE A MAN
WITH A GRUDGE.

NO GRUDGES.

CAN YOU HANDLE C-4?

SURE.

WHAT ARE YOU AFTER,
HEAVY MACHINERY?

YOU'LL FIND OUT.
JUST STICK HERE FRIDAY NIGHT.

WE'LL CALL YOU AND LET YOU
KNOW WHERE TO MEET US.

[ RINGS ]

HELLO.

YEAH, WILLY.

RIGHT.

FRIDAY NIGHT. EXPLOSIVES.

PROBABLY SOME KIND
OF HEAVY MACHINERY.

THEN I'LL KILL MYSELF
TOMORROW.

NO, I WANT TO GET OUT OF HERE.

LISTEN, YOU DON'T HAVE
ANY RIGHT TO KEEP ME HERE.

YOU DON'T HAVE THE RIGHT!

CALM DOWN, MRS. STONER.

LISTEN.
DOCTORNADO, PLEASE LISTEN TO ME.

I REALLY CAN'T STAY HERE.
PLEASE.

ALL RIGHT, MRS. STONER.
NO ONE IS GOING TO HURT YOU.

[ Crying ]
YOU'RE ALL GONNA KILL ME.

DOCTOR, PLEASE GET ME A DRINK.

I MEAN, I NEED A DRINK.

I'LL DO ANYTHING FOR A DRINK.

LOOSEN UP, PAUL.
DON'T BE SO TIGHT.

I NEVER HIT ANYBODY
IN MY WHOLE LIFE.

YOU WISH YOU WERE HOLDING
A STICK NOW, DON'T YOU?

YOU SAID IT, I DIDN'T.

ALL RIGHT, NONE OF YOU ARE
REALLY EXPRESSING YOURSELVES.

YOU'RE ALL TRYING TOO HARD
OR NOT HARD ENOUGH.

SHE'S RIGHT, PAUL --
LOOSEN UP.

LET IT COME OUT.
LET IT COME OUT FOR YOU.

COME ON, LOIS. LET'S SEE.
YOU'RE PLAYING PATTY-CAKE.

I WANT YOU,
WHEN YOU HIT HIM,

IF YOU WANT TO LET HIM KNOW
HOW YOU FEEL, THEN LET OUT

ALL OF THE HOSTILITIES
THAT YOU WANT TO GIVE HIM,

THAT YOU WANT HIM
TO KNOW ABOUT.

[ SOBBING ]

I'M SORRY. I JUST, UH...

I JUST, UH...I FEEL LIKE
I WANT TO KILL SOMEONE.

ALL RIGHT, LOIS.

JOE, WILL YOU
LET ME HAVE THAT?

I WANT YOU TO TAKE ONE
OF THESE, LOIS, AND USE IT.

YOU WERE SO CLOSE --
SO VER CLOSE --

TO LETTING IT ALL OUT.

I WANT YOU TO DO IT.
YOU CAN DO IT THIS WAY.

YOU TAKE THAT,
AND JUST LET THIS

BE THE OBJECT OF YOUR HATE

OR WHATEVER IT IS
THAT YOU WANT.

TAKE IT OUT THERE.
I KNOW YOU CAN DO IT.

TRY IT. TRY IT.

THAT'S NOT SOMEONE
WHO WANTS TO KILL.

HIT IT.

I'M GOING TO KILL YOU.

[ Sobbing ] KILL YOU,
YOU SLIMY COWARD!

IT'S ALL RIGHT, LOIS.
PLEASE, DON'T CRY.

OH, I'M ALL RIGHT.
I'M ALL RIGHT.

I'M ALL RIGHT. I --
I'M ALL RIGHT.

WHO IS IT
YOU'RE HITTING, LOIS?

IT'S...EVERYTHING.

EVERYTHING YOU HATE?

YEAH.

I DON'T THINK
IT'S EVERYTHING YOU HATE.

I THINK IT'S SOMEONE,
SOME ONE PERSON YOU HATE.

TELL US ABOUT IT, LOIS.

LOOK, I...

I THINK
YOU'RE ALL MY FRIENDS.

BUT, YOU SEE,
THIS INVOLVES MY HUSBAND

AND WHAT HE DOES AND
THE PEOPLE HE ASSOCIATES WITH.

AND...I CAN'T. I JUST --
I WANT TO, BUT I-I JUST --

I CAN'T.

YOU'VE MENTIONED YOUR
HUSBAND SEVERAL TIMES.

COULD YOU...
COULD YOU TELL HIM...

COULD YOU TALK TO HIM?

MAYBE.

ALL RIGHT. I WANT YOU TO.
YOU SIT THERE.

NOW, HERE...
SITS YOUR HUSBAND.

AND I WANT YOU TO TELL HIM
EVERYTHING YOU FEEL.

YOU CAN DO IT,
AND I KNOW YOU CAN.

WHAT'S HIS FIRST NAME?

MARTIN.

THIS IS MARTIN,
HERE IN THE CHAIR,

AND I WANT YOU
TO TALK TO HIM.

TELL HIM.

[ SIGHS ]

MARTIN, THIS IS REALLY HARD
FOR ME BECAUSE, UH,

I KEPT EVERYTHING INSIDE
FOR SO LONG.

BUT I'M NOT DRUNK NOW.

I DON'T THINK I'M EVER
GOING TO BE DRUNK AGAIN.

YOU SEE,
I CAN FACE MYSELF NOW.

AND THAT MEANS

THAT I CAN FACE WHAT YOU ARE
AND WHAT YOU DO.

DON'T YOU SEE?

UNLESS YOU CAN FACE IT, TOO,

EVERYTHING'S JUST FINISHED
BETWEEN US.

THERE'S NO USE PRETENDING.
I-I...

THERE...YOU CAN'T...

PRETEND.

YOU'RE JUST AS...
TWISTED AND CORRUPT

AS THE PEOPLE
THAT YOU WORK WITH.

AND UNLESS YOU FACE THAT,

EVERYTHING BETWEEN US
IS FINISHED.

YOU WERE SUCH
A BRILLIANT LAWYER ONCE.

BUT YOU SOLD OUT.

NOW YOUR WHOLE LIFE
IS ABOUT BREAKING THE LAW.

MARTIN, WORKING WITH THOSE
PEOPLE -- THEY'RE SUBHUMAN.

LISTEN, THEY'RE KILLERS.
THEY KILL TO GET WHAT THEY WANT.

MARTIN,
I KNOW ABOUT FRIDAY NIGHT.

I KNOW ABOUT THE KILLING,
ABOUT THE DESTRUCTION --

LISTEN, DO WE HAVE
TO LISTEN TO THIS?!

WHY DON'T YOU WANT
TO LISTEN TO IT?!

IT'S BECAUSE YOU'RE A KILLER!
I KNEW IT!

SHUT UP!

[ SOBBING ]

I'M SORRY.

WAIT, MAN.

NO, LET HIM GO.

[ BREATHING HEAVILY ]

You all right, Casey?

Yeah.

IT'S CRAZY, FRANK.

I NEVER...TOLD HER
ABOUT FRIDAY.

THEN HOW'D SHE KNOW?

SOME WILD THING.

SHE...PULLED IT
OUT OF THE AIR.

WHAT DO I DO?

THAT SHOULD BE OBVIOUS.

HEY, FRANK, SHE...
SHE'S MY WIFE.

WHAT IS THAT
SUPPOSED TO MEAN, HUH?

GO AHEAD,
TELL ME YOU LOVE HER.

LET'S HEAR SOME OF THAT
PRIZE COURTROOM ORATORY

IN HER DEFENSE.

WELL, I'M WAITING, STONER.
PLEAD FOR HER LIFE.

KILL HER.

HOW ARE YOU GOING
TO DO IT?

DON'T WORRY, MR. STONER.
I'VE GOT IT ALL WORKED OUT.

HE'S OVER THERE,
BY THE BULLETIN BOARD.

NO ACTION.

YET.

[ RINGS ]

HELLO?

LOIS, I'M IN MY CABIN.

I NEED YOUR HELP BADLY.

ALL RIGHT.
I'LL BE RIGHT THERE.

EVIE?

WHERE'S DEKKER?

GONE.
LEFT AFTER THE FIRST SHOT.

TAKE CARE OF HIM.

CASEY? YOU ALL RIGHT?

I think so.

DOESN'T LOOK TOO BAD.

HOW'S THE PAIN?

IT'S OKAY, JIM.

I THINK IT'S MOSTLY
SURPRISE RIGHT NOW.

I GUESS I...

I GUESS I NEVER REALLY...
EXPECTED...TO GET SHOT.

[ CAR DOOR CLOSES ]

JIM?

WE NEED DR. ADAMS, SMITTY.

I'LL SHOW YOU.

[ KNOCK ON DOOR ]

I THOUGHT
YOU WERE GOING TO CALL.

I'VE BEEN WAITING HERE
ALL NIGHT.

WE'RE MOVING
EARLIER THAN I FIGURED.

COME ON.

LET'S GO.

NOTHING SERIOUSLY WRONG
WITH HER, JIM.

NATURALLY, BEING A DOCTOR,
I PREFER TO PLAY IT SAFE

AND PUT HER INTO BED
FOR A COUPLE DAYS.

BUT THAT'S NOT WHAT WE'RE
GOING TO DO, DR. ADAMS.

JIM, I FEEL FINE.

LET'S GO ON WITH THE JOB.

ALL RIGHT, CASEY.

LET ME BANDAGE THAT.

OH, NO, NO BANDAGE.

OKAY?

YEAH, FINE, CASEY.

WHERE'S WILLY, JIM?

HE'LL CALL CUMBERLAND
AS SOON AS HE FINDS OUT

WHERE HE'S SUPPOSED TO MEET
BRADY'S MEN.

JOE WILL RELAY THE CALL
TO ME.

[ DOOR OPENS ]

THAT TAKES CARE
OF THE SILENT ALARM.

LET'S GET THE C-4
LAID OUT.

[ ENGINE TURNS OVER ]

[ RINGS ]

HELLO.

ANYTHING FROM WILLY?

NOT WORD ONE.

THEN HE'S ON HIS OWN.

[ BEEPING ]

SHE'S GONE.
HIT ME OVER THE HEAD.

HOW LONG?

ABOUT AN HOUR.

ARE YOU ALL RIGHT?

YEAH, I'M ALL RIGHT.

WE'VE GOT TO FIND HER

BEFORE SHE CAN CONTACT
HER HUSBAND.

THEY GOT KRONE AND CAREY.

THAT WAS A SETUP!

SOMEBODY DID SOME TALKING.

STONER'S WIFE.

ALL RIGHT, SHE PROBABLY DID
ENOUGH TALKING,

SO SOMEBODY
PUT IT ALL TOGETHER.

SHE'S GOT TO BE HIT.
SO DOES STONER.

-STONER?
-YEAH.

HE PROBABLY TIPPED
SOMEONE UP IN CUMBERLAND.

THAT'S WHY ALBIE
COULDN'T DO THE JOB.

BUT IF HE CARES MORE ABOUT HER
THAN HE DOES US --

-I'LL TAKE CARE OF IT.
-WAIT A MINUTE.

LET ME DO IT.
I NEED THE DOUGH.

BESIDES, THEY WON'T BE
EXPECTING IT FROM ME.

ALL RIGHT, BOLAN.
YOU GOT IT.

[ TIRES SCREECH ]

MARTIN...

MARTIN...MARTIN...

WHAT IS IT?

UH, SOMEBODY
TRIED TO KILL ME.

WHAT ARE YOU TALKING ABOUT?

YESTERDAY AT CUMBERLAND,
SOMEBODY TRIED TO SHOOT ME.

LOIS, YOU'RE NOT MAKING
ANY SENSE.

AHH!

[ TIRES SCREECH ]

THAT WAS MEANT FOR ME.

BRADY'S MAN.

BRADY...

THEN HE'S TRYING TO KILL
BOTH OF US.

WE'VE GOT TO GET OUT OF HERE,
OUT OF TOWN.

NO.

THERE HAS TO BE
SOMETHING ELSE YOU CAN DO.

WE CAN'T RUN FOREVER.

I DON'T KNOW WHY
HE'S TURNED ON ME.

BUT I KNOW BRADY.
HE'LL KEEP COMING BACK.

YOU COULD THREATEN
TO GO TO THE POLICE

AND TELL THEM EVERYTHING YOU
KNOW ABOUT HIS ORGANIZATION.

HE KNOWS I'M NOT
GOING TO LET MYSELF IN

FOR A LONG PRISON TERM.

THERE HAS TO BE SOMETHING
YOU CAN HOLD OVER HIS HEAD.

NO, NOTHING!

MARTIN, YOU RUN
HIS BUSINESS FOR HIM.

YOU KNOW ALL OF HIS SECRETS.
THERE HAS TO BE SOMETHING.

YEAH. MAYBE.

MAYBE THERE IS SOMETHING
I CAN DO.

MARTIN...

[ ENGINE TURNS OVER ]

MARTIN, TAKE ME WITH YOU.

WAIT!
DON'T LEAVE ME, MARTIN.

PLEASE, DON'T LEAVE ME
ALONE HERE.

MARTIN!

[ TIRES SCREECH ]

MM-HMM.

THEY'RE DEAD.
BOTH OF THEM.

[ MELANCHOLY PIANO MUSIC
PLAYING ]

[ SIGHS ]

OH, HELLO, UH,
THIS IS LOIS STONER.

IS MY HUSBAND THERE?

I've already called
the office and the house,

and...hello?

Hello? Hello?

[ RECEIVER SETTLES IN CRADLE ]

STONER'S WIFE.
SHE'S NOT DEAD.

BUT HE SAID --

BOLAN DIDN'T KILL THEM.

PARDON ME, BARTENDER?

YES, SIR?

HAVE YOU SEEN MRS. STONER?

NOT FOR A COUPLE OF DAYS.

TRY THE BLUE LANTERN
RIGHT AROUND THE CORNER.

IF SHE'S NOT HERE,
SHE'S THERE.

THANK YOU.

[ SCREAMING ]

I'LL TAKE THAT.

NO MORE.

I DON'T WANT TO GO BACK.

MRS. STONER...

[ SOBBING ]

PLEASE...HELP ME.

I WILL.

[ "MISSION: IMPOSSIBLE" THEME
PLAYS ]